《靈寶領教濟度金書》Vol. 170
About this page. The original text of 《靈寶領教濟度金書》 Vol. 170 (Dongxuan 洞玄部, 320 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 7 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English
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The 170th volume of the Lingbao Lingjiao Jidu Jinshu documents a Daoist ritual called the "Yellow Register Gratitude Offering for Preemptive Cultivation." Compiled by the Southern Song dynasty Daoist master Lin Lingzhen, this ceremony was primarily performed when devotees undertook the Yellow Register Retreat (a Zhaijiao ritual for salvation of souls and dispelling misfortunes) during their lifetime to express gratitude.
The ritual begins with priests performing the "Pacing the Void" (a ceremonial circumambulation with measured steps) while chanting the Incense Offering Hymn. Participants pay reverent homage to the patriarchs while maintaining focused visualization. This is followed by recitation of the Guardian Spirit Incantation, which invokes the power of the Five Planets (Mercury, Jupiter, Mars, Venus, Saturn) to resolve calamities: Mercury dispels disasters, Jupiter brings prosperity, Mars pacifies misfortunes, Venus wards off military conflicts, and Saturn stabilizes the four directions, ensuring peace for households and the nation. The incantation mentions how the names of these deities are recorded in the celestial jade registers, enabling them to ride clouds, traverse between Yin and Yang realms, and summon various spirits to protect practitioners.
The ritual master then strikes the ritual drum twenty-four times, symbolizing communication between heaven and earth. The ceremony involves inviting the highest Daoist deities—the "Three Primordial Qi of the Supreme Three Heavens" and the Most High Lord Lao—to descend, while simultaneously summoning thirty-two assisting spirits including celestial functionaries (Gongcao), Golden Boys and Jade Maidens, and the Five Emperor Messengers. The master first notifies local earth gods (Tudi Shen) and city gods (Chenghuang Shen) to bear witness, praying for the Lingbao's radiant light from the Jade Pure Realm to descend upon the altar, purify the space, dispel malign influences, and ensure the sincerity of the priests reaches the celestial court.
Finally, the presiding ritual master, referring to himself as "this humble minister [name]," leads all participating priests in solemn supplication to the highest Daoist deities: the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun), the Celestial Worthy of Numinous Treasure (Lingbao Tianzun, also known as the Great Dao Lord of Jade Dawn), the Celestial Worthy of the Dao and Its Virtue (Daode Tianzun, or the Most High Lord Lao), and the Jade Emperor (Yuhuang Dadi). Through meticulous liturgical procedures and divine assistance, the ritual fulfills its dual purpose of dispelling misfortunes while expressing gratitude for blessings received.
This scripture enumerates the numerous revered deities in Daoist belief, primarily including:
The highest-ranking divinities such as the Great Emperor of the Northern Dipper (Ziwei Beiji Dadi), the Heavenly Sovereign Emperor of Gouchen (Gouchen Tianhuang Dadi), the Eternal Life Great Emperor of Jade Clarity from the Divine Empyrean (Shenxiao Yuqing Zhenwang Changsheng Dadi), the Eastern Extremity Azure Splendor Emperor (Dongji Qinghua Dadi), and the Empress of Earth (Houtu Huangdiqi). Following these are celestial beings like the Ten Directions Numinous Treasure Heavenly Worthies (Shifang Lingbao Tianzun), the Nine Heavens Spirit-Generating Celestial Emperors (Jiutian Shengsheng Shangdi), and the Thirty-Two Heaven Emperors (Sanshi'er Tian Shangdi).
The list also features renowned transcendents including the Five Directions Five Elderly Emperors (Wufang Wulao Shangdi), the Eastern Florescence Wood Duke (Donghua Mugong), and the Western Numinous Metal Mother (Xiling Jinmu), along with stellar deities such as the Sun and Moon Star Lords, the Twenty-Eight Lunar Mansions (Ershiba Xiu), the Three Primes Three Officials (Sanyuan Sanguan), and the Four Saints of the Northern Dipper (Beiji Sisheng) who serve as protectors of the Dharma. The Daoist divine bureaucracy further includes the Three Masters of Scriptures, Transmission, and Ordination (Jingjidu Sanshi), the Nine Heavens Administrative Departments (Jiutian Zhusi), and various celestial officials (Tiancao Guanshu).
The text then depicts the majestic scene of these deities' collective manifestation: When the Three Treasures (Dao, Scriptures, and Masters) reveal themselves, they emanate supreme primordial Qi (Yuanshi Qi), with countless divine beings encircling and guarding them, displaying the subtle and profound creative power. Their sacred radiance interweaves across the celestial expanse, their forms emerging from primordial chaos. The Great Dao (Da Dao) permeates all things, transforming pure mystery into divine beings; humans, as the most numinous of all creatures, are born endowed with the harmonious Qi of Heaven and Earth.
The scripture mentions that when the Jade Characters and Golden Texts (sacred Daoist scriptures) appear, they form wondrous protective auras. This divine creation is vast and boundless—all beings within its sphere receive spiritual transformation. With sincere devotion and resonance, none shall fail to receive blessings.
Finally, it explains that now a pious patron (zhai host) has purified body and mind to establish a Yellow Register Altar (a ritual for salvation of the deceased), seeking to cultivate blessings in advance and joyfully receive celestial grace. According to the mysterious talismanic charts (Xuanmiao Tulu), they accept auspicious blessings while reverently paying homage to the deities. With utmost sincerity and devotion—like gathering algae for offerings or sunflowers turning toward the sun—the patron earnestly prays for all divine beings to radiate their numinous light and descend upon this ritual assembly.
This passage describes a Daoist Zhaijiao (purification ritual) invocation text, depicting the magnificent scene of deities descending to the altar and the reverent ceremonial process.
Auspicious clouds swirl across the heavens as a celestial breeze gently accompanies the deities' splendid procession. Divine chariots (danyu lünian), drawn by sacred dragons and phoenixes, carry the immortals descending upon feather-canopied jade wheels to arrive at the mysterious altar (xuantan) to receive offerings. The presiding priest, with utmost devotion, performs full prostrations before the host of perfected beings (the highest Daoist deities) from the Three Realms, humbly inviting these celestial perfected ones to descend upon the ritual platform.
With solemn dignity, the priest announces: "We reverently invite the Three Pure Ones (Yuqing, Shangqing, and Taiqing—the supreme triad of deities), the perfected beings of the ten directions, the Celestial Emperor, and all divine beings of various realms to grace this sacred assembly." The text paints a glorious vision of the celestial realm: the golden towers of heaven stand in majestic purity, the jade capital (highest Daoist heaven) radiates spiritual light, seven-jeweled pavilions shine brilliantly, and the wondrous landscape of threefold splendor glows with luminous colors. In this immortal realm, jade trees bear vermilion fruit while spiritual winds caress emerald leaves; rosy clouds intertwine as sun and moon shine in unison, with purple mists coalescing into palaces and crimson auroras transforming into magnificent canopies.
Though these formless, mysterious deities remain profoundly ineffable, their winds of compassion reach even the Ninefold Earth (deepest subterranean realms), and their dharma rain (symbolizing divine grace) moistens the Eight Wildernesses (most distant regions). The text assures that sincere devotion to goodness naturally invites divine protection. The priest expresses his privilege to participate in this sacred ceremony—while still dwelling in the mundane world, he vows to uphold the Dao's teachings for universal salvation, pledging wholehearted dedication to the Daoist path.
The passage concludes with the formal ritual sequence: the chief supplicator offers incense and kneels in worship, commencing the wine libation. The priest again declares his role, preparing to recite the ritual prayers that convey the supplicator's repentant heart and petitions for blessings. The entire ceremony maintains solemn dignity, embodying the Daoist religious principle of "cosmic-human resonance."
This passage is a liturgical prayer text from Daoist purification rituals (Zhaijiao) and ceremonial practices (Keyi), depicting the devout invocation of divine beings during religious services. The text employs abundant Daoist-specific imagery and cultivation terminology, which we shall analyze layer by layer in modern terms:
First, it describes practitioners reporting to the deities with utmost sincerity: human life is as fleeting as a white steed's shadow, caught in the karmic web of reincarnation. Only by seeking the boundless grace of the Dao can one fulfill the original aspiration for spiritual cultivation. Here "Qi" refers to primordial vital energy, "Great Nothingness" (Taiwu) represents the fundamental state of the Dao, and "karmic web" metaphorically depicts the bondage of cause-effect cycles.
The text then details the altar arrangement: following the ritual procedures of the Salvation Scriptures, a sacred altar is established in empty space (Xufanji). Offerings are made to the spiritual energies of the five directions, with jade silks adorning the ten sacred realms—even the smallest space must manifest solemnity. Practitioners demonstrate supreme reverence through the most respectful prostration (the highest Daoist etiquette), wearing dragon talismans and phoenix rings from the Three Caverns scriptures (the comprehensive Daoist canon). Internally, they cultivate profound practice to liberate ancestors; externally, they accumulate merit to relieve karmic creditors.
Special emphasis is placed on the sincerity of fasting rituals: as devout as kowtowing nine times to the Northern Dipper, letting benevolent virtue flow like eastern waters to all directions. The value of offerings lies not in material worth but in genuine intent; prayer words are never too repetitive, only fearing insufficient expression of devotion.
The latter part depicts auspicious signs of divine descent: beseeching the Three Pure Ones (Yuqing, Shangqing, and Taiqing—the supreme triad of deities) and ten-directional perfected beings for mercy, making the eight mighty celestial dragons radiate light and nine-heaven phoenixes manifest blessings. When deities descend to the altar, miraculous phenomena occur—celestial flowers shower down, immortal music resounds, jewel-like brilliance fills the air, misty clouds display cosmic auspicious colors, and myriad sacred beings collectively witness this purification ritual.
Finally, "secondary offering" (Yaxian) marks the ritual's second libation phase, where the presiding Daoist priest again declares his religious rank (the cultivation hierarchy of Daoist masters), expressing supreme reverence to all banquet-attending sacred beings with the most devout heart. Through magnificent religious imagery, the entire text manifests the core cultivation concept in Daoist rituals: "sincerity that moves heaven."
This scripture depicts a grand Daoist zhaijiao (purification ritual), presenting the sacred scene of deities descending to expel evil and welcome blessings. The content unfolds across several dimensions:
In portraying divine visions, the text describes five-colored radiance (wuhua) soaring through celestial realms, dispersing demonic influences. The ninefold darkness of night gives way to dawn's light as the five directional qi (wuling) herald spring's arrival with the rising sun. These phenomena result from the golden light of Yuanshi Tianzun (the Celestial Worthy of Primordial Beginning, Daoism's supreme deity) illuminating all existence, with the vermilion hues of numinous void realms glowing in response.
Doctrinally, it references Daoism's Three Caverns (Dongzhen, Dongxuan, and Dongshen—the three supreme scriptural traditions) that transmit the profound Dao of ancestral qi (primordial vital energy). This sacred merit connecting heaven and humanity has been venerated throughout history.
The ritual host (zhai master) offers reverent prayers to heaven and earth, establishing an altar with utmost sincerity. Petitions seek divine audience—where golden roosters announce dawn at celestial gates and crimson phoenixes soar through heavenly realms—to deliver memorials across the Three Realms (heaven, earth, and water realms). Specific commands address the northern wind-marsh domain and Mount Tai's eastern sunrise peak, expunging names from the black registers of transgression while inscribing virtuous deeds in the green ledgers of merit.
The text further describes neidan (internal alchemy) practices where cinnabar-fire refinement ascends to immortal realms, with adept's registers transferred at the Vermilion Palace (southern fire domain). Through heavenly bestowal of the Five Blessings (longevity, wealth, health, virtue, and peaceful death) and cultivation of the Ten Virtues, practitioners elevate their spiritual state to ultimately unite with the Dao beyond cyclic existence.
Final supplications seek familial prosperity ("seven generations flourishing, five branches thriving"), auspicious signs ("fragrance gathering in mountain streams, blessings embracing flowering trees"), societal harmony ("seasonal winds and rains, tranquil mountains and rivers"), and eradication of calamities ("locusts vanishing, epidemics retreating"). All deities convene at the Vermilion Palace to assess merits, while underworld officials (lingguan) participate in this sacred ceremony from their shadowy realms.
This scripture describes the scene of reverently sending off deities at the conclusion of a Daoist Zhaijiao (grand sacrificial ceremony), comprising three core sections:
The first is the Final Offering segment, where the chief officiant, referring to themselves as "your servant," addresses the Three Pure Ones (Sanqing - the highest triad of deities: Jade Pure, Upper Pure, and Supreme Pure), the Ten Directions' exalted immortals, and all deities participating in the ritual banquet. The text describes the deities' attributes of "swirling without form, congealing without depth" - capable of encompassing heaven and earth while discerning human virtue. Through the "Imperial Pivot" (cosmic axis), they bestow great blessings. At this moment, the lotus lamps on the altar dim, orchid incense disperses, and the chimes fall silent, symbolizing the deities preparing to return to the celestial realm aboard moon-chariots (lunar steeds) and cloud-dragon carriages.
Next comes the Deity Escort segment, depicting the magnificent procession returning to heaven: jade insignia leading the way, vermilion banners following behind, as deities from the Three Realms return to their respective abodes. Practitioners must "circulate primordial convergence with the Dao," guiding the hundred spirits back to the Muddy Pellet Palace (crown point acupoint) while perfecting the gathering of primordial Qi (vital energy) in the Mysterious Feminine (Dantian). The chief officiant performs the triple ablution and triple incense ritual, expressing gratitude and reverence.
The final segment involves Spirit Retention and Incense Burning, invoking protector deities like the Incense Official Messengers and Dragon-Tiger Lords to manifest auspicious signs at the altar - golden elixir waters and cinnabar-hued immortal herbs. Prayers are offered for blessings upon participants, liberation for departed souls, and swift ascent of petitions via curling incense smoke to the Jade Emperor's throne. The concluding "Chariot Return Hymn" portrays deities riding five-colored cloud-chariots while singing nine-stanza celestial hymns as they ascend.
Through resplendent imagery, the text reveals the process of human-divine communion, embodying the Daoist cultivation principle of "spirit and Qi harmonizing" (Shen-Qi interaction) and the religious concept of connecting heaven and humanity through ritual.
During Daoist purification rituals (Zhaijiao), the curling incense smoke rising from the altar carries profound mystical power. This divine grace can permeate the entire cosmos, bestowing blessings and worldly prosperity (referring to both spiritual merits and secular status) upon mountains, rivers, and all living beings.
At this sacred moment, practitioners contemplate the carefree realm of immortals who transcend worldly attachments, freely traversing the Great Canopy Heaven (Daluo Tian, the highest celestial realm in Daoism). This passage describes the "Sending Off the Sacred" ritual segment, where deities are respectfully escorted back to their heavenly abodes.
This excerpt originates from the 170th volume of the Lingbao Lingjiao Jidu Jinshu (Golden Scripture of Lingbao Salvation Through Teaching), a pivotal liturgical text of the Song Dynasty Lingbao tradition. The "Sending Off the Sacred" ceremony represents the concluding phase of Zhaijiao rituals, symbolizing the successful completion of divine-human communion.
Source text: Kanripo 漢籍リポジトリ(KR5b0150); Licence: CC BY-SA 4.0 · Report an error / feedback