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《無上玄元三天玉堂大法》Vol. 30

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Dongzhen 洞真部 Vol. 30 / 30 4,299 characters

About this page. The original text of 《無上玄元三天玉堂大法》 Vol. 30 (Dongzhen 洞真部, 30 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 8 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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元上玄元三天玉堂大法卷之三十劔四  壇頂威儀品    東方七宿玉符羽章(依星舍列燈布/壇中級之東岸)    呪曰 角箕七宿炁貫青天生育仁功造化大全輔 我飛昇上朝太元    南方七宿玉符羽章    呪曰 南天井軫熇炎之靈長育離明煥赫朱陵鼓 舞生炁暢我陽神    西方七宿玉符羽章    呪曰 奎參七宿聲應清商皓炁回環劔刄光芒化 育萬寶統攝羣靈    北方七宿玉符羽章    呪曰 斗壁之精壬癸精英黒玄光透下徹泉溟五 炁靈君上屬統臨 已上各依方位列燈于壇之中級南西北岸    日宫玉符羽章    呪曰 烜赫朱龍駕乗火輪九芒紫霧下開重隂煉 成火膏昇入離明    月宫玉符羽章(日月二燈列壇/之上級東西岸)    呪曰 金光散彩光耀圓明玉兎胎圓育我元神清 泠一滴蕩凡濯塵    斗魁玉符羽章    呪曰 天機旋轉以成玄功上有七眞輝煌昊穹循 環晝夜運行不窮    南辰玉符羽章(南北二斗燈列于/壇之上級前後岸)    呪曰 六司炳耀上鎭丹天生炁自然靄和靈煙鍊 我魂𠔃以成上仙    東嶽青帝玉符羽章    呪曰 東青之炁下結靈山中有丈人環列仙官生 炁盤盤衞眞玄壇    南嶽赤帝玉符羽章    呪曰 丹明眞火運降南方屹崒玄山通我心關陽 和一布隂穢潜藏
Interpretation

This scripture describes the talismanic invocations (Fulu) and rituals used in arranging the altar according to the "Jade Hall Great Method" (Yutang Dafa) of Daoist practice. The four cardinal directions—east, south, west, and north—each correspond to one of the Seven Mansions (groupings of the twenty-eight lunar lodges), with specific incantations and talismanic texts (Fuzhang) assigned to each orientation.

The incantation for the Eastern Seven Mansions conveys that the Qi of stars like Jiao and Ji penetrates the azure heavens, embodying the benevolent power to nurture all life and assist practitioners in ascending to celestial realms. The Southern Seven Mansions' chant speaks of the fiery energy of the south nourishing Yang Qi, stimulating the practitioner's Yang Spirit (Yang Shen). The Western Seven Mansions' invocation describes the cool, austere nature of western stars, capable of commanding various spiritual entities. The Northern Seven Mansions' chant refers to the profound power of Water Virtue (Shui De), connecting with the mysteries of the underworld.

Next are the incantations for the Sun and Moon Palaces: the solar chant depicts the sun's blazing flame-like heat, refining Yin Qi, while the lunar chant describes the moon's pure radiance cleansing worldly impurities and nourishing the spirit (Shen). Following these are invocations for the Northern and Southern Dippers (Beidou and Nandou), emphasizing the wondrous power of stellar movements to aid in achieving immortality.

Finally, the chants for the Eastern Peak (Mount Tai) and Southern Peak (Mount Heng) of the Five Sacred Mountains are presented: the Eastern Peak's Green Emperor (Qingdi, deity of the east) chant speaks of the vital energy of the east protecting the altar, while the Southern Peak's Red Emperor (Chidi, deity of the south) chant invokes the True Fire of the south to dispel Yin impurities.

These incantations must be used in conjunction with lamps placed at specific positions on the altar—for example, the Eastern Seven Mansions' lamp is placed on the east side, while the Sun and Moon lamps are positioned on the upper level, east and west respectively. The entire ritual mobilizes the energies of heaven and earth, the four directions, and the sun, moon, and stars to support spiritual cultivation.

   西嶽白帝玉符羽章    呪曰 素靈沆碭山勢嵳峩金光號令白帝玄歌炁 入自然妙合冲和    北嶽黒帝玉符羽章    呪曰 隂靈玄嶽五炁下通上應黒天水炁溟濛飛 玄水帝上朝玉容    中嶽黄帝玉符羽章    呪曰 中天巨鎭通我黄庭斡旋元化總制萬靈神 遊來下衞神納眞    東海玉符羽章    呪曰 蒼波皓渺境接扶桒鐵脊虬龍威雄四張稽 首玄壇嘯歌洞章    南海玉符羽章    呪曰 羣洋雪浪上與天通下有玄虬赤熖神龍介 族幽靈上朝帝宫    西海玉符羽章    呪曰 西沙鼓浪混混蒼溟下有幽鱗蒸雲吐隂部 領隂宫靣朝玉庭    北海玉符羽章    呪曰 玄天五炁水府之精湧泛洪波黒帝尊靈蒼 鱗執圭神朝玉京    江瀆玉符羽章    呪曰 天源混混下導靈江水帝之司神龍分郷羽 衣玉佩振袂朝陽    河瀆玉符羽章    呪曰 九河眞𣲖上接崑崙鳥母羣飛㑹集龍門水 伯稽首上朝玉尊    淮瀆水神玉符羽章    呪曰 淮流精激源號靈川下有神君居於洞淵桐 栢眞人掌此仙源(五嶽四瀆依位列燈/布于壇之下級四岸)    濟瀆玉符羽章    呪曰 滔滔濟水原出天河中有隂宫吼以靈鼉元 君羽衣歩響瓊珂 (東/嶽)(南/嶽)(西/嶽)(北/嶽)(中/嶽)
Interpretation

This scripture records the Daoist incantations of the "Five Sacred Peaks and Four Great Rivers" (Wuyue Sidu), secret oral formulas from the Supreme Mysterious Primordial Three Heavens Jade Hall Great Method used to summon various deities. Each incantation corresponds to a mountain or river deity, employing specific rhythms and imagery to commune between heaven and earth.

The incantation for the Western Peak's White Emperor (deity of the west) describes: Pure white Qi enshrouds the towering peaks as the White Emperor's mysterious songs resonate amidst golden radiance, where natural energies harmonize. The Northern Peak's Black Emperor (deity of the north) incantation portrays: The dark mountains channel celestial-earthly Qi, with black waters steaming as aquatic deities ascend to pay homage to the Celestial Emperor.

The Central Peak's Yellow Emperor (deity of the center) incantation states: This sacred central peak connects with the human body's Yellow Court (Dantian), operating creation and governing myriad spirits, with deities descending to protect practitioners. All Five Peaks incantations emphasize mountains as conduits between heaven and earth.

Among the Four Seas incantations: The Eastern Sea mentions the Fusang Divine Tree (mythical solar tree) and coiling dragons; the Southern Sea depicts crimson flame dragons leading aquatic beings in celestial pilgrimage; the Western Sea describes shadowy water creatures steaming mist over vast waters; while the Northern Sea highlights the Black Emperor ruling water palaces, with divine generals holding jade tablets (ritual objects) bowing toward celestial courts.

The Four Great Rivers incantations each bear distinct characteristics: The Yangtze River chant tells of water deities in feathered robes and jade pendants paying homage; the Yellow River chant depicts nine-bend waterways linking to Kunlun Mountain, with water spirits gathering at Dragon Gate (legendary carp-leaping site); the Huai River chant mentions the Tongbo Zhenren (Perfected Person) governing immortal springs; while the Ji River (ancient fourth great river) records the Water Palace Primordial Lordess (female water deity) robed in feathers and jade.

The scripture concludes by specifying these incantations require altar rituals, arranging symbolic lamps representing the Five Peaks and Four Rivers around the ceremonial platform according to their cardinal directions. These chants embody the Daoist belief that sacred mountains and rivers host resident deities, and that specific rituals can facilitate communion with cosmic energies.

(江)(河)(淮)(濟) 師曰玄壇威儀畢備則内生敬畏外景尊 崇所以邪念不起眞念常存然則下學之  士藉此可以通髙眞逹幽靈豈小補哉    壇式(並紅旛)    東方鎭天青靈玉符    呪曰 空碧煉眞炁融融結胎嬰混秀玉光輝九炁 回陽精森然鬱長椿翠柯散清隂上通鬱儀 府髙奔赤火輪  右握卯訣思東方九青之炁盤旋勃勃入  壇叩齒九通咽津九過肝中青衣九人自  左耳出    南方鎭天丹靈玉符    呪曰 雲房唱玄歌赤炁散離明朱雀吐炎霧赤帝 熖熒熒烜赫三炁備重隂忽開明上有朱陵 府煉形歸一眞  右握午訣思南方三赤之炁盤旋勃勃入  壇叩齒三通咽津三過心中赤衣三人自  左鼻出    西方鎭天皓靈玉符    呪曰 流鈴雙劔鳴金聲振天庭皓素凝玄象虎嘯 吸晶明上有清英郷玉樓商炁清結玉輝長 夜圓明開八溟  右握酉訣思西方七素之炁盤旋勃勃入  壇叩齒七通咽津七過肺中白衣七人自  右耳出    北方鎭天鬱靈玉符    呪曰 洪波鼓蒼溟玄天激清泠黒帝稽首歌瓊聲 入杳冥丹元一炁備内有玉容嬰返胎朝上 闕清号圓玉輪  右握子訣思北方玄一之炁盤旋勃勃入  壇叩齒五次咽津五過腎中黒衣五人自  右鼻出    中央黄靈鎭天玉符    呪曰
Interpretation

This scripture describes the specific methods for arranging the Five Directions Altar (Wufang Tanchang) in Daoist purification rituals (Zhaijiao). The master explains that when the majestic ceremony of the Mystic Altar (Xuantan) is properly arranged, practitioners naturally develop reverence within their hearts, while the external environment takes on a sacred solemnity. In this way, evil thoughts cannot arise, and true mindfulness (zhennian) remains ever-present. For beginners in Daoist practice, such altar arrangements facilitate communication with exalted deities (Gaozhen) and resonance with the unseen realms—far from being merely minor assistance.

The text then details the arrangement of the Five Directions Altar (requiring the hanging of crimson banners), with each direction having its corresponding Jade Talisman for Subduing Heaven (Zhen Tian Yu Fu) and incantation:

The Eastern Altar uses the Azure Spirit Jade Talisman (Qing Ling Yu Fu). Its incantation describes azure Qi congealing into embryonic form, with the breath of the Nine Heavens swirling. During practice, one forms the Mao Hand Seal (specific mudra), visualizes azure energy from the East spiraling into the altar, taps the teeth nine times, swallows saliva nine times, and imagines nine azure-robed figures emerging from the left ear.

The Southern Altar employs the Cinnabar Spirit Jade Talisman (Dan Ling Yu Fu), with an incantation depicting scenes of crimson flames rising. Holding the Wu Hand Seal, one visualizes scarlet energy from the South, taps the teeth three times, swallows saliva three times, and envisions three red-robed figures emerging from the left nostril.

The Western Altar utilizes the Bright Spirit Jade Talisman (Hao Ling Yu Fu), its incantation describing metallic resonances and dazzling white light. With the You Hand Seal, one visualizes white energy from the West, taps the teeth seven times, swallows saliva seven times, and imagines seven white-robed figures emerging from the right ear.

The Northern Altar applies the Profound Spirit Jade Talisman (Yu Ling Yu Fu), its incantation portraying turbulent black waves. Using the Zi Hand Seal, one visualizes dark energy from the North, taps the teeth five times, swallows saliva five times, and envisions five black-robed figures emerging from the right nostril.

The Central Altar employs the Yellow Spirit Jade Talisman (Huang Ling Yu Fu, with the incantation partially shown). These rituals—through specific hand seals, visualizations, teeth-tapping, saliva-swallowing, and other steps—collaborate with the power of the Five Directions' deities to construct sacred space.

黄雲靄靈根五帝朝上門炁炁歸丹碧洞空 煉仙魂中圭鎭八極坐有黄庭尊玉章朗然 誦飛羽乗華軒  右握中文思中黄一之炁盤旋勃勃入壇  叩齒十二過脾中黄衣十二人自頂出  師曰此五方鎭天玉篆羽章上可以安寧  國家扶持休運下可以修持性命逐怪除  邪濟死度生無不資用是乃五帝内音非  世之常辭也    叩齒統說(三叩存三應玉境毛髮森/集陽光迸起徹應四方是)    (謂通眞/之妙也)  師曰叩齒者集身中之陽神也然亦所用  各異凡祈眞叩聖通天感地則謂之鳴法  鼓法鼓乃當門四齒合下共八齒三叩共  二十四通所謂左齒則名金鐘右齒則名  玉磬當知其妙吾身無疾是謂眞人叩鳴  法鼓集我陽神上通玉闕朝奉髙尊萬魔  束首永得長生    捲簾玉階朝天眞符(玉清訣引天門/炁拂開簾前存)    (太虚混沌無敕可/見次用第二符)    呪曰 道妙無形天寂無聲散之不失聚之弗成杳 冥有像恍愡眞精結爲瑞相即像成眞願開 玉户拜謁髙尊急急如眞科律令    玉京空玄見相玉符(玉清訣思虚無/世界太空如瑩)    (玉無逺近髙下爲一色於其中有㸃/明光如黍米大表裏瑩徹存元始上)    (帝在中即/用第三符)    呪曰 太初之炁無爲自然虚元有像懸自空玄包
Interpretation

This passage records the essential Daoist practice of "Tooth-Tapping Method" (Kouchi fa) and related talismanic applications. During cultivation, practitioners first visualize yellow cloud-like Qi encircling the spiritual root (referring to the Dantian), while the Five Directional Celestial Emperors (guardian deities) pay homage to the Upper Dantian (a key energy center in the head), causing the body's true Qi to gather in the Cinnabar-Grotto (another term for Dantian).

When seated in meditation, the practitioner must mentally guard all eight directions while internally visualizing the characters of the Yellow Court Scripture (Huangting jing), a foundational Daoist classic. Holding the "Central Seal" hand mudra with the right hand, one guides the Central Yellow Qi (the primordial energy of the body's core) to circulate around the ritual altar. During twelve tooth-taps, visualize twelve yellow-robed deities emerging from the spleen and manifesting above the crown.

The master explains: These jade-seal and feather-script talismans (Fulu) that stabilize the five celestial directions can protect nations above and aid personal cultivation below—refining one's nature and vitality (Xingming), exorcising demons, and liberating souls. Transmitted secretly by the Five Directional Emperors, these incantations hold extraordinary power.

Regarding tooth-tapping techniques: Three taps correspond to the Three Pure Realms (Sanqing jing, the highest Daoist heavens), causing body hairs to stand erect while radiant light bursts forth in all directions—a profound method for divine communion. Tooth-tapping gathers the body's Yang Spirit (Yang Shen, essence of vital energy), with varying techniques for different occasions. When praying to deities, tap the four left and four right incisors (eight teeth total) in three sets of twenty-four sounds—the left teeth called "Golden Bell" and the right "Jade Chime." Understanding these subtleties preserves health and leads to becoming a "Perfected Being" (Zhenren). Through tooth-tapping, one summons Yang Spirit to ascend to the Jade Capital (highest celestial realm), subdues myriad demons, and attains longevity.

The subsequent "Curtain-Rolling Celestial Audience Talisman" practice begins with forming the Jade Pure hand mudra to draw Celestial Gate Qi while visualizing the primordial chaos of the Great Void. The incantation states: The Dao's mystery is formless, Heaven's way soundless—scattered yet never lost, gathered yet unformed. Within the profound darkness emerges true essence, coalescing as auspicious signs. It petitions the Celestial Gate to open for audience with the Heavenly尊.

Finally, the "Jade Capital's Empty Mystery Talisman" employs the Jade Pure hand mudra to visualize a millet-sized point of radiant light within the void—transparent inside and out—where the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun, supreme Daoist deity) resides. The chant praises the spontaneous naturalness of Primal Qi, where form exists within emptiness, suspended in the void's mystery.

含萬有飬化神仙視而不見聽之莫傳後先 莫辨玄之有玄願開靈造親拜玄元急急如 眞科律令    朝元自然祕符(玉清訣存簾前寶珠/口引道衆化諸眞俱)    (入良久伹見金色/世界不見其他)    呪曰 寶幃已開玉相光回入寶珠中聽法徘徊神 心澄濟福慧俱來保我飛仙上升玉臺急急 如眞科律令    鐘磬召和祕法  師曰鐘陽聲磬隂聲凡壇陛成則擊金鐘  玉磬以召和非特召和乃集隂神陽靈交  合其炁故金鐘叩二十五下者法天也天  之數二十有五玉磬叩三十下法地也地  之數三十又隂陽欲其交合也故鐘磬交  叩三十六下一隂一陽共七十二以接七  十二候也然則陽極則隂生隂極則陽生  故剥復相更否泰相代隂不能全隂故返  其陽聲則玉磬叩以九下九乾數陽也陽  不能全陽故返其隂聲則金鐘叩以六下  六坤數隂也    呼隂神玉符    呪曰 元始一炁黙運元精諧音恊律激濁揚清幽 寥妙炁妙炁初凝盤旋空洞天中之音聚精 降炁運出眞聲隂聲交奏召集萬靈    召陽神玉符(金鐘一叩一啄左齒玉/磬一叩則一啄右齒存)    (身中左右二炁/交合彌滿玄壇)    呪曰 靜中生動返隂生陽太音入妙空谷游揚聲 應氣求交合宫商聲聲相應運化玄壇激陽 之聲合天之剛陽神交合眞氣混康
Interpretation

This scripture primarily discusses several esoteric methods in Daoist cultivation and rituals, including the Mystic Talisman of Paying Homage to the Primordials, the Secret Method of Summoning Harmony with Bells and Chimes, and incantations for invoking yin and yang spirits.

The section on the Mystic Talisman of Paying Homage to the Primordials describes visualizing a golden jewel during meditation. The practitioner must calmly visualize a luminous pearl appearing before them, transforming the entire world into golden radiance, while reciting the mantra: "The precious canopy has opened, the jade countenance's light swirls, entering the jewel to hear the Dao's teachings. With purified heart-mind (Shen), both blessings and wisdom arrive, protecting my ascension to the immortal realms, mounting the jade platform." This represents a visualization technique in Daoist Neidan (internal alchemy) practice.

The Secret Method of Summoning Harmony with Bells and Chimes details the striking techniques for the golden bell and jade chime. The golden bell belongs to yang while the jade chime belongs to yin—their sounding on the ritual altar harmonizes yin and yang Qi. Specifically: striking the golden bell 25 times symbolizes heaven's number 25, while striking the jade chime 30 times represents earth's number 30; then alternating between yin and yang for 36 strikes each, totaling 72 strikes corresponding to the seventy-two pentads (an ancient calendrical concept). When yin energy reaches its peak and needs to return to yang, strike the jade chime 9 times (9 being a yang number); when yang energy peaks and needs to return to yin, strike the golden bell 6 times (6 being a yin number).

The incantation for summoning yin spirits essentially means: The primordial Qi of Yuanshi silently circulates, harmonizing musical tones and purifying turbid energies. Mysterious Qi spirals in the void, emitting celestial sounds. Gathering vital essence (Jing) to produce true tones, yin sounds interplay, summoning ten thousand spirits.

The yang spirit invocation emphasizes: Movement arises from stillness, transforming yin into yang. Marvelous sounds resonate through empty valleys, with sound and breath mutually resonating, merging upon the ritual altar. The yang tones correspond with heaven, yang spirits unite, and true Qi fills the space. During practice, this should be coordinated with tooth-tapping: when striking the golden bell, tap the left teeth; when striking the jade chime, tap the right teeth, while visualizing the left and right Qi within the body merging upon the ritual altar.

   三日九朝  歩虚經云髙仙大聖一日三朝玉京山奉  齋行道飛行虚空所以下土朝眞之儀必  倣於此夫一生二二生三故取一日三朝  也三復生九故三日九朝也法當早朝則  思上丹田之陽神朝元尊於泥丸午朝則  思中丹田之陽神朝於絳宫晚朝則思下  丹田之陽神朝於丹田復從本處乗炁而  出早則乗泥丸之青炁朝元始午則乗心  中之黄炁朝道君晚則乗腎中之白炁朝  老君使内炁以合外炁外神以符内神則  一瞬之間報應如響矣    一日清旦行道衞靈呪 混洞玄章逐隂生陽赤景上照金房昭彰玄 壇朗朗天門咸張眞仙降現魔試潜藏回光 玉户煉養神王九炁已備飛昇玉堂    一日臨午行道衞靈呪 金輪大赤光耀紫微帝君降令摧毀魔蜚三 天降光六洞辟非三部安逸九門無虧純陽 赫奕諸仙歸依上奔火府朝修鬱儀    一日落景行道衞靈呪 霄映梵炁彌羅九清停停圓照照徹壇庭香 雲結秀慧燭光明九幽開晦業道長春玉光 焜耀瓊房開扉金光不夜與仙同昇    二日清旦行道衞靈呪 清景髙輝隂幽盡披洞虚暘谷眞仙髙飛火 雲已迸金輪不遲攝炁泯合光滿羽衣扶桒 啓運青陽交馳朝拜大赤服煉玄微    二日臨午行道衞靈呪 烜赫朱神上朝玉京八門守衞六天散隂天
Interpretation

The "Three Days and Nine Audiences" practice recorded in The Supreme Mysterious Primordial Jade Hall Great Method centers on emulating the ceremonial protocols of celestial immortals paying homage. The exalted immortals and great sages pay respects to Mount Yuqing (the highest Daoist paradise) three times daily, and practitioners follow this rhythm: offering morning, noon, and evening audiences each day, totaling nine over three days, symbolizing the cosmic principle of "Three begets the myriad things."

The specific cultivation method involves: at dawn, visualizing the Yang Spirit from the Upper Dantian (between the eyebrows) riding azure primordial Qi from the Niwan Palace (crown of the head) to pay homage to the Celestial Worthy of Primordial Beginning; at noon, visualizing the Yang Spirit from the Middle Dantian (heart region) riding golden Qi from the Crimson Palace (heart center) to venerate the Dao Lord of Numinous Treasure; at dusk, visualizing the Yang Spirit from the Lower Dantian (below the navel) riding white Qi to worship the Celestial Worthy of Dao and De. Through harmonizing internal and external Qi and achieving resonance with divine spirits, rapid spiritual response can be attained.

During daily audiences, specific Guardian Spirit Incantations (protective mantras) are recited:

  • The dawn chant describes crimson radiance illuminating the Golden Chamber (heart palace), the Celestial Gate opening wide, true immortals descending, demonic obstructions retreating, and the Nine Qi (essences of heaven and earth) filling the practitioner before ascending to the Jade Hall paradise.
  • The noon chant recounts the Purple Tenuity Emperor Lord descending golden light to dispel demonic barriers, the Three Heavens (Qingwei, Yuyu, and Dachi) shining universally, bringing peace to body and mind for solar deity veneration.
  • The dusk chant depicts Nine Heavens' pure Qi permeating, fragrant clouds swirling, jade light illuminating the netherworld, assisting practitioners to ascend with immortals.

The second day's dawn chant emphasizes pure light shattering darkness, true immortals soaring, the Golden Wheel (solar disc) revolving, and the practitioner's feathered robe glowing. The noon chant describes vermilion-robed deities paying homage at the Jade Capital while Yin energies of the Six Heavens (realms of desire) dissipate. These incantations contain profound meaning for summoning celestial righteousness and purifying the cultivation environment.

光齊景地府澄清赤符内運黒醜潜形天丁 威猛摧擊魔精尸邪亡墜永保仙齡    二日落景行道衞靈呪 淨明眞景明星羅天眞仙乗駕上聖臨軒雲 結香篆寶盖眞田玉清神母賜悟玄玄天地 交泰萬劫綿綿混一造化飛昇玉軒    三日清旦行道衞靈呪 東華啓煇至眞回車洞陽照耀光徹雲衣上 謁玉境通眞悟微徘徊梵炁服煉金泥神陽 列備清明四施周天劫運永保無虧    三日臨午行道衞靈呪 中景赤輪天神上眞鎭塞鬼路妖魔不侵五 陽返六一隂散形玄宫安泰三景澄清煉就 剛體保合大明力研克禍與天合神    三日落景行道衞靈呪 玄虚内景天地齊并隂陽已濟刑思相成髙 輝皎素照我天庭玉眞齊降玄房開明飲服 黄氣保道證眞五炁同㑹三官澄清    發爐出官清旦 召出臣身中三五功曹左右官使者侍香金 童傳言散花玉女五帝直符直日香官各三 十六人出    臨午 召出臣身中洞明功曹上神仙靈三炁陽神 三五正一飛龍騎吏混合玉女日直香官各 八十一人出    落景 召出臣身中三官神仙九户眞人玉光金色 神童寶光玉女丹房聖衆各六十四人出    建壇 召出臣身中三五功曹九陽成身仙吏九炁 靈童八門神仙符吏三炁正神直日香官各 二十四人出
Interpretation

This scripture records several important incantations and deity summoning rituals from the Supreme Mysterious Three Heavens Jade Hall Great Method of the Shangqing (Highest Clarity) tradition. The main content is divided into two parts: the Path-Walking Protective Spirits Incantations and the Furnace Activation for Deity Dispatch (summoning divine beings).

The Path-Walking Protective Spirits Incantations section contains four time-specific chants:

The dawn chant describes sacred light purifying the underworld, with celestial warriors (Tianding) fiercely subduing demons to protect practitioners' longevity. The noon chant mentions the blazing sun (Middle Radiance Crimson Wheel) shining brightly as heavenly deities guard ghostly paths, preventing demonic disturbances and achieving Yin-Yang harmony through cultivation. The morning chant depicts immortal beings descending amidst eastern auroras (Eastern Florescence Illumination), helping adepts comprehend profound mysteries. The sunset chant describes the harmonious interaction of heaven and earth's Yin-Yang, with Jade Perfected (high-ranking immortals) bestowing Yellow Qi (primordial energy) to assist in attaining the Dao.

The Furnace Activation for Deity Dispatch section details rituals for summoning internal deities at different times: at dawn, thirty-six deities including Merit Officers (Gongcao) and Golden Boys and Jade Maidens; at noon, eighty-one deities such as Cave-Illuminating Merit Officers and Flying Dragon Riders; at dusk, sixty-four deities including the Three Officials and Jade Radiance Youths; during altar construction, twenty-four deities including Merit Officers and Nine Yang Immortal Officials. These are all protective spirits believed by Daoism to reside within the human body, summonable through specific rituals to safeguard cultivation practice.

These incantations and rituals exemplify Daoist cultivation methods that communicate with internal and external deities through precise timing and specific mantras, aiming to purify body and mind, dispel demonic obstacles, and prolong life through divine power. Terms like "Three-Five Merit Officers" and "Jade Youths and Maidens" refer to standard Daoist protector deities, while "Yellow Qi" and "Three Radiances" represent Neidan (internal alchemy) terminology.

   淨穢九鳳符(北帝訣思九鳳在頭/七星前指然後噀水)    呪曰 謹請北斗七星之精降此水中百穢之鬼速 去萬里不去者斬付西方白童子唵縛唎唵 縳唎喗奴利哆鳩羅羯吒娑訶    九鳯破穢圖    淨身符    呪曰 穢炁巳消盡三關混混清金樓照玉室髙結 玄元君二十四眞具形神昇杳冥急急如眞 科律令    淨心符    呪曰 赤宫主神炁梵炁逐光飛煉就眞人舍塵勞 無所思靜朝玄上闕甘露凝瓊酥急急如眞 科律令    淨口符    呪曰 華景天輝照瓊房玉液通重樓連十二玉乳 迸泉宫濯蕩尸塵穢法鼓和金鐘急急如眞 科律令    淨鬼符    呪曰 隂散陽復來玄關玉户開彭尸化灰燼午夜 擊天雷火光迸天門眞人靈駕回急急如眞 科律令    合神符    呪曰 眞陽守神舍炁返成天眞尸邪自亡墜藏身 入圓明靈炁混一元三神朝上京上有光明 宫徃來道自成急急如眞科律令    三炁三寶牌  師曰凡入户燒香常時早晚先在户外叩  齒十二通先進右足存功曹使者四人緋  衣大䄂又存玉女四人龍虎
Interpretation

This documents a set of Daoist purification rituals and talismanic spells (fulu) for exorcising malevolent influences. The system comprises six primary talismans: the Nine Phoenixes Purification Talisman, Body Purification Talisman, Mind Purification Talisman, Mouth Purification Talisman, Ghost Purification Talisman, and Spirit Union Talisman. Each talisman has its corresponding incantation, followed by operational instructions.

The Nine Phoenixes Purification Talisman requires harmonizing with the power of the Big Dipper. The practitioner must visualize nine divine phoenixes circling overhead while the seven stars of the Dipper shine before them, then recite the spell while spraying consecrated water. The incantation essentially invokes: "With reverence, we summon the essential Qi (Jingqi) of the Big Dipper to infuse this water, commanding all defiling spirits and ghosts to disperse immediately. Those who disobey shall be executed by the White-Robed Youth of the West." This is followed by a series of potent esoteric syllables.

Each talisman serves distinct purposes: The Body Purification Talisman cleanses physical impurities, purifying the Three Passes (upper, middle, and lower Dantian). The Mind Purification Talisman clarifies the Shen (spirit), aiding practitioners in attaining thoughtless tranquility. The Mouth Purification Talisman symbolically rinses the mouth with jade nectar, representing purification of speech. The Ghost Purification Talisman dispels Yin (dark) forces while summoning the return of Yang (bright) energy. The Spirit Union Talisman assists in consolidating the Three Treasures (Jing-Essence, Qi, and Shen) to return to the primordial Yang state. Every incantation concludes with the phrase "Ji Ji Ru Zhen Ke Lü Ling" (immediately effective according to the true ritual statutes), signifying instant activation.

The final section outlines ritual protocols: Before entering the sacred space, practitioners must knock their teeth twelve times outside the gate, entering right foot first. One must visualize four red-robed Divine Messengers (Gongcao), four Jade Maidens, and the Dragon-Tiger Guardian Deities providing protection. The practitioner should also imagine the heavens filled with tri-colored clouds and five-hued auspicious vapors, recreating the solemn atmosphere of an audience with the Celestial Venerable (Tianzun). These meticulous preparations establish the sacred environment essential for spiritual practice.

君二人又存  滿天青黄白三色雲炁次存五色騰烟一  如朝謁之儀也 无上玄元三天玉堂大法卷之三十

Source text: Kanripo 漢籍リポジトリ(KR5a0221); Licence: CC BY-SA 4.0 · Report an error / feedback

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