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《道德真經衍義手鈔》Vol. 6

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Dongshen 洞神部 Vol. 6 / 20 4,389 characters

About this page. The original text of 《道德真經衍義手鈔》 Vol. 6 (Dongshen 洞神部, 20 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 9 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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道德眞經衍義手鈔卷之六量四     五峯清安逸士王守正集    曲則全章第二十二 曲則全枉則直窪則盈弊則新小則得多則 惑  衍義云藺相如屈於廉頗是也  鈔廉頗蘭相如同仕於趙頗位在相如之  下因怒曰吾有功於國而居相如之下吾  所恥也途見相如吾必辱之相如知其言  常引車以避之其從者怪而問之曰相國  不畏强秦而懼廉頗何也相如曰秦所以  不敢輕趙者畏吾與頗將軍而已吾若與  頗將軍相遇兩虎既鬬勢不俱全趙國之  危秦國之利也吾所以避者存國耳豈私  於身乎頗聞之負荆肉袒而謝焉此乃彼  必懼而自修整以己之直能正於曲之效  也  衍義云人有賢才而能支離其德  鈔莊子人間世云支離疏者頤隱於臍肩  高于項會撮(頭髮/也)指天五管(五/臟)在上兩髀  爲脅挫鍼治繲足以糊口鼓筴(初韋切/櫟蓍也)播  精足以食十人上徵武士則支離攘臂於  其間上有大役則支離以有常疾不受工  上與病者粟則受三鍾(六石四/斗曰鍾)與十束薪  夫支離其形者猶足以養其身終其天年  支離其德者不彰其用不顯其名人能體  此修身豈不能保其常名哉  衍義云易曰易簡而天下之理得矣  鈔繫辭上云易簡而天下之理得矣(註天/下之)
Interpretation

Chapter 22 of the Dao De Jing teaches that "yielding leads to preservation," as illustrated by the story of Lin Xiangru and Lian Po. Both were high-ranking ministers of the Zhao state, but Lian Po resented Lin's superior position and threatened to humiliate him publicly. Upon hearing this, Lin consistently avoided confrontation. His subordinates questioned him: "You fear neither the mighty Qin state nor its threats—why then avoid Lian Po?" Lin explained: "Qin dares not underestimate Zhao precisely because it fears our unity. If I clash with General Lian, it would be like two tigers fighting—one must be wounded, leaving Qin to benefit. My yielding serves our nation's safety, not personal cowardice." Deeply moved by this, Lian Po later came bearing brambles to apologize. This exemplifies the wisdom of overcoming hardness with softness and achieving wholeness through apparent compromise.

The Zhuangzi's "Human World" chapter presents the story of Zhili Shu, a hunchbacked and deformed man whose chin touched his navel and shoulders rose above his head. Yet he earned a living by mending clothes and practicing divination, supporting a household of ten. When conscription came, his deformity exempted him from military service; when corvée labor was imposed, he was spared and even received relief grain. This demonstrates how seemingly flawed appearances can paradoxically preserve life. Similarly, in human affairs, restraining one's sharp edges and avoiding ostentatious displays of talent often ensures lasting safety. As the Book of Changes states, the simplest and most ordinary principles often hold the profoundest truths of the universe.

(Note: "Zhili Shu" is a fictional allegorical figure created by Zhuangzi, using extreme physical deformity to illustrate the philosophical concept of "the usefulness of the useless." The "bramble-bearing apology" later became a classic exemplar of acknowledging and rectifying mistakes.)

 (理莫不由於易簡而天下/萬事之理並得其宜矣)  衍義云莊子曰文滅質博溺心  鈔莊子繕性篇云知不足以定天下然後  附之以文益之以博文滅質博溺心(䟽云/博學)  (而濟世不知質是文之本文華則隱滅於/素質博是心之末搏學則没溺於心靈唯)  (當絶學而去文方/會無爲之美也)  衍義云列子曰學者以多方喪生  鈔列子說符篇云心都子曰大道以多歧  亡羊學者以多方喪生(盧註羊以喻神守/神不失爲道也一)  (失其羊而奔波歧路不可得矣但守其神/爲無喪無得而爲無待也多方於仁義亦)  (若是/矣)  衍義云庚桑子曰萬人操弓共射一鵰鵰  無不中  鈔列子清神第一云夫一哀一樂猶搴正  性況萬物之衆而能拔擢以生心神哉故  萬人彎弧以向一鵠鵠能無中乎此言鵠  是奸黠之鳥故人皆之於射此喻人心萬  端情亂心蕩如彼鵠中靜也萬物昡曜以  惑一生生能無傷乎  衍義云惟水爲幾於道一西一東而物莫  不能傷  鈔孟子告子章句上告子曰性猶湍水也  决諸東方則東流决諸西方則西流此言  水性順下利物不爭而物亦莫之傷也 是以聖人抱一爲天下式不自見故明不自 是故彰不自伐故有功不自矜故長  衍義云虞舜明四目  鈔尚書舜典之文月正元日舜格于文祖
Interpretation

The principles governing all things in the world originate from simplicity and ease. By following this fundamental rule, all affairs under heaven naturally find their proper place. Zhuangzi discusses in his chapter "Mending Nature" how excessive ornamentation obscures essence, and how broad learning can disturb the original mind. Just as lavish decorations conceal plain simplicity, and excessive knowledge drowns the pure heart, only by abandoning these external adornments can one return to the natural state of Wuwei (non-action).

Liezi illustrates this through a metaphor in "Explaining Conjunctions": Just as sheep become irretrievably lost when wandering through multiple crossroads, so too will scholars lose their essential nature when pursuing too many directions. Here, sheep represent human spirit—maintaining one's original purity is crucial. Overemphasis on external norms like benevolence and righteousness makes people lose their authentic selves.

Gengsangzi uses archery as an analogy: If ten thousand people simultaneously shoot at one cunning bird, the creature cannot escape death. Similarly, when the human mind is disturbed by countless desires—like that bird targeted by myriad arrows—how can it remain unharmed? The complexity of all things pulls the human Shen (spirit) in countless directions, inevitably causing damage.

Water, being closest to the Dao, flows east or west without suffering harm from external things. Mencius observes in "Gaozi" that human nature resembles rushing water—directed eastward it flows east, guided westward it flows west. Water follows nature's course, nourishing all things without contention, thus remaining invulnerable to external harm.

Therefore, sages uphold the pure and singular Dao as the standard for all under heaven: Not displaying oneself, yet becoming manifest; not considering oneself right, yet attaining clarity; not boasting, yet achieving merit; not exalting oneself, yet enduring long. This mirrors Emperor Shun's practice recorded in the "Canon of Shun" from the Book of Documents, where he illuminated all directions and performed rituals at the Ancestral Temple on the first day of the new year.

 詢于四岳闢四門明四目達四聰(註詢謀/也闢開)  (也舜既告廟即位乃謀治於四岳之官開/四方之門以來天下之賢俊廣四方之視)  (聽以决天/下之擁蔽)  衍義云淮南子載趙簡子死未葬中牟不  助祭襄子起兵攻之     鈔出淮南子載之已詳不復録之 希言自然章第二十三  希言自然飄風不終朝驟雨不終日  衍義云希者疏也少也易曰吉人之辭寡  躁人之辭多  鈔易繫辭之文也云將叛者其辭慚中心  疑者其辭枝吉人之辭寡躁人之辭多誣  善之人其辭游失其守者其辭屈此六種  之辭唯吉人之辭寡所以證解希言自然  也 孰爲此者天地天地尚不能乆而況於人乎  衍義云人處天地之間不似毫末之在馬  體乎  鈔莊子秋水篇云人處天地之間不似毫  末之在馬體乎此其比萬物也不似毫末  之在馬體小大之辯各有階級不可相跂  曾何足以介懷也 同於道者道亦得之同於德者德亦得之同 於失者失亦失之信不足有不信  衍義云人以類相從故虎嘯風生  鈔易乾九五之辭云雲從龍風從虎龍是  水畜雲是水氣故龍吟景雲生是雲從龍  也虎是威猛之獸風是震動之氣故虎嘯  則谷風生是風從虎也有情感於無情此  明氣同則應也  衍義云鶴鳴子和  鈔易上繫辭鶴鳴在陰其子和之我有好
Interpretation

This passage recounts several allegories and philosophical principles from Daoist classics, which I will explain one by one:

The first part describes the governance philosophy of the ancient sage-king Shun after ascending the throne. After offering sacrifices at the ancestral temple, Shun consulted the feudal lords of the four directions (Siyue) on statecraft, opened the city gates widely to attract talented individuals, and expanded his channels of observation to understand the people's hardships. This exemplifies an open and inclusive approach to governance.

Next, it cites a historical account from the Huainanzi: When Lord Jian of Zhao passed away and had not yet been buried, the Zhongmu region refused to participate in the mourning rites. In response, his son Lord Xiang launched a military campaign against Zhongmu. This story illustrates the importance of ritual propriety.

Regarding the chapter on "Rare words accord with nature," the explanation states that "rare" means speaking sparingly. The Book of Changes says that auspicious people speak little, while impatient people talk excessively. It lists six types of people's speech characteristics, among which the speech of auspicious individuals is concise, perfectly embodying the principle that "speaking little accords with nature."

The text rhetorically asks: Who creates violent storms? Heaven and earth. Yet even heaven and earth cannot sustain violent storms for long—how much less can humans? Quoting the Zhuangzi·Autumn Floods chapter, it states that humans in the cosmos are like a single hair on a horse's body—utterly insignificant. All things have their proper hierarchical order, so there's no need for excessive concern.

Finally, it explains the principle of "like energies seek each other": Those who align with the Dao (the Way) will attain it; those who align with De (Virtue/Power) will attain it; those who align with losing the Dao will lose it. Insufficient sincerity results in lack of trust. Citing the Book of Changes, it describes natural phenomena of sympathetic resonance: A dragon's roar generates clouds, a tiger's roar generates wind, and young cranes respond when their parents call. All these occur because energies in harmony naturally respond to each other.

 爵吾與爾靡之正義云鳴鶴在幽陰之處  雖鳴在幽陰其子在遠而和之以其同類  相感召故也我有好爵者言我有美好之  爵在身不自獨有吾與汝外物其靡散之  謂能散於外物物亦感我之恩亦來歸從  於我  衍義云性殊則肝膽楚越(性分/異也)道合則夷  夏同人(以類相從/物無違者)猶方諸挹月而水流  鈔東海方諸之間有巨蚌長尺有二寸因  名方諸取其殻以柔白拭之良乆以月照  之以器承之則得水焉  衍義云陽燧照日而火就  鈔陽燧者範金爲器其形如杯或類鏡焉  以玄繒潔之以日照之以艾承之則得火  焉二者因日月之光以氣類相感而生水  火焉    跂者不立章第二十四 跂者不立跨者不行  衍義云跂者舉踵而望跨者以跨挾物也  鈔唐杜天師義曰以足脂躡地謂之跂暫  有延望而希乆立斯爲難矣延頸舉踵陳  后長門賦望幸之詞也跨挾於物而求乆  行亦不可得也喻人不能推心信眞懷疑  於道暫具一念便望有成難矣哉  衍義云豈不聞壽陵餘子之學行於邯鄲  未得國能又失其故行直匍匐而歸耳  鈔莊子秋水西華法師疏壽陵燕之邑邯  鄲趙之郡弱齡未壯謂之餘子趙郡之地  其俗能行故燕國少年遠來學步既乖本  性未得趙國之能捨己效人更失壽陵之
Interpretation

The Daode Zhenjing Yanyi Shouchao passage conveys two main teachings: first, the natural principle of sympathetic resonance among like phenomena, and second, the necessity for grounded practice in Daoist cultivation without overreaching ambition.

The first half illustrates the principle of universal resonance through vivid analogies. When a crane calls from shadowy marshes, its fledgling responds from afar—this demonstrates sympathetic resonance among kindred beings. Similarly, when practitioners nurture virtuous qualities (the "noble rank" metaphor representing inner cultivation), their accumulated De (Virtue/Power) naturally attracts corresponding energies. The text cites natural phenomena: moonlit dewdrops forming on giant clam shells (fangzhu) from the Eastern Sea, or sunlight igniting tinder through bronze yang-sui mirrors—both manifestations of Qi (vital energy) resonating with its complementary counterpart.

The latter section employs everyday observations—"standing on tiptoe brings no lasting height, striding too wide permits no distant journey"—to warn against impatient cultivation. Master Du's commentary explains: yearning on tiptoe recalls Empress Chen's futile vigil in the Changmen Fu, while constrained strides resemble carrying burdens that hinder progress. This metaphor cautions against half-hearted practice—mere temporary enthusiasm resembles the Yan country youth who traveled to Handan to learn Zhao-style walking: not only failing to master the new gait but forgetting his original stride, he ultimately crawled home. The teaching emphasizes gradual cultivation through authentic practice, warning against losing one's fundamental nature through blind imitation.

 故是以用手踞地匍匐而還也 自見者不明自是者不彰自伐者無功自矜 者不長  衍義云陽子居南之沛至於粱而遇老子  老子中道仰天而嘆曰始於汝爲可教今  不可也以其驕氣愈於往昔也陽子居請  問其過老子曰而睢睢而盱盱而誰與居  鈔列子黃帝篇云陽朱字子居云睢睢盱  盱何自居處而誇張若此睢則逆而不順  盱則干而不直蓋内視己敗而外若有營  之意  衍義云若坎井之蛙謂東海之鼈曰吾樂  歟吾出跳乎井幹之上入休乎缺甃之崖  赴水則接腋持頤蹶泥則没足滅跗擅一  壑之水而跨跱坎井之樂此亦至矣子奚  不時來入觀乎東海之鼈左足未入而右  𣍿已縶(拘/束)矣於是逡巡告之海曰坎井之  蛙聞之䂓䂓(皆驚視/自失貌)然自失也豈非自是  者不彰乎  鈔莊子秋水篇(西華法師疏坎井猶淺井/也蛙蛤蟆也幹井欄也甃)  (井中累甎也跗脚趺也腋臂下也頤口下/也東海之鼈其形宏巨隨波游戲暫居乎)  (陸而蛤蟆小蟲處於小井形容既劣居處/不寬自得於井中見巨鼈而不懼云我出)  (則跳出井欄之上入則休身乎破甎之崖/游泳則接腋持頤蹶泥則滅跗沒足顧瞻)  (虷蟹之類俯視科斗之徒/逍遥快樂無如我者也)  衍義云自伐者若鄭人緩呻吟裘氏之地
Interpretation

This passage illustrates the dangers of arrogance through several classic anecdotes.

Yang Zhu (styled Ziju) once traveled south to Pei, where he encountered Laozi. The sage sighed and said, "I originally thought you could be taught, but now I see it's impossible." This was because Yang Zhu had grown even more prideful than before. Laozi criticized his haughty demeanor (suīsuī xūxū)—such an overbearing and domineering attitude would make others unwilling to associate with him. "Suī" signifies defiance and obstinacy, while "xū" represents forceful inflexibility. Though inwardly corrupted, he still put on an outward show of superiority.

This is like the frog at the bottom of a well boasting to the giant turtle of the Eastern Sea: "How happy I am! When I leave the well, I can hop onto the railing; when I return, I rest against the broken bricks. The water buoys my chin when I swim, and the mud barely covers my feet when I wade. I alone possess this well—my joy knows no bounds! Why don’t you come down and see?" But when the turtle tried to enter, its left foot hadn’t even touched the well’s edge before its right knee got stuck. As the turtle described the vastness of the ocean, the frog was left dumbstruck, finally realizing its own insignificance. Such is the fate of those who are self-satisfied.

A commentary on Zhuangzi’s "Autumn Floods" explains: "A shallow well is called a kanjing; the frog is a toad; gan refers to the well’s railing, and zhou to the bricks lining its walls. The giant turtle of the Eastern Sea is massive, able to ride the waves freely, occasionally coming ashore. Yet this tiny creature, dwelling in its shallow well, ignorant and narrow-minded, proudly boasts of its pitiful happiness to the turtle."

Another example is the man of Zheng named Huan, who spent his days in the land of Qiu bragging and showing off (zifa). This, too, serves as a warning—those who boast often lack true substance.

 祗三年而緩爲儒河潤九里澤及三族(父母/妻)  鈔莊子列禦寇篇之文其文已全不復重  録(䟽呻吟詠讀也裘氏地名也祗適也鄭/人名緩於裘地學問適經三年而成儒)  (道儒墨相與辯其父助翟十年而/緩自殺此豈非自伐者無功乎)  衍義云自矜者若晋史齊王冏起兵討趙  王倫其文詳不復録侈於性則盈  鈔莊子駢拇篇云駢拇枝指出乎性哉而  侈於形附贅懸疣出乎形哉而侈於性    有物混成章第二十五 有物混成先天地生  衍義云莊子曰道在太極之先而不爲高  在六極之下而不爲深先天地生而不爲  乆長於上古而不爲老  鈔莊子大宗師篇云在太極之先而不爲  高在六極之下而不爲深先天地生而不  爲乆長於上古而不爲老(䟽太極五氣也/六極六合也且)  (道在五氣之上不爲高遠在六合之下而/不爲深邃先天地生不爲長乆長於上古)  (不爲耆艾言道非高非深非乆非/老故道無不在而所在皆無者也)  衍義云易所謂太極者是也  鈔易繫辭云是故易有太極是生兩儀兩  儀生四象四象生八卦(註云夫有必始於/無故太極生兩儀)  (太極者無稱之稱又可得而名取其有之/所極況之太極者也四象者金木水火是也) 寂兮寥兮獨立而不改周行而不殆可以爲 天下母
Interpretation

There was a man named Zheng Huan who studied in Qiu for three years and became a Confucian scholar. His learning, like a river nourishing nine miles, benefited his three clans (parents, wife, and children). However, when Daoists later debated with Confucians and Mohists, his father sided with the Mohists (the "Di" refers to Mo Di, or Mozi). Ten years later, Zheng Huan committed suicide. Is this not an example of self-praise leading to downfall?

In the Pianmu chapter of the Zhuangzi, it is said: "Webbed toes and extra fingers may seem natural but exceed the normal form; growths on the body may appear part of the physical form but violate innate nature." This is like how excessive self-satisfaction leads to the opposite outcome.

Daodejing Chapter 25 speaks of "something formless yet complete, existing before heaven and earth." Zhuangzi explains in the Great and Venerable Teacher (Dazongshi) chapter: "The Dao exists before Taiji (the undifferentiated primordial Qi before heaven and earth separated) yet does not seem lofty; it is beneath the six directions (heaven, earth, and the four cardinal directions) yet does not seem deep; it predates heaven and earth yet does not seem ancient." This shows that the Dao is neither lofty nor deep, neither ancient nor young—it is omnipresent yet formless and intangible.

The Yijing speaks of "Taiji" (Supreme Ultimate) in this same vein. The Xici commentary states: "In the Yi there is Taiji, which generates the two modes (Yin and Yang); the two modes generate the four images (Metal, Wood, Water, Fire); and the four images generate the eight trigrams (Bagua)." Here, it is pointed out that the origin of all things begins from "nothingness." Taiji is this ineffable ultimate existence, the root of all things.

The Dao is silent and empty, existing independently without change, circulating endlessly without cease—it may be regarded as the mother that gives birth to all under heaven.

 衍義云且形影因待猶言獨化  鈔莊子齊物論云罔兩問影曰曩子行今  子止曩子坐今子起何其無特操與影曰  吾有待而然者邪吾所待又有待而然者  邪吾待虵蚹蜩翼邪惡識所以然惡識  所以不然(郭註云若待蛇蚹蜩冀則無特/操之所由未爲難識也今以不)  (識者正由不待斯類而獨化故耳云故/衍義取以爲說者以證獨立而不改也)  衍義云歛則純精之物藏乎黍米  鈔黍米者度人經之辭(薛幽棲註曰黍米/者即五穀之首米)  (即生人之本言人得經如人命之資米衍/義取此蓋言道之爲物大則遍乎太虚小)  (則藏乎黍米明妙道無不包容不累/諸有何有危殆哉故曰周行而不殆)  衍義云周流六虚應用不窮  鈔周易下繫辭云易之爲書也不可遠爲  道也屢遷變動不居周流六虚上下無常  剛柔相易不可爲典要惟變所適蓋言大  道一元之氣周遍流動於六爻之位乃至  天地之内四方上下之中而應用不窮故  曰周行而不殆也 吾不知其名字之曰道强爲之名曰大大曰 逝逝曰遠遠曰反  衍義云字者表其德名者定其體  鈔唐杜天師廣聖義云夫名物者以其體  字物者以其德物生而名立事之常也未  有無名之物矣春秋桓公六年九月丁卯  子同生公問名於申繻對曰名有五有信
Interpretation

This passage explores the ontological nature and operational principles of the Dao (the Way) in Daoist philosophy, illustrated through classic allegories and textual references.

The discussion begins with the Zhuangzi's "Discussion on Making All Things Equal," where the dialogue between a shadow and its penumbra (wangliang) reveals the interdependent nature of all existence. The shadow explains it moves according to the form it follows, which in turn depends on other conditions—much like how snakes rely on their ventral scales to crawl or cicadas need wings to fly. However, Guo Xiang's commentary highlights the true profundity lies in things undergoing "independent transformation" (duhua) without relying on specific conditions, embodying the Dao's immutable and self-sufficient nature.

The metaphor of "millet" (the king of grains) then illustrates the Dao's subtlety. The Scripture on Salvation (Duren Jing) compares millet to human survival's foundation, just as the Dao—while vast enough to fill the cosmic void (taixu)—can also reside within a grain of millet, demonstrating its all-encompassing yet inexhaustible quality. Xue Youqi's annotation emphasizes how attaining the Dao parallels life's dependence on nourishment.

The Yijing (Book of Changes) further elucidates the Dao's dynamic operation. The phrase "circulating through the six voids" describes the Dao's eternal flow between heaven, earth, and the four directions, mirroring the hexagrams' transformations—balancing hardness and softness without fixed patterns. This ceaseless cyclical movement embodies the Dao's principle of "operating perpetually without exhaustion."

Finally, the naming of the Dao is addressed. Du Guangting (Celestial Master Du) explains in his Expanded Meanings of the Sage (Guang Sheng Yi) that naming (ming) defines an entity's essence, while characters (zi) describe its attributes. Citing the Spring and Autumn official Shen Xu's five naming principles (truth, righteousness, image, borrowing, and analogy), he notes all things have names. Though indescribable, the Dao is provisionally called "the Way" (Dao), "Great" (da) for its vastness, "Receding" (shi) for its perpetual motion, "Far-reaching" (yuan) for its boundlessness, and "Returning" (fan) for its cyclical nature.

Collectively, these examples demonstrate the Dao's dual character—simultaneously encompassing all phenomena while transcending form, eternally unchanging yet constantly in flux.

 有義有象有假有類以名生爲信若唐叔  虞魯公子友是也以德命爲義若文王昌  武王發是也以類命爲象若孔子有象尼  丘山是也取於物爲假如伯魚生有人饋  魚因名曰鯉是也取於父爲類若子同生  與父同日生是也  衍義云先天地生難以言其氏族  鈔氏族者春秋隱公八年冬公子無駭卒  公子羽父請謚於族公問族於衆仲仲對  曰天子建德因生以賜姓胙之以土而命  之氏諸侯以其王父字爲謚因以爲族官  有世功則有官族謂取舊官舊邑爲族也  邑亦如之公命以字爲展氏無駭即公子  展之孫也故爲展氏 故道大天大地大王亦大域中有四大而王 居其一焉  衍義云普天之下莫非王土率土之濱莫  非王臣  鈔孟子萬章章句上之辭咸丘蒙曰(孟子/弟子)  (也)舜之不臣堯既得聞命矣詩云(詩小雅/北山之)  篇普天之下莫非王土率土之濱莫非王  臣(普徧也/率循也)  衍義云自地而上皆屬于天  鈔地上屬天者列子天瑞篇云杞國有人  憂天地崩墜身亡所寄廢寢食者又有憂  彼之憂者因往曉之曰天積炁耳亡(音/無)處  亡炁若屈伸呼吸終日在天中行止奈何  憂崩墜乎若論此傳文廣意深不能徧舉  且據天積炁而論之既云終日在天中行  止則知自地之上皆屬於天也故云不必
Interpretation

In ancient times, there were five methods for naming individuals: The first was based on significant events, such as Tang Shuyu or Prince You of Lu. The second drew from virtuous qualities, like King Wen of Zhou being named "Chang" and King Wu named "Fa." The third derived from physical characteristics, exemplified by Confucius being named "Qiu" because his head resembled Mount Niqiu. The fourth was tied to objects present at birth, as when Confucius' son Bo Yu was named "Li" (carp) after someone gifted carp upon his birth. The fifth reflected circumstances related to the father, such as sharing the same birthday.

(Note: The term "clan system" here refers to the hereditary lineage system of ancient nobility. During the Spring and Autumn period, when Prince Wuhai of Lu passed away, Minister Yufu sought posthumous name suggestions from Duke Yin. Zhongzhong explained: The Son of Heaven bestows surnames based on virtue and establishes clan names through land grants; feudal lords derive their posthumous names from their grandfather's courtesy names to form family branches; officials with hereditary merit adopt official titles or fief names as clan identifiers. Ultimately, Duke Yin decided on "Zhan" as the clan name since Wuhai was the grandson of Prince Zhan.)

Thus, the Dao is supreme, Heaven is supreme, Earth is supreme, and the sovereign is supreme. Among the cosmos' four greats, the sovereign occupies one. As Xianqiumeng quoted from the Book of Songs in Mencius: "Under the vast canopy of heaven, no land is not the sovereign's territory; within the four seas, no person is not the sovereign's subject." (Note: "Pu" means universal, while "shuai" denotes adherence.)

The space extending upward from the earth all belongs to Heaven's domain. The Liezi·Heavenly Gifts chapter records: A man from Qi constantly feared the collapse of heaven and earth, leaving him no place to stand, losing sleep and appetite. Someone enlightened him: "Heaven is but accumulated Qi (vital energy), omnipresent. You move and breathe within this Qi daily—why fear its collapse?" Though profound in meaning, this passage at least confirms that all space above ground constitutes Heaven.

 高遠蒼蒼之謂也又莊子逍遥篇云天之  蒼蒼其正色耶其遠而無所至極耶其視  下也亦若是而已矣 人法地地法天天法道道法自然  衍義云人謂王也人法地之安靜故無爲  而天下功  鈔莊子天道篇之文也云天不産而萬物  化地不長而萬物育帝王無爲而天下功  (䟽云王者同兩儀之含育順四序以苑/生任萬物之自爲故天下之功成矣) 道
Interpretation

This passage elucidates the concept from the Daode Jing (Classic of the Way and Virtue) that "Humans model Earth, Earth models Heaven, Heaven models Dao, and Dao models Nature (Ziran)." It begins by referencing a description of the sky from Zhuangzi·Free and Easy Wandering: The vast azure sky we perceive—is this its true color, or does distance render it indistinct? Viewed from above, the earth likely appears similarly blurred.

The explanation of "Humans model Earth" follows: Here, "humans" specifically refers to rulers. A monarch should emulate Earth's quiet stability, governing through Wuwei (non-action), thereby achieving great accomplishments. This perspective originates from Zhuangzi·The Way of Heaven, which states: Heaven produces nothing intentionally yet all things are naturally transformed; Earth nurtures nothing deliberately yet all things naturally grow; emperors impose no forced actions yet the world naturally finds peace.

The commentary (exegesis section) adds: A sage-king should embrace all things as Heaven and Earth do, following the natural rhythms of the seasons, allowing all beings to flourish freely. Precisely by refraining from forceful interference can one attain the merit of governing the world.

德眞經衍義手鈔卷之六

Source text: Kanripo 漢籍リポジトリ(KR5c0106); Licence: CC BY-SA 4.0 · Report an error / feedback

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