中文 · EN

《黃帝九鼎神丹經訣》Vol. 17

Start reading →Report an error / feedback

Dongshen 洞神部 Vol. 17 / 19 3,420 characters

About this page. The original text of 《黃帝九鼎神丹經訣》 Vol. 17 (Dongshen 洞神部, 19 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 7 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

Back to 《黃帝九鼎神丹經訣》
Reading modes explained
  • Horizontal: ordinary left-to-right reading; the interpretation can be shown.
  • Scroll: vertical text running right to left; the wheel scrolls sideways (no interpretation in this mode).
  • Wheel: columns of vertical text turn around a drum; use the wheel, drag or arrow keys, or auto-play.
  • Pages: about 200 characters per page; use the buttons, swipe or arrow keys.

Source textInterpretation

黄帝九鼎神丹經訣卷之十七(十八/同卷)温九  明事藥先後酢及華池由致 臣聞九鼎神丹未有一丹不以玄黄及土釜 爲先也所以第一之丹名丹華者先作淳醋 重釀及華池者次作雄黄水丹砂水次調擣 燒篩礬石譽石戎鹽鹵鹹牡蠣赤石脂滑石 七味之藥及胡粉等各且先事三五十斤爲 六一泥又當先作赤土釜也土釜之法已列 前卷玄黄等訣備條如後    玄黄法 玄黄者錫投水銀成之錫本岀於黄丹不明 錫質非精則不堪入長生用    作黄丹法 凡黄丹自作者佳市得者恐有黄土色闇也 若得眞者師不自作也自作之丹色乃紅赤 暉暉然鮮明可愛不如此者即非眞也    造法 鉛二斤多少任人淨洗以鐵杯中炒之作沙 用清水淘之置鐵鑊中遍淘揀使極大淨去 水留滓暴乾十日錘打作未以絹篩之然後 置鐵杯中二宿三日炒令赤乃止即是好丹 也    岀鉛法 狐剛子曰凡合丹藥以鉛爲本鉛若不眞藥 無成者岀鉛之法以丹玄精汁加少金賊搏 如鷄子陰乾七八日鐵鍋中鼓之名曰丹鉛 以此作玄黄也其煮汞之鉛自有别法加遍 數在伏汞水銀法    作玄黄法 水銀一斤煮之三十六日或凝者鉛二十斤 鍊五遍令淨二味納鐵器中猛其火鉛與水 銀吐其精華紫色而黄精以鐵匙接取一名
Interpretation

This scripture primarily discusses the preparatory work for refining the Nine-Cauldron Divine Elixir, with particular focus on the methods for creating "Xuanhuang" (mysterious yellow) and "Huangdan" (yellow elixir).

First, it mentions that refining the Nine-Cauldron Divine Elixir requires the use of Xuanhuang (a compound of mercury and lead) and earthen crucibles. The first cauldron's elixir is called "Danhua" (Elixir Blossom). Before its preparation, one must first gather strong vinegar, heavily fermented wine, and "Huachi" (a medicinal solution), followed by the creation of realgar water and cinnabar water. Then, seven medicinal ingredients—alum, arsenolite, rock salt, bittern, oyster shell, red halloysite, and talc—are ground and mixed, along with materials like lead powder. Each ingredient should be prepared in quantities of thirty to fifty jin to make "Liuyi Ni" (Six-One Mud, a sealing paste for the furnace). Additionally, a red earthen crucible must be prepared in advance.

Regarding the method for making Xuanhuang: It is produced by reacting tin with mercury. However, if the tin is impure, it cannot be used to refine elixirs of immortality.

The method for making Huangdan (lead elixir): Self-refined Huangdan is best, as commercially bought versions may be adulterated with yellow earth, resulting in a dull color. Authentic Huangdan should be bright red and luminous. The specific process is as follows: Take two jin of lead, wash it clean, and stir-fry it in an iron cup until it turns into fine granules. Rinse it thoroughly with water, then place it in an iron pot and wash repeatedly until completely clean. Dry it in the sun for ten days, pound it into powder, and sift it. Then, stir-fry it in an iron cup for two to three days until it turns red—this yields high-quality elixir.

Master Hugangzi (an ancient alchemist) said: Refining elixirs must be based on lead. If the lead is impure, the medicine cannot be successfully made. The method for purifying lead involves mixing it with "Danxuan Jingzhi" (essence of mysterious elixir) and a small amount of "jinzei" (possibly a type of mineral), kneading it into egg-sized lumps, and drying them in the shade for seven to eight days. Then, refine them in an iron pot—the resulting product is called "Danqian" (elixir lead), which is used to make Xuanhuang. There is a separate purification method for lead used in boiling mercury.

Finally, the scripture details the specific process for making Xuanhuang: Boil one jin of mercury for thirty-six days. If it solidifies, add twenty jin of lead purified five times. Place both in an iron vessel and refine them with intense heat. The lead and mercury will release a purple-yellow essence, which should be collected with an iron spoon.

黄芽一名龍輕飛精也 訣曰取錫納鐵器中加炭火火之令沸漸使 火微投水銀著中生濕柳木攪之五色岀見 取鐵匙掠近一畔然後接取停使岀復接取 訖成候火若熱花色即黄火冷即花色青紫 兼帶氣其火若調即花色紅紫仍似金色也 然燒之共火同色酷似金狀出之離火還依 本質欲作丹釜先作玄黄又九鼎覆薦皆用 此物若不預作多營之臨事必闕所以早煮 水銀及出鉛也依太清覆薦之法亦有須用 玄白爲丹之薦今即作之如左    玄白法 九鼎第八服丹法訣以玄黄若玄白一斤布 釜底以水銀置其上故須作也取鉛瀉爲挺 作板依水銀一斤鉛三斤眞金六兩消鉛金 乃内汞鼓以爲銀板懸華池中七日一發未 發當密覆華池瓮口發之取其流白者納青 竹筒中漆固其口注華池中三十日成水又 法鉛一斤金一斤兩鼓之爲板薄鍛如縑置 木盤中以布幕其下納左味中三十日皆爲 玄白在盤乃可用玄白有金者即可用無金 者不可用太清丹即以玄白爲薦金九鼎法 唯用玄黄也 臣按造合神丹先作諸水及鍊一切石毒溲 六一泥煮伏水銀凡所措手皆憑醋内過百 日者謂之淳醯三年已上謂苦酒投之以藥 即曰華池古人祕之號之左味欲求大道好 慕長生不老若不營之百無一就故調次第 如後    作醋法
Interpretation

This passage describes two crucial materials used in ancient elixir preparation—Yellow Sprouts (also called Dragon's Light Flying Essence) and Mystic White.

Regarding Yellow Sprouts preparation: Place tin in an iron vessel and heat with charcoal until boiling, then reduce the flame and add mercury. Stir with moist willow wood until five colors appear. Skim from the edges with an iron spoon, repeating the process until completion. Fire regulation is critical—excessive heat produces yellow, insufficient heat yields bluish-purple. At optimal temperature, reddish-purple appears, approaching golden hue. Freshly produced, it resembles gold but reverts to original state upon cooling.

Before crafting the elixir cauldron, one must prepare Mystic Yellow (another alchemical material). The Nine Cauldrons method requires Mystic White for all cauldron linings. Without advance preparation, the alchemical process becomes chaotic. Thus one must pre-refine mercury and lead according to the Supreme Clarity method's lining technique. Mystic White serves as the foundational material for elixir preparation.

Two methods exist for Mystic White preparation:

First Method: Take one catty of lead cast into plates, proportionally adding one catty of mercury and six taels of genuine gold. Melt lead and gold together before incorporating mercury to create silver plates. Hang these in the Hua Pool (vinegar vat), stirring every seven days while keeping the jar sealed. Collect the white sediment in green bamboo tubes, seal with lacquer, then soak for thirty days to complete.

Second Method: Blend one catty each of lead and gold into thin plates placed on wooden trays lined with cloth, soaking in premium vinegar (zuowei) for thirty days. The resulting Mystic White must contain gold to be effective—gold-free versions are unusable. The Supreme Clarity method uses Mystic White as base material, while the Nine Cauldrons method employs Mystic Yellow.

Crucial note: Before divine elixir preparation, one must ready various medicinal solutions, detoxify minerals, prepare Six-One Mud (a sealing compound), and refine mercury. All operations require vinegar. Hundred-day aged vinegar is called chunxi, while three-year aged vinegar becomes bitter wine. Ancient practitioners termed specially prepared alchemical vinegar "Hua Pool" or "zuowei," considering it a secret formula. Those pursuing the Dao of longevity cannot neglect these preparatory measures.

赤黍米一石淨簸淘取泔三石爛炊作飯及 泔依前三石之數一時下著瓮中細擣篩訖 以麴末黍飯及泔依前三石之數一時下著 瓮中攪之使均以紙七重蓋其瓮口每經七 日缷却一重四十九日去紙盡也初以紙蓋 重重别繫凡七七日其醋即熟别以好帛幕 其瓮口待滿始堪投藥欲取投藥接取醋清 若末須用糟密貯勿開之也其作醋水以五 月雨水作之最神百石千石分料放此醋瓮 之底必須著塼不欲數移即健壞挹率率物 宜用訖瓢時以枯棘漉去毛髮也    太清中經上篇作華池法 華池者一曰溺水一曰四海水母一曰玄池 天上自有之在北極今人作之法用淳左味 五石三分之取一分納蜜一斤穀五斗以水 溲令生芽乃暴令乾擣篩納華池中合擣萬 過乃以米𥻓裹礬石三十斤浸其中封之三 日成其味苦而甘酸復納硝石十斤都合料 理也以水金玉五石金銀珠鉛三十日百日 皆化爲水承天雨水作左味尤佳用古秤    天師太清華池口訣 按本經作華池如本經說唯以穀五斗以水 漬之令生芽乃暴令乾擣篩以納華池中合 諸物攪之乃得成若不生觳蘖則池不成此 大道之大要也以華池水金玉五石鉛等皆 化爲經在三十六水經皆須華池而成水也    作三轉黄白左味法 取三年苦酒重釀者六石上清更用春酒糟
Interpretation

This scripture meticulously documents the ancient Daoist alchemical techniques for preparing the "Flower Pond" (a special solution for dissolving metallic minerals) and "Left Flavor" (a fermented vinegar solution).

The process for making Left Flavor vinegar involves: First preparing one dan (an ancient unit of measurement) of red millet, thoroughly washed to obtain three dan of rice-washing water. After cooking the grain into rice, both the rice and washing water are placed in a ceramic urn for pounding and filtration. Add yeast, then seal the urn opening with seven layers of paper—removing one layer every seven days. After forty-nine days, the vinegar completes fermentation. The finished vinegar should be covered with fine cloth, with only the clear upper liquid drawn for use while sediment remains sealed. The text particularly notes that rainwater from the fifth lunar month is most suitable for vinegar-making, and large-scale production can be scaled proportionally.

The preparation of the Flower Pond is more complex, bearing alternative names like "Drowning Water" or "Mother of the Four Seas." The specific method involves soaking grains until sprouted, then drying and pulverizing them before mixing with honey and the Five Minerals (wushi) among other ingredients, grinding the mixture ten thousand times. Next, alum is wrapped in rice bran and soaked in the solution, which after three days of sealing forms a bitter yet sweet-sour liquid. The addition of saltpeter and other materials creates a solution capable of dissolving gold, jade, the Five Minerals, and precious metals within thirty to one hundred days.

The text particularly emphasizes that grain sprouting (called "husk sprouts") is essential for successful Flower Pond preparation—this being the crucial factor determining success or failure. Such techniques were fundamental to all metal-dissolving methods recorded in the Scripture of Thirty-Six Waters. Finally, it mentions an advanced preparation called "Threefold Refined Yellow-White Left Flavor," requiring three-year-aged bitter wine and springtime distiller's grains for re-fermentation.

These methods reflect the mineral dissolution technologies developed by ancient alchemists through prolonged experimentation, containing early understandings of microbial fermentation and acid-base reactions.

一石熟攪投中更取上黍米一石溺水極爛 納中待消盡更壓取清更納黄衣八斗五栽 各三斗納中三七日壓出安大瓷瓮中納金 屑銀屑各一斤次納青礬石二斤黄礬石十 斤五十鍊鉛白屑三斤布裹懸其中經七十 日鉛精消入藥也成黄白左味一名華池天 上自有之五栽者謂穀豆黍麥稻等用水溲 之生芽七八日成床也名曰五栽若欲合諸 丹及金液鍊諸水殺八石天地衆方先須預 作十瓮二十瓮瓮瓷作不可臨時始作藥即 无力變化不成 訣曰青礬石者吴白礬中擇取青黄者是本 草謂之鷄矢礬也黄衣者不破麥黄蒸也以 不破麥作之者是也 按狐子玄珠經但伏玄珠皆云黄白左味者 即此之華池是也一切他法不過此也    黄帝九鼎神丹華池方 合丹作金華池以驗五石之精令不飛散方 小麥五斗漬之令擇蒸之使熟麴五斗青白 石大如栗者五斗鉛七斤熬作屑丹砂五斤 細末之赤黍米五斗炊作飯先以石子置瓮 底次以丹砂次麴次麥次黍飯次以水一石 五斗淋之密覆之夏七十日冬百四十日成 作之于盛室之中王相之地勿令鷄犬婦人 六畜見之使神功不成矣    玉燭萬金訣伏汞華池方 取黄白左味三石吴青礬一斤五栽各一斤 取左味三轉之然後細擣青山脂納七日後
Interpretation

This passage provides detailed records of ancient elixir-making formulas and techniques, focusing primarily on the method for creating "Huachi" (a solution used in alchemical preparations). Let me explain it in several parts:

The preparation of Huachi requires multiple ingredients: First, soak and pound one dan (ancient measurement) of millet, then filter it to obtain the clear liquid and add eight dou of "wuzai" (a fermented product made from five types of germinated grains). Next, include one jin each of gold and silver flakes, two jin of green alum stone, ten jin of yellow alum stone, and three jin of lead white flakes refined fifty times. Wrap these materials in cloth and suspend them in the solution - after seventy days the lead essence will fully dissolve.

"Wuzai" refers to a fermentation bed made from grains like rice, beans, millet, wheat, and rice soaked and sprouted for seven to eight days. Before preparing various elixirs, one should prepare ten to twenty porcelain jars in advance, as last-minute preparation may affect the medicinal efficacy.

For green alum stone, one should select the bluish-yellow variety from white alum produced in Wu region, which the Ben Cao Gang Mu (Compendium of Materia Medica) calls "chicken-droppings alum." "Yellow coating" refers to a fermented product made from unbroken steamed wheat.

The passage also records the specific formula for the Yellow Emperor's Nine-Cauldron Divine Elixir Huachi: five dou of soaked and steamed wheat, five dou of yeast, five dou of bluish-white stones the size of chestnuts, seven jin of lead boiled into flakes, five jin of powdered cinnabar, and five dou of red millet cooked into rice. These ingredients should be placed in jars in sequence, sealed with water, and fermented for seventy days in summer or one hundred forty days in winter.

The preparation process must be conducted in a specially purified chamber at an auspicious geomantic location, strictly prohibiting the presence of chickens, dogs, women, or livestock, as these would affect the elixir's potency. Finally, it mentions the formula for Mercury-Subduing Huachi, which requires three dan of "yellow-white zuowei" (another name for Huachi), one jin of Wu-region green alum, and one jin each of the five types of wuzai.

開封納五栽更封固勿洩三七日成也按單 華池末云若欲伏汞要用五栽華池之方若 用餘方則不能伏俗人不知直用醋煮或三 日三夜或十日十夜徒用功力必無伏理不 得五栽華池設經千日終無成者此之謂也 訣曰此五栽華池之法乃以黄白左味作之 明非轉之醋也又按玄珠凡所酢皆言是黄 白左味今復以此玄珠之金屑銀屑鉛白等 青黄二礬之大華池更以庚寅辛卯之日重 投五栽及青礬等物四七日以之伏汞無不 有效法之舛互乍莫知之所以的無錯失似 此玉燭五栽華池方取左味三轉之即此之 謂也何者前三轉黄白左味法取三年苦酒 重釀者六石此一轉之義也言重釀者即淳 酢之别名以其味不薄耳固非俗間求利之 味也又云取重釀者六石之上清更用春酒 糟一石熟攪投中更取上黍米一石弱炊極 爛納中待消盡者此是二轉之義也又云取 此二轉更壓取清更納黄衣八斗五栽各三 斗納中三七日壓出安大瓷瓮中納金屑銀 屑各一斤次納青礬石二斤黄礬石十斤五 十鍊鉛白屑三斤布裹懸中經七十日鉛精 消入藥中成黄白左味此三轉之義也今復 以三轉黄白左味候鉛精消盡七十日之成 者更以三石之上清投吴青礬細擣一斤納 之七日復開封方納五栽各一斤於中更封
Interpretation

This passage details the preparation method for the "Fivefold Blossom Pond" (Wuzai Huachi), a special solution used in alchemical practices. When refining mercury in alchemical processes, this specially prepared Fivefold Blossom Pond is essential—ordinary vinegar, even when boiled for ten days and nights, proves completely ineffective in subduing mercury.

The method requires "Yellow-White Fermented Vinegar" (Huangbai Zuowei), a specially multi-fermented vinegar distinct from common varieties. According to the Mysterious Pearl Scripture (Xuanzhu Jing), all vinegar used in alchemy must be of this Yellow-White variety. The preparation involves adding gold and silver filings, lead carbonate, along with minerals like green vitriol and yellow vitriol. The fivefold ingredients and green vitriol must be added on specific celestial days (Gengyin and Xinmao). After twenty-eight days (four times seven) of processing, this method proves exceptionally effective in subduing mercury.

The detailed preparation involves three stages:

The first stage, called "First Transformation," requires six dan (an ancient measurement unit) of aged vinegar stored for three years—this vinegar must be rich and mellow, not the commercially available kind. Add one dan of spring wine lees and stir thoroughly, then incorporate one dan of thoroughly cooked millet until fully dissolved.

The second stage, "Second Transformation," involves filtering the liquid from the first stage to obtain a clear solution. Add eight dou of "yellow coating" (likely a fermentation agent) and three dou of each of the fivefold ingredients. Seal the mixture for twenty-one days, then press and extract the liquid into a large porcelain urn. Sequentially add one jin each of gold and silver filings, two jin of green vitriol, ten jin of yellow vitriol, and three jin of lead carbonate refined fifty times. Wrap these in cloth and suspend them in the solution. After seventy days, when the lead essence has fully dissolved, the Yellow-White Fermented Vinegar is complete.

The third stage, "Third Transformation," requires aging the Yellow-White Vinegar from the second stage for another seventy days until the lead essence completely dissolves. Then add three dan of purified upper liquid and one jin of pulverized Wuqing vitriol. After seven days, unseal the container and add one jin of each of the fivefold ingredients before resealing. Only then is the true Fivefold Blossom Pond fully prepared.

固勿洩三七日乃成此所謂再著青礬重投 五栽者取其至驗也是以單華池末云不得 五栽華池設經千日終不成者是也又玉燭 五栽之目即號華池玄珠伏汞之方唯稱左 味明至五栽四轉方是眞法又據太一金液 還丹注釋云凡不成者莫不以硝石非眞華 池失法是也又據五轉霜粉法之華池若不 如法假至十日二十日縱加鈎留亦不成餅 者之類也若和泥用苦酒者亦可依金液左 味爲佳也但稱苦酒皆不厭乆云曰百者必 不可減百也得三年者彌隹    作太一金液還丹華池法 以五月天雨水三石六斗作苦酒用米麴如 常封泥二十一日内大麥蘖末𥻓一斗八升 復經七日或三七日清澄别納大瓮中名曰 左味又作三斗秫米𥻓先擣礬石十斤令如 米豆大以𥻓裹之作三十許餅納左味中百 日成名太一華池華池成便可漬金液餌八 石也    八石華池法 取三轉左味兩石一斗紫石英一斤眞鐘乳 一斤特生礜石一斤磁石一斤青陽石五斤 石膏一斤四兩石亭脂八兩五栽三斗凡九 味異擣下篩擇寅日瓷器中合納之封固勿 令洩氣七日成矣以金屑銀屑黄衣投此八 石華池中依方日滿足成黄白左味(此黄白/八石華) (池/也)以此左味煮水銀及和丹入飛成丹可長 生    青山脂華池法
Interpretation

This passage details the methods for preparing several important medicinal solutions called "Huachi" (lit. "Flower Pool") used in Daoist alchemy. These acidic solutions served as reaction mediums for dissolving and processing metallic minerals, analogous to modern chemical solvents.

The first method describes creating the "Taiyi Golden Elixir Returned-Dan Huachi": Collect three dan and six dou (ancient measurement units) of natural rainwater during the fifth lunar month. Add rice starter for fermentation like vinegar-making, then seal for twenty-one days. Incorporate one dou and eight sheng of barley malt powder, allowing it to settle for seven to twenty-one additional days. After clarification, pour the liquid called "Zuowei" (an acidic solution) into large urns. Next, wrap ten jin of crushed alum stone with three dou of glutinous rice flour to make thirty cakes, then soak these in the Zuowei solution for one hundred days to complete the Taiyi Huachi. This solution can process eight mineral ingredients and is used for soaking metals to create "golden elixir."

The second method explains the preparation of "Eight Minerals Huachi": Take two dan and one dou of thrice-processed Zuowei solution, then add nine pulverized and sifted minerals - purple quartz, genuine stalactite, arsenopyrite, magnetite, qingyang stone, gypsum, realgar, and wuzai mineral. On an auspicious Yin day (according to Daoist calendrics), mix these in porcelain vessels and seal for seven days without air leakage. This "Yellow-White Zuowei" solution can process gold, silver and other metals for creating mercury-based elixirs, reputedly yielding longevity medicines.

The third method, "Qingshan Resin Huachi," lacks complete documentation, but its name suggests a formula primarily using qingshan resin (either mineral or botanical). These procedures emphasize precise sealing techniques and temporal control, demonstrating ancient alchemy's sophisticated attention to reaction conditions.

取三轉左味三石色如琥珀者中用吴青山 脂五十斤(一云三/十斤)擣篩青山脂納左味中封 固勿洩四十九日作八石七寳水入七寳栽 五斗更封三七日納藥無件不爲水矣祕之 勿傳加土件黄白等屑化水化液有驗也    春醪華池 取七轉春醪三石色正黑者中用五山脂三 斗芒硝朴硝各五斤各異擣納春醪中封三 七日成矣諸有變鍊黄白改易五金皆用此 華池最祕萬金不傳上上一種華池用作百 七水悉用之凡伏水銀皆用黄白左味明須 以金屑銀屑等物投此春醪華池之中以鍊 神飛鉛汞之水銀也 凡用作三十六水諸硝鍊變化者即取太一 金液華池及太清中經神丹溺水華池亦是 也若煮長生水銀即以八石五栽黄白三轉 左味華池用之若欲和溲金泥即取三年及 百日苦酒用之其合丹金華華池擬九鼎神 丹和合觸塗通用其有别華池法與此不相 涉入者不具載也 黄帝九鼎神丹經
Interpretation

This scripture describes methods for preparing the special alchemical solution known as "Huachi" (Flower Pool). There are two primary formulations:

The first method uses three dan of "thrice-refined left-taste" (a triple-distilled acidic liquid) mixed with fifty jin of Wuqing mountain fat, sealed for forty-nine days. Then add the "Eight Minerals and Seven Jewels Water" (made from eight types of ore and seven precious stones), continuing the sealing process for another twenty-one days. This produces a miraculous solution capable of dissolving various medicinal substances, particularly effective for liquefying precious metals like gold and silver.

The second method employs three dan of "sevenfold-fermented spring brew" (a dark liquor fermented seven times) combined with three dou of five-mountain fat, along with five jin each of mirabilite and crude saltpeter, sealed for twenty-one days. This "Spring Brew Huachi" proves most effective for refining various metals and represents a top-secret technique worth fortunes. It's especially suitable for processing mercury, where gold and silver filings can be added to create "divine flying lead-mercury."

The scripture further mentions that when preparing the "Thirty-Six Waters" (various medicinal solutions), one may use either the "Great One Golden Liquid Huachi" or the "Grand Clarity Central Scripture Divine Elixir Drowning Huachi." For creating longevity elixirs with mercury, the "Eight Minerals Five Plantings Yellow-White Thrice-Refined Left-Taste Huachi" should be employed. When making alchemical gold paste, aged bitter wine (vinegar) stored for three years or one hundred days is required.

The text concludes by clarifying that these Huachi formulations are universal methods for use with the Nine Cauldrons Divine Elixir, while other unrelated Huachi preparation techniques aren't recorded here in detail.

訣卷之十七

Source text: Kanripo 漢籍リポジトリ(KR5c0283); Licence: CC BY-SA 4.0 · Report an error / feedback

← Vol. 16 Vol. 18 →