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《淮南鸿烈解》Vol. 5

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Taixuan 太玄部 Vol. 5 / 11 25,000 characters

About this page. The original text of 《淮南鸿烈解》 Vol. 5 (Taixuan 太玄部, 11 volumes) is shown in Classical Chinese as transmitted in the Godners/DaoZang edition. An English interpretation of the 13 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

壶子持以天壤,言精神天之有也,形骸地之有也,死自归其本,故曰持天壤矣。名实不入,机发於踵。名,爵号之名也。实,币帛货财之实。不入者,必不恤也。机,谕疾也。谓命危殆,不旋踵而至,犹不恐惧。壶子之视死生亦齐。齐,等。子求行年五十有四而病伛偻,脊管高于顶,□下迫颐,两髀在上,子求,楚人也。偻,脊管下窍也。高於顶,出头上也。□,肝胸也。迫,薄至於颐也。两脾下在上,躯正贠也。□,读精神□越无之歇也。烛营指天,烛,阴华也。营,也。□,肝胸也。迫,薄至於颐也。两脾下在上,躯正贠也。□,读精神□越无之歇也。烛营指天,烛,阴华也。营,其窍也。上指(六)〔天〕6也。烛营,读曰括撮也。匍匐自窥於井,临井水自观照。曰,伟哉造化者,其以我为此拘拘邪?伟哉,犹美哉也。造化,谓天也。拘拘,好貌。此其视变化亦同矣。故睹尧之道,乃知天下之轻也,以其禅舜。观禹之志,乃知天下之细也。以其视龙犹蝘蜓也。原壶子之论,乃知死生之齐也。论持以天壤也。见子求之行,乃知变化之同也。行,匍匐窥於井,此之谓也。夫至人倚不拔之柱,行不关之涂子之论,乃知死生之齐也。论持以天壤也。见子求之行,乃知变化之同也。行,匍匐窥於井,此之谓也。夫至人倚不拔之柱,行不关之涂,倚於不可拔摇之柱,行於不可关闭之涂,言无不通。禀不竭之府,学不死之师,无往而不遂,往而遂也。无至而不通。至而通也。生不足以挂志,死不足以幽神,屈伸俛仰,抱命而婉转。抱天命而婉转,不离违也。祸福利害,千变万紾,紾,转。孰足以患心。若此人者,抱素守精,蝉蜕蛇解,游於太清,轻举独住,忽然入冥。凤凰不能与之俪,俪,偕。而况斥鴳乎。斥泽之鴳雀,飞不能出於顷晦,谕弱也。势位爵禄何足以槩志也。不足以槩至人之志。晏子与崔杼盟,临死地而不易其义。晏子名婴,字平仲,齐大夫也。崔杼杀齐庄公,盟诸侯曰,不唯崔庆是从者,如此盟。晏子曰,婴所不唯忠於君而利社稷者是从,亦如而利之易其义。晏子名婴,字平仲,齐大夫也。崔杼杀齐庄公,盟诸侯曰,不唯崔庆是从者,如此盟。晏子曰,婴所不唯忠於君而利社稷者是从,亦如而利之。故曰临死地而不易其义者也。殖、华将战而死,莒君厚赂而止之,不改其行。殖,杞梁也;华,华周,皆齐士也。为君伐莒之队,莒人围之,壮其勇力,厚赂而止之,不可,遂战而死。故曰不改其行也。故晏子可迫以仁不可劫以兵,晏子不从崔杼之盟,将见杀。晏子曰,句戟何不句,夜矛何不摧,不挠不义。故曰不可劫以兵也。殖、华可止以义,而不可县以利。县,视也。言不为利动也。君子义死,而不可以死亡恐也,彼则直为义耳,而尚犹不拘於物,又况无为者矣。止以义,而不可县以利。县,视也。言不为利动也。君子义死,而不可以死亡恐也,彼则直为义耳,而尚犹不拘於物,又况无为者矣。尧不以有天下为贵,故授舜,公子扎不以有国为尊,故让位;扎,吴寿梦之少子,延州来季子也。让位不受兄国,春秋贤之。诸侯之子称公子也。子罕不以玉为富,故不受宝;子罕,宋戴公六世之孙,西乡士之子,司成乐喜也。宋人或得玉,以献子罕,子罕不受。献玉者曰,以示玉人,玉人以为宝,故敢献之。子罕曰,我以不贪为宝,子以玉为宝。若(子)〔与〕7我,是皆丧宝也。不如人有其宝。稽首告曰,小人怀璧,不可以越乡,纳此以请死,子罕置诸其里,使玉人为之攻之,富而后使复其所。故曰不受宝也。务光不以生害义,故自投於渊。务光,汤时隐士也。汤代桀,让天下於务光,人谓务光曰,汤杀其君,将归不义之名於子,务光光,汤时隐士也。汤代桀,让天下於务光,人谓务光曰,汤杀其君,将归不义之名於子,务光因抱石自投於深渊而死。由此观之,至贵不待爵,以至德见贵,许由、务光是也,故曰不待爵也。至富不待财。以至德见富,若楚狂接舆是也。王闻其贤,使使者赍金百镒聘之,欲以为相,而不受,故曰至富不待财也。天下至大矣,而以与佗人也;尧是。身至亲矣,而弃之渊。务光是也。外此,其余无足利矣。外,犹除也。利,犹食利。或作私,私,独受也。此佗人也;尧是。身至亲矣,而弃之渊。务光是也。外此,其余无足利矣。外,犹除也。利,犹食利。或作私,私,独受也。此之谓无累之人。无累之人,不以天下为贵矣。上观至人之论,深原道德之意,以下考世俗之行,乃足羞也。考,观也。故通许由之意,金縢、豹韬废矣;金縢,豹韬,周公、太公阴谋图王之书也。许由轻天下不受,焉用此书为,故曰废矣。延陵季子不受吴国,而讼闲田者惭矣;讼闲田者,虞、芮及暴桓公、苏信公是也。子罕不利宝玉,而争券契者媿矣;务光不污於世,而贪利偷生者闷矣。故不观大义者,不知生之不足贪也;大义,死君亲之难也。不闻大言者,不知天下之不足利也。大言,体道无欲之言。今夫穷鄙之社也,叩盆拊瓴,相和而歌,自以为乐矣。穷鄙之社,穷巷之小社也。盆瓴器,叩之有音声,故曰自以为乐也。尝试为之击建鼓,撞巨钟,之言。今夫穷鄙之社也,叩盆拊瓴,相和而歌,自以为乐矣。穷鄙之社,穷巷之小社也。盆瓴器,叩之有音声,故曰自以为乐也。尝试为之击建鼓,撞巨钟,乃性仍仍然,知其盆瓴之足羞也。仍仍,不得志之貌。仍仍或作聆聆,犹闻也。藏诗、书,修文学,而不知至论之旨,则拊盆叩瓴之徒也。夫以天下为者,学之建鼓矣。建鼓,乐之大者。尊势厚利,人之所贪也。尊势,穷位。厚利,重禄。使之(尤)〔左〕8据天下图而右手刎其喉,愚夫不为。由此观之,生尊于天下也。天下至大,非手所据,故不言手也。使得据天下之图籍,行其权势,而刎喉杀身,虽愚者不肯为也,故曰生贵於天下矣。圣人食足以接气。使得据天下之图籍,行其权势,而刎喉杀身,虽愚者不肯为也,故曰生贵於天下矣。圣人食足以接气,衣足以盖形,适情不求余,接,续也。盖,覆也。余,饶也。无天下不亏其性,有天下不羡其和。亏,损也。羡,过也。和,适也。有天下,无天下,一实也。实,等。今赣人敖仓,予人河水,赣,赐也。敖,地名。仓者,以之常满仓也,在今荣阳县北。饥而餐之,渴而饮之,其入腹者不过箪食瓢浆,箪,笋。则身饱而敖仓不为之减也,减少。腹满,而河水不为之竭也。竭,尽。有之不加饱,无之不为之饥,与守其篅□、有其井,一实。篅□,受谷器也。井,家人之井水也。篅读颛孙之颛也。
Interpretation

The Pot Master regarded himself as part of Heaven and Earth: his spirit belonged to Heaven, and his body to Earth. After death, he would naturally return to his source. This is why it is said that he “held fast to Heaven and Earth.” Titles and wealth could not sway him; even when danger was at hand, he felt no fear. This shows that the Pot Master regarded life and death as equal.

When Ziqiu was fifty-four, he fell ill and his body became severely bent. His back rose above his head, his chest and belly were pressed up near his chin, and his legs ended up above his body. He crawled to a well to look at his reflection and exclaimed, “How wondrous is the transformation of things! It has turned me into this!” This shows that he took changes in bodily appearance as calmly as he took life and death.

Seeing Yao abdicate the throne in favor of Shun made it clear that the world was not worth taking too seriously. Seeing Yu’s ambitions showed that, in his eyes, the world was also very small: he regarded power and rank as no more valuable than a lizard. Once we understand the Pot Master’s teaching, we know that life and death can be regarded as equal. And seeing how Ziqiu faced changes in his body, we know that changes in appearance, too, can be taken calmly.

The perfected person who has attained the Dao relies on an unshakable foundation and walks a path without obstruction. With an inner treasure that can be drawn upon without end, and the inexhaustible Dao as their teacher, wherever they go, all is smooth and free. Life gives their heart no cause for attachment, and death cannot distress their spirit. Whether bending or stretching, looking down or up, they accept their fate and remain at ease. No matter how fortune and misfortune, benefit and harm, shift and change, they are not troubled. Such a person preserves their true nature and vital essence, shedding an old form as a cicada leaves its shell or a snake its skin, and roaming in the Great Clarity, the Daoist realm of pure emptiness. Light of body, they travel alone, suddenly entering the hidden realm. Even the phoenix cannot be compared with them, much less the weak quail. How could power, status, or salary sway their resolve?

Yan Zi, whose name was Ying and whose courtesy name was Pingzhong, did not abandon his principles in the face of death. After Cui Zhu killed Duke Zhuang of Qi, he forced people to swear allegiance to him. Yan Zi declared that he would obey only the principles of loyalty to the ruler and service to the state, and so would not be coerced by force. Qi warriors Qiliang and Huazhou went to attack Ju. The people of Ju respected them and offered them generous gifts to persuade them to stop fighting, but they held to their course and died in battle. They could be stopped by appeals to principle, but not swayed by profit. A gentleman who dies for what is right will not change his integrity out of fear of death. If they could not be moved by anything external when acting only for principle, how much less could a person who practices Wuwei be moved?

Yao did not consider possession of the world an honor, so he yielded it to Shun. Jizha, the prince of Wu known as the Master of Yanling, did not regard possession of the state as glory, so he declined the throne. Zihan did not treat jade as a treasure, so he refused a precious jade offered to him. The man presenting it said that a jade worker had examined the stone and pronounced it a treasure. Zihan replied, “I treasure freedom from greed; you treasure jade. If I accept it, we will both lose our treasures.” He later made proper arrangements for the man who had brought the jade and had the jade worker refine it, so the man could return home safely. Wuguang, too, would not compromise what was right in order to stay alive, so he took a stone in his arms and plunged into an abyss. According to legend, after King Tang overthrew Jie of Xia, he tried to yield the world to Wuguang. Some believed that Wuguang might be saddled with the disgrace of Tang’s regicide, so he drowned himself in the abyss.

From this we can see that those who are truly noble are respected for their lofty De, not for their titles. Xu You and Wuguang were such people. Those who are truly wealthy do not depend on possessions. Jieyu of Chu was known to the king for his virtue, and the king sent someone with a large sum of money to offer him the post of minister, but Jieyu refused. The world is vast, yet Yao could yield it to another; one’s own life is so close and dear, yet Wuguang was willing to give it up. What else in the world, then, is worth claiming for oneself? This is what it means to be free from entanglement with external things.

When we grasp the depth of Dao and De in the words of the perfected, then look at the conduct of ordinary people, many of their struggles seem shameful. Understand Xu You’s intentions, and the schemes in the writings of the Duke of Zhou and the Grand Duke to seize the throne no longer seem worth esteeming. When we see that Jizha of Yanling refused the state of Wu, those who fight over border fields feel ashamed. When we see that Zihan coveted no precious jade, those who scramble over contracts feel ashamed. When we see that Wuguang refused to be tainted by worldly ways, those who chase profit and cling to life at any cost feel they have nowhere to hide. Without understanding the Great Way, one cannot know that life is not something to cling to greedily. Without hearing words that open the way to understanding, one cannot know that the world is not worth coveting.

At a village shrine in some remote lane, people beat basins and tap roof tiles, singing in response to one another and believing themselves happy. If they heard great drums and huge bells instead, they would find the sounds of basins and tiles crude and laughable. To collect only the Book of Poetry and the Book of Documents and study their writings, without understanding the purpose of the Great Way, is like being able only to beat basins and tiles. Those who set their sights on the world are like people seeking the finer music of great drums and huge bells.

Power and rich profits are things people covet. But if someone were made to hold in one hand the maps and authority of the whole world, and cut their own throat with the other, even a fool would not do it. This shows that life is more precious than the world. The sage seeks only enough food to sustain life and enough clothing to cover the body. They satisfy the needs of their nature and seek nothing extra. Lacking the world does not damage their natural disposition, and possessing it does not make them more content than they were before. Whether they possess the world or not makes no essential difference to them.

It is like giving someone grain from the great granary at Ao and water from a river: when hungry, they eat grain; when thirsty, they drink water. What enters their belly is only a meal or a ladleful. Their eating does not diminish the great granary, and their drinking does not dry up the river. Possessing these things does not make them any fuller; lacking them does not make them any hungrier. The principle is just as if they were drawing grain from their own storehouse and water from their own well: in substance, there is no difference.

人大怒破阴,大喜坠阳,。有之不加饱,无之不为之饥,与守其篅□、有其井,一实。篅□,受谷器也。井,家人之井水也。篅读颛孙之颛也。 人大怒破阴,大喜坠阳,巳说在原道也。大忧内崩,大怖生狂。除秽去累,漠若未始出其宗,乃为大通。清目而不以视,清,明。静耳而不以听,钳口而不以言,委心而不以虑,弃聪明而反太素,休精神而弃知故,觉而若昧,以生而若死,昧,暗也,厌也。楚人谓厌为昧,论无知也。终则反本未生之时,而与化为一体。言人之未生时。欲同死生也,故曰与化为一体也。死之与生,一体也。今夫繇者,揭镢舀,鱼笼土,繇,役也。今河东谓治道为繇道。同死生也,故曰与化为一体也。死之与生,一体也。今夫繇者,揭镢舀,鱼笼土,繇,役也。今河东谓治道为繇道。揭,举也。镢,斫也。臿,铧也。青州谓之铧,有刃也。三辅谓之□也。笼;受土笼也。盐汗交流,喘息薄喉。白汗咸如盐,故曰盐汗也。薄,迫也,气衢喉也。当此之时,薅越下,则脱然而喜矣。薅,阴也。三辅人谓休华树下为薅也。楚人树上大本小,如车盖状为越,言多荫也。脱,舒也。言县人之得小休息,则气得舒,故喜也。越,读经无重越之越也。岩穴之间,非直越下之休也。病疵瘕者,捧心抑腹,膝上叩头,抑,按也。叩或作跔,跔,读车軥之軥也。蜷局而谛,通夕不寐。当此之时,哙然得卧,则亲戚兄弟欢然而喜。夫修夜之宁,非直一哙之乐也。谓得安卧极夜者。乐於一哙之乐,然不得比长夜之乐也。故知宇兄弟欢然而喜。夫修夜之宁,非直一哙之乐也。谓得安卧极夜者。乐於一哙之乐,然不得比长夜之乐也。故知宇宙之大,则不可劫以死生;劫,迫。知养生之和,则不可县以天下;养生之和,谓正道也。已修正道不惑,故不可示以天下之穷势而移也。知未生之乐,则不可畏以死;乐其不生之时,虽惧之以死,不知使之畏死。言不畏死。知许由之贵于舜,则不贪物。言不贪利欲之物也。墙之立,不若其偃也,又况不为墙乎。冰之凝,不若其释也,又况不为冰乎。不如未为墙冰之时,偃、凝能变也。自无跖有,自有跖也。墙之立,不若其偃也,又况不为墙乎。冰之凝,不若其释也,又况不为冰乎。不如未为墙冰之时,偃、凝能变也。自无跖有,自有跖无,自无跖有,从无形至有形也。自有迹无,从有形至无形也。至无形,谓死生变化也。终始无端,莫知其所萌。非通于外内,孰能无好憎?好憎,情欲。无外之外,至大也;无内之内,至贵也;言天无有垠外,而能为之外,喻极大也。无内,言其小,小无内,而能为之内。道尚微妙,故曰至贵也。能知大贵,何往而不遂。大贵,谓无内之内也。言道至微,能出入於无间,故曰何往而不遂。遂,通也。衰世凑学,不知原心反本,凑,趋也。趋其末,不修稽古之典,苟邀名号耳,故曰不知原心反本也。直雕琢其性,矫拂其情,以与世交,直,犹本,凑,趋也。趋其末,不修稽古之典,苟邀名号耳,故曰不知原心反本也。直雕琢其性,矫拂其情,以与世交,直,犹但也。雕琢其天性,拂戾其本情,以合流俗,与世人交接也。故目虽欲之,禁之以度,心虽乐之,节之以礼,趋翔周旋,诎节卑拜,肉凝而不食,酒澄而不饮,外束其形,内总其德,钳阴阳之和,而迫性命之情,故终身为悲人。悲,衰也。谓衰世之学。达至道者则不然,理情性,治心术,养以和,持以适,乐道而忘贱,安德而忘贫,性有不欲,无欲而不得,言其守虚,执持不欲之情性,则无有所欲而不得也。心有不乐,无乐而弗为,言其志正,不乐邪淫之乐,则无有正乐而不为乐。言皆为之乐也。无益情者不以累德,而便於性者不心有不乐,无乐而弗为,言其志正,不乐邪淫之乐,则无有正乐而不为乐。言皆为之乐也。无益情者不以累德,而便於性者不以滑〔和〕9滑,乱。故纵体肆意,而度制可以为天下仪。纵,放也。肆,缓也。仪,法。今夫儒者,不本其所以欲而禁其所欲,本所以欲,谓正性恬漠也。所欲,谓情欲骄奢权势也。不原其所以乐而闭其所乐,是犹决江河之源而障之以手也。障,蔽也。言不能揜也。夫牧民者,犹畜禽兽也,不塞其囿垣,使有野心,系绊其足,以禁其动,而欲修生寿终,岂可得乎。夫颜回、季路、子夏、冉伯牛,孔子之通学也。然颜渊夭死,季路菹於卫;颜,以禁其动,而欲修生寿终,岂可得乎。夫颜回、季路、子夏、冉伯牛,孔子之通学也。然颜渊夭死,季路菹於卫;颜渊+八而卒,孔子曰,回不幸短命死矣。故曰夭也。季路仕於卫,卫君父子争国,季路死,孔子曰,若由不得其死然。言不得以寿命终也,故曰然。卫人醢之以为酱,故曰菹。子夏失明,冉伯牛为厉。子夏学於西河,哭其子而失明,曾子哭之。伯牛有疾,孔子自牖执其手,曰,斯人也,而有斯疾也。此皆迫性拂情而不得其和也。故子夏见曾子,一臞一肥,曾子问其故,曰,出见富贵之乐而欲之,入见先王之道又说之,两者心战,故臞。先王之道胜,故肥。道胜,不(感)〔惑]10县於富贵,精神内守无思虑,故肥也。推此志,非能贪富贵之位,不便侈靡之乐,此志,子夏之战,故臞。先王之道胜,故肥。道胜,不(感)〔惑]10县於富贵,精神内守无思虑,故肥也。推此志,非能贪富贵之位,不便侈靡之乐,此志,子夏之志。直宜迫性闭欲,以义自防也。宜,犹但也。虽情心郁殪,形性屈竭,犹不得已自强也,故莫能终其天年。义以自防,故情心郁壹不通,形性屈竭也。以不得止而自勉强,故无能终其天年之命。若夫至人,量腹而食,度形而衣,容身而游,适情而行,余天下而不贪,委万物而不利,委,弃也。不以万物为利矣。处大廓之宇,游无极之野,廓,虚也。极,尽也。登太皇,冯贪,委万物而不利,委,弃也。不以万物为利矣。处大廓之宇,游无极之野,廓,虚也。极,尽也。登太皇,冯太一,玩天地于掌握之中,太皇,天也。冯,依也。太一,天之形神也。玩,畀也。夫岂为贫富肥臞哉。故儒者非能使人弗欲,而能止之;言不能使人无情欲也。己虽欲之,能以义自止也。非能使人勿乐,而能禁之。言不能使人无乐富贵,能以礼自禁制之。论语曰,不义而富且贵,於我如浮云也。夫使天下畏刑而不敢盗,岂若能使无有盗心哉。越人得髯蛇,以为上肴,中国得而弃之无用。髯蛇,大蛇也。其长数丈,厚以为上肴。故知其若能使无有盗心哉。越人得髯蛇,以为上肴,中国得而弃之无用。髯蛇,大蛇也。其长数丈,厚以为上肴。故知其无所用,贪者能辞之;不知其无所用,廉者不能让也。夫人主之所以残亡其国家,损弃其社稷,身死於人手,为天下笑,未尝非为非欲也。夫仇由贪大锺之赂而亡其国,仇由,近晋之狄国也。晋智襄子伐之,先赂以大锺。仇由之君贪,开道来受锺,为和亲。智伯因是以兵灭取其国也。仇,读仇余之仇也。虞君利垂棘之璧而擒其身,晋大夫荀息谋於献公,以屈产之马,垂棘之仇由之君贪,开道来受锺,为和亲。智伯因是以兵灭取其国也。仇,读仇余之仇也。虞君利垂棘之璧而擒其身,晋大夫荀息谋於献公,以屈产之马,垂棘之璧,假道於虞以伐虢。虞公贪璧马,假晋道。既灭虢,还馆於虞,遂袭虞,灭之。君死位曰灭,故曰擒其身也。献公艳骊姬之美而乱四世,晋献公伐骊戎,得骊姬及其娣。好色曰美。好体曰艳。献公璧之,生奚齐,其娣生卓子,遂为杀太子申生而立奚齐。杀适立庶,故曰乱。四世者,奚齐、卓子、惠公夷吾、怀公圉也。桓公甘易牙之和而不以时葬,齐桓好味,遂为杀太子申生而立奚齐。杀适立庶,故曰乱。四世者,奚齐、卓子、惠公夷吾、怀公圉也。桓公甘易牙之和而不以时葬,齐桓好味,易牙蒸其首子而进之,遂见信用,专任国政,乱嫡庶。桓公卒,五公子争立,六十日而殡,虫流出户,五月不葬,故曰不以时葬也。胡王淫女乐之娱而亡上地。胡,盖西戎之君也。秦穆公欲伐之,先遗女乐以淫其志。其臣由余谏,不从,去戎来适秦。秦伐,得其上地。上地,美地也。使此(王)〔五〕11君者,适情辞余,以已为度,不随物而不从,去戎来适秦。秦伐,得其上地。上地,美地也。使此(王)〔五〕11君者,适情辞余,以已为度,不随物而动,岂有此大患哉。五君,仇由、虞公、晋献、齐桓、胡王也。适,犹节也。动,犹惑也。故射者非矢不中也,学射者不治矢也;不治矢,言不为而得用之。然则为者不得用之。御者非辔不行,学御者不为辔也。知冬日之箑,夏日之裘无用於己,则万物之变为尘埃矣。故以汤止沸,沸乃不止;诚知其本,则去火而已矣。箑,扇也。楚人谓扇为箑。已,止也。
Interpretation

When a person becomes intensely angry, they damage Yin Qi; excessive joy depletes Yang Qi. This has already been discussed earlier. Deep anxiety can throw the heart into turmoil; excessive fear can drive a person mad. Clear away what is unclean, cast off what weighs you down, and become so calm it is as though you have never departed from your root. Then you can reach the great Dao.

Let the eyes be clear, but do not cling to seeing. Let the ears be quiet, and do not cling to hearing. Keep the mouth closed and let the heart remain free of thought’s demands. Set aside cleverness and return to your unadorned nature; gather your spirit and do not become absorbed in clever schemes or past experience. Be awake yet seem unaware; be alive yet seem as if dead. In the end, return to the root that existed before life began and merge with transformation itself—that is, regard life and death as one.

Those forced to labor raise their hoes and swing their shovels, filling baskets with earth. Sweat streams down like salt water, and their throats tighten as they gasp for breath. At such a moment, if they can rest for a while in the shade of a tree and let body and mind relax, they feel joy. A sick person with a mass in the abdomen clutches the chest and presses the belly, curled up through the night and unable to sleep. If at last they manage a peaceful night’s rest, their relatives and brothers rejoice too. From this we can see that the vastness of the cosmos cannot use life and death to coerce someone who understands the Dao. One who knows the art of nourishing life cannot be confined by the powers of the world. One who has experienced the peace that precedes birth will not be frightened by death. And one who knows that Xu You’s nobility surpassed Shun’s will not covet possessions.

A standing wall is not as good as falling down and returning to its original state; ice is not as good as melting. How much more so before a wall was built or ice formed at all? All things take form from the formless, then return from form to the formless. They change in an unceasing cycle with no beginning, and no one knows where change first arises. Without understanding the principles within and beyond, who can be free of likes and dislikes? The Dao is so vast that nothing lies beyond its outermost bounds, and so minute that nothing lies beyond its innermost depths; yet it is everywhere. Whoever can grasp this vast and subtle Dao can find a way through wherever they go.

Scholars in decadent times pursue the branches of learning without asking about the heart and nature, and do not study the ancient classics; they seek only fame. They embellish their natural dispositions and suppress their genuine feelings to accommodate social conventions. When their eyes want to look, rules forbid it; when their hearts take pleasure in something, ritual restrains them. Their steps, movements, and bows are so stiff they seem made of wood. They abstain from meat and wine. They bind the body from the outside and force down their nature from within, disrupting the harmony of Yin and Yang and going against the nature of life. Thus they spend their lives in sorrow and decline.

Those who understand the great Dao are different. They regulate their dispositions and cultivate the heart, nourish body and mind with equanimity, and preserve their nature through moderation. They delight in the Dao and do not grieve over low status; they are at ease in De and do not suffer from poverty. They do not force themselves to pursue what their nature does not desire, nor chase perverse pleasures their hearts dislike. They do not let anything that harms their dispositions damage their De, and they do not let stray thoughts disturb what suits their nature. In this way they give body and mind room to unfold and follow their nature while still observing proper measure; they can serve as a model for all under Heaven.

Today’s Confucians do not investigate the roots of desire; they merely forbid people to want what they want. They do not ask where true joy comes from; they simply suppress joy altogether. This is like opening the source of a river and then trying to hold back its waters with your hands. How could that work? Governing the people is like tending animals. If you fail to secure their pens and let their wild nature run unchecked, then try to restrict their movement only by tying their feet, how can you expect them to be healthy and live long?

Yan Hui, Zilu, Zixia, and Ran Boniu were all disciples of Confucius, yet each suffered misfortune: Yan Yuan died young, Zilu was killed in the state of Wei, Zixia went blind, and Ran Boniu fell ill. These experiences show that suppressing one’s nature and going against one’s feelings makes it difficult to keep body and mind in harmony. Zixia once told Zengzi that when he went out and saw a life of wealth and status, he longed for it; when he returned home, he also loved the Way of the former kings. The two thoughts struggled within him, and he grew thin. Later, the Way of the former kings prevailed. No longer bewitched by wealth and status, he kept his spirit within himself, and his body gradually filled out. But he had merely suppressed his desires and restrained himself with moral principles. His heart remained knotted, his body and mind were exhausted, and in the end he could not enjoy the full span of his life.

The perfected person—one who has reached a profound state—eats only to satisfy hunger, dresses only for comfort, and acts only as feels comfortable. They do not covet the wealth of the world or treat the myriad things as sources of gain. They dwell in a spacious, luminous realm and roam the boundless wilderness, relying on the Great One, the root state of the Dao, and holding Heaven and Earth as though they were in the palm of a hand. How could they be swayed by poverty or wealth, fatness or thinness? Confucians cannot make people free of desire and pleasure; they can only restrain them with righteousness and ritual. But making everyone under Heaven fear punishment and dare not steal—how can that compare with making people have no wish to steal in the first place?

The people of Yue regard the hairy snake as a rare delicacy, while people of the Central Plains see it as worthless and would throw it away if they found one. When greedy people know that something is useless, they too will give it up; when they do not know it is useless, even an upright person may refuse to let it go. When rulers bring their states to ruin and their ancestral altars to destruction, die at the hands of others, and become a laughingstock under Heaven, it is often because they covet what they desire.

The ruler of Chouyu coveted a great bell and accepted a bribe sent by Jin, opening a road for them. The Jin army took advantage of this and destroyed Chouyu. The Duke of Yu coveted the fine jade of Chuiji and the fine horses of Quchan. He lent Jin a road to attack Guo; after Jin destroyed Guo, it returned and attacked Yu, and Yu too was destroyed. Duke Xian of Jin became enamored of the beauty of Li Ji, killed the heir apparent, and installed a younger son, bringing turmoil upon four generations. Duke Huan of Qi coveted the delicacies prepared by Yi Ya and entrusted him with power. Later, five princes fought over the succession, and Duke Huan’s body lay unburied for a long time after his death. The Hu king became infatuated with music performed by women and refused to heed advice; Qin consequently seized his best lands. If these five rulers had restrained their desires, discarded what they did not need, taken their own nature as their guide, and avoided being bewitched by external things, how could such disasters have happened?

When an arrow misses its mark, the fault does not lie with the arrow itself; someone learning archery need not make arrow repair a special task. When a carriage will not move, the fault does not lie with the reins; someone learning to drive need not make reins a special project. Once you know that using a fan in winter and wearing a fur coat in summer do you no good, the transformations of things will no longer bewilder you. Pouring hot water onto hot water will not stop it boiling; to understand the root of the problem, you need only remove the fire. Sha is another word for a fan.

淮南鸿烈解卷之十二竟 1脱『闵』字,据集解本补。 2『他』,『也』字之误,据集解本改。 3『面』,『血』字之误,据集解本改。 45脱『之哉』二字,据集解本二竟 1脱『闵』字,据集解本补。 2『他』,『也』字之误,据集解本改。 3『面』,『血』字之误,据集解本改。 45脱『之哉』二字,据集解本补。 6『六』,『天』字之误,据集解本改。 7『子』,『与」字之误,据集解本改。 8『尤』,『左』字之误,据集解本改。 9『和』字脱,据集解本补。 10『感』,『惑』字之误,据集解本改。 11『王』,『五』字之误。据集解本改。 14-淮南鸿烈解卷之十三 淮南鸿烈解卷之十三 太尉祭酒臣许慎记上 本经训 本,始也。经,常鸿烈解卷之十三 淮南鸿烈解卷之十三 太尉祭酒臣许慎记上 本经训 本,始也。经,常也。天经造化出於道,治乱之由,得失有常,故曰本经,因以题篇也。
Interpretation

This concludes Juan Twelve of the Huainan Honglie Jie.

The following are textual notes recording additions and corrections to the wording in different editions: based on the Jiji edition, the omitted character “Min,” the two characters “zhi zai,” and the character “he” have been restored. The mistaken characters “ta,” “mian,” “liu,” “zi,” “you,” “gan,” and “wang” have been corrected to “ye,” “xue,” “tian,” “yu,” “zuo,” “huo,” and “wu,” respectively.

Juan Thirteen of the Huainan Honglie Jie, recorded above by Xu Shen, minister and libationer to the Grand Commandant.

In the title “Benjing Xun,” “ben” means origin, and “jing” means enduring principle. “The Heavenly Principle” refers to the patterns governing the movement of Heaven and Earth and the generation of all things; these all derive from the Dao. The causes of order and disorder in governance, and of gain and loss, each follow enduring principles. Hence the chapter is called “Benjing,” and this principle serves as its title.

太清之始也,和顺以寂漠,清,静也。太清,无为之始者。谓三皇之时和顺,不逆天暴物也。寂漠,不扰民。质真而素朴,闲静而不躁,推而无故,质,性也。真,不变也。素朴,精不散也。闲静,言无欲也。不躁扰,故常也。在内而合乎道,出於外而调于义,在内者,志在心。平欲,故能合於道。出於外者,身所履行也。行不越规矩,故能调也。不躁扰,故常也。在内而合乎道,出於外而调于义,在内者,志在心。平欲,故能合於道。出於外者,身所履行也。行不越规矩,故能调义。义或作德也。发动而成于文,行快而便于物,发,作也。动,行也。文,文章也。便,利也。物,事也。其言略而循理,其行悦而顺情,略,约要也。侻,简易也。侻读射侻取不觉之侻也。其心愉而不伪,其事素而不饰。愉,和也。伪,虚诈也。素,朴也。饰,巧也。是以不择时日,不占卦兆,择,选也。卦,八卦也。兆,契龟之兆也。世所以占吉凶也。不谋所始,不议所终,安则止,激则行,通体于天地,同精于阴阳,一和于四时,一,同也。明照于日月,与造化者相雌雄。造化,天地也。雌雄,犹和适也。是以天覆以德,地载以乐,乐,天地,同精于阴阳,一和于四时,一,同也。明照于日月,与造化者相雌雄。造化,天地也。雌雄,犹和适也。是以天覆以德,地载以乐,乐,生也。四时不失其叙,风雨不降其虐,日月淑清而扬光,光,明也。五星循轨而不失其行。五星,荧惑、太白、镇、辰、岁星也。轨,道也。循,顺也。当此之时,玄元至砀而运照,玄,天也。元,气也。砀,大也。言盛德之君,恩仁广大,徧照四海也。凤麟至,蓍龟兆,凤麟圣德之世至於门庭。着,四十九策。兆,信也。善言否臧也,天也。元,气也。砀,大也。言盛德之君,恩仁广大,徧照四海也。凤麟至,蓍龟兆,凤麟圣德之世至於门庭。着,四十九策。兆,信也。善言否臧也。甘露下,竹实满,流黄出,而朱草生,满,成也。流黄,玉也。朱草生於庭,皆瑞应也。机械诈伪莫藏于心。莫,无也。逮至衰世,镌山石,,犹凿也,求金玉也。锲金玉,擿蚌蜃,锲刻金玉以为器也。擿,犹开也,开以求珠也。消铜铁,而万物不滋。不滋长也,言尽物类也。刳胎杀夭,麒麟不游,胎,兽胎也。夭,麋子也。为类见害,故不来游。覆巢毁卵,凤凰不翔。鸟未鷇曰卵也。钻燧取火,构木为台,焚林而田,竭泽而渔,不来游。覆巢毁卵,凤凰不翔。鸟未鷇曰卵也。钻燧取火,构木为台,焚林而田,竭泽而渔,田,猎也。竭泽,漏池也。人械不足,畜藏有余,械,器用也。畜积藏余,府库实也。而万物不繁兆,萌牙卵胎而不成者,处之太半矣。积壤而丘处,粪田而种谷,掘地而井饮,疏川而为利,疏,通。筑城而为固,拘兽以为畜,则阴阳缪戾,四时失叙,雷霆毁折,电霰降虐,气雾雪霜不霁,霁,止也。而万物燋夭。霜雪之害不止,则万物燋夭不繁茂也。菑榛秽,聚埒亩,菑草曰茂,木聚曰榛,积之於疆亩。芟野菼,长苗秀,芟,杀也。菼,草也。苗,稼也。不荣而实曰秀也。草木之句萌、衔华、戴实而死者,不可胜数。乃至夏屋宫驾,县联房植,夏苗,稼也。不荣而实曰秀也。草木之句萌、衔华、戴实而死者,不可胜数。乃至夏屋宫驾,县联房植,夏屋,大屋也。县联,联受雀头着桷者。一曰,辟带也。房,室也。植,户植也。橑檐榱题,橑,檐橑也。檐,屋垂也。榱,栋也。题,当也。雕琢刻镂,乔枝菱阿,芙蓉芰荷,阿,曲屋也。芙蓉,藕华也。菱角,交萏也。荷,芙蕖也。五采争胜,流漫陆离,流漫采色相参和。陆离,美好貌。修掞曲校,夭矫曾桡,芒繁纷挐,皆屋饰也。(其)〔芒〕1读麦芒之芒,挐读上谷茹县之茹。以相交持,公输、王尔无所错其剞{削锯,公输,巧者。一曰鲁班之号也。王尔,古之巧匠也。剖,巧刺画尽头黑边笺也。{,{尺。削,两刃句刀也。剖,读枝尺之枝也。{,读诗蹶角之蹶。削,读绡头之绡也。然犹未能赡人主之欲也。刺画尽头黑边笺也。{,{尺。削,两刃句刀也。剖,读枝尺之枝也。{,读诗蹶角之蹶。削,读绡头之绡也。然犹未能赡人主之欲也。是以松柏菌露夏槁,松柏根茂,菌露竹筦,皆冬生难杀之木,当是时夏槁死也。刺君作事不时,阴阳失序。菌读似纶。露,读南阳人言道路之路。江、河、三川绝而不流,泾、渭、汧也,出於岐山。绝,竭也。故曰不流。国语曰,何竭而商亡也。夷羊在牧,夷羊,土神。殷之将亡,见於商郊牧野之地。飞蛮满野,蛩,蝉,蠛蠓之属也。一语曰,何竭而商亡也。夷羊在牧,夷羊,土神。殷之将亡,见於商郊牧野之地。飞蛮满野,蛩,蝉,蠛蠓之属也。一曰蝗也。兖州谓之螣。螣读近殆,缓气言之。蛩,读诗受拱之拱。天旱地坼,坼,燥裂也。凤凰不下,句爪、居牙、戴角、出距之兽於是鸷矣。句爪,鹰鹯之属也。居牙,熊虎之属也。距读拒守之拒。民之专室蓬庐,无所归宿,专,特小室也。蓬庐,籧蒢覆也。言小,有宾客归之,无所庇宿也。冻饿饥寒死者,相枕席也。言其众也。及至分山溪谷使有壤界,计人多少众寡使有分数,筑城掘小室也。蓬庐,籧蒢覆也。言小,有宾客归之,无所庇宿也。冻饿饥寒死者,相枕席也。言其众也。及至分山溪谷使有壤界,计人多少众寡使有分数,筑城掘池,设机械险阻以为备,饰职事,制服等,等,差也。异贵贱,差贤不肖,经诽誉,行赏罚,经,书也。诽恶誉善,赏可赏,罚可罚也。则兵革兴而分争生,民之灭抑天隐,虐杀不辜而刑诛无罪,於是生矣。抑,役也。言民有灭役夭折之痛。
Interpretation

In the beginning of the Great Clarity, the world was harmonious, peaceful, and still. “Great Clarity” here refers to the beginning of rule through Wuwei (non-action). In the age of the Three Sovereigns, people followed the way of Heaven, did not go against nature or harm living things, and were not troubled by government. Human nature was innocent and plain, easygoing and calm, without restlessness. Their inner selves accorded with the Dao, and their outward conduct with what was right: with few desires in the heart, one could accord with the Dao; by acting within proper bounds, one could act appropriately.

Their actions followed natural patterns, and they worked swiftly in ways that benefited all things. Their words were concise and reasonable; their conduct was unhurried and responsive to circumstances. Their hearts were content and sincere, and their work was plain, without ornament. They therefore had no need to choose auspicious days or divine good and ill fortune, to plan in advance where to begin, or to decide deliberately how to end. They rested when things were settled and acted when circumstances moved them.

Such people were connected in body and mind with Heaven and Earth, shared the same Qi with Yin-Yang, moved in harmony with the four seasons, shone brightly like the sun and moon, and were in accord with the transformations of Heaven and Earth. Heaven then spread its De over all things, while Earth bore and nurtured them. The seasons followed their proper order; wind and rain brought no violent harm; the sun and moon shone clear, and the Five Planets each followed their courses.

In that age, the original Qi of Heaven and Earth flowed vigorously, and the ruler’s benevolence spread in every direction. Phoenixes and qilin came to the court; divining stalks and tortoise shells revealed auspicious signs; sweet dew descended, bamboo seeds grew abundant, flowing yellow jade appeared, and red grass grew. These were all auspicious portents. People’s hearts, too, were free of cunning and deceit.

In times of decline, people bored into mountains in search of gold and jade, carved them into objects, split open shellfish to find pearls, and smelted copper and iron. As a result, living things could no longer flourish. When people cut open pregnant animals and killed their young, the qilin ceased to appear; when they overturned nests and broke eggs, the phoenix no longer came. People drilled wood to make fire, built platforms from timber, burned forests to hunt, and drained ponds and marshes to catch fish. Their tools were insufficient, yet their storehouses were full of hoarded goods. Although all things sprouted, laid eggs, and carried young, more than half failed to reach maturity.

People piled up earth to make mounds, fertilized the soil and planted grain, dug wells, and diverted rivers for their own convenience. They built walls to strengthen their defenses and captured wild animals to keep in captivity. Yin-Yang fell out of balance, the seasons lost their order, and thunder, lightning, and hail brought calamity. Fog, snow, frost, and freezing weather came without end, and living things withered and died before their time. People cleared weeds, marked out field boundaries, and cut back wild growth; crops sprouted and formed ears, yet countless plants withered and died after sprouting, flowering, and bearing fruit.

Next, people built towering palaces and houses with overhanging roofs, carved and decorated the eaves and roof corners, arranged designs of lotus and water chestnut, and covered everything in a profusion of bright colors. Roof beams and other parts twisted and crossed, and the decoration was intricate and elaborate. Even master craftsmen such as Gongshu Ban and Wang Er had no further room to display their skill, yet these splendid buildings still could not satisfy the ruler’s desires.

Thus plants that could withstand the cold, such as pines, cypresses, fungi, and bamboo, withered in summer, reflecting a ruler’s untimely actions and the disorder of Yin-Yang. Rivers ran dry and stopped flowing; yi-yang, an uncanny manifestation of the earth spirit, appeared in the countryside; locusts and other flying insects swarmed everywhere; drought split the land, the phoenix no longer descended, and fierce birds and beasts grew savage. The people lived in cramped, shabby dwellings, with no room even to put up visitors. So many people died of cold and hunger that their bodies lay piled together.

Later, people divided up the boundaries of mountains, rivers, streams, and valleys, and allocated land according to population. They built walls and dug moats, and set up mechanisms and traps for defense. They divided official positions, established ranks of dress, distinguished noble from lowly and worthy from foolish, recorded praise and blame, and imposed rewards and punishments. War then arose, and rivalry followed. The people suffered forced labor and untimely death; rulers harmed the innocent and punished those who were guiltless. These calamities arose from the same causes.

天地之合和,阴阳之陶化万物,皆乘人气者也。天地合和其气,故生阴阳,陶化万物。是故上下离心,气乃上蒸,离者,不和也。君臣不和,五谷不为。不为五谷。距日冬至四十六日,天含和而未降也,怀气而未扬,自立冬到冬至皆未动也。阴阳储与,呼吸浸潭,包裹风俗,储与,犹尚羊,无所生之貌也。一曰,褒大貌也。,怀气而未扬,自立冬到冬至皆未动也。阴阳储与,呼吸浸潭,包裹风俗,储与,犹尚羊,无所生之貌也。一曰,褒大貌也。浸潭,广衍。故曰包裹风俗也。斟酌万殊,旁薄众宜,旁,并也。薄,近也。众物宜适也。以相呕咐酝酿,而成育群生。咐读符命之符。酝酿,犹和调也。是故春肃秋荣,冬雷夏霜,皆贼气之所生。由此观之,天地宇宙,一人之身也;以身谕也。六合之内,一人之制也。六合,四方上下也。是故明於性者,天地不能胁也;胁,恐也。审於符者,怪物不能惑也。审,明也。符,验也。怪物非常,人所疑惑也。故圣人者,由近知远,而万殊为一。殊,异也。一,同也。古之人,同气于天地,与一世而优游。优游,犹委从也。当此验也。怪物非常,人所疑惑也。故圣人者,由近知远,而万殊为一。殊,异也。一,同也。古之人,同气于天地,与一世而优游。优游,犹委从也。当此之时,无庆贺之利,刑罚之(感)〔威〕2礼义廉耻不设,毁誉仁鄙不立,而万民莫相侵欺暴虐,犹在于混冥之中。混,大也。大冥之中,谓道也。逮至衰世,人众财寡,事力劳而养不足,於是忿争生,是以贵仁。仁鄙不齐,比周朋党,设诈谞,怀机械巧故之心,而性失矣,谞,谋也。性失,失其纯朴之性也。是以贵义。阴阳之情,莫不有血气之感,男女群居杂处而无别,是以贵礼。礼以别也。性命之情,淫而相胁,胁,迫。以不得己,则不和,是以贵乐。以乐和之。是故仁义礼乐者,可以救败,而非通治之至也。夫仁者所以救争也,义者所以救失也,礼者所以救淫也,乐者所以救忧也。神明定於天下,而心反其初,心反其初非通治之至也。夫仁者所以救争也,义者所以救失也,礼者所以救淫也,乐者所以救忧也。神明定於天下,而心反其初,心反其初,而民性善,初者,始也,有情也。未有情欲,故性善也。民性善,而天地阴阳从而包之,则财足而人赡矣,贪鄙忿争不得生焉。由此观之,则仁义不用矣。道德定於天下而民纯朴,则目不营於色,营,惑。耳不淫於声,坐俳而歌谣,被发而浮(淫)〔游〕3,虽有毛嫱、西施之色,不知悦也,言尚德也。掉羽、武象,不知乐也。掉羽,羽舞也。武象,周武王乐也。淫泆无别,不得生焉。由色,不知悦也,言尚德也。掉羽、武象,不知乐也。掉羽,羽舞也。武象,周武王乐也。淫泆无别,不得生焉。由此观之,礼乐不用也。是故德衰然后仁生,行沮然后义立,沮,败也。和失然后声调,礼淫然后容饰。是故知神明然后知道德之不足为也,知道德然后知仁义之不足行也,道德本,仁义末。知仁义然后知礼乐之不足修也。仁义大也,礼乐小也。今背其本而求其末,释其要而索之于详,未可与言至也。至,至德之道也。天地之大,可以矩表识也;矩,度也。表,影表。识,知也。星月之行,可以历推得也;历,术也。推,求也。雷震之声,可以鼓锺写也;以矩表识也;矩,度也。表,影表。识,知也。星月之行,可以历推得也;历,术也。推,求也。雷震之声,可以鼓锺写也;写,犹放教也。风雨之变,可以音律知也。律知阴阳。是故大可睹者,可得而量也;明可见者,可得而蔽也;蔽或作察。声可闻者,可得而调也;色可察者,可得而别也。夫至大,天地弗能含也;至微,神明弗能领也。领,理也。及至建律历,别五色,异清浊,清商,浊宫。味甘苦,则朴散而为器矣。立仁义,修礼乐,则德迁而为伪矣。修,设也。迁,移也。及伪之生也,饰智以惊愚,设诈以巧上,巧欺上也。天下有能持之者,有能治之者也。有能持之者,桀、纣之民。有能治之者,汤、武之君也。
Interpretation

When Heaven and Earth join in harmony, the Qi of Yin and Yang brings forth the myriad things. All things grow by relying on the breath of human beings. Only when the Qi of Heaven and Earth is in harmony do Yin and Yang arise and the myriad things take shape. Thus, when those above and below are divided and out of accord, Qi rises in vaporous currents; when ruler and ministers are at odds, crops cannot grow.

Forty-six days before the winter solstice, Heaven contains harmonious Qi, but it has not yet descended. The breath gathers within, not yet spreading outward. From the beginning of winter to the winter solstice, the Qi of Heaven and Earth has not yet stirred. The Qi of Yin and Yang gathers within itself, breathing slowly, flowing and spreading everywhere, embracing the customs of the world. Here, “chu yu” describes a slow unfolding, as if nothing had yet come into being; it also conveys breadth and grandeur. “Jin tan” means vast and far-reaching. Yin and Yang harmonize the differences among things, allowing each to find its proper place. They blend and mature together, and so all living things can grow.

Thus, killing energy appearing in spring and flourishing growth in autumn, thunder in winter and frost in summer—all arise from Qi that runs counter to the proper seasons. From this we can see that the cosmos of Heaven and Earth is like a human body: the body may serve as a metaphor for Heaven and Earth, and all within the six directions—above, below, and the four quarters—lies within the reach of human governance and influence. Those who understand their nature are not frightened by anomalies in Heaven and Earth; those able to examine signs and portents are not bewildered by strange events. The sage infers what is far away from what is close at hand, and sees the countless differences as one whole.

In ancient times, people shared the same Qi as Heaven and Earth and lived freely, in accord with the conditions of their age. No one sought profit through celebration; there was no threat of punishment, nor rules of ritual, righteousness, integrity, and shame. People did not speak of praise or blame, benevolence or baseness. Yet the people did not harm or deceive one another, or act with violence. It was as though they still dwelt within the vast, deep “obscurity”—the realm of the Dao.

In times of decline, the population grew while goods became scarce. People labored hard, yet still lacked enough to sustain themselves, and so conflict arose and benevolence was praised. People’s conduct became uneven; they formed factions for private gain, devised schemes, and cultivated cleverness, losing their unspoiled nature. Thus righteousness was praised. The emotions of Yin and Yang stir responses in the blood and Qi; men and women lived together without boundaries, and so ritual was promoted to mark distinctions. Human feelings and desires ran unchecked, pressing upon one another without coming into willing accord, and so music was praised as a means of harmonizing people’s hearts.

Benevolence, righteousness, ritual, and music can therefore be used to remedy decline, but they are not the highest means of bringing fundamental order to the world. Benevolence calms conflict; righteousness corrects faults; ritual restrains excess; music dispels sorrow. If the way of the spirit were settled throughout the world, people’s hearts would return to their beginnings and the people’s nature would be pure and good. If Heaven and Earth, through Yin and Yang, could once more embrace and nourish them, goods would be plentiful and everyone would have enough. Greed, baseness, and conflict would then have no grounds to arise. From this, we can see that benevolence and righteousness would have no need to be put into practice.

When De is settled throughout the world and the people are unspoiled, they are not deluded by colors or captivated by sounds. They can sing seated on the ground and wander with their hair loose. Even the beauty of Mao Qiang and Xi Shi would not move them; even the feather dance and King Wu of Zhou’s “Wu Xiang” music would not delight them. Unrestrained conduct and relations between men and women without distinction would not arise. From this, we can see that ritual and music would have no need to be enacted.

Only after De declined did benevolence arise; only after conduct deteriorated was righteousness established. Only when harmony was lost did people need to regulate it with musical pitch; only when ritual became excessive did they attend to outward appearance. Understanding the way of the spirit reveals that establishing benevolence and righteousness beneath De is not fundamental. Understanding De reveals that benevolence and righteousness are not necessary practices of the constant Way. Understanding benevolence and righteousness reveals that ritual and music are a still more peripheral layer. De is the root; benevolence and righteousness come next; ritual and music follow after them. To depart from the root in pursuit of branches, or abandon what is essential to cling to details, is not yet to understand the highest Dao.

The vastness of Heaven and Earth can be measured with a carpenter’s square and a gnomon, tools for measuring lengths and the sun’s shadow. The movements of the sun and moon can be calculated from the calendar. The sound of thunder can be imitated with bells and drums. Changes in wind and rain can be understood through musical pitches, because pitches reflect the changes of Yin and Yang. All things that are plainly visible in their vastness can be measured; things that are bright and apparent can be observed; sounds that can be heard can be tuned; colors that can be clearly seen can be distinguished.

Yet the greatest things are not wholly contained even by Heaven and Earth, and the subtlest principles cannot be fully fathomed even by the spirit. When people began to create musical pitches and calendars, distinguish clear and muddy sounds and colors, and tell sweet from bitter, the unadorned Dao was divided into all kinds of tools and techniques. Once benevolence and righteousness were established and ritual and music cultivated, De shifted from its true nature into artificial embellishment. After artifice appeared, people used cleverness to adorn themselves and bewilder the foolish, then devised deceitful means to gain advantage and mislead those above them. The world thus came to have rulers capable of controlling this situation, as well as rulers capable of bringing it to order: the former were the likes of Jie and Zhou, and the latter the likes of Tang of Shang and King Wu of Zhou.

昔者苍颉作书而天雨粟,鬼夜哭;苍颉始视乌能治之者也。有能持之者,桀、纣之民。有能治之者,汤、武之君也。 昔者苍颉作书而天雨粟,鬼夜哭;苍颉始视乌迹之文,造书有契,则诈伪萌生,诈伪萌生,则去本趋末,弃耕作之业,而务锥刀之利。天知其将饿,故为雨粟。鬼恐为书文所效,故夜哭也。鬼或作兔,兔恐见取毫作笔,害及其躯,故夜哭。伯益作井,而龙登玄云,神栖昆仑;伯益佐舜,初作井,凿地而求水。龙知将决川谷,洒陂池,恐见害,故登云而去,栖其神於昆仑之山也。能愈多而德愈薄矣。愈,益也。故周鼎着倕,使衔其指,以明大巧之不可为也。倕,尧之巧工也。及周铸鼎,着倕像於鼎,使衔其指。假令倕在见之,伎巧不能复踰,但当衔啮其指,故曰以明巧之不可为也。一说,周人铸鼎画像,镂倕身於鼎,使自衔其指,以戒后世,明不当大巧为也。故至人之治也,心与神处,形〔与性]4调,,周人铸鼎画像,镂倕身於鼎,使自衔其指,以戒后世,明不当大巧为也。故至人之治也,心与神处,形〔与性]4调,静而体德,动而理通,随自然之性而缘不得已之化,洞然无为而天下自和,澹然无欲而民自朴,无机祥而民不夭,不忿争而养足,兼苞海内,泽及后世,不知为之者谁何。道无姓名,自当然也,故曰,不知谁何也。是故生无号,死无谧,实不聚而名不立,实,财也。道不名,故名不立。施者不德,受者不让,施者不以为恩德,振不足而已。受者不让之,则受之,不饰辞让也。德交归焉而莫之充忍也。忍,不忍也。故德之所总,道弗能害也;总,而已。受者不让之,则受之,不饰辞让也。德交归焉而莫之充忍也。忍,不忍也。故德之所总,道弗能害也;总,一也。智之所不知,辩弗能解也。有智谋者尚不能知,但口辩者何不解也。不言之辩,不道之道,若或通焉,谓之天府。或,有也。有能通不言之辩,不道之道者,入天之府藏。取焉而不损,损,减也。酌焉而不竭,酌,犹予。竭,尽也。莫知其所由出,是谓瑶光。瑶光者,资粮万物者也。瑶光,谓北斗杓第七星也。居中而运,历指十二辰,擿起阴阳,以杀生万物也。一说,瑶光,和气之见者也。振困穷,补不足,则名生;名,仁名也。兴利除害,伐乱禁暴,则成功。功,物也。一说,瑶光,和气之见者也。振困穷,补不足,则名生;名,仁名也。兴利除害,伐乱禁暴,则成功。功,武功也。世无灾害,虽神无所施其德;上下和辑,虽贤无所立其功。昔容成氏之时,道路雁行列处,容成,黄帝时造历术也。雁行,长幼有差也。托婴儿於巢上,置余粮於晦首,虎豹可尾,虺蛇可蹍,而不知其所由然。虎豹扰人,无害人之心,故可牵尾。虺蛇不螫毒,故可蹍履也。时人谓自当然耳,故曰,不知其所由然。逮至尧之时,十日并出,焦禾稼,杀草木,而民无所食。猰貐、凿齿、九婴、大风、封豨、修蛇皆为民害。猰,读车轧履人之轧。貐疾除愈之愈也。尧乃使羿诛凿齿於畴华之野,凿齿,兽名,齿长三尺,其状如凿,下彻颔下,而持戈盾。羿善射,尧使羿射杀之。畴华,南方泽名也。杀九婴於凶水之上状如凿,下彻颔下,而持戈盾。羿善射,尧使羿射杀之。畴华,南方泽名也。杀九婴於凶水之上,九婴,水火之怪,为人害。北狄之地有凶水。缴大风於青丘之泽,大风,风伯也,能壤人屋舍。羿於青丘之泽缴遮,使不为害也。一日,以缴击矢射杀之。青丘,东方之泽名也。上射十日而下杀猰输,十日并出,羿射去九。猰貐,兽名也,状若龙首。或曰,似狸,善走而食人,在西方也。断修蛇於洞庭,擒封狶於桑林。修蛇,大蛇也,吞象三年而出其骨之类。洞庭,南方泽名。封狶,大豕也。楚人谓豕为狶也。桑林,汤所祷早桑山之林。万民皆喜,置尧以为天子。於是天下广陕险易远近始有道里。舜之时,共工振滔洪水,以薄空桑,共工,水官名也。栢有之后。振,动也。滔,荡也。欲壅防百川,滔高烟庳,以害天下者。薄,迫也。,水官名也。栢有之后。振,动也。滔,荡也。欲壅防百川,滔高烟庳,以害天下者。薄,迫也。空桑,地名,在鲁也。龙门未开,吕梁未发,江淮通流,四海溟涬,民皆上丘陵,赴树木。龙门,河之隘也。在左冯翊夏阳北,禹所凿也。吕梁,在彭成吕县,石生水中,禹决而通之,民所由得度也,故曰吕梁也。未发之时,水道不通,江、淮合流,四海溟泽,无岸畔也。舜乃使禹疏三江五湖,辟伊阙,导瀍,涧,伊阙,山名也。禹所开以通伊水,故曰辟。伊阙在雒阳西南九十里。瀍、涧,两水名也。瀍读裹缠之缠也。平通沟陆,流注东海,鸿水漏,九州乾,万民皆宁其性。是以称尧舜以为圣。晚世之时,帝有桀、纣、为璇室、瑶台、象廊、玉床,璇、瑶,石之似玉,以饰室台也。用象牙饰廊殿,以玉为床。言淫役也。璇或作旋,瑶或作摇,时,帝有桀、纣、为璇室、瑶台、象廊、玉床,璇、瑶,石之似玉,以饰室台也。用象牙饰廊殿,以玉为床。言淫役也。璇或作旋,瑶或作摇,言室施机关,可转旋也。台可摇动,极土木之巧也。纣为肉圃、酒池,纣积肉以为园圃,积酒以为渊也。今河内朝歌,纣所都也。城西有糟丘,酒池处是也。燎焚天下之财,罢苦万民之力,刳谏者,剔孕妇,王子比于,纣之诸父也,数谏纣之不道,纣剖其心而观之,故曰刳谏者。孕,孕妇,身将就草之妇也。纣解剔观其胞裹,故曰剔孕妇也。攘天下,虐百性。於是汤乃以革车三百乘伐桀于南巢,放之夏台,革车,兵车也。南巢,今卢江巢县是也。夏台,大台,故作宫也。武王甲卒三千破纣牧野,杀之于宣室,武王,周文王之子发也。在车曰士,步曰卒。牧野,南郊地名,在朝歌。武王甲卒三千破纣牧野,杀之于宣室,武王,周文王之子发也。在车曰士,步曰卒。牧野,南郊地名,在朝歌城外。宣室,殷宫名。一曰,宣室,狱也。天下宁定,百姓和集。是以称汤、武之贤。由此观之,有贤圣之名者,必遭乱世之患也。今至人生乱世之中,含德怀道,拘无穷之智,钳口寝说,遂不言而死者众矣。至人,至德之人。然天下莫知贵其不言也。无有贵钳口不言而死也。故道可道,非常道;至道无名,不可道,故曰可道者,非常道也。名可名,非常名。真人之名不可得名非常道;至道无名,不可道,故曰可道者,非常道也。名可名,非常名。真人之名不可得名也。着於竹帛,镂於金石,可传於人者,其粗也。五帝三王,殊事而同指,异路而同归。五帝,黄帝、颛顼、帝誉、帝尧、帝舜。三王,夏禹、殷汤、周文王。同归,同归修仁义也。晚世学者,不知道之所一体,德之所总要,总,凡也。要,约也。取成之迹,相与危坐而说之,鼓歌而舞之,故博学多闻,而不兔於惑。诗云,不敢暴虎,不敢冯河,人知其一,莫知其他。此之谓也。无兵搏虎日暴虎,无舟檝而渡曰冯河。言小人而为政,不可不敬〔不敬〕5则危,犹暴虎冯河之必死。人皆暴暴虎,无舟檝而渡曰冯河。言小人而为政,不可不敬〔不敬〕5则危,犹暴虎冯河之必死。人皆暴虎冯河立至害也,故曰知其一,而不知当畏慎小人危亡也,故曰莫知其他。此不免於惑,此之谓也。
Interpretation

In ancient times, when Cang Jie, the legendary creator of writing, invented characters, millet rained down from the heavens, and ghosts wept through the night. At first Cang Jie observed the tracks of crows and took inspiration from them. He created characters and established written records and contracts. Once writing appeared, deception and pretense also began to flourish. People gradually abandoned what mattered most and pursued lesser things: they gave up farming and turned to chasing small profits. Heaven knew that, if things continued this way, people would go hungry, so it sent down millet. The ghosts feared that writing would record their tracks, so they wept at night. Another account says it was rabbits that wept: they worried that people would make brushes from rabbit hair and thereby harm their bodies.

In ancient times, when Boyi, the legendary official skilled in flood control, invented the well, the dragons rose into the high clouds and the spirits took up residence in the Kunlun Mountains. Boyi served Shun and was the first to dig into the earth to draw water. The dragons foresaw that river valleys would be cleared and marshes opened up. Fearing disturbance, they rose into the clouds and moved the spirits to Kunlun. The more skills people acquire, the more easily their De (virtue and power) grows thin. For this reason, when the Zhou people cast a bronze vessel, they carved the image of Chui, a master craftsman from the time of Yao, biting his own finger. This showed that when technical skill reaches its extreme, it can go no further. Another explanation says that the Zhou people carved Chui’s image on the vessel as a warning to later generations not to pursue technical ingenuity without restraint.

When a person of utmost De governs the world, heart and spirit are at ease, and body and nature are in harmony. In stillness, De is expressed; in action, everything proceeds in accordance with its proper course. Such a person follows natural inclinations and acts in response to changes that cannot be avoided. With a clear mind and without contrivance, the world naturally comes into harmony. When desires are few and the spirit is untroubled, the people naturally remain simple. Without the pursuit of clever devices or auspicious omens, the people are not harmed; without conflict, they have what they need to live. Such a ruler embraces the world, and his kindness endures for generations, yet no one knows who brought it about. The Dao has no name and makes no deliberate arrangements. Everything simply happens of itself, which is why people do not know who is directing it.

Thus, the Perfected Person has no title in life and no posthumous name after death. They accumulate no wealth and establish no reputation. Those who give do not regard it as a kindness, and those who receive do not decline out of politeness: the giver simply relieves a lack, and the recipient accepts the help without reservation. De gathers together, yet no one owns it or keeps it for themselves. Where De gathers, the Dao cannot be damaged. What wisdom cannot comprehend cannot be explained through verbal argument. The reasoning that needs no words, the truth that needs no explanation: if someone can understand these, it is called the “Heavenly Treasury,” the treasure house of the Dao of Heaven. One may draw from it without diminishing it, or draw water from it without exhausting it, yet no one knows its source. This is called “Jade Radiance.” Jade Radiance usually refers to the seventh star of the Northern Dipper, said to revolve at the center, point toward the twelve double hours and the directions, set Yin-Yang in motion, and govern the growth and decline of all things. Another account holds that Jade Radiance is the visible form of harmonious Qi.

To relieve hardship and make up what is lacking is to earn a reputation for benevolence. To undertake beneficial works, remove calamities, put down rebellion, and stop violence is to establish merit. If there were no calamities in the world, even spirits would have no chance to show their kindness. If those above and below were in harmony, worthy people would have no occasion to establish merit.

In the age governed by Rongcheng, who was said to have lived in the time of the Yellow Emperor and devised the calendar, people lived in orderly rows along the roads, arranged by age. Infants could be left in nests, and surplus grain stored on rooftops. People could lead tigers and leopards by the tail and tread on venomous snakes, yet they did not know how this was possible; they simply thought it was the natural state of things.

In the age of Yao, ten suns appeared together. Crops were scorched, plants and trees withered, and the people had no food. Monsters such as Yayu, Zaichi, Jiuying, Dafeng, Fengxi, and Xiushé also preyed on the people. Yao sent Yi, the great archer, to deal with them. In the fields of Chouhua, Yi shot and killed Zaichi; by the waters of Xiong, he killed Jiuying; and in the marshes of Qingqiu, he shot Dafeng. He also shot down nine of the ten suns and killed Yayu. At Dongting, he cut down Xiushé; in the mulberry groves, he captured Fengxi. The people rejoiced and acclaimed Yao as Son of Heaven. From then on, roads throughout the land were measured and marked according to their width, difficulty, and distance.

During Shun’s reign, Gonggong, the official in charge of water, unleashed floods that advanced toward Kongsang. At that time, Longmen had not yet been cut through, and the waters at Lüliang had not yet been cleared. The Yangtze and Huai Rivers spilled across the land, and the whole world lay under water. The people could only flee to the hills and climb into trees. Shun therefore ordered Yu to clear the three rivers and five lakes, cut through Yique, guide the Chan and Jian Rivers, and put the roads and fields in order, so that the waters could flow freely into the Eastern Sea. The floods receded, the Nine Provinces dried out, and the people were able to settle in peace. For this reason, later generations praised Yao and Shun as sages.

In later times, rulers such as Jie and Zhou built the Jade Chamber, the Jade Terrace, long corridors decorated with ivory, and beds of jade, indulging in extravagant luxury. Zhou even made a garden of piled meat and a pond filled with wine. They exhausted the wealth of the realm and wore the people down with labor. Zhou cut open the chest of a remonstrating adviser and dissected the womb of a pregnant woman, bringing suffering to the people. Then Tang set out with three hundred chariots and attacked Jie at Nanchao, driving him into exile at Xiatai. King Wu led three thousand armored soldiers and defeated Zhou at Muye, where Zhou was killed. The world was thereby brought to order and the people lived in harmony, so later generations praised Tang and Wu as wise rulers.

From this we can see that those who earn the name of worthy sages must have endured the troubles of a chaotic age. Today, people of utmost De live amid disorder, bearing Dao and wisdom in their hearts but compelled to keep silent. Many end their lives in silence, yet no one in the world honors that silence.

“The Dao that can be spoken is not the constant Dao; the name that can be named is not the constant name.” The Dao that can be put into words is not the unchanging Dao, and a name that can be assigned is not an unchanging name. The name of a true person cannot be fixed in words. What is written on bamboo and silk, or carved into metal and stone for transmission to later generations, is only a rough trace of the Great Dao. The Five Emperors and Three Kings acted in different ways and followed different paths, yet their aims were the same: they all put benevolence and righteousness into practice. Later scholars fail to understand that the Great Dao is one and that the essentials of De are connected. Instead, they select stories about their predecessors, sit and debate, and sing and dance in praise of them. So even when they are widely learned and well informed, they cannot escape confusion.

The Book of Odes says, “We dare not wrestle a tiger with our bare hands; we dare not cross a river on foot.” People know that wrestling a tiger or crossing a river is dangerous, but they do not know that governing a state also demands caution. When heedless people take power, ruin and destruction are bound to follow. This is what it means to know one side but not the other.

帝者体太一,体,法也。太一,天之刑神也。王者法阴阳,霸者则四时,君者用六律。秉太一者,牢笼天地;弹压山川,牢,读星溜,楚人谓牢为溜。弹山川,令出云雨,后能压止之。含吐阴阳,伸曳四时,伸曳,犹神引,和调之。纪纲八极,经纬六合,覆露照导,普汜无私,普,大也。汜,众也。无私爱憎,言皆公也。蠉飞蠕动,莫不仰德而生。阴阳者,承天地之和,形万殊之体,含气化物,以成埒类,埒,形也。赢缩卷舒,沦於不测,赢,长也。缩,烜也。卷,屈也。舒,散也。沦,入也。测埒类,埒,形也。赢缩卷舒,沦於不测,赢,长也。缩,烜也。卷,屈也。舒,散也。沦,入也。测,深也。入於不可测尽之深。终始虚满,转於无原。转化归於无穷之源本也。四时者,春生夏长,秋收冬藏,取于有节,出入有时,开阖张歙,不失其叙,歙,读曰胁。叙,次也。喜怒刚柔,不离其理。理,道也。六律者,生之与杀也,赏之与罚也,子之与夺也,子,布施也。夺,取收也。非此无道也,则四时用六律之君,非用此上事,其余无他道也。故谨於权衡准绳,审乎轻重,足以治其境内矣。权衡,平也。准,法也。绳,直也。是故体太一者,明於天地之情,通於道德之伦,聪明耀於日月,精神通於万物,动静调於阴阳,喜怒和于四时,德泽施于方外,施,廷。廷於远方之外。名声传于后世。后世传闻之也。法阴阳者,德与天地参,参,明。明与日月并,并,并也。精,廷。廷於远方之外。名声传于后世。后世传闻之也。法阴阳者,德与天地参,参,明。明与日月并,并,并也。精与鬼神总,总,合也。戴圆履方,抱表怀绳,圆,天也。方,地也。表,正也。绳,直也。内能治身,外能得人,能得人之欢心。发号施令,天下莫不从风。风,化也。则四时者,柔而不脆,刚而不鞼,鞼,折也。宽而不肆,肆,缓。虽宽不缓,过齐非也。肃而不悖,肃,急也。虽急不促悖。优柔委从,以养群类,类,物类也。其德含愚而容不肖,无所私爱。私,邪也。用六律者,伐乱禁暴,进贤而废不肖,扶拨以为正,拨,任也。扶,治也。坏险以为平,矫枉以为直,矫,正也。枉,曲也。明私,邪也。用六律者,伐乱禁暴,进贤而废不肖,扶拨以为正,拨,任也。扶,治也。坏险以为平,矫枉以为直,矫,正也。枉,曲也。明於禁舍开闭之道,乘时因势以服役人心也。役,使也。帝者体阴阳则侵,为诸夏所侵陵。王者法四时则削,为诸夏所侵削。传曰,诸侯侵犯王略也。霸者节六律则辱,为邻国所侮辱。君者失准绳则废。为臣所废,绌更立贤。故小而行大,则滔窕而不亲,滔窕,不满密也。不为臣下所亲附也。大而行小,则狭隘而不容。行小则正狭隘,而不容包臣下。贵贱不失其体,而天下治矣。不失其体,大行大,小行小也。不为臣下所亲附也。大而行小,则狭隘而不容。行小则正狭隘,而不容包臣下。贵贱不失其体,而天下治矣。不失其体,大行大,小行小也。天爱其精,地爱其平,精,光明也。平,正也。人爱其情,情,性也。天之精,日月星辰雷电风雨也;地之平,水火金木土也;人之情,思虑聪明喜怒也。故闭四关,止五遁,则与道沦。四关,耳、目、心、口。遁,逸也。沦,入也。是故神明藏於无形,精神反於至真,真,身也。则目明而不以视,耳聪而不以听,心条达而不以思虑,委而弗为,和而弗矜,矜,自大也。真性命之情,而智故不得杂焉。杂,糅也。精泄於目则其视明,泄,犹通也。在於耳则其听聪,留於口则其言当,当,合也。集於心则其虑通。集,止也。故闭四关则身无患,百节莫苑,苑,病也。苑於目则其视明,泄,犹通也。在於耳则其听聪,留於口则其言当,当,合也。集於心则其虑通。集,止也。故闭四关则身无患,百节莫苑,苑,病也。苑读南阳之宛也。莫死莫生,莫虚莫盈,计是谓真人。言守其常。
Interpretation

An emperor must take the Great One (Taiyi), the fundamental principle underlying Heaven, Earth, and all things, as his standard. The Great One is the pattern manifested by Heaven. One who bears the title of king models himself on the transformations of Yin-Yang. One who bears the title of hegemon follows the cycles of the four seasons. An ordinary ruler puts the Six Pitch Standards (liulü), which regulate musical pitch and also symbolize principles of governance such as reward and punishment, appointment and dismissal, into practice. One who grasps the Great One can govern Heaven and Earth and regulate mountains and rivers. He can make the mountains and rivers gather clouds and bring rain, and can also cause them to grow calm. He contains and harmonizes Yin-Yang, sets the four seasons in motion, governs the eight directions and their farthest reaches, and connects the Six Directions (above, below, and the four quarters). With benevolence, he covers, illuminates, and guides all things, giving widely and without favoritism. Even the tiniest flying or crawling creatures depend on his Virtue (De) to grow.

Yin-Yang receives the harmonious Qi of Heaven and Earth and gives rise to the distinct forms of all things. It stores vital energy and brings forth the myriad beings, allowing each to form its own kind. Things may extend or contract, bend or unfold; their transformations are profound and cannot be fully measured. From ending to beginning, from emptiness to fullness, they transform within a source that has no fixed starting point.

The seasons follow their course: spring brings forth the sprouting of things, summer their growth, autumn their harvest, and winter their storage. The growth and storage of all things each have their proper measure; coming and going each have their proper time; opening and closing, expansion and contraction, all follow their order. Changes in joy and anger, firmness and gentleness, must likewise not go against the natural order.

The Six Pitch Standards symbolize life and death, reward and punishment, giving and taking. A state cannot be governed without these principles, and no other means can take their place. Thus, if a ruler carefully applies standards such as the balance and the rule, examining what is heavy and light, that is enough to govern his territory. The balance measures fairness, the rule sets standards for conduct, and the marking line corrects what is crooked or straight.

One who takes the Great One as his standard understands the conditions of Heaven and Earth and knows the patterns of Virtue. His wisdom shines like the sun and moon, and his spirit reaches through all things. His movements and stillness accord with Yin-Yang, and his changes of joy and anger accord with the seasons. His benevolence reaches distant lands, and his reputation endures for generations.

One who models himself on Yin-Yang has Virtue equal to Heaven and Earth, radiance equal to the sun and moon, and spirit in accord with ghosts and spirits. With rounded Heaven above his head and square Earth beneath his feet, he keeps the right way and its standards in his heart. Inwardly, he can cultivate himself; outwardly, he can win the goodwill of the people. When he issues commands, all under Heaven respond and submit to his teaching.

One who follows the seasons is gentle in temperament but not fragile, and strong but not brittle. He is generous without being lax, and grave without being unduly severe. Calmly adapting to change, he uses it to nurture all kinds of beings. His Virtue is generous: he can make room for the foolish and the unworthy, and bears no favoritism.

One who puts the Six Pitch Standards into practice attacks those who rebel and forbids violence; recommends the worthy and dismisses the unworthy; puts wrongs right, clears obstacles to make the way level, and straightens what is crooked. He understands when to prohibit and when to permit, when to open and when to close. By responding to the right moment and making use of circumstances, he brings the people to accept his rule.

If an emperor models himself on Yin-Yang only as an ordinary ruler would, he will suffer incursions by the various states of Xia in the Central Plains. If a king follows only the seasons, his power will be weakened. If a hegemon acts only according to the Six Pitch Standards, neighboring states will insult him. If a ruler loses his standards, his ministers will depose him and install someone more worthy. Thus, when people of low rank undertake matters that are too grand, they seem remote and insufficiently thorough, and find it difficult to win others’ closeness. When people of high rank concern themselves only with small matters, they seem narrow and cannot make room for their ministers. When high and low alike remain in their proper places and fulfill their respective duties, the world can be governed well.

Heaven prizes brightness, Earth is valued for its evenness, and human beings prize their nature. Heaven’s brightness appears in the sun, moon, and stars, and in thunder, lightning, wind, and rain. Earth’s evenness appears in water, fire, metal, wood, and earth. Human nature appears in thought, intelligence, and joy and anger.

Therefore, close the four gates of the senses and the mind—ears, eyes, heart, and mouth—and still the five forms of dissipation, so that you may become one with the Dao. When the four gates are closed, the spirit is stored in the formless, and the vital essence returns to its original purity. Then the eyes are clear but are not drawn along by external things; the ears are keen but are not disturbed by sounds; the mind is open and understanding but does not cling to thought. Follow what is natural without contrived action; remain calm without presuming to be right. When the true feelings of nature and life are not mixed with artificial cleverness, the vital essences each serve their proper purpose: gathered in the eyes, they bring keen vision; retained in the ears, keen hearing; resting in the mouth, fitting speech; returning to the heart, clear thought. Thus, when you draw in the ears, eyes, heart, and mouth, the body suffers fewer troubles and its joints and limbs remain free of illness. One who releases attachment to life and death, emptiness and fullness, and keeps to the constant Dao is called a True Person.

凡乱之所由生者,皆在流遁。流遁之所生者五:流,放也。遁,逸也。大构驾,兴宫室,构,连也。驾,材木相乘驾也。延楼栈道,鸡栖井干,延楼,高楼也。栈道,飞阁复道相通。鸡栖井干,复屋荧井也,刻花置其中也。檦标欂櫖,以相支持,木巧之饰,饰巧。盘纡刻俨,盘,盘龙也。纡,曲屈。刻俨,浮首虎头之属,皆屋饰也。俨,读严然之俨也。嬴镂雕琢,诡文回波,嬴镂,文章镂。雕,画也。玉曰琢。皆饰巧刻俨,盘,盘龙也。纡,曲屈。刻俨,浮首虎头之属,皆屋饰也。俨,读严然之俨也。嬴镂雕琢,诡文回波,嬴镂,文章镂。雕,画也。玉曰琢。皆饰巧也。诡文,奇异之文也。回波,若水波也。淌游瀷淢,菱杼紾抱,尚游瀷淢,皆文尽,拟像水势之貌也。菱,芰。杼,采实。紾,戾也。抱,转也。皆壮采相衔持貌也。淌,读平敞之敞。瀷,燕人强春言欶之欶。淢读郁乎文哉之郁美读楚言杼紾,读紾结之紾。抱读岐嶷之嶷。芒繁乱泽,巧伪纷挐,以相摧错,此遁於木也。皆采色形像文章貌。挐,读人性纷挐不解之挐。凿污池之深,肆畛崖之远,肆,极也。崖垠也。来溪谷之流,饰曲岸之际,积牒旋石,以纯修碕,饰,治也。牒,累。纯,缘也。以玉石致之水边,为修碕。或作旋(佑)〔石〕6旋石切以牒累流水石,以纯修碕,饰,治也。牒,累。纯,缘也。以玉石致之水边,为修碕。或作旋(佑)〔石〕6旋石切以牒累流水边,为修碕。修碕,曲中水所棠处也。抑淢怒濑,以扬激波,抑,止也。淢,怒水也。颛,急流也,而抑止之,故激扬之波起也。曲拂邅回,以像湡、浯,拂,戾也。邅回,转流也。湡,番隅。浯,苍梧。之二国多水,江湖环之,故多象渠池以自邅回,法而像之也。湡,读愚戆之愚也。益树莲菱,以食鳖鱼,树,种也。莲,藕实地。菱芰也。皆可以养鱼鳖。莲,读莲羊鱼之莲也。鸿鹄鹔鹴,稻梁饶余,鹔鹴雁类也。一曰凤之别类也。龙舟鹢首,浮吹以娱,此遁於水也。龙舟,大舟也。刻为龙鸿鹄鹔鹴,稻梁饶余,鹔鹴雁类也。一曰凤之别类也。龙舟鹢首,浮吹以娱,此遁於水也。龙舟,大舟也。刻为龙文,以为饰也。蠲,大鸟也,画其象着船头,故曰鹢首也。於舟中吹籁与竽,以为乐,故曰浮吹以娱。高筑城郭,设树险阻,崇台榭之隆,设,施也。树,立也。一说,种树木以为险阻,今难攻易守也。积土高丈曰台,加木曰榭也。侈苑囿之大,以穷要妙之望,侈,广也。有墙曰苑,无墙曰囿,所以畜禽兽也。尽极要之观望也。魏阙之高,上际青云,大厦曾加,拟於昆仑,门阙高祟巍巍然,故曰魏阙也。大厦,大屋也。曾,重。架,材木相秉架也。其高与昆仑山相像也。修为墙垣,甬道相连,甬道,飞阁复道也。甬,读踊跃之踊。道,读道布之道也。残高增下,积土为山,残,堕也。增,益也。接径历远,直道夷险,接,疾也。径,行也。道之阨者正直之高增下,积土为山,残,堕也。增,益也。接径历远,直道夷险,接,疾也。径,行也。道之阨者正直之。夷,平也。终日驰骛,而无迹蹈之患,此遁於土也。大锺鼎,美重器,锺,音之君也。重器,大器,盖锺鼎也。华虫疏镂,以相缪紾,书曰,山龙华虫藻火粉米。缪紾,相缠结也。寝兕伏虎,蟠龙连组,兕,兽名。寝伏各有形也。蟠龙诎屈相连,文错如织组文也。焜昱错眩,照耀辉煌,错,杂也。眩惑也。照耀辉煌,焜光泽色貌也。偃蹇□纠,曲成文章,雕琢之饰,锻锡文铙,乍晦乍明,雕,画也。缘错锡可刷,如连珠不可棳,故曰乍晦乍明也。抑微灭瑕,霜文沈居,若箪蘧蒢,言剑理之美,没灭其瑕,文铙如霜,皆役身中,故曰沈居。箪,竹席。蘧蒢,苇席。取其邪文次叙,剑铙若此也。缠锦经冗,以数而疏,剑文相句,连缠如绮,经冗如锦,似数如疏,文,竹席。蘧蒢,苇席。取其邪文次叙,剑铙若此也。缠锦经冗,以数而疏,剑文相句,连缠如绮,经冗如锦,似数如疏,文铙美眩人目。此遁於金也。煎熬焚炙调齐和之适,以穷荆、吴甘酸之变,荆,楚。言二国善酸咸之和,而穷尽之。焚林而猎,烧燎大木,鼓橐吹埵,以销铜铁,鼓,系也。橐,治炉排橐也。埵,铜橐口铁笛,埵入火中吹火也,故曰吹埵。销,铄。靡流坚鍜,无厌足(日)〔目〕7,山无峻干,林无柘梓,峻干,长枝也。柘,桑。梓,滋生也。燎木以为炭,燔草而为灰,野莽白素,不得其时,槁,草。白,素。上掩天光,下殄地财,此遁於火也。殄,尽也。珍读曰典也。此五者一,足以亡天下矣。五者之中有一,则足以灭亡也。是故古者明堂之白,素。上掩天光,下殄地财,此遁於火也。殄,尽也。珍读曰典也。此五者一,足以亡天下矣。五者之中有一,则足以灭亡也。是故古者明堂之制,下之润湿弗能及,上之雾露弗能入,四方之风弗能袭,明堂,王者布政之堂。上圆下方,堂四出,各有左右房,谓之个,凡十二所。王者月居其房,告朔朝历,颁宣其令,谓之明堂。其中可以叙昭穆,谓之太庙。其上可以望气祥,书云物,谓之灵台。其外圆,似辟雍。诸侯之制半天子,谓之宫,诗云,矫矫鲁侯,在泮献(公)〔馘是〕8也。土事不文,质也。木工不斲,朴而已。斲或作琢,(而)[不]9。雕画也。金器不镂,不错镂设文饰也。镂,读娄之娄。衣无隅差之削,隅,角也。差,邪也。古者质,皆全幅为衣裳,无有邪镂设文饰也。镂,读娄之娄。衣无隅差之削,隅,角也。差,邪也。古者质,皆全幅为衣裳,无有邪角。邪角,削杀也。冠无觚赢之理,觚赢之理,谓若马目笼相连干也。言无者,冠文取平直而已也。嬴,读指端嬴文之嬴也。堂大足以周旋理文,堂,明堂。所以升降揖让修礼容,故曰周旋。理文,理政事文书也。静洁足以飨上帝,礼鬼神,以示民知俭节。孝经曰,宗祀文王於明堂,以配上帝也。夫声色五味,远国珍怪,瑰异奇物,足以变心易志,摇荡精神,感动血气者,不可胜计也。夫天地之生财也,本不过五。不过五行之数。圣人节五行,则治不荒。五行,金、木、水、火、土也。水属阴行,火为阳行,木为燠行,金为寒行,土为风行。五气常行,故曰五行。凡人之性,心和欲得则乐为阳行,木为燠行,金为寒行,土为风行。五气常行,故曰五行。凡人之性,心和欲得则乐,心和,不喜不怒。欲得,无违耳。乐斯动,动斯蹈,蹈斯荡,荡斯歌,歌斯舞,歌舞节则禽兽跳矣。人之性,心有忧丧则悲,悲则哀,有忧,艰难也。丧,(事)[亡]10也。亡失所离,爱则悲,悲则伤。哀斯愤,愤斯怒,怒斯动,动则手足不静。静,宁也。擗踊哭泣,哀以送之也。人之性,有侵犯则怒,怒则血充,人欲有侵犯则怒盛,血气充盈,以成其势。血充则气激,气激则发怒,发怒则有所释憾矣。释,解也。憾,恨也。故锺鼓管箫,干戚羽旄,所以饰喜也。衰绖苴杖,苴,麻之有实者。衰,读曰崔杼之崔也。哭踊有节,所以饰哀也。为哀所容,故曰饰也。兵革也。憾,恨也。故锺鼓管箫,干戚羽旄,所以饰喜也。衰绖苴杖,苴,麻之有实者。衰,读曰崔杼之崔也。哭踊有节,所以饰哀也。为哀所容,故曰饰也。兵革羽旄,金鼓斧钺,所以饰怒也。必有其质,乃为之文。古者圣王在上,政教平,仁爱洽,上下同心,君臣辑睦,衣食有余,家给人足,父慈慈,柔也。子孝,兄良弟顺,生者不怨,死者不恨,有道之世,人得其志,故生者不怨也。皆终其天命,故死者不恨。天下和洽,人得其愿。夫人相乐,无所发贶,故圣人为之作乐以和节之。夫人,众人也。但中心相乐,所以发其恩赐也,故圣人为之作乐以节之,犹通制也。末世之政,田渔重税,关市急征,泽梁毕禁,网罟无所布乐以和节之。夫人,众人也。但中心相乐,所以发其恩赐也,故圣人为之作乐以节之,犹通制也。末世之政,田渔重税,关市急征,泽梁毕禁,网罟无所布,耒耜无所设,民力竭於徭役,财殚於会赋,会,计。计人口数,责其税敛也。居者无食,行者无粮,老者不养,死者不葬,赘妻鬻子,以给上求,犹弗能赡,赘,从嫁也。或作赁妻。愚夫意妇皆有流连之心,凄怆之志,流连,犹烂漫,失其职业也。凄怆,伤悼之貌。憃读近贮益之□戆,茏口言之也。乃使始为之撞大锺,击鸣鼓,吹竽笙,弹琴瑟,失乐之本矣。古者上求薄而民用给,给,足。君施其德,臣尽其忠,父行其慈,子竭其孝,竭,尽也。善事父母曰孝也。各致其爱而无憾恨其间。无憾恨,,足。君施其德,臣尽其忠,父行其慈,子竭其孝,竭,尽也。善事父母曰孝也。各致其爱而无憾恨其间。无憾恨,各得其愿也。夫三年之丧,非强而致之,非强行致孝子之情也,情自发於中。听乐不乐,食旨不甘,思慕之心未能绝也。三年之思,思慕之心未能自绝於哀戚也。晚世风流俗败,嗜欲多,礼义废,君臣相欺,父子〔相〕11疑,怨尤充胸,思心尽亡,尽丧其忠孝思慕之心也。被衰戴绖,戏笑其中,虽致之三年,失丧之本也。本在哀戚。古者天子一畿,诸侯一同,方千里为畿,方百里为同。各守其分,不得相侵。分,犹界也。有不行王道者,暴虐万民,争地侵壤,乱政犯禁,召之不至,令之不行畿,方百里为同。各守其分,不得相侵。分,犹界也。有不行王道者,暴虐万民,争地侵壤,乱政犯禁,召之不至,令之不行,言不行上令者。行,读行马之行。禁之不止,诲之不变,诲,教也。变,更也。乃举兵而伐之,戮其君,易其党,封其墓,类其社,有贤者受恶君之诛,则封殖其墓。若武王伐纣,封比干之墓是也。祭社曰类。以事类祭之也。诗云,是类是褐也。卜其子孙以代之。卜,择立其子孙之贤也。天子不灭国,诸侯不灭姓,古之政也。晚世务广地侵壤,并兼无已,举不义之兵,伐无罪之国,杀不辜之民,绝先圣之后,辜,罪也。民皆帝王之后,故曰绝先圣之后。大国出,伐无罪之国,杀不辜之民,绝先圣之后,辜,罪也。民皆帝王之后,故曰绝先圣之后。大国出攻,小国城守,驱人之牛马,傒人之子女,傒,系囚之系,读曰鸡。毁人之宗庙,迁人之重宝,血流千里,暴骸满野,以赡贪主之欲,非兵之所为生也。言兵为禁暴整乱设,不为作乱生也。故兵者,所以讨暴,非所以为暴也。言兵讨人之暴乱,非所以自为暴乱也。乐者,所以致和,非所以为淫也。乐荡人之邪志,存人之正性,致其中和而已,非所为自淫过也。丧者,所以尽哀,非所以为伪也。丧铺哭泣,所以尽孝子之哀情也,非所以为诈伪佯哀戚而已也。故事亲有道矣,而爱为务淫过也。丧者,所以尽哀,非所以为伪也。丧铺哭泣,所以尽孝子之哀情也,非所以为诈伪佯哀戚而已也。故事亲有道矣,而爱为务;道,孝道。务在爱敬其亲。朝廷有容矣,而敬为上;朝廷之容济济也,父子主爱,君臣主敬,故以敬为上也。处丧有礼矣,而哀为主;处,居也。丧礼,三年之礼也。论语曰,丧与其易也,宁戚。故曰以哀为主也。用兵有术矣,而义为本。术,数也。阴阳天生虚实之数也。传曰,天生五材,民并用之,废一不可,谁能去兵。兵之所由来久矣,圣人以兴,乱人以亡,废兴存亡,昏明之术也。故曰以义为本。本立而道行,本伤而道废。本立,义立也。本伤,义丧也。故曰道废。
Interpretation

The roots of disorder all lie in indulging in pleasure and becoming absorbed in ease. There are five main forms of such indulgence: obsession with woodworking, obsession with water features, obsession with construction, obsession with metal vessels and weapons, and obsession with burning and smelting.

Obsession with woodworking means undertaking vast construction projects, building palaces and halls, and raising tall towers and connected covered walkways and double-tiered paths. Roofs and well-shaped structures are embellished with added decorations, and wooden parts are made to support one another. Images of coiling dragons, sinuous patterns, and tiger heads are carved; designs are cut and engraved, then painted and sculpted into strange patterns and water-like curves. Everything is made elaborate and splendid. Patterns of every kind are interwoven and linked, in pursuit of exquisite novelty. This is indulgence in woodworking.

Obsession with water features means digging deep pools and building far-reaching banks, bringing in water from streams and valleys, and stacking stones along winding shores, which are decorated with jade. Torrents are dammed to raise the water, and twisting channels are dug to imitate the shapes of rivers and lakes. Lotus roots and water chestnuts are planted in the pools to feed fish and turtles. Swans, mandarin ducks, and other water birds are raised, and ample stores of rice are kept on hand. Dragon boats are built, with garfish painted on their bows, and music is played aboard for amusement. This is indulgence in water features.

Obsession with construction means raising high city walls and setting up barriers, building lofty terraces and pavilions, and enlarging enclosed parks for keeping birds and animals so as to survey distant scenery. Towering palace gates and layered high buildings are erected until they seem like Mount Kunlun. Walls and covered passageways are built, earth is piled into hills, and roads are laid out straight and level; even rough, difficult terrain is made suitable for chariots and horses to race across. This is indulgence in construction.

Obsession with metal vessels means casting splendid, heavy bells and ritual cauldrons, decorating them with patterns of mountain dragons and flowering insects, and engraving crouching tigers and coiling dragons. Interwoven designs are inlaid until the vessels glitter. Weapons are also made with ornate decorations, their patterns resembling frost and snow, brocade, and the grain of bamboo mats—so finely wrought that they dazzle the eye. This is indulgence in metal vessels.

Obsession with fire means boiling and roasting food, blending the sour and sweet flavors of every region, setting forests alight for hunts, and burning down great trees. Bellows are worked to smelt copper and iron, and metal is hammered again and again without satisfaction. The long branches on the mountains are cut away, and the mulberry and catalpa trees in the forests are felled. Wood is burned into charcoal and grass into ash, preventing the plants of the plains from growing in season. The result is to shut out the light above and exhaust the land below. This is indulgence in fire. Any one of these five excesses is enough to bring the realm to ruin.

For this reason, the construction of the ancient Bright Hall, where the Son of Heaven issued commands and performed sacrifices, was kept within bounds: the floor was protected from damp, the roof kept out mist and dew, and the four sides were shielded from the wind. Its construction was not embellished; its woodwork was left uncarved, its metal vessels were not engraved, and clothes were not cut with slanting, pointed corners. Caps were made straight and proper. The hall was large enough for people to perform rites, move about, and conduct affairs of state. Its surroundings were quiet and clean, suitable for sacrificing to the Heavenly Lord and the spirits, and they taught the people the value of frugality.

Sounds, colors, fine flavors, and rare goods from distant places can all alter people’s intentions, disturb their spirits, and affect their Qi and blood. Their kinds are too numerous to count. The wealth produced by Heaven and Earth ultimately depends on the Five Phases: Metal, Wood, Water, Fire, and Earth. When sages regulate the production and use of what the Five Phases represent, government does not fall into neglect.

By nature, when people are at peace and their desires are satisfied, they feel joy. Joy leads to movement, movement to dancing and singing, and then to leaping and dancing. When song and dance follow proper measure, even birds and beasts join in their movements. When people face hardship or the grief of losing a loved one, they become sorrowful. Sorrow makes them weep; when grief deepens, they grow angry, and their bodies can scarcely be still. Thus bells and drums, pipes and flutes, shields and axes, and feathered banners are used to express joy; mourning clothes, hempen staffs, and measured weeping and leaping are used to express grief; weapons, banners, metal gongs and drums, and battle-axes are used to express anger. Only when feelings are truly present do rites and formal adornments have meaning.

When the sage kings of antiquity ruled, government and instruction were just, benevolence was abundant, ruler and ministers were in harmony, and food and clothing were plentiful, with a surplus in every household. Fathers were caring, children were filial, elder brothers were kind, and younger brothers were respectful. The living bore no resentment, and the dead left no regrets. The realm was harmonious, everyone was content, and people rejoiced in one another. The sages therefore established music to harmonize and regulate these feelings.

In later ages, government deteriorated. Taxes on hunting and fishing grew heavy, levies at passes and markets became harsh, and waters and marshes were entirely closed off, leaving the people nowhere to cast their nets or till the land. Their strength was spent on labor service, and their possessions were drained by taxes. Their homes had no grain, they had no provisions for travel, the elderly had no one to support them, and the dead had no one to bury them. Some even sold their wives and children to satisfy the demands of those above, yet it was still not enough. The people’s hearts were filled with sorrow and distress. At such a time, to have them strike bells and drums, blow mouth organs and flutes, and play zithers and lutes would be to lose music’s very foundation.

In antiquity, rulers demanded little, and the people lived in abundance. The ruler extended kindness, ministers gave their loyalty, fathers showed care, and children were filial; each devoted themselves to the others, and there was no resentment. The three-year mourning period was not something imposed by force: it arose naturally from the hearts of filial children. They could not enjoy music or taste fine food because their longing for their loved ones had not yet faded. In later ages, customs decayed: desires multiplied, ritual and righteousness were abandoned, ruler and minister deceived one another, and fathers and sons grew suspicious of one another. Their hearts filled with resentment, and feelings of loyalty, filial devotion, and longing for family disappeared. Even if people wore mourning clothes and caps, to laugh and play during a funeral would already be to lose its purpose. The foundation of mourning lies in grief within the heart.

In ancient times, the Son of Heaven and the feudal lords each had their own territory and kept to their proper bounds; they were not allowed to seize one another’s land. If someone failed to follow the kingly way, abused the people, seized territory, and violated the laws, then ignored commands and refused to reform, the Son of Heaven would raise an army to punish him, execute the ruler, and install one of his own kinsmen in his place. The virtuous would be honored with repairs to their ancestral tombs, the local Earth God would be sacrificed to, and a worthy descendant would be chosen to succeed him. The ancient law was this: the Son of Heaven did not destroy the states of the feudal lords, and the feudal lords did not extinguish one another’s lineages.

In later ages, however, rulers pursued territorial expansion without end, waged unjust wars, attacked states that had committed no crime, killed innocent people, and cut off the descendants of the ancient sages. Great states sent out armies while small states defended their walls. People’s cattle, horses, sons, and daughters were seized; ancestral temples were destroyed, and their treasures carried away. Blood flowed for a thousand miles and corpses covered the fields, all to satisfy the desires of greedy rulers. War was meant to punish violence, not to create it. Music was meant to harmonize people’s hearts, not to indulge their desires. Mourning rites were meant to give full expression to grief, not to put on a show.

There is a proper way to serve one’s parents, and its essence is love. Court life has rules of ritual, and their essence is respect. Mourning has its rites, and their essence is grief. The use of military force has its methods, and its foundation is righteousness. Weapons have existed for a long time: through them sages have brought prosperity, while people in disorderly times may also meet their downfall. Everything depends on whether government is clear or confused. When the foundation is established in righteousness, the Way can be put into practice. When the foundation is damaged, the Way is abandoned.

淮南鸿烈解卷之十三竟 1『其』,『芒』字道废。本立,义立也。本伤,义丧也。故曰道废。 淮南鸿烈解卷之十三竟 1『其』,『芒』字之误,据集解本改。 2『感』,『威』字之误,据集解本改。 3『淫』,『游』字之误,据集解本改。 4『与性』二字误入注文,据集解本改。 5脱『不敬』二字,据集解本补。 6『佑』,『石』字之误,据集解本改。 7『曰』,『目』字之误,据集解本改。 8『公』当作『馘是』,据集解本补改。 9『而』『不』字之误,据集解本政。 10『事』,『亡』字之误,据集解本改。 11脱『相』字,据集解本补。 15-淮南鸿烈解卷之十四 淮南鸿烈解。 9『而』『不』字之误,据集解本政。 10『事』,『亡』字之误,据集解本改。 11脱『相』字,据集解本补。 15-淮南鸿烈解卷之十四 淮南鸿烈解卷之十四 太尉祭酒臣许慎记上 主术训上 主,君也。术,道也。君之宰国统御臣下,五帝三王以来,无不用道而兴,故曰主术也,因以题篇。
Interpretation

This concludes Volume Thirteen of Huainan Honglie Jie.

“Root” means the foundation, and “righteousness” means the moral principles of the Way. When the foundation is firmly established, righteousness is established as well. When the foundation is damaged, righteousness is lost. Thus, when the foundation is abandoned, the Way is abandoned too.

Volume Fourteen of Huainan Honglie Jie

Volume Fourteen of Huainan Honglie Jie

Recorded by Xu Shen, a libationer in the Grand Commandant’s household.

“Teachings on the Ruler’s Art, Part One”

“Ruler” refers to the sovereign, and “art” refers to the way of governing the state. From the Five Emperors and Three Kings onward, every ruler who accomplished great things followed the way of governing the state while ruling the country and directing the ministers. That is why this chapter is called “The Ruler’s Art.”

人主之术,处无为之事,而行不言之教,教,令也。谓不言而事办也。清静而不动,一度而不摇,因循而任下,责成而不劳。成办而不自劳。是故心知规而师傅谕导,规,谋也。师者,所从取法则也。傅,相也。谕导以正道也。口能言而行人称辞,足能行而相者先导,相,仪者,所从取法则也。傅,相也。谕导以正道也。口能言而行人称辞,足能行而相者先导,相,仪。耳能听而执正进谏。谏,或作谋也。其世子时也。是故虑无失策谋无过事过犹误也。言为文章,行为仪表於天下,为天下人所法则也。进退应时,动静循理,不为丑美好憎,不为赏罚喜怒,名各自名,类各自类,事犹自然,莫出於己。故古之王者,冕而前旒所以蔽明也,冕,王者冠也。前旒,前后垂珠饰遂筵也。下自目,故曰蔽明也。天子玉县十二,公侯挂珠九,卿点珠六,伯子各应随其命数也。黈纩塞耳所以掩聪,不欲其妄闻也。黈,读而买黈益之黈也。天子外屏所以自障,故曰蔽明也。天子玉县十二,公侯挂珠九,卿点珠六,伯子各应随其命数也。黈纩塞耳所以掩聪,不欲其妄闻也。黈,读而买黈益之黈也。天子外屏所以自障。屏,树垣也。尔雅曰,门内之垣谓之树。论语曰,国君树塞门。诸侯在内,天子在外,故曰所以自障也。故所理者远,则所在者迩,所治者大,则所守者少。
Interpretation

The key to a ruler’s governance is to avoid personally laboring over every matter while still bringing about instruction that needs no repeated commands: affairs are carried through without having to issue orders again and again. The ruler remains calm and settled, does not act hastily, and adheres to established rules without changing them at will. Following the way things naturally proceed, the ruler entrusts affairs to ministers and requires them to fulfill their duties, without exhausting himself.

Thus, when the ruler has plans in mind, he lets his tutors—officials who guide the ruler or the crown prince—explain and develop them. When he is skilled in speech, he lets ministers speak on his behalf. When he is ready to act, he has the ritual guide, whose conduct provides an example and who directs ceremonial proceedings, lead the way. When he is willing to hear advice, he lets the remonstrant, charged with correcting the ruler, offer counsel. In this way, plans are rarely mistaken and affairs are handled without error. The ruler’s words should set a standard, and his conduct should serve as an example to all under Heaven. His advances and withdrawals should suit the occasion; his activity and stillness should follow what is right. He should show no favoritism based on beauty or ugliness, liking or dislike, and should not let rewards or punishments stir his joy or anger. Each title has its proper name, each thing belongs to its own category, and affairs unfold according to their own patterns rather than being forced into order by the ruler alone.

For this reason, ancient kings wore ceremonial crowns with strings of beads hanging before them, to screen their sight and prevent them from seeing too keenly. Yellow silk-cotton ornaments, called toukuang, hung from the crowns to screen their hearing and keep them from listening to improper talk. The Son of Heaven placed a screen outside the palace gate to block the view. The Erya calls the wall inside a gate a “tree,” and the Analects also says that a ruler set a screen wall at the entrance to the court. The screens of feudal lords stood inside the gate, while the Son of Heaven’s stood outside; hence it is said that the screen concealed the ruler himself.

Thus, the wider the realm a ruler governs, the nearer the place where he himself resides; the greater the affairs he governs, the fewer the matters he personally oversees.

夫目妄视则淫,耳妄听则惑,口妄言则乱。夫三关者,不可不慎守也。若欲规之,乃是离之;言嗜欲有所规合,乃是离散也。若欲饰之,乃是贼之;饰,好也。贼,败也。天气为魂,地气为魄,反之玄房,各处其宅。守而勿失,上通太一。太一之精,通於天道。天道玄默,无容无则,大不可极,深不可测,测,尽。尚与人化,知不能得。天道至大,非人智虑所能得也。昔者神农之治天下也,神不驰於胸中,言释神安静,不躁动也。智不出於四域,信身在中。怀其仁成之心农之治天下也,神不驰於胸中,言释神安静,不躁动也。智不出於四域,信身在中。怀其仁成之心,怀,思。甘雨时降,五谷蕃植蕃,茂。植,长。春生夏长,秋收冬藏。月省时考,茂,成。岁终献功,以时尝谷,尝之新谷,荐之明堂。祀于明堂。明堂之制,有盖而无四方,风雨不能袭,寒暑不能伤。迁延而入之,养民以公。迁延,犹倘佯也。已说在本经也。其民朴重端悫,端,直也。悫,成也。不忿争而财足,不劳形而功成。因天地之资,而与之和同,是故威厉而不杀,刑错而不用,法省而不烦,省,约也。烦,多也。故其化如神。其地南至交址,北至幽都,幽冥之都。东至旸谷,日所出也。西至三危,三危,西极之山。莫不听从。当此之时,法宽刑缓,囹圄空虚,而天下一俗,一同其俗。莫怀奸心。东至旸谷,日所出也。西至三危,三危,西极之山。莫不听从。当此之时,法宽刑缓,囹圄空虚,而天下一俗,一同其俗。莫怀奸心。末世之政则不然,上好取而无量,下贪狼而无让,民贫苦而忿争,事力劳而无功,智诈萌兴,盗贼滋彰,上下相怨,号令不行。执政有司,不务反道矫拂其本,而事修其末,事,治。削薄其德,曾累其刑,而欲以为治,无以异於执弹而来鸟,□棁而狎犬也,乱乃逾甚。逾,益。夫水浊则鱼噞,鱼短气,出口於水,喘息之谕也。政苛则民乱。言聊也。故夫养虎豹犀象者,为之圈槛,供其嗜欲,适其饥饱,违其怒恚,然而不能终其天年者,刑有所劫也。是以上多故则下多诈者,为之圈槛,供其嗜欲,适其饥饱,违其怒恚,然而不能终其天年者,刑有所劫也。是以上多故则下多诈,故,巧。上多事则下多态,上烦扰则下不定,不定,不知所从。上多求则下交争。不直之於本,而事之於末,譬犹扬堁而弥尘,抱薪以救火也。堁,尘么也。楚人谓之堁。堁,动尘之貌。弥,止也。故圣人事省而易治,求寡而易赡,瞻,给。不施而仁,不言而信,不求而得,不为而成。块然保真,抱德推诚,诚,实。天下从之,如响之应声,景之像形,其所修者本也。詹何曰,未闻身治,抱德推诚,诚,实。天下从之,如响之应声,景之像形,其所修者本也。詹何曰,未闻身治而国乱。故曰其所修者本也。刑罚不足以移风,杀戮不足以禁奸,唯神化为贵。至精为神。夫疾呼不过闻百步,志之所在,踰于千里。踰,犹通也。冬日之阳,夏之阴,万物归之,而莫使之然,冬日人物归阳,夏日猛物归阴,莫使之,自然如是也。故至精之像,弗招而自来,不麾而自往,窈窈冥冥,不知为之者谁,而功自成。智者弗能诵,辩者弗能形。昔孙叔敖恬卧,而郢人无所害其锋;郢,楚国都也。孙叔敖,楚大夫也。盖乘马三年,不知其牝牡,言自成。智者弗能诵,辩者弗能形。昔孙叔敖恬卧,而郢人无所害其锋;郢,楚国都也。孙叔敖,楚大夫也。盖乘马三年,不知其牝牡,言其贤也。但恬卧养德,折冲千里之外,敌国不敢犯害,故郢人不举兵出伐,无所害其锋於四方也。市南宜辽弄丸,而两家之难无所关其辞。宜辽,姓也,名熊。勇士,居楚市南。楚平王太子建为费无极所逐,奔郑,郑人杀之。其子胜在吴,令尹子西召之,以为白公。请伐郑以报雠,子西许之,而未出师。晋人伐郑以报雠,子西救之。胜怒曰,郑人在此,雠不远矣。欲杀子西。其臣石乞曰,市南熊宜辽,得之可以当五百人。乃往视之,告其故,。胜怒曰,郑人在此,雠不远矣。欲杀子西。其臣石乞曰,市南熊宜辽,得之可以当五百人。乃往视之,告其故,不从。举之以剑而不动,而弄丸不辍,心志不惧,曰,不能从子为乱,亦不泄子之事,(曰)〔白〕1公遂杀子西。两虽有难,不怨宜辽。故曰无所关其辞也。鞅鞈铁铠,瞋目扼□,其於以御兵刃,县矣。县,远也。比於德,不及之远。券契束帛,刑罚斧钺,其於以解难,薄矣。薄於德也。待目而照见,待言而使令,其於为治,难矣。蘧伯玉为相,子贡往观之,曰,何以治国?曰,以弗治治之。蘧伯玉,卫大夫蘧瑗也。子贡,卫人也,姓端木,名赐,孔子弟子也。简子欲伐卫,使是史黯往觌焉。简子,晋卿赵氏也。史黯,史墨也。觌,观之也。还报曰,蘧伯玉为相,未可以加兵。以其贤也。固塞险阻,何足以致之。致,犹胜也。故皋陶喑而为大理,,史墨也。觌,观之也。还报曰,蘧伯玉为相,未可以加兵。以其贤也。固塞险阻,何足以致之。致,犹胜也。故皋陶喑而为大理,天下无虐刑,有贵于言者也。虽喑,平狱理讼能得人之情,故贵於多言者也。师旷瞽而为太宰,晋无乱政,有贵于见者。虽盲,而大治晋国,使无有乱政,故贵於有所见。故不言之令,不视之见,不言之令,皋陶喑也。不视之见,师旷瞽也。此伏牺,神农之所以为师也。以用师法。故民之化也,不从其所言,而从所行。从其志意之所行。故齐庄公好勇,不使斗争,而国家多难,其渐至于崔杼之乱。庄公,齐灵公之子光。崔杼,齐大夫也。乱,杀庄公也。倾襄好色,不使风议,家多难,其渐至于崔杼之乱。庄公,齐灵公之子光。崔杼,齐大夫也。乱,杀庄公也。倾襄好色,不使风议,而民多昏乱,其积至昭奇之难。楚倾襄王。昭奇,楚大夫也。故至精之所动,若春气之生,秋气之杀也,虽驰传骛置,不若此其亟。亟,疾。故君人者,其犹射者乎。於此毫末,於彼寻常矣。故慎所以感之也。夫荣启期一弹,而孔子三日乐,感于和。邹忌一徽,而威王终夕悲,感于忧。徽,骛弹也。威王,齐宣王之父也。在春秋后。徽读纷麻缞车之缞也。动诸琴瑟,形诸音声,而能使人为之哀乐。(在)〔衰〕2,威王也。乐,孔子也。县法设赏,而不能移风易俗者,其诚心弗施也。宁戚商歌车下,桓公喟然而寤矣,至精入人深矣。故曰,乐听其音则知其俗,见其俗则知其化。孔子学鼓琴於师襄,师襄,鲁乐大饭也。而谕文王之志,见音则知其俗,见其俗则知其化。孔子学鼓琴於师襄,师襄,鲁乐大饭也。而谕文王之志,见微以知明矣。谕,教。教之鼓文王操也。延陵季子听鲁乐而知殷、夏之风,论近以识远也。作之上古,施及千岁而文不灭,况於并世化民乎。汤之时,七年旱,以身祷於桑林之际,而四海之云凑,凑,会也。或作蒸。蒸,升也。千里之雨至。抱质效诚,感动天地,神谕方外,令行禁止,岂足为哉。古圣王至精形於内,而好憎忘於外,形,见。好憎,情欲已充。出言以嗣情,发号以明旨,陈之以礼乐,风之以歌谣,业贯万世而不壅,贯,通。壅,塞。横局四方而不穷,禽兽昆虫与之陶化,化,从。昆虫,或作鬼神。又况於执法施令乎。故太上神化,其次使不得为非,其次赏贤而罚暴。暴,虐乱也。
Interpretation

When the eyes wander wherever they please, people readily become absorbed in external things. When the ears listen indiscriminately, they are easily misled. When the mouth speaks without restraint, it readily creates disorder. These three gateways must be guarded with care. Trying to restrain and control one’s desires may instead scatter and unsettle them; deliberately embellishing them may instead ruin them. Here, “embellishing” means indulging what one likes, and “thieving” means ruining it.

The Qi of Heaven forms the hun, and the Qi of Earth forms the po. The hun and po return to the hidden depths, each settling in its proper place. If they are kept from scattering, they can reach upward to the Great One (Taiyi), the origin of the cosmos and the supreme Dao. The vital essence of the Great One is linked to the Way of Heaven. The Way of Heaven is profound and still, without fixed form or standard. It is so vast that it cannot be exhausted and so deep that it cannot be measured. It continually responds to the transformations of all things, yet people cannot grasp it through knowledge.

In ancient times, when Shennong governed the realm, his spirit did not stir restlessly within him, and his wisdom did not pursue things outside himself. Instead, it rested within him, together with an intention to be benevolent and bring all things to fulfillment. Gentle rain fell at the proper time, and the five grains grew abundantly: they sprouted in spring, flourished in summer, were harvested in autumn, and stored in winter. Each month, the seasons and farm work were reviewed; at year’s end, the harvest was reported, and the new grain was tasted at the proper time in the Bright Hall, a place for sacrifices and important ceremonies. The Bright Hall had a roof but was open on all four sides. Wind and rain could not enter, and neither cold nor heat could harm those inside. People entered at ease, while the ruler nurtured the people with an impartial heart.

The people of that time were simple, kind, upright, and sincere. They did not fight, yet had ample possessions. They did not strain their bodies, yet their work was done. They followed the conditions provided by Heaven and Earth and lived in harmony with nature. Thus, although the ruler was awe-inspiring, he did not kill wantonly. Punishments were set aside, laws were simple rather than elaborate, and yet the effects of his instruction seemed miraculous. It is said that Shennong’s rule extended south to Jiaozhi, north to Youdu, the distant northern lands; east to Yanggu, where the sun rises; and west to Sanwei, the remote western mountains. All these regions accepted his governance. Laws were lenient, prisons stood empty, and customs were the same throughout the realm. People harbored no wicked intentions.

Politics in the declining age was different. Those in high positions pursued their desires without limit, while those below were greedy and refused to yield. The people suffered in poverty and fought among themselves. They labored without accomplishing anything. Deception arose and thieves multiplied; those above and below resented one another, and government orders could no longer be carried out. Instead of striving to return to the right way and correct the root of the problem, those in power dealt only with its superficial details. They weakened De and piled on punishments. Trying to govern the realm this way is like luring birds with a slingshot, or striking a dog and then expecting it to come close: it only makes disorder worse.

When water is muddy, fish rise to the surface gasping for air. When government orders are harsh, the people fall into turmoil. Those who raise tigers, leopards, rhinoceroses, or elephants put them in enclosures and provide food so that they are neither too hungry nor too full. They also avoid the times when the animals are likely to grow angry. Even so, they may still fail to let them live out their natural lifespans, because tools of punishment and restraints threaten them. This shows that when those above set safeguards for everything, those below resort to more deception; when those above are busy with too many affairs, those below display more pretenses; when those above cause unceasing disturbance, those below are at a loss; and when those above demand too much, those below compete with one another. Failing to address the root and dealing only with the details is like raising dust in order to make it disappear, or carrying firewood to put out a fire.

Thus, when the sage attends to fewer affairs, things are easier to govern; when he seeks less, there is more than enough to provide. He does not deliberately bestow favors, yet benevolence appears of itself. He issues few commands, yet the people naturally trust him. He does not force anything, yet what is needed comes of itself. He does not act recklessly, yet things are accomplished. Calmly holding to what is genuine, embracing De, and putting sincerity into practice, he is followed by everyone under Heaven, as an echo answers a sound and a shadow follows a body. This is because he cultivates the root. Zhan He said, “I have never heard of someone governing himself well while his state fell into disorder.” Thus, the key to governance lies in cultivating the root.

Punishment cannot change customs, and killing cannot prevent wrongdoing. Only subtle instruction is truly valuable. “Utmost subtlety” means the wondrous influence of the spirit. A loud shout carries no farther than a hundred paces, but the reach of the mind can extend a thousand li. In winter, people naturally turn toward the sun; in summer, they naturally seek the shade. No one commands all things to do so. The influence of utmost subtlety works in the same way: without beckoning, people come of their own accord; without driving them away, they leave of their own accord. It is profound and unfathomable. No one knows what sets it in motion, yet things are accomplished naturally. The wise cannot explain it fully in words, and even the most eloquent cannot describe it clearly.

In ancient times, Sun Shuao lived in calm repose, and the people of Ying, the capital of Chu, suffered no harm from military forces. He raised horses for many years yet could not distinguish males from females. This means he was truly wise: quietly cultivating De, he had enough authority to keep distant enemy states from invading. Thus Chu did not need to send out troops or expose the surrounding regions to the harms of war. When Xiong Yiliao of Shinan played with pellets, he was not drawn into the conflict between two families in Chu. At the time, Bai Gong Sheng planned a rebellion and sent someone to ask Xiong Yiliao for help. Xiong Yiliao refused to take part, but did not reveal Bai Gong’s plan. Bai Gong threatened him with a sword, yet he remained unmoved and continued playing with his pellets. Later, Bai Gong killed Zixi. Although the two sides suffered calamity, no one blamed Xiong Yiliao. This shows that a person of true De need not say much to remain at ease amid events.

Putting on armor, glaring, and shouting in anger to fend off weapons has only limited effect; it falls far short of De. Contracts, wealth, punishments, and axes and halberds are likewise far less effective than De at dispelling calamity. If governing a state requires waiting for someone to point out a problem or issue an order before action is taken, it is very difficult indeed.

When Qu Boyu served as prime minister of Wei, Zigong asked how he governed the state. Qu Boyu replied, “I govern without deliberately imposing governance.” Zhao Jianzi of Jin sent Shi An to observe Wei. On his return, Shi An reported that while Qu Boyu was prime minister, Wei could not easily be attacked. What good would strong passes and rugged terrain be against a worthy minister like that? Gaoyao could not speak, yet as Minister of Justice he ensured that the realm had no cruel punishments. Shi Kuang was blind, yet as Grand Steward he kept Jin’s affairs free from disorder. This shows that something more valuable than speaking much or seeing with one’s own eyes exists. Fuxi and Shennong took this as their model. The people are transformed not by following the ruler’s spoken words, but by following his conduct and intentions.

Duke Zhuang of Qi admired martial courage. Even though he did not openly encourage people to fight, calamities were still common in the state, and eventually the disturbance caused by Cui Zhu led to his death. King Qingxiang of Chu was enamored of beauty. Even though he did not allow people to discuss it, promiscuity remained widespread among the people and gradually brought about the calamity of Zhaoqi. The ruler’s inner influence is like spring Qi causing all things to grow and autumn Qi causing them to wither. Even a swift horse carrying an order cannot act as quickly. A ruler is like an archer: the slightest movement can bring great changes at a distance, so he must be careful about the influence he has on others.

Rong Qiqi plucked his zither once, and Confucius was joyful for three days. This was the Qi of harmony finding a response. Zou Ji plucked his zither once, and King Wei of Qi grieved through the night. This was sorrow stirred within him. That the sound of a zither can make people sorrowful or joyful shows that inner feelings can be conveyed through sound. Laws may be posted and rewards established, but if they fail to change customs, it is because sincere intentions have not been conveyed. Ning Qi sang a merchant’s song beneath a cart, and Duke Huan of Qi was deeply moved when he heard it and eventually came to his senses. This shows that sincere influence can penetrate people’s hearts. Thus, listening to music reveals a place’s customs, and knowing its customs reveals the state of its instruction.

Confucius studied the zither with Shi Xiang and discerned King Wen’s purpose from its sound. This shows that the inner truth of what is significant can be understood from subtle signs. Ji Zha of Yanling heard the music and dances of Lu and was able to recognize the surviving traditions of Yin and Xia. This shows that the distant can be understood from the near. Works created in high antiquity have been passed down for a thousand years without losing their spirit. How much more, then, can they teach the people of the present age?

During the reign of Tang of Shang, a drought lasted seven years. Tang went in person to pray at Sanglin. Clouds gathered from the four directions, and rain fell across a thousand li. This was the power of sincerity and authenticity moving Heaven and Earth, a wondrous communion reaching beyond the four directions. If this can make government orders flow freely and commands be carried out as soon as they are issued, what could be difficult? The utmost De of the ancient sage kings was present within their hearts, while outwardly they did not cling to personal likes and dislikes. Their words accorded with what was true within them, their commands expressed their clear intentions, and they conveyed these through ritual and music and spread them through songs and ballads. Such work extends through the generations without obstruction and reaches endlessly in every direction. Even birds, beasts, and insects are transformed by it, let alone people who carry out laws and government orders. Thus, the highest form of governance transforms the people through wondrous De; the next makes them afraid to do wrong; and only after that come rewarding the worthy and punishing the violent.

衡之於左右,无私轻重,故可以为平。衡,铨衡也。绳之於内外,无私曲直,故可以非,其次赏贤而罚暴。暴,虐乱也。 衡之於左右,无私轻重,故可以为平。衡,铨衡也。绳之於内外,无私曲直,故可以为正。人主之於用法,无私好憎,故可以为命。夫权轻重不差蚊首,蚊首,犹微细也。扶拨枉桡不失针锋,直施矫邪不私辟险,奸不能枉,谗不能乱,德无所立,立,见。怨无所藏,是任术而释人心者也,故为治者不与焉。治在道,不在智,故曰不与焉。夫舟浮於水,车转於陆,此势之自然也。木击折轊,水戾破舟,不怨木石而罪故曰不与焉。夫舟浮於水,车转於陆,此势之自然也。木击折轊,水戾破舟,不怨木石而罪巧拙者,罪御者、刺舟者之巧拙也。知故不载焉。言木石无巧诈,故不怨也。是故道有智则惑,言道智则惑也。德有心则险,心有目则眩。眩於物也。兵莫憯於志而莫邪为下,寇莫大於阴阳而抱鼓为小。小,细。憯,犹利也。以志意精诚伐人为利。老子曰,重积德则无不克。故以莫邪为下也。寇亦兵也。推阴阳虚实之道为大。故以抱鼓为小也。今夫权衡规矩,一定而不易,不为秦、楚变节,不为胡、越改容,常一而不邪,方行而不流,一日刑之,万世传之,而以无为为之。言无所为为之,为自为之。故国有亡主,而世无废道;亡主,桀、纣是也。汤武以其民主,故曰无废道也。人有困穷,而理无不通。。故国有亡主,而世无废道;亡主,桀、纣是也。汤武以其民主,故曰无废道也。人有困穷,而理无不通。理,道。由此观之,无为者,道之宗。宗,本。故得道之宗,应物无穷;任人之才,难以至治。才,智。汤武圣主也,而不能与越人乘干舟而浮於江湖;干舟,小船也,危险,越人习水,自能乘之,故汤武不能也。一曰,大舟也。伊尹,贤相也,而不能与胡人骑騵马而服騊駼;黄马白腹曰騵。诗曰,四騵彭祖。騊駼,野马也,胡人所习。伊尹虽贤,不能与服也。孔墨博通,而不能〔与〕3山居者入榛薄险阻也。孔,孔子也。墨,墨翟也。聚木为榛,深草为薄,山居者所习,故孔、墨不能也。阻或作涂也。由此观之,则人知之於物,孔子也。墨,墨翟也。聚木为榛,深草为薄,山居者所习,故孔、墨不能也。阻或作涂也。由此观之,则人知之於物也,浅矣。而欲以徧照海内,存万方,不因道之数,而专己之能,则其穷不达矣。故智不足以治天下也。桀之力,别觡伸钩,索铁歙金,推移大牺,水杀鼋鼍,陆捕熊罴,觡,角也。索,绞也。歙读协。然汤革车三百乘,困之鸣条,擒之焦门,焦或作巢。由此观之,勇力不足以持天下矣。智不足以为治,勇不足以为强,则人材不足任,明也。而君人者不下庙堂之上,而知四海之外者,因物以识物,因人以知人也。故积力之所举,财无不胜也;众智之所为,则无不成也。埳井之无鼋鼍,隘也;园中无修木,小也。夫举重鼎者,力少而不能胜也;众智之所为,则无不成也。埳井之无鼋鼍,隘也;园中无修木,小也。夫举重鼎者,力少而不能胜也,及至其移徙之,不待其多力者。故千人之群无绝梁,万人之聚无废功。夫华骝、绿耳,一日而至千里,然其使之搏兔,不如豺狼,伎能殊也。殊,异。鸱夜撮蚤蚊,察分秋毫,昼日颠越,不能见丘山,形性诡也。鸱,鸱鸺也,谓之老菟,夜鸣人屋上也。夜则目明,合聚人爪以着其巢中,故曰察分秋毫,昼则无所见,故曰情性诡也。夫螣蛇游雾而动,应龙乘云而举,猨得木而捷,鱼得水而鹜。鹜,疾。故古之为车也,漆者不画,凿者不斲,工无二伎,士不兼官,各守其职,不得相奸,奸,乱。人得其宜,物得其安,是以器械不苦,而职事不嫚。苦,读监。嫚,捕器。嫚,读慢缓之慢。夫奸,乱。人得其宜,物得其安,是以器械不苦,而职事不嫚。苦,读监。嫚,捕器。嫚,读慢缓之慢。夫责少者易偿,职寡者易守,寡,少。任轻者易权。权,谋。上操约省之分,下效易为之功,是以君臣弥久而不相厌。厌,欺。君人之道,其犹零星之尸也,尸,祭主也。尸食饱,以知神之食亦饱。诗曰,公尸宴饮,在宗载考。俨然玄默,而吉祥受福。尸不言语,故曰玄默。是故得道者不为丑饰,不为伪善,不饰为美,亦不极为善也。一人被之而不褒,褒,大。万人蒙之而不褊。蒙,冒也。褊,小也。是故重为惠,若重为暴,则治道通矣。通,犹顺也。为惠者,而布施也。无功而厚赏,无劳而高爵,则守职者懈於官,而游居者亟於进矣。为暴者,妄诛也。无罪者而死亡,行直施也。无功而厚赏,无劳而高爵,则守职者懈於官,而游居者亟於进矣。为暴者,妄诛也。无罪者而死亡,行直而被刑,则修身者不劝善,而为邪者轻犯上矣。言不可不慎也。故为惠者生奸,而为暴者生乱。奸乱之俗,亡国之风。风,化。是故明主之治,国有诛者而主无怒焉,因法而行,故不怒也。朝有赏者而君无与焉。因功而行,故不与也。诛者不怨君,罪之所当也;赏者不德上,功之所致也。民知诛赏之来,皆在於身也,故务功修业,不受赣於君。赣,物。是故朝廷芜而无迹,田野辟而无草,故太上下知有之。言太上之世,下知之人皆能有此术。令夫桥直植立而不动,俛仰取制焉;桥,桔皋上衡也。植,柱权衡者。行之俛仰,取制於柱也。以谕君。人主静漠而不躁,躁,动。百官得修焉。譬而军之持麾者,妄指则乱矣。慧不足以大宁,智不足以安危,与其人主静漠而不躁,躁,动。百官得修焉。譬而军之持麾者,妄指则乱矣。慧不足以大宁,智不足以安危,与其誉尧而毁桀也,不如掩聪明而反修其道也。不足以大宁者,小惠也。不足以安危者,小智也。如此人者,欲誉尧而毁桀以成善善恶恶之名,人犹有强知之人耳,不如掩聪明而本修大道,成名之速也。人君之道亦如此也。清静无为,则天与之时;廉俭守节,则地生之财;人君德行如此,故天与之时,地生之财,天与之时,汤武是也。地生之财,神农、后稷也。处愚称德,则圣人之为谋。若伊尹为汤谋,传说为高宗谋是。孟子曰,伊尹〔圣〕4之任。国语曰,武丁以像旁求圣人,得传说於传岩也。是故下者万物归之,虚者天下遗之。遗,与。夫人主之听治也,清明而不暗,虚心任。国语曰,武丁以像旁求圣人,得传说於传岩也。是故下者万物归之,虚者天下遗之。遗,与。夫人主之听治也,清明而不暗,虚心而弱志,是故群臣辐凑并进,无愚智贤不肖,莫不尽其能。於是乃始陈其礼,建以为基。建,立也。基,业也。是乘众势以为车,御众智以为马,虽幽野险涂,则无由惑矣。幽,深也。险,犹远也。人主深居隐处以避燥湿,闺门重袭以避奸贼,内不知闾里之情,外不知山泽之形,惟幕之外,目不能见十里之前,耳不能闻百步之外,天下之物无不通者,通,知。其灌输之者大,而斟酌之者众也。是故不出户而知天下,不窥牖而知天道。乘众人之智,则天下之不足有也。专用其心,则独身不能保也。保,犹守也。是故人主覆之以德,不行其智,而因万人之所利。夫举智,则天下之不足有也。专用其心,则独身不能保也。保,犹守也。是故人主覆之以德,不行其智,而因万人之所利。夫举踵天下而得所利,故百姓〔载〕5之上,弗重也;错之前,而弗害也;举之而弗高也,推之而弗厌。尊重,举之不自觉高也。推,求也,奉也。
Interpretation

A balance is fair only when it is placed between the two sides without favoring either one. A carpenter’s ink line is true only when it corrects both inner and outer edges without bending or straying from the straight. In the same way, a ruler is fit to issue decrees only when he neither favors nor resents anyone. A scale weighs heavy and light with precision down to the slightest fraction. A tool that straightens what is crooked does so without deviating by so much as a needle’s point. To correct what is twisted, one must favor no one and fear no obstacle. Then the wicked cannot distort the facts, slander cannot disrupt government, Virtue can shine forth, and resentment has nowhere to hide. This approach follows established rules and sets aside personal bias, but it is not the true Way of governance. Governance must rely on the Dao, not on personal ingenuity.

Boats float on water and carts travel over land; these are their natural ways. When timber snaps an axle or a current tears through a boat, people do not blame the wood or the water. They ask whether the driver or boatman used the right skill. The Dao itself does not scheme or calculate. If someone insists on grasping the Dao through cleverness, they will only become confused. When Virtue is mixed with self-interest, it becomes treacherous; when the mind is constantly pulled by external things, it cannot see clearly.

Of all weapons, none is sharper than resolve and sincerity; even a famed sword like Moye is of lesser importance. The greatest danger lies in failing to understand Yin-Yang change and the Dao of emptiness and fullness, advance and retreat. Concrete weapons such as the drum and mallet are minor concerns. Laozi says that when Virtue is accumulated deeply, nothing cannot be overcome. The sharpness of a treasured sword, then, is secondary.

Once the balance, compass, and carpenter’s square are set, their standards do not change. They do not use one measure for Qin and another for Chu, nor do they take a different shape for the Hu and the Yue. They remain consistent, follow the straight Dao, and do not drift with the current. People use them to administer the laws and pass them down from generation to generation, without needing to manipulate them deliberately. Even if a state has a foolish and disorderly ruler, the Way of governance is not thereby abandoned. Even when people fall into difficulty, reason can still find a way through. This shows that Wuwei (non-action) is the foundation of the Dao. Those who attain the Dao respond to all things and can meet changes without limit. Those who handle affairs by relying only on their own cleverness will struggle to govern well.

Though Tang of Shang and King Wu of Zhou were wise rulers, they could not necessarily navigate a small boat across rivers and lakes as well as the people of Yue, who knew the water. Though Yi Yin was an able minister, he could not necessarily ride and control the Yuan and Taotuo horses as well as the Hu people, who knew those horses. Though Confucius and Mozi were learned, they could not necessarily travel through dense woods, tall grass, and rugged paths as well as those who lived in the mountains. This shows that people’s knowledge of what they are unfamiliar with is always limited. If they do not follow what is right and rely only on their own abilities, they will ultimately be thwarted in trying to understand and govern everything under Heaven. Thus, intelligence alone is not enough to govern the world.

Xia Jie was immensely strong. He could bend apart an animal’s horns, straighten a curved hook, twist iron and melt gold, and push great beasts. He could dive into the water to catch softshell turtles and alligators, and go ashore to seize bears. Yet Tang of Shang defeated him at Mingtiao with only three hundred chariots and captured him at Jiaomen. This shows that physical strength alone is not enough to uphold the world. A ruler can learn what is happening beyond the four seas without leaving the court because he uses things to understand things, and other people to understand people. Bring together the strength of many, and nothing will be too heavy to move; bring together the wisdom of many, and nothing will be impossible to accomplish.

A well has no softshell turtles or alligators because it is too narrow; a garden has no tall trees because it is too small. One person may lack the strength to lift a great cauldron, though moving it may not require much strength. When a thousand people gather, there will be no lack of hands to move a beam; when ten thousand join forces, their work will not come to a standstill.

Fine steeds such as Hualiu and Lü’er can travel a thousand li in a day, yet they are no match for jackals when it comes to catching rabbits, because each has different abilities. The owl can see tiny fleas and gnats at night, but in daylight it cannot even make out a hill. This is its nature. The flying serpent moves through mist, the Yinglong rises on clouds, the ape is agile among trees, and the fish is swift in water. Every creature has an environment and abilities suited to it.

When people in ancient times made carts, those who applied lacquer did not also do the painting, and those who cut openings did not also do the carving. Craftspeople did not take on several trades, and officials did not hold several offices. Each kept to their own part without interfering with the others. Then people found their proper place, things were secure, tools were not damaged, and duties were not neglected. When responsibilities are few, they are easy to uphold; when burdens are light, they are easy to manage. The ruler holds to simple principles, while ministers carry out tasks that are easy to put into practice. In this way, ruler and ministers can remain together for a long time without becoming weary of one another.

A ruler governing the world is like the ritual impersonator who stands in for the deceased at a sacrifice. The impersonator quietly receives the offerings, and the officiants believe that the spirits have enjoyed them too. A ruler who is composed and still can receive good fortune and blessings. Therefore, those who attain the Dao do not adorn themselves deliberately or pretend to do good. They do not make themselves appear beautiful or carry their good deeds to excess. They extend their Virtue and kindness to one person without boasting of it, and to ten thousand without feeling burdened.

Excessive kindness obstructs the Way of governance just as excessive cruelty does. Giving generous rewards without merit, or high rank without effort, makes those who keep to their duties slack and those who live in idleness eager to seek office. Killing the innocent without cause and punishing the upright makes those who cultivate themselves unwilling to do good and encourages the wicked to scorn the law. Thus, lavish kindness breeds treachery, while excessive punishment breeds disorder. Such customs lead to the downfall of a state.

When a wise ruler governs a state, he does not punish someone out of personal anger when the law calls for punishment. Nor does he claim the credit when someone deserves a reward. The people know that rewards and punishments result from their own conduct, so they strive to earn merit and do their duties well without crediting the ruler. The court then need not interfere in every detail, and fields are cultivated with few weeds left to grow. The best governance is when people know that their ruler exists, yet each can be content in their own place.

A ruler is like the supporting post of a well sweep: the beam’s rise and fall depends on its pivot. When the ruler is quiet and steady, neither rash nor restless, the officials can each perform their duties. It is like the person carrying the army’s banner: if they wave it at random, the ranks will fall into confusion. Small cleverness cannot bring peace to the world, and minor schemes cannot resolve a crisis. Rather than busily praising Yao and condemning Jie, chasing reputations for good and evil, one should draw in one’s sharpness and return to cultivating the Great Dao. The ruler’s Way is the same.

When a ruler is calm and practices Wuwei, he can respond to the seasons of Heaven. When he is upright, frugal, and steadfast, he can receive the produce of the earth. Only by displaying Virtue through humility can he plan for the state like a sage. When he takes a lowly position, all things gather around him; when his mind is empty, capable people throughout the world are willing to offer their skills.

In hearing cases and administering affairs, a ruler should be clear-minded and alert, open-minded and free from excessive desire. Then the ministers will gather to offer their views, and each—whether foolish or clever, capable or ordinary—can make full use of their strengths. The ruler establishes the state on ritual and law, takes the strength of the people as his chariot and their wisdom as his horses. Even in remote, shadowed places with treacherous roads, he will not lose his way.

Though a ruler may live deep within the palace and shut himself away, unable to see what happens ten li away or hear what is said a hundred paces off, he can still understand affairs throughout the world because many people gather information and many weigh what to accept or reject. Thus, one can know the world without leaving the door and understand the Way of Heaven without peering out the window. Gather the wisdom of many, and there is nothing in the world too difficult to grasp. Rely only on your own deliberation, and you may not even be able to keep yourself safe.

Therefore, the ruler guides the people through Virtue. He does not flaunt his own cleverness but responds to what the people need. When the people benefit, they support the ruler: they do not feel burdened when carrying him, harmed when he is placed before them, oppressed when they raise him up, or weary when they uphold him.

主道员者,运转而无端,端,涯。化育如神,虚无因循,常后而不先也。臣道员者,运转而无方者,论是而处当,为事先倡,守职分明,以立成功也。是故君臣异道则治,不易夺,言相和。同道则乱。君所谓可,臣亦曰可,君所谓否,臣亦曰否,是同也。莫相(
Interpretation

The ruler’s way lies in being adaptable and turning with events, without a fixed starting point or boundary. It nurtures and transforms the myriad things, seeming wondrous and unfathomable. It also remains empty and still, follows the natural changes of things, and usually stays behind rather than seeking to take the lead. The minister’s way, too, calls for flexibility and a refusal to cling to a single method. But when discussing affairs, the minister must judge right and wrong and handle matters appropriately; when acting, the minister should take the initiative and clearly uphold the duties of the office, thereby establishing merit.

Thus, when ruler and minister each follow their own way, government can be stable: the ruler’s decisions cannot be casually altered or usurped, and their words can be brought into accord. If ruler and minister follow the same way, however, disorder results. When the ruler says something is acceptable, the minister simply agrees; when the ruler says it is unacceptable, the minister agrees again. This is what it means for ruler and minister to follow the same way.

臣)

Source text: Godners/DaoZang; Licence: Apache-2.0 · Report an error / feedback

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