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《沖虛至德真經四解》Vol. 5

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Dongshen 洞神部 Vol. 5 / 20 10,947 characters

About this page. The original text of 《沖虛至德真經四解》 Vol. 5 (Dongshen 洞神部, 20 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 22 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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沖虚至德眞經四解卷之五聖五    黃帝和光散人高守元集 范氏有子曰子華善養私名(遊俠之/徒也)舉國服 之有寵於晋君不仕而居三卿之右目所偏 視晋國爵之口所偏肥(音/鄙)晋國黜之(肥薄/也)游 其庭者侔於朝子華使其俠客以智鄙相攻 彊弱相凌雖傷破於前不用介意終日夜以 此爲戲樂國殆成俗  盧曰偏視者顧眄之深也偏肥者毁謗之  厚也士因其談以爲榮辱故遊其門者比  於晋朝而子華使令門客恣其言辯無所  迴避人相毁辱殆成風俗 禾生子伯范氏之上客出行經坰外(坰郊野/之外也) 宿於田更商丘開之舍(更當/作臾)中夜禾生子伯 二人相與言子華之名勢能使存者亡亡者 存富者貧貧者富  盧曰存者亡毁之也亡者存譽之也富者  貧奪之也貧者富施之也而商丘開下里  不達將謂聖力所成之也 商丘開先窘於飢寒潜於牖北聽之因假糧 荷畚之子華之門子華之門徒皆世族也縞 衣乗軒緩步闊視顧見商丘開年老力弱面 目黎黑衣冠不檢莫不眲之(眲音/奴隔)既而狎侮 欺詒攩㧙挨抌(攩音晃㧙音抶閉挨/音烏待抌音排感切)亡所不 爲商丘開常無愠容而諸客之技單憊於戲 笑  盧曰撫弄輕忽之極者也狎侮者輕近之
Interpretation

There was a man named Fan Zihua in the state of Jin who excelled at cultivating his reputation (essentially a wandering knight-errant type), and the entire country admired him. Though he held no official position, he enjoyed greater favor with the ruler of Jin than even the three highest ministers. A mere glance of approval from him could secure someone a noble title in Jin, while a word of disapproval could lead to their dismissal. Those who visited his home received treatment comparable to an audience at court.

Zihua encouraged his followers—knights and warriors—to pit their wits and strength against one another. The strong bullied the weak, and even bloody brawls were treated as trivial matters. Day and night, this became their pastime, and the practice nearly became a custom in Jin.

(Note: Here, "partial favor" refers to special treatment, while "partial slander" means malicious defamation. People based their judgments of honor or disgrace on Zihua’s words, which is why visitors to his home were as numerous as court attendees.)

Among Zihua’s guests was a man named Hezisheng Bo. Once, while traveling through the countryside, he stayed at the home of an old farmer named Shangqiu Kai. Late at night, Hezisheng Bo and others were chatting about Zihua’s influence—how he could turn the living into the dead, the dead into the living, the rich into the poor, and the poor into the rich.

(Note: "Turning the living into the dead" refers to slandering someone into ruin, while "turning the dead into the living" means reviving reputations through praise. "Turning the rich into the poor" implies seizing wealth, and "turning the poor into the rich" refers to charitable giving. Shangqiu Kai, a simple country man, didn’t understand these subtleties and took it to mean Zihua possessed divine, miraculous powers.)

At the time, Shangqiu Kai was suffering from hunger and cold. Eavesdropping from beneath the north window, he borrowed some grain, shouldered a basket, and set off to seek Zihua’s patronage. Zihua’s followers were all scions of noble families, dressed in white robes and riding in grand carriages, strutting about with an air of arrogance. When they saw Shangqiu Kai—an elderly, frail man with a sallow face, tattered clothes, and unkempt appearance—they looked down on him. Later, they went out of their way to mock and humiliate him, pushing and shoving him with every trick in the book. Yet Shangqiu Kai never lost his temper. Eventually, it was his tormentors who grew exhausted from their own antics.

(Note: This passage describes extreme contempt and humiliation. "Casual mockery" refers to playful, disrespectful teasing.)

 也欺詒者狂妄之也攩者觸撥之也㧙者  拗捩之也挨者耻辱之也抌者違拒之也 遂與商丘開俱乗高臺於衆中漫言曰有能 自投下者賞百金衆皆競應  盧曰以愚侮之衆故僞爭應命耳 商丘開以爲信然遂先投下形若飛鳥揚於 地𩨒骨無䃣范氏之黨以爲偶然未詎怪也 因復指河曲之淫隅曰彼中有寳珠泳可得 也商丘開復從而泳之(水底潜/行曰泳)既出果得珠 焉衆昉同疑(昉始/也)子華昉令豫肉食衣帛之 次俄而范氏之藏大火子華曰若能入火取 錦者從所得多少賞若商丘開往無難色入 火往還埃不漫身不焦范氏之黨以爲有道 乃共謝之曰吾不知子之有道而誕子(誕欺/也) 吾不知子之神人而辱子子其愚我也子其 聾我也子其盲我也敢問其道  盧曰從臺而下若飛焉入水取珠若陸焉  入火往來無所傷焉子華門人咸以爲神  而有道此見欺怒而不愠者必以我等聾  盲之輩敢問其道 商丘開曰吾亡道雖吾之心亦不知所以雖 然有一於此試與子言之曩子二客之宿吾 舍也聞譽范氏之勢能使存者亡亡者存富 者貧貧者富吾誠之無二心故不遠而來及 來以子黨之言皆實也唯恐誠之不至行之 之不及不知形體之所措利害之所存也心 一而已物亡迕者如斯而己今昉知子黨之
Interpretation

This story recounts how Shang Qiu-kai created miracles through absolute faith. The retainers of Fan Zi-hua (a powerful minister of Jin during the Spring and Autumn period) often mocked Shang Qiu-kai, bullying him in various ways—some feigned friendship while deceiving him, others deliberately provoked him through physical contact, some humiliated him verbally, while others outright rejected and excluded him.

On one occasion, the group took Shang Qiu-kai up a high platform and deliberately incited him, saying, "Whoever dares to jump down will be rewarded with a hundred pieces of gold!" The others pretended to compete for the chance. Shang Qiu-kai took them at their word and leapt down like a bird in flight—miraculously emerging completely unharmed. Fan’s followers dismissed it as mere luck.

Later, they pointed to a deep bend in the river and claimed, "There are precious pearls at the bottom." Shang Qiu-kai immediately dove in to retrieve them and indeed returned with pearls. The group began to find this strange, and only then did Fan Zi-hua grant him fine clothes and meat to eat.

When a fire later broke out in the Fan family’s storeroom, Fan Zi-hua announced, "Whoever rushes into the flames to save the brocades will be richly rewarded according to the amount salvaged." Without hesitation, Shang Qiu-kai charged into the inferno and emerged without even a trace of soot on his body. At this, the crowd was utterly convinced and rushed to apologize: "We had no idea you were a true master of the Dao (the Way)! All our earlier deceptions and insults treated you as though you were deaf and blind!"

Shang Qiu-kai explained, "What Daoist arts do I possess? I had simply heard that the Fan family could bring the dead back to life and reverse fortunes between rich and poor, and I believed it wholeheartedly. After arriving here, I took every word you spoke as truth, fearing only that my sincerity might be insufficient or my actions too slow—never once considering my own safety. When the mind is purified to its utmost, external things cannot harm it. That’s all there is to it. Now I realize you were all deceiving me!"

(Note: In the text, "泳" refers to diving; "昉" means "beginning"; "诞" means deception. This story comes from the Liezi, emphasizing the cultivation state of "utmost sincerity moving heaven"—when the human mind is completely pure, it can manifest extraordinary abilities.)

誕我我内藏猜慮外矜觀聽追幸昔日之不 焦溺也怛然内熱惕然震悸矣水火豈復可 近哉  盧曰老子曰大智若愚者似之而非也但  一志無他慮能頓忘其形骸者則死生憂  懼不能入況泯然與道合寳神以會眞智  周於宇宙功備群有者復何得一二論之  耶及是非生於心則水火不可近之也 自此之後范氏門徒路遇乞兒馬醫弗敢辱 也必下車而揖之宰我聞之以告仲尼仲尼 曰汝弗知乎夫至信之人可以感物也動天 地感鬼神横六合而無逆者豈但履危險入 水火而已哉商丘開信僞物猶不逆況彼我 皆誠哉小子識之  盧曰乞兒馬醫皆下人也愚之亦敢輕夫  子言其至信之感理盡矣  政和誠信生神而神全者聖人之道抱神  以遊世俗之間茫乎淳備功利機巧必忘  夫人之心死生驚懼不入乎其胸中是故  忤物而不慴行乎萬物之上而不慄彼以  僞投之此以誠應之烏往而不可故商丘  開乗高臺自投其下𩨒骨無□泳河曲之  隅而果得珠以出入火往還而埃不漫身  不焦者誠故也蓋至誠之道入而與神俱  不知形體之所措利害之所存故能勝物  而不傷焉是以醉者墜車而無犯害黄帝  遺玄珠而象罔得之而蹈火不熱者關尹  固以爲純氣之守也若夫機心存於胸中  則純白不備純白不備則神生不定而道
Interpretation

This scripture illustrates the wondrous power of "utmost sincerity" through several parables. It first describes how a person filled with suspicion dares not approach even water or fire, while one who has truly attained the "great wisdom appearing as foolishness" can forget their physical form—unaffected by concerns of life and death—having already merged with the Dao.

The text recounts how disciples of the Fan family, when encountering beggars and horse doctors (considered lowly professions) on the road, dared not treat them lightly and would always dismount to pay respects. Confucius, hearing of this, explained: Those with utmost sincerity can move all things—their power not only penetrates water and fire but connects heaven and earth. Like Shang Qiu Kai, who, because of his sincere heart, could leap from a high platform unharmed, swim in a river to retrieve precious pearls, and pass through fire without being burned.

The key lies in this: Maintaining pure and genuine sincerity allows communion with the divine. Sages roam the mundane world with this spirit, unshaken by fears of life and death. When one's heart is completely pure, even danger holds no terror. Like a drunkard who falls from a carriage unharmed, or the Dark Pearl of the Yellow Emperor found by someone free of intent.

Conversely, harboring cunning calculations disrupts this purity, leading to a scattered mind and the loss of the Dao's power. Thus, Master Guan Yin held that preserving upright Qi (vital energy) is the true key to resisting flames. Through these contrasts, the scripture reveals the starkly different outcomes brought by "utmost sincerity" and "scheming intent."

 之所不載故商丘開知其誕妄追幸昔日  之不焦溺則惕然震悸水火不可復近者  以機心生而有疑故也夫誠而信僞物與  不誠而猜慮其相去也如此若廼至信之  人則又進乎此矣可以動天地感鬼神横  六合而無逆豈但履危險入水火而已哉  范曰挾名勢以矜人者無往而能服體誠  信以接物者無入而不自得商丘開可謂  能體誠信矣故聞范氏之譽則信以爲實  受衆人之侮則不以爲愠墜高臺之上而  無泳河曲之珠而不溺取火中之錦而弗  焦原其所以然則誠存乎心與物無迕而  已夫以我之誠信彼之僞物由不能害又  況至信之人乎動天地感鬼神横六合而  無逆無足怪者 周宣王之牧正有役人梁鴦者能養野禽獸 委食於園庭之内雖虎狼鵰鶚之類無不柔 馴者雄雌在前孳尾成群異類雜居不相搏 噬也王慮其術終於其身令毛丘園傳之梁 鴦曰鴦賤役也何術以告爾懼主之謂隱於 爾也且一言我養虎之法凡順之則喜逆之 則怒此有血氣者之性也然喜怒豈妄發哉 皆逆之所犯也夫食虎者不敢以生物與之 爲其殺之之怒也(恐因殺/以致怒)不敢以全物與之 爲其碎之之怒也(恐因其用/力致怒)時其饑飽達其 怒心  向秀曰違其心之所以怒而順之也 虎之與人異類而媚養己者順也
Interpretation

Shangqiu Kai knew those exaggerated claims were false, but recalling his past experiences of remaining unharmed amidst water and fire, he still felt lingering fear, never daring to approach such elements again. This was because his mind had begun harboring cunning doubts. Those with sincere faith can harmonize even with falsehoods, while those with suspicious minds create such vast differences. As for those who possess ultimate sincerity and trust, their realm is even higher—they can move heaven, earth, and spirits, traversing the six directions (referring to the entire cosmos of up-down and four cardinal directions) without obstruction. How could their achievements be limited to merely treading dangerous grounds or passing through water and fire?

The Fan family said: Those who rely on fame and power to show off cannot gain trust wherever they go, while those who treat others with sincere faith can find contentment everywhere. Shangqiu Kai could truly be called a practitioner of genuine trust. He believed wholeheartedly in the Fan family's praise, remained unangered when insulted by the crowd, suffered no injury when falling from a high platform, didn't drown when swimming in rivers, and remained unburned when retrieving brocade from fire. The reason lay in his heart maintaining ultimate sincerity, free from conflict with all things. If even treating others' falsehood with my sincerity brings no harm, how much more so for those of ultimate sincerity and trust? That they can move heaven, earth, and spirits, traversing the cosmos without obstruction, is hardly surprising.

King Xuan of Zhou's herdsman had a servant named Liang Yang who excelled at taming wild animals. When he fed them in the gardens, even fierce creatures like tigers, wolves, eagles, and ospreys became docile. These animals mated and multiplied before him, with different species coexisting without attacking each other. Worried this skill might be lost, the king sent Mao Qiuyuan to learn from him. Liang Yang said: "I'm but a lowly servant—what secret arts could I teach? Lest you accuse me of withholding, I'll share one method for handling tigers: They're pleased when obeyed and angered when opposed—this is the nature of all blood-and-Qi creatures. Yet their moods don't arise without cause, always stemming from frustration. Tiger feeders dare not give live prey, fearing killing will provoke rage; nor whole carcasses, lest tearing flesh incite fury. One must time their hunger and fullness, channeling their anger appropriately."

Xiang Xiu explained: This means avoiding what angers them while following their nature. Though tigers differ from humans, they favor those who feed them precisely because their nature is accommodated.

(Note: "Six directions" is a key Daoist concept denoting the complete cosmic space formed by heaven-earth and four cardinal directions; "breeding" refers to animal mating; "channeling their anger" uses "channel" in the sense of guiding. Liang Yang's tiger-taming method embodies the Daoist principle of "following nature's course," contrasting with forced domestication.)

 殊性而愛媚我順之故也 故其殺之逆也  所以害物而逆其心故也 然則吾豈敢逆之使怒哉亦不順之使喜也 夫喜之復也必怒怒之復也常喜皆不中也  不處中和勢極則反必然之數 今吾心無逆順者也則爲獸之視吾猶其儕 也故游吾園者不思高林曠澤寢吾庭者不 願深山幽谷理使然也  聖人所以陶運群生使各得其性亦猶役  人之能將養禽獸使不相殘害也  盧曰夫形質各有殊神氣則不異也故莊  子云視其異也則肝瞻楚越視其同也則  萬物一體矣至人以神會之也入鳥不亂  行入獸不亂群者逆順同志而不迕故猛  獸可養海鷗可狎也夫禽獸之入深山幽  谷者欲全其身遠人害也茍無其虞則園  庭之與山林夫何異哉  政和天下之至柔馳聘天下之至堅此聖  人所以爲大勝之道也虎狠獸之猛者鵰  鶚禽之攫者異類雜居不相搏噬而自得  於園庭之内則所以調而馴之者有其道  故也性命之情順之則安喜怒或過陰陽  並毗逆之使怒豈順其性命之情故養虎  者時其饑飽達其怒心凡以順其性命之  情而已吾豈敢逆之使怒謂不違其性也  亦不順之使喜謂不淫其性也夫喜之復  也必怒怒之復也常喜皆道之過也今吾  心無逆順則既不違其性使之怒又不淫  其性使之喜彼之安處而自適也宜矣聖
Interpretation

This scripture expounds the principle of harmonious coexistence by following the innate nature of all things. All beings possess their own distinct natural dispositions, and forcibly opposing their inherent tendencies will inevitably lead to conflict. Just as a tiger keeper must understand the rhythms of its hunger and satiety, and discern the causes of its anger to properly accommodate the beast's nature, so too does the sage govern the world—neither deliberately pleasing nor provoking creation, but maintaining a centered and balanced state of mind.

The text offers vivid examples: When human hearts hold no distinction between opposition and compliance, wild beasts regard people as their kind, resting peacefully in courtyards without yearning for remote mountain valleys. Zhuangzi once said that viewed from their differences, the liver and gallbladder seem as distant as the states of Chu and Yue, yet seen from their sameness, all things form a unified whole. Those who attain the Dao (the Way) can coexist harmoniously with birds and beasts—ferocious animals can be tamed, seagulls will approach without fear—precisely because they follow these creatures' inherent natures.

The author employs the phrase "the softest thing in the world overcomes the hardest" to illustrate how the most yielding can master the most unyielding, representing the supreme state of sage governance. Just as fierce tigers, wolves, and birds of prey can dwell peacefully together in gardens, the essential skill lies in understanding the Dao (the Way) of nurturing. When emotions like joy and anger become excessive, disrupting the balance of Yin-Yang and violating the nature of things, calamity ensues. True cultivation neither provokes beings by opposing their nature nor indulges them into wild euphoria, but allows all existence to abide in natural ease.

(Note: The referenced "Chongxu Zhide Zhenjing" refers to the Liezi, an important Daoist classic; "Lu's commentary" indicates annotations by Tang dynasty Daoist priest Lu Chongxuan; "Zhenghe" refers to official commentaries from Emperor Huizong of Song's Zhenghe reign period.)

 人之養生不使好惡内傷其身達之至於  育萬物和天下豈有他哉以此而已  范曰有血氣者不能無喜怒故禽獸異類  而喜怒之情常因於人之逆順善養虎者  不敢逆之使怒亦不順之使喜故禽獸異  類視之猶儕也然則襲諸人間人道之患  固有甚於養虎者惟聖人處物不傷物故  物亦莫之能傷莊子寓言於人間世亦有  養虎之說蓋明乎此 顔回問乎仲尼曰吾嘗濟乎觴深之淵矣津 人操舟若神吾問焉曰操舟可學邪曰可能 游者可教也善游者數能  向秀曰其數自能也言其道數必能不懼  舟也 乃若夫没人則未嘗見舟而謖操之也(謖所/六切)  謖起也向秀曰能鶩没之人也(騖音/木) 吾問焉而不告敢問何謂也  盧曰善操舟者能學之也善游浮者串習  之也至乎没人未嘗見舟而得者斯乃神  會彼不能違  政和操舟若神者道濟天下不可窺測故  也能游者可教謂其不溺於物善游者數  能謂其乆於其道乃若夫没人則未嘗見  舟而謖操之則妙而不可知矣問焉而不  告則道至於此不可以告人故也 仲尼曰𧮒吾與若玩其文也乆矣而未達其 實而固且道與(𧮒音/衣)  見操舟之可學則是玩其文未悟没者之  自能則是未至其實今且爲汝說之也 能游者可教也輕水也善游者之數能也忘 水也
Interpretation

This passage elucidates the principles of self-cultivation and mastering skills. Regarding the Dao of nurturing life, the key lies in preventing excessive preferences and aversions from harming body and mind. Those who truly understand life cultivation maintain harmony with all things, just as skilled tiger handlers neither provoke nor deliberately placate the beasts—thus even ferocious animals cause no harm. Zhuangzi presents a similar tiger-taming parable in the "Human World" chapter, illustrating how sages interact with external phenomena without harming them, and consequently remain unharmed in return.

Yan Hui recounted to Confucius an observation: At the Shenyuan abyss, he witnessed a ferryman demonstrating supernatural boat-handling skills. When asked whether such techniques could be learned, the ferryman replied that swimmers could be taught, while expert swimmers could master it quickly. But those proficient in deep diving—even having never seen a boat—could instantly grasp the skill. Yan Hui couldn't comprehend why the ferryman didn't explain this principle directly.

Confucius clarified: You've been studying surface words without grasping their essence. Swimmers can be taught because they understand water's nature; expert swimmers learn quickly because they've "forgotten" water's existence (having fully merged with its properties). As for master divers (called "meiren"—those naturally adept at submersion), their innate ability allows them to command boatmanship without study. This represents the mysterious realm of Dao—a profundity beyond verbal explanation.

 忘水者則無矜畏之心也 乃若夫没人之未嘗見舟也而謖操之也彼 視淵若陵視舟之覆猶其車却也覆却萬物 方陳乎前而不得入其舍  神明所居者故謂之含也 惡往而不暇(所遇皆/間暇也)以瓦摳者巧以鉤摳者 憚以黄金摳者惛  互有所投曰摳郭象曰所要愈重則其心  愈矜也  盧曰見操舟可學者玩其文也若會其眞  者彼則視水如陵覆溺不入其靈府矣何  往而不閑暇哉以瓦投物者但見其巧中  而不憚於失瓦也若以鉤投物則不專於  巧中更恐失鉤之拙也若以黃金爲投者  不敢祈中惟懼失金之損矣是知向時之  妙忘於外物今時之懼惜於外物也代人  知矜外之兩失而貪物以喪其生 巧一也而有所矜則重外也凡重外者拱内  唯忘内外遺輕重則無巧拙矣  政和𧮒與噫同蓋醫者意也謂之𧮒則或  有救其失之義能游者可教也輕水也則  入水之溺不累其形善游者數能忘水也  則蹈水之道無變於己若夫没人之未嘗  見舟也而謖操之也則物我如一不疑其  所行矣死生驚懼不入乎胸中而況利害  之端乎此所以視淵若陵視舟之覆猶其  車却覆却萬物方陳乎前而不得入其舍  無往而不暇也彼内資於道不深則外變  於物亦易矣故以瓦摳者巧以鉤摳者憚  以黃金摳者惛也先儒謂互有所投曰摳
Interpretation

This passage discusses the Daoist cultivation state of "forgetting external things." Skilled swimmers move through water as effortlessly as on land because they understand water's nature, while expert divers who've never seen boats handle vessels with remarkable ease. They perceive deep abysses as level ground and view capsized boats as casually as one might see a carriage backing up. This stems from their transcendent inner state where external disturbances cannot penetrate their spiritual abode ("不得入其舍" means nothing can disturb their Shen-spirit).

Three metaphors illustrate how attachment to objects affects mental clarity: when tossing roof tiles, one moves with natural dexterity; when throwing valuable hooks, hesitation appears; when casting gold, the mind becomes utterly confused. This demonstrates that the more one values material objects ("钩" represents precious items, "黄金" the most valued possessions), the more constrained the mind becomes. True practitioners should transcend distinctions between inner and outer, abandoning judgments of value, thereby eliminating concepts of skill or clumsiness.

The text mentions that "proficient swimmers frequently forget about water," meaning through constant practice they reach a state where water's presence fades from awareness. Genuine adepts ("没人" refers to master divers) can effortlessly handle boats without prior experience because they've achieved unity between self and object, where neither life-and-death nor fear occupies their mind—how much less would worldly gains and losses? This state requires profound internal cultivation ("内资于道" - internally nourished by the Dao); without it, one remains vulnerable to emotional fluctuations caused by external things.

 蓋探籌投鉤之謂也惟所要愈重則用心  愈矜故以瓦則巧以鉤則憚以金則惛憚  則恐失而已至於惛則若亡矣故曰重外  者拱内拱内者心有所系而不能休休焉  之類也  范曰古之乗道德以浮游者虚己而無累  刳心而無物塗却守神物無自入焉烏往  而不暇耶一有所矜詎能無内拙之患 孔子觀於吕梁懸水三十仞流沫三十里黿 鼉魚鼈之所不能游也見一丈夫游之以爲 有苦而欲死者也使弟子並流而承之數百 步而出被髮行歌而游於塘下孔子從而問 之曰吕梁懸水三十仞流沫三十里黿鼉魚 鼈所不能游向吾見子蹈之以爲有苦而欲 死者使弟子並流將承子子岀而被髮行歌 吾以子爲鬼也察子則人也請問蹈水有道 乎曰亡吾無道吾始乎故長乎性成乎命與 齎俱入與汩偕出(齎汩者水迴/入涌出之貌)從水之道而 不爲私焉此吾所以道之也孔子曰何謂始 乎故長乎性成乎命也曰吾生於陵而安於 陵故也  故猶素也任其眞素則所遇而安也 長於水而安於水性也  順性之理則物莫之逆也 不知吾所以然而然命也  自然之理不可以智知知其不可知謂之  命也  盧曰夫生於陵而安於陵生於水而安於  水習則爲常故曰始乎故也長乎性也習  其故安其性忽然神會以成其命得之不
Interpretation

This passage illustrates the core Daoist concept of "following what is natural" through several vivid stories.

The first analogy uses gambling: the more valuable the wager, the more tense the person becomes. When betting with a tile, one's movements remain nimble; when using a belt hook as stake, hesitation appears; with gold at stake, the mind becomes utterly distracted. The more one fixates on external gains and losses, the more the inner self becomes constrained, unable to maintain natural ease.

Next comes Confucius' encounter at the Lüliang waterfall. The cascade plunged thirty ren (approximately 70 meters) with rapids stretching thirty li, where even turtles couldn't swim. Yet a man swam calmly through the torrent. Thinking he meant to drown himself, Confucius urgently sent disciples to rescue him. The man emerged hundreds of paces downstream, shook out his hair, and strolled away singing. When Confucius asked his secret, the swimmer replied: "I have no technique. Born in mountains, I became at ease with heights; raised by water, I grew accustomed to currents—all by following what's natural. I sink with the whirlpools and rise with the surges, completely yielding to water's ways without imposing my own will." This exemplifies the Daoist principle: "Begin with what's given (accepting inherent nature), grow through innate tendencies (following natural disposition), and achieve through ming (fulfilling natural destiny)."

The conclusion reveals: Human adaptation to environment resembles dyeing white cloth—maintaining fundamental authenticity allows harmonious existence anywhere. Those raised in water become naturally aquatic; following nature's patterns removes all obstacles. The true state is achieving without knowing why—this ineffable natural condition is ming (natural law). Just as mountain dwellers become at home on cliffs and water-nurtured people adapt to currents, when habit becomes second nature, one suddenly communes with the Dao. Such attainment cannot be reached through forced striving.

(Note: The ancient measurement ren equals approximately 2.3 meters; "swirling and surging" describes water's eddying and upwelling movements)

 自知也故易曰窮理盡性以至於命命者  契乎神道也  政和黿鼉魚鼈之所不能游也而游之則  忘涉難之險者也以子爲鬼察子則人也  則亦疑於神矣然求其爲道則從水之道  不爲私焉而已與齎俱入者沈以窮乎下  與汩俱出者浮以𢲉乎上任其自然而已  此所謂從水之道而不爲私焉者也生於  陵而安於陵不失其所因而已長於水而  安於水不逆其所性而已自然者不累於  外不變於己其所以然莫知爲之者故曰  不知所以然而然命也  范曰有所因而使然故也無所因而自然  性也不知所以然而然命也吕梁大夫與  齎俱入與汩偕出從水之道而不爲私焉  乃能蹈乎黿鼉魚鼈之所不能游者豈有  所偏能而然耶然則體道之人固無往而  不適矣 仲尼適楚出於林中見痀僂者承蜩猶掇之 也仲尼曰子巧乎有道耶曰我有道也五六 月纍垸二而不墜則失道錙銖  向秀曰纍二丸而不墜是用手之停審也  故承蜩所失者不過錙銖之間耳 纍三而不墜則失者十一纍五而不墜猶掇 之也  用手轉審則無所失者也 吾處也若橛株駒  崔譔曰橛株駒斷樹也 吾執臂若槁木之枝天地之大萬物之多而 唯蜩翼之知吾不反側不以萬物易蜩之翼 何爲而不得  郭象曰遺彼故得此也
Interpretation

The Chongxu Zhide Zhenjing (Scripture of Perfect Virtue in Simplicity) expounds the wisdom of following the natural Dao. Through several parables, it illustrates how those who truly understand principles act with the effortless flow of water.

First, it describes how expert swimmers navigate torrents where even fish and turtles struggle—not through special skills, but by completely conforming to water's nature (the Dao of water). They sink when encountering whirlpools and rise with surging currents, thereby reaching places others cannot. Like mountain dwellers adapting to slopes or riverside inhabitants attuning to water's ways, this reflects harmony with environment rather than resistance to innate tendencies. Such "unknowing mastery"—the ability to act perfectly without conscious reasoning—embodies "ming" (natural destiny).

Next, Confucius encounters a hunchbacked old man in Chu who catches cicadas as effortlessly as picking up objects. The elder reveals his five-month training: first balancing two clay balls on his pole without dropping them (rarely failing), then three balls (missing once in ten attempts), until handling five balls with the ease of plucking fruit. His secret: standing stable as a tree stump, arms steady as dead branches, eyes focused solely on cicada wings—all distractions vanished. This exemplifies Zhuangzi's "attaining this while forgetting that"—total presence achieved by relinquishing peripheral concerns.

These stories collectively demonstrate how releasing forced effort and aligning body-mind with phenomena's inherent nature leads to transcendent skill. Just as swimmers don't fight currents and cicada catchers avoid divided attention, this state of "wu si" (absence of selfish striving)—untainted by subjective compulsions—embodies true unity with the Dao.

 盧曰言初學累丸也未嘗得之習經半載  而能累二不墜矣習之不已乃至累五而  不墜者何耶我身如橛株臂如枯木心一  志定都無異思雖萬物之多而知在蜩異  何爲而有不得耶 孔子顧謂弟子曰用志不分乃凝於神  分猶散意專則與神相似者也 其痀僂丈人之謂乎  盧曰專心不雜乃凝於神會也夫子以其  未忘於蜩翼故凝於神非謂神會者也 丈人曰汝逢衣徒也亦何知問是乎修汝所 以而後載言其上  修治也言治汝所用仁義之術反於自然  之道然後可載此言於其身上也  盧曰言夫子之徒皆縫掖之士用仁義以  教化於天下使天下紛然尚名利役智慮  而蕩失其眞勞其神明者何知問此道耶  汝垂文字於後代者復欲以言智之辯將  吾此道載之於文字然  政和志者致一之謂精精於道者無自而  不可其處身若橛株駒其執臂若槁木之  枝則寂然不動而忘吾有形雖天地之大  萬物之多而唯蜩翼之知不反不側不以  萬物易蜩之翼則誠心不貳而外滑舉消  其專彌乆其失彌少故其始也失者錙銖  及其乆也失者十一又其乆也猶掇之也  此無他志致一而已志致一之謂精惟天  下之至精爲能通天下之至神故曰用志  不分乃凝於神  范曰承蜩末技也用志不分乃造於凝神
Interpretation

This recounts the story of a hunchbacked old man catching cicadas. When first practicing, he couldn't even balance two balls steadily. After six months of practice, he could stack two without dropping them, and through persistent training eventually mastered balancing five. The key lay in his complete immersion—his body stood as steady as a wooden stake, his arms remained motionless like withered branches, his mind wholly focused, entirely undisturbed by external distractions. Even amidst the myriad distractions of the world, his attention remained fixed solely on the cicada's wings.

When Confucius witnessed this, he told his disciples: "With undivided concentration, one can attain communion with the divine." He meant that single-minded focus allows one to approach a state akin to spiritual enlightenment, just like this hunchbacked elder.

The old man said to Confucius: "You scholars in your wide robes and flowing sleeves, busily preaching benevolence and righteousness to transform the world, have made people chase fame and fortune, exhausting their minds and losing their true nature. How could you possibly comprehend such a state? You wish to record my method in writing, but can the true Dao (the Way) ever be fully expressed in words?"

The text emphasizes that those who truly master the Dao can adapt to any environment. Their bodies stand firm as wooden stakes, their arms still as withered branches, completely forgetting their own existence. Though heaven and earth are vast and the myriad things abundant, they focus solely on the cicada's wings. The longer this concentration lasts, the fewer mistakes they make. At first there might be minor errors, but with time it becomes as effortless as picking something up at will. There's no secret to it—just complete absorption. Only through ultimate focus can one reach this divine state. Hence the saying: "When will is undivided, it coalesces into spirit (Shen)."

Fan Shi comments that though cicada-catching may seem a trivial skill, achieving such undivided concentration allows one to attain the state of focused spirit (Shen) and gathered Qi (vital energy).

 之妙然則向之所謂純氣之守者其用志  不分從可知矣 海上之人有好漚鳥者每旦之海上從漚鳥 游漚鳥之至者百住而不止  心和而形順者物所不惡住當作數 其父曰吾聞漚鳥皆從汝游汝取來吾玩之 明日之海上漚鳥舞而不下也  心動於内形變於外禽鳥猶覺人理豈可  詐哉 故曰至言去言至爲無爲齊智之所知則淺 矣  言爲都忘然後物無疑心限於智之所知  則失之遠矣或有疑丈人假僞形以獲蟬  海童任和心而鷗游二情相背而童不忤  物夫立言之本各有攸趣似若乖互會歸  不異者蓋丈人明夫心慮專一猶能外不  駭物況自然冥至形同於木石者乎至於  海童誠心充於内坦蕩形外雖未能利害  兩忘猜忌兼消然輕群異類亦無所多怪  此二喻者蓋假近以徵遠借末以明本耳  盧曰夫神會可以理通非以情知知生則  骨肉所猜理生則萬類無間然後知審精  微也同萬物者在於神會同群有者在於  情滅欲獨矜其心智則去道遠矣  政和古之有道者去智忘機純白内備故  入獸不亂群入鳥不亂行鳥獸不惡而況  人乎蓋内本無心物自不疑故也純白不  全則機變之智多於是有高飛以避罾弋  之害然則漚鳥之舞而不下蓋以向也去  智而今任智故也聖人不以智治國其有
Interpretation

This scripture reveals the core Daoist principle that "the ultimate words are beyond words, the ultimate action is non-action (Wuwei)" through two vivid parables.

The first story tells of a seaside child who loved seagulls, playing with them daily until hundreds flocked to him. When his father asked him to catch some for amusement, the next day the gulls only circled overhead without landing. This illustrates how the slightest impurity in one's heart manifests outwardly—even birds can perceive it, let alone humans.

The second story contrasts two states of being: an old cicada catcher so absorbed in his skill that he forgot himself, and the seaside child interacting with gulls in perfect sincerity. Though expressed differently, both demonstrate the essential teaching of "single-minded spiritual focus." The old man shows how concentration shields one from external disturbances, while the child reveals how genuineness dissolves barriers.

The text emphasizes: true wisdom transcends verbal expression, and the highest accomplishment lies in following nature's flow. Clinging to clever schemes only erodes one's original purity (what Daoists call "unblemished whiteness"). Just as governing through cunning proves inferior to ruling through Wuwei, maintaining inner purity allows all things to harmonize naturally. When people shed calculating minds, even beasts drop their guard—how much more so in human interactions?

Together these fables demonstrate: communion with all beings depends on spiritual resonance rather than emotional cognition, and only by eliminating selfish desires can barriers be broken. Those who flaunt cleverness only drift further from the Dao.

 言也無言之之累其有爲也無爲之之迹  齊智之所知則淺矣  范曰漚海鳥也出没若漚夫機心存於胸  中則海上之漚徒舞而不下況於人乎涉  世之聖人至言去言雖言而未嘗言至爲  無爲雖爲而未嘗爲猜慮不萌純白大備  入鳥不亂行敦有舞而不下者一將齊其  智之所知則言有當愆爲有成虧曾未免  夫累烏能深造乎道 趙襄子率徒十萬狩於中山(大畋/曰狩)藉芿燔林 扇赫百里有一人從石壁中出隨煙燼上下 衆謂鬼物火過徐行而出若無所經涉者襄 子怪而留之徐而察之形色七竅人也氣息 音聲人也問奚道而處石奚道而人火其人 曰奚物而謂石奚物而謂火  此則都不覺有石火何物而能閔之 襄子曰而嚮之所出者石也而嚮之所涉者 火也其人曰不知也  不知之極故得如此 魏文侯聞之問子夏曰彼何人哉子夏曰以 商所聞夫子之言和者大同於物物無得傷 閡者游金石蹈水火皆可也文侯曰吾子奚 不爲之子夏曰刳心去智商未之能雖然試 語之有暇矣  夫因心以刳心借智以去智心智之累誠  盡然所遣心智之跡猶存明夫至理非用  心之所體忘言之則有餘暇矣  盧曰前章言游水之不礙此章明火石之  不傷言人之習水者多蹈火者少恐物情  之偏執也故復言火以辯之其内忘己形
Interpretation

This passage elucidates the Daoist state of "Wuwei" (non-action) and the miraculous abilities of those who have attained the Dao.

First, it explains the realm of Wuwei: True sages speak without being constrained by words and act without leaving deliberate traces. To comprehend this state with limited intellect is profoundly superficial. Like seabirds skimming the ocean's surface—if one harbors cunning calculations in mind, it's akin to sea foam dancing pointlessly without settling. When Dao-realized sages speak, they appear to speak yet haven't spoken; when they act, they seem to act yet haven't acted. Their minds remain utterly pure and uncluttered, so much so that even birds wouldn't startle and flee.

Next comes a wondrous tale: When Lord Xiang of Zhao led a hundred thousand men hunting in Zhongshan and set the forest ablaze, a man emerged from stone cliffs, walking unscathed through smoke and flames. All assumed him to be a ghost. After the fire subsided, the man walked out composedly as if nothing had occurred. When questioned how he could traverse stone and fire freely, he countered: "What is stone? What is fire?" Being utterly insensible to their existence, he remained unharmed.

Hearing this, Marquis Wen of Wei asked Confucius' disciple Zixia about the man's identity. Zixia quoted Confucius: "One who harmonizes completely with all things encounters no obstruction from external phenomena, thus moving freely through metal, stone, water, and fire." When the Marquis asked why Zixia couldn't do this, the disciple replied: "To utterly eliminate mental cunning—I haven't attained this yet, though I can attempt to explain the principle."

Finally, the commentator Lu adds: Previous chapters discussed moving freely through water, while this chapter emphasizes fearlessness toward fire and stone pressure. Since more people understand water's nature than fire's, and to prevent one-sided fixation, it specially clarifies the principle of fire and stone causing no harm. The essential point lies in completely forgetting one's physical form.

 外忘於物不知石之所以礙火之所以傷  文侯不曉而興問子夏素知而善答故文  侯重質子既能知者何不爲之耶子夏曰  我但知而說之則有餘也若行而證之者  商則未知之能 文侯曰夫子奚不爲之予夏曰夫子能之而 能不爲者也文侯大說  天下有能之而能不爲者有能之而不能  不爲者有不能而彊欲爲之者有不爲而  自能者至於聖人亦何所爲亦何所不爲  亦何所能亦何所不能俛仰同俗升降隨  物奇功異迹未嘗暫顯體中之絶妙處萬  不視一焉此卷自始篇至此章明順性命  之道而不係著五情專志致柔誠心無二  者則處水火而不焦溺涉木石而不挂硋  觸鋒刃而無傷殘履危險而無顚墜萬物  靡逆其心入獸不亂群神能獨游身能輕  舉耳可洞聽目可徹照斯言不經實駭常  心故試論之夫陰陽遞化五才遍育金土  以母子相生水火以燥濕相乗人性以靜  躁殊途升降以所能異情故有雲飛之翰  淵潜之鱗火游之鼠木藏之蟲何者剛柔  炎凉各有攸宜安於一域則困於餘方至  於至人心與元氣玄合體與陰陽冥諧方  圓不當於一象温凉不值於一器神定氣  和所乗皆順則五物不能逆寒暑不能傷  謂含德之厚和之至也故常無死地豈用  心去就而復全哉蹈水火乗雲霧履高危  入甲兵未足怪也
Interpretation

This passage explores the relationship between "knowing" and "doing" through a dialogue between Marquis Wen of Wei and Zixia, ultimately revealing the supreme state of Daoist cultivation.

Marquis Wen couldn't understand why people who knew fire burns and stones trip still wouldn't avoid them. Zixia explained: It's easy for me to know these principles and speak them, but actually practicing and verifying them personally is another matter. The Marquis pressed: Then why didn't Confucius do this? Zixia replied: The Master was someone who could do but chose not to.

The text distinguishes four types of people: those who can act but consciously refrain; those who can act but don't; those who can't but force themselves; and those who achieve naturally without deliberate effort. The sages (referring to Daoist adepts) transcend such distinctions—for them, there's no deliberate action or non-action, no ability or inability, only complete alignment with nature. They move with worldly currents, rise and fall with external circumstances, never intentionally displaying special powers.

When cultivators align with life's fundamental truth, unbound by emotions like joy or anger, and single-mindedly maintain a gentle state, they attain marvelous abilities: walking through water without drowning, through fire without burning, traversing wood and stone unimpeded, touching blades unharmed, treading dangerous paths without falling. Nothing can harm them, beasts don't startle them, their spirit roams freely, their body ascends lightly, their hearing penetrates barriers, their vision pierces darkness.

Though these claims seem extraordinary, they contain profound truth. Yin and Yang alternate in transformation, the Five Phases (Wood, Fire, Earth, Metal, Water) interact through mutual generation and restraint—just as metal and earth relate like mother and child, water and fire balance through dryness and moisture. Human temperaments vary by stillness or agitation, states differ by capability: hence birds soar through clouds, fish dive deep, mice move through fire, insects dwell in wood—all things find their place according to hardness, softness, heat and cold.

The Dao-realized person's nature secretly harmonizes with cosmic Qi (the primordial energy constituting all things), their body silently aligns with Yin-Yang principles, unlimited by square or round shapes, unaffected by temperature extremes. Their spirit rests peacefully, their breath flows smoothly—wherever they go, all moves effortlessly. The Five Phases cannot harm them, heat and cold cannot invade. This is the state of profound De (Virtue) and perfect harmony, naturally avoiding danger without needing conscious evasion. For them, traversing fire and water, riding clouds, walking cliffs, or entering battlefields are nothing extraordinary.

 盧曰言夫子能而不爲者方以仁義禮節  君臣之道以救衰俗耳不獨善其身以群  鳥獸焉  政和心與道冥則一體未始有分形與物  遷則萬化末始不異物我相對觸類爲二  和之以天倪烏用而求有以異物我同根  彼是一致無虚實之相形則出入石壁奚  物而能閡無利害相摩則上下煙燼奚物  而能傷故曰和者大同於物物無得傷閡  者游金石蹈水火皆可也子夏知之而未  能夫子能之而不爲蓋道非有心者所能  得遠亦非無心者所能得近故子夏於此  則曰刳心去智商未之能聖人藏於天而  不自衒鬻則夫子能之而不爲者眞是也  彼弊弊然游金石蹈水火以爲有道是以  其道與世抗使人得而相之者爾故列子  歷叙諸子之道至此則尊夫子爲大全焉  范曰石則實而能硋火則烈而善焚觸實  不硋者雖從石壁中出不知其爲石蹈火  不熱者雖隨煙燼上下不知其爲火坐進  此道唯和而同物然後能之蓋大同離人  萬物一視以游金石以蹈水火無往不可  將以刳心未能虚而無物將以去智未能  同於大通故雖語之有暇而未之能爲焉  夫子能之而能不爲是殆得之以心者然  耶 有神巫自齊來處於鄭命曰季咸知人死生 存亡禍福壽夭期以歲月旬日如神鄭人見 之皆避而走  向秀曰不喜自聞死日也
Interpretation

Lu Chongxuan explains that Confucius possessed extraordinary abilities yet chose Wuwei (non-action), because he sought to revive declining social customs through benevolence, righteousness, rituals, and the proper relationships between rulers and subjects—rather than merely cultivating his own virtue while living reclusively among birds and beasts.

The Zhenghe era commentary states: When the mind merges completely with the Dao (the Way), all distinctions between self and other dissolve. When the physical form follows external transformations, the myriad things maintain their individual differences. The moment subject and object become opposed, dualistic distinctions arise. If one can harmonize through natural boundaries, why deliberately pursue being extraordinary? Recognizing that all things share the same origin—with no opposition between emptiness and substance—how could stone walls obstruct passage? Without conflict between benefit and harm, how could fire and smoke cause injury? Thus, those who achieve perfect harmony with all things remain unharmed and unobstructed—they can walk through metal and stone, tread upon fire and water without suffering harm.

Zixia (Confucius's disciple) understood this principle but couldn't embody it, while Confucius could manifest it yet chose Wuwei (non-action). The Dao cannot be attained through forced striving, nor approached through mere absence of intent. Therefore, when Zixia spoke of emptying the mind and abandoning cleverness, he still hadn't reached the sage's attainment. The sage follows nature without self-display—Confucius's ability to act yet refrain from doing so represents true mastery of the Dao. Those who deliberately demonstrate supernatural feats like walking through metal are actually using Daoist techniques to oppose worldly conventions, thereby revealing their artifice. This is why Liezi, when surveying various schools of thought, particularly honored Confucius as the synthesizing culmination.

Fan Yingyuan elaborates: Stone is inherently solid and obstructive; fire is inherently scorching and consuming. Those who pass through stone without obstruction don't perceive it as stone even when traversing solid walls; those who tread fire without burning don't perceive it as fire even when walking through flames. To reach this state requires complete fusion with all things. The genuine state of Great Harmony transcends artificial distinctions and regards all phenomena with perfect equality—thus making one capable of unimpeded passage through metal and fire. Zixia sought to empty his mind but hadn't achieved true stillness; sought to abandon cleverness but hadn't attained complete penetration—hence he could discuss the principles but not embody them. Confucius's ability to manifest these powers yet choose Wuwei (non-action) demonstrates true embodiment of the Dao through mindful cultivation.

The subsequent passage describes a spirit-medium named Ji Xian who came from Qi to Zheng, capable of foretelling people's life-and-death fortunes with precise dates down to the day. The people of Zheng fled at his sight. Xiang Xiu's commentary explains this was because no one wishes to know their death date in advance.

列子見之而心醉  向秀曰迷惑其道也 而歸以告壺丘子曰始吾以夫子之道爲至 矣則又有至焉者矣  郭象曰謂季咸之至又過於夫子也 壺子曰吾與汝既其文未既其實而固得道 與衆雌而無雄而又奚卵焉  向秀曰夫實由文顯道以事彰有道而無  事猶有雌無雄耳今吾與汝雖深淺不同  然俱在實位則無文相發矣故未盡我道  之實也此言至人之唱必有感而後和者  也 而以道與世抗必信矣夫故使人得而相汝  向秀曰無其一方以必信於世故可得而  相也  盧曰列子見鄭巫而心醉以其能知生死  禍福將以道盡於此壺丘子曰吾與汝且  亡其文跡都未盡其實理也汝豈得吾道  歟夫澄神寂慮如衆雌也動用成功若雄  也汝方息事以靜心安得無雄而求卵耶  乃欲以至道與俗巫相敵則汝之深信故  鬼物知汝也  政和解見莊子書  范曰神也者妙萬物而爲言巫則誣神之  言以告人者故死生存亡禍福壽夭雖可  期於歲月旬日之間似妙而非妙如神而  已既已謂之神巫而又曰季咸以寓物之  妙而有感者也咸則有感感則有心方且  以我之有心而感人之心以我之有見而  見人之見故死生存亡禍福壽夭八者妄  名起名既已妄又妄見之見既愈妄又妄  言之世之滯於相而不能冥妄者又妄受
Interpretation

When Liezi (a prominent Daoist figure) met the renowned diviner Jixian of Zheng, he was utterly awestruck. Xiang Xiu (a Wei-Jin period Neo-Daoist scholar) explained this occurred because Liezi became enchanted by the other's Daoist arts. Returning to his master Huzi, Liezi confessed: "I once believed your Dao methods represented the pinnacle of attainment, never imagining higher mastery existed."

Guo Xiang (another Neo-Daoist commentator) added that Liezi considered Jixian's cultivation to surpass even Huzi's. The master responded: "What I've taught you remains superficial—we haven't touched the essential core. How can you claim genuine understanding of Dao? Without the rooster's yang to complement the hen's yin, how could eggs be produced?" Xiang Xiu elaborated: Dao's principles manifest through concrete phenomena, just as reproduction requires both genders. Though our cultivation differs in depth, we're both still practicing forms without theoretical realization—hence your incomplete comprehension. This shows perfected beings (zhenren) must await karmic readiness before their teachings resonate.

Lu Zhongxuan (Tang dynasty Daoist) noted Liezi was dazzled by the diviner's ability to foresee life events, mistaking this for Dao's ultimate expression. Huzi exposed this: "We haven't even penetrated surface-level practice, let alone essential truths. Your static cultivation resembles having only the feminine principle—true Dao unites movement and stillness. Seeking results through quietism alone is like expecting eggs without a rooster." Precisely because Liezi measured supreme Dao against vulgar shamanism through attachment, his mind became transparent to spirits.

Fan Yingyuan (Song dynasty Daoist) analyzed deeper: What we call "divine" (shen) originally denotes penetrating cosmic mysteries, yet these shamans counterfeit spiritual authority to predict human affairs. Though foreseeing fortunes seems miraculous, it's not authentic Dao. Diviners like Jixian merely divine through external correlations—these omens stem from subjective cognition that presumes to interpret celestial mechanisms. By arbitrarily defining life's vicissitudes and spreading deluded interpretations, they trap those obsessed with appearances in dual illusions—misperceiving both phenomena and truth.

 之直以是爲眞故棄而走也雖列子由見  之而心醉未能刳心也以其道之至於壺  丘子未能絶學也是直既其文未既其實  而已夫道未始有物而物無非道故空虚  無而莫之與匹猶之衆雌而無雄也茍居  然獨而藏於胸中是由無雄而卵也而以  道與世抗而必信焉未能立乎不測而遊  乎無有故使人得而相汝 嘗試與來以予示之明日列子與之見壺子 出而謂列子曰譆子之先生死矣弗活矣不 可以旬數矣吾見怪焉見濕灰焉列子入涕 泣霑衾以告壺子壺子曰向吾示之以地文  向秀曰塊然若土也 罪乎不誫不止罪字或作萌  向秀曰萌然不動亦不自止與枯木同其  不華死灰均其寂魄此至人無感之時也  夫至人其動也天其靜也地其行也水流  其湛也淵嘿淵嘿之與水流天行之與地  止其於不爲而自然一也今季咸見其尸  居而坐忘即謂之將死見其神動而天隨  便爲之有生茍無心而應感則與變升降  以世爲量然後足爲物主而順時無極耳  豈相者之所覺哉 是殆見吾杜德幾也  向秀曰德幾不發故曰杜也  盧曰夫鬼神之靈能知人之動用之心耳  有所繫鬼便知也壺子色存乎濕灰心著  乎土壤萌然無慮故曰天文振動則爲生  止靜則冥寂故曰不動不止也  政和見怪則非常濕灰則不復然古之至
Interpretation

This passage recounts an encounter between Liezi (a prominent Daoist figure) and his teacher Huzi (Master Huqiu), illustrating the realm of the "perfected person" (zhiren) in Daoism.

At that time, there was a remarkably accurate physiognomist named Jixian whom Liezi greatly admired. Huzi instructed Liezi to bring Jixian to read his features. After their first meeting, Jixian told Liezi: "Your master is dying—he won't live more than ten days. I saw him looking like drenched ashes, completely lifeless." A tearful Liezi reported this to Huzi, who explained: "I was manifesting the 'Earth Pattern' state—as still and silent as the earth itself, motionless like clay or stone. This is the perfected person's state of non-reaction and non-perception."

Xiang Xiu (a commentator) elaborated: The perfected person's movements and stillness follow nature's rhythms like heaven and earth—flowing like water when active, profound as an abyss when still. Jixian only saw Huzi sitting corpse-like in stillness and mistook it for impending death; had he seen spiritual activity, he would have predicted life instead. In truth, the perfected person follows natural transformations without conscious response, making them utterly incomprehensible to diviners.

Huzi remarked that Jixian only perceived his "blocked De (virtue/power) mechanism"—what Xiang Xiu explained as deliberately concealing vital signs. Another commentator, Lu Zhongxuan, added: Spirits can only detect fluctuations when the human mind clings to something, whereas Huzi's heart-mind was like damp ashes—his consciousness settled like undisturbed soil, completely free of thought, rendering him opaque to the physiognomist.

The passage concludes: Ordinary people's limitations make them startled by unusual phenomena—seeing wet ashes, they assume they cannot reignite. Ancient perfected persons followed nature's transformations, united with the Dao (the Way), hence their outward manifestations appeared endlessly mutable and utterly unfathomable to conventional perception.

 人運道樞於無窮則彼是莫得其偶杜德  幾而不發則嗒焉似喪其耦故示之以地  文而見吾杜德幾則謂弗活也地與陰同  德而其事文則一以爲靜一以爲顯故曰  不誫不止不誫言不震動也不止言不止  著也  范曰凡形皆土也有形矣乃有可怪有心  矣乃以爲怪土合於空心合於無道通爲  一孰可爲怪古之至人心若死灰其藏深  矣不可測究彼將以妄見而見焉故直以  爲見怪也不震以言其未嘗動不止以言  其未嘗止萌乎不震不止者示之以地文  固如此也是殆見其杜德幾而不發者歟 嘗又與來明日又與之見壺子出而謂列子 曰幸矣子之先生遇我也有瘳矣灰然(灰或/作全) 有生矣吾見杜權矣  有用而無利故謂之杜權 列子入告壺子壺子曰向吾示之以天壤  向秀曰天壤之中覆載之功見矣此地之  文不猶外乎 名實不入  向秀曰任自然而覆載則名利之飾皆爲  棄物 而機發於踵(郭象曰常/在極上起)此爲杜權是殆見吾 善者幾也  向秀曰有善於彼彼乃見之明季咸之所  見者淺矣  盧曰有權而不用爲杜也若天之覆而未  見其功自下而升爲名實未入故云有生  矣  政和灰然有生者或說以爲不復然之中  有生之意向見其濕灰則生之意已滅滅
Interpretation

This scripture elucidates how practitioners of the Dao attain unity with the Dao through inner cultivation.

"Turning the pivot of the Dao (Dao) endlessly" means the cultivator must grasp the essential mechanism of the Dao to enter the boundless realm. In doing so, one transcends dualistic oppositions ("neither this nor that finds its counterpart"), no longer clinging to discriminating thoughts. When a person conceals their Virtue (De) without revealing it ("blocking Virtue, showing no trace"), they appear vacant, as if having lost their counterpart ("dull and blank, as though having lost the pair").

The text mentions the "patterns of earth" (the principles governing the earth's movement), stating that the earth harmonizes with the hidden Virtue (De) of Yin—remaining silent yet manifesting its function. The cultivator should emulate the earth: neither agitated ("not shaking") nor stagnant ("not halting").

The Fan commentary explains that all physical forms originate from Earth (one of the Five Phases), and only a discriminating mind finds this strange. The ancient masters of the Dao had hearts like dead ashes (describing profound inner stillness), deeply concealed. When Ji Xian (a practitioner) observed Master Huizi (another adept) manifesting the state of "blocked Virtue without trace," he mistook it for impending death, unaware this was actually the concealment of Virtue (De) in cultivation.

Later, Huizi revealed to Ji Xian the "workings of heaven and earth" (the principles of cosmic movement), demonstrating that fame and gain are mere external ornaments ("name and substance do not enter"). True vitality arises from the heels ("the pivot springs from the heel"), which is the manifestation of inner Virtue ("blocked potential"). The Lu commentary clarifies that possessing power yet refraining from using it constitutes "blocked potential"—like heaven sheltering all things without claiming merit.

Finally, the text speaks of "dead ashes containing life," referring to the latent vitality within seemingly inert states. Initially, Ji Xian saw only "damp ashes" (extinguished vitality), but later understood the living potential within. All this illustrates the cultivator's state of concealing Virtue (De) and awaiting the proper moment in stillness.

 則已矣故以爲弗活今見其杜權則動之  用猶藏然既以動矣故以爲有生示之以  天壞壤者土有息者也所命於天者於此  有息焉故曰天壞名實不入則眞妄已冥  機發於踵則息之所起此所以爲杜權也  蓋其道不可見而繼道者如此而已故曰  是殆見吾善者幾也  范曰有名有實是物之居無名無實是物  之虚名實不入而機發於踵則未嘗有未  嘗無也雖靜而無爲氣自是而起焉所謂  眞人之息以踵是也示之以天壤固當如  此季咸初見其濕灰不知其爲杜也遂以  爲死及見其全然有生然後知向之死灰  爲杜權而非正也是殆見吾善者幾歟 嘗又與來明日又與之見壺子出而謂列子 曰子之先生坐不齋或無坐字  向秀曰無往不平混然一之以筦窺天者  莫見其崖故以不齋也 吾無得而相焉試齋將且復相之列子入告 壺子壺子曰向吾示之以太沖莫眹  向秀曰居太沖之極浩然泊心玄同萬方  莫見其迹 是殆見吾衡氣幾也(衡平/也)鯢旋之潘(音/藩)爲淵 止水之潘爲淵流水之潘爲淵濫水之潘爲 淵沃水之潘爲淵汍水之潘爲淵雍水之潘 爲淵汧水之潘爲淵肥水之潘爲淵是爲九 淵矣  此九水名義見爾雅夫水一也而隨高下  夷險有洄激流止之異似至人之心因外
Interpretation

This passage elucidates the Daoist cultivation principles concerning the "breath of authentic beings" (zhenren zhi xi, the breathing methods of practitioners) and the manifestation of spiritual states.

The text recounts how a physiognomist named Ji Xian first met the cultivator Huizi and perceived him as lifeless as damp ashes, mistaking him for a dead man. Later, he discovered that Huizi actually concealed vibrant vitality within, realizing that the earlier death-like stillness was merely a state of "restrained expediency" (Duquan, a provisional method of concealing one's cultivation), not true lifelessness. This exemplifies the "subtle signs of vitality" (shan zhe ji) displayed by advanced practitioners.

Huizi demonstrated three distinct states to Ji Xian: first, he manifested "the Supreme Void without trace" (Tai Chong Mo Zhen, a state of perfect equilibrium and utter imperceptibility); next, he revealed "the balanced breath of subtlety" (Heng Qi Ji, a state of harmonized vital energy). The text employs the metaphor of nine different water currents forming distinct abysses—though all are fundamentally water, their characteristics vary according to terrain. Similarly, while the essence of a cultivator's mind remains unchanged, different external conditions cause it to manifest in diverse states.

Xiang Xiu's commentary clarifies that practitioners who attain the "ultimate state of Supreme Equilibrium" (Tai Chong Zhi Ji) possess a vast and serene mind, mysteriously interfused with all things yet leaving no trace. Those who observe with "peering at the sky through a tube" (limited vision) cannot perceive the boundless dimensions of such a state.

 物難易有動寂進退之容向秀曰夫水流  之與止鯢旋之與龍躍常淵然自若未始  失其靜默也郭象曰夫至人用之則行舍  之則止雖波流九變治亂紛紜若居其極  者常澹然自得泊乎無爲也  盧曰心運於太沖之氣漠然無跡蕩然有  形而轉運不常若水之變動殊名未嘗離  乎淵澄也故不得其狀而辯之矣  政和地文則陰勝陽天壤則陽勝陰至於  太沖則有陰有陽而非陰非陽故曰太沖  莫眹眹者神之兆於物陰陽不測故莫得  其眹也且沖者陰陽之交太沖莫趺則見  其適平而已故謂之衡氣幾一陰一陽沖  而莫眹證諸九淵亦可知矣潘者反流之  謂也惟反流然後能全一此潘者所以皆  淵也鯢旋之潘爲淵以言全一於至動止  水之潘爲淵以言全一於或止流水以喻  夫出與物交濫則出之過也沃水以喻夫  入爲物澤汎則入之窮也雍則河水既出  還復入又異夫入之窮矣汧則既出而不  流又異夫還復入矣肥則出異而歸同蓋  反流全一者其義盡於此也然莊子獨舉  其三者蓋别而爲九合而爲三其致一爾  范曰地文則陰也天壞則陽也至其太沖  則一陰一陽如衡適平是以謂之衡氣幾  也萬法平等無有高下彼見自不齊耳故  無得而相焉老子曰心善淵淵虚而靜不  與物雜波流之變雖或不同而淵湛之性
Interpretation

This passage discusses the Daoist philosophical concepts of movement and stillness, and the balance of Yin-Yang. The flowing water and stillness, the swimming fish and leaping dragon may appear ever-changing, yet fundamentally maintain an inherent state of tranquility. Those who have attained supreme De (Virtue) – individuals who have reached the highest level of cultivation – can remain at ease in any circumstance, following nature's course. Even amidst external chaos and transformation, their inner being remains detached and abides in Wuwei (non-action).

The text mentions "Taichong Zhi Qi" (the primordial energy of perfect harmony where Yin-Yang are balanced and undifferentiated), where thoughts move without leaving traces, just as water maintains its clear essence despite countless transformations. Diwen (earthly patterns) represents Yin prevailing over Yang, Tianrang (heavenly expanse) symbolizes Yang prevailing over Yin, while Taichong signifies the state where Yin-Yang intermingle yet transcend dualistic opposition. This subtle equilibrium is called "Hengqi Ji" (the mysterious state of balanced energy).

The nine whirlpools of water (Jiu Yuan) serve as metaphors for the cultivator's process of returning to the origin: Pan water (whirling backflow) maintains perfect unity, just as practitioners must preserve their fundamental mind amid endless transformations. Three primary states are emphasized: Ni Xuan Zhi Pan (fish-swirling whirlpool) symbolizes maintaining unity in extreme movement, Zhi Shui Zhi Pan represents preserving unity in stillness, while flowing water illustrates the need to avoid excess when engaging with external phenomena.

Ultimately, Diwen belongs to Yin, Tianrang to Yang, and Taichong represents the balanced state between them. All phenomena are fundamentally equal – it is merely human perspective that creates distinctions. Laozi said "the heart-mind should be good like an abyss," meaning the spirit should remain profoundly serene like deep waters, undisturbed by external things. Though water manifests in countless forms, its clear nature remains unchanged – this mirrors the original mind that cultivators should preserve.

 常自若也所謂太沖者蓋亦若此 嘗又與來明日又與之見壺子立未定自失 而走壺子曰追之列子追之而不及反以報 壺子曰已滅矣已失矣吾不及也壺子曰向 吾示之以未始出吾宗  向秀曰雖進退同群而常深根寧極也 吾與之虚而猗移(向秀曰無心/以隨變也)不知其誰何  向秀曰汎然無所係者也 因以爲茅靡因以爲波流故逃也(茅靡當/爲頽靡)  向秀曰變化頽靡世事波流無往不因則  爲之非我我雖不爲而與群俯仰夫至人  一也然應世變而時動故相者無所用其  心自失而走者也  盧曰絶思離念入於無爲至虚而無形不  見其相貎如草之靡如波之流淼然汎然  非神巫之所識也  范曰季咸則有心而感者故每入而皆曰  見壺子則無心而應者故每至而皆曰示  以有心而相無心則累於形數而未離見  見之處直以爲死生在是而莫之逃也故  示之地文則嘆之以其死示之以天壤則  幸之以其生示之以太沖莫眹則又名之  以不齋無得而相焉曾不知至人之心靜  而與陰同德動而與陽同波與陰同德彼  亦不得而見焉必示之以地文文者物之  所自雜也與陽同波彼亦不得而見焉必  示之以天壤壤者物之所自生也至於示  之以太沖莫趺則又陰陽適中無所偏勝  有所謂天地之中者三者皆謂之幾意而
Interpretation

This passage recounts the story between Huizi (teacher of Liezi/Lie Yukou) and the divine diviner Jixian, demonstrating the profound state of Daoist "perfected persons" (those who have attained the Dao) in responding to worldly changes.

Huizi displayed three distinct states to Jixian: First, he manifested "earthly composure" (a state as serene as the earth), leading Jixian to deem him lifeless. Next, he revealed "heaven-earth harmony" (a vibrant state of cosmic vitality), making Jixian rejoice at his apparent revival. Finally, he embodied "the supremely balanced void" (a state of perfect Yin-Yang equilibrium), leaving Jixian utterly unable to discern any signs, ultimately fleeing in panic.

The text explains that true perfected persons maintain inner emptiness and stillness—like grass bending with wind or water flowing with currents—leaving no fixed traces to follow. In stillness, they unite with the virtue of Yin (internal contraction); in movement, they harmonize with the waves of Yang (external adaptation). When reaching this "supremely balanced" state of Yin-Yang equilibrium, even divine diviners cannot fathom them. This resembles how blades of grass sway naturally or waves flow effortlessly—seemingly passive yet actually representing the supreme state of unity with the Dao.

Xiang Xiu (a Wei-Jin period metaphysical philosopher) particularly notes in his commentary: Although perfected persons live among ordinary people, their inner selves remain deeply rooted and profoundly tranquil like firmly anchored tree roots. With minds of emptiness, they follow transformations without clinging to any fixed forms. Thus, they confound even skilled physiognomists like Jixian, who ultimately flee in defeat. This realm transcends superficial appearances of life and death, remaining completely incomprehensible even to diviners versed in esoteric arts.

 動之微而見之是故得而見之也若夫未  始出吾宗則雖示而秘彼將莫得而窺矣  此所以自失而走追之弗及歟然壺子之  告列子且曰殆見吾杜德幾又曰殆見吾  善者幾又曰殆見吾衡氣幾皆曰吾者由  是立我矣至於吾與之虚而委蛇不知其  誰何雖吾亦喪之示之者其誰邪相之者  其誰邪其止也如茅之靡而不知其所以  靡其動也如波之流而不知其所以流求  我於動止之間皆不可得所以故逃也 然後列子自以爲未始學而歸三年不出  向秀曰棄人事之近務也 爲其妻爨(向秀曰/遺耻辱)食狶如食人(向秀曰忘/貴賤也)於 事無親  向秀曰無適也無莫也 雕琢復朴塊然獨以其形立  向秀曰雕琢之文復其眞朴則外事去矣 㤋然而封戎(向秀曰眞不散/也戎或作哉字) 壹以是終(向秀曰遂/得道也)  盧曰忘是非等貴賤齊物我息外縁不封  於我守一而終然後契眞  政和未始出吾宗者蓋聖人以天爲宗藏  於天故未始出吾宗也餘見莊子解  范曰學者學其所不能學也列子之於道  既其文未既其實故自以爲未始學而歸  將以學其所不能學也三年不出爲其妻  爨食豕如食人則忘我之至也於事無爲  親則致虚之極也雕琢復朴則既雕既琢  復歸於朴也塊然獨以其形立則似遺物
Interpretation

This passage describes how Master Hu taught Liezi to comprehend the ever-changing states of the Dao. When a cultivator displays subtle movements and stillness, outsiders may still perceive glimpses; but when one fully maintains the original source of the Dao ("my foundation") without revealing it, even what is manifested remains concealed, utterly incomprehensible to observers. This explains why those attempting to spy ultimately flee in confusion, unable to comprehend.

Master Hu demonstrated several distinct states to Liezi: first concealing the signs of Virtue (Du De ji), then revealing the signs of goodness (Shanzhe ji), and finally displaying the state of balanced Qi (Hengqi ji). These expressions of "I" all served to establish the existence of self. But at the highest state, Master Hu became completely merged with the Great Dao (Xu er weiyi), forgetting even himself. At this stage, who is it that manifests the state? And who observes it? In stillness, he resembled reeds bending with the wind; in movement, like waves flowing naturally—in neither could any trace of "I" be found, leaving the spies no choice but to flee.

Only then did Liezi realize he hadn't truly entered the gate of understanding. He returned home and devoted himself to practice for three years. He personally tended the cooking fire for his wife (Xiang Xiu's note: this signifies relinquishing status and shame), fed pigs as if serving honored guests (Xiang Xiu's note: forgetting distinctions between noble and base), and maintained transcendent detachment toward worldly affairs (Xiang Xiu's note: neither deliberately approaching nor avoiding). Shedding all ornamentation, he returned to original simplicity (Xiang Xiu's note: removing external adornments to recover innate authenticity), remaining like an unformed clod of earth in his fundamental state (Xiang Xiu's note: his true nature no longer scattered), practicing with unwavering consistency until the end (Xiang Xiu's note: ultimately attaining the Dao).

Lu Zhongxuan summarized: One must forget distinctions of right/wrong, equalize noble/base, unify self and things, cease external distractions, not cling to self-concepts, and cultivate with single-minded dedication to ultimately merge with the true Dao. The Zhenghe era commentary explains "never departing from my foundation" means sages take the Heavenly Dao as their root, maintaining constant harmony with it. Fan Yingyuan observed: At this point Liezi realized his learning remained incomplete, hence his return home for renewed practice. Through three years of daily labor, he achieved self-forgetfulness—handling affairs with perfect emptiness and stillness, like uncarved wood restored after polishing. Seemingly detached from the world, he nonetheless attained unity with the Dao.

 離人而立於獨也紛然而封哉一以是終  則萬緒擾擾雖攖而寧而終莫之變也 沖虚至德眞經四
Interpretation

This passage describes the state of a cultivator who has attained the realm of "transcending worldly attachments and standing in spiritual independence" (liren lidu). "Transcending worldly attachments" refers to rising above mundane entanglements, while "standing in spiritual independence" signifies an autonomous state of being.

When practitioners reach this realm, though external disturbances may be countless ("myriad entanglements swirling chaotically") and thoughts may arise incessantly ("ten thousand threads of distraction"), their inner core remains perpetually tranquil ("though disturbed, yet serene"). This serenity is fundamental ("unified in this constancy") and remains unaltered regardless of external changes ("no transformation can affect it").

The Chongxu Zhide Zhenjing (Scripture of Perfect Virtue and Empty Ultimacy) is an important Daoist scripture, with its "four interpretations" referring to four exegetical approaches to the text. This passage emphasizes that Dao cultivators should transcend worldly disturbances and maintain constant inner stillness. As the Qingjing Jing (Scripture on Clarity and Stillness) states: "When humans can maintain constant clarity and stillness, heaven and earth will return to them in fullness." This state of transcendental detachment represents the ultimate goal of Daoist cultivation.

解卷之五

Source text: Kanripo 漢籍リポジトリ(KR5c0123); Licence: CC BY-SA 4.0 · Report an error / feedback

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