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《南華真經義海纂微》Vol. 62

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Dongshen 洞神部 Vol. 62 / 104 4,087 characters

About this page. The original text of 《南華真經義海纂微》 Vol. 62 (Dongshen 洞神部, 104 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 8 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

南華眞經義海纂微卷之六十四表十     武林道士褚伯秀學    田子方第二 孔子見老聃老聃新沐方將被髮而乾慹然 似非人孔子便而待之少焉見曰丘也眩與 其信然與向者先生形體掘若槁木似遺物 離人而立於獨也老聃曰吾遊心於物之初 孔子曰何謂邪曰心困焉而不能知口辟焉 而不能言嘗爲汝議乎其將至陰肅肅至陽 赫赫肅肅出乎天赫赫發乎地兩者交通成 和而物生焉或爲之紀而莫見其形消息滿 虚一晦一明日改月化日有所爲而莫見其 功生有所乎萌死有所乎歸始終相反乎無 端而莫知其所窮非是也且孰爲之宗孔子 曰請問遊是老聃曰夫得是至美至樂也得 至美而遊乎至樂謂之至人孔子曰願聞其 方曰草食之獸不疾易藪水生之蟲不疾易 水行小變而不失其大常也喜怒哀樂不入 於胸次夫天下者萬物之所一也得其所一 而同焉則四肢百體將爲塵垢而死生終始 將爲晝夜而莫之能滑而況得喪禍福之所 介乎棄隸者若棄泥塗知身貴於隸也貴在 於我而不失於變且萬化而未始有極也夫 孰足以患心已爲道者解乎此孔子曰夫子 德配天地而猶假至言以脩心古之君子孰 能脫焉老聃曰不然夫水之於汋也無爲而 才自然矣至人之於德也不脩而物不能離
Interpretation

Confucius went to visit Lao Dan (Laozi). Lao Dan had just washed his hair and was waiting for it to dry, his hair hanging loose. His expression was calm, almost unlike that of an ordinary person. Confucius stood to one side and waited. After a while, he saw Lao Dan and said, “Could my eyes have deceived me? Just now, your body was rigid like a withered tree, as though you had forgotten the things around you and withdrawn from the human world, standing there alone.”

Lao Dan said, “I let my mind and spirit roam in the beginning of all things.”

Confucius asked, “What does that mean?”

Lao Dan said, “The states felt within the heart are difficult to grasp through understanding; even if one wishes to speak of them, words cannot express them. Still, I will try to explain their principle to you. The deepest Yin Qi is solemn and still; the fullest Yang Qi is intense and bright. Yin Qi descends from Heaven, while Yang Qi rises from Earth. The two Qi mingle and form a harmonious energy, and so the myriad things come into being. It seems that some force arranges the order of all things, yet its traces cannot be seen. Things diminish and grow, become full and then empty, now dark, now bright. The sun and moon take turns, and all things change. Each goes about its own work, yet its achievements cannot be seen. Life begins to sprout, and death finds its resting place; beginnings and endings cycle endlessly, and no one knows where the cycle ends. If it were not so, what could be the root of all things?”

Confucius said, “May I ask how one can roam in such a state?”

Lao Dan said, “To experience this state is to attain the utmost beauty and the utmost joy. One who experiences the utmost beauty and roams in the utmost joy is called a ‘Perfected Person’—one who has reached the highest state.”

Confucius said, “I would like to hear how this is done.”

Lao Dan said, “Wild animals that eat grass do not grieve when they move to a different pasture. Creatures that live in water do not worry when they move to a different stretch of water. Though their surroundings change a little, they do not lose the fundamental patterns of life. Joy and anger, sorrow and pleasure do not enter their hearts. All things under Heaven are one. Once you understand that all things come from the same whole, you will see that the limbs and bones will eventually turn to dust, and that life and death, beginnings and endings, are no more than the alternation of day and night. Nothing can disturb your mind and spirit—how much less such minor matters as gain and loss, good fortune and misfortune?

“Cast off the things outside yourself that subject you to others and make you dependent on them, as you would cast off mud. Know that your own self is more precious than these things. Its worth lies in itself and is not lost through change. Besides, the transformations of all things are endless, so what is there to worry about? One whose heart already contains the Dao understands this principle and can free themselves from worry.”

Confucius said, “Your De accords with Heaven and Earth, yet you still rely on words of profound truth to cultivate your mind and spirit. Among the ancient gentlemen, who could entirely do without cultivation?”

Lao Dan said, “That is not so. When water gathers and flows, it needs no human effort; its power appears naturally. The De of the Perfected Person, too, does not depend on deliberate cultivation. All things naturally find it impossible to be without them.”

焉若天之自高地之自厚日月之自明夫何 脩焉孔子出以告顏回曰丘之於道也其猶 醯雞與微夫子之發吾覆也吾不知天地之 大全也  郭註慹然似非人寂泊之至無其身心而  後外物去初者未有而倏有遊於物初然  後明物之不爲而自有也心困口辟欲令  仲尼求之於言意之表試議陰陽以擬之  出天發地言其交也莫見爲紀之形而未  嘗守故明其自爾故無功也生萌於未聚  死歸於散所謂迎不見首隨不見後至美  無美至樂無樂也死生亦小變知小變而  不失大常故喜怒哀樂不入於胸次知身  貴於隸故棄若遺土苟知死生皆我則所  貴者我而我與變俱故無失也已爲道者  解乎此所謂懸解也老聃謂天地日月皆  不脩爲而自得孔子謂比吾全於老聃猶  甕中之與天地也  吕註未始有物則起居語默孰非遊於物  之初心困焉則非知所能知口辟焉則非  言所能言議乎其將非其至也夫陰陽交  通成和而物生焉遠之爲歲近之爲日外  而萬物内而一身莫不有是也或爲之紀  莫見其形消息改化以是而已生萌死歸  始終無端亦以是而已則向所謂物之初  者殆是也天下之所美所樂非美樂之至  得此而後爲至美至樂也獸之易藪魚之  易水此其小變而不失藪水之大常得是  而遊之者天下莫不一而同焉則死生莫
Interpretation

“Are Heaven’s height, Earth’s thickness, and the brightness of the sun and moon simply natural? What could have been done to cultivate and bring them into this state?”

After Confucius came out, he told Yan Hui: “My understanding of the Dao is probably like a tiny gnat inside a vinegar jar! My Master”—meaning Lao Dan—“lifted the veil from my eyes, and only then did I realize how vast Heaven, Earth, and the myriad things truly are.”

Guo Xiang’s commentary: When the mind and spirit are utterly settled, one seems scarcely human. When stillness and detachment reach their utmost, one forgets one’s body and mind, and external things fall away. At first, the myriad things did not exist; suddenly, they appeared. Only by roaming before the beginning of their appearance can one understand that no one deliberately made the myriad things: they exist naturally. Confucius was bewildered within and could not speak. Wanting Zhongni to seek the Dao beyond words and ideas, he could only try to speak of Yin-Yang as an analogy for it.

“Yin and Yang meet, and Heaven and Earth are thereby opened and formed”: this describes the union of Yin and Yang. There is no trace of anything behind the scenes prescribing or directing the myriad things; nor have the myriad things ever held fast to a fixed state. Thus, understanding that things are as they are by nature is to know that no human effort is responsible for them. Life arises before anything has yet gathered; death returns things to dispersal. This is what is meant by: “Meet it, and you cannot see its beginning; follow it, and you cannot see its end.” The most beautiful state has no notion of beauty; the greatest joy has no notion of joy.

Life and death are merely minor changes. One who understands these changes without losing the constant root of the Dao will not let joy, anger, sorrow, or pleasure enter the heart. Understand that the body is like a servant, and you can regard it as if it were discarded clay. If one understands that life and death both belong to the self, then what one cherishes is the self; but if the self, too, changes along with everything else, there can be no question of remaining unchanged. Those who have already realized the Great Dao are freed from these bonds. This is called “hanging release”: escaping an upside-down plight and attaining liberation.

Lao Dan held that Heaven, Earth, the sun, and the moon did not attain their present states through cultivation or deliberate making; they are so naturally. Confucius said that, compared with Lao Dan, his own completeness was like that of a tiny gnat in a jar beside Heaven and Earth.

Lü Huiqing’s commentary: The myriad things have never begun to exist. So which of our movements and rests, words and silences does not roam within the beginning of all things? Inner bewilderment is beyond what knowledge can recognize; being unable to speak is beyond what words can express. If one forces oneself to speak, one may fall short of the utmost Dao.

Yin and Yang unite and communicate, forming harmony, from which the myriad things arise. This principle ranges from the span of a year down to a single day; it applies to external things and the body within alike. Some power prescribes the myriad things behind the scenes, yet its trace cannot be seen; the waxing and waning, the changes of the myriad things, are simply like this. Life arises and death returns things to dispersal; neither has a boundary, and both are likewise so. This is perhaps what was previously called “the beginning of the myriad things.”

What people under Heaven consider beautiful and joyful does not represent the utmost in beauty and joy. Only by grasping this principle does one attain the most beautiful and joyful state. When wild animals change their mountains and forests, or fish change their waters, these are only small changes; they have not lost their fundamental surroundings of mountain, forest, or water. Understand this and roam freely within it, and there will be nothing among the myriad things under Heaven that does not return to unity. Then, as for life and death…

 之能滑況得喪禍福之所介乎知身貴於  隸則貴在我雖有小變豈以所賤而失吾  所貴哉萬化無極亦奚足以累吾心已爲  道者解乎此故也  疑獨註物之初謂未有氣質之前試議其  將難以盡言也肅肅北方之氣赫赫南方  之氣大吕陰聲生於巳是出乎陽也黄  鍾陽聲生於亥是出乎陰也陰陽之中各  有沖氣以爲和而物生焉物得以生不知  其紀而莫見陰陽之形消息盈虚至日有  所爲總言陰陽變化之理生出於不生此  其所萌也死入於不死此其所歸也非是  陰陽也孰爲之主哉天下之至美無美至  樂無樂故所得日新所玩無故得在己之  至美而遊乎物之至樂可謂至人矣死生  小變道大常也獸易藪魚易水猶人處大  道之中隨變任化未始非我也以死生烏  小變則喜怒哀樂何足介懷天下者萬物  所同得其所同則死生莫能滑況得喪禍  福乎聖人以道爲貴其次貴身則有患矣  人皆知身貴於隸而不知身爲大患知道  貴於身則貴常在我而死生不得與之變  天地之間萬化無極何足以累乎心唯有  道者能解乎此孔子既聞至言復問老子  德配天地猶未能忘言何也老子告以水  之於汋至人之於德天高地厚日月之明  皆本於自然又何脩焉謂吾雖有言猶無  言也  碧虚註槁木遣物謂其藏精藴神離人立
Interpretation

A person who is alive can naturally experience changes in bodily condition. How, then, could gain and loss, calamity and fortune disturb the mind and spirit? Those who understand the value of life will not, even when their bodies undergo minor changes, dismiss the body and lose what is truly precious. The transformations of the myriad things are endless; how could they burden my heart? Those who have attained the Dao understand precisely this.

The commentator Yidu explains: “‘The beginning of things’ refers to the time before their material forms had taken shape. Try to discuss what things were like then, and it is probably impossible to say all there is to say. The solemn Qi of the north and the blazing Qi of the south—when Yin and Yang Qi converge, each also contains a Qi of balanced harmony, and from this the myriad things come into being. Dalü is a Yin tone, yet it arises at the hour of Si, which belongs to Yang; Huangzhong is a Yang tone, yet it arises at the hour of Hai, which belongs to Yin. Yin and Yang contain one another, wax and wane, and transform. The myriad things grow, yet they do not know the underlying principle, nor can they see the traces of Yin-Yang transformation. The movements of the sun and moon and the succession of the seasons all express this principle: life emerges from the formless and, in the end, returns to the formless. Amid the transformations of life and death, who is in command? If it is not Yin and Yang, what could it be?”

The most beautiful state under Heaven does not take outward beauty as beauty; the most joyful state does not depend on outward pleasures. What one gains is renewed day by day, and what one appreciates has no fixed, unchanging form. To settle the utmost beauty within oneself and roam freely amid the utmost joy of the myriad things—this may be called the perfected person.

Life and death are minor changes; the Dao is the great constant that endures. Beasts change their forests, and fish change their waters. People dwell within the Great Dao, responding to change and transforming along with things, yet never losing themselves. If life and death are regarded as minor changes, what is there in joy, anger, sorrow, or delight to dwell on? All things under Heaven receive the Dao in common. Those who understand their shared origin cannot have their mind and spirit disturbed by life and death, much less by gain and loss, calamity and fortune.

The sage prizes the Dao and values the body only after it. If one prizes only the body, one remains vulnerable to worry and distress. People all know that the body is more precious than a slave, but they do not know that the body itself may also become a great burden. If they understand that the Dao is more precious than the body, they can preserve what is truly precious within themselves, unchanged by life and death. The myriad things between Heaven and Earth transform without end; how could they burden the mind and spirit? Only those who have attained the Dao can understand this.

After hearing these profound truths, Confucius asked Laozi: “Why can one whose De is in harmony with Heaven and Earth still not forget words?” Laozi replied that this is the nature of water, and that the De of the perfected person is the same. The height of Heaven, the thickness of Earth, and the brightness of the sun and moon all have their roots in nature. Why, then, would they need deliberate embellishment? Though I have spoken these words, it may rightly be said that I have said nothing.

The commentator Bixu goes on to explain “like withered wood, casting off things”: it means rejecting attachment to external things as a withered tree does, gathering and containing one’s Jing (essence), nurturing one’s Shen (spirit), and thereby transcending worldly affairs.

 獨謂其喪耦入寥遊於物初未始出其宗  也擬知而心已困欲言而口又辟離心忘  言斯近之矣夫肅陰之氣降乎下赫陽之  氣昇乎上二儀通和萬物妙化謂其有綱  紀也而不睹其形兆消息有數晦明有常  謂其有造爲也而不睹其功用生則萌於  恍惚死則歸於窅㝠無端則莫知其始無  窮則莫知其終若非此道何物爲之宗主  邪孔子又問遊學於忘言之道夫學道詎  有所得得其性之至美至樂而已其於死  生也猶獸之易藪魚之易水暫爾小變又  何患焉夫天下者旁礴萬物而爲一自其  同者視之則己之百體猶臭腐也此之死  生猶寤寐也況其它乎故視執御與軒冕  猶易水易藪耳所謂外化而内不化者也  貴在於我未始非吾其樂無涯詎復有患  譬水之汋挹而善利豈有所造爲至人之  德業廣被豈有所脩治猶天高地厚日月  之明何假脩焉是以夫子自喻以瓿蠓去  覆而識天地之大全也  鬳齋云立於獨言超乎世表物之初無物  也陰陽發乎天地四句只是一陰一陽之  謂道交通成和即獨陰不生獨陽不成似  有物爲之紀而莫見其形消息晦明日有  所爲而莫見其功始終無端皆言造物也  至美至樂贊道之妙魚獸雖易水易藪而  水草不失猶人同此天下豈能自異知其  一出於天而莫不同則死生且不能滑況
Interpretation

Only Zhuangzi speaks of “mourning the loss of one’s mate.” He enters the realm of emptiness and stillness, roams where all things begin, and never departs from the root of the Great Dao.

Try to grasp it with the mind, and the mind is at a loss; try to explain it in words, and speech is blocked. Only by leaving the mind behind and forgetting words can one come close to the Great Dao.

The cold, killing force of Yin descends, while the bright, flourishing harmony of Yang rises. Yin and Yang of Heaven and Earth interact and harmonize, and all things are wondrously brought into being. It seems as though some ordering principle governs them, yet its traces cannot be seen. The waxing and waning of all things follow their own patterns, and the alternation of light and darkness between day and night has its regular course. It seems as though someone is making these things happen, yet the workings of creation cannot be seen. When things come to life, they sprout amid a dim and indistinct mystery; when they die, they return to a profound and distant darkness. The Great Dao has no beginning, so no one knows where it starts; it has no end, so no one knows when it will cease. If not the Great Dao, what could be the fundamental governor of all things?

Confucius then asked, “How can one understand the Way of forgetting words through study and travel?” What is there to gain from studying the Great Dao? One need only grasp the most beautiful and joyful state within one’s nature. From the perspective of this state, life and death are like a wild animal moving from one forest to another, or a fish swimming from one stretch of water to another: merely temporary changes. What is there to worry about?

The world is vast, embracing all things as one. Seen from the perspective of what all things share, even the parts of one’s own body are like decaying things. The life and death spoken of here are like waking and sleeping—how much less should other things trouble us? Thus, being a whip-bearing charioteer or riding in a splendid carriage, wearing the robes of the powerful, is like a fish changing its waters or a wild animal changing its forest. This is what is meant by “the outer changes along with change, while the inner remains unchanged.” What is precious lies within: nothing has ever truly left oneself, and joy is therefore inexhaustible. What is there to worry about?

For example, when one draws water from a spring to drink, the water naturally nourishes one; no one has deliberately made it so. The virtue of a perfected person extends broadly to all things, without being fashioned or cultivated through deliberate effort. It is like the height of Heaven, the depth of Earth, and the brightness of the sun and moon: what need is there for human adjustment? Thus Confucius used his limited understanding, like a tiny insect in a small jar, as a metaphor for recognizing the vastness of Heaven and Earth as a whole.

Yanzhai says: To take one’s stand in the unique Great Dao is to go beyond the bounds of the worldly. “Where all things begin” means the time before there were any things at all. The four lines beginning “Yin and Yang rise and descend” describe the Great Dao as manifested in the changes of Yin and Yang. Their interaction and harmonization mean that with Yin alone, things cannot be born, and with Yang alone, things cannot be completed. It seems as though something maintains order, yet its traces cannot be seen; the waxing and waning of things and the alternation of light and darkness between day and night seem to happen of their own accord, yet the workings behind them cannot be seen. These statements about having no beginning or end all speak of creation. “The most beautiful and joyful” praises the mystery of the Great Dao. When fish change waters and wild animals change forests, they do not lose water or vegetation. People share the same world; how can they imagine themselves different from all other things? Once we understand that all things come from Heaven and are no different from one another, life and death will no longer disturb us—how much less anything else? The original text continues beyond this point.

 禍福乎僕隸去來棄如泥塗以我貴而彼  賤也若知道之可貴實在於我則外物之  變豈能失我之至美至樂哉世間萬化無  極又何足爲心累但愚俗不解唯已與道  合者方曉此耳至言指前文謂老子猶不  能離言語以脩心孰能免此答以江河之  水汋之而不竭者以其本質無爲而自然  也至人之德與天地日月亦自然而已又  何容力乎   物初者無名天地之始即太極也肅肅   出天赫赫出地即太極動而生陽動極   而靜靜而生陰靜極復動循環無端似   有物爲之紀而莫見其形即所謂上知   造物無物下知有物之自造也明夫物   初則知己之初以至天地之初亦若是   而已得是至美而遊乎至樂斯爲人道   之至也夫物之生死有萌有歸人之生   死可不深究小變謂生死大常不壞也   不壞者一靈之本靜而曰性含虚空爲   有餘動而曰心入塵垢爲不足達斯理   者涉變而通知常曰明其存也如月在   水其化也如風行空何易水易藪之足   慮哉天下者萬物之所同則四肢百體   豈吾獨有知隸賤可棄而身貴常存則   何得喪禍福之能滑夫水之於清性自   然也喻至人之德無假脩爲而物自歸   之天職生覆地職形載主教化者聖人   之職斯其所以爲大全也歟此章要㫖   在生萌死歸而先聖於此多不明言欲
Interpretation

Good fortune and calamity, life and death come and go like servants; one may disregard them as one would a clod of earth. If you regard yourself as precious and external things as base, then once you understand that the Dao is precious because it is within you, how could changes in external things harm the inner beauty and joy you possess? The myriad things in the world change without end; there is no reason to trouble your mind over them. Ordinary people simply do not understand this. Only those whose own being accords with the Dao understand the principle.

The phrase “ultimate words” continues the discussion from above: even Laozi could not entirely leave words behind in cultivating his inner self, so who can escape them? The answer is this: river water does not run dry when it is drawn, because it does not act with deliberate intent; everything follows its natural course. The virtue of the Perfected One is like Heaven, Earth, the sun, and the moon: it is entirely natural. Why, then, would one need to force it?

“Beginning of things” refers to the original state of the myriad things: without names, it is the beginning of Heaven and Earth—that is, the Taiji (Supreme Ultimate), the source from which all things have yet to divide. It appears in serene stillness from Heaven and shines brightly from Earth: when Taiji moves, Yang arises; when movement reaches its limit, it turns into stillness. From stillness, Yin arises; when stillness reaches its limit, movement begins again. This cycle continues without end, as though some power were directing it, though no form of that power can be seen. This is what is meant by “the wise above know that creation has no creator; those below know that things create themselves”: the discerning understand that creation has no tangible ruler, while those with a more limited understanding know that things come into being naturally.

To understand the beginning of the myriad things is to understand one’s own beginning. Even the beginning of Heaven and Earth is no different. To realize this ultimate beauty is to wander freely in ultimate joy; this is the furthest reach of the human way.

The life and death of the myriad things include both their emergence and their return. Is human life and death not worth investigating deeply? In the lesser principles of change, things are born and die; but the deeper, constant Dao cannot be destroyed. What cannot be destroyed is the numinous, lucid ground of being: at rest, it is called “nature,” containing emptiness and appearing full; in motion, it is called “mind,” entering the turmoil of the world and appearing deficient. Those who understand this principle can pass through change while comprehending what is constant. This is called “clarity.”

When it exists, it is like the moon reflected in water; when it changes, it is like the wind passing through the sky. Why worry that water may turn to ice or marshland may change? The world belongs to all things together. How could the limbs and bones of the body belong to me alone, or be perceived by me alone? A servant is low in status and may be cast aside; the body is precious, yet it cannot last forever. How, then, could gain and loss, good fortune and calamity unsettle the heart?

Water is clear of its own accord. This is a metaphor for the Perfected One’s virtue: it does not depend on deliberate embellishment, and all things naturally come into accord with it. Heaven’s role is to bring life to all things and cover them; Earth’s role is to form and support them; the sage’s role is to preside over education and transformation. Perhaps this is why the sage becomes “complete in all things”—whole in virtue and able to understand the myriad things.

The central point of this chapter is that life moves from emergence toward return. When the sages of old spoke of this, they often left their meaning unstated. Perhaps this was because…

  人反而求之充其眞見之實然後不爲   死生轉移且人處生死之間上知下愚   無得免者生圖厚養死圖後葬比比皆   然而罔知萌所歸之何如也夫欲知其   所歸必當究其所萌乍聞此言若茫然   無致力處研窮經意互有發明   南華亦嘗有云察其始也本無生非徒   無生而又無形無氣雜乎芒芴之間變   而有氣氣變而有形有生生又變而之   死是相與爲四時也又云善吾生者所   以善吾死則先聖不言之祕眞人已詳   言之人患不求耳是道也可以心會而   不可以言盡即襌家究竟父母未生已   前風火既散已後雖因師指而入終焉   直須自悟所謂說破即不中是也學者   勉之 莊子見魯哀公哀公曰魯多儒士少爲先生 方者莊子曰魯少儒哀公曰舉魯國而儒服 何謂少乎莊子曰周聞之儒者冠圜冠者知 天時履方屨者知地形緩佩玦者事至而斷 君子有其道者未必爲其服也爲其服者未 必知其道也公固以爲不然何不號於國中 曰無此道而爲此服者其罪死於是哀公號 之五日而魯國無敢儒服者獨有一丈夫儒 服而立乎公門公即召而問以國事千轉萬 變而不窮莊子曰以魯國而儒者一人耳可 謂多乎  郭註德充於内者不修飾於外  吕註莊子數假孔子問學於老聃之徒以  明所謂聖知者非至道之盡也此言不發
Interpretation

People must turn back and seek to deepen their genuine understanding. Only after seeing how things actually are can they avoid being misled by appearances.

Life and death continually transform into one another. Between life and death, no one can escape death, whether their understanding is keen or they are foolish. People often strive to live in comfort and plenty, then arrange for an elaborate burial after death. Yet few know where life first comes from or where it ultimately returns. To know where it returns, one must investigate where it began. At first, this may sound bewildering, as though there were no way to get a hold of it. But if one studies the meaning of the scriptures carefully and compares their accounts, they can offer insight.

The Nanhua Zhenjing (the Daoist name for the Zhuangzi) also says: “If we examine the beginning of life, originally there was no life. There was not only no life, but no form and no Qi (vital energy); everything was mixed together in a dim, indistinct state. Later, transformation brought forth Qi; Qi transformed and formed the body; the body came to life; and life, through further transformation, returned to death. These transformations cycle in turn, like the changing seasons.” The text also says, “Those who are good at dealing with life are also good at dealing with death.” The mysteries the ancient sages did not explain openly have already been described in detail by the perfected person. The only concern is that people may not seek them out.

This principle can be understood in the heart, but words cannot express it fully. It is like the Chan Buddhist inquiry into the state before one’s parents gave birth to one, and into the state after the elements that make up the body, such as wind and fire, have dispersed. Even if a teacher’s guidance helps one find the way in, in the end one must realize it for oneself. This is what is meant by the saying, “Once it is spelled out, it is no longer right.” Students should strive to understand it through their own insight.

Zhuangzi visited Duke Ai of Lu. The duke said, “There are many Confucian scholars in Lu, but few who understand the Dao you speak of.” Zhuangzi replied, “There are few Confucian scholars in Lu.” The duke said, “Everyone in the whole state of Lu wears Confucian robes. How can you say there are few?” Zhuangzi replied, “I have heard that Confucian scholars who wear round hats understand the workings of Heaven, those who wear square-toed shoes understand the lay of the land, and those who wear sashes and jade pendants can make decisions when matters arise. A gentleman may possess a certain moral ability without wearing the corresponding clothes; those who wear such clothes do not necessarily understand the Dao behind them. If you do not believe me, why not issue an order throughout the state: ‘Anyone who wears these clothes without understanding this Dao shall be put to death’?”

Duke Ai issued the order. Five days later, no one in Lu dared to wear Confucian robes. Only one man still wore them, standing outside the palace gate. The duke summoned him at once and asked him about affairs of state. The man answered deftly, adapting to every turn of the conversation; nothing could stump him. Zhuangzi said, “In a place as large as Lu, there is only one true Confucian. Can you still say there are many?”

Guo Xiang’s commentary says: “Those whose inner being is filled with De (Virtue/Power) do not deliberately adorn their outward appearance.”

Lü Huiqing’s commentary says: “Zhuangzi often has Confucius seek instruction from people such as Laozi, thereby showing that the wisdom and sagacity celebrated by the world cannot exhaust the Great Dao. What is said here…” (The original text ends here.)

 則學者無以知尊孔子之實  疑獨註楊子曰通天地人曰儒斯眞儒也  内有其道質也外有其服文也有一不具  皆非儒也唯聖人踐形然後能稱其服學  不至於聖人而服儒衣冠此俗儒也舉魯  國儒服而眞儒一人則尊孔子之至也  碧虚註爲王佐者一夔而足興儒教者何  假三千故羊質虎皮必有惑者盛德若愚  豈無知者哉  鬳齋云此段盖言儒服者多而皆不知道  也   南華以間世卓犖之才而居溷濁之世   時人無足與語無以發胸中之奇遂上   論皇王中談孔老下至楊墨桀跖悉評   議而無遣其於察言行之實判心迹之   微不啻明鑑之燭秋毫也或謂所談多   譏孔子徒觀其言而不究其意耳是章   結以舉魯國儒服而儒者一人余謂尊  孔子者莫南華若也請觀東坡莊子祠堂  記庶表余言之不妄云 百里奚爵禄不入於心故飯牛而牛肥使秦 穆公忘其賤與之政也有虞氏死生不入於 心故足以動人宋元君將畫圖衆史皆至受 揖而立舐筆和墨在外者半有一史後至者 儃儃然不趨受揖不立因之舍公使人視之 則解衣槃礴臝君曰可矣是具畫者也  郭註内自得者外事全故神間而意定也  吕註小則百里奚之得政大則有虞氏之  動人以外物入其心而能至是者未之有  也解衣槃礴所以爲眞善畫者也
Interpretation

In this way, learners have no means of understanding the true significance of honoring Confucius.

The commentator Yidu quotes Yangzi as saying, “One who understands Heaven, Earth, and humanity is called a Ru; such a person is a true Ru.” Having the Dao within is fundamental; wearing Ru clothing outwardly is a matter of form. Without either one, a person cannot be called a Ru. Only a sage can put their own nature into practice and so be worthy of the clothing they wear. Those who have not attained sagehood, yet wear Ru robes and caps, are what the world calls Ru scholars. The whole state of Lu was full of people dressed as Ru, but there was only one true Ru: Confucius. This shows just how worthy of reverence Confucius is.

The commentator Bixu says, “To assist a ruler, one Kui—the worthy minister of the legendary Shun—is enough. Why, then, would reviving Ru teachings require the help of three thousand disciples?” Put a tiger’s skin on a sheep, and people will surely mistake it for a tiger. People of great De may seem foolish, but does that mean no one understands them?

The commentator Yanzhai says: The point of this passage is that many people wear Ru clothing, but none of them understand the Dao.

Nanhua, or Zhuangzi, lived in an age rare for its turbulent times and remarkable talent, yet he found himself amid a corrupt era. There was no one then with whom he could speak as an equal, so he could not give voice to the exceptional ideas he held within. He therefore discussed the ancient rulers above, Confucius and Laozi in between, and figures below, from Yang Zhu and Mo Di to Jie and Zhi—the legendary tyrant and robber. He examined the truth of people’s words and actions and distinguished the subtle differences between their inner selves and outward conduct, with the clarity of a mirror revealing the finest detail. Some say that most of what Zhuangzi wrote was meant to mock Confucius. They have read his words without exploring his intent. This chapter ends by saying, “The whole state of Lu is full of people dressed as Ru, but there is only one true Ru.” I believe no one honored Confucius more than Nanhua. Read Su Shi’s “Record of the Zhuangzi Shrine” and you will see that I do not speak without grounds.

Baili Xi, a minister of the state of Qin during the Spring and Autumn period, did not care in his heart for rank or salary. So when he was put in charge of feeding cattle, he made them fat and strong; later, he persuaded Duke Mu of Qin to look past his humble origins and appoint him to govern the state. The legendary Shun, ruler of Youyu, did not care in his heart about life or death, and so was able to move others.

When Duke Yuan of Song planned to have a picture painted, all the painters came. After bowing to the ruler, they stood, licking their brushes and preparing their ink; half of them were still waiting outside the gate. One painter arrived late, unhurried and at ease. After bowing, he did not stand waiting but went straight back to his lodgings. Duke Yuan sent someone to see what he was doing. The painter had taken off his clothes and was sitting with his legs spread, his body exposed. The ruler said, “Good. This is a true painter.”

The commentator Guo Xiang says: One who is content within can handle external affairs well; therefore, their manner is calm and their mind settled.

The commentator Lü Huiqing says: From Baili Xi’s appointment to govern, a small matter, to the legendary Shun’s ability to move others, a great one, none of this would have been possible if their hearts had been constrained by external things. The painter’s removing his clothes and sitting with his legs spread shows that he truly knew how to paint.

 疑獨註爵禄小物死生大事能外爵禄未  能外死生能外死生則無所不能矣夫内  矜則外莊内足則外間内矜則神散欲進  而有不受之嫌外間則神定雖爲而有無  爲之意元君擇畫史而得其眞由此道也  碧虚註待時命而飯牛人必觀其行事父  母而忘生衆必察其孝急於人用者學未  至逌然自得者藝必精粗迹尚爾況妙理  乎  鬳齋云方其飯牛豈有求爵禄之心唯其  不求所以見用動人者感動而化之畫史  之無心於求知而解衣槃礴元君所以知  其爲眞畫也   爵禄無心而飯牛故穆公與之政而治   工拙不矜而槃礴故元君知其畫之眞   心虚則物附内足者外間故也今世之   從事才技者汲汲然恐人之不知而用   才者則惟外飾是取宜其得之不精也   再考飯牛而牛肥只應作飯牛而肥謂   百里奚雖處賤躬耕而樂
Interpretation

Titles and stipends are small matters; life and death are the great matters. Being able to set titles and stipends aside is nothing remarkable. Only when one can set life and death aside as well can one say that nothing is beyond one’s capacity.

When the mind is preoccupied with self-importance, the spirit and Qi become scattered. When the mind is full, one’s outward manner appears calm and unhurried. Self-importance unsettles the spirit: even when one wants to accomplish something, others may think one is unwilling to accept it. An unhurried manner steadies the spirit: even when one acts, there is a quality of Wuwei (non-action). This is the principle by which the ruler called the Primal Lord, in this passage, chose a court painter and recognized the true artist.

Bixuzi’s commentary says: Baili Xi awaited the right time and the workings of fate, and once made his living tending cattle. From watching how he worked, people could tell that when serving his parents he was able to forget his own safety; they thus recognized his filial devotion. Those eager to secure an appointment often have not yet mastered their learning. Those who are composed and at ease must have perfected their craft. If this holds true even for humble tasks, how much more must it hold for subtle principles?

Yanzhai says: When Baili Xi tended cattle, how could he have been thinking of winning titles and stipends? Precisely because he sought neither fame nor profit, Duke Mu recognized his worth and, moved by what he saw, appointed him. The court painter had no thought of seeking recognition. He loosened his clothes and stretched out, painting as he pleased—a phrase describing ease and freedom in the act of painting. The Primal Lord therefore recognized that his work came from his true nature.

Baili Xi had no desire for titles and stipends and devoted himself to tending cattle, so Duke Mu of Qin appointed him to govern. The painter did not boast of his skill, but painted freely and with abandon, so the Primal Lord recognized his work as genuine. When the mind is empty and still, things naturally come to it; when the mind is full, one’s outward manner can be calm and composed. That is the principle at work. Today, people who practice an art are anxious that others will not know their abilities, while those who appoint people value only outward displays. No wonder their choices fall short of true excellence.

On closer examination, the phrase “he fed the cattle, and the cattle grew fat” should read “he fed the cattle and grew fat.” It means that although Baili Xi lived in a lowly position and did manual labor himself, he was content with the Dao and forgot his poverty, so his body and mind became at ease and well nourished. It does not mean that the cattle he fed grew fat.

道忘貧四體   充悦非謂牛肥也 南華眞經義海纂微卷之六十四

Source text: Kanripo 漢籍リポジトリ(KR5c0127); Licence: CC BY-SA 4.0 · Report an error / feedback

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