《無上玄元三天玉堂大法》Vol. 30
About this page. The original text of 《無上玄元三天玉堂大法》 Vol. 30 (Dongzhen 洞真部, 30 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 8 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English
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Source textInterpretation
This scripture describes the talismanic invocations (Fulu) and rituals used in arranging the altar according to the "Jade Hall Great Method" (Yutang Dafa) of Daoist practice. The four cardinal directions—east, south, west, and north—each correspond to one of the Seven Mansions (groupings of the twenty-eight lunar lodges), with specific incantations and talismanic texts (Fuzhang) assigned to each orientation.
The incantation for the Eastern Seven Mansions conveys that the Qi of stars like Jiao and Ji penetrates the azure heavens, embodying the benevolent power to nurture all life and assist practitioners in ascending to celestial realms. The Southern Seven Mansions' chant speaks of the fiery energy of the south nourishing Yang Qi, stimulating the practitioner's Yang Spirit (Yang Shen). The Western Seven Mansions' invocation describes the cool, austere nature of western stars, capable of commanding various spiritual entities. The Northern Seven Mansions' chant refers to the profound power of Water Virtue (Shui De), connecting with the mysteries of the underworld.
Next are the incantations for the Sun and Moon Palaces: the solar chant depicts the sun's blazing flame-like heat, refining Yin Qi, while the lunar chant describes the moon's pure radiance cleansing worldly impurities and nourishing the spirit (Shen). Following these are invocations for the Northern and Southern Dippers (Beidou and Nandou), emphasizing the wondrous power of stellar movements to aid in achieving immortality.
Finally, the chants for the Eastern Peak (Mount Tai) and Southern Peak (Mount Heng) of the Five Sacred Mountains are presented: the Eastern Peak's Green Emperor (Qingdi, deity of the east) chant speaks of the vital energy of the east protecting the altar, while the Southern Peak's Red Emperor (Chidi, deity of the south) chant invokes the True Fire of the south to dispel Yin impurities.
These incantations must be used in conjunction with lamps placed at specific positions on the altar—for example, the Eastern Seven Mansions' lamp is placed on the east side, while the Sun and Moon lamps are positioned on the upper level, east and west respectively. The entire ritual mobilizes the energies of heaven and earth, the four directions, and the sun, moon, and stars to support spiritual cultivation.
This scripture records the Daoist incantations of the "Five Sacred Peaks and Four Great Rivers" (Wuyue Sidu), secret oral formulas from the Supreme Mysterious Primordial Three Heavens Jade Hall Great Method used to summon various deities. Each incantation corresponds to a mountain or river deity, employing specific rhythms and imagery to commune between heaven and earth.
The incantation for the Western Peak's White Emperor (deity of the west) describes: Pure white Qi enshrouds the towering peaks as the White Emperor's mysterious songs resonate amidst golden radiance, where natural energies harmonize. The Northern Peak's Black Emperor (deity of the north) incantation portrays: The dark mountains channel celestial-earthly Qi, with black waters steaming as aquatic deities ascend to pay homage to the Celestial Emperor.
The Central Peak's Yellow Emperor (deity of the center) incantation states: This sacred central peak connects with the human body's Yellow Court (Dantian), operating creation and governing myriad spirits, with deities descending to protect practitioners. All Five Peaks incantations emphasize mountains as conduits between heaven and earth.
Among the Four Seas incantations: The Eastern Sea mentions the Fusang Divine Tree (mythical solar tree) and coiling dragons; the Southern Sea depicts crimson flame dragons leading aquatic beings in celestial pilgrimage; the Western Sea describes shadowy water creatures steaming mist over vast waters; while the Northern Sea highlights the Black Emperor ruling water palaces, with divine generals holding jade tablets (ritual objects) bowing toward celestial courts.
The Four Great Rivers incantations each bear distinct characteristics: The Yangtze River chant tells of water deities in feathered robes and jade pendants paying homage; the Yellow River chant depicts nine-bend waterways linking to Kunlun Mountain, with water spirits gathering at Dragon Gate (legendary carp-leaping site); the Huai River chant mentions the Tongbo Zhenren (Perfected Person) governing immortal springs; while the Ji River (ancient fourth great river) records the Water Palace Primordial Lordess (female water deity) robed in feathers and jade.
The scripture concludes by specifying these incantations require altar rituals, arranging symbolic lamps representing the Five Peaks and Four Rivers around the ceremonial platform according to their cardinal directions. These chants embody the Daoist belief that sacred mountains and rivers host resident deities, and that specific rituals can facilitate communion with cosmic energies.
This scripture describes the specific methods for arranging the Five Directions Altar (Wufang Tanchang) in Daoist purification rituals (Zhaijiao). The master explains that when the majestic ceremony of the Mystic Altar (Xuantan) is properly arranged, practitioners naturally develop reverence within their hearts, while the external environment takes on a sacred solemnity. In this way, evil thoughts cannot arise, and true mindfulness (zhennian) remains ever-present. For beginners in Daoist practice, such altar arrangements facilitate communication with exalted deities (Gaozhen) and resonance with the unseen realms—far from being merely minor assistance.
The text then details the arrangement of the Five Directions Altar (requiring the hanging of crimson banners), with each direction having its corresponding Jade Talisman for Subduing Heaven (Zhen Tian Yu Fu) and incantation:
The Eastern Altar uses the Azure Spirit Jade Talisman (Qing Ling Yu Fu). Its incantation describes azure Qi congealing into embryonic form, with the breath of the Nine Heavens swirling. During practice, one forms the Mao Hand Seal (specific mudra), visualizes azure energy from the East spiraling into the altar, taps the teeth nine times, swallows saliva nine times, and imagines nine azure-robed figures emerging from the left ear.
The Southern Altar employs the Cinnabar Spirit Jade Talisman (Dan Ling Yu Fu), with an incantation depicting scenes of crimson flames rising. Holding the Wu Hand Seal, one visualizes scarlet energy from the South, taps the teeth three times, swallows saliva three times, and envisions three red-robed figures emerging from the left nostril.
The Western Altar utilizes the Bright Spirit Jade Talisman (Hao Ling Yu Fu), its incantation describing metallic resonances and dazzling white light. With the You Hand Seal, one visualizes white energy from the West, taps the teeth seven times, swallows saliva seven times, and imagines seven white-robed figures emerging from the right ear.
The Northern Altar applies the Profound Spirit Jade Talisman (Yu Ling Yu Fu), its incantation portraying turbulent black waves. Using the Zi Hand Seal, one visualizes dark energy from the North, taps the teeth five times, swallows saliva five times, and envisions five black-robed figures emerging from the right nostril.
The Central Altar employs the Yellow Spirit Jade Talisman (Huang Ling Yu Fu, with the incantation partially shown). These rituals—through specific hand seals, visualizations, teeth-tapping, saliva-swallowing, and other steps—collaborate with the power of the Five Directions' deities to construct sacred space.
This passage records the essential Daoist practice of "Tooth-Tapping Method" (Kouchi fa) and related talismanic applications. During cultivation, practitioners first visualize yellow cloud-like Qi encircling the spiritual root (referring to the Dantian), while the Five Directional Celestial Emperors (guardian deities) pay homage to the Upper Dantian (a key energy center in the head), causing the body's true Qi to gather in the Cinnabar-Grotto (another term for Dantian).
When seated in meditation, the practitioner must mentally guard all eight directions while internally visualizing the characters of the Yellow Court Scripture (Huangting jing), a foundational Daoist classic. Holding the "Central Seal" hand mudra with the right hand, one guides the Central Yellow Qi (the primordial energy of the body's core) to circulate around the ritual altar. During twelve tooth-taps, visualize twelve yellow-robed deities emerging from the spleen and manifesting above the crown.
The master explains: These jade-seal and feather-script talismans (Fulu) that stabilize the five celestial directions can protect nations above and aid personal cultivation below—refining one's nature and vitality (Xingming), exorcising demons, and liberating souls. Transmitted secretly by the Five Directional Emperors, these incantations hold extraordinary power.
Regarding tooth-tapping techniques: Three taps correspond to the Three Pure Realms (Sanqing jing, the highest Daoist heavens), causing body hairs to stand erect while radiant light bursts forth in all directions—a profound method for divine communion. Tooth-tapping gathers the body's Yang Spirit (Yang Shen, essence of vital energy), with varying techniques for different occasions. When praying to deities, tap the four left and four right incisors (eight teeth total) in three sets of twenty-four sounds—the left teeth called "Golden Bell" and the right "Jade Chime." Understanding these subtleties preserves health and leads to becoming a "Perfected Being" (Zhenren). Through tooth-tapping, one summons Yang Spirit to ascend to the Jade Capital (highest celestial realm), subdues myriad demons, and attains longevity.
The subsequent "Curtain-Rolling Celestial Audience Talisman" practice begins with forming the Jade Pure hand mudra to draw Celestial Gate Qi while visualizing the primordial chaos of the Great Void. The incantation states: The Dao's mystery is formless, Heaven's way soundless—scattered yet never lost, gathered yet unformed. Within the profound darkness emerges true essence, coalescing as auspicious signs. It petitions the Celestial Gate to open for audience with the Heavenly尊.
Finally, the "Jade Capital's Empty Mystery Talisman" employs the Jade Pure hand mudra to visualize a millet-sized point of radiant light within the void—transparent inside and out—where the Celestial Worthy of Primordial Beginning (Yuanshi Tianzun, supreme Daoist deity) resides. The chant praises the spontaneous naturalness of Primal Qi, where form exists within emptiness, suspended in the void's mystery.
This scripture primarily discusses several esoteric methods in Daoist cultivation and rituals, including the Mystic Talisman of Paying Homage to the Primordials, the Secret Method of Summoning Harmony with Bells and Chimes, and incantations for invoking yin and yang spirits.
The section on the Mystic Talisman of Paying Homage to the Primordials describes visualizing a golden jewel during meditation. The practitioner must calmly visualize a luminous pearl appearing before them, transforming the entire world into golden radiance, while reciting the mantra: "The precious canopy has opened, the jade countenance's light swirls, entering the jewel to hear the Dao's teachings. With purified heart-mind (Shen), both blessings and wisdom arrive, protecting my ascension to the immortal realms, mounting the jade platform." This represents a visualization technique in Daoist Neidan (internal alchemy) practice.
The Secret Method of Summoning Harmony with Bells and Chimes details the striking techniques for the golden bell and jade chime. The golden bell belongs to yang while the jade chime belongs to yin—their sounding on the ritual altar harmonizes yin and yang Qi. Specifically: striking the golden bell 25 times symbolizes heaven's number 25, while striking the jade chime 30 times represents earth's number 30; then alternating between yin and yang for 36 strikes each, totaling 72 strikes corresponding to the seventy-two pentads (an ancient calendrical concept). When yin energy reaches its peak and needs to return to yang, strike the jade chime 9 times (9 being a yang number); when yang energy peaks and needs to return to yin, strike the golden bell 6 times (6 being a yin number).
The incantation for summoning yin spirits essentially means: The primordial Qi of Yuanshi silently circulates, harmonizing musical tones and purifying turbid energies. Mysterious Qi spirals in the void, emitting celestial sounds. Gathering vital essence (Jing) to produce true tones, yin sounds interplay, summoning ten thousand spirits.
The yang spirit invocation emphasizes: Movement arises from stillness, transforming yin into yang. Marvelous sounds resonate through empty valleys, with sound and breath mutually resonating, merging upon the ritual altar. The yang tones correspond with heaven, yang spirits unite, and true Qi fills the space. During practice, this should be coordinated with tooth-tapping: when striking the golden bell, tap the left teeth; when striking the jade chime, tap the right teeth, while visualizing the left and right Qi within the body merging upon the ritual altar.
The "Three Days and Nine Audiences" practice recorded in The Supreme Mysterious Primordial Jade Hall Great Method centers on emulating the ceremonial protocols of celestial immortals paying homage. The exalted immortals and great sages pay respects to Mount Yuqing (the highest Daoist paradise) three times daily, and practitioners follow this rhythm: offering morning, noon, and evening audiences each day, totaling nine over three days, symbolizing the cosmic principle of "Three begets the myriad things."
The specific cultivation method involves: at dawn, visualizing the Yang Spirit from the Upper Dantian (between the eyebrows) riding azure primordial Qi from the Niwan Palace (crown of the head) to pay homage to the Celestial Worthy of Primordial Beginning; at noon, visualizing the Yang Spirit from the Middle Dantian (heart region) riding golden Qi from the Crimson Palace (heart center) to venerate the Dao Lord of Numinous Treasure; at dusk, visualizing the Yang Spirit from the Lower Dantian (below the navel) riding white Qi to worship the Celestial Worthy of Dao and De. Through harmonizing internal and external Qi and achieving resonance with divine spirits, rapid spiritual response can be attained.
During daily audiences, specific Guardian Spirit Incantations (protective mantras) are recited:
- The dawn chant describes crimson radiance illuminating the Golden Chamber (heart palace), the Celestial Gate opening wide, true immortals descending, demonic obstructions retreating, and the Nine Qi (essences of heaven and earth) filling the practitioner before ascending to the Jade Hall paradise.
- The noon chant recounts the Purple Tenuity Emperor Lord descending golden light to dispel demonic barriers, the Three Heavens (Qingwei, Yuyu, and Dachi) shining universally, bringing peace to body and mind for solar deity veneration.
- The dusk chant depicts Nine Heavens' pure Qi permeating, fragrant clouds swirling, jade light illuminating the netherworld, assisting practitioners to ascend with immortals.
The second day's dawn chant emphasizes pure light shattering darkness, true immortals soaring, the Golden Wheel (solar disc) revolving, and the practitioner's feathered robe glowing. The noon chant describes vermilion-robed deities paying homage at the Jade Capital while Yin energies of the Six Heavens (realms of desire) dissipate. These incantations contain profound meaning for summoning celestial righteousness and purifying the cultivation environment.
This scripture records several important incantations and deity summoning rituals from the Supreme Mysterious Three Heavens Jade Hall Great Method of the Shangqing (Highest Clarity) tradition. The main content is divided into two parts: the Path-Walking Protective Spirits Incantations and the Furnace Activation for Deity Dispatch (summoning divine beings).
The Path-Walking Protective Spirits Incantations section contains four time-specific chants:
The dawn chant describes sacred light purifying the underworld, with celestial warriors (Tianding) fiercely subduing demons to protect practitioners' longevity. The noon chant mentions the blazing sun (Middle Radiance Crimson Wheel) shining brightly as heavenly deities guard ghostly paths, preventing demonic disturbances and achieving Yin-Yang harmony through cultivation. The morning chant depicts immortal beings descending amidst eastern auroras (Eastern Florescence Illumination), helping adepts comprehend profound mysteries. The sunset chant describes the harmonious interaction of heaven and earth's Yin-Yang, with Jade Perfected (high-ranking immortals) bestowing Yellow Qi (primordial energy) to assist in attaining the Dao.
The Furnace Activation for Deity Dispatch section details rituals for summoning internal deities at different times: at dawn, thirty-six deities including Merit Officers (Gongcao) and Golden Boys and Jade Maidens; at noon, eighty-one deities such as Cave-Illuminating Merit Officers and Flying Dragon Riders; at dusk, sixty-four deities including the Three Officials and Jade Radiance Youths; during altar construction, twenty-four deities including Merit Officers and Nine Yang Immortal Officials. These are all protective spirits believed by Daoism to reside within the human body, summonable through specific rituals to safeguard cultivation practice.
These incantations and rituals exemplify Daoist cultivation methods that communicate with internal and external deities through precise timing and specific mantras, aiming to purify body and mind, dispel demonic obstacles, and prolong life through divine power. Terms like "Three-Five Merit Officers" and "Jade Youths and Maidens" refer to standard Daoist protector deities, while "Yellow Qi" and "Three Radiances" represent Neidan (internal alchemy) terminology.
This documents a set of Daoist purification rituals and talismanic spells (fulu) for exorcising malevolent influences. The system comprises six primary talismans: the Nine Phoenixes Purification Talisman, Body Purification Talisman, Mind Purification Talisman, Mouth Purification Talisman, Ghost Purification Talisman, and Spirit Union Talisman. Each talisman has its corresponding incantation, followed by operational instructions.
The Nine Phoenixes Purification Talisman requires harmonizing with the power of the Big Dipper. The practitioner must visualize nine divine phoenixes circling overhead while the seven stars of the Dipper shine before them, then recite the spell while spraying consecrated water. The incantation essentially invokes: "With reverence, we summon the essential Qi (Jingqi) of the Big Dipper to infuse this water, commanding all defiling spirits and ghosts to disperse immediately. Those who disobey shall be executed by the White-Robed Youth of the West." This is followed by a series of potent esoteric syllables.
Each talisman serves distinct purposes: The Body Purification Talisman cleanses physical impurities, purifying the Three Passes (upper, middle, and lower Dantian). The Mind Purification Talisman clarifies the Shen (spirit), aiding practitioners in attaining thoughtless tranquility. The Mouth Purification Talisman symbolically rinses the mouth with jade nectar, representing purification of speech. The Ghost Purification Talisman dispels Yin (dark) forces while summoning the return of Yang (bright) energy. The Spirit Union Talisman assists in consolidating the Three Treasures (Jing-Essence, Qi, and Shen) to return to the primordial Yang state. Every incantation concludes with the phrase "Ji Ji Ru Zhen Ke Lü Ling" (immediately effective according to the true ritual statutes), signifying instant activation.
The final section outlines ritual protocols: Before entering the sacred space, practitioners must knock their teeth twelve times outside the gate, entering right foot first. One must visualize four red-robed Divine Messengers (Gongcao), four Jade Maidens, and the Dragon-Tiger Guardian Deities providing protection. The practitioner should also imagine the heavens filled with tri-colored clouds and five-hued auspicious vapors, recreating the solemn atmosphere of an audience with the Celestial Venerable (Tianzun). These meticulous preparations establish the sacred environment essential for spiritual practice.
Source text: Kanripo 漢籍リポジトリ(KR5a0221); Licence: CC BY-SA 4.0 · Report an error / feedback