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《南華真經循本》Vol. 19

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Dongshen 洞神部 Vol. 19 / 30 3,234 characters

About this page. The original text of 《南華真經循本》 Vol. 19 (Dongshen 洞神部, 30 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 7 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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南華眞經循本卷之十九禍十一   廬陵竹峯羅勉道述   門人彭祥點校  外篇    山木 莊子行於山中見大木枝葉盛茂伐木者止 其旁而不取也問其故曰無所可用莊子曰 此木以不材得終其天年夫子出於山舍於 故人之家故人喜命竪子殺鴈而烹之竪子 請曰其一能鳴其一不能鳴請奚殺主人曰 殺不能鳴者明日弟子問於莊子曰昨日山 中之木以不材得終其天年今主人之鴈以 不材死先生將何處莊子笑曰周將處夫材 不材之間材與不材之閭似之而非也故未 免乎累若夫乗道德而浮遊則不然無譽無 訾一龍一蛇與時俱化而無肯專爲一上一 下以和爲量浮游乎萬物之祖物物而不物 於物則胡可得而累邪此神農黄帝之法則 也若夫萬物之情人倫之傳則不然合則離 成則毁廉則挫尊則議有爲則虧賢則謀不 肖則欺胡可得而必乎哉悲夫弟子志之其 唯道德之鄉乎  賢者盡心以謀事而小人反奸詐以肆欺 市南宜僚見魯侯魯侯有憂色市南子曰君 有憂色何也魯侯曰吾學先王之道脩先君 之業吾敬鬼尊賢親而行之無須臾離居然 不免於患吾是以憂市南子曰君之除患之 術淺矣夫豐狐文豹棲於山林伏於巖穴靜 也夜行晝居戒也雖饑渴隱約猶且胥䟽於 江湖之上而求食焉定也然且不免於罔羅
Interpretation

Zhuangzi was walking through the mountains when he came upon a great tree with luxuriant branches and leaves. A woodcutter had stopped beside it but did not cut it down. When asked why, the woodcutter replied, "This tree is useless." Zhuangzi said, "This tree survives to its natural lifespan precisely because of its worthlessness."

Later, Zhuangzi left the mountains and stayed at an old friend’s home. The friend was delighted and told his servant to slaughter a goose for the meal. The servant asked, "We have two geese—one that can honk and one that cannot. Which should I kill?" The master said, "Kill the one that cannot honk." The next day, Zhuangzi’s disciple asked him, "Yesterday, the mountain tree was spared because it was useless, yet today the master’s goose was killed for being useless. How would you position yourself, Master?"

Zhuangzi laughed and replied, "I would position myself between usefulness and uselessness. But this may seem wise, yet it still has its limitations. If one follows the natural Dao (the Way) and wanders freely through the world, one will not be troubled by such dilemmas. Neither pursuing praise nor fearing slander, now soaring like a dragon, now hiding like a snake, adapting to the changes of circumstance without fixating on any single extreme. Rising or falling, advancing or retreating, one takes harmony as the guiding principle, roaming in the source of all things, mastering external things without being enslaved by them. How could one ever be burdened? This is the way of Shennong and the Yellow Emperor."

"As for the constant principles of worldly affairs and human relations, it is otherwise: where there is union, there must be separation; where there is success, there must be ruin. Integrity meets with obstruction, eminence invites slander, action brings harm, the worthy are plotted against, while the unworthy are bullied. How can one cling to any single extreme? Alas! My disciples, remember—only by returning to the realm of the natural Dao (the Way) can one find true refuge."

He then spoke of how the wise exhaust their hearts in planning, while petty men scheme with deceit.

Shinan Yiliao noticed the Duke of Lu looking troubled and asked him why. The Duke said, "I study the ways of the ancient kings, inherit the legacy of my ancestors, revere the spirits, honor the worthy, and devote myself tirelessly to these pursuits. Yet I cannot avoid calamity—this is why I am distressed." Shinanzi said, "Your method for dispelling calamity is too shallow. The fox with its splendid fur and the leopard with its spotted coat dwell in the mountains, hiding in caves—this is their quietude. They move by night and rest by day—this is their vigilance. Though driven by hunger and thirst, they still avoid human settlements to seek food by distant rivers and lakes—this is their caution. Yet they still cannot escape traps and snares."

機辟之患是何罪之有哉其皮爲之灾也今 魯國獨非君之皮邪吾願君刳形去皮洒心 去欲而遊於無人之野  胥相也疏遠也雖飢渴隱約猶且相遠於  江湖之上而求食言只在山林不肯出江  湖之上求食也 南越有邑焉名爲建德之國其民愚而朴少 私而寡欲知作而不知藏與而不求其報不 知義之所適不知禮之所將猖狂妄行乃蹈 乎大方其生可樂其死可葬吾願君去國捐 俗與道相輔而行君曰彼其道遠而險又有 江山我無舟車奈何市南子曰君無形倨無 留居以爲君車君曰彼其道幽遠而無人吾 誰與爲鄰吾無糧我無食安得而至焉市南 子曰少君之費寡君之欲雖無糧而乃足君 其涉於江而浮於海望之而不見其崖愈往 而不知其所窮送君者自崖而反君自此遠 矣  自南越有邑焉至此是後人參入且文字  淺陋必非莊語 故有人者累見有於人者憂故堯非有人非 見有於人也吾願去君之累除君之憂而獨 與道遊於大莫之國方舟而濟於河有虚船 來觸舟雖有褊心之人不怒有一人在其上 則呼張歙之一呼而不聞再呼而不聞於是 三呼邪則必以惡聲隨之向也不怒而今也 怒向也虚而今也實人能虚已以遊世其孰 能害之 北宫奢爲衛靈公賦斂以爲鍾爲壇乎郭門
Interpretation

This passage expounds on the principle of shedding external constraints to return to the authentic Dao. The calamity brought by animal traps—do the beasts themselves bear any guilt? Their fur alone invites misfortune. Is not the state of Lu like Your Majesty's fur? I hope you may relinquish attachment to form, cleanse desires from your heart, and wander freely in the untrodden wilderness.

Like water birds (Xu) that instinctively keep their distance—even when hungry or thirsty, they prefer watching lakes from afar, foraging only in mountain forests rather than venturing onto open waters. In the southern lands lies the country of Jiande, where people embody purity and simplicity. With few selfish thoughts and faint desires, they know only labor without hoarding, delight in giving without seeking reward. Unversed in worldly rites of benevolence and righteousness, they follow their hearts yet unknowingly align with the Great Dao (Da Fang). They live in spontaneous joy and are laid to rest in peaceful burial. May Your Majesty cast aside state rituals and walk instead with the Dao.

When the ruler protests that the path seems distant and perilous without carriage or boat, Shinanzi replies: Abandon regal posturing (Xing Ju), cease clinging to fixed positions—this itself becomes your vehicle. To the ruler's concern about desolate roads without provisions, he responds: Diminish expenditures, temper desires, and even without grain, you shall have enough. When crossing rivers or sailing seas until shores vanish from sight, voyaging ever farther into the limitless, as those who bid farewell return to land—only then are you truly free from worldly dust.

Later passages add: Governing others is a burden; being served brings anxiety. May Your Majesty release these loads to wander alone with the Dao through vast borderless realms. Consider two boats crossing a river—if an empty vessel drifts into collision, even hot-tempered men won't rage; but should someone be aboard, shouts will arise. If one maintains emptiness like a valley in worldly affairs, who could harm them?

The concluding reference to Beigong She collecting funds for Duke Ling of Wei's bell-casting (likely a later interpolation beyond Zhuangzi's original text) describes setting an altar outside the city gate to gather contributions.

之外三月而成上下之縣王子慶忌見而問 焉曰子何術之設奢曰一之間無敢設也奢 聞之既雕既琢復歸於朴侗乎其無識倘乎 其怠疑萃乎芒乎其送往而迎來來者勿禁 往者勿止從其强梁隨其曲傳因其自窮故 朝夕賦斂而毫毛不挫而況有大塗者乎  道一而已若有作爲便貳之以二矣故曰  一之間無敢設也侗乎無識之貌倘乎無  心之貌萃乎芒乎如物之叢生而無心也  强梁不順之人委曲依傳之人一聽其自  然因其自窮者因其自至則受之不挫者  不損也大塗者大道也賦斂之事且然況  以大道治天下乎 孔子圍於陳蔡之間七日不火食太公任往 弔之曰子幾死乎曰然子惡死乎曰然任曰 予嘗言不死之道東海有鳥焉其名曰意怠 其爲鳥也翂翂翐翐而似無能引援而飛迫 脇而棲進不敢爲前退不敢爲後食不敢先 嘗必取其緒是故其行列不斥而外人卒不 得害是以免於患直木先伐甘井先竭子其 意者飾知以驚愚脩身以明汙昭昭乎如揭 日月而行故不免也昔者吾聞之大成之人 曰自伐者無功功成者墮名成者虧孰能去 功與名而還與衆人道流而不明居得行而 不名處純純常常乃比於狂削迹損執不爲 功名是故無責於人人亦無責焉至人不聞 子何喜哉孔子曰善哉辭其交游去其子弟
Interpretation

This passage contains two Daoist parables from the Zhuangzi. The first recounts a dialogue between the craftsman Shi She (also known as Prince Qingji), while the second describes Confucius's encounter with Taigong Ren during a period of hardship.

Shi She spent three months crafting a hanging bell frame. When Prince Qingji inquired about his special technique, Shi She replied: "I dared not employ any deliberate method. I've heard that all carved objects ultimately return to simplicity. I maintained a state of primal unknowing, drifting in a trance-like state without conscious thought. I let all things come and go naturally—not obstructing their arrival nor clinging to their departure. I yielded to the strong while accommodating the gentle, allowing everything to follow its natural course. Thus though I worked day and night, I never felt fatigued—how much more so when following the Dao (the Way)?" This emphasizes the Dao's singular nature—any deliberate action deviates from its essence. The phrase "dared not employ technique" signifies maintaining an attitude of natural wuwei (non-action).

The second parable describes Confucius trapped between Chen and Cai states without food for seven days, when Taigong Ren came to visit. Using the metaphor of the "sluggish bird" of the Eastern Sea—a clumsy flier that stays within the flock, neither leading nor lagging—Taigong Ren illustrates how this bird avoids misfortune. He observes: "Straight trees are felled first; sweet wells are drained dry. You constantly display wisdom to startle fools and cultivate yourself to highlight others' flaws. Like carrying the sun and moon while walking, you inevitably attract calamity." Quoting ancient sages, he adds: "Those who boast of themselves never succeed; achievement brings loss instead." Truly enlightened individuals seek no fame, blending seamlessly with ordinary people.

Deeply moved, Confucius immediately dismissed his disciples. Both stories exemplify the Daoist wisdom of wuwei (non-action) and "preserving simplicity"—rejecting deliberate striving and intellectual ostentation in favor of harmonizing with nature and merging with worldly existence.

逃於大澤衣裘褐食杼栗入獸不亂羣入鳥 不亂行鳥獸不惡而況人乎 孔子問子桑雽(音/户)曰吾再逐於魯伐樹於宋 削迹於衛窮於商周圍於陳蔡之間吾犯此 數患親交益疏徒友益散何與子桑雽曰子 獨不聞假人之亡與  假託人而得逃 林回棄千金之璧負赤子而趨或曰爲其布 與(布貨/也)赤子之布寡矣爲其累與赤子之累 多矣棄千金之璧負赤子而趨何也林回曰 彼以利合此以天屬也夫以利合者迫窮禍 患害相棄也以天屬者迫窮禍患害相收也 夫相收之與相棄遠矣且君子之交淡若水 小人之交甘若醴君子淡以親小人甘以絶 彼無故以合者則無故以離孔子曰敬聞命 矣徐行翔佯而歸絶學捐書弟子無挹於前 其愛益加進異日桑雽又曰舜之將死眞泠 禹曰汝戒之哉形莫若縁情莫若率縁則不 離率則不勞不離不勞則不求文以待形固 不待物  眞泠禹是人名汝指舜也 莊子衣大布而補之正緳(苦結切/帶也)係履而過 魏王魏王曰何先生之憊邪莊子曰貧也非 憊也士有道德不能行憊也衣弊履穿貧也 非憊也此所謂非遭時也王獨不見夫騰猿 乎其得柟梓豫章也攬蔓其枝而王(去/聲)長(上/聲) 其間雖羿逄蒙不能眄睨也及其得柘棘枳
Interpretation

This passage presents two stories that illustrate Daoist philosophy of life through the experiences of Confucius and Zhuangzi.

The first story tells how Confucius sought advice from the hermit Zisanghu about his repeated misfortunes. Confucius recounted being expelled from Lu, humiliated by tree-cutters in Song, barred from entering Wei, impoverished in the Shang-Zhou region, and besieged between Chen and Cai, which caused his friends to drift away. Zisanghu responded with the parable of "the fleeing man": When Lin Hui fled disaster, he abandoned a priceless jade disk but carried an infant on his back. Asked why, Lin Hui explained "the jade was connected by profit, the child by natural kinship." Relationships based on interest dissolve when trouble comes, while natural bonds strengthen in adversity. Zisanghu concluded: "The friendship of noblemen is insipid as water yet enduring; the friendship of petty men is sweet as honey yet easily broken." Profoundly moved, Confucius returned and instructed his disciples to set aside their books and focus on practical cultivation.

The second story describes Zhuangzi meeting the King of Wei in patched coarse clothing. When the king asked why he appeared so destitute, Zhuangzi distinguished between "poverty" and "distress": worn clothes signify poverty, but inability to practice virtue constitutes true distress. He used the analogy of gibbons: when moving among nanmu and catalpa trees, even the divine archer Houyi couldn't catch them; yet when trapped in thorny bushes, they become helpless. This shows how circumstances determine conditions, not any change in the creature's inherent capability.

The core teachings are:

1. Human relationships should follow natural spontaneity - utilitarian bonds cannot withstand trials

2. External circumstances don't determine inner worth - a virtuous person may be poor but never truly distressed

3. Environment profoundly affects people - the wise understand situational adaptation

Phrases like "The friendship of noblemen is insipid as water" and "Poverty is not distress" became celebrated maxims. Through concrete examples, these stories vividly demonstrate the Daoist attitude of embracing naturalness and transcending utilitarianism.

枸(音/矩)之間也危行側視振動悼慄此筋骨非 有加急而不柔也處執不便朱足以逞其能 也今處昏上亂相之間而欲無憊奚可得邪 此比干之見剖心徵也夫  正緳正其帶也 孔子窮於陳蔡之間七日不火食左據槁木 右擊槁枝而歌焱氏之風有其具而無其數 有其聲而無宫角木聲與人聲犁  猶犁者其土釋然也 然有當於人之心顔回端拱還目而窺之仲 尼恐其廣己而造大也愛己而造哀也曰回 無受天損易無受人益難無始而非卒也人 與天一也夫今之歌者其誰乎回曰敢問無 受天損易仲尼曰飢渴寒暑窮桎不行天地 之行也運物之泄也言與之偕逝之謂也爲 人臣者不敢去之執臣之道猶若是而況乎 所以待天乎  飢渴寒暑窮困不通皆天地之氣流行所  以運動萬物發泄而不可遏者人欲免乎  此必須天地之氣不行而後可但當與之  偕往可也人臣視君猶天地亦惟順之而  已矣 何謂無受人益難仲尼曰始用四達爵禄並 至而不窮物之所利乃非己也吾命有在外 者也  始得見用之時並無窒礙爵禄穹隆非不  可喜然鞠躬盡瘁但所以利物而已其於  己何與吾命有在於此之外者 君子不爲盜賢人不爲竊吾若取之何哉故 曰鳥莫知於鷾鴯目之所不宜處不給視雖
Interpretation

This passage depicts a dialogue between Confucius and his disciple Yan Hui during their hardship between the states of Chen and Cai, revealing Daoist reflections on heavenly mandate (天命) and human effort.

Confucius found himself in dire straits between Chen and Cai, going seven days without lighting a fire to cook. Leaning on a withered tree with his left hand and tapping a dry branch with his right, he sang an ancient song from the era of the Flame Emperor (炎帝). Though his actions resembled musical performance, there was no rhythm; though sound was produced, there was no melody. This spontaneous, unrestrained state was like the way soil naturally crumbles when plowed. Yan Hui stood respectfully by, observing, and Confucius worried that his disciple might overly revere him and fall into melancholy.

Confucius said: "It is easy to avoid harm from the mandate of heaven, but difficult to resist the temptations of human benefits. All things have neither beginning nor end—humanity and heaven are originally one." He explained that hunger, thirst, cold, heat, and all forms of hardship are merely expressions of heaven and earth’s natural movement, just as a minister serves his ruler. In the same way, humans can only submit to the mandate of heaven.

Regarding the difficulty of "resisting human benefits," Confucius pointed out: When one begins to be employed and titles and emoluments flow in continuously, these external gains do not truly belong to oneself. A true noble person does not seize them like a thief, just as the wise swallow (鷾鴯) knows to avoid places unfit for dwelling. What, then, does it mean for a person to forcibly pursue such external things?

This dialogue embodies the Daoist philosophy of following nature and transcending material desires, emphasizing that one should face external gains and losses with the same composure as facing the mandate of heaven, maintaining inner detachment and freedom.

落其實棄之而走其畏人也而襲諸人間社 稷存焉耳  鷾鴯燕也不給不暇也實卵也社稷春秋  祭社稷之時也燕於人家不可處者不暇  視雖落其卵棄之不復顧其所以然者畏  人故也其襲處於人間不過祭社稷之時  存焉耳燕以春社來秋社去春秋傳曰無  鐘鼓曰襲此不過眼前說話而解者自爲  迂僻可笑類此甚多 何謂無始而非卒仲尼曰化其萬物而不知 其禪(去/聲)之者焉知其所終焉知其所始正而 待之而己耳何謂人與天一邪仲尼曰有人 天也有天亦天也人之不能有天性也聖人 晏然體逝而終矣  凡事非人所能爲有人做得底皆天也而  有天所爲者亦天也凡人之所以不能自  有皆天性之自然也聖人惟與天一故晏  然體逝安然身與之俱逝也 莊周遊乎雕陵之樊睹一異鵲自南來者翼 廣(光/去)七尺目大運寸感周之額(飛得/低)而集於 栗林莊周曰此何鳥哉翼殷(大/也)不逝目大不 睹褰裳躩步執彈而留之睹一蟬方得美蔭 而忘其身螳蜋執翳而搏之見得而忘其形 異鵲從而利之見利而忘其眞莊周怵然曰 噫物固相累二類相召也捐彈而反走虞人 逐而誶(駡/之)之莊周反入三月不(庭不/出)庭蘭且 (音/徂)從而問之夫子何爲頃間甚不庭乎莊周
Interpretation

The Nanhua Zhenjing Xunben passage reveals the core Daoist concept of "harmony between heaven and humanity" through vivid stories and dialogues.

The text begins with the metaphor of swallows building nests: these birds only briefly dwell among humans during spring and autumn sacrifices to the gods of land and grain, abandoning their nests after laying eggs due to their innate fear of people. This phenomenon illustrates that all beings follow their intrinsic nature, which should not be forcibly altered.

Through Confucius's (Zhongni) dialogue, the text then expounds the philosophy of "having neither beginning nor end": all things undergo continuous transformation, making it impossible to determine their origins or destinations. The statement "humans and heaven are one" means both humanity and nature follow the movement of the Dao (the Way). Sages do not forcibly alter reality but live in peaceful accordance with natural patterns.

Finally, the passage recounts Zhuangzi's famous observation of "the mantis stalking the cicada, unaware of the oriole behind" while wandering in Diaoling: the cicada, indulging in shade, forgets danger; the mantis exposes itself while hunting; and a strange magpie prepares to prey on the mantis. This food chain epiphany reveals how all creatures constrain one another while losing their true nature to desire. When Zhuangzi discards his slingshot to leave, a park keeper scolds him. Returning home, he remains secluded for three months until his disciple Lin Qiu inquires about his contemplation—hinting at Zhuangzi's profound reflection on how material desires obscure human nature.

Collectively, these stories demonstrate that humans should follow natural patterns without being blinded by immediate gains, preserving their authentic nature. Like sages who recognize the limits of human effort and serenely accept heaven's arrangements, one may thereby attain the state of "harmony between heaven and humanity."

曰吾守形而忘身觀於濁水而迷於清淵且 吾聞諸夫子曰入其俗從其俗今吾遊於雕 陵而忘吾身異鵲感吾額遊於栗林而忘眞 栗林虞人以吾爲戮(辱/也)吾所以不庭也 陽子之宋宿於逆旅逆旅人有妾二人其一 人美其一人惡惡者貴而美者賤陽子問其 故逆旅小子對曰其美者自美吾不知其美 也其惡者自惡吾不知其惡也陽子曰弟子 記之行賢而去自賢之行安往而不愛哉  人但當行賢德之事則於人何所不愛 南華眞經循本卷
Interpretation

Zhuangzi here presents two parables to illustrate the principles of "forgetting the self" and "humility."

The first story recounts: I once became overly attached to external appearances, thereby forgetting my fundamental nature. It was like gazing at turbid water while losing sight of the clear spring at its source. Confucius taught us to follow local customs when traveling, yet while wandering in Diaoling, I completely forgot my own existence. When a strange magpie brushed against my forehead, I became so absorbed among the chestnut trees that even the orchard keeper found my behavior peculiar, considering it self-demeaning.

The second story tells of Yangzi (Yang Zhu) visiting the state of Song and lodging at an inn. The innkeeper had two concubines—one beautiful and one plain. Strangely, the plain one was favored while the beautiful one was neglected. When Yangzi inquired, the innkeeper replied: "The beautiful one acts conscious of her beauty, so I no longer see it; the plain one knows her plainness, so I no longer notice it." Hearing this, Yangzi told his disciples: "Remember this—those with true De (Virtue) must abandon all self-conscious claims to wisdom. Master this, and where would you not be welcome?"

Both stories demonstrate how one should relinquish self-attachment and avoid deliberate self-display. The truly cultivated never presume their own superiority—only thus can they win others' regard. The orchard keeper found Zhuangzi peculiar precisely because he was completely immersed in nature, forgetting worldly conventions; likewise, the innkeeper favored the humble concubine because she made no pretensions.

之十九

Source text: Kanripo 漢籍リポジトリ(KR5c0135); Licence: CC BY-SA 4.0 · Report an error / feedback

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