《玉清無極總真文昌大洞仙經註》Vol. 1
About this page. The original text of 《玉清無極總真文昌大洞仙經註》 Vol. 1 (Dongzhen 洞真部, 9 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 15 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English
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Source text (with commentary)Interpretation
This is the memorial presented by the Daoist priest Wei Qi of the Yuan Dynasty to the emperor and empress dowager, offering the Wenchang Dadong Xianjing (Great Cavern Immortal Scripture of Wenchang). The document consists of two parts:
The first part addresses the emperor. Wei Qi, referring to himself as a subject, states that all things in heaven and earth originate from the primordial Qi (cosmic source), while His Majesty's Dao (the Way) and De (Virtue) stand as lofty as the celestial vault, harmonizing with divine spirits. He invokes the benevolent filial virtues of ancient sage-kings Yao and Shun, expressing that despite dwelling in mountain seclusion, he remains deeply grateful for the emperor's boundless grace. Thus he presents this Wenchang Dadong Xianjing, praying for the emperor's eternal longevity and wishing the empire governance as harmonious as in the eras of Yao and Shun, with favorable weather and social stability. The memorial concludes with its submission date: the ninth month of the third year of the Zhida era (1310).
The second part addresses the empress dowager. Wei Qi praises her as possessing the virtuous qualities of Tairen and Taisi (the grandmother and mother of King Wen of Zhou), with moral character as encompassing as the earth. Identifying himself as an obscure recluse from Penglai Mountain, he acknowledges her celestial mandate and presents the scripture as tribute. His prayers wish her radiance to illuminate the imperial harem like the bright moon, and her maternal care to nurture all people with earth-like generosity, showering the realm with compassionate love. The memorial similarly concludes with the Zhida 3 (1310) date.
"Wenchang" refers to the Wenchang Emperor (deity of literary fortune), while "Dadong Xianjing" represents a key Daoist scripture. Composed in parallel prose style, the memorial employs Daoist-infused political eulogies, reflecting the close relationship between Yuan Dynasty Daoism and imperial authority. Through this scripture offering, Wei Qi simultaneously expresses loyalty while elevating Daoism's institutional status.
This text is a preface written by Zhang Yucai (the 38th Celestial Master [Tianshi] of the Han Succession) during the Yuan Dynasty for the Great Cavern Immortal Scripture (Dadong Xianjing), primarily discussing the profound mysteries of this scripture and the commentator's insights.
The Great Cavern Immortal Scripture originates from the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun, the supreme deity in Daoism), containing supremely arcane teachings that transcend time and space. Now, Wei Qi of Zhongyang has offered novel interpretations in his commentary and brought the woodblock print to the capital, requesting my preface. Upon careful reading, I find its profundity boundless and difficult to fully comprehend. It is said that the key to studying scriptures lies in reciting them ten thousand times to grasp their true meaning—Master Wei has clearly attained this essence. If one can apprehend the meaning beyond words, progressing from recitation to wordless understanding, one reaches the mysterious realm of the Celestial Worthy of Primordial Beginning.
Originally circulating in the western Shu region, the Great Cavern Immortal Scripture was rarely seen in the Central Plains. Master Wei journeyed from Peng Mountain to the capital to show me his annotated version and seek a preface. I observe his commentary contains transcendent insights beyond worldly concerns, while also synthesizing teachings from Confucianism, Buddhism, and Daoism. However, his explicit annotation regarding "the jade chamber where male and female mingle" (referring to Yin-Yang cultivation practices) may be an adaptation for contemporary readers, though such profound principles remain difficult for ordinary people to comprehend.
Just as the Buddha spoke not a single word between the Deer Park and the Bhadanta River, Confucius remarked "Does Heaven speak?", and Laozi advocated "More words lead to exhaustion—better hold to the center." Thus we see sages only resort to words when necessary to illuminate the Great Dao (Dao). If one truly awakens to the Dao, why cling to words? I wonder what Master Wei thinks of these observations.
Dated the 15th day of the fourth lunar month (Qinghe month) in the 4th year of the Zhida era (1311 CE), the preface is signed with the author's grand titles including "Great Perfected Being Specially Bestowed with Supreme Simplicity, Concentrated Spirit, Vast Dao, and Luminous Virtue." This preface both acknowledges the commentator's achievement and cautions against excessive interpretation, embodying the fundamental Daoist principle of "grasping the meaning while forgetting the words."
This passage consists of two prefaces written by Yuan Dynasty officials for the Wenchang Dadong Xianjing (Great Cavern Immortal Scripture of Wenchang), highlighting the scripture's profound value and core teachings.
Hanlin Academician Zhang Zhongshou writes in his preface: Long before the invention of writing, the cosmic truth was already preserved in scriptures like the Lingbao Jing (Numinous Treasure Scripture). The flourishing Dao operates like one skilled at nurturing primordial Qi—this truth becomes clearer when obscured, brighter when concealed, neither interrupted nor extinguished. Worldly calamities cannot burn it away, nor can temporal changes alter it. The celestial sovereign (referring to the Dao) maintains cosmic operation through its vigorous, balanced, pure and subtle nature. The ancient immortal of Qiqu Mountain (Wenchang Dijun) elucidated this celestial principle through virtuous cultivation and moral writings. The Wenchang Dadong Jing embodies the pivot of creation and the root of human nature and life—from before Heaven-Earth's formation to the boundless reaches beyond the four directions, all phenomena originate from this principle. With wisdom-eye observation, one can penetrate all without obstruction. Its teachings on cosmic evolution stages—Taiyi (Grand Change), Taichu (Grand Beginning), Taishi (Grand Commencement), Taisu (Grand Simplicity), and Taiji (Supreme Ultimate)—represent the authentic Wenchang Dadong truth transmitted by Yuanshi Tianzun (Celestial Worthy of Primordial Beginning).
Zhao Bian continues with metaphors in his preface: Like precious jade from the Mystic Garden, gold from Kunwu Mountain, luminous pearls, or the He Shi jade—some from Hepu, others from Kunlun—these treasures command reverence when mentioned. Yet the profound truths recorded in the Wenchang Dadong Jing (symbolized by the Mystic Pearl Millet Grain, Canghujie, and Mani Jewel) surpass all material treasures. In truth, every person inherently possesses this spiritual essence, yet remains unaware of its value. Therefore, sages expound scriptures to awaken beings, employing tangible metaphors to illustrate ineffable truths.
Both authors emphasize this scripture contains the fundamental cosmic principles and essential cultivation methods. Wei Qi's (Master Zhongyang) commentary integrates Daoist philosophy, mind-nature theory, Neidan (internal alchemy) techniques, and Chan Buddhist insights, fully revealing the ancient sages' heart-method. They remind readers to study reverently, as this divinely protected scripture contains the secrets of transcending ordinary existence to attain sagehood.
This scripture passage recounts the origin and structural features of the Jade Purity Limitless Ultimate Wenchang Great Cavern Immortal Scripture. The text states: Those written characters with tangible forms actually transmit true meaning through luminous Qi (primordial energy), and are not merely superficial words.
The most fundamental Dao cannot be expressed in language; the purest truth has no concrete form. Since the separation of primordial chaos into heaven and earth, the principles of the Three Powers (heaven, earth, and humanity) have flowed naturally, with all things returning to a single source where it becomes impossible to distinguish whether "I" transform into Dao or Dao transforms into "I." Later, when the Five Phases (Metal, Wood, Water, Fire, Earth) fell into disorder and cosmic Qi underwent transformation, the roots of life became bound by various rules. Thereupon, the Three Treasure Sovereigns (Taoism's three supreme deities) re-illuminated the original causes, declaring to humanity: "Your bodies are all transformations of my Qi, your spirits are all manifestations of my true nature." They hoped all people could understand this truth, return to the source unbound by Qi transformations, and thereby naturally attain the Dao.
Thus, the Celestial Worthy of Primordial Beginning (Taoism's supreme deity) re-expounded the mysteries in thirty-six chapters—totaling 3,188 characters—transmitting them to the Jade Radiance Dao Sovereign (an advanced immortal). Additionally, a 908-character preface explaining the scripture's background was composed and entrusted to the Supreme Mystery Dao Father. Together, these two texts contain 4,096 characters. Although the ultimate truth has no form, it becomes more manifest through these sacred traces; though the True Ruler (cosmic sovereign) does not speak, the profound scriptures grow ever richer, capable of encompassing heaven and earth while perfecting all things.
This scripture divides into three volumes: the upper volume contains ten chapters, the middle volume ten chapters, and the lower volume sixteen chapters—thirty-six chapters total corresponding to the alchemical numerical principle of "four nines forming metal." All discuss essential methods for cultivating the Golden Elixir (Jindan) Great Dao. Each chapter employs five-character verse, preceded by a four-character verse from the Great Cavern Imperial Sovereign that governs the entire scripture. Each volume has its preface, while the lower volume concludes with an epilogue—all spoken by the Jade Radiance Dao Sovereign, presenting the scripture's complete form.
The text further mentions that during the early Zhou dynasty, the Heavenly Emperor commanded three perfected beings to descend to the Wu region (modern Jiangsu-Zhejiang area) to transmit the scripture to Master Zhang Tongzhen. Calculating from then to now spans over 2,500 years. It also notes that the Shangqing Great Cavern Jade Scripture transmitted by Wei Yuanjun of the Maoshan lineage has two fewer chapters and eighty fewer characters than this version. The edition compiled by Lu Xiujing during Emperor Ming of the Liu Song dynasty incorporated the Imperial One, Feminine One, and Masculine One scriptures, resulting in irregular verse lengths—though the authentic content remains consistent.
This passage documents the transmission and essential teachings of the Yuqing Wuji Zongzhen Wenchang Dadong Xianjing (Jade Purity Limitless Supreme Truth Wenchang Great Cavern Immortal Scripture). It records how this scripture was initially collated into thirty-nine chapters by the Zhenren (Perfected Person) Zhou Wangbaohe under celestial mandate, later annotated by Song Dynasty master Guanmiao Xiansheng (Master of Contemplating the Marvelous) Zhu Ziying. The original text spanned 120 volumes before being distilled into three volumes of thirty-six chapters by the high Daoist deities Yu Chen Daojun (Jade Palace Dao Lord), Tai Xuan Daofu (Great Mystery Dao Father), and Master Niu Zi for practitioners' convenience.
This scripture possesses the power to pacify the thirty-six celestial realms above, govern the thirty-six terrestrial domains below, and correspond to the thirty-six divine palaces (key acupoints and energy centers) within the human body. It meticulously records the celestial names of true deities and their correspondences with the internal spirits of the human body, surpassing in profundity even the Duren Jing (Scripture on Salvation), Shengshen Zhang (Chapters on the Birth of Spirits), and Huangting Jing (Yellow Court Scripture). Practitioners who cultivate their Shen (spirit) and Qi (vital energy) while reciting this scripture can invoke celestial deities to descend and merge with their internal energies, achieving the state of "returning winds and blended harmonies" where physical form and spiritual essence are both refined, ultimately uniting with the Dao.
The text makes a crucial distinction often overlooked by ordinary people who assume recitation makes no difference to mortality: those who recite the scripture undergo "corpse liberation" (shijie, a Daoist technical term for transcending the mortal shell through specialized practice), transforming their mundane bodies into true immortal forms, while non-practitioners perish with both physical and spiritual forms. The author Zhang Shangying (style name Qi) recounts his thirty-year practice of this scripture since age twenty, frequently troubled by textual corruptions in available versions. Despite his mastery of Buddhist and Daoist classics, he dared not make unauthorized emendations, lamenting the difficulty of obtaining authentic scriptures.
This account reveals the Daoist cultivation principle of "celestial-human correspondence," emphasizing how specific scripture practice leads to transcendence, while simultaneously reflecting the textual authentication challenges in Daoist scriptural transmission.
This passage comprises the preface and partial commentary by Yuan dynasty Daoist master Wei Qi for the Jade Purity Infinite Summit Truth Wenchang Great Cavern Immortal Scripture, primarily expounding on Daoist cosmogony and essential cultivation principles.
The author recounts his personal journey of realization, describing how during his travels, profound insights arose while meditating at a roadside inn. This prompted him to reorganize his earlier draft commentaries. Drawing upon the convergent truths found across Confucian, Buddhist, and Daoist classics, he created thirteen explanatory diagrams (including the Wuji [Infinite] Diagram, Hetu-Luoshu charts, Prenatal and Postnatal trigram arrangements, and Golden Elixir firing cycles - all crucial Daoist concepts) placed at the scripture's beginning to aid comprehension. With characteristic humility, he expresses these represent merely his limited understanding, fearing they might invite scholarly ridicule, and only dared publish them after receiving approval from the Life-Granting True Lord (a Daoist deity governing vitality) and the Investigative Emissary (a celestial official monitoring human virtue).
In the cosmological section, the author employs the concept of "Wuji" (the Infinite) to elucidate the profound meaning of the Wenchang scripture. Wuji represents the formless, imageless origin (similar to Zhou Dunyi's Taiji Diagram Explanation), generating the Five Phases' Qi through movement and stillness: the initial movement produces mysterious Qi of Water (Taiyi stage), while stillness generates primal Qi of Fire (Yuanming stage); extreme stillness returning to movement creates beginning Qi of Wood (Taishi stage); when these three Qi become complete, they form the tangible Taisu stage of Metal; finally, Earth's Taiji integrates the four manifestations. These five stages (Wutai) correspond to the Five Phases, also called the Five Elders, representing the cosmogonic process before the Primordial Beginning described in the Five Talismans Jade Scripture.
The "○" symbol mentioned signifies Daoism's "Infinite Precious Pearl," symbolizing the undifferentiated chaos before Yin-Yang. The author emphasizes Taiji (Supreme Ultimate) originates from Wuji, with Yin-Yang fundamentally unified, ultimately crystallizing into Wenchang Dijun's (the deity of literary fortune) radiant Dharma form. This theoretical framework synthesizes Yijing philosophy with Daoist Neidan (internal alchemy) practice, proposing that human cultivation essentially reverses this cosmogonic process to return to the Wuji source.
This scripture elucidates the fundamental principles of cosmic creation and spiritual cultivation. All the vital energies (Qi) between heaven and earth evolve into celestial realms, radiating luminous manifestations that differentiate into countless forms, ultimately condensing into the sacred text of the Dadong Xian Jing (Great Cavern Immortal Scripture). Like precious jade, this scripture possesses the power to create heaven and earth while instructing divine beings.
The text describes how five primordial energies (Wu Qi) converge across ten directions, nurturing myriad deities—just as the orderly movement of the Five Phases (Metal, Wood, Water, Fire, Earth) governs seasonal transitions. The Duren Jing (Scripture on Salvation) similarly speaks of five sacred scripts unfolding to universally nourish divine spirits, with each character containing numinous power. Attaining immortality means returning to the primordial state of authenticity (Wuji zhi Zhen), where the two vital forces of Yin and Yang (Er Wu zhi Jing) intermingle to generate all phenomena.
Lord Wenchang (deity of literary fortune) is in truth the ancestral source of heaven-earth and mother of all things. Every person embodies Wenchang’s spiritual essence, just as all phenomena contain the root of Taiji (Supreme Ultimate). By devotedly practicing the methods of the Wenchang Dadong Xian Jing, one ultimately returns to the original state of Wuji (Limitless). Human life emerges from emptiness and must finally return to emptiness.
The Diagram of the Limitless reveals how Yin-Yang energies and the Five Phases arise. The two vital forces (Yin and Yang) represent foundational energies, while the Five Phases manifest as Water, Fire, Wood, Metal, and Earth. Principle precedes energy; from energy emerge the celestial stems and earthly branches. Yang energy in motion generates Renzi (Yang Water), while Yin energy in stillness produces Dingsi (Yin Fire), followed by Jiayin (Yang Wood), Xinyou (Yin Metal), Wuchenxu (Yang Earth), Guihai (Yin Water), Bingwu (Yang Fire), Yimao (Yin Wood), Gengshen (Yang Metal), and Sichouwei (Yin Earth).
Celestial stems and earthly branches each divide into Yin and Yang: Jia, Bing, Geng, Ren, and Wu are Yang stems; Yi, Ding, Xin, Gui, and Ji are Yin stems. Zi, Wu, Yin, Jia, Chen, and Xu are Yang branches; Si, Hai, Mao, You, Chou, and Wei are Yin branches. Once the five scripts form, they’re called the "Five Greats" (Wu Tai), though the scripture later clarifies these are actually "Ten Greats," as each Phase contains both Yin and Yang energies requiring mutual interaction for creation. Yang energy expanding forms one "Great," while Yin energy condensing forms another—only through their dynamic interplay can heaven, earth, and the myriad things be perfected.
This passage elucidates core Daoist concepts regarding cosmic generation and the mysteries of numerical symbolism. The scripture begins by describing how the "True Script" (sacred Daoist writings) emerged from primordial light, embodying ten divine virtues (De) that form the foundation of heaven, earth, and all phenomena. During the Yellow Emperor's reign, the minister Da Nao created the celestial stems and earthly branches system based on the essence of the Five Phases (Wuxing), though this system had actually existed prior to the formation of heaven and earth, only becoming manifest through human revelation.
The stems-and-branches system was originally established by the Heavenly Sovereign (one of the Three Sovereigns of antiquity), beginning with the month of Yin. Later, Fu Xi (the cultural progenitor) reorganized it, using Jia Wood (symbolizing the nascent vitality of all things) as its starting point. The celestial stems represent transformations of Yin-Yang qi, while the earthly branches correspond to astronomical and geographical patterns. The sixty Jiazi cycles mirror the sixty constellations, with the qi of the Five Phases evolving into the Eight Trigrams (Bagua) that guard the eight directions—all in harmony with the supreme Dao.
The text then details correspondences between the ten celestial stems and the Five Phases with numerical values: Ren-Zi corresponds to Celestial One-Water (Taiyi state), Gui-Hai to Earthly Six-Water (Taizhong state); Ding-Si to Earthly Two-Fire (Taichu state), Bing-Wu to Celestial Seven-Fire (Taihe state); Jia-Yin to Celestial Three-Wood (Taishi state), Yi-Mao to Earthly Eight-Wood (Taiqing state); Xin-You to Earthly Four-Metal (Taisu state), Geng-Shen to Celestial Nine-Metal (Taizhen state); Wu-Chen/Xu to Celestial Five-Earth (Taiji state), Ji-Chou/Wei to Earthly Ten-Earth (Taixuan state).
The passage concludes by emphasizing that scriptures embody the essence of numbers, while numbers manifest their function. Practitioners of the Wenchang tradition (devotion to the deity of literary arts) must comprehend numerical mysteries, as all cosmic phenomena operate through numerical principles. Fundamentally, numbers represent the dynamic interplay of Yin-Yang within the Supreme Ultimate (Taiji), as the Classic of Changes states: "The numbers of heaven and earth" govern cosmic operations. These numerical systems serve not only calendrical calculations but are vital tools for adepts to comprehend the universe's essential nature.
This scripture elucidates the Daoist mysteries of cosmic generation and the numerical principles of the Five Phases (Wuxing). Its core teaching reveals that all transformations between heaven, earth, and the myriad beings follow specific numerical patterns, with the number "five" holding particular significance in Daoist cultivation.
The combined numerical values of heaven and earth total fifty-five—twenty-five for heaven (1+3+5+7+9) and thirty for earth (2+4+6+8+10). The generative sequence of the Five Phases flows as: Water (one) → Wood (three) → Fire (two) → Metal (four) → Earth (five). These numerical combinations form the fundamental operating principles of the cosmos. For instance, six paired with one generates Water, seven with two produces Fire, eight with three creates Wood, nine with four manifests Metal, and ten with five gives rise to Earth—each numerical pairing possesses transformative power.
Before the differentiation of the Supreme Ultimate (Taiji), these numerical patterns were already latent within the Wuji (the ultimate state of the Dao). The ancient sage Fu Xi comprehended these principles by observing the River Chart (Hetu, the mystical diagram borne by a dragon-horse), thereby creating the Eight Trigrams (Bagua). Similarly, the "Nine-Five Blessings" articulated by Jizi in the Hong Fan—longevity, wealth, health, virtuous character, and peaceful death—subtly resonate with these numerical mysteries.
The complete exposition of these truths is preserved in the scriptures of Lord Wenchang, the deity overseeing literary fortunes. The latter volume mentions concepts like the "Five Primordial States" (Wutai), "Five Phases," "Five Venerable Sovereigns" (Wulao, the celestial emperors of five directions), and "Five Talismans" (Wufu), all derived from the patterns of the Nine Palaces and Eight Trigrams. These in turn originate from the interactions of Yin-Yang energies and the Five Phases, ultimately tracing back to the Dao of Taiji and Wuji.
The scripture emphasizes that while ordinary people unconsciously utilize these cosmic patterns daily, they remain ignorant of their profound significance. Only sages like Fu Xi, through deep contemplation of the mysterious, can perceive the heavenly Dao—even drawing inspiration from Pangu's myth of separating heaven and earth, correlating their own bodily parts with trigram correspondences. Those seeking the Five Blessings should begin their cultivation by studying the Nine Palaces patterns of the Luo Writing (Luoshu), the mystical counterpart to the River Chart.
This scripture passage primarily explains how ancient sages comprehended the patterns of heaven and earth by observing the Hetu (River Chart) and Luoshu (Luo Writing) - legendary mystical diagrams - and applied these principles to state governance and self-cultivation.
The text mentions that a noble person should maintain an enterprising spirit at all times, as described in the Yijing (Book of Changes). The numerical arrangement of the Luoshu is as follows: nine crowns the head, one supports the feet, three is on the left, seven is on the right, while two and four resemble shoulders, and six and eight resemble feet. These numbers, whether added vertically or horizontally, all sum to fifteen. Combined with the Hetu, they form the operating principles of the Three Powers (heaven, earth, and humanity), representing the grand numerical order that governs the cosmos.
Legend holds that when Yu the Great was taming the floods, he saw a divine turtle emerge bearing the Luoshu, through which he truly grasped the mysteries of these numbers. Using these principles, he successfully controlled the floods and established the Nine Categories of governance. Later, King Wen of the Zhou dynasty adjusted the positions of the Bagua (Eight Trigrams) based on these same principles. The Nine Methods of Governance and the Nine Sacred Talismans transmitted by the Wenchang Emperor (the Daoist deity overseeing literary fortune) are all founded on the number nine, as nine represents the pure Yang Qi. The entire scripture is divided into thirty-six chapters, corresponding to the principle of "Qian (Heaven) employs nine."
The human body resonates with heaven and earth: the head contains nine palaces corresponding to the Nine Heavens, the body has nine orifices matching the Nine Regions, the heart has nine apertures aligned with the Nine Stars of the Northern Dipper, and the intestines have nine bends reflecting the Nine Rivers. Nine is a Yang number, and without Yang Qi, humans cannot survive. Yu the Great, inheriting his father Gun's unfinished mission, meditated deeply until he received divine revelation. Applying this numerical wisdom, he succeeded in controlling the floods.
The Hetu appeared thousands of years earlier than the Luoshu. Fuxi drew the innate (Xiantian) Bagua based on the Hetu. However, later generations often confused the Luoshu's nine numbers with the Hetu, and it was not until Liu Mu that they were clearly distinguished. The Wenchang Scripture holds that the ten numbers belong to the Hetu, while the nine numbers belong to the Luoshu. In truth, these numerical principles already existed in the primordial Wuji (Limitless) state of the universe, remaining hidden until Fuxi's time, when the dragon-horse emerged bearing the chart, allowing it to be used to delineate the Bagua.
This passage primarily expounds the Daoist concept of "the unity of heaven and humanity," illustrating how ancient sages established a cosmology and cultivation system that interconnected heaven, earth, and humanity by observing the numerical patterns within natural phenomena.
This scripture elucidates the Daoist understanding of cosmic generation and the correspondence between the human body and natural patterns. All phenomena in heaven and earth originate from the differentiation of Taiji (Supreme Ultimate), ultimately forming the Bagua (Eight Trigrams) system, with the human body perfectly mirroring these cosmic principles.
Initially, it states that odd numbers (yang numbers) like one, five, and seven—being light and pure—ascend to form Qian (Heaven), while even numbers (yin numbers) like two, six, and ten—being heavy and turbid—descend to form Kun (Earth). This is the process of Taiji giving rise to the Two Modes (Liangyi). By combining the number five with one, two, three, and four, the Four Images (Sixiang) emerge: Old Yin, Old Yang, Young Yin, and Young Yang. Further interactions between numbers six through ten generate the Bagua: Qian (1), Dui (2), Li (3), Zhen (4), Xun (5), Kan (6), Gen (7), and Kun (8). The trigrams correlate with one another—such as thunder and wind stimulating each other, mountains and marshes exchanging qi, and fire and water not conflicting—forming a nine-number grid both vertically and horizontally. This illustrates how the Four Images give birth to the Bagua.
Every part of the human body corresponds to the Bagua: the round head symbolizes Qian (Heaven), the square feet represent Kun (Earth), the torso resembles Gen (Mountain), bodily fluids mirror Dui (Marsh), the voice echoes Zhen (Thunder), breath flows like Xun (Wind), blood and nourishment reflect Kan (Water), and protective qi embodies Li (Fire). This demonstrates how the principles of the Bagua manifest in the human form, revealing the shared essence between the Yi Jing (Book of Changes) and the Wenchang Dadong Jing (Great Cavern Scripture of Wenchang).
Next, the text describes how before heaven and earth separated, the cosmos resembled an egg containing Hundun (Chaos Deity). The clear qi rose to form heaven, while the turbid qi sank to form earth. As Hundun grew one zhang per day, heaven and earth drifted apart by the same measure. Pangu (Creator Deity)’s eyes transformed into the sun and moon, his body into mountains, his hair into plants, and his bodily fluids into earthly waters. The Hetu (River Chart) and Luoshu (Luo Writing)—ancient mystical diagrams—appeared millennia apart, and Yu the Great used them to regulate floods. These too embody the Five Phases (Wuxing) principle within Taiji.
The scripture emphasizes that these diagrams are not merely tools for divination or flood control but represent the dynamic relationship between Xing (nature) and Ming (life). Without the Hetu and Luoshu, the innate and acquired qualities of existence could not be revealed; without these qualities, the functions of the Yi Jing and Wenchang Dadong Jing would remain obscure. The "Eight Sovereigns rotating through Nine Heavens" refers to the Bagua and Jiugong (Nine Palaces, Daoist cosmological spatial divisions), with the eight trigrams and nine chapters mutually reflecting each other as surface and core, while the Hetu and Luoshu intertwine as warp and weft. These patterns existed even before heaven and earth formed, and King Wen of Zhou derived the Yi Jing based on these very principles.
This scripture primarily discusses two key aspects: the correspondence between the shifting positions of the Eight Trigrams (Bagua) and the human body, and the origin and function of the Nine Radiance Talisman (Jiuguang Fu).
First, let's examine the transformation of the trigram positions. Qian (Heaven) and Kun (Earth), representing the ultimate Yin and Yang, already encompass the three masculine and three feminine trigrams (referring to the remaining six trigrams). Therefore, they are relegated to secondary positions. The specific adjustments are: the Qian trigram moves to the northwest, while the Kun trigram shifts to the southwest. Kan (Water) and Li (Fire), as the pure Yin and Yang positions, occupy the central palace's Zi-Wu axis. Zhen (Thunder), symbolizing the initial emergence of Yang energy, is placed in the east. Dui (Lake), representing the first appearance of Yin energy, is established in the due west. Gen (Mountain) and Xun (Wind), being mixed and impure in their Yin-Yang nature, are positioned in the corners. Thus, the Later Heaven Bagua circulates within the Nine Palaces diagram, with the number five at the center while also residing in the second palace—this is called "the shared function of two and five."
Next, the scripture describes the operational principles of the trigrams: all things sprout from Zhen (east), grow orderly in Xun (southeast), manifest in Li (south), receive nourishment in Kun (southwest), mature joyfully in Dui (west), undergo trials in Qian (northwest), rest and recuperate in Kan (north), and complete their cycles in Gen (northeast). In this way, the seasons revolve, all things flourish, and the Dao of Change (Yi Dao) operates naturally between heaven and earth. The principles of Lord Wenchang (the deity overseeing literary fortune) align with the Book of Changes, as the human body is a microcosm of the universe, with Wenchang's principles weaving through it like warp and weft. If one can preserve their innate purity, they embody the sages' teachings, and this scripture becomes more than empty words.
The second part explains the origin of the Nine Radiance Talisman. This mystical symbol coalesced from the Primordial Red Script (Hundong Chiwen) and the Nine Yang Celestial Qi (Jiuyang Fanqi, Daoist terminology referring to primordial energy). The formation process is as follows: initially, the bluish primordial light-energy created the Primordial Azure Heaven (Shiqing Tian), condensing into the Tai Xiao Palace in the northeast. Next, the great bluish light-energy formed the Great Azure Heaven (Taiqing Tian), coalescing into the Qing Xiao Palace in the east. Then, the ruddy primordial light-energy established the Primordial Cinnabar Heaven (Shidan Tian), solidifying into the Bi Xiao Palace in the southeast. The great cinnabar light-energy shaped the Great Cinnabar Heaven (Taidan Tian), gathering into the Jiang Xiao Palace in the south. The primordial white light-energy opened the Primordial White Heaven (Shisu Tian), consolidating into the Jing Xiao Palace in the southwest. The great white light-energy formed the Great White Heaven (Taisu Tian), crystallizing into the Yu Xiao Palace in the west. The primordial black light-energy created the Primordial Mysterious Heaven (Shixuan Tian), assembling into the Lang Xiao Palace in the northwest. The great black light-energy established the Great Mysterious Heaven (Taixuan Tian), concentrating into the Zi Xiao Palace in the north. Finally, the great celestial light-energy (Taifan Qi) shaped the Great Celestial Heaven (Taifan Tian), coalescing into the Shen Xiao Palace at the center. The so-called "Nine Governors" (Jiu Tong) refer to each Celestial Emperor overseeing one layer of the heavens. The scripture transmits the Nine Governors' laws to convene the Celestial Emperors and delivers the Nine Radiance Talisman to assemble the deities. At birth, humans receive the Qi of these nine heavens, thereby attaining complete body and mind.
When a cultivator completes nine months of practice, the tenth month marks the perfection of their efforts with the formation of the Sacred Embryo (a Neidan term referring to the energetic embryo formed within the practitioner's body). At this stage, nine types of primordial Qi (Jiuqi) must coalesce into a talisman called the Nine Lights Talisman, used to universally deliver beings from both the human and celestial realms. These specific methods are meticulously recorded in Daoist ritual manuals (Falu) that document esoteric practices.
The human body and cosmos are interconnected. According to the Shenxiao school (a major Daoist lineage), the upper body governs the stars of the Thirty-Six Celestial Heavens, the lower body commands the Thirty-Six Earthly Sovereigns of the subterranean realms, while the middle corresponds to the Thirty-Six Palaces within the human form. These Thirty-Six Palaces are all formed through the infusion of celestial Qi bestowed from above. As the Minor Scripture of Salvation from Suffering states: "Using celestial primordial Qi to subdue the souls of the Nine Heavens" - this precisely illustrates the principle. Detailed explanations of the Thirty-Six Heavens and Earths appear throughout various chapters; here we focus specifically on the distribution of the human body's Thirty-Six Palaces.
These Thirty-Six Palaces are divided into upper, middle, and lower sections. When reciting this scripture, practitioners should sit in tranquil meditation, visualizing their heart's Thirty-Six Palaces radiating brilliant light. Within each palace resides an authentic adept emitting five-colored radiance, connecting above to the Thirty-Six Heavens and below to the Thirty-Six Earths, thereby consolidating spiritual Qi and establishing vertical circulation. This embodies the scripture's profound meaning: "Using the method of Nine Unifications to assemble the Celestial Emperor, employing the Nine Lights Talisman to gather all deities."
Once the luminous Qi stabilizes and concentrates, regulate breathing and align the energy before commencing scripture recitation. Typically, nine complete recitations form one ceremonial cycle. After each recitation, dedicate the merit to: the perfected sages of the upper realms, the spirits of middle and lower realms, and one's ancestral souls. During dedication, maintain sincere concentration, sitting quietly to allow the spiritual energy to gradually dissipate before rising slowly - never depart abruptly lest the divine light be disturbed, which may incur reproach from spirits. Maintain absolute silence throughout the recitation process.
Regarding the Golden Elixir (the core concept of Daoist Neidan practice), it is essentially the true Yang Qi within the human body, sharing the same origin as Heaven and Earth, shining with the same brilliance as sun and moon. When this energy disperses, it forms human life; when concentrated, it becomes the Golden Elixir. The scripture states "The Elixir Mother is pure Yang Qi" - in alchemical terminology this Yang Qi is called "lead," born from the Kun position (symbolizing Earth) and also named "Mysterious Mystery." Meanwhile "mercury" originates from the Qian position (symbolizing Heaven), enabling practitioners to use Heaven and Earth as their alchemical furnace and cauldron.
The lines "Carrying the Solar Lord, accompanied by the Lunar Dawn" describe gathering solar and lunar essences as alchemical ingredients. "Dark transformation blends Li and Kan, the feminine and masculine unite in the Jade Chamber" refers to using the "Yellow Matron" (true intention) as mediator to harmonize the "Wooden Duke" (original spirit) and "Metal Mother" (original essence) like conjugal union. "Purple splendor nurtures the embryonic immortal" signifies the state achieved after ten months of cultivation when the Sacred Embryo reaches perfection.
This scripture primarily discusses the concept of the "infant" (yang-shen manifestation) and related cultivation states in Daoist Neidan (internal alchemy) practice.
The "infant" refers to the sudden materialization of the body's pure yang spirit when cultivation reaches an advanced stage. The phrase "harmonizing the three and five" describes the balancing of yin and yang energies (two qi) along the inner pathways (Huangdao), causing the three intrinsic qualities—Jing (essence), Qi (vital energy), and Shen (spirit)—to converge in the primordial palace (Dantian). The "five qi" represent the energies of the five organs, and "gathering the Five Phases" refers to harmonizing these organ energies.
"Taiji (Supreme Ultimate) governs the four truths" indicates that the primordial qi commands the four manifestations (lesser yang, greater yang, lesser yin, greater yin). "The Yellow Court touches the northern origin" depicts the true yang energy surging upward toward the heart region. "Nine cycles return to seven" borrows from the Yi Jing (Book of Changes) to illustrate the crucial process of refining the "fire times" (adjusting breath and intent) during cultivation, a key aspect of celestial cycle circulation.
"The body's treasure, the luminous pearl" refers to the Golden Elixir (Jindan), while "the Golden Elixir forms in an instant" describes the wondrous experience of its rapid condensation. "Refining the five sprouts" speaks of attaining the exalted state of a Great Cavern Emperor after ingesting the elixir. The scripture contains many such references to the Golden Elixir, here briefly outlined.
"The center lies within the center" emphasizes grasping the state of "centrality"—not a physical midpoint but the original nature beyond duality. Buddhism's "neither thinking good nor evil," Confucianism's "tranquil and unmoving," and Daoism's "thought-moment" all point to this state. This Mysterious Pass (a crucial point in cultivation) cannot be located through sensory means; only by maintaining luminous clarity (emptiness and awareness) can it be realized.
Later, the text recounts how Xue Youqi, while annotating the Lingbao Jing (Numinous Treasure Scripture), was visited by the immortal twins and Master Bai to discuss the mysteries of the "five wandering spirits." These five spirits (deities of the five organs) govern generative functions throughout heaven, earth, and all things. Without their governance, life-force ceases. As the Duren Jing (Scripture of Salvation) states, "holding talismans and registers preserves life at its root," referring to sustaining vitality through Daoist ritual methods (Fulu). These spirits reside throughout the body, particularly in key areas like the Mud Ball (crown of the head) and Crimson Palace (heart). Texts such as the Wenchang, Lingbao, Huangting, and Shensheng scriptures document these teachings.
The five spirits may disperse as ten thousand deities or coalesce into the "infant." The human body forms through the congealing of myriad qi, and life begins only when myriad spirits are complete. A newborn infant, pure and harmonious with innate nature undivided, embodies the original state of the Great Cavern Emperor. Cultivating the Wenchang method means returning to this childlike purity, achieving the wondrous unity of form and spirit.
This passage describes the transformative state achieved when the "infant" (referring to the pure Yang energy body crystallized within the practitioner through Neidan/internal alchemy) reaches full maturation in Daoist cultivation. Upon complete refinement, the "infant" transforms into "Xuan Qi" (primordial Qi, the universe's most subtle energy), enabling the practitioner to transcend physical constraints and merge completely with the Dao.
The cultivator ultimately returns to "Wuji" (the primordial undifferentiated chaos of the cosmos), where all things reunite into oneness—symbolized in the text as "one circle" (representing the unbroken wholeness of Taiji before differentiation). Only then does one truly comprehend that all phenomena originate from this chaos and ultimately return to it. As the Datong Jing states, "the true emptiness is without form, serenely perfect"—this refers precisely to such a state: luminous and unobstructed, formless yet encompassing all potentialities in perfect completion.
This content comes from the first volume of the preface illustrations in the Yuqing Wuji Zongzhen Wenchang Dadong Xian Jing (Jade Clarity Supreme Ultimate Complete Truth Wenchang Great Cavern Immortal Scripture). "Yuqing" (Jade Clarity) denotes the highest of the Three Pure Realms (Sanqing) in Daoist cosmology, "Wenchang" refers to the Wenchang Emperor (deity overseeing literary fortune), while "Dadong" (Great Cavern) signifies the pathway to ultimate truth.
Source text: Kanripo 漢籍リポジトリ(KR5a0104); Licence: CC BY-SA 4.0 · Report an error / feedback