中文 · EN

《大丹铅汞论》

Start reading →Report an error / feedback

Taiqing 太清部 1 volumes 3,961 characters

About this page. The original text of 《大丹铅汞论》 (Taiqing 太清部, 1 volume) is shown in Classical Chinese as transmitted in the Godners/DaoZang edition. An English interpretation of the 8 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

Reading modes explained
  • Horizontal: ordinary left-to-right reading; the interpretation can be shown.
  • Scroll: vertical text running right to left; the wheel scrolls sideways (no interpretation in this mode).
  • Wheel: columns of vertical text turn around a drum; use the wheel, drag or arrow keys, or auto-play.
  • Pages: about 200 characters per page; use the buttons, swipe or arrow keys.

Source textInterpretation

Vol. 1

大丹铅汞论 > 经名:大丹铅汞论,收录于《中华道藏》太清金丹经。 经名:大丹锯汞论。唐金付坡撰。一卷。底本出处:《正统道藏》洞神部众街类。 第一 夫大丹之术,出乎铅汞。而铅汞之药,乃大丹之基。观其互换感发之‘机,交相制伏之妙,皆出乎天地自然,非人力所能致也。且铅属阴,黑色,而为玄武,其卦为坎,位属北方壬癸之水,水能生金。水中有金,其色白,而为白虎,其卦为兑,西方庚辛金也。汞属阳,色青,而为青龙,其卦为震位,禀东方甲乙之木。木能生火,故砂中有汞,其色赤,而为朱雀,其卦为离,南方丙丁火也。以是论之,则坎为水,为月,为铅。离为火,为日,为汞。当无一毫之差,可也。仆每至半途而悔,中道而废,复参异人乃日:天生於,南方丙丁火也。以是论之,则坎为水,为月,为铅。离为火,为日,为汞。当无一毫之差,可也。仆每至半途而悔,中道而废,复参异人乃日:天生於坎,地生於离。坎属水,为月、,为铅。离属火,为日,为汞。坎离互用,日月相交,铅汞相持,虎龙相返,然后相成。仆遂先以水铅而制离汞,后以离汞为真铅,复以真铅制汞魂,而为真汞,然贻外丹,得造化之大全。由是始悟五行颠倒术,龙从火裹出。五行不顺行,虎向水中生。丹经言不妄发。吁,以铅制汞,得汞中之宝,而汞伏於铅,得水中之金,而铅始见。以铅制汞。以汞制丹,日铅曰汞,不偏其用。日汞日铅,不专其用。铅汞制伏,黄婆会遇,外丹夫何远之有。
Interpretation

The key to the Great Elixir (the method of refining the Golden Elixir) lies in lead and mercury; the medicines of lead and mercury are the foundation of the Great Elixir. The mechanism by which lead and mercury transform into each other and mutually respond, together with the subtle wonder of their mutual restraint and subjugation, all arise from the natural processes of Heaven and Earth and cannot be produced by human effort alone.

Lead belongs to Yin and is black in color. It symbolizes the Dark Warrior (Xuanwu, the divine beast of the north), corresponds to the Kan trigram, occupies the northern direction, and belongs to Ren-Gui Water. Water is able to generate Metal: within Water there is Metal, which is white in color, symbolizes the White Tiger (the divine beast of the west), corresponds to the Dui trigram, occupies the western direction, and belongs to Geng-Xin Metal. Mercury belongs to Yang and is azure in color. It symbolizes the Azure Dragon (Qinglong, the divine beast of the east), corresponds to the Zhen trigram, occupies the eastern direction, and belongs to Jia-Yi Wood. Wood is able to generate Fire: within cinnabar there is mercury, which is red in color, symbolizes the Vermilion Bird (Zhuque, the divine bird of the south), corresponds to the Li trigram, occupies the southern direction, and belongs to Bing-Ding Fire. From this it can be seen that Kan represents Water, the Moon, and lead, while Li represents Fire, the Sun, and mercury; these correspondences hold without the slightest discrepancy.

I used often to cultivate only halfway before regret arose in my heart and I abandoned the work midway. Later, after consulting various people, I came to understand that Heaven is generated from within Kan and Earth is generated from within Li. Kan belongs to Water and represents the Moon and lead; Li belongs to Fire and represents the Sun and mercury. When Kan and Li are applied in mutual operation, the Sun and Moon conjoin, lead and mercury sustain each other, and the Dragon and Tiger (symbolizing the two forces of Yin and Yang) reverse and unite; only then can they bring each other to completion.

Thereupon I first used the lead within Water to subdue the mercury of Li Fire, then employed the mercury of Li Fire to refine it into True Lead. Next I used True Lead to subdue the essential soul of mercury, causing it to become True Mercury. By thus refining Waidan (external alchemy), one obtains the complete wondrous functioning of the creative transformation of Heaven and Earth. From this I finally comprehended the art of reversing the circulation of the Five Phases (Wood, Fire, Earth, Metal, Water): the Dragon is born from Fire; if the Five Phases do not operate in their ordinary sequence, the Tiger will be born from Water.

What the elixir scriptures say is not empty talk: when lead is used to subdue mercury, one obtains the treasure within mercury; when mercury is vanquished by lead, the Metal within Water becomes manifest. Use lead to control mercury, then use mercury to produce the elixir. It is called lead and it is also called mercury; neither should be favored exclusively, nor should one rely on only a single one of them. When lead and mercury mutually restrain each other, the Yellow Dame (Huangpo, the intermediary that harmonizes lead and mercury) is able to bring them into union—how then could the successful refinement of Waidan be something remote and unattainable?

第二 采取真铅真汞:以挣铅始见。以铅制汞。以汞制丹,日铅曰汞,不偏其用。日汞日铅,不专其用。铅汞制伏,黄婆会遇,外丹夫何远之有。 第二 采取真铅真汞:以挣铅八两,取山泽银四两,投入铅内,镕抡取花,得八两,谓之铅黄花。朱砂八两,同研细,入神鼎,水火打经三转,自然真死,为大丹之基,汞脱无穷之宝。 第三 结法:黑铅取花於山泽,名日铅黄花,白虎,丹经为水中金是也。朱砂取汞於水火,名日玉液,位居青龙,丹经为砂中汞是也。石水中,金砂中,汞合为一处,各用八两,以体乾坤之妙,和合匹配,同归神鼎,封固牢密,埋入神炉,水火既济,运用抽添,铅得汞而降,汞得铅而伏,乃为龙虎大丹。再归土釜,脱养辰砂,增添无极,三牢密,埋入神炉,水火既济,运用抽添,铅得汞而降,汞得铅而伏,乃为龙虎大丹。再归土釜,脱养辰砂,增添无极,三七四六,感黑白雪黄芽,皆自铅汞中产。张真人日:不识真铅正祖宗,万般作用枉施功。钟离先生日:抱太一之黑,为八石之首者,朱砂也。砂中有汞,汞乃砂之子也。抱太一之熙,为五金之首者,铅也。铅中有银,银乃铅之子也。难取者铅中银,易取者砂中汞。铅汞相合,缎炼成至宝。此神仙简秘之妙,得此者无忽焉。 第四
Interpretation

Using “true lead” to subdue “true mercury,” then employing true mercury to refine the elixir: lead and mercury each have their own functions and cannot be used in a one-sided way, nor can one rely exclusively on only one of them. Once both lead and mercury have been modulated and brought into mutual coordination, and the “Yellow Dame” then mediates between them, the refining of Waidan (external alchemy) is no longer difficult. The “Yellow Dame” is a symbolic designation in elixir methods for the agent that matches and harmonizes lead and mercury.

When gathering true lead and true mercury, one takes eight liang of black lead together with four liang of mountain-marsh silver (silver refined from ore), casts the silver into the lead, melts and refines them, and extracts the essence to obtain eight liang, which is called “lead yellow flower.” Next, eight liang of cinnabar are ground into a fine powder and placed in the divine cauldron, where they are tempered by the alternating application of water and fire through three cycles, thereby producing the foundation of the elixir. The mercury contained within the cinnabar is regarded as a treasure capable of continual transformation and refinement.

The method of forming the elixir is as follows. The essence extracted from black lead is called “lead yellow flower” and symbolizes the White Tiger; elixir scriptures (Jing) refer to it as “gold in water.” Mercury is then extracted from cinnabar by means of water and fire and is called “jade fluid,” symbolizing the Green Dragon; the scriptures refer to it as “mercury in sand.” Eight liang each of “gold in water” and “mercury in sand” are taken and blended according to the principle of the mutual pairing of Heaven and Earth, Qian and Kun. They are placed in the divine cauldron, tightly sealed, and buried in the divine furnace, where they are repeatedly refined by the method of water and fire assisting one another, with the fire timing increased or decreased as appropriate. Lead, upon receiving mercury, descends; mercury, upon receiving lead, is subdued. This is known as the Dragon-Tiger Great Elixir.

The elixir is then transferred into an earthen cauldron for continued warming and nourishing, so that the cinnabar may transform and mature and the potency of the medicine steadily increase. Through rigorous sealing and refining in the divine furnace, together with the proper increase and decrease of fire timing, the elixir is obtained. The expressions “three-seven four-six,” “black-white snow,” and “yellow sprouts” that appear in the text are all technical terms employed in elixir scriptures to describe the process of lead-mercury transmutation and its products.

Perfected Zhang said: “If one does not recognize true lead and its root, all the refining one may perform is merely wasted effort.” Master Zhongli said: “Cinnabar is endowed with the Qi (vital energy) of Taiyi and stands as the foremost of the eight minerals; mercury is present within the cinnabar, and mercury is the child of cinnabar. Lead is endowed with the Qi of Taiyi and stands as the foremost of the five metals; silver is present within lead, and silver is the child of lead. Extracting silver from lead is comparatively difficult, while extracting mercury from cinnabar is comparatively easy. When lead and mercury are combined and tempered, they become the supreme treasure.” This is a concise and secretly transmitted wondrous principle of the immortal elixir methods; those who obtain it must not treat it lightly.

三姓会於元宫:母砂、灵砂、朱砂、谓之三姓。用母砂包灵砂,入铅黄太乙匮养死。次以灵砂包朱砂,又以母砂包灵砂,入铅黄太乙匮内,养七日。母在灵在朱在,谓之三在,混而为一,谓之四象。乃神仙之秘法,为世上之至珍。 第五 三姓再会:生灵砂包朱砂,用母砂在朱在,谓之三在,混而为一,谓之四象。乃神仙之秘法,为世上之至珍。 第五 三姓再会:生灵砂包朱砂,用母砂包在外,入四象匮内,养七日,三姓再死,研细,增添无有纪极。 第六 白雪化生:粉霜四两,生雄贴身,入大匮末内,养七日,其粉真死,雪白可爱。此粉有大功,乾汞点化,无施不可。 第七 白雪变黄粉:白雪取乾真宝,碎为白屑,上火下水,既济未济炼养,色变如黄粉,见火成汁,倾出成膏,其味甜,有回阳起死之功,糁制成功之妙。 第八 铅黄信转为大宝:用净铅一、一斤,银半斤,合镕成汁,入信半斤,投之良久,取出坐锅放玲,打碎。此信一陀,分胎去铅银,以信为末,与朱对勾,入火鼎内,打死。信在上,朱在底。此朱有大药之基,须是煎去折半,其药方灵,可为盖头。 第九
Interpretation

Three materials meet in the Yuangong (the vessel or position used in elixir methods to combine the medicines): musha (mother sand), lingsha (numinous sand), and zhusha (cinnabar), called the “three surnames.” First wrap the lingsha with musha and place it in the qianhuang taiyi gui (lead-yellow Taiyi container, the vessel employed for elixir cultivation) to nourish and refine until the medicines reach a “dead” state. Next wrap the zhusha with lingsha, then wrap that with musha, and place the whole in the qianhuang taiyi gui to nourish and refine for seven days. The musha, lingsha, and zhusha all retain their natures, termed the “three remainings”; when the three blend into one they are called the Four Images (sixiang). This is a secret method transmitted by the immortals and regarded as the supreme treasure of the world.

In the fifth the three surnames meet again: wrap the zhusha with raw lingsha, then wrap the exterior with musha, and place it in the sixiang gui (Four Images container, the alchemical vessel holding the Four Images medicines) to nourish and refine for seven days. After the three materials have once more been refined to a “dead” state, grind them into fine powder and add more continually as required.

Sixth, White Snow (baixue) is generated: take four liang of fenshuang (powder frost), press raw realgar (shengxiong) closely against it, and place the combination in the powder of the large gui to nourish and refine for seven days so that the fenshuang attains a state of “true death,” snow-white in color and most striking. This powder possesses great potency and can be used to point-transform dry mercury, said to be applicable in every circumstance.

Seventh, White Snow turns into yellow powder: take the dry true treasure refined from the White Snow, crush it into white fine fragments, and employ the method of fire above and water below, cycling repeatedly through the jiji and weiji stages (the phases of yin-yang water and fire mutually completing and not yet completing in alchemical nourishment) until the color becomes yellow powder. Upon meeting fire it melts into liquid; when poured out it congeals into a paste of sweet taste. According to the text it possesses the virtue of restoring yang and raising the dead, as well as the marvelous use of scattering the powder to bring the refinement to success.

Eighth, lead-yellow xin is converted into the great treasure: take one jin of purified lead and half a jin of silver, melt them together into liquid, then add half a jin of xin; after a time remove the mass, place it in a pot to cool, and smash it. Select one piece of the “xin,” separate the lead and silver, grind the xin to powder, mix it evenly with zhusha, and place the mixture in the fire ding to refine to a “dead” state, xin above and zhusha below. This zhusha constitutes the foundation for preparing the great medicine; it must still be decocted and refined until reduced by half so that its medicinal nature becomes efficacious, after which it may serve as the “covering.”

Ninth

炼养铅汞大丹:铅坑,与朱对勾,入火鼎内,打死。信在上,朱在底。此朱有大药之基,须是煎去折半,其药方灵,可为盖头。 第九 炼养铅汞大丹:铅坑至宝形如布线者八两,乃老翁须是也。搅为碎屑,以砂合贮之,入汞八两,炼养四十九伏,自然化为丹粉。灶之成丹,不复成宝。此可为大匮,养辰砂。 转制四神为大丹 一秘:用神仙三丹妙诀,山泽至宝一十六两,山泽先天太乙一十二两,同入甘锅煎,铅黄半斤为末作置,将朱五两逐旋於中,脱死为末。灵砂五两作一陀,以死朱五两贴了,外用四六母砂一斤,包令固密,再以铅白霜死。大凡包裹外墙,筑入油缸固济了。毕用养七日,一缎,寒取出,其朱,灵母砂,杵为末,作大匮。此为一秘也。 二秘:山泽铅银煎取黄花半斤,先将母砂一斤,逐济了。毕用养七日,一缎,寒取出,其朱,灵母砂,杵为末,作大匮。此为一秘也。 二秘:山泽铅银煎取黄花半斤,先将母砂一斤,逐块包裹朱砂,逐渐养死,剥去母砂。次以朱砂灵砂对停包曩,逐渐於黄花匮末内养死,取出捣为一处,以成大匮。此二秘也。
Interpretation

To refine the Lead-Mercury Great Elixir (an elixir prepared from lead, mercury, and related materials): take the substance from the lead pit, combine it with cinnabar (zhu), and place it in a fire tripod (the furnace-cauldron used in elixir refining) to be refined until it is “struck dead” (an alchemical term meaning that fire has transformed the medicinal substances). Position the “xin” above and the cinnabar below. This cinnabar is the foundation for preparing the Great Medicine and must be decocted and refined down to half its original quantity; only then will the formula prove efficacious, and it may also be used as a covering lid.

Ninth

To refine the Lead-Mercury Great Elixir: take the supreme treasure from the lead pit, which is shaped like cloth threads and weighs eight liang—this is what is called “the old man’s whiskers.” Crush it and store it together with sand. Then add eight liang of mercury and refine and nourish it through forty-nine fu (in elixir alchemy this indicates forty-nine cycles or stages of “subduing” refinement; the exact method of counting is unclear). It will naturally transform into elixir powder. Once the elixir has been formed in the furnace, it is no longer a treasure. This substance can be used to make a Great Coffer (a vessel for containing and nourishing-refining elixirs), in which to nourish and refine Chen cinnabar.

Transforming the Four Spirits into the Great Elixir

First Secret Method: Employ the marvelous formula of the Three Immortal Elixirs. Take sixteen liang of the supreme treasure of mountain and marsh and twelve liang of the Prenatal Taiyi of mountain and marsh, and place them together in a crucible (the pot used in elixir refining) to be decocted and refined. Grind half a jin of lead yellow into powder to serve as a supporting bed, then introduce five liang of cinnabar into it in successive portions, refining until “released from death,” and grind the result into powder. Take five liang of numinous sand, form it into a single lump, and wrap it closely with five liang of the already-refined cinnabar; then bind it tightly on the outside with one jin of four-six mother sand. Afterward refine it with lead white frost. As a rule the outer wrapping must be sealed tightly and placed in an oil jar to be closed and secured. Once this is done, nourish and refine for seven days, then calcine once more, and after cooling remove the contents. Pound the cinnabar and numinous mother sand within into powder and form a Great Coffer. This is the First Secret Method.

Second Secret Method: Decoct and refine mountain-marsh lead-silver and extract half a jin of yellow flower. First wrap cinnabar in portions with one jin of mother sand and gradually nourish and refine it until “dead,” then peel away the mother sand. Next wrap it with equal amounts of cinnabar and numinous sand, and gradually place it into the yellow-flower coffer powder, nourishing and refining until “dead.” After removing it, pound everything together and form a Great Coffer. This is the Second Secret Method.

The original text repeats once at the heading of the “Second Secret”; the account above combines the two passages according to their content. Terms such as “supreme treasure of mountain and marsh,” “Prenatal Taiyi,” “yellow flower,” “released from death,” and “nourished to death” are all technical terms of elixir alchemy; their precise referents and operational meanings cannot be determined from this passage alone.

三秘:依前黄花半斤,将灵砂四两,逐渐於内养死。却将死灵砂与朱对停为末,煅作州陀。外以四六母砂一片包袅,黄花匮内养令真死,与母混而为一,以作大匮。此谓之三秘也。夫是三秘,乃大洞真诀,皆以凡铅死汞为真铅,以真铅死朱为真汞,铅汞一处,合炼养婴儿,灵中之灵,圣中之圣也。 脱养婴儿
Interpretation

The method of the Three Secrets is as follows: according to what was previously described, take half a jin of yellow flower and gradually place four liang of lingsha into it for nourishing and refining, causing the lingsha to “die” and transform. Then grind the dead lingsha together with an equal quantity of cinnabar into powder and calcine it into zhoutuo. Wrap the exterior with four-six mother sand, place it once more into the yellow-flower chamber (kui) for nourishing and refining so that it thoroughly “dies” and transforms, and afterwards mix it as one with the mother sand to produce the great chamber. This is what is called the “Three Secrets.”

These Three Secrets are the true secrets of the Great Cavern (Dadong zhenjue): ordinary lead is used to cause mercury to “die” and transform, becoming true lead; true lead is then used to cause cinnabar to “die” and transform, becoming true mercury. When lead and mercury are joined in one place and refined and nourished, the “infant” (ying’er) is achieved. This is the most numinous among all numinous marvels, the most sagely among all sagely marvels.

Detaching and Nourishing the Infant

夫婴儿妮女,虽同其源,实易其体。诧女者,未结胎。婴儿者,已结秀。婴兄既产,能神能圣,能通能变,运用无方,变化莫测。在天为白,虽同其源,实易其体。诧女者,未结胎。婴儿者,已结秀。婴兄既产,能神能圣,能通能变,运用无方,变化莫测。在天为白雪,在世为铅壶,在人则为粉霜,神仙比之为妮女,不过、一水银尔。以其产朱砂之腹,为汞之精,、砂之黑,搅之不浊,澄之不清,竟在高山,裂石不能得其形,柔和明净,糠枇不能污其质。此为长生之药,点化之珍,世之至宝,无可比伦。凡夫浊质,不明造化之根,不遇神仙之诀,乃欲其成乾汞至宝,以归一身之所用,以纵一己之私欲,何其不自揣量。然人欲求其诀,当先寻师。欲得其方,先修其行。察阴阳神仙之诀,乃欲其成乾汞至宝,以归一身之所用,以纵一己之私欲,何其不自揣量。然人欲求其诀,当先寻师。欲得其方,先修其行。察阴阳之动静,验天地之循环,明辩药材,扣求水火法,参稽互考,褊阅丹经,寻访明师,直与天地同其轨辙,与内丹同其关键,可不秘乎。泄之非人,罪及七祖矣。 脱养粉箱成大药
Interpretation

The “Infant” (Ying’er) and the “Maiden” (Ninü)—metaphorical names in elixir methods referring to medicines or alchemical products at different stages—although originating from the same source, differ in the states they form. The Maiden has not yet coagulated into an embryonic body, while the Infant has already condensed into shape. Once the Infant is refined, it is said to possess marvelous, numinous, and sagely powers that penetrate transformations; its applications know no fixed limits, and its changes are difficult to fathom.

It is called “White Snow” in heaven, “Lead Pot” in the world, and “Powder Frost” in the human body. The immortals liken it to the Maiden, yet in substance it is simply mercury. Generated from within cinnabar, it is the essence of mercury. Although cinnabar is black, it does not become turbid when stirred nor clarify when left standing. Hidden in high mountains, even if the rocks split open its form remains hard to find. Soft in texture, bright and pure, not even chaff or similar impurities can stain it.

The scripture calls it the medicine of longevity and the treasure of transmutation, a precious rarity without compare in the world. Ordinary people of turbid constitution, who neither understand the root of creation nor have received the oral secrets transmitted by immortals, yet wish to refine it into the supreme treasure of “Dry Mercury,” take it into their own bodies for personal use, and satisfy private desires—this is truly to overestimate their abilities.

If one wishes to obtain the oral secrets, one should first seek a teacher and lineage; if one wishes to obtain the elixir formula, one should first cultivate character. One must also observe the movement and stillness of Yin-Yang, examine the circulating operations of heaven and earth, distinguish the medicinal materials, explore the methods of combining Water and Fire, and, through reference, comparison, and verification, read widely in the elixir scriptures while seeking enlightened masters. Only when what one has learned accords with the laws of heaven and earth’s operations and connects with the key points of Neidan (internal alchemy) cultivation may this Dao be discussed. Ought such secrets not be closely guarded? If leaked to unsuitable persons, the offense may even implicate seven generations of ancestors.

“Extracting and nurturing the powder chest to form the Great Medicine” is a heading at the end of the text or an alchemical mnemonic phrase, meaning that through extraction and nurturing, medicines such as “Powder Frost” are transformed into the Great Medicine.

粉霜四两,入银末一两,同研匀,入油缸内,上以前三洞药丹末捺头,用黄土末作盖,封固坚牢,用火四两,缎养五日五夜。次取出粉霜,再研细,银薄卷作筒子,入粉在内,卷暑令紧,入三洞丹头中,养之三七日。此粉有大功,可作大丹转糁之法。 外丹大乘济物利人肥身养道
Interpretation

Take four liang of powder frost (a mercury-containing medicinal used in Waidan (external alchemy) refining), add one liang of silver powder, grind them evenly, and place the mixture in an oil jar. Spread the previously refined Three Caverns (Dongzhen/Dongxuan/Dongshen) medicinal elixir powder over the mouth of the jar, then cover it with yellow earth powder and seal it firmly. Warm-nourish it with a four-liang fire for five days and five nights.

Afterwards remove the powder frost and grind it finely once more. Roll silver sheets into tubes, fill them with the powder, wrap them tightly, and place them in the Three Caverns elixir head to warm-nourish for twenty-one days. This powder possesses great efficacy and can serve as a method of transformation and addition of medicinal materials when refining the great elixir.

This passage calls the art of Waidan (external alchemy) the “Great Vehicle,” emphasizing the aims of aiding the people of the world, benefiting others, strengthening the body, and cultivating the Dao (the Way) together with proper conduct.

尝闻异人日:天盗地,地盗人,人盗万物,三才相盗之道,外丹之卫,莫不由是乎。外丹以铅为祖,以银为母,以汞为妇。铅盗天之黑,银盗铅之黑,汞盗银之黑,互相盗盗地,地盗人,人盗万物,三才相盗之道,外丹之卫,莫不由是乎。外丹以铅为祖,以银为母,以汞为妇。铅盗天之黑,银盗铅之黑,汞盗银之黑,互相盗窃,其理一也。其外丹欲以变化一,生生而不穷,非得此三才相吞柑盗交和之理,其何以知外丹相生相养相吞相合之妙也。且夫外丹之卫,与天地造化,初无少异。大丹以铅为祖,以银为母,以汞为妇,以铅用银,是感先天一元之黑也。去铅用银,以银养汞,是感后天银母之黑也。汞既以死为铅,故谓之真铅。由是以知汞之盗银,子之盗母,其理与天之盗地,地之盗人,而有感异之说乎。真铅既死,得所谓之真汞,又果何物耶。殊不知汞者,以知汞之盗银,子之盗母,其理与天之盗地,地之盗人,而有感异之说乎。真铅既死,得所谓之真汞,又果何物耶。殊不知汞者,即感后天之黑而生也。未经缎炼,故谓之真汞。能将真铅杵为细末,又将真汞混而为一,复求朱砂而养之,则铅汞相合,阴阳配匹,互相炼养,而可谓之铅汞真死之药耶。汞既已死,母黑散耗,不言可知。至此须明其形神俱妙,与道合真之理,方与天地造化,异事而同其源。是故银者,汞之母。形者,神之舍。神归乎舍,形神合一。铅交其汞,汞死为铅。银与铅合,子与母会,不相分离者,汞之母。形者,神之舍。神归乎舍,形神合一。铅交其汞,汞死为铅。银与铅合,子与母会,不相分离,不相问隔,所谓和合四象,得外丹大全之用矣。且四象五行,不可缺于一。此一者何也,土也。土者何也,硫黄是也,黄婆也,黄芽也。丹经日:虽用黄婆作媒礼。又日:反铅为黄芽也。又水银为真汞。又日:灰池炎灼,铅汞成银。洁白见宝,可造黄金。若是真死铅汞二两,煎出圣银,正丹经所谓反汞为黄芽。依前脱养出朱砂,正所谓反水银为真汞。反还之妙,不容於不知。然则道家何以日顺则成人,逆则成道。以银养朱则银折,全在乎贴身。以砂养砂则耗折,以砂浇汞则砂活。虽千百载,亦无成功。谓其孤阴不能自生,孤阳不能自成。世之用银则成道。以银养朱则银折,全在乎贴身。以砂养砂则耗折,以砂浇汞则砂活。虽千百载,亦无成功。谓其孤阴不能自生,孤阳不能自成。世之用银则银折,所幸有汞,则益其银。世之用砂则砂脱,所幸有硫,以固其汞。银无耗散,汞精不飞,以银养汞,投胎夺舍,返本还元,再缎黄婆,以为媒礼,何谓无成功之效乎。古贤有云:不得朱硫汞不乾,铅无朱硫汞不耐,正所谓欤。盖铅汞者,日月之精,出於天而光照四表。日月之光,着乎山泽,而五金生焉,八石产焉,珠玉结焉。光者何也,精神之发现也。丹者何也,铅汞真精,感,着乎山泽,而五金生焉,八石产焉,珠玉结焉。光者何也,精神之发现也。丹者何也,铅汞真精,感化而为还丹者也。丹久而光,光而明,由是黄白生焉,众宝出焉。曰乾汞,曰点化,皆由此丹而出。凡世之谓感气母砂浇淋,皆自此出,此丹之生也。虽然黄白之术,此特神仙之余事尔。人能於服饵,克意於内庭而上之,遂使此心立於无患之寿域,臻於长生之药地,此仆之所以拳拳於同道之士
Interpretation

I once heard an extraordinary person say: Heaven takes the Qi (vital energy) of Earth, Earth takes the Qi of humans, and humans in turn take the Qi of the myriad things. This is the principle by which the Three Powers of Heaven, Earth, and humanity take from one another and transform into one another. The functioning of Waidan (external alchemy)—the art of firing medicinal substances to refine elixirs—likewise cannot be separated from it.

Waidan takes lead as the ancestor, silver as the mother, and mercury as the wife. Lead takes the black Qi of Heaven, silver takes the black Qi of lead, and mercury in turn takes the black Qi of silver; they take from one another in succession, and the principle behind this is the same. Waidan must rely on transformation so that the medicinal substances continually generate. If one does not understand the principle by which the Three Powers of Heaven, Earth, and humanity swallow and combine, take from, and blend with one another, how can one grasp the wondrous way in which the substances of Waidan generate and nourish one another, swallow and combine with one another?

The functioning of Waidan is no different from the creative transformation of Heaven and Earth. The Great Elixir takes lead as ancestor, silver as mother, and mercury as wife: combining lead with silver is to resonate with the precelestial One Qi; removing the lead and retaining the silver, then using silver to nourish mercury, is to resonate with the postcelestial Qi of the silver mother. Mercury, through transformation, congeals into lead, and is therefore called “true lead.” From this we know that mercury taking from silver is like a child taking from its mother; this is the same as Heaven taking from Earth and Earth taking from humanity—all are processes of resonance and transformation.

After true lead has congealed, what exactly is the so-called “true mercury”? In fact, mercury is born by resonating with postcelestial Qi and has not yet been refined, and so is called true mercury. Grind the true lead into a fine powder, mix it with true mercury, and then take cinnabar to nourish and refine them; lead and mercury can then combine, refining and nourishing each other like a Yin-Yang pair. Only then can one say that lead and mercury have truly congealed into elixir. Once mercury has congealed, the dissipation of the mother Qi becomes self-evident. At this stage, one must still understand the principle that form and Shen (spirit) both attain wondrous union and become one with the true Dao (the Way), before one can say that although the manifestations differ from the creative transformation of Heaven and Earth, the root is the same.

Silver is the mother of mercury; the physical form is the dwelling of Shen. When Shen returns to form, this is the union of form and spirit. When lead and mercury conjoin, mercury congeals and becomes lead; when silver and lead combine, it is as when child and mother meet, never again to separate or be cut off from each other. This is what is called “harmonizing the Four Images” (bringing four symbolic forces into coordinated union), and thereby the complete efficacy of Waidan is brought into play.

The Four Images and the Five Phases (Wood, Fire, Earth, Metal, Water) cannot lack even one. What is the indispensable key factor among them? It is Earth. The Earth spoken of here refers to sulfur, also called the “Yellow Dame” or “Yellow Sprout.” The elixir scriptures say, “Though one uses the Yellow Dame as the matchmaker’s gift,” and also “reverse lead into Yellow Sprout.” Quicksilver is the so-called true mercury. The elixir scriptures further say: “In the ash pool under fierce heat, lead and mercury become silver. Pure white, the treasure appears, and gold can be made.” If true lead and true mercury, through firing, yield silver, this is precisely what the elixir scriptures mean by “reversing mercury into Yellow Sprout”; continuing to fire and nourish according to the method described above until one obtains cinnabar is what is meant by “reversing quicksilver into true mercury.” The wonders of these reversal transformations must not go unknown.

Why do Daoists say “following the course produces humans, reversing the course produces the Dao”? Using silver to nourish cinnabar, the silver is depleted; the key lies in close, intimate nourishment. Using cinnabar to nourish cinnabar causes depletion; using cinnabar to irrigate quicksilver, the cinnabar can nonetheless survive. Even after a thousand or ten thousand years there may be no result, because solitary Yin cannot generate by itself, and solitary Yang cannot accomplish by itself. When people of the world refine silver, the silver is depleted; fortunately mercury replenishes the silver. When they refine cinnabar, the cinnabar flakes away; fortunately sulfur holds the mercury fast. In this way silver does not dissipate, and the Jing (essence) of mercury does not fly off. Using silver to nourish mercury is like entering a new womb and changing abode, returning to the origin and restoring the source; then using sulfur as intermediary to continue the firing—how can one say there is no result? The ancient worthies said: “Without cinnabar and sulfur, mercury cannot congeal; without cinnabar and sulfur, lead cannot remain stable for long.” This is precisely that principle.

Lead and mercury are the Jing of sun and moon. Sun and moon issue from Heaven and illuminate the four directions; the light of sun and moon shines upon mountains and marshes, and thus the five metals and eight minerals are produced, congealing into pearls and jade. What is called “light” is Shen made manifest; what is called “elixir” is the Reverted Elixir formed when the true Jing of lead and mercury resonate and transform. When the elixir, through long refining and nourishing, emits light, and the radiance appears, then the yellow-and-white substances (in alchemy, referring to transmutable metals) and numerous treasures arise from it. The techniques known as “dry mercury,” “projection,” and the like all come from this elixir. The methods spoken of in the world—sensing Qi, irrigating with mother sand, and so on—all likewise originate from the generation of this elixir.

However, the art of refining the yellow and white is only a side branch among the arts of the immortals. If those who cultivate the Dao can concentrate on ingesting the elixir and further apply themselves to inner cultivation, they can settle the mind in a state free of worry and harm, and proceed toward the path of long life. This is precisely what I earnestly hope those who share my aspiration will understand.

也。

Source text: Godners/DaoZang; Licence: Apache-2.0 · Report an error / feedback