中文 · EN

《道法會元》Vol. 245

Start reading →Report an error / feedback

Zhengyi 正一部 Vol. 245 / 268 10,932 characters

About this page. The original text of 《道法會元》 Vol. 245 (Zhengyi 正一部, 268 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 22 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

Back to 《道法會元》
Reading modes explained
  • Horizontal: ordinary left-to-right reading; the interpretation can be shown.
  • Scroll: vertical text running right to left; the wheel scrolls sideways (no interpretation in this mode).
  • Wheel: columns of vertical text turn around a drum; use the wheel, drag or arrow keys, or auto-play.
  • Pages: about 200 characters per page; use the buttons, swipe or arrow keys.

Source textInterpretation

道法會元卷之二百四十五宫二  上清靈寳無量度人上道    思存訣 師曰修身濟物要在存思存思不精漫瀾無 感感應由精精必有見見妙如圖識解超進 神炁堅明業行無倦兼濟可期期於有證證 之顯驗逆知吉兇以善消惡一切所觀觀其 妙色色相爲先都境山林城宫臺殿尊卑君 臣神仙次第得道聖衆自然玉姿英偉竒特 與我爲儔圓光如日有炎如烟圍繞我體此 謂思存之要然須不染不着方爲玄妙齋壇 思存具列于后    入靖訣 真誥云上清真人爲延壽訣曰凡人入靖燒 香皆當對席心拜叩齒陰祝隨意所陳爲是 精專必獲感應心平炁定使陳啓通達上聞 也燒香時勿反顧反顧則失眞致邪外應不 正又清虛真人曰每入靖當以水潄口洗穢 炁出靖潄口以閉三宫故出靖之時亦不得 反顧乃致不誠入靖不得與外人言語及不 得脚踏門閫勑禁至重此朝真靖治之旨也 若夫修齋設醮亦須當别立靖治思眞念道 齋心正慮今世謂之思真堂者是也其法當 整冠裳靜坐高功先納靈訓神如前平日所 修見前至齋官入靖燒香設拜方起身側立 元坐之左存建齋三師者經籍度三師也乃 心拜默啓意旨次存三師在前兆從其後同 至齋壇行事所謂存者念到則止却不可執 泥以引雜想至回靖所又當回謝三師然後
Interpretation

The cultivation of Daoist practice and the salvation of sentient beings hinge upon "cunsi" (focused visualization). If one's visualization lacks purity, the mind will scatter without order, making it difficult to resonate with heaven and earth. True resonance arises from sincere and single-minded concentration—when this sincerity reaches its peak, one may perceive wondrous visions as vividly as viewing a painting. Such realization enables transcendence beyond the mundane, fortifying the spirit (Shen) and primordial Qi (innate energy) with clarity and radiance. Through unwavering practice, one ultimately attains the state of self-liberation and the liberation of others.

A tangible sign of successful cultivation is the ability to foresee auspicious and inauspicious events and to transform negativity with virtue. In visualization practice, one must first contemplate various sublime forms: whether natural landscapes or celestial palaces, from the revered Heavenly Venerables (Sanqing) to realized immortals, all should be envisioned with solemn, jade-and-golden Dharmic forms. The key lies in visualizing these perfected beings encircling oneself, emanating harmonious light like the sun and auspicious vapors like curling incense. Yet it is crucial to maintain a serene mind, free from attachment to forms—this is the true profundity. Specific methods for visualization within the ritual altar (zhaijiao) will be elaborated later.

Regarding the protocols for entering the meditation chamber (jing): The Perfected of the Shangqing tradition taught longevity methods, stating that when ordinary practitioners enter the chamber to offer incense, they should face the incense table directly, perform mental prostrations, lightly tap their teeth (a cultivation technique), and silently recite prayers. Sincere focus will invariably elicit resonance. Only with a calm and balanced heart can petitions reach the celestial realms. While offering incense, one must avoid looking around, lest the true intent dissipates and invites malign Qi, distorting external resonance. The Perfected of Clarity and Emptiness further advised: Before entering, rinse the mouth with pure water to purge foul Qi; upon leaving, rinse again to seal the three Dantian (upper, middle, and lower energy centers). Never glance backward when entering or exiting, as this betrays irreverence. Within the chamber, avoid speaking to outsiders or stepping on the threshold—these taboos are paramount.

For grand rituals (zhaijiao), a dedicated meditation chamber is essential to visualize the Perfected and purify the heart through fasting. Modern equivalents, termed "Halls for Contemplating the Perfected," serve this purpose. The method is as follows: Sit quietly with robes and headdress properly arranged. The presiding high priest (gaogong) must first gather spiritual awareness and pacify the mind, as in daily practice. Only when other ritual officers enter to offer incense and prostrate should the priest rise and stand to the left of the original seat. At this point, visualize the "Three Masters of Ritual Establishment" (scripture master, register master, and ordination master), mentally bowing to them and silently stating one’s intent. Then envision the three masters leading the way, following them to the ritual altar. Remember: Visualization should cease once the thought arises—over-attachment breeds distraction. Upon returning to the chamber, conclude by mentally thanking the three masters to complete the practice.

就坐片時收復神炁方可離位出靖更衣今 人徃徃入靖更衣語話喧雜更不明入靖之 義殊失本旨每承師訓凡修齋設醮不問大 小必設靖治中立三師牌座香案如式後設 几案上懸師像兆坐其下凡書篆符命必就 靖治中朝奏之暇常在靖治默坐待報並不 許外人進入交語靖者靜也思真念道非靜 不可齋心澄慮非靜必亂況欲與人濟度解 禳專以一誠爲本一真爲祖苟念慮有差精 修有缺非惟不能達誠抑亦自招譴咎此古 今聖師登齋之初必先入靖存神也    燒香訣 師曰夫燒香者不得以口嚙靈禁至重登真 隱訣曰朝修之時先烈火燒香使一舉便達 不宜綿綿翳翳又須左手拈香左手者淨手 也凡事舉運莫非右手左手故淨也凡拈香 先敷壇執簡端立如對君父次以左手拈香 一片提對印堂心存印堂中有上真居其内 祝曰此一瓣香供養玉清聖境元始天尊然 後插香在爐秉簡退揖再進前拈香如前祝 曰二捻上香供養上清真境靈寳天尊插香 秉簡如前祝曰三捻上香供養太清仙境道 德天尊燒三捻上香符默祝曰玉華散景九 炁含煙香雲宻羅逕衝九天當願侍香金童 傳言玉女爲臣通達上奏帝前令臣所啓咸 賜如言即存爐左右玉童玉女侍香烟上達 也李氏儀曰存香火中有五色煙起玄都入
Interpretation

When performing Zhaijiao (purification rituals) in a Daoist temple, priests must first sit quietly in the meditation chamber (Jingzhi) to collect their Shen (spirit) and stabilize their Qi (vital energy) before formally rising to change into ritual vestments. Nowadays, many people enter these chambers talking loudly, completely unaware of their true significance—a violation of Daoist cultivation's fundamental purpose.

According to traditional lineage rules, whether conducting major or minor Zhaijiao rituals, three master tablets (referring to the Scripture Master, Register Master, and Ordination Master) and an incense altar must be placed at the chamber's center. Behind these, a desk should hold hanging portraits of ancestral masters, where practitioners sit upright beneath them. Ritual acts like writing Fulu (talismans) or submitting memorials must all be completed within this sacred space. Between ceremonial prostrations, one should sit silently awaiting divine responses—no outsiders may enter or speak during this time. The character "Jing" (靖) itself means purity; those seeking the Dao must maintain crystal-clear mental clarity. Without collected focus, thoughts become chaotic. Moreover, rituals to dispel calamities fundamentally rely on utmost sincerity and unadulterated intention. Impure thoughts or inadequate cultivation not only prevent messages from reaching the heavens but may incur divine censure. Thus, sages throughout history always entered meditation chambers to visualize deities before rituals.

Regarding incense etiquette: never blow on incense flames with one's mouth (sacred incense demands reverence). The Dengzhen Yinjue (Secret Essentials for Ascending to Perfection) states that morning practice requires swiftly lighting incense so its smoke ascends uninterrupted to the celestial court. Always hold incense with the left hand (considered the "pure hand" as mundane tasks predominantly use the right). First, arrange the altar and stand upright holding the ritual tablet as if facing an emperor. Then take one incense stick with the left hand, raise it to the Yintang (between the eyebrows), and visualize a supreme deity residing there. The invocation reads: "This incense is offered to the Celestial Worthy of Primordial Beginning in the Jade Pure Sacred Realm." After inserting it into the burner, step back and bow. Repeat for the second stick to the Celestial Worthy of Numinous Treasure in the Upper Pure Realm, and the third to the Celestial Worthy of Dao and De in the Great Pure Realm. While burning incense, silently recite: "Jade blossoms scatter radiance, nine Qi (energies) enfold mist; fragrant clouds spread densely, rising straight to the nine heavens. May the Golden Lad of Incense Service and Jade Maiden of Messages convey this disciple's heart to the Imperial Presence." Simultaneously visualize golden lads and jade maidens flanking the burner, transporting the smoke skyward. The Li's Ritual Manual further instructs visualizing five-colored smoke ascending directly to the Mystic Metropolis.

治律曰呈章朝真存五色炁及功曹使者左 右吏兵分位森然如相臨對侍立左右前後 天師墨教篇曰入靖燒香皆由自相彷彿若 見形儀不可以靜寂無音趨拜而退也至如 登齋燒香又不可簡略先入靖燒香對師瞻 禮然後出靖燒師幕香次第如式升壇上十 方香燒洞案香時却與前說對印堂焚三捻 香存想一同其存印堂時却不可着想執爲 印堂其印堂中帝真即與外帝真相會合表 裏爲一方爲玄妙    叩齒訣 九真高上寳書神明經曰叩齒之法左相叩 曰天鐘右相叩曰玉磬中相叩曰法鼓凡存 思念道招真致靈當鳴法鼔以正中四齒閉 目緩頰使聲虛而深響又須以八爲節一節 一嚥液謂之命靈和真故鳴法鼓二十四通 者上應二十四炁三八爲節也叩齒三十二 通者上應三十二天四八爲節之義若夫思 神存真莫不以叩齒爲急叩齒者乃集神除 念思正去邪其理甚深非徒以叩齒之謂    臨目訣 臨目之訣欲閉不閉欲開不開令幽顯相關 存注審諦故先尊朝眞謁帝召將役靈皆有 思存盖恐學者平日雜念交馳一旦難絶倘 不以師傳存思拘繫其念則念必雜而誠不 至真不格矣若夫修齋行事專以内想合外 臨目之際其法閉目必有其要深閉歸空則 念有差開目不存則誠無在開閉俱病何究
Interpretation

This passage explains several essential methods in Daoist cultivation and rituals, focusing specifically on the proper techniques for incense burning, teeth knocking, and eye control (regulating visual focus).

Regarding incense rituals: When performing the Chaozhen ceremony (paying homage to celestial beings), one should visualize the five-colored primordial Qi (five hues of innate energy), imagining the celestial record-keepers (Gongcao), divine messengers, and guardian generals arrayed in orderly formation. The Celestial Master (Tianshi, Zhang Daoling) taught that entering the meditation chamber for incense offering requires solemn reverence, as if truly facing the divine presence—one must never perform hasty bows or withdraw casually just because the environment seems quiet. During formal purification rituals (Zhaijiao), greater precision is required: first enter the meditation chamber to offer incense to ancestral masters, then proceed outward in sequence to burn master-curtain incense, followed by directional incense to the ten quarters and cavern-altar incense upon ascending the platform. When burning incense at the Yintang (third eye point between eyebrows), visualize the fusion of internal and external Celestial Truth (Heavenly Lords), but avoid fixating obsessively on the physical location.

Concerning teeth knocking techniques: Left molar contact is called "Heavenly Bell," right molar contact "Jade Chimestone," and front tooth contact "Dharma Drum." During practice, lightly tap the front teeth 24 times corresponding to the solar terms (eight taps per season node, swallowing saliva after each set). Knocking 32 times aligns with the thirty-two celestial realms. This practice concentrates the Shen (spirit), dispels distractions, and wards off unwholesome thoughts—serving as crucial support for divine visualization.

About eye control methods: Maintain eyes in a half-closed state to connect the yang and yin realms. Successive patriarchs used this visualization technique when appearing before the Jade Emperor or summoning divine generals. Ordinary people's minds are too cluttered with random thoughts—without proper master-transmitted methods to discipline intention, sincere devotion cannot reach the divine. During rituals, particular attention must be paid to internal-external correspondence: tightly closed eyes lead to mental wandering, while fully open eyes hinder concentration, hence the importance of mastering this subtle half-open state.

Though seemingly simple, these methods embody profound cultivation principles. Teeth knocking isn't merely physical action but uses sound vibration to harmonize internal energy; eye control isn't just visual regulation but serves as the key to adjusting consciousness states.

思存今所謂臨目者不開不閉彷彿若存誠 心旣在念不外馳此臨目之要朝修行事之 樞紐也    誠惶誠恐訣 夫誠惶誠恐者即握簡低身控地兩拜過捧 簡長跪當心少時復下控地又兩拜過止謂 之誠惶誠恐若頓首者便以頭頓地爲之頓 首也隱居曰道雖心存亦須形恭口宣詞旨 列拜進退足蹈詳緩並使應機赴會動靜得 宜内以冲神外以恊禮凡朝真謁帝拜表伏 章皆當致恭如此若高功臨壇不審前件禮 法則詞表章文所言誠惶誠恐稽首頓首皆 虛文也    稽首頓首訣 登真隱訣曰稽首者先一拜額至地乃再拜 接先一拜而世相承不見於至再拜猶不肯 全何況能先一拜以行稽首今或因坐仍額 至地稽首至地如因坐地非稽首也凡齋醮 拜伏皆當稽首拜不稽首不足爲恭拜章拜 表皆當稽首也    再拜訣 再拜者兩拜是也别起更坐勿因拜便坐也 拜坐止一拜全非再拜之禮也    金玉祕訣 夫鳴金扣玉之法分判陰陽作成上下交感 覆載啓格十方兆先存運神風靜默靄祥瑞 之炁次閉目運鼻炁從耳舌化爲祥風而出 迎接神風梵炁如水波紋彩之狀次召出陽 神乃兆左手三陽之神三天之官也先運布 上頂宫丹府後玉府三色青紅玉之炁交布 自腦上布結作芝雲之炁懸接碧落丹霄之
Interpretation

This scripture elucidates several essential physical postures and meditative techniques in Daoist practice and rituals.

Regarding "partially closed eyes" (linmu), the key lies in maintaining a half-open, half-closed gaze—seeing yet not seeing—while keeping the mind focused and undistracted. This constitutes the core principle of daily cultivation.

The ceremonial gesture of "reverent awe" (chenghuangchengkong) involves: holding ritual tablets (Daoist implements), prostrating twice with the body touching the ground, then kneeling upright while holding the tablets at heart level for a brief pause, followed by another double prostration. For the "forehead knock" (dunshou) variation, one must touch the forehead to the ground. Tao Hongjing (the Recluse Scholar) emphasized that spiritual cultivation requires not only inner reverence but also proper physical decorum—clear speech and measured movements during kneeling and prostration, achieving harmony between internal and external states. Such solemnity proves particularly crucial when appearing before deities or submitting memorial petitions.

The correct "kowtow" (qishou) procedure consists of: first bowing until the forehead touches ground, then performing a second full bow. Many practitioners today abbreviate this ritual, omitting even the complete second bow, let alone the initial forehead contact. During zhaijiao (Daoist ceremonies), all prostrations should follow the full kowtow protocol, especially when presenting memorials.

"Double bowing" (zaibai) requires performing two complete kneeling bows consecutively, standing upright between each—never merging them into a single continuous motion for convenience.

The "Golden Jade Secret Method" (jinyu mijue), a cultivation technique, reveals the method for harmonizing yin-yang: Through specialized breathing, first calm the mind to generate auspicious qi, then inhale through the nose with closed eyes, transforming the breath into propitious winds exhaled via ears and tongue. Subsequently, visualize yang energy as multicolored ripples within the body, summoning the yang-shen (cultivated spirit). The specific method involves: the left hand representing the Three Yang Deities (symbolizing celestial beings), circulating qi through three bodily centers—the crown palace, elixir field (dantian), and jade palace—while envisioning azure, crimson, and white jade vapors intertwining above the head as auspicious clouds connecting with celestial realms.

These passages meticulously document the integration of physical discipline and internal cultivation in Daoist practice, emphasizing the essential principle of unifying form and spirit while harmonizing external actions with internal states.

炁如雲霧查靄之象内化飛鸞翔舞丹鳳歌 鳴列陣齊升于天壇之側次運炁生化真中 之真自泥丸而出升浮碧丹雲霧之瑞朝謁 虛皇上帝一相同觀却振金鐘成數旣足以 左耳訪虛聲覺丹碧之中鏘鏘鐘聲分應交 感隱韻鳴徹次召陰神乃兆右手三陰之神 梵唱三天門之玉女也在身中謂之神運化 一出升布于前存三真玉女各布青華之炁 結成厚地狀似水沼連頃白炁交結如雲霧 騰空交合前丹碧之炁濛覃混合日月之光 在内星斗微見次存天廷與兩耳兩鼻各出 象色出于外漸升雲霧之際化爲龍虎目顧 鸞鳳吟嘯齊唱天壇步虛之次龍虎神君分 班上下次擊玉磬布六陰合九陽之數畢以 臨目瞻天表以右耳訪虛聲覺其磬下應格 動十方畢方行交振金玉覺雲炁方始開朗 並無一點塵翳盖其聲擊開以成天地破其 混沌方始陰陽分形朗然四方靈風鼓奏祥 雲飛結天樂鈞奏於九空之中三境齊升十 方朝謁此乃天炁降地炁升陰陽判成功業 之象依道而行何所不通    分布燈輝請光訣 廣成先生曰凡建齋行道然燈燒香最爲急 務香者傳誠燈者破暗所以科曰燒香然燈 上照諸天福堂下照諸地長夜地獄孤魂滯 魄承此光明皆得解脫然燈各有其法建壇 之時必先請光請光之法高功當於正午面
Interpretation

During cultivation, the vital Qi within the body manifests as swirling mist-like phenomena, resembling auspicious signs of soaring phoenixes and harmonious cries of divine birds. This Qi arranges itself in orderly patterns, ascending to surround the celestial altar (a visualized sacred space in meditation). As the Qi circulates, it transforms into purer energy at the Muddy Pellet Palace (the crown point acupressure point), rising like azure and cinnabar-hued clouds to pay homage to the Supreme Venerable Sovereign of Emptiness.

At this stage, one may hear the illusory sound of golden bells (meditative auditory phenomena) resonating in the left ear, their clear tones echoing amidst the jade-green and cinnabar mists. Next, the practitioner summons the Yin spirits (divine manifestations corresponding to the three Yin meridians of the right hand), which take the form of Jade Maidens cultivated within the body. Visualizing these three maidens radiating cyan light, their energy condenses into a foundation as solid as marshland, while white mist intertwines like fog, merging with the earlier jade-cinnabar clouds. Within this fusion, faint glimmers of sun, moon, and stars become discernible.

The practitioner then visualizes celestial scenes, with radiant lights of varying hues emerging from both ears and nostrils. These energies rise and transform into dragons and tigers (symbolizing Yin-Yang Qi), accompanied by the harmonious cries of phoenixes. The Dragon-Tiger Divine Sovereigns (embodiments of Yin-Yang Qi within the body) position themselves above and below. At this moment, the illusory sound of a jade chime (a meditative resonance) arises, completing the harmonization of Six Yin and Nine Yang (the balance of Yin-Yang). Closing the eyes and gazing skyward, the practitioner listens with the right ear to the chime’s vibrations resonating throughout the ten directions.

When the sounds of gold and jade resonate with the clouds, the previously chaotic vision suddenly clears, as if the separation of heaven and earth brings forth distinct Yin and Yang. A divine wind stirs, auspicious clouds gather, and celestial music resounds across the Nine Heavens. The sacred realms of the Three Pure Ones (Jade Pure, Upper Pure, and Supreme Pure) manifest simultaneously, with deities from all ten directions arriving to pay homage. This is the phenomenon of celestial Qi descending and earthly Qi ascending, where the harmonious interaction of Yin and Yang achieves virtue (De). Such is the natural attainment of mastery through Daoist practice.

Regarding lamp-lighting rituals, Master Guangcheng (an honorific title for Du Guangting) emphasized that during purification ceremonies (Zhaijiao), lighting lamps and burning incense are of utmost importance. Incense conveys sincerity, while lamp-light dispels darkness. Liturgical texts (Keyi) state that the light of lamps illuminates both the blessed realms of the heavens and the dark abyss of the underworld, allowing solitary souls and trapped spirits to attain liberation through this radiance. However, lamp-lighting follows specific methods—when constructing an altar, the presiding high priest must first perform the "Invitation of Light" ritual, facing south at high noon...

南焚香對太陽吸炁書慧光符命以陽燧於 日中就太陽光取火然燭一炬在壇中至夜 高功道衆列班壇前高功上香奏告陳白齋 意左手執慧光符撚就日中所取燭光上然 點誦慧光呪同道衆舉天尊號高功却存自 巳丹田中寶光引至泥丸項生圓像光映十 方以手中燈對自巳兩目光輝發焰存玉清 境慧光與燈光自巳目光相接方引其光然 於玉清上清太清前然燈誦呪皆畢却轉身 立於天門上以手執撚燈光直射地户存其 慧光照徹天地道衆舉天尊號各以紙撚就 高功手中點燈分布壇中高功隨步回洞案 爐前同道衆點燈光分燈俱畢各以所執殘 燈紙撚置於高功立處面前香爐中舉明燈 頌三首如是謂之請光分燈若止以符然燭 燈念呪而不存想運光内外相合則何以謂 之請光耶其道場中請光之後燈燭並不得 滅直至達旦朝日光己出方滅然燈續明乃 續日光之明然亦留三寳前燈燭供養不滅 方可謂之續明破暗然燈科禁至重可不謹 哉今以瑠璃然鎮一燈于壇中直至滿散亦妙    敷露安祕訣 兆建壇旣化壇陛定天地方圓之象千真萬 聖混同班侍此時東西未定形炁未安儻不 以五方玉字二十八宿參之方圓出入動靜安 能得天清地寧至尊中主端居九重也其訣 兆自東方始存肝炁自左耳出東方炁混合
Interpretation

This scripture describes the specific procedures and inner cultivation techniques of the Daoist "Inviting Light and Distributing Lamps" ritual.

At the beginning of the ceremony, the ritual master faces the sun to burn incense, absorbing the solar essence (Qi), while inscribing the "Wisdom Light Talisman" (Huiguang Fu). At noon, using a yangsui (an ancient fire-starting tool), the master ignites a candle with sunlight and places it at the center of the altar. By nightfall, the presiding high priest (Gaogong) leads the assembly of Daoist practitioners before the altar. The high priest offers incense and prayers, stating the purpose of the purification ritual (Zhaijiao). Holding the Wisdom Light Talisman in the left hand, the master lights it with the flame obtained at noon while reciting the Wisdom Light Incantation, as the assembly chants the sacred names of the Celestial Worthy (Tianzun).

At this moment, the high priest engages in inner contemplation: visualizing the precious light within the Dantian (energy center) rising to the Muddy Pellet Palace (upper Dantian) at the crown of the head, forming a halo that illuminates all directions. The light of the lamp in hand must connect with the master’s gaze, envisioning the Wisdom Light from the Jade Purity Realm (the highest of the Three Pure Ones, Sanqing) merging with the lamplight and the master’s vision. This luminous energy is then guided to light the lamps before the altars of the Three Pure Ones—Jade Purity (Yuqing), Upper Purity (Shangqing), and Supreme Purity (Taiqing)—while completing the incantation.

Next, the master turns to stand at the Celestial Gate (Tianmen) position, holding the lamp flame toward the Earthly Door (Dihu) position, visualizing the Wisdom Light illuminating heaven and earth. The assembly again chants the sacred names of the Celestial Worthy, using paper wicks to transfer the flame from the high priest’s hand and distribute it to various points on the altar. After distribution, the remaining wicks are placed in the incense burner, followed by the recitation of three Lamp Hymns. Only then is the full "Inviting Light and Distributing Lamps" ritual complete.

The scripture emphasizes that merely lighting the lamps with talismans and incantations, without inner contemplation, does not constitute true "light invitation." The lamps lit during the ritual must remain unextinguished until sunrise the next day, ensuring the continuity of solar radiance. The lamps before the Three Treasures (Dao, Scripture, and Master) must be continuously maintained, known as "prolonging the light to dispel darkness." The text also mentions the secret technique of using a crystal lamp to stabilize the altar until the ritual’s conclusion.

The latter part details the essentials of altar construction and stabilization: after setting up the altar, the master visualizes the five directional vital energies (Qi). Starting from the east, the master envisions liver Qi emerging from the left ear, merging with the azure energy of the east. By mobilizing the power of the Twenty-Eight Lunar Mansions and the Five Directions’ Jade Script True Words, the altar is secured, achieving a state of "heavenly clarity and earthly tranquility," ensuring all deities are properly positioned.

結作青林聚爲碧玉殿内有青帝居之東方 八天帝七宿朝拱布青碧之炁于外星斗磊 落于上下内有青碧金光之炁分射南方兆 以口引含吸納肝次過南方兆運心炁自舌 出與南方炁混合結空成梵聚琥珀殿内有 赤帝居之南方八天帝七宿朝拱布太丹之 炁于外星斗燦然内有紅白之炁化生直過 西方兆以口鼻引接合納歸心次過西方運 素炁自右目出與西方炁相合結空成梵聚 黄金之殿内有白帝居之西方八天帝七宿 朝拱布青白之炁于外斗光交焕内有金白 之炁直過北方兆依前含引納歸肺次過北 方兆發心中之炁交姤腎府之炁運自耳出 與北炁混合聚炁爲水晶之殿内有黑帝居 之北方八天帝七宿朝拱布黑霧黄雲之炁 于外斗光交合内有黄黑之炁直接中宫兆 依前引接咽入腎宫次過中央運丹元之真 交混脾元二炁相合自口噴出于外結炁聚 成二宫三樓有上上下下之層金光凝定中 央黄帝端坐于上布黄炁于外散接四方之 炁有五星大如車輪懸盖于上斗光分照射 入兆形一炁引吸歸中咽而退此名五老上 帝駕景朝謁安鎭之道    登壇存思入户訣 凡登壇必先於壇外巽方面乾端簡正立思 存香官使者龍虎君侍香金童傳言玉女四 明功曹通眞使者各一人侍靖玉女玉童各
Interpretation

This scripture outlines a complete Daoist inner observation practice, primarily describing how to harmonize the Five Phases (Wuxing) Qi within the body through visualization (cunxiang) of the Five Directional Emperors: the Green Emperor (east), Red Emperor (south), White Emperor (west), Black Emperor (north), and Yellow Emperor (center).

Begin the practice by visualizing the eastern direction: imagine azure light coalescing into a jade-green palace where the Green Emperor resides. Eight Heavenly Lords of the East and the Seven Lunar Mansions surround him in homage, radiating blue-green energy with interlacing starlight above and below. The practitioner inhales this green energy through the mouth, directs it through the liver, then circulates it to the heart region.

Next turn to the southern visualization: red energy condenses into an amber palace housing the Red Emperor. The Eight Southern Heavenly Lords and Seven Mansions emit Great Cinnabar Qi, where crimson and white energies interact. The practitioner draws in this energy through mouth and nose, guides it to the heart, then channels it through the right eye to merge with western white Qi.

For the western visualization, white energy forms a golden palace where the White Emperor presides. The metallic-white Qi circulates through the lungs before finally emerging from the ears to combine with northern black Qi. In the north, black energy solidifies into a crystal palace inhabited by the Black Emperor, where yellow-black Qi ultimately returns to the central palace (the spleen-earth position at the body's core).

The final visualization focuses on the center: the Yellow Emperor sits enthroned in a golden-light palace, radiating yellow energy to the four directions. At this stage, the Five Planets (Wuxing) hover like a wheel above the practitioner's head, their stellar light pouring into the body to guide all directional energies into the central palace before being swallowed. This complete method is called "The Way of the Five Ancient Emperors Riding Light to Pay Homage and Pacify the Realms."

The latter section details altar ritual protocol: before formal ceremonies, stand upright southeast of the altar platform while visualizing guardian deities—the Incense Official Envoy, Dragon-Tiger Lords, Golden Boy of Incense Service, and Jade Maiden of Message Bearing—each performing their sacred duties to assist the ritual. These visualization components form essential elements of Daoist purification rituals (zhaijiao) and liturgical ceremonies (keyi).

二人羅列左右須先存自巳元始天尊祖炁 運出頂門合天門炁化成所思存玉童玉女 等然後念入户呪先以左足登壇蓋玉女等 皆是自然妙炁應感成形形質明淨清皎如 玉隱而有潤顯而無邪學者存之真階漸升 進退出入有道道炁玄妙纖毫必應引以次 第從卑至尊故曰日則玉女守宫夜則少女 通事濟度厄難登道場也故入户呪曰四明 功曹通眞使者傳言玉女乞爲通達道室正 神盖四明功曹通真使者皆自巳之神化應 也道室正神者自巳丹元君也若入户不思 存或思存不運自巳元神則何以通達上玄 必如此然後請上玄真炁降流身中方得上 聞是以淨口呪曰心神丹元令我通真思神 鍊液正炁長存是也    上十方香訣 清旦日中先從東方起次東南方次南方次 西南方次西方次西北方次北方次東北方 次下方次上方以序並左轉言其天道左轉 之義又須當逐方存想本方之炁降入壇中 方謂之上香若修齋行道而不上十方香上香 又不思存本炁皆成虛設靜夜則從北方起 次東北方以次而轉思存並同前右登齋行 香若按靈寶本科日中則自東方起次南方 以序而轉至下方而此直以東方次東南方 次南方者乃黄籙簡文拔度罪根威儀行香 次序如此今修黄籙亦當以本經爲據清都
Interpretation

In Daoist rituals, practitioners must first visualize the Primordial Qi (the most fundamental energy) of the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun, the highest deity in Daoism) residing within their bodies. The specific method involves guiding this energy from the crown of the head outward, merging it with the energy of the Heavenly Gate, and manifesting the Jade Youths and Maidens (attendant spirits in Daoism) envisioned in the mind. Next, the practitioner recites the Entry Incantation, stepping onto the ritual platform with the left foot first—these Jade Youths and Maidens are manifestations of natural, wondrous Qi, their forms crystalline and translucent like fine jade, appearing and disappearing with a lustrous purity free from any malign energy. Through this visualization practice, the practitioner gradually elevates their spiritual cultivation. Every movement, whether advancing or retreating, must align with the profound rhythms of Dao-Qi (the energy of the Way), as each detail generates corresponding resonances. The entire process must follow a sequence from lower to higher levels, which is why the scripture states, "By day, the Jade Maidens guard the palace chambers; by night, the Young Maidens convey affairs." Only in this way can one overcome obstacles and ascend to the sacred ritual space.

The Entry Incantation invokes the Four Luminous Merit Officers (messenger deities), the Envoys of Truth, and the Jade Maidens who transmit messages, requesting their assistance in communicating with the true deities of the ritual chamber. These spirits are actually manifestations of the practitioner's own divine Qi, and the true deity of the ritual chamber is the Elixir Sovereign (Danyuan Jun, the core deity of internal alchemy) within the practitioner's body. Without this visualization, or if the practitioner fails to mobilize their own primordial spirit (Shen) during the process, communication with the celestial realms becomes impossible. Only after completing these steps can one invite the true Qi of the higher realms to descend into the body. The Purification Incantation, "My heart-mind is the Elixir Sovereign, enabling me to commune with the truth," helps the practitioner maintain purity of heart and mind, facilitating connection with the true Qi.

Regarding the ritual for offering incense to the Ten Directions: At dawn and noon, one must begin in the East, proceeding in sequence to the Southeast, South, Southwest, West, Northwest, North, Northeast, the lower direction, and finally the upper direction, moving from left to right. This symbolizes the leftward rotation of the Heavenly Dao. When offering incense to each direction, the practitioner must visualize the energy of that direction descending upon the ritual platform—this constitutes the true act of incense offering. If the sequence is disregarded during a purification ritual (Zhaijiao), or if the practitioner fails to visualize the corresponding energy, the ritual loses its meaning. At night, the sequence begins in the North and proceeds counterclockwise. According to the Lingbao tradition, noon incense offerings should start in the East and proceed clockwise, but the current Yellow Register Rite (a ritual for the salvation of the deceased) follows the specific sequence recorded in this scripture. Practitioners should adhere to the sequence described in this text.

(Note: The term "Qingdu" in the original text may be a chapter title or annotation and has not been translated into the main body.)

張萬福天師齋儀升壇上香次第一同盖拔 度罪根威儀一本黄籙簡文靈仙品格龍漢 舊文不可改也    洞案香訣 洞案者壇中道場前御案也凡上香行道法 師上十方香畢回壇前端簡正立上香如儀 先以雲篆眞文燒於爐中次三捻上香啓祝 如前與燒香訣同次燒降真召靈符宻呪設 禮凡燒降真召靈符當先念呪曰鬱羅蕭臺 玉山上京上極無上大羅玉清渺渺劫刃若 亡若存三華離便大有妙庭金闕玉房森羅 淨泓大行梵炁周回十方上帝降鑒諸天臨 軒次念玉華散景呪存玉女傳言金童侍香 羅列爐側設禮退班行科此洞案香之本義 也    禮師存念訣 先存太上三尊在天寳臺中次存自巳上中 下三丹田各有天尊却存下田天尊乗白色 雲輿升入中田中田天尊乗黄色雲輿入泥 丸上田天尊相合乗青色雲輿升出頂門合 外三尊坐在天寳臺中一一分明次存天中 左有三十六部尊經右有玄中大法師十真 五帝群仙侍衛分明如大會朝真之儀法師 臨目存見左右龍虎君千乗萬騎三界尊靈 群仙衛眞羅列左右師爲弟子奏陳齋意次 存經師所在之方心拜三過祝曰願師得仙 道我身升度次思籍師所在之方心拜三過 祝曰願師得飛仙爲我開度七祖父母早昇 天堂我得道真升入無形次存度師所在之
Interpretation

This scripture meticulously documents the incense-offering procedures and visualization (meditative contemplation) methods used in Daoist Zhaijiao (purification rituals), primarily divided into two parts: the Dong'an Incense Formula and the Master-Venerating Visualization Formula.

The Dong'an Incense Formula details the complete incense-offering procedure before the ritual altar's central imperial table. The ritual master first completes incense offerings to the ten directions before returning to stand before the altar and perform the incense ritual according to ceremonial protocols. The specific steps are: first burn the Yunzhuan Zhenwen (Daoist mystical script) in the incense burner, then offer incense in three separate pinches while reciting invocations—this step follows the same method as the Incense-Burning Formula. Next, burn the Jiangzhen Zhaoling (Spirit-Summoning Talisman) while performing ritual gestures with accompanying secret incantations. The chanting begins with specific spells like "Yu Luo Xiao Tai," describing scenes of the Yuqing (Jade Purity) celestial realm to invite heavenly deities. This is followed by the Yuhua Sanjing (Jade Radiance Scattering Light) incantation, visualizing jade maidens delivering messages and golden boys attending the incense, imagining these celestial attendants arrayed on either side of the incense burner before concluding with ritual bows and withdrawal.

The Master-Venerating Visualization Formula elaborates on the ritual master's meditation techniques. First, one visualizes the Supreme Three Pure Ones (Yuanshi Tianzun, Lingbao Tianzun, and Daode Tianzun) seated majestically upon the Celestial Treasure Platform. Then, the practitioner visualizes each of the three Dantian (energy centers)—lower, middle, and upper—housing one of these celestial lords: the lower Dantian's lord ascends on a white cloud chariot to the middle Dantian; the middle Dantian's lord then rises on a yellow chariot to the upper Dantian (Niwan Palace); finally, the upper Dantian's lord merges with them and ascends through the crown on a azure chariot to unite with the external Three Pure Ones upon the Celestial Treasure Platform. The visualization continues with thirty-six sections of sacred scriptures arrayed to the left, the Mysterious Central Great Master (Laozi) to the right, and an entourage of immortals including the Ten Perfected and Five Thearchs—resembling a grand celestial audience. With closed eyes, the practitioner further visualizes protective formations: Dragon-Tiger Lords, countless celestial troops, and venerable spirits from the Three Realms guarding both sides.

The final stage involves paying homage to the Three Masters (Scripture Master, Register Master, and Ordination Master): first, mentally bowing three times toward the Scripture Master's direction while praying for the master's transcendence and one's own deliverance; next, three mental bows toward the Register Master's direction, wishing for the master's ascension and the liberation of one's ancestors across seven generations; finally, visualizing the Ordination Master's direction. The entire visualization process demands vivid clarity in every detail.

方心拜三過祝曰願師得仙上登高真爲我 開度五苦八難名入仙籙永成真人廣成先 生曰經者逺也經爲逺師乃籍師之師因師 授受不忘本也存本派經師心拜三過祝曰 願我師得度我得仙道籍者因也傳真學道 師資相因乃經師弟子度師之師也存籍師 祝曰願我師得飛仙爲我超度九玄七祖上 生天堂身得神仙度者進也度我凡身進登 道品從凡入聖莫不因師乃已之師也存度 師祝曰願我師得仙真爲我超度五苦八難 得成仙籙永成真人别有太上三師者太上 老君爲度師道君爲籍師元始天尊爲經師 凡有修齋皆當禮師若不禮師是忘本也故 中元玉籙簡文神仙品格曰奉師威儀經籍 度師所宜設禮爲學不尊三師則三寳不降 三界不敬鬼魔害身太上老君思存篇著師 寳者自然元一无祖無先常存無滅濟度無 窮應感爲三終則一也盖由人有億兆心億 兆行其大品有三上中下才禀不同故悟道 或遲或速速之與遲必宗三寳一曰道寳二 曰經寳三曰師寳師寳者得道之人爲我師 也經寳者自然妙丈師所傳也道寳者無形 之形即太上是也查冥之間精進感應縁時 成數分形散體不可思議議而思之得不可 得得不可得竟何所得道真也真也者得之 不死不生生死應化不增不減保此貴重故
Interpretation

This passage discusses the importance of the "Three Teachers" (scripture master, register master, and initiation master) in Daoist practice, along with their associated worship rituals.

Practitioners must reverently pay homage to the Three Teachers. During each ceremony, they should sincerely pray: may the masters attain the Dao and achieve immortality, ascending to the ranks of exalted perfected beings; may the masters help liberate them from the Five Sufferings and Eight Calamities (referring to life's various hardships), inscribe their names in the immortal registers, and ultimately realize the state of perfected beings. Master Guangcheng (a legendary ancient immortal) explains: the scripture master represents the source of transmitted Daoist methods and serves as teacher to the register master; the register master transmits the true Dao and instructs the initiation master; while the initiation master directly guides disciples in cultivation, assisting their transcendence into sainthood.

The scripture specifically identifies the Three Supreme Teachers: Lord Lao (Taishang Laojun) as initiation master, the Daojun of Numinous Treasure (Lingbao Daojun) as register master, and the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun) as scripture master. Practitioners must honor these teachers during zhaijiao (purification rituals), otherwise they betray their spiritual roots. The Jade Register Simplified Texts of Middle Origin (a Daoist classic) records: cultivation must follow the masters' teachings and ritual protocols. Disrespect toward the Three Teachers prevents the Three Treasures (Dao Treasure, Scripture Treasure, and Teacher Treasure) from manifesting, loses the reverence of the Three Realms, and invites harassment by demonic forces.

In the Chapter on Contemplative Preservation, Lord Lao states: the preciousness of teachers lies in their embodiment of the Dao's origin—without beginning, eternally existing, capable of limitless salvation. Though manifested as three teachers, their essence is unified. Human capacities are divided into superior, middling, and inferior grades with varying speeds of enlightenment, yet all must rely on the Three Treasures: the Dao Treasure (formless supreme Dao), Scripture Treasure (mysteriously spontaneous sacred texts), and Teacher Treasure (realized masters). Within profound mystery, diligent practice generates resonance—this karmic connection manifests at the appropriate time. The Dao's ultimate truth transcends life-death transformations, eternally unchanging, representing the most precious attainment.

號道寳存思之時皆應臨目常見太上在高 座上老君在右道君在左又見經在西方師 在東南次見十天威儀侍衛文武伎樂各從 本方來朝禮太上存齋壇爲玄都玉京山七 寳城宫臺寳盖獅子之座座上有蓮花以爲 茵藉座前獅子蹲踞相間香官伎樂森然羅 列見道寶竟仍存玄臺之裏在於太上之西 有七寳裝嚴光明帳座座上有玉案案上有 經寳絳霄之中火鈴之室花藉藴函鎮覆經 上玉童玉女侍衛香燈三十六部道德爲宗 太上侍官立左見經寳竟仍存玄臺之裏在 於太上之東七寶裝嚴光明帳座座上有玄 中大法師此老君存思圖中所載故併録之 于此若思存時止從師傳之妙次第存思庶 爲簡易然又不可不知所出也所以聞唱道 時兆存内景神光洞照壇席分毫無翳五臟 六腑瑩若瑠璃九光射于左右正拜訖次心 禮九拜存中有太上三尊在空玄之中敷設 寳座三界衆真朝禮如玉京山朝會之儀左 有琅書金篇真文寳符自然之書三十六部 尊經右有上古三師及授法諸師環立聞舉 三寳即宻念臣稽首皈依太上无極大道臣 稽首皈依三十六部尊經臣稽首皈依玄中 大法師清醮次念長生保命天尊三聲普度 念太乙救苦天尊三聲次存金光燦爛九色 圓像兆即存如天尊狀旋行上壇念入户呪
Interpretation

In the practice of Neiguan (inner observation) meditation, one should close the eyes and visualize this sacred scene: The Supreme Laozi sits enthroned at the center, with Daojun (an important Daoist deity) to his left. Ancient scriptures manifest in the west, while transmitting masters appear in the southeast. Then envision the Ten Celestial Guardians leading ceremonial processions to pay homage, with civil and military officials, musicians, and dancers arranged according to their proper positions. Visualize the altar transforming into the Seven-Jeweled Palace of the Jade Capital Mountain (the highest Daoist paradise), adorned with precious canopies and radiant lotus cushions on lion thrones, guarded by crouching lions at their base, while incense officials and musicians stand in solemn formation.

After visualizing the "Treasure of the Dao," continue the inner observation by focusing on the celestial platform: To Laozi's right stands a luminous canopy adorned with seven jewels, upon a jade table holding scripture cases wreathed in crimson clouds, with ritual fire-bells suspended amidst them. The scriptures are covered with lotus-patterned cases, attended by jade maidens and youths holding incense and lamps. The Thirty-Six Sacred Scriptures (the complete canon of Daoist texts) are rooted in Dao and De (Virtue), with the Supreme Attendant Official standing to the left.

Following the "Treasure of the Scriptures," visualize another seven-jeweled canopy to Laozi's left, where the Great Master of Mysterious Center (a manifestation of Laozi) sits enthroned—as recorded in traditional Laozi meditation diagrams. In actual practice, one need only follow the transmitted method of sequential visualization while understanding these scenes' scriptural origins.

When the "Invocation of the Dao" ritual begins, the practitioner should internally observe their divine light illuminating the altar space, with internal organs translucent like colored glass, radiating nine-colored brilliance to both sides. After formal salutations, silently recite nine devotional prostrations while envisioning the Three Pure Ones (Yuanshi Tianzun, Lingbao Tianzun, and Daode Tianzun) seated in the void, with deities from the Three Realms assembling as if attending a celestial convocation at the Jade Capital. To the left are displayed precious scriptures like the Langshu Golden Texts and thirty-six sacred texts with authentic talismans; to the right stand the Three Ancient Masters and successive lineage patriarchs.

During the "Raising of the Three Treasures" rite, silently intone: "Your servant bows in refuge to the Supreme Limitless Dao. Your servant bows in refuge to the Thirty-Six Sacred Scriptures. Your servant bows in refuge to the Great Master of Mysterious Center." For purification rituals (Zhaijiao), chant "Celestial Worthy of Longevity and Life-Preservation" three times; for universal salvation rites, chant "Celestial Worthy of Supreme Unity Who Saves from Suffering" three times. Finally, visualize a resplendent nine-colored circular radiance, imagining oneself transformed into the form of a Celestial Worthy while silently reciting entrance mantras to ascend the altar.

四明功曹通真使者爲臣通達上聖高真上 元真炁降入臣身令臣所啓咸賜如言    衛靈呪訣 夫禮師之後必宣衛靈神呪一以淨穢二則 納靈誦東方呪則掐震存東方青炁降滿壇 場至衆和後一句法師則以鼻吸青炁入肝 中誦南方呪搯離文存南方赤炁如前納之 於心誦西方呪則搯兌存白炁如前納之於 肺誦北方呪則搯坎存黑炁如前納之於腎 誦中央呪則掐中指中納黄炁於脾至存五 嶽之炁即發五方之炁化成兵馬存降之法 想念倏忽故建齋之初先誦五方衛靈神呪 其義在此至次早則誦五星呪者蓋勑壇之 後穢炁已除故止誦五星呪以顯威靈而不 及五方衞靈也    發爐訣 无上三天玄元始三炁者身中三天三炁也 法師當思三田之炁自頂門發出如雲之升 内有太上老君乗雲而升立於頂門然後召 出身中功曹使者等神皆從内出剔訣布滿 齋壇通達誠悃次至太上十方正真生炁却 存四維八方上下降炁遍滿壇場覆兆一身 至逕御之後方存香煙逕同將吏上至帝前 夫人一身皆象天地靈炁貫通若不明内旨 何以外感召先聖師尊建立齋法其義盖有 在焉    出官啓事訣 清都張萬福天師曰凡傳言驛行皆憑神道 庶得感通所言神道仙官吏兵是也仙官吏 兵須是師授即仙靈治職靈寳法籙三部八
Interpretation

The Four Luminous Merit Officials (道教神祇, divine messengers responsible for delivering communications) and the Envoys of Truth will assist practitioners in connecting with celestial deities, allowing the pure primordial Qi (炁, vital energy) to descend upon them, ensuring all prayers are fulfilled.

In Daoist rituals, after paying homage to the master, one must recite the "Guardian Spirit Incantation" (卫灵咒). This incantation serves two purposes: purifying defilements and absorbing spiritual energy. The method is as follows:

When chanting the eastern incantation, the fingers must form the hand seal (手诀) corresponding to the Zhen position (震位, the trigram associated with the east), while visualizing azure Qi filling the entire altar. When the assembly finishes the final line in unison, the ritual master inhales the azure Qi through the nose and stores it in the liver.

The same method applies to the other directions:

  • The southern incantation uses the Li position (离位, south), drawing red Qi into the heart.
  • The western incantation uses the Dui position (兑位, west), drawing white Qi into the lungs.
  • The northern incantation uses the Kan position (坎位, north), drawing black Qi into the kidneys.
  • The central incantation uses the middle finger, drawing yellow Qi into the spleen.

Finally, one visualizes the Qi of the Five Sacred Mountains (五岳) transforming into celestial soldiers and generals. This visualization must be completed swiftly.

At the start of the Zhaijiao (斋醮, purification ritual), the Five Directions Guardian Spirit Incantation is recited first. By the next morning, it is replaced with the Five Stars Incantation (五星咒). This is because, after the altar consecration, all impurities have been cleansed, and only the Five Stars Incantation is needed to manifest divine power—no further recitation of the Five Directions Incantation is required.

The "Furnace Opening Hand Seal" (发炉诀) refers to the Three Supreme Qi (玄元始三气) of the Three Pure Ones (三清, Sanqing: Jade, Upper, and Supreme Purity) contained within the human body. The ritual master visualizes these three Qi rising like clouds from the Baihui point (百会穴, crown of the head), envisioning the Supreme Venerable Sovereign (太上老君) standing atop the clouds above. Then, the master summons the Merit Officials and other divine messengers within the body to manifest and spread throughout the altar, conveying sincerity. Next, the master visualizes the righteous Qi of the Ten Directions filling the altar and enveloping the entire body. When the incense smoke rises, the master envisions these energies ascending to the celestial court alongside the divine generals.

The human body corresponds to Heaven and Earth, with spiritual energy flowing between internal and external realms. Without understanding the essence of inner cultivation, one cannot summon external deities. The ancient patriarchs established these ritual methods with profound reasoning.

Celestial Master (天师, Tianshi) Zhang Wanfu of the Qingdu lineage once said: "All ritual communications must rely on divine forces to achieve resonance and transmission." Here, "divine forces" primarily refer to celestial officials, divine officers, and heavenly soldiers. These divine beings can only be summoned through proper lineage transmission, typically via the Three Sections and Eight Scenes (三部八景, an internal cultivation system correlating the body with the cosmos) within the Lingbao Fulu (灵宝法箓, talismanic registers of the Numinous Treasure tradition).

景三十二天玉童玉女五帝直符直事等是 也道士身中有此仙官始得預齋請出吏兵 如未受籙者不得輒有干請如或有違齋亦 徒設妄費香燭冒罔真靈貽其罪考謹之戒 之發爐畢衆官長跪叩齒二十四通出閱吏 兵上啓其出官各有其訣五體眞官功曹吏 兵上仙上靈二官直使正一功曹左右官使 者驛馬上章吏飛龍騎吏等官狼吏虎賁察 奸勾騎天騶甲卒天丁力士監察考召甲子 諸官君    懺文訣 凡建齋行道專以懺謝爲急古法高功自行 宣懺後世憚勞故令人代之名曰詞懺之職 然須明懺謝之理盖懺謝者代齋官首愆也 高功須當逐方同齋官跪伏閉目思存見本 方天尊降於空玄之中旌幢羽節羅列左右 逐方服色詞懺宣文高功端簡默隨其懺方 合其法若高功心不存念口不默宣他想雜 觀亦虛設耳若行開度亦如此行持但存亡 靈同懺耳朝禮之中以懺爲急務不可具文 然懺文各隨齋科之義命詞廣成先生黄籙 齋科一切備有尤當辨明行懺可也近世本 派經師水南先生撰濟度金書其文甚詳    命魔訣 凡建齋朝修行科必當命魔古齋法中如張 清都陸簡寂杜廣成先生皆是三朝命魔趙 道昇編黄籙儀錯認作内事只於午朝命魔 步虛詞中亦曰魔王敬受事故能朝諸天其
Interpretation

This passage discusses several key components of Daoist Zhaijiao (purification rituals, large-scale ceremonial offerings):

On the celestial official system in Zhaijiao:

Practitioners internally host jade maidens and youths from the Thirty-Two Heavens, as well as celestial officials like the Five Emperors' direct talisman administrators. Only formally ordained Daoist priests who have received the Daoist register (Fulu, the credential for Daoist initiation) can properly summon these celestial officials and spirit soldiers to assist in rituals. Those without proper ordination who presumptuously attempt such summonings commit transgression - not only rendering the ritual ineffective and wasting incense offerings, but also risking divine wrath and karmic consequences. During formal ceremonies, the ritual begins with the "Opening the Incense Burner" ceremony, where participants kneel and click their teeth twenty-four times before reciting specific incantations to summon various celestial officials, including the Five Body True Officials, merit-recording clerks and soldiers, as well as superior immortals and numinous officials with distinct functions.

On the repentance segment:

Repentance for transgressions forms the most crucial part of any ritual. The ancient method required the High Priest (Gaogong, chief ritual master) to personally perform repentance, though later this was delegated to assistants (called "proxy repentance") to reduce the burden. However, the High Priest must understand that repentance fundamentally represents the ritual sponsor's confession of faults. The proper method involves: the High Priest leading the sponsor in prostrations toward all directions while visualizing the Heavenly Venerable of each direction descending amid ceremonial banners and insignia. The priest should wear robes corresponding to each direction's symbolic color. Though the repentance text may be read by others, the High Priest must silently synchronize with the recitation. Half-hearted participation invalidates the repentance. The same sincerity applies to rituals for salvation of the deceased.

On exorcism procedures:

Rituals must incorporate exorcism. Ancient masters like Zhang Qingdu, Lu Jianji, and Du Guangcheng insisted on performing exorcisms morning, noon, and evening. However, when Zhao Daosheng compiled the Yellow Register Ritual (Huanglu Yi), he mistakenly categorized exorcism as an internal affair performed only at noon. In fact, the "Pacing the Void" hymns (Buxu Ci, Daoist ritual music) mention "demon kings respectfully receiving instructions," indicating exorcism rituals facilitate audience with celestial beings.

The mentioned texts - Master Guangcheng's Yellow Register Liturgy (Huangjian Zhai Ke) and Master Shuinan's Golden Book of Salvation (Jidu Jinshu) - are important Daoist ritual compendiums that meticulously document these ceremonial protocols.

功高功宻運神光恭宣道旨以太上之令而 召北帝俾宣魔王察制强精斷絶邪蹤玉文 就隆則三天運明正化流行仙道隆矣邪源 閉塞鬼道消亡陰炁零墜道炁充盈六合之 内无鞅衆真悉浮空而來觀聽法音宣太上 之令以制群魔至三天運明六天運終皆感 應之効也但賢者哉三字或謂賛美之詞非 也盖此三字則有祕旨難以輕泄須當心授 今冒禁録于後此命魔之要訣    召魔王訣 兆存自巳青黄白三色雲炁九色混沌結成 圓像光映十方咽液三過存眇莽大神帶九 龍爲冠坐鎮鬼門魔自不生矣    命魔口訣 元始玉勑真符命魔奔火前導通關合虛三 皇領從威制群魔三天運明六天運終    三朝三上香訣 初捻上香運青炁出遶壇席俓上清微天二 捻上香運赤炁出遶壇席俓上禹餘天三捻 上香運白炁出遶壇席俓上大赤天    大謝訣 凡大謝者首謝之義也所以行道科中必三 啓三禮移班正立長跪宣科首謝罪目其法 甚是當存自巳泥丸與大爐相對其爐中成 一寳珠廣大無方覃覆光明透徹内外映照 忘其巳形惟見高真上聖十方天尊三界威 靈列班衆聖羅列左右悉朝三尊自已跪前 宣科懺罪如請福禳災則攝齋主本命元辰 如開度則攝亡靈同與懺罪首愆此其旨也    復爐訣
Interpretation

This scripture elucidates several essential ritual methods and ceremonial principles in Daoism for summoning deities and subduing demonic forces.

Regarding the invocation of the Northern Emperor (an important Daoist deity) and demon kings: Through secret activation of divine light, one summons the Northern Emperor by the decree of Lord Laozi (Taishang Laojun), commanding demon kings to monitor and subdue unruly spirits, eradicating all traces of evil. When the jade document (sacred writ) is completed, the radiance of the Three Pure Ones (Sanqing) realms circulates, the orthodox Dao flourishes while heterodox paths are blocked, the ghostly way perishes, yin energies dissipate, and the Dao's Qi (vital energy) fills heaven and earth. At this moment, countless perfected immortals from the six directions will arrive floating through the skies to hear the sacred teachings.

The phrase "but the worthy one indeed" appears as praise but actually conceals esoteric transmission principles that should not be casually revealed—it must be passed down through oral instruction. Here we daringly record the "Demon King Summoning Formula": The practitioner visualizes three-colored clouds (azure, yellow, and white) rising from within the body, forming a nine-hued chaotic halo illuminating all directions. After swallowing saliva three times, one visualizes the Vast and Subtle Great Deity (a guardian spirit) wearing a nine-dragon crown, guarding the ghost gate, ensuring demons dare not cause disturbances.

The "Demon Commanding Oral Formula" constitutes the jade decree of Celestial Worthy of Primordial Beginning (Yuanshi Tianzun), ordering demon kings to arrive under the guidance of the fire deity, led by the Three Sovereigns (Fuxi, Shennong, and the Yellow Emperor) with their retinues to collectively subdue demonic hordes.

The "Three Dawns Triple Incense Formula" details the incense offering ritual: During the first incense offering, circulate azure Qi to encircle the altar, reaching up to the Heaven of Jade Clarity (Qingwei Tian); during the second, send crimson Qi to the Heaven of Supreme Clarity (Yuqing Tian); during the third, direct white Qi to the Heaven of Grand Clarity (Taiqing Tian).

The "Great Repentance Formula" serves as a ritual for confessing transgressions. During liturgical ceremonies (Keyi), one must petition thrice, bow thrice, then stand upright and kneel solemnly to recite confessional texts. Practitioners visualize their Niwan Palace (crown chakra) aligned with the incense burner, within which appears a boundless precious pearl radiating light through inner and outer realms. At this stage, one forgets physical form while visualizing all celestial venerables and three realms' deities arrayed left and right, kneeling before them in repentance. For blessing rituals, absorb the patron's natal destiny (benming yuanzhen); for salvation rites, guide the deceased's spirit to jointly repent. Finally, the "Furnace Restoration Formula" constitutes the crucial concluding step of the ceremony.

凡朝奏事畢必當復爐復身中神明與天中 上聖故言香官使者左右龍虎君令臣朝奏 之所自然生金液丹碧芝英者自己真炁混 合歸體結成金液丹碧芝英也其法於此時 搯訣引炁嚥入丹田復還元宫結成寳珠金 碧交映故有此言至十方仙童玉女接此香 煙令臣向來所啓之誠速達逕御至真無極 大道則又存玉童玉女復還天關賷香達誠 故也與發爐之文存想之義前後相應復爐 訣目亦見本法兹不再録    陞壇講訣 凡陞壇講經之法莫不以己代天尊演法故 陞座講經說戒其法當先捻香心禮臨目握 固存頭出青炁兩手黄炁兩足白炁遶身次 存三師在前心禮三拜鳴法鼓二十四通嚥 液三十六左青龍右白虎朱雀在前玄武在 後獅子麒麟白鶴羅列四維項生圓像七星 覆盖五蔵五炁發出覆形光映六合侍經玉 童玉女羅列左右一如元始談經授於道君 亡魂大衆俱來受經此講經之訣也若說戒 一同存想止改護戒威神茭龍驛吏察命童 子五帝直符六宫掾吏羅列在前此存想之 義    拜章訣 拜章出神古齋法也今旣未能出神謁帝莫 非存想而已然存想多是失眞念慮又難純 一安能臨事無差況齋官詞意鄉貫年月日 時不能盡記其詳徃徃按圖行事俯伏拜跪 步罡焚符而已設或伏章之時存想未至念
Interpretation

In Daoist rituals, after presenting memorials to the deities (known as "presenting petitions"), the "Fu Lu" (Returning to the Furnace) ceremony must be performed. This ritual facilitates the reintegration of the body's internal deities with the celestial pure ones. During the ceremony, names of deities such as "the Incense Official Messengers and the Left-Right Dragon-Tiger Lords" are recited while forming specific hand seals (known as "qia jue"). This guides the internal Qi (vital energy) to descend into the Dantian (energy center in the lower abdomen), where it condenses into the "Golden Liquid and Jade Nectar" (refined essence produced through cultivation). Practitioners visualize immortal youths and maidens from the ten directions receiving the incense smoke, swiftly conveying their prayers to the supreme Dao. This ritual corresponds with the earlier "Fa Lu" (Opening the Furnace) visualization, creating a complete cycle.

Key Points for Ascending the Altar to Expound Scriptures:

When expounding scriptures, the speaker should envision themselves as a celestial worthy delivering the Dharma. The method involves: first offering incense with reverent bows, then closing the eyes and forming the "wu gu" hand gesture (a specific mudra). Visualize blue Qi emanating from the head, yellow Qi from the hands, and white Qi from the feet, enveloping the entire body. Next, visualize the Three Masters (transmission lineage teachers) standing before you, bow three times, strike the Dharma drum twenty-four times, and swallow saliva thirty-six times. Simultaneously, imagine the Four Symbols guarding you: the Azure Dragon on the left, White Tiger on the right, Vermilion Bird in front, and Black Tortoise behind, accompanied by divine beasts like lions, qilins, and white cranes encircling you. Visualize the Seven Stars shining above, illuminating the five viscera, with radiant light emanating from your entire being. The demeanor should be as solemn as when the Celestial Worthy of Primordial Beginning transmitted scriptures to the Dao Lord, attracting deceased souls and all beings to listen. For precept-bestowing ceremonies, simply replace the guardian deities with those associated with precepts, such as the Dragon Courier of Reeds and the Youth Who Inspects Destiny.

Techniques for Presenting Memorials:

Ancient purification methods required the ritual master's original spirit (Yuan Shen) to leave the body and personally meet the Celestial Emperor. As most practitioners today cannot achieve this, visualization must suffice. However, visualizations are prone to distortion, as distracting thoughts are difficult to eliminate, making complete accuracy challenging. Moreover, the memorial officer (chief ritualist) must memorize excessively complex memorial content—including phrases, ancestral origins, dates, and more—often reducing the process to mere procedural actions: prostrating, performing the "Bu Gang" (Pacing the Stars steps), and burning talismans. If the visualization during the memorial submission lacks focus or the recitations lack sincerity, errors are likely to occur.

若有差則何由感格又有存想不熟念在晝 圖安能上達若此者皆於理未當伏章之道 皆在目前向時度師拜章隨事有報其要止 就齋壇行事存想而已況旣登壇存降三境 高真上聖羅列左右呈露章文對聖敷宣高 功便當於此之時存想上帝在前伏地隨所 宣章文上奏得旨降付本司却以章焚燎付 之天省施行更不再存隨章上達帝前非惟 有免思存抑且奏陳誠悃不致有差雖數名 字頗多亦不致差錯蓋以隨章宣奏也兼拜 章奏步罡如九靈飛步罡元綱流演罡皆是 飛神步罡故謂飛步古人不曾步於壇中今 旣以步舞於壇中以助威儀則飛神又步何 罡不若便於壇中步罡就謁四方二十八宿 日月五星庶幾相應無瑕盖三境旣存在壇 則星宿豈得不降是以度師止在壇奏謁止 在壇步罡焚章之時却存官將賫呈天省曹 局盖先天一炁无寓不在誠旣感召格于上 下目前何須存登車歷罡風界星宿界而後 至天闕也哉況元綱流演篇具載人身與天 境相似止要法官洞曉内外便可感通故聖 人曰天之高也星辰之逺也可坐而致若能 於入靖燒香之時隨事啓告習熟念想純潔 則施之於拜章時一理耳外此拜表伏詞存 想一同亦各有口受分明惟在入靖之先行 十轉回靈之道焚章之後又須入靖靜坐待
Interpretation

How can one communicate with the divine if mistakes occur during ritual practice? If visualization techniques (methods for contemplating deities) aren't mastered in daily cultivation, how can the talismans drawn by day reach celestial awareness? These difficulties arise from not grasping the proper methods. The true essence of presenting memorials (rituals for petitioning celestial deities) lies entirely in present-moment concentration.

When my master transmitted the method of submitting memorials (rituals for presenting petitions), the responses varied according to circumstances, but the key always rested in focused visualization at the altar (ritual platform). Upon ascending the altar, one should visualize the sacred beings of the Three Pure Realms (the highest Daoist heavens, Sanqing) surrounding the space. At this moment, the memorial text is unrolled and read aloud to these holy presences. The presiding priest (high-ranking ritual master) must visualize the Celestial Emperor standing before them, prostrating in reverence while the memorial's contents ascend to the heavenly court. After receiving the celestial decree in response, the memorial is burned to deliver it to the appropriate heavenly departments for execution—no further visualization is required thereafter.

This method of direct petition to the Celestial Emperor through the memorial not only eliminates the hassle of repeated visualizations but ensures sincere intentions reach divine awareness. Even memorials containing numerous names are less prone to error, as the names ascend simultaneously with the reading. As for the ritual pacing (Daoist ceremonial steps like Yu Steps), whether employing the Nine Spirits Flying Steps or the Primordial Network Evolving Steps, these all constitute spirit-flight pacing (steps for communicating with deities). The ancients didn't perform these steps on the altar, but since modern practice incorporates ceremonial dance on the platform to enhance dignity, why seek separate locations for spirit-flight pacing? Simply perform the steps on the altar while visualizing the Twenty-Eight Lunar Mansions and the Sun, Moon, and Five Planets (important Daoist stellar deities)—this facilitates unobstructed resonance.

When the Three Pure Realms are already visualized at the altar, how could the celestial constellations fail to descend? Thus my master's transmitted method is simple: present memorials on the altar, perform pacing on the altar. When burning the memorial, simply visualize celestial officers and generals delivering it to heavenly departments. Understand that the Primordial Qi (cosmic foundational energy, Xiantian Yiqi) permeates all existence—sincere devotion naturally bridges heaven and earth. Why insist on visualizing chariot rides through cosmic winds and starry realms to reach celestial palaces? The "Primordial Network Evolving" chapter long ago documented the correspondence between human body and celestial realms. When priests comprehend this inner-outer resonance, they naturally connect with heaven and earth. Thus the sages said: "Though heaven is high and stars distant, one may reach them while seated."

The crucial point lies in daily practice: during incense meditation in the quiet chamber, one should train in making petitions for various affairs until visualization becomes refined and effortless. When formal memorial presentation arrives, the principle remains the same. Other practices like submitting petitions or confession rituals each have their master-transmitted oral instructions, but all emphasize performing the "Tenfold Spirit-Returning" method (ten Neidan circulation techniques) before the main ceremony. After burning the memorial, one should return to the quiet chamber for seated meditation awaiting response.

報庶可有吉凶之報此理至當簡而易行斷 不欺罔貽譴妄誕無投回靈之道待報之訣 併録于後    十轉回靈萬炁齊仙 入靖燒香更不雜想心拜服符運想丹田之 炁自夾脊直上透入泥丸頂門復回重樓至 絳宫丹田復至丹田有一老君乗白炁上中 田見元始天尊同乗黄雲炁上入上丹田見 太上老君如緋畫像坐定次想天門上有太 上三尊下降合頂上三尊爲一定心默默存 思升神三拜奏告拜章之意然後登壇行事 章官醮禮更不别處鋪排只就壇前行事法 師出官便行請醮庶幾不致前後隔絶遣發 兼未出官章官何在亦難請醮若能行靈寳 大定神光出神謁帝此又是上道第一義也    身中待報訣 乾宫動屬左耳(章付泰/玄都省)  喜鳳展翶翔擅名達四方求謀皆得遂更  改又安康 坎宫動屬左足(引進真官/達付天省)  隔江見珍寳爭解到身邊官事皆遟滯得  病主留連 艮宫動屬左肩(天樞上相達章/付玉階郞校定)  明月在高天張弓謾謾弦用竭平生力何  曾射得圓 震宫動屬左膝(典郞左執付玉/階右侍頒行)  遊魚落網中少吉又多凶陰人防坎坷亡  者得升遷 巽宫動屬右肩(左樞執吏靈官/付天曹校勘行)  憂情在心中遷求未能通貴人行却順  小人病重重
Interpretation

This scripture primarily elucidates Daoist cultivation methods and ritual practices, along with the correspondence between bodily manifestations and auspicious/ominous signs.

The cultivation section describes how practitioners, upon entering the meditation chamber to burn incense, must eliminate distractions and concentrate on ingesting ritual talismans (fulu). They should guide the internal Qi (vital energy) from the Dantian (lower abdominal energy center) upward along the spine to the Muddy Pellet Palace (upper Dantian at the crown), then return it through the throat and heart before finally cycling back to the Dantian. During this process, practitioners visualize Lord Lao (Taishang Laojun) riding white Qi and the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun) ascending on yellow clouds, ultimately merging with the Three Pure Ones (Sanqing) descending through the celestial gate. Maintaining meditative silence, practitioners perform three ritual prostrations to express devotion before commencing formal ceremonies.

The ritual section emphasizes that all procedures must be completed before the altar, with priests conducting deity-invocation ceremonies in seamless sequence without procedural disconnection. The supreme cultivation method involves employing the Divine Light of Lingbao Great Stillness (an advanced practice) to facilitate out-of-body travel for audience with the Heavenly Emperor.

The latter portion details specific omens corresponding to bodily movements:

  • Movement in the left ear (Qian palace): Signifies fulfilled petitions and peaceful livelihood.
  • Movement in the left foot (Kan palace): Foretells treasure acquisition but prolonged litigation and lingering illness.
  • Movement in the left shoulder (Gen palace): Resembles drawing a bow against the moon—exertion without fulfillment.
  • Movement in the left knee (Zhen palace): Like fish caught in nets—predominantly inauspicious, though beneficial for the deceased.
  • Movement in the right shoulder (Xun palace): Indicates unresolved anxieties—favorable for nobles but severe illness for commoners.

Each omen includes corresponding celestial departments (e.g., Tai Xuan Capital Bureau, Heavenly Bureau)—administrative divisions within the Daoist pantheon responsible for specific cosmic affairs.

離門動屬右膝(付司禁郞典/録校定行)  日月無變動陰人喜事來亡魂皆得度干    求有横財 坤門動屬右耳(付泰玄都/省不達)  劔鏡磨重光逢人須更磨若人觀鑒在水  陸出滄波 兌門動屬右足(章合格式无/犯上帝依行)  全官財帛臨遷職有身榮病者皆無害亡  者得超升    心章訣 心章之道惟在徑捷不呈露不步罡行持之 要與前十轉回靈一同但至自天門降合頂 上三尊爲一定心默默三拜便行奏告元始 次奏道君次奏老君三存三禮得旨次存玉 童玉女官君將吏持章前奏次存三尊各還 元處自巳復存三尊回歸三田兆謝恩退位 出靖    破獄祕訣 凡建大縁小縁必須然燈破獄且陰獄在重 陰之下詎可施破但兆身中心有刀山劔樹 火坑穢濁之獄若能自破其獄何患地獄之 不破且人之一身心爲君主造惡縁亦可行 善道亦可心安則神定心怒則神動忿怒一 作所養喪矣心曰蓮花之府君王居之肺曰 華盖之府輔相居之肝乃將帥之府腎乃作 强之宫脾爲倉禀之宫心不安爲火翳之獄 肝不寧爲風雷之獄肺不安爲金剛之獄腎 不定爲溟冷之獄三陽在手爲銅柱火車三 陰在足爲鑊湯屠割脾主中央爲普掠此一 身之獄苟不清淨又何以破彼之獄乎此以
Interpretation

This scripture primarily discusses three key components: directional correspondences, the Heart Memorial Formula, and the secret method for breaking through hell realms.

Regarding directional correspondences:

When movement occurs in the Li (Fire) direction (South), it corresponds to the right knee in the human body. This signifies auspicious news brought by a woman, the liberation of deceased souls, and potential unexpected wealth. Activity in the Kun (Earth) direction (Southwest) relates to the right ear, indicating the need to polish swords and mirrors—if one gazes at their reflection by water, a noble benefactor will appear. Movement in the Dui (Lake) direction (West) connects to the right foot, foretelling official promotions, increased wealth, recovery for the ill, and ascension for the departed.

The Heart Memorial Formula (a swift method for petitioning celestial deities):

This method emphasizes directness and immediacy, bypassing elaborate rituals like stepping the Big Dipper paces. The practice involves: first visualizing the Celestial Gate opening as the Three Pure Ones (Sanqing) descend above one's crown, followed by three silent bows. Next, petitions are mentally offered sequentially to the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun), the Dao Lord of Numinous Treasure (Lingbao Daojun), and the Supreme Venerable Sovereign (Taishang Laojun). Then visualize jade maidens and celestial officers delivering the memorial. Finally, imagine the Three Pure Ones returning to their celestial abodes while withdrawing consciousness back into the body, concluding with gratitude before leaving the meditation chamber.

The secret method for breaking hell realms:

All rituals—whether major or minor—require lamp lighting to shatter hell dimensions. However, true hell exists in the extreme Yin realm, impossible to dismantle directly. In reality, various "hells" exist within the human body: the heart corresponds to the Blazing Fire Hell, the liver to the Storm Thunder Hell, the lungs to the Diamond Hell, the kidneys to the Frozen Darkness Hell. Limbs represent the fiery Copper Pillar Hell and the icy Cauldron Hell respectively, while the spleen mirrors the Universal Torment Hell. If one cannot purify these internal hells, how can external hells be broken? The key lies in maintaining mental purity—the heart governs all. When the heart is tranquil, the spirit (Shen) settles; when agitated, the spirit becomes restless. The heart resembles a lotus palace housing the sovereign, the lungs a canopy sheltering the prime minister, the liver a general's headquarters, the kidneys a power reservoir, and the spleen a storehouse. Only by first purifying oneself can external hell realms be dissolved.

其部位言之也若曰地獄因縁皆由一心所 造非由外得實自中來若心生忿怒則炁血 衝突乃風雷獄也心生貪嗔則形動體肆乃 火翳獄也心生慘毒害物傷人乃金剛獄也 心生陰謀則情惡念逆乃溟冷獄也心生染 着則愛重念深乃銅柱獄也心生愛慾則體 傷神弊乃鑊湯獄也心生殺害則害己害物 乃屠割獄也心生惡念則淫慾貪饕乃火車 獄也心生不足勞神苦體乃普掠獄也惟心 空則罪業俱空罪業旣空則地獄㝠曹何在 凡欲破獄兆自朝至午後運調真炁自腦九 宫分布九炁感動其心君若心君安靜百神 守舍真炁内充流息無窮一炁運入九曲回 腸之獄萬穢俱消善境隨念而見方可破重 陰九幽之獄且萬法皆從心起三途乃三宫 五苦乃五臟苟能如此則悉皆無破皆爲清 淨道境更無一點塵翳漸入大定洞見真境 了達無爲則冥關幽壞莫不開泰矣    召魂祕訣 神虎使者出自玄範北魁之府法師洞淵三 宫三陰之首府總分召陰之炁神虎三使者 居三焦七司玉女在七竅陽耀通關陰靈攝 魄神虎官君在左右目下雌右雄左玉曹使 者居左右鼻孔下神虎使者在華池之内清 清冷冷尋魂神將在長谿穴腎也兆運靈根 七轉呼召齊到玄壇外合法部神虎官君方 行承符領命接引追攝兆運左足步神虎罡
Interpretation

The various torments of hell are all created by one's own mind, not imposed from without. When the heart is filled with fury, the Qi (vital energy) and blood clash violently—this becomes the "Wind and Thunder Hell." When greed and hatred arise, the body grows restless—this forms the "Blazing Fire Hell." Harboring malicious intent to harm others leads to the "Diamond Hell," while scheming and deceit plunge one into the "Frozen Abyss Hell." Obsessive attachment to material things brings the suffering of the "Bronze Pillar Hell," and indulgence in lust damages both body and mind, creating the "Boiling Cauldron Hell." Murderous thoughts that harm self and others condemn one to the "Butchering Hell," while depraved desires lead to the "Chariot of Fire Hell." Insatiable greed that exhausts the spirit casts one into the "Universal Torment Hell."

Only when the mind achieves perfect purity do karmic obstructions vanish. Once these obstructions dissolve, hell naturally ceases to exist. To break free from hell's suffering, practitioners must regulate their innate Qi (primordial energy) from dawn until noon, guiding it from the brain's Nine Palaces (Daoist cosmological centers in the cranium) through the body's nine orifices. If the Shen (spirit) remains tranquil, the body's inner deities (representing organ functions) will perform their duties harmoniously, allowing Qi to circulate unimpeded. When this energy flows into the intestinal labyrinth (symbolizing the body's complex inner pathways), all impurities are purified, revealing a state of virtue—only then can the deepest Ninefold Nether Hells be overcome.

All spiritual methods originate in consciousness. The so-called "Three Damnations" (hell, hungry ghosts, and animal realms) correspond to the three Dantian (energy centers) in the upper, middle, and lower body, while the "Five Afflictions" mirror the five viscera. Understanding this truth transforms all obstacles into pure manifestations of the Dao, leaving no trace of defilement. Through deepening meditative absorption, one perceives ultimate reality and realizes Wuwei (non-action)—at which point all gates of darkness open spontaneously.

Regarding the "Secret Method for Summoning Souls": The Divine Tiger Messengers (spirit generals who guide departed souls) originate from the Northern Mysterious Bureau (a Daoist underworld administration). Through cultivation, adepts connect with the three Dantian's energies to command yin forces. Three Divine Tiger Envoys reside in the Triple Burner energy system, while Seven Jade Maidens guard the seven orifices. Yang energy circulates through the joints; yin energy coalesces the soul. The Divine Tiger Officials dwell below the eyes—the left eye's envoy is feminine, the right masculine. The Jade Court Messengers anchor in the nostrils, while the Divine Tiger Envoys reside in the mouth (the "Jade Pool"). Soul-searching generals are stationed at the kidneys (Changxi point). By cycling the spiritual root (energy core) seven times, practitioners summon these deities to the ritual altar. Finally, through the Divine Tiger Step (a sacred footwork pattern), the Tiger Officials execute the soul-retrieving mission.

一十三跡倒步之手持神虎提魂印布以靈 根之炁其亡人承此炁俱赴魂旛此謂嘯命 神虎之道兆發心肝之炁結會在外有陰風 玄霧騰騰之象若呼召則心感神虎吟嘯而 臨隨兆遣役召魂也    沐浴訣 先化浴室爲月境波光之相皓華之炁薰蒸 濛濛次剔兩手子文乃陰陽之炁焚真文沐 浴等符變化月境陰白之光如雨露霑布兆 以水灑三匝化玉女靈童手執香巾長帛布 寳光之炁引魂而入一女童手執香淨玉瓶 盛甘泉白醴如傾之狀噴灑于上五斗星光 亦自上燁煜布下浴室之内亡魂承此真炁 真水灌溉盡潔其形身相光瑩次焚冥衣兆 以變衣符同化布鍊霞彩之光交錯透衣亡 魂佩服天衣次存召魂旛爲一條白級素炁 引升亡人入筵受供    鍊度訣 鍊度之法有先水而後火者有先火而後水 者法雖皆有其理不若先水後火者有合造 化相生之義先火而後水者盖本經中有玉 眸鍊質黄華蕩形之說豈若夫天一生水地 二生火之論實爲深長況人始生之時必先 兩腎後生兩目人死之後其形已壞欲完其 本豈可逆陰陽行事耶盖鍊度之義所以聚 其本性鍊其魂魄假有餘而補不足資陽神 而鍊陰魄配水火以爲生成滌陰穢以成清 靜法師者須當明乎造化相生之義鍊形聚
Interpretation

This scripture describes several Daoist ritual methods for summoning souls and refining them through purification.

First is the "Summoning the Divine Tiger" technique for calling back souls: The ritual master forms the Divine Tiger Soul-Summoning Mudra with their hands, mobilizing the primordial Qi (Xiantian Yuanqi) from their spiritual roots, then guides the departed souls using a soul banner. During the ritual, dark winds and mysterious mists manifest, and when the master focuses their mind, the Divine Tiger will descend with a mighty roar to assist in summoning the lost souls.

Next is the "Purification Mudra" cleansing rite: The master first visualizes the bathing chamber transforming into a moonlit watery realm, then forms the Ziwen hand seal to activate Yin-Yang energies while burning talismanic scriptures (Fulu). Moonlight transforms into sweet dew that showers down, and the master envisions jade maidens and spirit youths holding fragrant towels and precious vials to bathe the departed souls. Once purified by the sacred waters, the souls become radiant and pure. The master then burns spirit-clothing talismans so the souls may don celestial robes of glowing mist. Finally, a white soul banner guides them to their seats to receive offerings.

Regarding the principles of the "Refinement Mudra": The refinement process follows two sequences—water first, then fire. This order aligns with the natural creative patterns of heaven and earth ("Heaven produces water first, Earth produces fire next"), mirroring human development from the kidneys (associated with water) to the eyes (associated with fire). The essence of refinement lies in harmonizing Yin-Yang and balancing water-fire energies, gathering innate nature (Xing) and tempering the soul (Hun-Po). Through this process, Yang Qi refines Yin spirits, ultimately purging all impurities to achieve clarity and stillness. The ritual master must fully grasp these principles of mutual generation and restraint in cosmic creation.

炁返陽出陰使自已之性本體湛然自已之 神純陽無雜然後度幽魂超滯魄故大茅真 君有言曰以炁鍊炁以神鍊神靈光下燭幽 魂還人昔太極葛仙翁修真得道者蓋由上 也今行齋法之士雖未自鍊其神亦須先明 其義況鍊度之法傳流頗多有靈寳大鍊之 法有神霄六陽九陽鍊法有南昌青玄九天 諸鍊悉各有義不可混淆錯亂無别欲行靈 寳大鍊之法當知祖於金母木公請炁上表 他求不可欲行神霄鍊者當知祖於三師日 月請炁上表捨神霄日月不可也至南昌鍊 以南辰北極爲祖九天則以九天上帝爲祖 皆其𨽻屬至於敷列壇場排列水火亦不可 拘定其方謂如靈寳行持存用則以水火置 於寅申之方存想則以祖炁金木爲宗神霄 行持存用則以水火置於乾巽之方想九霄 之炁在心腎肺肝五臟之間三焦碧炁爲神 霄之炁肺中素炁爲玉霄之炁心中赤炁爲 丹霄之炁肝中青炁爲青霄之炁膽中緑炁 爲碧霄之炁胃中黄炁爲紫霄之炁大小腸 紅炁爲琅霄之炁膀胱紫炁爲太霄之炁腎 中黑炁爲景霄之炁各有所主此神霄鍊度 之用也至於南昌鍊度置水火於南北想水火 於心腎九天鍊度置水火於九方運九炁於 身中然又須明夫人身中生化之理配合之 義謂如男子先生左腎女人先生右腎胞於
Interpretation

This passage explains several different methods of "Lian Du" (rituals for the salvation of departed souls) in Daoist cultivation, along with their corresponding principles of Qi circulation within the body.

The foundation of cultivation lies in restoring one's Yang Qi to its purest state. Only when practitioners achieve a state of pure Yang without impurities through cultivation can they liberate souls from the underworld. As the Great Mao Zhenjun (founder of the Maoshan tradition) said: "Use pure Yang Qi to refine turbid energy, use clear consciousness to refine scattered thoughts, let the light of spirituality illuminate the netherworld, and enable departed souls to attain liberation."

The ancient Immortal Ge Xuan (Ge Hong's uncle) achieved true Dao precisely by following this principle. Although modern practitioners of purification rituals may not yet have reached the stage of self-cultivation, they must first understand this truth. Various Lian Du methods are currently transmitted:

The Lingbao Great Refinement Method venerates the Golden Mother (Queen Mother of the West) and Wooden Lord (Dong Wang Gong) as its patriarchs, practicing through specific rituals of Qi invocation and memorial submission. The Shenxiao School's refinement method honors the Three Masters (three Shenxiao patriarchs) and the sun-moon deities, requiring visualization of Nine Heavens Qi circulating among the internal organs: the blue Qi between heart and kidneys is Shenxiao Qi, the white Qi in lungs is Yuxiao Qi, the red Qi in heart is Danxiao Qi, the green Qi in liver is Qingxiao Qi, the green Qi in gallbladder is Bixiao Qi, the yellow Qi in stomach is Zixiao Qi, the red Qi in intestines is Langxiao Qi, the purple Qi in bladder is Taixiao Qi, and the black Qi in kidneys is Jingxiao Qi.

The Southern Chang Refinement Method venerates the Southern Dipper and Northern Ladle, requiring visualization of water-fire imagery corresponding to heart-kidney positions. The Nine Heavens Refinement Method honors the Nine Heavenly Emperors, circulating nine primordial Qi in nine body directions. These methods all follow the body's generative transformations—men begin cultivation from the left kidney, while women start from the right kidney.

Different lineages' refinement methods each have their transmission systems and key cultivation points that shouldn't be confused. When arranging altars and water-fire orientations, each school's rules must be followed: the Lingbao School uses Yin-Shen directions, while the Shenxiao School employs Qian-Xun positions. The essential point is understanding that all these methods fundamentally harmonize the body's Yin-Yang Qi through specific visualizations and rituals to purify body and mind.

巳胎於午養於未生於申沐浴於酉冠帶於 戌官榮於亥帝旺於子此人身生旺之理也 人能深明造化貫通陰陽存真養性彼此相 資以我之靈合彼之靈以我之炁聚彼之炁 全其至精至神假水火以相生運陰陽而陶 冶則何靈爽之不度也哉鍊度符章各宗科 目己載本法歷歷有條切勿混雜符章以戾 科教云    升度祕訣 兆雙手十天訣子至酉袖内擡起齊天廷剔 去再雙手玉清訣運左右目高舉日月之輝 微露金絲綵霞之光射透畧開目少顧以鼻 引吸歸再一吸噴散于外直冲狀似長虹布 過朱陵生天之臺剔前玉清訣再顧日月之 華輝映洞徹化金童玉女各持旛列左右咽 液一過上升丹房發起金紅運碧之光直透 泥丸上宫一炁直徹長虹之勢運金瑞色合 照有金橋萬丈一頭注射壇前一頭正接朱 府玉清訣引魂上升法橋官君引導無礙而 升上徹天關下化爲青炁而散杳杳冥冥不 知其所之若有一毫掛礙則不成究竟也 道法會元卷之
Interpretation

This scripture elucidates the Daoist practices of "refinement and deliverance" (rituals for liberating souls of the deceased) and "ascension techniques" (esoteric methods for guiding souls heavenward), integrating theories of Yin-Yang and the Five Phases with essential Neidan (internal alchemy) principles.

First, it explains the correspondence between the human body and earthly branches time periods: the Si hour (9-11 AM) resembles embryonic gestation, the Wu hour (11 AM-1 PM) signifies fetal nourishment, the Wei hour (1-3 PM) marks the beginning of growth, the Shen hour (3-5 PM) represents formal birth, the You hour (5-7 PM) symbolizes purification through bathing, the Xu hour (7-9 PM) indicates coming of age, the Hai hour (9-11 PM) denotes achievement of merit, and the Zi hour (11 PM-1 AM) reaches the zenith. This reveals the cyclical patterns of human vital energy (Qi) according to temporal rhythms.

Practitioners must comprehend the Dao of cosmic creation, harmonizing the two energies of Yin and Yang. By preserving one's true nature and nurturing innate spirituality to mutually resonate with external spiritual forces, one concentrates primordial Qi (original energy) to gather cosmic Qi. Maintaining utmost purity of spirit (Shen) while utilizing the generative cycle of water and fire, the practitioner circulates Yin-Yang energies to refine body and mind—thereby attaining the power to deliver all wandering souls. The text emphasizes that talismans (Fulu), incantations, and secret formulas used in refinement rituals follow specific lineages and must be executed strictly according to liturgical (Keyi) protocols without deviation.

The esoteric ascension method proceeds as follows: The ritual master forms the "Ten Celestial Mudra" with both hands, raising them sleeve-concealed from the Zi position to the You position up to the forehead before releasing. Next, transforming the gesture into the "Jade Purity Mudra" (a Shangqing school hand seal), the practitioner circulates ocular energy while visualizing solar and lunar radiance emitting golden filaments through multicolored auroras. With slightly opened eyes, one inhales through the nostrils before exhaling to form a rainbow-like Qi pillar spanning to the Vermilion Palace's Immortal Platform (a Daoist celestial realm).

Reassuming the Jade Purity Mudra, the adept visualizes solar and lunar effulgence materializing as golden youths and jade maidens holding banners on either side. Swallowing celestial nectar, one guides energy upward to the Dantian (elixir field), emitting crimson and emerald light that surges through the Niwan Palace (crown chakra). This energy bridges like a rainbow piercing the sun, its golden light crystallizing into a magnificent bridge—one end anchored at the ritual altar, the other extending to the Vermilion Mansion (southern fire palace).

Finally, using the Jade Purity Mudra to guide souls onto this ritual bridge, celestial officers escort them unimpeded toward heaven. When the energy reaches the celestial gate, it dissolves into azure Qi throughout the void. The entire process demands absolute mental purity—the slightest attachment nullifies all progress.

二百四十五

Source text: Kanripo 漢籍リポジトリ(KR5g0029); Licence: CC BY-SA 4.0 · Report an error / feedback

← Vol. 244 Vol. 246 →