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《周易參同契發揮》Vol. 4

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Taixuan 太玄部 Vol. 4 / 9 5,530 characters

About this page. The original text of 《周易參同契發揮》 Vol. 4 (Taixuan 太玄部, 9 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 11 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

周易參同契發揮卷之四止四     林屋山人全陽子俞琰述    上篇第四 若夫至聖不過伏羲始畫八卦效法天地文 王帝之宗循而演爻辭夫子庶聖雄十翼以 輔之三君天所挺迭興更御時優劣有步驟 功德不相殊制作有所踵推度審分銖  伏義法天地而作易始畫八卦其先天一  圖乾天在上坤地在下離日坎月則列於  東西震雷巽風艮山兊澤則居於四隅是  豈無所踵而然哉文王循卦體而演易乃  作爻辭其後天一圖震巽二木生離火繼  以坤土藏之兌乾二金生坎水繼以艮土  止之又豈無所踵而然哉孔子踵羲文而  讃易遂作十翼在當時雖無帝王之位而  萬世爲帝王之師是乃庶聖之雄者也是  三君子皆古之大聖人也伏羲生於邃古  文王生於商末孔子生於晩周迭興御時  步驟雖有優劣而以功德較之則前聖後  聖其歸一揆蓋不相殊也且如八卦之畫  爻辭之演十翼之作篇無閑言言無閑字  推度重輕極爲詳審蓋其制作皆有所踵  也今夫魏公作此參同契一書而必假易  之卦象以發明其說可謂有所踵矣 有形易忖量無兆難慮謀作事令可法爲世 定此書素無前識資因師覺悟之皓若褰幃 帳瞋目登高臺  事之有形有兆者可以忖量可以慮謀金  液大丹乃無形無兆之事不可忖量不可
Interpretation

The supreme sage Fuxi first drew the Eight Trigrams (Bagua) by emulating the patterns of heaven and earth. King Wen of Zhou, as the exemplar of imperial ancestors, developed this system further by composing the line statements (yaoci, explanatory texts for hexagram transformations). Though not an emperor himself, Confucius as the foremost among sages supplemented these with the Ten Wings (Shiyi, the ten interpretive commentaries of the Yizhuan). These three sages, all divinely chosen luminaries, arose successively across different eras. Though their achievements varied in scope, their merits were equally profound—their creative systems formed an unbroken lineage, each executed with impeccable precision.

When Fuxi modeled heaven and earth to create the Book of Changes (Yijing), he first delineated the Eight Trigrams: Qian (Heaven) positioned above, Kun (Earth) below, Li (symbolizing the sun) and Kan (symbolizing the moon) arranged east and west respectively, while Zhen (Thunder), Xun (Wind), Gen (Mountain), and Dui (Marsh) occupied the four corners—all following profound natural principles. King Wen expanded the Yijing through hexagram analysis, composing line statements by arranging the Later Heaven sequence: Zhen and Xun (both Wood phase) generating Li (Fire), supported by Kun (Earth); Dui and Qian (both Metal phase) generating Kan (Water), restrained by Gen (Earth)—equally adhering to rigorous patterns. Confucius inherited this system from Fuxi and King Wen to interpret the Yijing through the Ten Wings. Though never an emperor, he became the eternal teacher of rulers, standing as the foremost among sages.

These three were the great sages of antiquity: Fuxi from remote antiquity, King Wen from late Shang dynasty, and Confucius from late Eastern Zhou. Emerging successively across eras, their accomplishments differed in scale, yet their fundamental principles remained identical. Whether in drawing the Trigrams, deducing line statements, or composing the Ten Wings, every character was meticulously weighed—each creation rooted in unbroken transmission.

Now Wei Boyang (patriarch of Daoist alchemy), in composing the Zhouyi Cantongqi, necessarily employs the Yijing’s hexagrams to expound his teachings, continuing this sacred lineage. Physical forms are easily discerned, but affairs without omens defy planning. The Golden Elixir (Jinye Dadan, the supreme attainment of Daoist cultivation) belongs to the formless realm—neither measurable nor designable. Yet to establish models through canonical texts requires transcendent wisdom. Though Wei Boyang had no precedent, his master-disciple awakening granted him clarity—like lifting a curtain or surveying horizons from heights.

 慮謀也苟不示之以言則後世何所取法  此參同契所以作也然參同契之作也豈  魏公自出己見哉不過因師授之說而爲  之爾西升經云學不得明師安能解疑難  蓋世間一法一術尚須磬折求師然後得  其旨沉此金液大丹乃長生超脱之道學  者得不低心參訪以期感遇哉葛稚川神  仙傳云劉政求養生之術勤尋異聞不遠  千里苟有勝己雖奴客必師事之今之人  果能如劉君之不恥下間則自有眞仙踵  門㸃破丹穴一旦得其口訣群疑盡釋皓  若褰帷帳而撤其掩蔽豁如登高臺而眺  平曠遠心目爲之開明豈不大快也歟 火記六百篇所趣等不殊  悟眞篇云契論經歌講至眞不將火候著  於文要知口訣通玄處須共神仙仔細論  後學不悟眞筌見有所謂火記六百篇之  說則莫不惘然自失以爲火候如此其繁  且難殊不知六百篇亦猶六十卦爾六十  卦爲一月之候六百篇乃十箇月之候蓋  一月六十卦卦卦一般十箇月六百篇篇  篇相似故曰所趣等不殊也 文字鄭重說世人不熟思尋度其源流幽明 本共居竊爲賢者談曷敢輕爲書結舌欲不 語絶道獲罪誅冩情著竹帛又恐泄天符猶 豫增歎息俛仰輙思慮陶冶有法度未忍悉 陳敷略述其綱紀枝條見扶踈  古今丹書汗牛充棟千名萬字引喻無窮
Interpretation

Wei Boyang (Lord Wei) did not compose the "Zhouyi Cantong Qi" (The Kinship of the Three) based on personal opinions, but rather recorded the teachings transmitted by his master. As stated in the "Xisheng Jing" (Scripture of Western Ascension): "Without an enlightened master, how can one resolve the doubts in cultivation?" Even worldly skills require reverent learning from teachers to grasp their essence—how much more so for the Great Dao of refining the Golden Elixir (Jindan), which concerns longevity and transcendence. How could seekers of the Dao not humbly seek out and await the guidance of a true enlightened master?

Ge Hong's "Shenxian Zhuan" (Biographies of Divine Immortals) records how Liu Zheng tirelessly traveled far and wide to learn longevity techniques, willingly bowing to teachers regardless of their social status. If people today could emulate Liu Zheng's humility in seeking guidance, true immortals would naturally appear to resolve their confusions. Once one obtains the genuine oral instructions, all doubts will dissipate like lifting a curtain or ascending a high tower—bringing sudden clarity and immense joy!

Regarding the "600 chapters of fire phasing" mentioned, their principle aligns with the 64 hexagrams of the "Zhouyi." Zhang Boduan states in the "Wuzhen Pian" (Awakening to Reality): "All alchemical scriptures (Danjing) speak of ultimate truths, but the crucial fire-phasing instructions are never explicitly written." Later generations misunderstood this, assuming the "600 chapters" implied extreme complexity in fire-phasing. In reality, just as there are 60 hexagrams per month (two per day), ten months make 600 chapters—the daily cultivation essentials remain fundamentally similar.

The author composed this text with utmost caution, for celestial secrets cannot be lightly revealed. Not writing would risk severing the Dao's transmission; writing too explicitly might divulge heavenly mysteries. Thus, it only outlines the general framework, never detailing every particular. Since ancient times, alchemical scriptures have filled entire rooms, yet all employ veiled metaphors—the true core teachings remain dependent on oral transmission from master to disciple.

 得不謂之鄭重乎然而尋度其源流則不  過一陰一陽而已此兩者同出而異名古  仙皆傾肝瀝膽以告世人而世人福縁淺  薄自不暇熟思爾今夫魏公作此一書指  陳鼎器之出處藥物之川原火候之法度  與夫存亡有無主客先後之祕言言徹底  字字著實蓋爲世之賢者設豈肯輕爲著  述以釣人虚譽耶當知書爲曉者傳事爲  識者貴農夫得彤弓以驅鳥南夷得衮衣  以負薪金丹大道惟賢者而後樂此匪我  知者可多談哉太上玄科曰遇人不傳失  天道妄傳非人泄天寶傳得其人身有功  妄傳七祖受冥考所以魏公將結舌而噤  無一語則恐絶道脉而獲罪若冩情而著  之竹帛則又恐泄天符而得譴於是猶豫  增歎息俛仰輙思慮本欲明明直說以告  學者實不敢輕泄眞機遂姑述藥物火候  之大略以使後人因言而會意則庶乎此  道不泯其所傳也旣不敢明於言又不忍  祕於默故未免舉其宏綱撮其機要以陶  冶法度散於三篇之中而有如枝條之扶  踈也 以金爲隄防水入乃優游金計有十五水數 亦如之臨爐定銖兩五分水有餘二者以爲 眞金重如本初其土遂不入二者與之俱三 物相含受變化狀若神  以金爲隄防水入乃優游者以上弦半斤  金爲外爐東南半璧之隄防然後下弦半  斤水自西而下入於北方内爐則其勢不
Interpretation

This passage reveals the mysteries of cultivating the Golden Elixir (Jindan) path, where the author Wei Boyang (Master Wei) discloses key alchemical principles in the Zhouyi Cantongqi (The Kinship of the Three), yet exercises caution by not fully explicating them.

The text begins by noting that while the Dao of Yin-Yang appears simple, ancient masters devoted their lives to transmitting it, yet ordinary people, lacking sufficient virtue and fortune, struggle to grasp it. Master Wei composed this text to clarify core secrets—the cauldron (the alchemical vessel), the origin of the medicinal ingredients, and the fire phases (control of alchemical heat)—with every word grounded in truth. It is written for those with innate wisdom, not for empty fame.

Two metaphors follow: a farmer who obtains a red bow but uses it only to scare birds, and southern tribesmen who acquire fine robes yet wear them while carrying firewood. These illustrate that only the wise can truly comprehend the Golden Elixir path. Quoting Daoist precepts, the text warns: withholding teachings from a worthy disciple violates heavenly law, while carelessly revealing them to the unworthy risks cosmic secrets. Master Wei thus faces a dilemma—remaining silent risks severing the Dao’s transmission, while full disclosure may incur celestial punishment.

Therefore, the book outlines only the general principles of medicinal ingredients and fire phases, leaving later practitioners to discern the deeper meaning. Like branches that seem scattered yet follow an inherent order, Master Wei disperses the alchemical method across three sections. Regarding technique: lead (Jin, "gold") acts as a dike to regulate the flow of mercury (Shui, "water"), with their ratio precisely two-fifths, ensuring the lead’s purity remains untainted by earthly impurities (Tu). When Jin, Shui, and Tu merge, a wondrous transformation occurs.

Further details explain: using half a catty of lead (Jin) during the waxing moon as the outer furnace’s protective barrier, while half a catty of mercury (Shui) flows from the west into the northern inner furnace during the waning moon—thus maintaining equilibrium. The entire alchemical process unfolds with the precision of lunar phases, methodical and ordered.

 迫而優游自如也金計有十五者自初一  至十五也即上弦金半斤之謂也水數亦  如之者自十六至三十也即下弦水半斤  之謂也丹法先以文升後以武降不如是  則不能深達於九泉之下故曰臨爐定銖  兩五分水有餘也夫金水各半合成二八  一斤之數一闔一闢往來不窮乃吾身之  眞陰陽也然水要半斤有餘金又不可虧  其半斤之重故曰二者以爲眞金重如本  初也其土遂不入者周回鼎器間只有上  弦半斤金下弦半斤水而土則無位也其  所謂不入非不入也土無定位無所往而  不入也且如天地二十四位其間即無戊  己豈果無戊己哉蓋自壬子至於乾亥往  來不定上下無常無非戊己所遊之地也  二者與之俱者遍鼎器之間皆土而金水  二者與之偕行也金水與土偕行則三物  互相含受混而爲一矣混而爲一則縛住  青山萬頃雲撈出碧潭一輪月而變化之  狀如神矣至道篇云升降名爲金水運時  巽曰眞風蓋升者金也降者水也而所以  爲之升降者土也雖然金水土三物不過  皆設象比喻爾究而言之大道從來絶名  相眞仙本自無花草何金水之有哉何土  之有哉 下有太陽氣伏烝須臾間先液而後凝號曰 黄轝焉  玉芝書曰凡鍊丹隨子時陽氣而起火其  火力方全餘外别時起火其火不然蓋子
Interpretation

This scripture elucidates the principle and symbolic meaning of "gold-water ascent and descent" in Daoist Neidan (internal alchemy) practice. It employs metal and water as metaphors for the Yin and Yang energies within the human body, while earth symbolizes the mediating force that harmonizes them.

During cultivation, the waxing of Yang energy in the first half of the lunar month (1st to 15th day) is termed "half-catty of ascending gold," while the waxing of Yin energy in the latter half (16th to 30th day) is called "half-catty of descending water." Together, these half-catties of gold and water form a complete catty, representing the equilibrium of Yin-Yang. The "earth" mentioned here isn't a physical substance but rather the harmonizing force that regulates the movement of gold and water—it permeates everywhere yet has no fixed position, much like how the earth's energy flows throughout the twenty-four directional coordinates despite the absence of specific "Wuji" markings.

The true essence of cultivation lies in achieving complete fusion among the three elements: gold (Yang), water (Yin), and earth (the harmonizing force). When these three become indistinguishably unified, one attains the wondrous state described as "binding the endless clouds over green mountains, fishing out the moon's reflection from emerald pools." Yet the scripture ultimately reminds us that these terms—gold, water, earth—are merely provisional metaphors, for the true Dao transcends all conceptual distinctions. At the highest stage of cultivation, such categorical divisions dissolve entirely.

The appended alchemical instructions clarify that furnace firing should commence at Zi hour (11 PM–1 AM), when Yang energy first emerges, as this timing yields the purest fire quality. Attempts at other hours prove less effective. This exemplifies the Daoist cultivation principle of "cosmic-human resonance," emphasizing alignment with natural rhythms.

 時太陽在北方而人身氣到尾閭關於此  時而起火則内外相合乃可以盗天地之  機而成丹其初太陽在下水火交媾二氣  絪緼烝而爲液次則水中火發陽氣漸熾  其液方凝於其中逼出金華是名眞鉛及  其運用而上升則騰騰若車轝行於黄道  之上故號之曰黄轝焉 歲月將欲訖毁性傷壽年  臘月三十日天運將周則日窮于次月窮  于紀若以丹道言之則人身自有一周天  與天地無以異也 形體爲灰土狀若明䆫塵  古歌云用鉛不用鉛須向鉛中作及至用  鉛時用鉛還是錯又云鉛爲芽母芽爲鉛  子旣得金華捨鉛不使其旨深矣人徒知  子時腎氣生得火烹鍊凝而成液遂認爲  眞鉛而欲取以㸃化離宫之眞汞殊不思  旣成液矣則有形有質其體重濁安能逆  流而升上神仙之作丹不過於此時發火  於其下以感其氣爾火力旣盛其氣滃然  上騰與山川之雲起相似迨夫升入泥丸  然後化爲甘雨下入重樓蓋未嘗用其質  也丹法所謂取清捨濁正謂此也清者浮  而在上所謂狀若明䆫塵是也濁者沉而  在下所謂形體爲灰土是也鍊外丹者取  其飛結於鼎蓋之上者號曰明䆫塵魏公  以此發明内丹欲學者觸類而長之也 擣治并合之馳入赤色門  擣治并合之者兩處擒來共一爐一泓神
Interpretation

When the sun moves to the northern position, the Jing (essence) and Qi (vital energy) in the human body also gather at the Weilu Pass (located at the lower Dantian, or energy center). If one can properly apply the "fire timing" (the mindful guidance in cultivation) at this moment, it enables the internal and external energies to harmonize, thereby grasping the profound mechanism of cosmic creation to refine the Golden Elixir.

At the initial stage of cultivation, the "sun" (yang energy) resides below, where water and fire (the yin and yang energies) interact, forming a misty vapor that condenses into a liquid state. Then, fire emerges from water (yang arising within yin), and as the yang energy gradually strengthens, the liquid begins to solidify, from which the essential substance is extracted—this is what is called "true lead" (the foundational material in Golden Elixir cultivation). When true lead ascends along the Governing Vessel, its movement resembles the path of the sun along the ecliptic (the celestial orbit), hence it is referred to as the "Yellow Chariot."

At the end of the year, the cosmic cycle completes one revolution. From the perspective of alchemical cultivation, the human body also has its own celestial circuit, mirroring the rhythms of heaven and earth. During cultivation, the clear and light energy rises like dust floating by a bright window, while the turbid and heavy matter sinks like settling ash. An ancient alchemical maxim states: "It seems like lead (referring to tangible matter) is used, yet in truth, it is not used—the key lies in extracting the essence within lead." When the time comes to truly employ lead, clinging to its coarse form is actually a mistake. Lead is like a mother nurturing a sprout, but once the essence (Golden Flower) is obtained, the crude lead should be discarded.

Ordinary practitioners only recognize that during the Zi hour (11 PM–1 AM), when kidney energy stirs, applying fire timing to refine and condense it into liquid is mistaken for true lead. They fail to realize that once materialized into liquid, it becomes tangible and heavy, turbid and difficult to ascend against the current. The true method of elixir refinement involves igniting the fire timing below at this moment, stimulating the light and clear energy to rise like mountain mist, eventually ascending to the Muddy Pellet Palace (upper Dantian) and transforming into sweet dew that descends. This is the crucial principle in alchemy known as "taking the clear and discarding the turbid"—only the light, floating essence like window dust is collected, while the heavy, ashy turbidity is abandoned.

The revered master Wei Boyang used the metaphor of "window dust" (the refined essence that condenses on the lid of a cauldron in external alchemy, or Waidan) to inspire practitioners to grasp the principles of internal alchemy (Neidan, the refinement of vital energies within the body). The so-called "pounding and merging" refers to gathering the essences from both yin and yang into the furnace of the Dantian, ultimately refining a pool of divine water (the essence of the Golden Elixir).

 水結眞酥也馳入赤色門者奪得兔烏精  與髓急須收入鼎中燒也金丹大藥産在  坤種在乾乾居上爲鼎坤居下爲爐非猛  烹極煆則不能出爐非倒行逆旋則不能  升鼎悟眞篇云兩手捉來令死鬭化成一  塊紫金霜又云河車不敢暫留停運入崐  峯崘頂兹蓋後天下手功夫與先天産藥  之時不同其中復有觀心吸神二用皆助  火候之力者古仙往往祕而不言人誰知  之或泥於下手之說從而按摩導引搬運  轆轤徒爾勞神用力又安識運神火以觀  眞心鼓巽風以吸眞神之妙用哉 固塞其濟會務令致完堅  金丹大成集云知時下手採將來固濟神  廬勿輕泄又云搬歸頂上結三花牢閉玉  關金鎖蓋金砂升鼎之時須是固濟謹密  然後聖胎完堅也  炎火張於下龍虎聲正勤  指玄三十九章云只消閃入華池鼎眞火  掀天煅一場漸悟集云因燒丹藥火炎下  故使黄河水逆流此乃烹鍊之火不得不  炎也悟眞篇云虎躍龍騰風浪麤中央正  位産玄珠翠虚篇云龍吟虎嘯鉛汞交灼  見黄芽并白雪蓋丹田之火熾盛則雲烝  霧滃泥丸風生而宛有龍吟虎嘯聲也彭  鶴林元樞歌云得訣歸來試鍊看龍爭虎  鬭片時間九華天上人知得一夜風雷撼  萬山歷試者當自知之 始文使可修終竟武乃陳  採藥之初凝神聚氣調匀鼻息呼吸應手
Interpretation

This scripture elucidates the concrete methods and fire regulation in Daoist Neidan (internal alchemy) practice.

During cultivation, when the vital essence (Jing-Qi, symbolized as "water crystallizing into true cream") enters the heart region (the "vermilion gate"), one must swiftly guide this energy (the "essence of rabbit and crow") along with marrow essence into the Dantian (the "cauldron"). The Golden Elixir (Jindan) is generated in the lower Dantian (the Kun position), yet it must be nurtured in the upper Dantian (the Qian position). The upper Dantian serves as the cauldron, while the lower Dantian acts as the furnace—only through intense fire refinement can the transformation be completed.

The Wuzhen Pian (Awakening to Reality) mentions that during practice, one must grasp and balance the fierce contention between two opposing energies, ultimately refining them into "purple-gold frost" (the Golden Elixir). The energy (symbolized as the "River Chariot") must circulate continuously until it ascends to the crown of the head (the "summit of Mount Kunlun"). This distinguishes the postnatal cultivation phase from the spontaneous production of the elixir in the prenatal state, involving the harmonization of visualized consciousness and breath regulation to control the fire intensity—secrets that ancient masters seldom disclosed.

Some mistakenly believe cultivation merely involves massage, guiding Qi (like a "windlass"), when in truth the key lies in employing focused intention (the "spirit-fire") to illuminate the original mind, coordinating with breath (the "gentle wind of Xun") to mobilize prenatal Qi. During alchemical refinement, one must seal all bodily orifices (securing the "meeting points") to prevent the leakage of essence and energy. The Jindan Dacheng Ji (Compendium of Golden Elixir Mastery) emphasizes that gathering the medicinal essence requires precise timing: when the refined essence ascends to the crown, coalescing into the "three blossoms" (Jing, Qi, and Shen), and the lower gate is locked (the "jade pass and golden lock"), only then can the Golden Elixir (golden sand) be perfected.

In practice, the lower Dantian blazes with intense fire as the Yin-Yang energies (the "dragon and tiger") engage in fierce interplay. The Zhixuan Pian (Pointing to the Mystery) states that true fire burns within the Dantian, while the Jianwu Ji (Gradual Awakening Collection) describes this state as "the Yellow River flowing backward." Both the Wuzhen Pian and Cuixu Pian note that when the Dantian's true fire reaches its peak, phenomena like "the dragon's roar and tiger's roar" emerge—manifestations of the dynamic fusion of essence and energy. Peng Helin’s Yuanshu Ge (Song of the Pivotal Origin) vividly portrays this as "dragon and tiger in combat," evoking sensations of "tempests shaking mountains."

The entire process is divided into civil and martial fire phases: the initial stage (gentle civil fire) requires mild tempering, while the later stage (intense martial fire) demands vigorous refinement. When gathering the medicinal essence, one must concentrate spirit and unify breath with movement in perfect coordination.

 迨夫神氣之入乎其根閉極則失於急縱  放則失於蕩惟使其綿綿續續勿令間斷  然後神久自凝息久自定少焉巽户轟雷  龍騰虎躍則驅回尾穴連空焰趕入天衢  直上奔也王保義云文火乃發生之火武  火乃結實之火蓋始焉發生終焉結實始  文終武不可以一途取也 候視加謹愼審察調寒温  候視加謹慎者塞兌垂簾含光默默候天  地之氣將至然後定息以採之聚火以烹  之須當視其老嫩不可輕易也悟眞篇云  大都全藉修持力毫髮差殊不作丹豈可  輕易哉審察調寒温者調停火力審察緊  緩以漸而猛不可荒忙驟進也復命篇云  火候直須牢穩審吹嘘全藉巽方風豈可  驟進哉 周旋十二節節盡更親觀  十二節乃周天十二辰在吾身則火候方  位是也夫十二節火候自子而升至午而  降環鼎器之外如天有十二辰今焉十二  節皆已行遍周天則天罡復指於子故曰  周旋十二節節盡更親觀翠虚篇云震卦  行歸西兌郷三陽姹女弄明璫巽風吹動  珊瑚樹入艮歸坤又一陽與此同㫖 氣索命將絶休死亡魄魂  夫修鍊金丹將求長生今魏公乃謂氣索  命將絶休死亡魄魂何也翠虚篇云促將  百脉盡歸源脉住氣停丹始結蓋金液凝  結之際璇璣玉衡一時停輪而日魂月魄  皆沉淪於北方海底而索然滅藏故曰氣
Interpretation

This passage expounds the essential techniques of fire regulation and celestial cycle circulation in Neidan (internal alchemy) practice.

Regarding the regulation of Shen (spirit) and Qi (vital energy): When returning them to the Dantian (energy center), one must avoid both excessive haste and negligent laxity, maintaining instead a continuous, unbroken rhythm. Through sustained practice, the spirit naturally concentrates and breathing becomes tranquil. At the appropriate moment, the Dantian will produce vibrations resembling thunderclaps, causing Jing (essence) and Qi to surge like dragons leaping and tigers pouncing along the Governing Vessel, ascending to the Baihui point at the crown. Wang Baoyi explains that gentle fire (wenhuo) is used to activate primordial Qi, while intense fire (wuhuo) serves to congeal the Golden Elixir (jindan). Practice should commence with gentle fire and conclude with intense fire, never relying solely on one method.

Concerning fire observation: During cultivation, one must vigilantly observe with eyes gently closed and vision turned inward, awaiting the arrival of celestial and terrestrial Qi. Then regulate breathing to gather primordial Qi and concentrate fire to refine the Golden Elixir. Precise discernment of the fire's maturity is crucial—carelessness is unacceptable. The Wuzhen Pian (Awakening to Reality) states that alchemical success depends entirely on meticulous timing; the slightest deviation spells failure. Fire regulation requires perfect temperature control, progressing gradually from mild to intense without haste. The Fuming Pian (Restoring Life) similarly emphasizes steady fire mastery, where "gentle exhalations" (xunfeng) must guide the process without impatient forcing.

On celestial cycle circulation: The twelve segments refer to the twelve temporal directions of the macrocosmic orbit. Beginning at the zi hour (perineum) for ascent and reaching the wu hour (crown) for descent, this circuit around the Dantian mirrors heaven's twelve two-hour periods. When the cycle completes, the Celestial Pivot (Tiangang, Big Dipper) returns to the zi position. The Cuixu Pian (Jade Void Treatise) illustrates this with trigram imagery: moving from Zhen (thunder, east) to Dui (lake, west), with the three yang energies circulating in the Dantian, propelled by xunfeng (gentle breath) before finally settling in Gen and Kun (north), completing the cycle.

Regarding the paradoxical phrase "Qi ceases and life ends": This explains why longevity practice mentions "breath cessation and life suspension." In truth, it describes a special state during elixir formation. The Cuixu Pian reveals that when all meridians return to their source and breathing temporarily halts, the Golden Elixir begins congealing. As the golden fluid (elixir essence) solidifies, the body's Qi mechanism pauses like the halted rotation of astronomical instruments (xuanji yuheng), with the solar soul and lunar spirit (yin-yang energies) sinking into the kidney-water of the north. This apparent "Qi cessation" is actually the crucial moment of elixir crystallization.

 索命將絶休死亡魄魂所謂死者非死也  此時歸根復命神凝精結八脉俱住呼吸  俱無其氣索然如絶也絶後重甦則上清  集所謂這回大死今方活是也嗚呼欲知  大藥結成時六脉都停氣不馳此等景象  苟不曾親歷烏能强言哉 色轉更爲紫赫然成還丹  翠虚篇云脱黄著紫因何事只爲河車數  轉深蓋九轉火候數足則還丹赫然光明  變化紫金之色也 服之以一丸刀圭最爲神  翠虚篇云採之鍊之未片餉一氣眇眇通  三關三關來往氣無窮一道白脉朝泥丸  泥丸之上紫金鼎鼎中一塊紫金團化爲  玉漿流入口香甜清爽遍舌端吞之服之  入五内臟腑暢甚身康安蓋還丹入口如  蜜之甘香蔢𦽅之清凉所謂刀圭者刀頭  圭角些子爾及其成功則千變萬化妙不  可測非旁門小術可得而擬倫也稱之爲  神宜哉 推演五行數較約而不繁  易曰天一地二天三地四天五地六天七  地八天九地十乃五行生成數也子華子  云天地之大數莫過乎五莫中乎五蓋五  爲土數位居中央合北方水一則成六合  南方火二則成七合東方木三則成八合  西方金四則成九九者數之極也天下之  數至九而止以九數言之五居一二三四  六七八九之中實爲中數也數本無十所  謂土之成數十者乃北方之一南方之二
Interpretation

This passage describes the mystical experience of forming the "Returned Elixir" (Golden Elixir) in Daoist Neidan (internal alchemy) practice. At advanced stages of cultivation, practitioners enter a death-like trance where vital signs nearly cease: breathing stops, the pulse disappears, and the hun-po (spiritual consciousness) seems to leave the body. Yet this is not true death, but a return to the primordial state of life's origin. Upon reawakening—as described in the Shangqing Ji (Scripture of Supreme Clarity) with the phrase "only after experiencing great death can one truly live"—the practitioner's Jing (essence), Qi (vital energy), and Shen (spirit) fully coalesce into a violet-golden Returned Elixir.

Master Cuixuzi, a renowned Song dynasty Daoist, poetically captures this transformation: when the internal Qi circulation (called the "River Chariot") completes sufficient revolutions (ninefold firing process), the originally yellow vital essence transmutes into a purple Golden Elixir. This elixir tastes sweet as honey upon entering the throat, cooling and refreshing, transforming into jade nectar that nourishes the five viscera. The term "knife-shaped spoon" (an ancient measuring tool for medicines) metaphorically conveys how this tiny elixir contains boundless mystery, far surpassing ordinary magical arts.

The latter section employs the Five Phase generative numbers from the Yijing (I Ching), where numbers one through ten correspond to Water, Fire, Wood, Metal, and Earth. Five represents central Earth—when combined with other numbers, it generates six, seven, eight, and nine: Water (1) plus Earth (5) makes six; Fire (2) plus Earth (5) makes seven; Wood (3) plus Earth (5) makes eight; Metal (4) plus Earth (5) makes nine. Nine represents numerical culmination, while five remains the pivotal center, mirroring Earth's mediating role among the Five Phases. The statement "Earth's completed number is ten" actually derives from summing Northern Water (1) and Southern Fire (2) with their counterparts (1+2+3+4=10), revealing the mathematical principles of Five Phase mutual generation.

 東方之三西方之四聚於中央輳而成十  也故以中央之五散於四方而成六七八  九則水火木金皆賴土而成若以四方之  一二三四歸於中央而成十則水火木金  皆返本還元而會於土中也吁玄哉悟眞  篇云二物總因兒産母五行全要入中央  混元寶章云四位分明顚倒用五行同起  復同歸皆發明此義夫五行生成之數雖  三尺童子亦能誦而知之求其義實則幾  人能知其落處也旣不知其落處又安能  得其實用於此見道要玄微天機深遠達  者惟簡惟易而迷者愈繁愈難也 舉水以激火奄然滅光明日月相薄蝕常在 晦朔間水盛坎侵陽火衰離晝昏陰陽相飲 食交感道自然  邵康節皇極經世書云日月之相食數之  交也日望月則月食月掩日則日食猶水  火之相尅也今夫舉水以激火則火爲水  所尅而火光奄然而滅太陰掩太陽則陽  爲陰所勝而陽光當晝而暗何者陰陽相  交則必至相食此乃道之自然也魏公借  日月交食之機以明丹道之妙而又舉水  火相尅之說以並言之可謂詳矣雖然日  月交食常在晦朔之問鍊金丹者盗天地  奪造化得不求其所謂晦朔之間乎 名者以定情字者縁性言金來歸性初乃得 稱還丹  復命篇云一物分爲二能知二者名二者  即金木也金與木本無二體故以金爲名
Interpretation

This scripture primarily explains the mutual generation and restraint of the Five Phases (Wood, Fire, Earth, Metal, Water) and how to apply these principles in Neidan (internal alchemy) practice.

The text first reveals the numerical mysteries of the Five Phases: The number for the East (Wood) is three, the West (Metal) is four, and combined with the Center (Earth) as five, they sum to ten. When the central Earth disperses to the four directions, it forms the numbers six, seven, eight, and nine. This demonstrates how Metal, Wood, Water, and Fire all depend on Earth's mediating function. Conversely, when the directional numbers one, two, three, and four return to the center, they also combine to make ten, symbolizing how all things ultimately return to Earth as their foundation.

Quoting the Wuzhen Pian (Awakening to Reality) and Hunyuan Baozhang (Precious Chapters of Primordial Chaos), the text emphasizes that the key to Five Phases cultivation lies in returning to the center (Earth). While even children can recite the principles of mutual generation and restraint among the Five Phases, few truly comprehend their profound meaning. The essence of Daoist cultivation rests in realizing these seemingly simple truths—those who understand find them effortless, while those who don't perceive them as impossibly difficult.

The scripture then uses solar/lunar eclipses and water-fire interactions to illustrate the dynamics of Yin-Yang (the complementary forces constituting all phenomena). Just as water extinguishes fire or the moon blocking the sun causes an eclipse, these follow natural laws. Neidan practice similarly requires mastering the timing of Yin-Yang transformations, particularly during the crucial moonless period between lunar months (huishuo).

Finally, it reveals that "Metal" and "Wood" are ultimately two aspects of one reality. By refining practice to return "Metal" to its original nature, one can achieve the "Reverted Elixir" (the supreme alchemical attainment). This employs Five Phases terminology as metaphor for harmonizing and sublimating the dual energies of Yin and Yang in cultivation.

 則以木爲字以木爲性則以金爲情其實  即一物爾蓋金公本是東家子送在西鄰  寄體生未可以稱還丹也惟以之傾入於  東陽造化爐中歸家與青娥相見則産箇  明珠似月圓乃得稱還丹也或曰寂然不  動而情復乎性故稱還丹是則是矣然非  魏公此章金情木性之本義也 吾不敢虚說倣傚聖人文古記顯龍虎黄帝 美金華淮南鍊秋石王陽嘉黄芽  古記之龍虎黄帝之金華淮南之秋石王  陽之黄芽無非託號以寓其微意而已今  夫魏公之作是書豈肯鑿空駕虚以肆其  臆說蓋亦倣傚古人之微意也朱子謂其  用字皆根據古書誠非虚說 賢者能持行不肖母與俱  鬼谷子從子華子遊者十有二年業成而  辭歸子華子戒之曰今汝之所治吾無間  然矣然子之志則廣取而汎與也恐汝之  後夫擇者也其將有剥汝之外乳而自築  之宫庭者矣登汝之車而乘之以馳騁於  四郊者矣取汝之所以爲璧者毁裂而五  分之者矣夫道固惡於不傳也不傳則妨  道又惡於不得其所傳也不得其所傳則  病道今汝則徃矣而思所以愼厥與也則  於吾無間然矣今魏公謂賢者能持行不  肖母與俱其慮亦深矣蓋不肖則必佻薄  佻薄則必無義其不關射羿之弓者鮮矣  復命篇云此道至神至聖無令漏泄輕爲
Interpretation

This passage explores the profound relationship between "metal's emotion and wood's nature" in Daoist Neidan (internal alchemy) practice. The so-called "Metal Lord" (referring to true lead, a core Neidan term) originally belongs to the wood nature of the East but resides in the metal position of the West—like sending an eastern family's son to be raised by western neighbors. Only when it returns to the yang furnace of the East and combines with the "Azure Maiden" (true mercury, another fundamental Neidan element) can it produce the "returned elixir"—the advanced achievement in Neidan cultivation that shines like the full moon.

Some interpret this as the practitioner reaching a state of perfect stillness where emotion returns to its original nature, also called the returned elixir. While this interpretation isn't wrong, it isn't the primary focus of Wei Boyang's (author of the Cantong Qi) discussion on metal's emotion and wood's nature in this chapter. The author humbly states he dares not speak carelessly, only following the ancient sages' tradition of using metaphors to convey profound truths. Terms like "dragon and tiger" in classical texts, the "Golden Flower" mentioned by the Yellow Emperor, the "Autumn Stone" referenced in Huainanzi, or the "Yellow Sprout" praised by Wang Yang—all use symbolic language to encapsulate alchemical mysteries. Wei Boyang's Cantong Qi adheres to this tradition, with every character grounded in classical authority.

The passage then cites the story of Guiguzi studying under Master Zihuazi for twelve years. Upon completing his training, Zihuazi warned: though you've mastered the true teachings, improper transmission could invite five dangers—some might plagiarize your doctrine to establish their own schools, others might misuse your theories for self-promotion, or even dismantle your complete system. The Dao fears not being transmitted, but even more fears being transmitted to the wrong people. Hence, Wei Boyang emphasizes: "The worthy can uphold and practice it; never share it with the unworthy." Only virtuous individuals can steadfastly follow the true path—it must never be taught to those of poor character. Frivolous people lack integrity and may betray their teachers, just as Fengmeng betrayed Houyi. The Fuming Pian likewise states that the supreme Dao must never be carelessly revealed to the unworthy.

 全憑德行兩相冝言語須防避忌當知金  丹大道惟可傳與賢者苟非其人則不惟  不可與語雖遠之可也嗚呼古今出世者  傳載皆英傑控鶴御煙霞固非愚與拙彼  不肖者何足以知之  古今道由一對談吐所謀  子得一萬事畢大哉一乎其千經萬論之  原千變萬化之祖乎信矣哉天下無二道  聖人無二心而萬卷仙經語總同金丹即 此是根宗也 學者加勉力留念深思惟至要言甚露昭昭 不我欺  魏公謂學者能反覆玩味此書一旦心領  神會則知予至要之言果爲甚露而昭昭  然無一毫之欺隱也噫魏公接引後學之  心蓋切矣學者得不信受魏公此說誦持  魏公此書而留念
Interpretation

The foundation of cultivating the Golden Elixir (Jindan) lies in matching one's Virtue (De) with the practice, and one must understand taboos and prohibitions in speech. This supreme method of cultivation should only be transmitted to truly virtuous individuals. If encountering unsuitable candidates, not only should the teachings be withheld, but it is best to avoid meeting them altogether. Alas, throughout history, those who have attained the Great Dao (Da Dao) as recorded were all outstanding figures—capable of riding cranes to ascend to immortality or roaming among clouds and mists. Such achievements are utterly beyond the reach of the foolish and inept. How could those with improper conduct ever comprehend its profound mysteries?

From ancient times to the present, the fundamental truth of the Great Dao remains unchanged. Once one truly comprehends the core principle of "One" (referring to the origin of the Dao), all things in the universe become clear. How magnificent this "One" is! It is the source of countless scriptures and the root of infinite transformations. Indeed, there is no second Dao under heaven, and the hearts of sages are interconnected. All texts on immortality cultivation speak of the same truth—the essence of the Golden Elixir lies precisely in this.

Practitioners must redouble their efforts and repeatedly contemplate these supreme teachings. These words are exceptionally clear and will never deceive us. The Perfected Wei Boyang (author of the Zhouyi Cantongqi) instructs cultivators: if one can diligently study and internalize this text, the day will come when understanding dawns. Then, one will realize that what I have said is the most straightforward and evident truth, without the slightest deception or concealment. Ah, how earnest is Perfected Wei's intention to guide later learners! How could practitioners not faithfully accept his teachings, diligently recite and study this scripture, and deeply contemplate its true meaning?

(This passage primarily discusses the transmission principles and essential practices of the Golden Elixir: first, emphasizing Virtue (De); second, comprehending the fundamental principle of "One"; and third, repeatedly studying the scriptures. Wei Boyang stresses that cultivation requires finding the right successors, while learners must wholeheartedly realize the scripture's true meaning.)

深思之哉 周易參同契發揮卷之四

Source text: Kanripo 漢籍リポジトリ(KR5d0022); Licence: CC BY-SA 4.0 · Report an error / feedback

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