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《三要达道篇》

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Taixuan 太玄部 1 volumes 799 characters

About this page. The original text of 《三要达道篇》 (Taixuan 太玄部, 1 volume) is shown in Classical Chinese as transmitted in the Godners/DaoZang edition. An English interpretation of the 1 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Vol. 1

三要达道篇 > 经名:三要达道篇,收录于《中华道藏》道学论著。 夫黑受於冲和,形成於天地,妙用藏於不测,真元散乎有作。是以茫茫之说,若嘉苗而不秀,铁铁之论,若颠木之不芽,其大道尝病乎。不知以为知,不损以为损,而人视之,常若千里之远矣。今修行人当去虑忘思,绝尘拂爱,试听吾一说焉。吾尝读《阴符经》云:九窍之邪,在乎三要。吾谓知其本矣。且诱人之真,乱人之神,使内观不明、慧照不清者,五色也。而目力常与之争焉。去人之灵,遗人之清,而使天鼓不呜,希音不亮者,,乱人之神,使内观不明、慧照不清者,五色也。而目力常与之争焉。去人之灵,遗人之清,而使天鼓不呜,希音不亮者,五声也。而耳力常与之较焉。一失为荣辱之机,一出为善恶之原,而是非之由发乎此者,言也。而口常与之辩焉。目焉而与五色争,耳焉而与五声较,口焉而与一切言辩。目由是而盲,耳由是而聋,口由是而讷,则真元不存,而九邪自此而起焉。欲养道者,欲去九邪,先正三要,莫若非礼勿视,非礼勿听,非礼勿言。颜渊为仁,尚慎乎此,况养道乎。常蔽其目而无色,塞其耳而无声,缄其口而无言。无色非直无色也,无其色色而已,非礼勿言。颜渊为仁,尚慎乎此,况养道乎。常蔽其目而无色,塞其耳而无声,缄其口而无言。无色非直无色也,无其色色而已,若视之以礼,何必蔽焉。无声非直无声也,无其声声而已,若听之以道,何必塞焉。无言非直无言也,无其言言而已,若语之以典,何必缄焉。视之以礼,则五色不为其乱,而无眼罪矣。听之以道,则五声不为其淫,而无耳罪矣。语之以典,则一切言不为其愆,而无口过矣。如是则法眼无不见,法听无不闻,法言无不辩,而大道常在乎以道,则五声不为其淫,而无耳罪矣。语之以典,则一切言不为其愆,而无口过矣。如是则法眼无不见,法听无不闻,法言无不辩,而大道常在乎己,而物不能渍之。今人学道未绝三要,以求超真,必未之知也。吾因议道,将此一说,幸为众审,以为道用,期出世之妙果尔。
Interpretation

The character “black” is suspected to be an error of copying or of data entry; what follows is provisionally understood as “Dao.” The Dao (the Way) arises from harmoniously blended Qi (vital energy). Its form appears between heaven and earth; its subtle workings lie hidden where they cannot be fathomed; and the true primordial vitality is dispersed through the transformations and activities of the myriad things. Those empty, vague sayings are like seedlings that grow lushly yet never form ears of grain; those rigid, high-sounding arguments are like a withered tree that, once fallen, never sprouts again. The Great Dao seems always to be obscured by talk of this kind. People do not understand, yet suppose that they do; they are unwilling to diminish, yet suppose that they have already diminished. Thus, to others, the Great Dao often seems as remote as a thousand li.

Those who cultivate should set aside deliberation, cut off worldly entanglements and craving attachments, and hear what I have to say. I once read in the Yinfu Jing (Scripture of the Hidden Talisman): “The deviant delusions of the nine orifices turn upon the three essentials.” I believe this sentence reaches the root. The five colors entice a person’s original authenticity and disturb the mind and Shen (spirit), so that one can neither observe inwardly with clarity nor discern with insight; the eyes are then forever contending with colors of every kind. The five sounds rob one of spiritual clarity and injure inner stillness, so that the inner “heavenly drum”—the Daoist name for the ringing in the ears—no longer sounds, and the subtle “rare tone” is no longer made manifest; the ears are then forever vying with sounds of every kind. Speech becomes the occasion of honor and disgrace, and also the source of good and evil; many rights and wrongs arise from it, and the mouth is forever arguing with others.

When the eyes chase the five colors, the ears contend with the five sounds, and the mouth debates every kind of discourse, then over time the eyes go blind on this account, the ears go deaf on this account, and the mouth loses the capacity to express. The true primordial vitality is then hard to preserve, and nine kinds of deviant delusion arise from this. If one wishes to nourish the Dao and remove these deviant delusions, one must first set the three essentials aright. The best method is: “Look not at what is contrary to ritual propriety; listen not to what is contrary to ritual propriety; speak not what is contrary to ritual propriety.” Yan Yuan (a disciple of Confucius), in practicing humaneness, was still careful about these three matters—how much more so one who cultivates the Great Dao?

One ought constantly to keep the eyes from chasing colors that do not accord with ritual propriety, the ears from chasing sounds that do not accord with the Dao, and the mouth from saying what is not fitting. What is called “no color in the eyes” does not mean that one sees no color at all, but that one is not drawn along by color; if one can look in accordance with ritual propriety, why cover the eyes? What is called “no sound in the ears” does not mean that one hears no sound at all, but that one is not confused by sound; if one can listen in accordance with the Dao, why stop up the ears? What is called “no words in the mouth” does not mean that one does not speak at all, but that one does not say what is unfitting; if one can speak according to established norms, why seal the mouth?

Looking in accordance with ritual propriety, the five colors do not disturb the mind and spirit, and the eyes are without fault. Listening in accordance with the Dao, the five sounds do not cause one to become enthralled, and the ears are without fault. Speaking according to established norms, the various discourses do not give rise to error, and the mouth is without fault. In this way, the Dharma-eye (the eye that contemplates in accordance with the Dao) leaves nothing unseen; Dharma-hearing (listening and discerning in accordance with the Dao) leaves nothing unheard; and Dharma-speech (speech that accords with principle) can clarify the principles of things. The Great Dao then constantly abides in one’s own person, and external things cannot erode it.

Nowadays some study the Dao yet do not restrain these three essentials, and still wish to transcend the ordinary and enter the true; it seems they have not yet truly understood the principle in this. I therefore discuss the Great Dao and offer these words, hoping that everyone will carefully savor them and apply them in cultivating the Dao, and thereby attain the wondrous fruit of transcendence beyond the dusty world.

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