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《丹房奥论》

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Taiqing 太清部 1 volumes 8,098 characters

About this page. The original text of 《丹房奥论》 (Taiqing 太清部, 1 volume) is shown in Classical Chinese as transmitted in the Godners/DaoZang edition. An English interpretation of the 16 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Vol. 1

丹房奥论 > 经名:丹房奥论,收录于《中华道藏》太清金丹经。 丹房奥论序 窃谓金丹大药,上全阴阳升降,下顺物理迎逢。圣人所谓格物致知,大盘不过子母相生,夫妇配偶之理。须藉水火无私之力,结构铅汞二物之精。要得真土擒铅,真铅制汞,加以手法火候,故能超凡入圣,返老还童。后世学丹之士,不识真土真铅,不知手法火候,惟求世问罕有之草木,‘街惑於人,各述己私,妄施工巧,迷迷相指,白首无成,深可叹惜。某幼慕清高,乐闻至道,求师访友,未造玄机。后因天禧、戊午宦游金陵,遇仙师魏君颜真人第斗j得传太清六一紫虚九丹之妙,与夫造化口诀。遂回至湖湘,诣南岳,醮谢天真,依诀修持,一一可验信。知手法君颜真人第斗j得传太清六一紫虚九丹之妙,与夫造化口诀。遂回至湖湘,诣南岳,醮谢天真,依诀修持,一一可验信。知手法火候,不易传之於世,遂使后学莫窥端涯。某不敢私秘,敬将师授口诀,已试之效,集成一帐,目之曰《丹房奥论》。得之者不宜轻泄漏慢,自当珍藏宝惜。观此若能触类而长,实有益於同志矣。天禧四年庚申上元学仙子程了一书。 学仙子程了一着 一论真土凡土
Interpretation

I believe that the Great Medicine of the Golden Elixir (Jindan)—the fundamental medicine for refining Neidan (internal alchemy)—accords above with the laws of the ascent and descent of Yin-Yang, and below conforms to the principle whereby things mutually greet and pair with one another. What the sages called “investigating things to extend knowledge,” in the final analysis, likewise cannot be separated from the principle of mother and child generating one another and of husband and wife pairing together. In refining the elixir one must rely upon the impartial power of Water and Fire, combining the essences of the two medicines Lead and Mercury; one must further use True Earth to subdue Lead and True Lead to control Mercury, then match this with the corresponding methods of operation and fire timing, and only thus can one transcend the ordinary, enter sagehood, and return from old age to youth.

Later students of elixir refinement do not recognize True Earth or True Lead, nor do they understand the methods of operation and fire timing; they merely seek rare herbs and plants of the mundane world. Thus people become confused, each stating private opinions, recklessly displaying their techniques, transmitting errors from one to another, until their hair turns white and they achieve nothing whatsoever—truly a cause for sighing.

From youth I have admired the lofty Dao (the Way) and taken pleasure in hearing of the Great Dao, seeking teachers and visiting friends in all directions, yet I was never able to fathom its profundities. Later, in the Wuwu year of Tianxi (following the original chronology), while going out to take up an official post in Jinling, I encountered the immortal master, the Perfected One Wei Junyan of the Dipper, and received transmission of the marvelous method of the Taiqing Six-One Purple Void Nine Elixirs, together with the oral instructions concerning creation and transformation. Afterwards I returned to Huxiang, proceeded to Nanyue to perform a Zhaijiao (purification ritual) in thanksgiving to the celestial Perfected Ones, and cultivated in accordance with the oral instructions; the methods described were verified one by one. From this I knew that the methods of operation and fire timing are not easily transmitted to the people of the world, and therefore later students often cannot glimpse the gateway within.

I dare not privately hide these secret methods. Respectfully I have gathered the oral instructions transmitted by my master and the results already verified into a book, titling it Danfang Aolun (Profound Discourses of the Elixir Chamber). Those who obtain this book ought not to leak it rashly or treat it with negligence, but should treasure it and store it with care. After reading it, if one is able thereby to analogize and comprehend deeply, it will indeed be of help to those who share the same aspiration.

Composed by Xuexianzi Cheng Liaoyi on the Shangyuan of gengshen in the fourth year of Tianxi.

Composed by Xuexianzi Cheng Liaoyi.

On True Earth and Ordinary Earth

土为天地之中黑,功能钻'簇五行,生育万物。金得土则生,木得土则'旺,水得土则止,火得土则息。修炼者无土不可成丹,不死此硫黄芽。犹农家不耕田,而欲得禾,难矣。故先贤立真土之说,以悟后学,可不知之。夫八石察黑於天,成形於土,其性嗜阴而畏阳、,遇火则飞,莫知所向。若经草木煮炼,金石温养,留形住质,能与天地齐坚,日月共久。若以点,可不知之。夫八石察黑於天,成形於土,其性嗜阴而畏阳、,遇火则飞,莫知所向。若经草木煮炼,金石温养,留形住质,能与天地齐坚,日月共久。若以点化五金,制养诸药,皆可成宝,此名真土。如磁石、石中黄、阳起石之类,亦可作外匮养药。惟其形质顽嚣,志性愚浊,故其功不伴耳。 二论真铅凡铅
Interpretation

Earth occupies the central position of Heaven and Earth; its function is to gather the Five Phases (Wood, Fire, Earth, Metal, Water) and nourish all things. Metal is generated because of Earth, Wood flourishes because of Earth, Water comes to a halt upon meeting Earth, and Fire is extinguished upon meeting Earth. Those who refine the elixir cannot do without Earth, otherwise the elixir medicine is difficult to complete and one cannot refine this “deathless” sulfur sprout. It is as impossible as a farmer hoping to harvest crops without tilling the fields. Therefore the worthies of former generations put forward the notion of “True Earth” (zhen tu) in order to enlighten later learners; it is something that must be understood.

The so-called Eight Stones are minerals that take their Jing (essence) and Qi (vital energy) from Heaven and form their physical bodies in the earth. Their nature prefers Yin and fears Yang; upon meeting fire they fly away, their destination unknown. If they are boiled and refined with plants and woods and then warmed and nurtured with metals and stones so that they retain their form and congeal their quality, they become as firm and enduring as Heaven and Earth, lasting together with the sun and moon. Using them to transmute the Five Metals and to refine and nourish various medicines likewise turns those substances into treasures. This is called “True Earth.” Magnetite, shizhonghuang, yangqishi and the like may also be used as the outer container (the outer vessel in which medicines are placed and warmed during elixir refinement) to nourish the medicines. These minerals, however, are stubborn and dull in form and quality, foolish and turbid in temperament, so their efficacy does not correspond.

2. On True Lead and Ordinary Lead

真人云:真铅不与世铅同,修炼全凭造化工。一鼎可藏龙与虎,方知宇宙在其中。此言真铅奥妙,世人不知是何物,拘泥黄丹韶粉。或者铅中取银,砂中取金,谓其元黑未散,认作真铅,去道远矣。真铅即水银是何物,拘泥黄丹韶粉。或者铅中取银,砂中取金,谓其元黑未散,认作真铅,去道远矣。真铅即水银一味,更无余物。须是不经母气,入真土匮,温养日久,遇火成质,铿鞘不折分耗,其功可以起死回生,返童还老,瓦砾遇之,立成至宝。此名真铅,乃五金之母,还丹之祖。黑铅再为药中之害,若用非其法,则诸药随成懦质,竟为弃物,尤难改制。修丹之士,深宜察焉。 三论真汞丹汞 按八石《本草》云:朱砂,乃阴中金液,与离宫所交之黑,下降入地,结汞而成,借南方为体。所以真人取砂中之汞,炼,深宜察焉。 三论真汞丹汞
Interpretation

The Perfected Person (Zhenren) said: “True lead (an alchemical term referring to the special medicinal substance obtained from the refining process) differs from the lead of the mundane world. Cultivation depends entirely on according with and making use of the creative transformations of heaven and earth. A single elixir cauldron may conceal the dragon and the tiger, from which one realizes that heaven and earth, the entire cosmos, seem encompassed within it.”

This statement elucidates the profundity of true lead. Ordinary people, unaware of what true lead actually is, remain fixated on lead minerals such as yellow lead and Shao powder. Some extract silver from lead and gold from cinnabar, holding that provided the original black substance has not yet been lost, it is true lead. This view is far removed from the Dao of elixir making.

True lead consists of mercury in its single flavor alone, with nothing else. The mercury must first be detached from the mother Qi (vital energy) of its original mineral, then placed within a container made of true earth (a vessel for sealing and storing medicinal substances). After prolonged gentle warming and nourishment, it solidifies into form when it meets fire. Once formed, it is hard, produces a ringing sound, neither shatters nor is consumed. It is reputed to revive the dead and restore youth to the aged; even broken tiles and rubble instantly become precious treasures upon contact with it. Only this substance deserves the name true lead; it is the foundation of the five metals and the ancestral drug of the returned elixir.

Should ordinary black lead be used as a medicinal agent, it will instead injure the elixir medicines. Incorrect methods of use will cause the accompanying medicines to become weak and ineffectual as well, so that in the end they must be discarded, and remedy is thereafter extremely difficult. Elixir refiners must exercise particular caution here.

In distinguishing true mercury from elixir mercury, the Eight Stones Materia Medica records that cinnabar is the gold fluid contained within yin, produced when the black Qi intersecting the Li palace (a term from the Bagua (Eight Trigrams) denoting the southern position associated with fire) descends into the earth and congeals as mercury. It relies upon the fire of the south as its essential body. Hence the Perfected Person obtains mercury from cinnabar for the purpose of refinement. Practitioners of elixir work should investigate this teaching in depth.

按八石《本草》云:朱砂,乃阴中金液,与离宫所交之黑,下降入地,结汞而成,借南方为体。所以真人取砂中之汞,炼而为丹。其讶日:抽为砂中汞,还烧汞作砂。胎中受五彩,火裹现黄芽。此之谓也。夫大丹以真汞为先者,经云:万般修行,先要伏心。万般修炼,先要伏汞。盖汞者,水银也,即朱砂所出,仙经所谓真汞者。世人不究根源,妄求配合硫黄,虽可为灵砂,及其还返,则便疏虞。此葛真人所谓但能求赤髓之意,砂中汞是也。今修炼之家,又不能考究,朱砂受气之探浅。夫天地五行之黑,锺於山川秀发之地,为金为玉,为瑞草,为醴泉。朱砂之与水银,赤髓之意,砂中汞是也。今修炼之家,又不能考究,朱砂受气之探浅。夫天地五行之黑,锺於山川秀发之地,为金为玉,为瑞草,为醴泉。朱砂之与水银,尤为天地精英之黑,结聚而成也。若以受年月日计之,则相去又远。经中真液与离宫之黑,千余年聚为水银。又壹千年,结为朱砂。如松脂入地,千年化为琥珀之类是也。若取凡汞为用,则何以到同体乎。盖凡之与真,相去千百年之远,则运几周,而可以足其黑数,以是言之,其差可知矣。
Interpretation

The Bencao records that cinnabar is formed when the golden liquid within Yin intersects with the Qi (vital energy) of the Li Palace. It sinks into the earth, condenses into mercury, and then, drawing upon the Qi of the south, becomes cinnabar. Therefore the Perfected extract mercury from cinnabar and, through refinement, produce the elixir. The scripture says: “Extract mercury from cinnabar, then calcine the mercury back into cinnabar; within the womb it absorbs the Qi of the Five Phases (Wood, Fire, Earth, Metal, Water), and through fire-refinement the yellow sprouts appear.” This is precisely what is meant.

To refine the Great Elixir, one must first possess True Mercury. The scripture says: “In all cultivation, one must first subdue the inner mind; in all refinement, one must first subdue mercury.” Here “mercury” refers to quicksilver, that is, the mercury obtained from cinnabar, which the immortal scriptures call “True Mercury.” Ordinary people do not investigate its origin and casually combine it with sulfur. Although they can refine numinous cinnabar, when they further attempt to restore it and cause it to revert, errors readily arise. This is what Perfected Ge meant by “seeking only the red marrow”; here “red marrow” refers to the mercury within cinnabar.

Those who refine elixirs today likewise fail to examine the differences in how deeply or shallowly cinnabar has received the Qi of heaven and earth. When the Qi of heaven, earth, and the Five Phases gathers in the numinous and outstanding places among mountains and rivers, it forms gold, jade, auspicious herbs, and sweet springs. Cinnabar and mercury in particular are condensations of the essential Qi of heaven and earth. Calculated by the length of years and months, they differ greatly from ordinary materials. The scripture holds that the true liquid and the Qi of the Li Palace take more than a thousand years to condense into mercury, and another thousand-odd years to form cinnabar—just as pine resin buried underground becomes amber after a thousand years. If one uses ordinary mercury for refinement, how could it be of the same kind and same substance as True Mercury? Ordinary materials and genuine materials differ by an accumulated refinement process spanning hundreds or thousands of years; the cycles of circulation must pass through many rounds before the Jing (essence) and Qi they lack can be replenished. From this it is clear that the two differ greatly.

Fourth Discourse: The Three Cinnabars

Generally speaking, using mercury to refine a treasure differs from producing genuine material by an accumulated refinement process of hundreds or thousands of years; many cycles of circulation must be completed before the Jing and Qi it lacks can be replenished. From this it is evident that the difference between the two is marked.

四论三砂 大凡制汞成宝之与真,相去千百年之远,则运几周,而可以足其黑数,以是言之,其差可知矣。 四论三砂 大凡制汞成宝,须要子母留恋,夫妇欢合,方能成丹,舍此而求不可。汞以硫为夫,金银为母,得硫则坚,得金银则实,夫妇子母之道存焉。子母尚义,时乎可离。夫妇尚情,理不可去。所以朱灵二砂,虽出处不同,俱是硫汞配合成体,得全夫妇之道。若经神草煮缎,纵无灵药制炼,但得盐矾、硝鹏及磁石、石中黄等顽石匮养,便能住火成汁,惟不能成宝耳。如受母黑,亦可到家。母砂乃母汞交结而成,经草木盐矾醋等煮之则坚,用梅核、石莲球缎,便可乘槌。若遇大火坏冷,则汞走而母仅存。盖因母体遇火先燥,逼汞逃去,非徒无益,而又害之。近世学丹之士,不知所自,但以母砂为捷径,理入若遇大火坏冷,则汞走而母仅存。盖因母体遇火先燥,逼汞逃去,非徒无益,而又害之。近世学丹之士,不知所自,但以母砂为捷径,理入玄微,诚难措论。夫水银成宝,则与糁制同功。故母砂须得真铅等灵匮制养,或作贴身煅炼真死,可过大冶不拆,谓之倚母糁制。虽得真死匮温养,若非至神至虚之药,一坏一拆,母子仍旧分离,亦复何用。今人或以草死朱砂及丹养二砂,二砂作母砂贴身,入梅核固毁,稍能住得半钱一铢,便谓之母砂成宝。殊不知所住者,二砂中之翻身汞耳,非母砂汞也。然感气砂,虽借母黑而成体。不为母所拘御,得以自如,见火未便飞走。若用草药煮坚,须入水火鼎养缎,令受得火力,再入灵匮温养,虽借母黑而成体。不为母所拘御,得以自如,见火未便飞走。若用草药煮坚,须入水火鼎养缎,令受得火力,再入灵匮温养,返易成功。机缄尽露,学丹者须践履而后知之。
Interpretation

To refine mercury so that it coagulates and transmutes into treasure, the “child” and the “mother” must cling to each other, unwilling to part, and the “husband” and the “wife” must also unite; only then can the elixir be achieved. Seeking the elixir without these conditions is impossible. Here sulfur is called the “husband” of mercury, while gold and silver are called its “mother”: when mercury obtains sulfur its substance becomes firm; when it obtains gold and silver its substance becomes full. This is the way of husband-and-wife and child-and-mother spoken of in the text.

The bond between “child and mother” emphasizes mutual reliance, yet they may separate when conditions are right; the bond between “husband and wife” emphasizes affection, and by principle they cannot be parted. Therefore, although cinnabar and lingsha come from different places of origin, both are substances formed by the combination of sulfur and mercury and possess the so-called condition of husband and wife uniting. Even after they have been boiled and refined with herbal medicines without being processed by numinous medicines, as long as they are then wrapped and nurtured with minerals such as salt, alum, nitre, magnetite, and yellow from within stone, they can still withstand fire and melt into liquid, yet they cannot be refined into the so-called treasure.

If mother sand can receive black mercury, it can also be refined to the point of “arriving home,” that is, reaching the state required by the process. Mother sand is formed by the joining of mother and mercury; after being boiled and refined with plants, salt, alum, vinegar and the like it becomes hard. Then, using plum pits, stone lotus balls and similar items as a kui (a vessel for wrapping and nurturing the medicines) in calcination, it can withstand hammering. Yet if it encounters a fierce fire followed by sudden cooling, the mercury will escape, leaving only the mother sand. This happens because the mother sand first dries out upon meeting fire, thereby forcing the mercury to flee. The method is not only useless but actually harmful.

Alchemists of recent times do not understand the underlying reasons and simply treat mother sand as a convenient shortcut. Clarifying the profound and subtle principles involved is indeed not easy. When mercury is refined into treasure its efficacy is the same as that of granular processing (sanzhi). Therefore mother sand must be processed and nurtured with true lead and other numinous kui, or else calcined in close contact so that it truly coagulates and becomes firm, able to endure high-temperature smelting without dispersing—this is called “relying on the mother for granular processing.” Even if the mother sand has already been firmly prepared with true lead and then warmly nurtured in a numinous kui, if the medicines used are not sufficiently pure and marvelous it will still shatter upon calcination, and mother and child will separate as before. What use would that be?

Nowadays some people take cinnabar refined with herbal medicines together with the two sands nurtured by the elixir, place the two sands in close contact as mother sand, then seal them inside plum pits and calcine them. If they manage to retain even a little mercury they claim the mother sand has been refined into treasure. They do not realize that what remains is actually mercury that has been turned out from the two sands, not the mercury originally contained in the mother sand itself.

Nevertheless, although ganqi sand takes form with the aid of mother sand, it is not bound by the mother sand and can transform of its own accord; it does not immediately fly away when it meets fire. If it is boiled and refined with herbal medicines until firm, it must still be placed in a water-fire ding for calcination and nurturing so that it can withstand the force of the fire, then transferred to a numinous kui for warm nurturing; in this way success comes more easily. The essential secrets of elixir refining have already been stated quite clearly; those who study the art must put it into practice themselves in order to understand it truly.

五论三黄 凡修炼三黄,须当知药性火候。苟不究其一药性之缓急,火候之轻重,悉成灰烬,虽悔何及。硫内禀纯阳,火石精气而成质,其性通流,内含猛毒,见火易飞,最难擒制,药器中号为将军,谓其有削平治乱之功。若得神草煮制,大火缎之,立可真死。惟有猛毒之威,不易消灭。若便用养诸石,反见伤残。犹将军难制而易死,虽千载之下,凛乎英气,亦不可犯之。谓须是进火加养,直候脱去黑褐二色,随草变动,成真金色,或成朱砂色,或成雪白色,然后用之,大能去邪归正,返滞还情j健立阳精,消化阴魄。雄黄则偏阳而无阴,雌黄则偏阴而无阳,丹家所谓孤阴寡阳。虽易制伏,惟难真死情j健立阳精,消化阴魄。雄黄则偏阳而无阴,雌黄则偏阴而无阳,丹家所谓孤阴寡阳。虽易制伏,惟难真死。先须用草煮过,然后缓缓进火加养。死者良然,非得炮胆、死汞等药,不可点化。非配合朱砂、硫黄,不可养物。故药品中,以雄黄为辅佐之官,虽能通灵,谓其初无全功,若不配以诸药,实难独用。直书以记,学者识之。 六论三白
Interpretation

When refining the Three Yellows (sulfur, realgar, and orpiment), one must understand the properties of the medicinal substances and the fire phasing. If one does not grasp that medicinal natures may be mild or intense and that the fire may be light or heavy, the substances will be burned to ashes, and regret will then come too late.

Sulfur is endowed with pure yang Qi (vital energy), condensed from the Jing-Qi (essence and vital energy) of fire and stone. It has strong fluidity, contains fierce toxicity within, readily disperses upon meeting fire, and is the most difficult to control. Therefore, in the apparatus of medicine refining, sulfur is called the “General,” meaning it possesses the function of quelling disorder and regulating medicinal properties. If boiled with sacred herbs and then forged with a great fire, it can be made truly to “die,” that is, its toxicity and activity are suppressed. Yet its toxicity is fierce and not easily eliminated completely; if used directly to nourish and refine other minerals, it may instead cause damage. Sulfur resembles a general who is hard to restrain yet prone to lose potency: even after a thousand years its majesty still commands awe and cannot be lightly affronted.

Continue adding fire to nourish and refine the sulfur until the black and brown colors recede, the hue transforming according to the changes of the herbal medicines into a pure golden color, a cinnabar red, or a snow-white, after which it may be used. The scripture holds that sulfur treated in this manner can remove deviant natures, restore the medicinal properties to rectitude, dissolve stagnation, establish yang Jing (essence), and dissipate the yin po (corporeal soul).

Realgar leans toward Yang and lacks Yin, while orpiment leans toward Yin and lacks Yang. Practitioners of elixir alchemy call this quality “solitary Yin and widowed Yang.” Although they are relatively easy to subdue, it is difficult to refine them thoroughly to the “dead” state. They should first be boiled with herbal medicines, then slowly nourished and refined with added fire. Even when brought to “death,” they still require combination with processed gall and dead mercury together with other substances in order to be used for transmutation; if one wishes to nourish and refine other materials, they must be combined with cinnabar and sulfur. Hence, in medicine refining, realgar is regarded as an assisting official: although it possesses numinous efficacy, it cannot independently exert complete results and is difficult to use in isolation from other medicines. The scripture records these points specifically to remind practitioners to take heed.

Six: On the Three Whites

经云:炮砂在五金为贼,五金皆畏之,附毗粉可通造化。又云:毗霜草伏真死,可以点铜为银。与粉霜最为相宜,得炮相附,可成至药。世人谓此不过点化丹阳而已,殊不知础炮真死,久养无毒。若得母黑郁蒸,亦能转制诸石。及用之匮养胆石雌雄,名日五灵神丹,转白为黄,其功尤大。粉霜独水银一味,借盐矾、硝石构炼为霜,丹经称为神雪。或云.j佐以草死毗,同作丹头,入於神室,缓火养死,即功尤大。粉霜独水银一味,借盐矾、硝石构炼为霜,丹经称为神雪。或云.j佐以草死毗,同作丹头,入於神室,缓火养死,即是真铅。其功岂柢换骨耶。但其体本全阴,极难制伏,不易真死。若非伏火朱砂,不能住质。大抵亦须凭母黑而后成,去母离阳,万无一可。经云:粉霜以阴造阴,微阳,亦无非真死三黄。日神砂银等,非灵根不能成宝,非伏础不得软骨,非伏炮不得软润。愚因见此说,常以粉霜,以毗炮合胎,入四神匮,养经百余日,用之点化丹阳,适然俱成黄金。其神灵变化如此,岂易度哉。 七论用铅
Interpretation

The scriptures say that paosha (a mineral medicine used in refining elixirs) can restrain the other metals among the five metals, all of which fear it; attaching it to pifen (the name of an elixir ingredient in the scriptures) enables it to exert the function of transforming all things. It is also said that pishuangcao can cause the medicines to “fu zhen si” (the state of being refined to stability with no further change, as described in the scriptures), and can be used to transmute copper into silver. It is most compatible with fenshuang (a frost-like substance refined from mercury); when further combined with paosha, it can be refined into a superior elixir.

Worldly people regard this as nothing more than a means of transmuting Danyang (the name of an elixir or alchemical material), yet they do not know that once paosha has been refined to “true death,” even prolonged nurturing and refining produces no toxicity. If it is further steamed and nurtured with muhei (a mother material so designated in alchemy), it can also transform and subdue various mineral ores. Using it to nurture and refine the male and female materials of danshi inside the kui (a sealed vessel for nurturing and refining elixirs) is called the Five Spirits Divine Elixir (Wuling Shendan), which can turn white into yellow and whose efficacy is especially remarkable.

Fenshuang takes mercury as its sole raw material and is refined into a frost-like substance with the aid of salt, alum, and nitre; the elixir scriptures call it “Divine Snow” (Shenxue). Some also say that, combined with caosi pi and together serving as the elixir head (dantou, the principal ingredient placed in the furnace during alchemy), it is put into the divine chamber (shenshi, the sealed container used in alchemy) and slowly nurtured with a gentle fire until it reaches the “dead” state, whereupon its efficacy becomes even greater and it becomes true lead. How could its efficacy be limited merely to changing the bones?

However, fenshuang is yin in essence and extremely difficult to subdue, not easily refined to true stability. Without fire-subdued cinnabar (fuhuo zhusha, cinnabar that has been subdued through fire-refining), it cannot be made to take definite form. In sum, it must still rely on muhei to succeed; departing from the mother material and losing yang qi, there is absolutely no possibility of success. The scriptures say that fenshuang is the refining of a yin substance by means of yin materials; although a trace of yang qi is present, it is still nothing other than the truly refined “three yellows” (sanhuang). Materials such as divine sand (shensha) and silver, without the spiritual root (linggen, the key mother material spoken of in alchemy) cannot be refined into treasures; without subduing chu they cannot be softened; without subduing paosha they cannot be made soft and moist.

I once read these accounts and therefore often combined fenshuang with pi and paosha to refine a fetus, placing it in the four-spirits kui to nurture for more than a hundred days, then using it to transmute Danyang, with the result that all were refined into gold. That its numinous transformations could be so remarkable—how could this be easily mastered?

Seventh discourse on the use of lead.

仙经云:用铅不用铅,却向铅中作。及至用铅时,用铅还是错,盖尝至此而疑之日:用铅是错,则不可用。须向铅中作,何耶。此非神仙馒语,乃常人不知其用尔。苟得铅之法,何患乎丹之不成。学丹者先当明其,盖尝至此而疑之日:用铅是错,则不可用。须向铅中作,何耶。此非神仙馒语,乃常人不知其用尔。苟得铅之法,何患乎丹之不成。学丹者先当明其理,而后用之。银由铅而生,铅银未分胎之前,神黑混成,用之匮养水银等药,则可成功。分形之后,元黑既散,则铅为铅,银为银矣,岂可舍银而求铅,遽□欲以铅而成宝者乎,天下宁有是理耶。法当铅三银四,同梼成末,再以灵草煮制,进火养炼日久,令其神黑归复,方可匮养朱灵二砂,或作铅砂,入母匮。母砂入铅匮,久养而能成宝。但非岁月久远,恐难成就。凡八石曾经母匮养过,真死无性,再入铅匮养炼月余,其功又倍於常矣。若见宝之药,亦入铅匮养毁,或用感铅气药作关死无性,再入铅匮养炼月余,其功又倍於常矣。若见宝之药,亦入铅匮养毁,或用感铅气药作关逐销,庶无耗折之患。呜呼,龙居蛇腹,母隐子胎,物理迎送,造化之妙,非天下之至神,其孰能与於此。 八论用母
Interpretation

The immortal scriptures say: “One must use lead, yet one cannot use lead directly; one should apply effort within the lead. When the time comes to truly use the lead, if one treats the lead as lead and uses it as such, that is instead a mistake.” Some who read this may feel puzzled: since using lead is wrong, then it cannot be used; yet why must one apply effort in the lead? This is not the immortals deliberately speaking in obscure terms, but rather that ordinary people do not understand the method of using it. As long as one has mastered the method of using lead, why worry that the elixir cannot be successfully refined? Those who study elixir refining should first comprehend this principle and then proceed according to it.

Silver is generated from within lead. When lead and silver have not yet separated and still reside in the same embryonic body, Shen (spirit) and Qi (vital energy) are intermingled, and they can be used to seal and nourish mercury and other medicinal substances, making successful refinement possible. Once lead and silver have separated, the original primordial Qi has already dispersed; lead is merely lead, and silver is merely silver. At this time, if one abandons the silver and seeks only the lead, rashly intending to refine a treasure by relying on lead alone, where under heaven is there such a principle?

The method is to take three parts of lead and four parts of silver, pound them together into powder, then boil them with numinous herbs, and continuously advance the fire for nourishing and refining, causing the Shen and Qi within them to reunite. Only afterward can one seal and nourish cinnabar, numinous sand, or prepare lead sand, and then place it into the “mother vessel” (a container used for sealing, storing, and nourishing and refining the medicinal substances). Place the mother sand into the lead vessel, and after a long period of nourishing and refining, it becomes possible to refine a treasure; but without sufficient years and months, success is likely to be difficult.

Any of the Eight Stones (the mineral medicinal substances used in elixir refining) that have previously been nourished and refined in the mother vessel have already been refined to the point that their true nature has perished and they have lost their vitality. If they are then placed into the lead vessel and nourished and refined for more than a month, their efficacy will be doubled compared to ordinary refining methods. Medicinal substances that have already been refined into treasures can also be placed into the lead vessel for further nourishing and refining; alternatively, first use medicinal substances capable of sensing and drawing forth the lead Qi to cause them to congeal and lose vitality, then place them into the lead vessel and nourish and refine for more than a month, and the efficacy will likewise be doubled. If one uses medicinal substances that can cause the lead Qi to coagulate as the key aperture and gradually smelts and refines them, it may be possible to avoid depletion of the medicinal substances.

Alas, the dragon conceals itself in the belly of the snake, the mother hides within the embryo of the child; the transformations of the myriad things involve both receiving and sending forth. This mystery of creative transformation—if it is not the most marvelous power under heaven, then who else could take part in it?

Eighth Discourse: On Using the Mother

凡夺天地造化,修炼金丹,唯水银一味而已。须假祖熙,以全其质。犹婴儿在母胞胎中,神黑温养,方能成形,故喻金银汞为母子。汞性轻飞,随物感遇,不易制伏。必先养炼朱灵二砂为丹基,然后制汞,成生生变化之道。法当灵草煮制,火烧不动,大精作汁,胎色不移。次入金母,温养日久,可成大丹。如火上烧之,犹有光焰,盖是硫黑未死。若便用母养炼,则吞汞食母,互相吞啖,必致耗折母体。母身既亏,元黑羸弱,岂能长生。须要受母黑不吞,母为上。有母不灵,无母不成,即此义也。。母身既亏,元黑羸弱,岂能长生。须要受母黑不吞,母为上。有母不灵,无母不成,即此义也。或谓硫不蚀金,辄便用金为母,养炼满,拟可成。岂知金至刚,汞至柔,二黑偏负情不相亲,徒费岁月,不能成宝。所以焦金不入丹砂。故朱灵二砂用母,必先银而后庚,名为金筋玉骨。若去银从金,不遇明师,岂能成就。愚得口诀云:硫信未伏,必先吞汞,而后食母。每银四两,入粉霜一两,同研和匀作匮,养炼二砂,则硫吞汞黑未竭,力已摧矣,何暇复母耶。此为添子援母,又为诧女抱婴儿。若以金养二砂之理言之,金汞虽刚柔不亲,久久相处,亦能情同。世之用金养砂者,盖不明金遇火则燥,汞见火则飞,金汞难以共久,精神不交,所以无成。每金四两,入粉二两,一处研细,用养二砂,则金欲燥而遽未能燥,汞欲者,盖不明金遇火则燥,汞见火则飞,金汞难以共久,精神不交,所以无成。每金四两,入粉二两,一处研细,用养二砂,则金欲燥而遽未能燥,汞欲飞而遽未能飞,得以久处,情相亲狎,何患丹不可成。愚悟其理,遂历试之,一一果验。但不可辄加大火,使汞易为飞走,不能成功。宜缓火温养为妙。如无粉霜,以母汞结砂为之亦得。还源出母之法,入地坑中埋一二日,去其火毒。金用青盥捺头,大火一缎,银四两,入水银一两,黑铅二两,夜明砂少许,同缎,后方入炉烟烬庶无屈折。
Interpretation

To cultivate the Golden Elixir (Jindan) by drawing upon the transformations of heaven, earth, and the myriad things, the key lies in employing mercury. One must also rely on the “mother” to protect its innate nature. Just as an infant in the mother’s womb requires the nourishment of Shen-Qi and warmth in order to take form gradually, the art of elixir refining therefore likens gold, silver, and mercury to mother and child.

Mercury is light in nature, readily volatilizes, and easily changes according to external things, making it difficult to control. One must first refine cinnabar and lingsha into an elixir foundation and only then subdue the mercury so that it enters a state of ceaseless generation and transformation. The method is first to boil and refine it with numinous herbs and then to apply fire. If after firing it remains motionless, the great Jing within has turned into fluid, and the embryonic color is unchanged, the requirement has been met. One then adds the “gold mother” (the maternal substance used to incubate the elixir foundation) and nourishes it over a long period; the great elixir may then be hoped for. If flames still appear when it is heated on the fire, this shows that the sulfur Qi has not yet been subdued. Using the “mother” to incubate it at this stage will instead produce the situation in which the child mercury swallows the maternal substance and depletes the mother body. Once the mother body suffers loss, the primordial Qi weakens—how then could longevity be attained? The essential point is therefore to let the child mercury receive the mother’s Qi without devouring or wasting the mother body. The maternal substance is the root of elixir work: if the maternal substance is present but cannot perform its function, the refining will not be efficacious; without the maternal substance the work cannot be completed.

Some people believe that sulfur does not corrode gold and therefore use gold directly as mother to incubate cinnabar and lingsha, expecting to obtain an elixir. They do not realize that gold is utterly hard and mercury utterly soft; their natures are contrary and they are difficult to unite, so time is wasted and no treasure is produced. Hence when refining cinnabar one must not use calcined gold directly. Cinnabar and lingsha should be incubated with maternal substance, first employing silver and afterwards “Geng” (here referring to the metallic material used in elixir refining); this is called “golden sinews and jade bones.” If silver is discarded and only gold is used, and if moreover there is no guidance from an enlightened master, success is difficult.

I learned from the oral formulas that when the sulfur Qi has not yet been subdued one must first allow it to swallow and consume mercury and only then bring it into contact with the maternal substance. For every four liang of silver add one liang of fen shuang, grind them uniformly together, and prepare the “kui” (the vessel or admixture that holds the elixir materials) used for refining and incubation; then employ this to incubate the cinnabar and lingsha. Although the sulfur Qi has already consumed the mercury, its strength is thereby diminished and it has no remaining force to corrode the maternal substance. This is called “adding the child to assist the mother,” also known as “the astonished woman embracing the infant.”

As for the principle of incubating cinnabar and lingsha with gold, although gold and mercury are opposite in hardness and softness and do not readily combine, prolonged association may gradually bring them into harmony. People of the world fail when they incubate sand materials with gold because they do not understand that gold becomes dry upon meeting fire while mercury flies away upon meeting fire; the two cannot remain together for long, their Jing and Qi cannot intermingle, and therefore the elixir cannot be refined. For every four liang of gold add two liang of fen shuang, grind them fine, and use the mixture to incubate cinnabar and lingsha. Although gold tends to become dry, it will not yet do so; although mercury tends to fly away, it will not yet do so. The two can thus remain together for a long time and gradually harmonize, making the completion of an elixir possible.

After I grasped the principle I personally repeated the experiments many times, and the results confirmed it in every case. One must not suddenly increase the intensity of the fire, or the mercury will readily fly away and the work will fail. A gentle fire should be used for slow incubation. If fen shuang is lacking, “mother mercury congealed into sand” may be substituted. After the work is finished, in order to restore the elixir material and remove the maternal substance, it may be buried in an earth pit for one or two days so as to eliminate fire poison. The later text also discusses the treatment of metals: gold is coated on top with green salt and then calcined with a strong fire; four liang of silver, one liang of mercury, two liang of black lead, and a little yemingsha are calcined together, after which furnace soot is added so that the materials will not be damaged or the refining obstructed.

九轮假借 古云:家有死三黄,不用置田庄。又云:家有真死毗,金银烂如泥。此说固然不明,假借其理,幽微未易知也。世所修炼者纷然,其真死三黄毗中问,岂无一二,不能成丹。何哉,失其假借之道耳。燕雀真死毗,金银烂如泥。此说固然不明,假借其理,幽微未易知也。世所修炼者纷然,其真死三黄毗中问,岂无一二,不能成丹。何哉,失其假借之道耳。燕雀不生凤,狐兔不乳马,若无真父母,所生俱是假。今人但得一药真死,便欲制汞成宝,久而无成?则归咎於草之不灵。非草之罪,盖不得母黑熏蒸,精神不全之故也。凡修炼雌雄硫毗,不要十分真死,须是存性。先用金母养成其形,后用银母足成其黑,然后用此转养朱砂、灵砂、粉霜、汞牙、无母之药,亦可成宝。前用母篇朱灵用母法,既言先银而后金,此却言先金而后银者,何。盖取其汞易相亲也。如硼砂硝炮等草伏住火,若用银母养缎,亦能制汞药。虽真死,不经母养,祇可转制诸石,若欲乾汞成宝,不可同日语矣。 十论制转
Interpretation

Ninth Cycle: Borrowing

An ancient saying states: “If a household possesses thoroughly dead Three Yellows, there is no need to acquire farmland.” Another says: “If a household has truly thoroughly dead pi, gold and silver will rot like mud.” These words originally carry obscure meanings; the principle of “borrowing” (jiajie) they contain is profound and subtle, not easy to grasp.

Many in the world practice cultivation. Could it really be that among truly thoroughly dead Three Yellows and pi not even one or two suitable kinds can be found? Even when they are found, the elixir still cannot be refined—why? Because the method of “borrowing” has not been mastered. Sparrows cannot give birth to phoenixes, nor can foxes and rabbits give birth to horses; without the true parental medicines, whatever is refined remains false in the end.

Some today obtain only a single medicine, take it as already truly thoroughly dead, and try to use it to control mercury into treasure. After long failure they blame the medicines for being ineffective. This is not the medicines’ fault, but because they have not been fumigated, steamed, nourished and refined with a “mother” medicine, leaving their jing (essence) and qi (vital energy) incomplete.

When refining male and female sulfur and pi it is unnecessary to let them die completely; their medicinal nature must still be retained. First nourish their form with gold as mother, then supplement their blackness with silver as mother, and afterwards use them to convert and nourish cinnabar, lingsha, powder frost, mercury teeth and other medicines that lack a “mother”; these too can be refined into treasures. The sequence here—gold first, silver afterwards—differs from the “silver first then gold” method of the earlier Mother chapter. Why? Because mercury readily becomes intimate with gold.

Borax, niter and similar medicines can be made to submit to fire by processing; nourished and refined with silver as mother they can likewise control mercury medicines. Even if such medicines are already truly thoroughly dead, without nourishment and refinement by a mother medicine they can only convert other minerals. If the goal is to dry and congeal mercury into treasure, the two cases cannot be treated as the same.

Tenth Discussion: Controlling and Converting

Cultivators need not worry that mother medicines are hard to refine; the real difficulty lies in conversion. Once the principle of conversion is understood, even a medicine already refined into “dead medicine”—if not nourished and refined by a mother medicine—can only convert other minerals. Making mercury dry and congeal into treasure is not the same matter.

修炼者不患为母之为难,惟患转制之为难。若明转制之理,则一可成死,不经母养,祇可转制诸石,若欲乾汞成宝,不可同日语矣。 十论制转 修炼者不患为母之为难,惟患转制之为难。若明转制之理,则一可成十,十可成百,生生变化,无有穷尽。所谓得其,一万事毕,岂易为事哉。今人不达斯理,恣意揣度,盲修瞎炼,至老无知,尤可哀悯。夫五金八石,虽有递相制伏之说,中有可制不可制之道,存乎其问。经云:硫养雄,道在同。雌养雄,各西束。又云:砂养砂,则砂折。砂浇汞,则砂活。若此之内,傥非师授→虽智适颜闵,不可得也。转制之法,妙在神水华池。经云:以铅入汞,名日华池。以汞入铅,名日神水。圣人喻真死之药为铅,未死之药为汞。以铅制汞,则汞形全。以汞滋铅,则铅气盛。彼此相益,庶能长生。真人云:以神铅,名日神水。圣人喻真死之药为铅,未死之药为汞。以铅制汞,则汞形全。以汞滋铅,则铅气盛。彼此相益,庶能长生。真人云:以神养神,出幽入冥。以气补气,寿永天地。犹此理也。今人却以盐矾露水沐浴死药,为神水华池,诚为可笑。所以古圣秘藏,不可轻传於世。修炼之士,尤宜细详。凡八石真死,须是添得,方能通灵。谓其本体曾授药毒凌持火逼,形质枯槁,精神疲弊,故加入本类添养,复其神黑,全其形体,方可转制诸石。惟朱灵二砂,乃硫汞成体,势有偏枯,便难变化。须当知砂养砂,则砂折。砂浇汞,则砂活之妙。虽是二砂真死,若欲养砂浇汞,须再用硫黄炒过,更加草药煮制,进火加养,大缎成汁,方可匮养生砂,及作丹基。浇淋芽子,凡经三四次,必须又依前法,用硫制之,方能绵远,庶几不致崩塌。或云..一黄死,众作丹基。浇淋芽子,凡经三四次,必须又依前法,用硫制之,方能绵远,庶几不致崩塌。或云..一黄死,众黄随。一黄不死,众黄飞。诚非确论。若硫黄真死,可以转制诸石。若雄黄真死,则可转制雌黄。未闻有雌养雄,雄能养硫之理。世人但知真死毗,可以养粉点骨。岂知以此养二黄点庚,尤更捷径。所以古有一不.家有死毗,金银如泥之言。粉霜真死,亦与真铅同功,不可拘泥於点骨。学者自宜消息,不必形於多言。
Interpretation

Practitioners of cultivation need not worry that the “mother” medicine is difficult to prepare; the true difficulty lies in mastering the laws of transformation and subjugation. Once these laws are understood, one can proceed from one to ten and from ten to a hundred, allowing the changes to continue without interruption. This is what is meant by grasping the crucial point, whereby many things can be accomplished; how could this be an easy matter? Nowadays some people fail to comprehend the underlying principles, making arbitrary conjectures and practicing blindly, remaining completely ignorant even into old age—truly lamentable.

Although the five metals and eight stones (the metallic and mineral medicines spoken of in elixir alchemy) are said to subdue one another, some among them can be subdued while others cannot; the key lies in the specific methods. The scriptures say: “Sulfur nourishes realgar, the Dao (the Way) lies in sameness; orpiment nourishes realgar, each bound to the west.” They also say: “If sand nourishes sand, then the sand breaks; if sand irrigates mercury, then the sand lives.” Without transmission from a master, even those as intelligent as Yan Hui or Min Ziqian would find these sayings difficult to grasp.

The secret of transformation and control lies in the “Divine Water” (shenshui) and “Flower Pond” (huachi) (alchemical terms referring to two states arising in the interaction of lead and mercury). The scriptures state that adding lead to mercury is called the “Flower Pond,” while adding mercury to lead is called the “Divine Water.” Ancient elixir alchemists compared medicines already refined to true death with lead, and those not yet refined to true death with mercury. Using lead to subdue mercury allows the form of mercury to remain complete; using mercury to nourish lead increases the vital force of lead. Only when the two mutually benefit each other can one hope to attain longevity. The Perfected One said: “Nourish Shen (spirit) with Shen, emerge from the secluded and enter the obscure; supplement Qi (vital energy) with Qi, and lifespan equals that of heaven and earth.” This likewise speaks of the same principle. Nowadays some people take salt, alum, and dew as “Divine Water” and “Flower Pond,” using them to bathe medicines already refined to true death—truly ridiculous. Therefore the ancient sages concealed these methods in secrecy and did not transmit them lightly to the world; cultivators especially ought to distinguish them with care.

If the eight stones have already been refined to true death, they must be further nourished so that they may recover their numinous nature. Because they originally endured the toxicity of medicines and the forcing of fire, their forms became withered and their Jing (essence) and Qi depleted, one must add medicines of the same kind to nourish them, restoring their Shen and Qi and preserving their forms, after which they can be used to transform other minerals. Only the two sands, cinnabar (zhusha) and numinous sand (lingsha), originally formed from the combination of sulfur and mercury, have natures prone to withering and thus are difficult to transform. One must understand the marvel of “if sand nourishes sand, then the sand breaks; if sand irrigates mercury, then the sand lives.”

Even if cinnabar and numinous sand have already been refined to true death, should one wish to use sand to nourish sand or sand to irrigate mercury, one must first stir-fry them with sulfur, then add herbal medicines and boil-refine them; continue adding fire for nourishment, and only after they have been fully refined into liquid can they be used to enclose and nourish “raw sand” (sand not yet refined to true death) or serve as the foundation for elixir making. After using it to drench the “sprouts” (medicines that have just taken form) three or four times, one must still follow the previous method and refine again with sulfur, so that the medicinal nature becomes lasting and does not collapse and disperse.

Some say: “If one yellow is refined to death, the other yellows can all be successfully refined; if one yellow is not refined to death, the other yellows will all fly away.” This statement is not accurate. Only if sulfur is truly refined to true death can it then be used to transform other minerals; only if realgar is truly refined to true death can it then be used to transform orpiment. There is no such principle as “orpiment can nourish realgar, and realgar can nourish sulfur.”

Worldly people know only that truly dead “pi” (an original term whose specific referent is unclear) can nourish powder and transmute bones, yet they do not know that using it to nourish the two yellows and transmute geng (alchemical terms referring to related processes of medicinal transformation) is even more convenient. Therefore ancient books have the saying “If a household possesses dead pi, gold and silver become like mud.” If powder frost is refined to true death, its efficacy is the same as that of true lead, and it should not be limited merely to transmuting bones. Students ought to distinguish and comprehend this for themselves; there is no need to say more.

十-论浇淋 浇淋亦转制法耳,但八石伏火,皆可转制。惟有浇淋一法,须用朱灵二砂,草伏住火,入母养令真论浇淋 浇淋亦转制法耳,但八石伏火,皆可转制。惟有浇淋一法,须用朱灵二砂,草伏住火,入母养令真死,作汁,可以成宝。再加母力,久久养炼,使其精神充备,根本坚固,立为丹基。庶得母壮子灵,可以长生。倘制度之不合,温养之未成,或独善犹且未可,又安能兼善哉。今人不明此道,惟只计较糜费,柢夸母少为奇,殊不知所用各有法度。若屑屑如此,非惟无益,亦且徒枉前功。若欲二砂作丹基,须是多多换易新母,养过取出,添硫炒制,以不牯姚为度。再以元草汁煮过,仍用滴炒,入水火鼎内,大缎成汁。每丹基四.两,初次浇汞四两,或二两。其砂乾渴,汞不成芽。至七日或半月,启合,又浇汞二两,或三两,或一两,方成芽矣。如此浇至三次,或四次或二两。其砂乾渴,汞不成芽。至七日或半月,启合,又浇汞二两,或三两,或一两,方成芽矣。如此浇至三次,或四次,看其形势如何。或如龙蟠虎踞,或如鸾飞凤舞,或如琼林玉树,如此形状,皆为吉兆。若见如冢墓之象,及油汞过多,则是丹基力竭矣。急抽去芽子,取丹基,再如前用硫制过。其芽子若有四两,抽砂中真汞一两,同研如粉,亦用硫黄煮过,更加些小母片,及生雌雄少许,依本法封固,再入炉养火,则汞又复起成灵芽。浇及七次与九次,须以生砂代汞入之,此名七返九还。如此积至一斤,取芽,又入砂中汞四两,及生雌雄少许,再以硫黄白水同煮,三五伏,以银二十四两作神室,纳芽於其中,入真土等匮,养炼三七日此积至一斤,取芽,又入砂中汞四两,及生雌雄少许,再以硫黄白水同煮,三五伏,以银二十四两作神室,纳芽於其中,入真土等匮,养炼三七日,或五七日,或七七日,芽俱成宝。取出分作五处,入水火鼎,大毁作陀,则又成五匮丹基。仍依前法浇汞,生生化化,其道无穷,古仙所谓子生孙,孙又生孙也。到此地步,脱胎在此矣,变化在此矣,糁制在此矣。世人不见亦不识,借问何时得到家。学者不可视为泛常,更宜加意於此。
Interpretation

“Pouring-and-sprinkling” (jiaolin) is also a method of transformation. After the Eight Minerals have undergone subduing fire (fuhuo) treatment, they can all be further transformed. Among these methods, only pouring-and-sprinkling must employ two kinds of cinnabar (dansha)—vermilion cinnabar (zhusha) and numinous cinnabar (lingsha). First, herbal medicines are used to subdue their fiery nature; then they are placed in the mother medicine (muyao) for cultivation, until they are truly “dead-subdued” and transformed into liquid, at which point they can be made into a treasure. Afterward one must continue to rely upon the power of the mother medicine, cultivating and refining over a long period so that their Jing (essence) and Qi (vital energy) become abundant and their foundation firm, thus becoming the elixir base (danji). Only in this way can the mother medicine grow robust and the child medicine become numinous and wondrous, and thereby may one pursue longevity.

If the method of preparation is not in accord and the warming-nurturing (wenyang) has not been completed, then even the refining of a single substance cannot be accomplished, so how could multiple effects be achieved at once? People of the present day do not understand this method; they merely calculate the expense, even regarding the sparing use of mother medicine as a mark of cleverness, yet they do not know that the quantities and methods of processing for each material have their own established rules. If one is stingy in this manner, not only is there no benefit, but the efforts previously expended will also be wasted in vain.

To make an elixir base from the two kinds of cinnabar, one must repeatedly replace them with fresh mother medicine for cultivation. After cultivation they are taken out and sulfur is added for stir-frying, until the specified fire timing (huohou) is reached. Thereafter they are boiled in the original herbal juice, then subjected to dripping-refining and stir-frying, and placed in a water-fire cauldron (shuihuoding) to be refined into liquid.

When pouring and sprinkling, one must observe whether the cinnabar is thirsty and dry, and whether the mercury has formed sprouts. After the first pouring, wait for a period of time and then open the cauldron to inspect. If the cinnabar is still thirsty and dry and the mercury has not yet formed sprouts, continue pouring. Repeat this several times, and judge success or failure according to the shape of the elixir sprouts (danya). If the shape resembles a dragon coiled and a tiger crouched, or luan-birds and phoenixes in flight, or like a jeweled forest of jade trees, these are all auspicious signs. If it presents a tomb-like form, or if there is an excess of mercury liquid, this indicates that the power of the elixir base has been exhausted. At this point one must quickly take out the elixir sprouts, leave the elixir base behind, and process it with sulfur according to the previous method.

If the extracted elixir sprouts contain mercury, one may extract true mercury from the cinnabar, grind it together with the elixir sprouts into powder, then boil and refine with sulfur, adding a small amount of mother-medicine tablets as well as a little raw male-female medicinal substances. Seal and enclose according to the original method and place in the furnace for cultivation; the mercury will then gather once more and become numinous sprouts (lingya). Repeat this pouring and refining many times; in the process one should also substitute raw cinnabar for mercury and continue refining. This practice is called “seven returns and nine reversions” (qifan jiuhuan).

Once the numinous sprouts have accumulated to a certain quantity, they are taken out, and mercury from the cinnabar together with a little raw male-female medicinal substances is added and boiled and refined with sulfur water. Then a “spirit chamber” (shenshi) is made of silver, the numinous sprouts are placed within it, and this is set into a container made of true earth (zhentu) and other materials for warming-nurturing. After a period of time, the numinous sprouts may be refined into a treasure. Taken out and divided into several portions, they are placed in the water-fire cauldron to be refined, and can thereby become new elixir bases. Thereafter one continues to pour, sprinkle, and refine according to the previous method, cycling without cease. This is what the ancient immortals meant by “the child begets the grandchild, and the grandchild in turn begets further grandchildren.”

At this stage, embryonic transformation (tuotai), change, and refining are all thereby realized. Worldly people have neither seen this with their own eyes nor recognized the principles within it, so how could they know when one has truly attained the Dao (the Way) and returned home? Those who study the Dao should not regard this matter as ordinary, but should apply themselves with earnest attention.

The terms “subduing fire,” “mother medicine,” “elixir base,” “numinous sprouts,” and the like here are all ancient Waidan (external alchemy) terminology. The text involves mercury, sulfur, and heating-refining; it is a historical record of elixir-making and should not be followed as a practical operation.

十二论点化 刀圭入口,换骨成仙。锱铢入质,易贱为贵。非丹头之至灵,造化之至妙,何由竟灌溉於骨髓哉,此乃移神易气之道。犹世之染法,非透骨药及诸矾,不能贵。非丹头之至灵,造化之至妙,何由竟灌溉於骨髓哉,此乃移神易气之道。犹世之染法,非透骨药及诸矾,不能成其妙用。然汞真死,皆可点铜为银。何故先贤惟以粉霜,为点铜之上药,盖其问曾受矾气故也。若以朱砂灵砂、母砂粉霜之类点铜,先须用点铜毗同砂一时。每一两丹头,用毗三钱,或用贰钱者。然后将丹头毗与铜珠相拌同,昆仑纸数重包袅,装在甘锅内,上面下药关实筑,须用湿炭顶火坏之熟,煽二三千辅,慎勿触动,常令顶火实。少歇,再煽一二千下,提出炉候玲,破锅取之,其物成一陀在锅底。,煽二三千辅,慎勿触动,常令顶火实。少歇,再煽一二千下,提出炉候玲,破锅取之,其物成一陀在锅底。如有黑色,再用铅煎,不可用硝提。如欲点银成金,非毗炮胆矾不能透骨,非雌雄二黄,非曾空二青,不能正色,非点圣银不能成。至道有此数理,若非真土真铅匮养成诸药,不可为也。举世皆知毗粉可以点骨,岂谓毗粉匮养雌雄胆炮、曾空二青,点庚尤妙。或点化凡银,须用药瘦其本体,然后结成丹砂,和丹头同乳成粉,入鼎装顿封固,逼去水银,加以大火一缎,取入炉鞘,冶成至宝矣。灵丹若就,虽瓦砾亦可成金。非苦酒苦醋金盐玉豉煮炼,不能成也。此理玄微,不传于世,学者亦当知之。
Interpretation

The “Twelve Discourses on Transmutation” discusses the theory in Daoist Waidan (external alchemy) of using elixirs to alter the properties of metals. The text compares this transformation to dyeing: the medicinal substance must penetrate inward before the material can change; if the elixir can enter deep into the marrow, it can likewise transform a person’s physical form, Shen (spirit), and Qi (vital energy). These statements reflect the conceptions of ancient alchemy.

“Daogui” is a general term for an extremely small quantity of medicine. The author states that ingesting only a small amount of elixir can “exchange the bones and become an immortal”; a small amount of medicine entering metal can likewise turn base copper into precious silver. The text repeatedly emphasizes that this change relies on the marvelous numinosity of the elixir and the creative power of nature.

Next, the author describes the method of transmuting copper. “Gong” is mercury; “Fenshuang” is a mercury-containing medicinal obtained during the alchemical process. The author holds that Fenshuang is suitable for transmuting copper because it has previously come into contact with “fanqi.” If cinnabar, lingsha, musha, Fenshuang and other dantou (starting materials used in alchemy) are employed to transmute copper, adjuvants of the “pi” type must first be added. The operations recounted include mixing the medicinal materials with copper beads, wrapping them in Kunlun paper, placing them in a ganguo (alchemical crucible), covering with moist charcoal and heating, then repeatedly blowing the fire to calcine; after cooling, the pot is broken open to retrieve the contents, and the materials and metal will have coalesced into a single mass. If the product is black, the author recommends further decoction and refining with lead, without extraction by niter.

The author then discusses transmuting silver into gold, stating that medicines such as “pi” and “pao danfan” are needed so that the medicinal power can penetrate the metal, while materials such as “cixiong erhuang” and “cengkong erqing” are used to adjust the color, the transmutation being completed by “dian shengyin.” These names in the original belong to alchemical medicinal terminology, and their precise referents are not entirely clear. The author considers that only after enclosure-nourishment with “zhentu” and “zhenqian” (true earth and true lead) can the medicines be used for this kind of refining.

The author further states that “pifen” can be used to transmute metals and can also be employed to enclose and nourish realgar, orpiment, danfan, processed medicines, and cyan minerals, which is even more effective for transmuting “geng” (here referring to silver). If ordinary silver is to be transmuted, it must first be treated with medicines to make the body of the silver “lean,” then refined into cinnabar, ground to powder together with the dantou, loaded into a ding and sealed, and heated to drive out the mercury; after calcining with a fierce fire it is placed in a luqiao (a vessel for holding or protecting the refined substance) and melted, yielding the so-called “zhibao.”

Finally, the author claims that once the lingdan is completed, even tiles and rubble can be transmuted into gold; they must also be boiled and refined with kujiu, kucu, jinyan, yuchi and similar substances. The entire piece elaborates the theory and operational methods of metal transmutation in Waidan (external alchemy).

十三论灰霜 灰霜乃草木之精液,味咸,惟毒,残贼五金,丹鳌家所以多不敢用。若以煮炼八石,立当知之。 十三论灰霜 灰霜乃草木之精液,味咸,惟毒,残贼五金,丹鳌家所以多不敢用。若以煮炼八石,立能拒火,功力甚大。苟得手法,去尽咸味,加火久养,亦可变通。绿其毒黑能透金石。用之煮制,多是化药成水。若得如此,则药死矣,切不可弃怀。经云:不见其形,方为真死。盖谓此也。急用药水,倾入争器中,澄定十余日,候其上清下浊,逼取上清水,煎熬成霜,取下浊底,乃药也。熬乾,入合装制,以熬成霜,捺头,养火七日,或十四日,药真死矣。再用研细,用沸汤陶化搅匀,又入诤器中澄定。药若坠底,又逼去上清水不用,再换汤澄之。澄时须是缓性为之,不然.药随水去。直待去得咸味尽,大火久炼,此药方灵。用之转。药若坠底,又逼去上清水不用,再换汤澄之。澄时须是缓性为之,不然.药随水去。直待去得咸味尽,大火久炼,此药方灵。用之转制诸石,可为至药齐功,不可以为灰霜而忽之。余试之有信乎。葛玄所言灰霜最为下法,诸药见为厌死。若得变转,亦成上法,非谬言也。惟硝硼炮矾,用此煮制者,切不可用。 十四论烟煤
Interpretation

Thirteen: On Ash Frost

Ash frost is a substance formed from the essence of plants and grasses. It tastes salty and is poisonous, capable of damaging metals, so most of those who refine elixirs dare not use it. If it is used to boil and refine the “Eight Stones” (a class of mineral medicines used in Daoist elixir refining), one will come to know its function: it can resist the power of fire and its efficacy is very strong. If one masters the method of processing it, thoroughly eliminating the salty taste, and then calcines it with fire for a prolonged period, its nature can also be transformed.

When ash frost turns green, its toxicity is extremely strong, even able to penetrate metal and stone. Using it to cook medicines often causes the medicines to dissolve into water. If this situation occurs, the medicine appears to have already lost its efficacy, but it should not be discarded on that account. The scripture says: “Only when the physical form cannot be seen can it be considered truly dead.” This refers precisely to this state.

The medicinal liquid should be processed as quickly as possible: pour it into a clean vessel and let it stand for more than ten days, until the upper layer is clear and the lower layer is turbid, then force out the upper clear water. Boil the clear water down into frost; leave the turbid residue at the bottom, for that is the actual medicine. After boiling it dry, place it in a vessel, press the boiled frost on top, and nourish it with fire for seven or fourteen days, after which the medicine can be considered truly “dead” through, meaning that its original nature has been transformed through calcination.

Afterwards, grind the medicine finely, dissolve it with boiling water and stir evenly, then place it in a clean vessel to precipitate. If the medicine settles to the bottom of the vessel, pour off the upper clear water and replace it with fresh water to precipitate again. Precipitation must be done slowly, otherwise the medicine may be lost along with the water. Continue until the salty taste is completely eliminated, then calcine it with a strong fire for a long time, after which the medicine can be considered efficacious. Using this method to transform other mineral medicines can enable them to attain the efficacy of superior medicines, therefore one should not look down upon it merely because it is called “ash frost.” The author states that after personally testing it, he found it indeed effective.

Ge Xuan said that ash frost is an inferior method because other medicines, upon encountering it, would be suppressed and damaged; however, if one can cause its nature to be transformed, it can also become a superior method, and this is no empty claim. But medicines of the niter, borax, pao, and alum categories must never be boiled using ash frost.

Fourteen: On Smoke Coal

烟煤乃草木之神黑,丹鳌家亦多用此。绿其精神不足制养诸石,未见全功。若用本草煮炼过,却以烟煤捺头,入炉温养,方能伏火。如独用此,不可成也。余亲试有验,书以记之。 十五论作羹 凡用草煮制诸石,皆以新草汁为良。安知头,入炉温养,方能伏火。如独用此,不可成也。余亲试有验,书以记之。 十五论作羹 凡用草煮制诸石,皆以新草汁为良。安知一草制一药,若非有毒,其药不死。人视之虽不见其毒药,视之即有毒矣。先贤恐草毒伤残药性,不能通灵,故立作董之诀。法当用草绞自然汁,置净器中,用纸蒙盖,春秋三日,夏二日,冬五日。然后逼取上清水,煮药,庶几药性不受伤残,则有全功。试之可效。 十六论装制 大法为丹装制,手法最为要紧。倘不明此,须有真铅真土等匮,则子母混杂,可效。 十六论装制
Interpretation

Soot is a black substance formed by the condensation of the Jing (essence) and Qi (vital energy) of plants and trees, and elixir alchemists also frequently use it. If the Jing and Qi of plants and trees are insufficient to process, refine, and nourish the various mineral substances, the complete efficacy cannot be observed. If one first boils and refines with herbal materia medica, then applies the soot on top and places it in the furnace for warming and nourishing, only then can the medicines be made to subdue fire (after calcination they no longer burn violently or explode). If soot is used by itself, the refining cannot succeed. I have personally tested this and it is indeed effective, so I record the matter.

Fifteen: On Making Broth

Whenever herbs are used to boil and process various minerals, fresh herbal juice is best. [The original text here contains phrases such as “an zhi tou”; the meaning appears to have omissions or errors.] The medicines must be placed in the furnace for warming and nourishing before they can be made to subdue fire; if this method is used alone, it cannot succeed. I have personally tested it and it is indeed effective, so I record the matter.

Fifteen: On Making Broth

Whenever herbs are used to boil and process various minerals, fresh herbal juice should be employed. Ordinarily one herb is used to process one medicine; if the herb has no toxicity, the medicine will not be damaged. That people cannot see toxicity in the herbs does not mean none is present. The former sages feared that toxicity in the herbs would damage the nature of the medicines and prevent them from becoming spiritually efficacious, and therefore established the knack of “making broth.”

The specific procedure is as follows: pound and wring the herbs to extract their natural juice, place it in a clean vessel, and cover the mouth with paper. Leave it for three days in spring and autumn, two days in summer, and five days in winter. Then take the upper clarified liquid and use it to boil the medicines. In this way the medicinal properties are unlikely to be damaged, and the refining is more likely to achieve complete efficacy. Testing has shown the method to be effective.

Sixteen: On Packing and Preparing

The great method of refining elixir medicines lies in packing and preparing; the techniques of operation are especially important. If these methods are not understood, even when one possesses kui of true lead, true earth, and the like (vessels used for containing and sealing the medicines), the mother medicine and the child medicine will become mixed together, making it difficult to obtain results.

大法为丹装制,手法最为要紧。倘不明此,须有真铅真土等匮,则子母混杂,新旧相参,孰是孰非,莫可考究。故转制之道,祖装制为先。且如八石匮养诸药,若础炮三黄等作汁之药,柢可筑在合底,用死匮药捺头,封固养火。若言铺底盖头我莲等名状,此特言养灵砂朱砂母砂之法也。凡养母砂,亦须用梅核石、莲橡斗药、葫芦等固定,方可入匮温养。倘非如此,终有所失。又如真土真铅养三砂,如硫匮须用生硫贴身,朱匮须用生朱贴身,惟四神三黄真铅等匮,须用粉霜贴身。等固定,方可入匮温养。倘非如此,终有所失。又如真土真铅养三砂,如硫匮须用生硫贴身,朱匮须用生朱贴身,惟四神三黄真铅等匮,须用粉霜贴身。各以其类贴之,中存类死之理。此虽是琐碎之语,苟不知蹊径,未可图
Interpretation

The great method of refining elixir medicines hinges on the techniques of assembly and preparation. If this point is not understood, even possessing medicine vessels of true lead and true earth, one will mix mother medicines together with child medicines and newly prepared ones with old ones, so that later they become difficult to distinguish and inspect.

Therefore, when refining one must first follow the rules of assembly. For example, when using the Eight-Stone Vessel (a medicine vessel made from eight kinds of mineral medicines) to warmly nourish various drugs: medicines such as chu, pao, and the Three Yellows that need to be formed into juices can only be packed and placed at the bottom of the vessel; the already processed vessel medicines are then pressed on top of them, after which the vessel is sealed and the contents are nourished with fire.

The designations “spreading the bottom,” “covering the head,” and “lotus” refer to methods of warmly nourishing spirit sand, cinnabar, and mother sand. When warmly nourishing mother sand, it must also be fixed in place with objects such as plum-pit stones, lotus-acorn-cup medicines, and gourds before it can be placed in the medicine vessel for warming and nourishing. If this is not done, losses will result in the end.

A further instance is the use of true earth and true lead to warmly nourish the Three Sands (the three types of sand medicines spoken of in elixir methods): a sulfur vessel requires raw sulfur to adhere to the medicines, while a cinnabar vessel requires raw cinnabar to adhere to them; only vessels of the Four Spirits, the Three Yellows, true lead, and similar substances should have powder frost adhering to the medicines. They should be matched according to the categories of the medicines, embodying the principle that “like categories nourish one another, while dead categories restrain one another.”

Although these are fragmentary details, without understanding the methods they contain one cannot set about the work of refining.

也。

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