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《岱史》Vol. 1

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Xu Daozang 續道藏 Vol. 1 / 18 404 characters

About this page. The original text of 《岱史》 Vol. 1 (Xu Daozang 續道藏, 18 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 1 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

岱史第一卷圖考 叙曰曷云乎圖考也考泰山之形勝而繪之 爲圖也夫鴻濛始判爲物者萬而惟流峙最 大爲峙者萬而惟嶽最大爲嶽者五均之巍 巍峻極而惟岱最大近則横亘齊魯跨引江 淮遠則雄峙九紘霖雨四海豈非華夷之巨 觀古今之崇鎮乎顧欲以方寸赫𨂜摠擥全 勝抑何難也然自古考方辨域必取諸圖不 然則周覽不能窮其勝載籍不能紀其詳即 有高雅之士興起卧游之想曷從而觀焉是 用㨿古證今圖諸簡端圖泰山握坤軸也而 先之以星野繫乾象也圖嶽廟以神所棲也 圖碧霞宫以世所崇奉也圖周明堂以帝王 致治之蹟也而附之以五嶽眞形則以泰山 五嶽之宗宜統會其勝也維嶽降神實生孔 子萬世宗之如泰山喬嶽圖其廟而崇祀之 以表聖蹟重山靈也夫天開圖畫地湧丹青 豈人力哉維兹繪事肖厥化工俾世之觀覽 者一披卷而對越介丘恍乎明神陟降勿勿 乎欲其享之則又非特豁目惠心供勝游之 適云爾
Interpretation

The first volume of The History of Mount Tai (Dai Shi) documents geographical surveys and cartographic records of the sacred mountain. The opening passage explains the purpose of these maps—to study Mount Tai's majestic landscape and render it in cartographic form. At the dawn of creation, when all things took shape, mountains stood as the most magnificent of formations. Among all mountains, the Five Sacred Peaks (Wuyue) tower supreme, and of these, Mount Tai reigns as the grandest. Nearby, it spans the lands of Qi and Lu, linking the Jiang and Huai river basins; from afar, it dominates the Nine Provinces, bestowing blessings upon the Four Seas. Truly, it is the splendor of the Central Plains and the borderlands, a holy mountain revered across ages.

Yet capturing the mountain's full grandeur on a mere sheet of paper is no easy task. Since ancient times, geographical study and orientation have relied on maps. Without them, even extensive travels would fail to reveal all its wonders, and written records could never fully describe its majesty. Even if refined scholars wished to "roam while reclining" (woyou—spiritual travel through imagery), where would they begin? Thus, this work draws from historical and contemporary research to map Mount Tai: the Mount Tai Diagram illustrates its role as the pillar of the earth, first marking celestial divisions to align with heavenly patterns; the Temple Diagram depicts the abode of deities; the Palace of Azure Dawn Diagram (Bixia Gong) reflects the devotion of the people; the Zhou Mingtang Diagram preserves traces of imperial governance; and the Five Sacred Peaks True Form Diagram (Wuyue Zhenxing Tu) is included because Mount Tai, as their leader, naturally encompasses their collective majesty.

Mount Tai gave birth to divine spirits and nurtured Confucius, later generations honoring the sage as they honor the mountain itself. Hence, the Confucian Temple Diagram and records of sacrificial rites are presented to illuminate the legacy of the wise and highlight the mountain's numinous power. How could the breathtaking spectacle of nature's creation ever be matched by human effort? Yet these diagrams ingeniously emulate the work of the cosmos, allowing viewers to step into the scene as soon as they unroll the scroll—as if witnessing the descent of spirits, stirring awe in their hearts. This is not merely for visual delight or the pleasure of virtual travel, but carries profound significance.

Source text: Kanripo 漢籍リポジトリ(KR5h0041); Licence: CC BY-SA 4.0 · Report an error / feedback

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