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《南華真經註疏》Vol. 16

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Dongshen 洞神部 Vol. 16 / 35 13,707 characters

About this page. The original text of 《南華真經註疏》 Vol. 16 (Dongshen 洞神部, 35 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 27 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source text (with commentary)Interpretation

南華眞經注䟽卷之十六善二     河南郭象註     唐西華法師成玄英䟽    外篇天運第十四 天其運乎  註不運而自行也  䟽言天禀陽氣清浮在上無心運行而自  動之也 地其處乎  註不處而自止也  䟽地禀陰氣濁沈在下亦無心寧靜而自  止 日月其爭於所乎  註不爭所而自代謝也  䟽晝夜照臨出没往來自然如是既無情  於代謝豈有心於爭處 孰主張是  䟽孰誰也是者指斥前文也言四時八節  雲行雨施覆育蒼生亭毒群品誰爲主宰  而施張乎此一句解天運 孰維綱是  註皆自爾  䟽山嶽産育川源流注包容萬物運載無  窮春生夏長必無差忒是誰維持綱紀故  得如斯此一句解地處也 孰居無事推而行是  註無則無所能推有則各自有事然則無  事而推行是者誰乎哉各自行耳  䟽夫日月代謝星辰朗耀各有度數咸由  自然誰安居無事推筭而行之乎此一句  解日月爭所已前三者並假設疑問顯發  幽微故知皆自爾耳無物使之然也 意者其有機緘而不得已邪  䟽機關也緘閉也玄冬肅殺夜宵暗昧以  意億度謂有主司關閉事不得已致令如  此以理推者皆自爾也方地不動其義亦  然也 意者其運轉而不能自止邪  註自爾故不可知也  䟽至如青春氣發萬物皆生晝夜開明六
Interpretation

Nanhua True Classic: Annotations and Subcommentaries, Volume 16, Outer Chapters, “The Course of Heaven,” Chapter 14

Is Heaven in motion?

Guo Xiang’s commentary: Heaven does not set out deliberately to move; it moves naturally.

Cheng Xuanying’s subcommentary: Heaven receives Yang Qi, which is clear and light, and floats above. It has no intention of moving, yet moves naturally.

Does Earth remain still?

Guo Xiang’s commentary: Earth does not set out deliberately to stay in place; it rests there naturally.

Cheng Xuanying’s subcommentary: Earth receives Yin Qi, which is turbid and heavy, and sinks below. It has no intention of being quiet and still, yet it rests there naturally.

Are the sun and moon vying for position?

Guo Xiang’s commentary: The sun and moon do not vie for position; they simply take turns naturally.

Cheng Xuanying’s subcommentary: The sun and moon shine upon Heaven and Earth, alternate between day and night, and rise, set, and move back and forth. This is simply their natural course. Since they have no intention of taking turns, how could they have any thought of vying for position?

Then who governs and arranges all of this?

Cheng Xuanying’s subcommentary: “All of this” refers to the movements of Heaven and Earth mentioned above. The four seasons and eight seasonal divisions succeed one another; clouds drift and rain falls, covering and nourishing living beings so that the myriad things flourish and grow. Who governs and arranges this? This line explains “Is Heaven in motion?”

Who maintains order in all of this?

Guo Xiang’s commentary: All of this is simply natural.

Cheng Xuanying’s subcommentary: Mountains bring forth the myriad things; rivers rise at their sources and flow onward, gathering things in and carrying them without cease. In spring the myriad things sprout, in summer they grow, and the seasons follow one another without error. Who keeps order, allowing everything to be as it is? This line explains “Does Earth remain still?”

Who, dwelling at ease and doing nothing, sets all of this in motion?

Guo Xiang’s commentary: If there were “nothing,” nothing could set things in motion. If there were “something,” the myriad things would each act on their own. Given this, who is it that dwells at ease and does nothing, yet sets all of this in motion? The myriad things each move of themselves.

Cheng Xuanying’s subcommentary: The sun and moon take turns, and the stars shine; each follows its own course. All of this arises naturally. Who dwells at ease, calculating and arranging their movements? This line explains “Are the sun and moon vying for position?” The first three lines use questions to reveal a profound and elusive principle: all of this is simply natural, with nothing behind it driving things along.

Could there be some mechanism that, once shut away, compels the myriad things to move as they do?

Cheng Xuanying’s subcommentary: “Mechanism” means a device, and “sealed” means closed up. In the bitter, killing cold of winter, when night is dark, people might suppose that some ruler is in charge and has sealed the mechanism, forcing the myriad things to behave as they do. But reasoning it through, everything is in fact simply natural. The principle that Earth does not move is the same.

Could the myriad things be turning without being able to stop themselves?

Guo Xiang’s commentary: The myriad things are naturally as they are, so we cannot know what arrangement, if any, lies behind them.

Cheng Xuanying’s subcommentary: For example, in spring the vital breath stirs and the myriad things begin to grow; day and night alternate between light and darkness… (The original text ends here unfinished.)

 合俱照氣序運轉致兹生育尋其理趣無  物使然圓天運行其義亦爾也 雲者爲雨乎雨者爲雲乎  註二者俱不能相爲各自爾也  䟽夫氣騰而上所以爲雲雲散而下流潤  成雨然推尋始末皆無攸肇故知二者不  能相爲 孰隆弛是  䟽隆興也弛廢也言誰興雲雨而洪注滂  沲誰廢甘澤而致兹亢旱也 孰居無事淫樂而勸是  䟽誰安居無事自勵勸彼作此淫雨而快  樂邪司馬本作倦字 風起北方一西一東有上彷徨孰噓吸是孰 居無事而披拂是  䟽彷徨迴轉之貌也嘘吸猶吐納也披拂  猶扇動也北方陰氣起風之所故云北方  夫風吹無心東西任適或彷徨而居空裏  或嘘吸而在山中披拂升降略無定準孰  居無事而爲此乎蓋自然也 敢問何故  註設問所以自爾之故  䟽此句總問以前有何意故也 巫咸祒曰來吾語汝天有六極五常  註夫物事之近或知其故然尋其原以至  乎極則無故而自爾也自爾則無所稍問  其故也但當順之  䟽巫咸神巫也爲殷中宗相祒名也六極  謂六合四方上下也五常謂五行金木水  火土人倫之常性也言自然之理有此六  極五常至於日月風雲例皆如此但當任  之自然具足何爲措意於其間哉 帝王順之則治逆之則凶  註夫假學可變而天性不可逆也
Interpretation

Together, they follow the orderly movement of Qi, circulating without pause and bringing forth all things. When we investigate the principles at work, we find no external force directing them from behind. The movement of the rounded heavens is the same.

Do clouds turn into rain? And does rain turn into clouds?

Note: Neither clouds nor rain actively bring the other about. Each forms according to the natural patterns.

Commentary: Qi rises and gathers to form clouds. When the cloud Qi disperses, it flows downward and nourishes all things, forming rain. Trace this process from beginning to end, and no definite source can be found. Clouds and rain, therefore, do not actively cause one another.

Who makes them rise or wane?

Commentary: “Flourish” means to grow abundant; “subside” means to decline. The question asks: Who causes clouds and rain to rise and makes the waters surge in torrents? And who brings the sweet rain to a halt, causing such drought?

Who rests at ease, doing nothing, content in themselves, yet prompts them to act?

Commentary: Who is at ease and doing nothing, yet on their own urges the rain to pour down and takes pleasure in it? In the Sima edition, the character for “pleasure” is written as “weariness.”

The wind rises in the north, then turns west, then east, circling through the air. Who breathes it in and out? And who rests at ease, yet makes it blow this way?

Commentary: “Wandering” describes circling and turning; “breathing in and out” is like exhaling and inhaling; “fanning and stirring” means blowing and sweeping across. The north is where Yin Qi rises and wind begins to form. The wind blows without intent, moving east and west wherever it goes. At times it circles through the air, at times it seems to breathe in and out among the mountains, and at times it rises or falls. Its course is never fixed. Who rests at ease, yet brings about these changes? They all happen naturally.

May I ask why this is so?

Note: This is a rhetorical question, asking why things happen naturally as they do.

Commentary: This question sums up those that came before: what, after all, accounts for these phenomena?

Wu Xian Tiao said, “Come, I will tell you: Heaven has the Six Extremes and the Five Constants.”

Note: We may know the reasons behind things close at hand. But if we keep tracing their origins back to the first point, we find no cause that can be named: things simply happen naturally. Since this is so, there is no need to keep asking why. We need only follow their course.

Commentary: Wu Xian was a spirit medium who once served as an assistant minister to King Zhongzong of Yin; Tiao was his name. The “Six Extremes” are the four directions, above and below—the space between Heaven and Earth. The “Five Constants” are the Five Phases: Metal, Wood, Water, Fire, and Earth; the term can also refer to the enduring norms of human relations. The point here is that nature has its Six Extremes and Five Constants, and phenomena such as the sun, moon, wind, and clouds all move accordingly. Each follows its own natural course and is complete in itself. Why, then, should people deliberately interfere?

When rulers follow these patterns, the world can be at peace; when they go against them, calamity follows.

Note: Human learning and habits can be changed, but one must not violate one’s inborn nature.

 䟽夫帝王者上符天道下順蒼生垂拱無  爲因循任物則天下治矣而逆萬國之歡  心乖二儀之和氣所作凶悖則禍亂生也 九洛之事治成德備監照下土  䟽九洛之事者九州聚落之事也言王者  應天順物馭用無心故致天下太平人歌  擊壞九州聚落之地治定功成八荒夷狄  之邦道圓德備既合二儀覆載萬物又齊  三景照臨下土 天下載之此謂上皇  註順其自爾故也  䟽道合自然德均造化故衆生樂推而不  厭百姓荷戴而不辭可謂返樸還淳上皇  之治也 商大宰蕩問仁於莊子  䟽宋承殷後故商即宋國也太宰官號名  盈字蕩方欲决己所疑故問仁於莊子 莊子曰虎狼仁也  䟽仁者親愛之迹夫虎狼猛獸猶解相親  足明萬類皆有仁性也 曰何謂也  䟽太宰未達深情重間有何意謂 莊子曰父子相親何爲不仁  䟽父子親愛出自天然此乃眞仁何勞再  問 曰請問至仁  䟽虎狼親愛厥義未弘故請至仁庶聞深  㫖 莊子曰至仁無親  註無親者非薄惡之謂也夫人之體非有  親也而首自在上足自處下府藏居内皮  毛在外外内上下尊卑貴賤於其體中各  任其極而未有親愛於其間也然至仁足  矣故五親六族賢愚遠近不失分於天下  者理自然也又奚取於有親哉
Interpretation

An emperor should accord with the Dao of Heaven, follow the wishes of the people, and rest in Wuwei (non-action), allowing all things to develop naturally and find their proper place. In this way, the realm can be at peace. If he goes against the wishes of the people in the various states, disrupts the harmony of Yin-Yang between Heaven and Earth, and acts with violence and in defiance of reason, calamity and disorder will follow.

The affairs of the settlements across the Nine Provinces—where people live throughout the land—are all properly governed, and Virtue is fully cultivated.

“The affairs of the settlements across the Nine Provinces” means the concerns of people in every region. Here, the text says that when a ruler follows the Dao of Heaven and the course of all things, he governs without imposing arbitrary interference driven by self-interest. The realm is then peaceful, and the people live and work in contentment. The regions of the Nine Provinces are settled and well governed, and their achievements are complete; even the distant lands of the Eight Directions, inhabited by non-Han peoples, are transformed through teaching, and Dao and De reach their fullness. The ruler accords with Heaven and Earth in their function of covering and sustaining all things, and shines upon the realm like the sun, moon, and stars—the “Three Luminaries.”

When Heaven and Earth together sustain all things, this is called the “Supreme Sovereign,” the ideal state of the wise rulers of high antiquity.

Note: Follow the way things are in their original state and let them develop naturally.

The ruler accords with the Dao of nature, and his Virtue matches Heaven and Earth in their work of nurturing and transforming all things. Thus people gladly support him without growing weary, and the people uphold him without resentment. This may be called a return to simplicity and honesty: the state of governance achieved by the Supreme Sovereign.

Dang, the Grand Steward of the state of Shang, asked Zhuangzi what benevolence is.

Shang succeeded the Yin dynasty, so “Shang” here refers to the state of Song. Grand Steward is an official title, and Dang is a person’s name. Seeking to resolve his doubts, Dang asked Zhuangzi about benevolence.

Zhuangzi said, “Even tigers and wolves have benevolence.”

Even fierce beasts such as tigers and wolves know how to love one another. This shows that all things possess an innate nature of benevolence.

Dang asked, “What do you mean?”

The Grand Steward had not grasped the deeper meaning, so he asked Zhuangzi to explain.

Zhuangzi said, “When father and son love one another, how can that be called lacking benevolence?”

The love between father and son arises from their nature. This is genuine benevolence, so why ask further?

Dang said, “May I ask what the highest benevolence is?”

The mutual affection of tigers and wolves was not profound enough, so Dang asked about the highest benevolence, hoping to hear a deeper teaching.

Zhuangzi said, “The highest benevolence has no partial affections.”

Note: “No partial affections” does not mean being cold or unfeeling. The body does not function by favoring one part over another: the head is naturally above and the feet below; the organs are inside, while the skin and hair are on the surface. Inside and outside, above and below, each have their place and function. The parts of the body do not favor one another. The highest benevolence is already complete. Thus the five close relations and six kinship groups—all kinds of relatives—as well as the wise and foolish, the near and the distant, can each find their proper share and place in the realm. This is simply how things naturally are. Why cling to distinctions between those who are close and those who are distant?

 䟽夫至仁者忘懷絶慮與太虚而同體混  萬物而爲一何親䟽之可論乎泊然無心  而順天下之親䟽也 太宰曰蕩聞之無親則不愛不愛則不孝謂 至仁不孝可乎  䟽夫無愛無親便是不孝謂至仁不孝於  理可乎商蕩不悟深㫖遂生淺惑莊生爲  其顯折義列下文 莊子曰不然夫至仁尚矣孝固不足以言之  註必言之於忘仁忘孝之地然後至耳  䟽至仁者忘義忘仁可貴可尚豈得將愛  敬近迹以語其心哉固不足以言也 此非過孝之言也不及孝之言也  註凡名生於不及者故過仁孝之名而涉  乎無名之境然後至焉  䟽商蕩之間近滯域中莊生之答遠超方  外故知親愛之㫖非過孝之談封執名教  不及孝之言也 夫南行者至於郢北面而不見冥山是何也 則去之遠也  註冥山在乎北極而南行以觀之至仁在  乎無親而仁愛以言之故郢雖見而愈遠  冥山仁孝雖彰而愈非至理也  䟽郢地居南冥山北故郭注云冥山在乎  北極南行以觀之至仁在乎無親而仁愛  以言之故郢雖見而愈遠冥山仁孝彰而  愈非至道此注甚明不勞更釋 故曰以敬孝易以愛孝難  䟽夫敬在形迹愛率本心心由天性故難  迹關人情故易也 以愛孝易而忘親難  䟽夫愛孝雖難猶滯域中未若忘親澹然
Interpretation

One who embodies utmost benevolence forgets selfish thoughts and distractions, merging with the vast, formless substance of Heaven and Earth and seeing all things as one whole. How, then, could distinctions of closeness and distance still matter? He simply remains calm and free of fixed intentions, allowing people’s relationships of closeness and distance to follow their natural course.

Taizai Dang said, “I have heard that without familial affection there can be no love, and without love there can be no filial piety. Does this mean that one who embodies utmost benevolence is unfilial?”

The subcommentary explains: Taizai Dang believed that without love and familial bonds one could not be filial, so he wondered whether a person of utmost benevolence could really be unfilial. Did that make sense? He had not grasped the deeper meaning and thus raised a shallow question. Zhuangzi then answers it plainly.

Zhuangzi said, “That is not so. The state of utmost benevolence is exceedingly lofty; filial piety alone is not enough to measure it.”

The commentary says: Only when one speaks of a state that has forgotten benevolence and filial piety has one spoken of utmost benevolence.

The subcommentary explains: A person of utmost benevolence can even forget the names of benevolence and righteousness. This state is worthy of esteem, so how could its inner nature be described by outward expressions such as loving and honoring one’s parents? Filial piety alone, then, is not enough to describe utmost benevolence.

This does not mean that utmost benevolence surpasses filial piety. It means that filial piety alone cannot fully express utmost benevolence.

The commentary says: Names and categories arise because a state is incomplete. To go beyond names such as “benevolence” and “filial piety” and enter the nameless state is to reach the highest point.

The subcommentary explains: Taizai Dang’s view remained confined to the conventions of the world, while Zhuangzi’s answer went beyond worldly distinctions. Thus, the meaning of familial affection is not captured by the claim that it “surpasses filial piety”; nor can one fully express the meaning of filial piety by clinging to moral conventions.

A person traveling south arrives at Ying, the capital of Chu, and faces north, yet cannot see Mount Ming, said to lie far away in the north. Why? Because he is too far from it.

The commentary says: Mount Ming lies near the northern extremity, and even someone who has traveled south to Ying cannot see it. The state of utmost benevolence is free of distinctions between those who are close and those who are distant, yet people speak of it in terms of benevolent love. The more benevolent love is displayed, the farther one is from utmost benevolence. Even when benevolence and filial piety are clearly expressed, they may not accord with the Dao.

The subcommentary observes that Ying lies in the south and Mount Ming in the north. Guo Xiang’s commentary makes this clear, so no further explanation is needed.

Therefore, it is easier to practice filial piety out of respect than out of love.

The subcommentary explains: Respect is expressed chiefly through outward conduct, while love arises from within. Love comes from one’s inborn nature, so it is harder; outward ritual propriety is shaped by human convention and is therefore easier.

Though practicing filial piety out of love is harder, it is still not as thorough as forgetting distinctions of closeness and distance and remaining calm and unattached.

 無係志既勝愛有復劣無以此格量難易  明之矣 忘親易使親忘我難  䟽夫騰猨斷腸老牛䑛犢恩慈下流物之  恒性故子忘親易親忘子難自非達道孰  能行此 使親忘我易兼忘天下難兼忘天下易使天 下兼忘我難  註夫至仁者百節皆適則終日不自識也  聖人在上非有爲也恣之使各自得而已  耳自得其爲則衆務自適羣生自足天下  安得不各自忘我哉各自忘矣主其安在  乎斯所謂兼忘也  䟽夫兼忘天下者棄萬乗如脱屣也使天  下兼忘我者謂百姓日用而不知也夫垂  拱汾陽而游心姑射揖讓之美貴在虚忘  比兼忘天下者也方前則難比後便易未  若忘懷至道息智自然將造化而同功與  天地而合德者故能恣萬物之性分順百  姓之所爲大小咸得飛沈不喪利澤潜被  物皆自然上如標枝民如野鹿當是時也  主其安在乎此使天下兼忘我者也可謂  軒頊之前淳古之君耳其德不見故天下  忘之斯則從劣向優自粗入妙遣之又遣  玄之又玄也 夫德遺堯舜而不爲也  註遺堯舜然後堯舜之德全耳若係之在  心則非自得也  䟽遺忘棄也言堯舜二君盛德深遠而又  忘其德任物不爲斯解兼忘天下難 利澤施於萬世天下莫知也  註泯然常適  䟽有利益恩澤惠潤羣生萬世之後其德
Interpretation

An unentangled will has already risen above affection; some circumstances are weaker, while others are free of it altogether. This cannot be used to measure how easy or difficult something is.

The principle has now been made clear.

It is easy to forget one’s family; it is hard to make one’s family forget oneself.

[Commentary] When a gibbon is wounded, its mate may grieve so deeply that its intestines are torn apart; an old ox will lick its calf. Such affection is a nature shared by all things. Thus, children can easily forget their parents, but parents find it hard to forget their children. Who can achieve this unless they understand the Great Dao?

It is easy to make one’s family forget oneself; it is hard to make everyone under Heaven forget oneself. It is easy to make everyone under Heaven forget oneself; it is hard to make everyone under Heaven forget their ruler.

[Note] A person of utmost benevolence is at ease in every part of the body and so never deliberately attends to their own existence, even throughout the day. The sage rules from above without deliberately trying to accomplish anything, simply allowing all things to find ease in their own way. When all things are at peace with their nature, the many affairs of the world are put in order, and living beings are each content. How could the people under Heaven not each forget their ruler? When everyone has forgotten the ruler, where is the ruler? This is what is called “forgetting both.”

[Commentary] To make everyone under Heaven forget oneself means that the ruler regards a realm of ten thousand chariots as lightly as a discarded shoe, giving it no thought. To make everyone under Heaven forget their ruler means that the people go about their daily lives as usual, unaware that a ruler governs them. Yao ruled north of the Fen River with his robes hanging loose and his hands folded, while his spirit wandered on Mount Gushe. The virtue of Yao’s yielding the throne to Shun lay in his emptiness, stillness, and lack of self-conscious intent. These deeds are still easier than making everyone under Heaven forget the ruler; yet compared with the first case, they seem difficult.

The ideal is to forget all attachments and return to the Great Dao, quiet the calculating mind, and follow what is natural. Then one moves together with the transformations of creation and shares the De of Heaven and Earth. The sage lets all things grow according to their own nature and follows the people in what each does. Great and small alike find their proper place; those that fly and those that hide beneath the waters are unharmed. Blessings reach all things through quiet influence, and all things follow their natural course. Those above are like trees on high branches; the people are like deer in the wild. At this point, where is the ruler? This is what it means for everyone under Heaven to forget the ruler. Such a person may be called a ruler of the simple age before the time of the Yellow Emperor and Zhuanxu. Their De did not show itself, and so the people under Heaven forgot them. This is a progression from a shallower state to a higher one, from the rough to the subtle: layer by layer, one lets go, until reaching the mystery beyond mystery.

A person of De forgets the renown of Yao and Shun and gives it no thought.

[Note] Only when Yao and Shun are forgotten can their De remain complete. If they keep their De in mind, it has not arisen naturally.

[Commentary] “Abandon” means to forget and set aside. Here it says that the rulers Yao and Shun, though their De was profound and lofty, also forgot their own De, following all things without deliberate action. This shows how difficult it truly is to make everyone under Heaven forget the ruler.

Their kindness reaches across ten thousand generations, yet the people under Heaven know nothing of it.

[Note] All things are at ease as one, naturally and of themselves.

[Commentary] Their kindness extends to all living beings. Even ten thousand generations later, people still benefit from it, yet they do not know this De…

[The original text ends here, unfinished]

 不替而至德潜被日用不知斯解使天下  兼忘我難也 豈直太息而言仁孝乎哉  註失於江湖乃思濡沫  䟽太息猶嗟歎也夫盛德同於堯舜尚能  遺忘不自顯豈復太息言於仁孝嗟歎於  陳迹乎 夫孝悌仁義忠信貞廉此皆自勉以役其德 者也不足多也  䟽悌順也德者眞性也以此上八事皆矯  性偽情勉强勵力己效人勞役其性故不  足多也 故曰至貴國爵並焉  註並者除棄之謂也夫貴在身身猶忘之  况國爵乎斯貴之至  䟽並者除棄之謂也夫貴爵禄者本爲身  也身猶忘之况爵禄乎斯至貴者也 至富國財并焉  註至富者自足而已故除天下之財者也  䟽至富者知足者也知足之人以不貪爲  寳縱令傾國資財亦棄而不用故老經云  知足者富斯之謂也 至願名譽并焉  註所至願者適也得適而仁孝之名都去  矣  䟽夫至願者莫過適性也既一毁譽混榮  辱忘物我泯是非故令問聲名視之如涕  唾也 是以道不渝  註去華取實故也  䟽渝變也薄也既忘富貴又遺名譽是以  道德淳厚不隨物變也 北門成問於黄帝曰帝張咸池之樂於洞庭 之野  䟽姓北門名成黃帝臣也欲明至樂之道  故寄此二人更相發起也咸池樂名張施  也咸和也大也洞庭之野天地之間非太  湖之洞庭也
Interpretation

The highest De is deeply hidden in the human heart. It is at work in everyday life, though people themselves do not notice it. Even forgetting the self is difficult. Must we really sigh and speak of benevolence, righteousness, and filial devotion?

Note: When fish have a river or lake to live in, people do not feel the need for water. Only after leaving it do they think to moisten one another’s lips with water.

Commentary: Here, “sigh” means to lament. Even people of great De, such as Yao and Shun, could avoid displaying themselves or boasting of their achievements. How much less should anyone sigh over and proclaim such labels as benevolence, righteousness, and filial devotion? Would that not mean clinging to past reputation and conduct?

Filial devotion, respect for elder brothers, benevolence, righteousness, loyalty, trustworthiness, chastity, and integrity are virtues people deliberately strive to cultivate and practice through effort. They are not worthy of special praise.

Commentary: “Respect for elder brothers” means treating one’s older brothers with deference. “De” here refers to a person’s true nature. The eight qualities above are all forced efforts to correct one’s nature and restrain one’s feelings. They imitate others and wear oneself out, so they are not worth praising at length.

Thus, when one reaches the most exalted state, one can cast aside even the rank of an entire kingdom.

Note: “Cast aside” means to remove or let go. People value rank for their own sake. If one can even forget oneself, how much more readily can one let go of the rank of a kingdom? That is true nobility.

Commentary: “Cast aside” means to relinquish. People prize rank and emoluments for their own sake; if they can even forget themselves, rank and emoluments can naturally be abandoned. This is the highest nobility.

When one reaches the state of greatest abundance, one can cast aside even the wealth of an entire kingdom.

Note: The greatest wealth is simply contentment within. So even if one possesses all the wealth under Heaven, one can set it aside without clinging to it.

Commentary: The greatest wealth is knowing contentment. A contented person does not covet; not coveting is their treasure. Even if they possess the wealth of an entire kingdom, they can relinquish it instead of using it to satisfy their desires. That is why the Laozi says, “Those who know contentment are rich.” It describes precisely this state.

When one reaches the state of greatest fulfillment, one can cast aside even fame and praise.

Note: The greatest fulfillment is simply to accord with one’s nature. Once the heart is content, even the names of benevolence and filial devotion can be set aside.

Commentary: Nothing is more fulfilling than following one’s nature. Slander and praise, honor and disgrace are regarded as one; the distinction between external things and the self is forgotten, as are distinctions between right and wrong. Fame and reputation then seem no more significant than spittle and are not worth concern.

Therefore, the Dao does not change.

Note: This is because one discards what is superficial and preserves what is true.

Commentary: “Change” means to alter; it can also mean to weaken. When one can forget wealth and rank and let go of fame, De remains pure and abundant, unaltered by external things.

Beicheng Cheng asked the Yellow Emperor for instruction: “You once performed the music of Xianchi in the wilderness of Dongting…”

Commentary: Beicheng Cheng, surnamed Beicheng and named Cheng, was a minister of the Yellow Emperor. The exchange between Beicheng Cheng and the Yellow Emperor is used here to clarify the Dao of supreme joy. Xianchi is the name of a musical piece; “perform” means to play or carry out. “Xian” suggests universality and harmony, while “chi” suggests vastness. “The wilderness of Dongting” here means the space between Heaven and Earth, not the region around Dongting Lake.

吾始聞之懼復聞之怠卒聞之而惑  䟽怠退怠也卒終也復重也惑闇也不悟  至樂初聞之時懼然驚悚再聞其聲想悟  音㫖故懼心退息最後聞之知至樂與二  儀合德視之不見聽之不聞故心無分别  有同暗惑者也 蕩蕩默默乃不自得  註不自得坐忘之謂也  䟽蕩蕩平易之容默默無知之貌第三聞  之體悟玄理故蕩蕩而無偏默默而無知  芒然坐忘物我俱喪乃不自得 帝曰汝殆其然哉吾奏之以人徽之以天行 之以禮義建之以太清  註由此觀之知夫至樂者非音聲之謂也  必先順乎天應乎人得於心而適於性然  後發之以聲奏之以曲耳故咸池之樂必  待黃帝之化而後成焉  䟽殆近也奏應也徽順也禮義五德也太  清天道也黃帝既允門成第三聞樂體悟  玄道忘知息慮是以許其所解故云汝近  自然也夫至樂者先應之以人事順之以  天理行之以五德應之以自然然後調理  四時太和萬物雖復行於禮義之迹而忘  自然之本者也此是第一奏也 四時迭起萬物循生一盛一衰文武倫經  䟽循順倫理經常也言春夏秋冬更迭而  起一初物類順序而生夏盛冬衰春文秋  武生殺之理天道之常但常任之斯至樂 矣 一清一濁陰陽調和流光其聲  註自然律吕以滿天地之間但當順不奪  則至樂全
Interpretation

When I first heard this account of music, I was afraid. Hearing it again, my fear receded. By the time I heard it a third time, I felt bewildered and could not grasp its meaning.

The commentary explains: “Dai” means to recede, “zu” means finally, “fu” means again, and “huo” means obscured and unable to understand.

At first, when I heard the most perfect music, I was alarmed and unsettled. When I heard it again, I seemed to grasp the meaning of its notes, and my fear gradually faded. Only when I heard it a third time did I understand that the most perfect music accords with Heaven and Earth: it cannot be seen when looked for or heard when listened for. The heart makes no distinctions and seems to sink into obscurity and confusion.

It is vast and open, still and silent, leaving one unable to know or possess oneself.

The note explains: “Unable to possess oneself” refers to “sitting in forgetfulness”—sitting quietly and forgetting both oneself and external things.

The commentary explains: “Vast and open” describes something level and expansive; “still and silent” describes quietness and a lack of awareness. When the music was heard for the third time, the mind apprehended the mysterious principle. The heart became expansive, free of attachment, and inwardly still, without awareness. In a state of hazy absorption, one enters sitting in forgetfulness, forgetting both things and self, and reaches the state of being “unable to possess oneself.”

The ruler said, “You have probably come close. My music takes human affairs as its model, follows the Dao of Heaven as its standard, is carried out according to ritual and right conduct, and takes Great Clarity—that is, Heaven’s still and natural Dao—as its foundation.”

The note explains: From this we can see that the most perfect music does not refer only to sound. It must first accord with the Dao of Heaven and respond to human affairs; its meaning must be grasped in the heart and harmonize with human nature. Only then does it take form as sound and become a musical composition. Thus the music of the Xianchi was completed only after the Yellow Emperor had transformed the world through his teachings.

The commentary explains: “Dai” means to come close, “zou” means to respond, “hui” means to accord with, “ritual and right conduct” refers to the Five Virtues, and “Great Clarity” refers to the Dao of Heaven. The Yellow Emperor affirmed the other person’s understanding: after hearing the music for the third time, he had apprehended the mysterious Dao and forgotten knowledge and deliberation. That is why the ruler praised him, saying, “You have come close to the natural way.”

The most perfect music first responds to human affairs and accords with the principles of Heaven. It is carried out through the Five Virtues and harmonizes with nature; then it brings the four seasons into balance, allowing all things to find their proper harmony. Though its practice takes the form of ritual and right conduct, it does not cling to those forms at its root, but follows nature. This is the first movement.

The four seasons arise in turn, and all things grow according to their proper sequence. Some flourish, others decline; civil and martial affairs, life and death, all proceed according to their natural course.

The commentary explains: “Xun” means to follow, “lun” means sequence, and “jing” means the constant way. Spring, summer, autumn, and winter take turns; all things grow in their proper order. Summer brings flourishing, while winter brings decline. Spring governs the sprouting of life, and autumn governs its suppression. These are the constant patterns of Heaven’s Dao. To follow them naturally is the most perfect music.

Clear and turbid Qi mingle, Yin and Yang harmonize, and radiance flows and transforms into sound.

The note explains: Natural tones fill the space between Heaven and Earth. When one accords with them without forcibly taking hold of them, the most perfect music can be fully expressed.

 䟽清天也濁地也陰升陽降二氣調和故  施生萬物和氣流布三光照燭此謂至樂  無聲之聲 蟄蟲始作吾驚之以雷霆  註因其自作而用其所以動  䟽仲春之月蟄蟲始啓自然之理驚之雷  霆所謂動靜順時因物或作至樂具合斯  道也 其卒無尾其始無首  註運轉無極  䟽尋求自然之理無始無終討論至樂之  聲無首無尾故老經云迎之不見其首隨  之不見其後 一死一生一僨一起所常無窮  註以變化爲常則所常者無窮也  䟽僨仆也夫盛衰生死虚盈起復變化之  道理之常數若以變化爲常則所謂常者  無窮也 而一不可待汝故懼也  註初聞無窮之變不能待之以一故懼然  悚聽也  䟽至一之理絶視絶聽不可待之以聲色  故初聞懼然也 吾又奏之以陰陽之和燭之以日月之明  註所謂用天之道  䟽言至樂之聲將陰陽合其序所通生物  與日月齊其明此第二奏也 其聲能短能長能柔能剛變化齊一不主故 常  註齊一於變化故不主故常  䟽順羣生之脩短任萬物之柔剛齊變化  之一理豈守故而執常 在谷滿谷在阬滿阬  註至樂之道無不周也  䟽至樂之道無所不徧乃阬乃谷悉皆盈  滿所謂道無不在所在皆無也 塗郤守神  註塞其兊也  䟽塗塞也郤孔也閑心知之孔郤守凝寂
Interpretation

As the pure rises, it becomes Heaven; as the turbid sinks, it becomes Earth. Yin Qi rises, Yang Qi descends, and the two kinds of Qi harmonize, giving birth to and nourishing the myriad things. Harmonious Qi flows in every direction, and the light of the sun, moon, and stars shines upon the Earth. This is what is called “supreme joy.”

The sound of this supreme joy is sound without sound.

When hibernating creatures begin to stir, I rouse them with thunder.

Note: Follow their natural movements, acting through the force that can set them in motion.

Commentary: In mid-spring, hibernating creatures begin to awaken; this is the natural order. Rousing them with thunder means that both movement and stillness accord with the seasons, and each thing begins to act in its own way. This is the principle contained in supreme joy.

Its ending has no tail, and its beginning has no head.

Note: It moves without cease and has no bounds.

Commentary: If we seek the principles of nature, we find that they have neither beginning nor end. The sound of supreme joy, too, has no beginning or conclusion. Thus the Laozi says: “Meet it, and you cannot see its head; follow it, and you cannot see its rear.”

One dies, another is born; one falls, another rises. These transformations go on without end.

Note: When transformation itself is taken as the constant, that constant is endless.

Commentary: “Fen” means to fall. Flourishing and decline, life and death, emptiness and fullness, rising and falling—all are ordinary principles of change among things. If change itself is taken as the constant, then this constant is endless.

Yet these transformations cannot be grasped by any fixed measure, and so you feel afraid.

Note: When you first hear of endless transformation, you cannot judge it by any fixed standard. Your heart is shaken, and you hold your breath as you listen.

Commentary: The principle of the One transcends seeing and hearing; it cannot be measured by sound or visible form. So when people first hear of it, they feel afraid.

I then perform it with the harmonizing Qi of Yin and Yang, and illuminate it with the light of the sun and moon.

Note: This is what is meant by following the Dao of Heaven in its operation.

Commentary: The sound of supreme joy brings Yin and Yang into their proper order, allowing the myriad things to flourish and grow. Its radiance is equal to that of the sun and moon. This is the second performance.

Its sound can be short or long, soft or strong. It returns to unity amid change, yet does not cling to any established norm.

Note: It returns to unity amid change, and so does not cling to an established norm.

Commentary: It accords with the different lengths of living things’ lives and lets the myriad things take on their various forms, whether soft or strong. By understanding unity amid change, how could one cling to old methods or insist on a fixed, unchanging norm?

In the valleys, it fills the valleys; in the hollows, it fills the hollows.

Note: The Dao of supreme joy is everywhere.

Commentary: The Dao of supreme joy extends through all things; it fills both hollows and valleys. This means that the Dao is everywhere, present wherever it reaches.

Close the openings and guard the spirit.

Note: That is, close the gateways of the senses.

Commentary: “Tu” means to block, and “xi” means openings. Quiet the openings of the mind and guard the spirit in stillness and concentration.

 之精神郭注云塞其兊也 以物爲量  註大制不割  䟽量音亮大小脩短隨物器量終不制割  而從己也 其聲撣綽  註所謂闡諧  䟽揮動也綽寬也同雷霆之震動其聲寬  也 其名高明  註名當其實則高明也  䟽高如上天明如日月聲既廣大名亦高  明 是故鬼神守其幽  註不離其所  䟽人物居其顯明鬼神守其幽昧各得其  所而不相撓故老經云以道利天下其鬼  不神也 日月星辰行其紀  註不失其度  䟽三光朗燿依分而行綱紀上玄必無差  忒也 吾止之於有窮  註常在極上住也  䟽止住也窮極也雖復千變萬化而常居  玄極不離妙本動而常寂也 流之於無止  註隨變而往也  䟽流動也應感無方隨時適變未嘗執守  故寂而動也 予欲慮之而不能知也望之而不能見也逐 之而不能及也  註故闇然恣使化去  䟽夫至樂者眞道也欲明道非心識故謀  慮而不能知道非聲色故瞻望而不能見  道非形質故追逐而不能逮也 儻然立於四虚之道  註弘敞無偏之謂  䟽儻然無心貌也四虚謂四方空大道也  言聖人無心與至樂同體立志弘敞接物  無偏包容萬有與虚空而合德 倚於槁梧而吟  註無所復爲也  䟽弘敞虚容忘知絶慮故形同槁木心若
Interpretation

As for the spirit—the state in which body and spirit depend on one another—Guo Xiang’s commentary says this means “blocking the apertures.”

Taking the size and length of all things as the standard.

The commentary says: “The truly great principle does not divide things apart.”

The subcommentary says: “Measure” is read as “brightness” and refers to size and length. Each thing has its own measure. Let things follow their original forms; do not carve them up according to human standards or make them accommodate you.

Its sound rings out, broad and far-reaching.

The commentary says: “This is what is called ‘expansive harmony.’”

The subcommentary says: “‘Dàn’ means to swing or move; ‘chuò’ means broad. Its sound is like thunder shaking the heavens, powerful and expansive.”

Its renown is lofty and brilliant.

The commentary says: “When renown matches reality, it appears lofty and brilliant.”

The subcommentary says: Its loftiness is like the heavens, its brilliance like the sun and moon. Since its sound is vast, its renown, too, is lofty and brilliant.

Thus the spirits dwell undisturbed in the shadowed realm.

The commentary says: “They do not leave the places where they belong.”

The subcommentary says: People and all things occupy the realm of light, while the spirits dwell undisturbed in the shadowed realm. Each is in its proper place, and they do not disturb one another. Thus the Laozi says: “When the Dao benefits the world, the spirits do not manifest as apparitions or cause trouble.”

The sun, moon, and stars move along their respective courses.

The commentary says: “Their movements do not depart from the proper order.”

The subcommentary says: The three heavenly bodies—the sun, moon, and stars—shine brightly and move according to their respective positions. The order of the heavens is perfectly arranged, without error.

I abide at the utmost limit.

The commentary says: “I dwell constantly above the ultimate point.”

The subcommentary says: “Abide” means to remain still; “utmost” means the ultimate point. Even amid endless transformations, one remains at the mysterious ultimate point and does not depart from the root. Outwardly one may act, while inwardly remaining still.

I also flow and transform without end.

The commentary says: “I move forward along with transformation.”

The subcommentary says: “Flow” means to move. Responding to external things, it reaches everywhere and adapts to changing circumstances, never rigidly clinging to a single state. Inwardly it remains still, yet outwardly it can act.

I try to think about it, but cannot understand it; I look up toward it, but cannot see it; I chase after it, but cannot catch up.

The commentary says: “Thus it is dark and difficult to discern, allowing transformations to unfold freely.”

The subcommentary says: True joy is the Dao. The Dao cannot be grasped by thought or consciousness, so reflection cannot comprehend it. It is neither sound nor form, so it cannot be seen. It has no fixed shape, so pursuing it cannot bring one to it.

As though standing without intention amid the vast, open Way extending in all four directions.

The commentary says: “This means being vast and open, without partiality.”

The subcommentary says: “As though” describes a state without intention; “the four voids” refers to the boundless, open Way in every direction. Here it means that the sage is without intention and merges with true joy. With an open heart, the sage treats people and things without bias, embraces all things, and shares the same De as the emptiness of space.

He leans against a withered parasol tree and murmurs a song.

The commentary says: “At this point, nothing more needs to be done.”

The subcommentary says: With an open and still heart, he forgets knowledge and thought. Thus his body is like a dead tree, while his mind seems as though…

 死灰逍遥無爲且吟且詠也 目知窮乎所欲見力屈乎所欲逐吾既不及 已矣  註言物之知力各有所齊限  䟽夫目知所見蓋有涯限所以稱窮力馳  逐亦有分齊所以稱屈至樂非心色等法  不可以根窮故吾知盡其不及故止而不  逐也心既有限故知愛無名引覆前子欲  慮之等文也 形充空虚乃至委蛇汝委蛇故怠  註夫形充空虚無身也無身故能委蛇委  蛇任性而悚懼之情怠也  䟽夫形充空則與虚空而等量委蛇任性  故順萬境而無心所謂隳體出聰離形去  智者也只爲委蛇任性故悚懼之情怠息  此解第二聞樂也 吾又奏之以無怠之聲  註意既怠矣乃復無怠此其至也  䟽再聞至樂任性逶迤悚懼之心於焉怠  息雖復賢於初聞猶自不及後聞故奏無  怠之聲斯則以無遣怠故郭注云怠既怠  矣乃復無怠此其至者也此是第三奏也 調之以自然之命  註命之所有者非爲也皆自然耳  䟽調和也凡百蒼生皆以自然爲其性命  所以奏此咸池之樂者方欲調造化之心  靈和自然之性命也已 故若混逐叢生  註混然無係随後而生  䟽混同生出同風物之動吹隨叢林之出  聲也 林樂而無形  註至樂者適而已適在體中故無别形  䟽夫叢林地籟之聲無心而成至樂適於  性命而已豈復有形也
Interpretation

The mind and spirit are silent as dead ashes, free and at ease, doing nothing, simply chanting as they please.

What the eyes can see has its limits, and the strength to pursue what one wishes to pursue also has its limits. Since I cannot attain it, I will pursue it no further.

Note: The perceptions and powers of all things each have their own limits.

Commentary: The range of what the eyes can see has a boundary; hence the word “limit.” The things that strength can pursue also fall within a certain range; hence the word “exhausted.” Supreme joy is not something tangible or perceptible, like the mind or forms, and cannot be pursued to its furthest reaches through the senses. So I know what lies beyond my ability and stop there, pursuing it no further. The mind’s capacities are limited by nature, so one learns to cherish the Dao, which has no name or form. This follows from the earlier words, “You wish to ponder it,” and so on.

When the body fills the realm of emptiness, it can move freely and follow its course. When you can move freely in this way, fear will fade.

Note: For the body to fill the realm of emptiness means not being attached to the body. When one is not attached to the body, one can move freely and follow one’s course. To move freely and follow one’s course is to go along with nature and respond to each situation as it comes. When one can act freely in this way, fear and alarm fade away.

Commentary: When body and emptiness merge, the body becomes as vast as space. To move freely and follow one’s course is to respond to the circumstances of all things without preconceived ideas. This is what is meant by “let the body fall away, leave the senses behind, and abandon cleverness and knowledge.” Because one follows nature, fear and alarm disperse. This passage explains the second stage of feeling after hearing the music.

I then played music with no trace of weariness.

Note: Weariness in the mind has already faded; to go further and reach a state entirely free of weariness is the highest attainment.

Commentary: Hearing supreme joy once more, one becomes free and at ease, and fear disappears as well. This goes further than the first hearing, but still does not equal the state reached later. So I played “music without weariness,” dispelling weariness through a mind free of intention. Guo Xiang’s commentary says: “Weariness has already faded, yet one can go further and reach a state entirely free of weariness. This is the highest attainment.” This is the third performance.

I harmonized it with the nature received from Heaven.

Note: The nature received from Heaven’s decree is not artificially made; it is entirely natural.

Commentary: “Harmonize” means to bring into accord. All living beings take nature as the foundation of their life. Playing “Xianchi” (the name of an ancient piece of music) is meant to harmonize the mind given by the workings of creation, so that nature and life accord with nature.

Then the myriad things followed one another in a blended mass and grew in profusion.

Note: Blended together without constraint, they grew as things changed.

Commentary: The myriad things arise as one, as though moved by the same breath. When wind passes through a forest, it gives rise to many different sounds.

The sounds of the forest arose naturally, without any fixed form.

Note: Supreme joy lies only in what is perfectly fitting. This fittingness resides within body and mind, so it has no separate image.

Commentary: The sounds of the forest—the sounds made by wind passing through trees—arise naturally, without deliberate arrangement. Supreme joy lies only in bringing nature and life into accord. How, then, could it have a fixed form?

布揮而不曳  註自布耳  䟽揮動四時布散萬物各得其所非由牽  曳 幽昏而無聲  註所謂至樂  䟽言至樂寂寥趣於視聽故幽冥昏闇而  無聲響矣 動於無方  註夫動者豈有方而後動哉  䟽夫至樂之本雖復無聲而應動隨時實  無方所斯寂而動之也 居於窈冥  註所謂寧極  䟽雖復應物隨機千變萬化而深根寧極  恒處窅冥斯動而寂也 或謂之死或謂之生或謂之實或謂之榮行 流散徙不主常聲  註隨物變化  䟽夫眷生冬死秋實夏榮雲行雨散水流  風從自然之理日新其變至樂之道豈常  主聲也 世疑之稽於聖人  註明聖人應世非唱也  䟽稽留也夫聖人者譬幽谷之響明象之  照對之不知其所以來絶之不知其所以  往物來斯應應而忘懷豈預前作法而留  心應世故行留散徙不主常聲而世俗之  人妄生疑惑也 聖也者達於情而遂於命也  註故有情有命者莫不資焉  䟽所言聖者更無他義也通有物之情順  自然之命故謂之聖 天機不張而五官皆備此之謂天樂  註忘樂而樂足非張而後備  䟽天機自然之樞機五官五藏也言五藏  各有主司故謂之官夫目視耳聽手把脚  行布網轉丸飛空走地非由倣效禀之造  物豈措意而後能爲故五藏職司素分備  足天樂之美其在兹也
Interpretation

Nature lets all things unfold without drawing or driving them along.

Note: This describes the way things are distributed by nature. The commentary explains: Nature sets the four seasons in motion and spreads things throughout the world, allowing each thing to find its proper place. It does so without pulling or forcing them.

It is deep and obscure, yet makes no sound.

Note: This is what is called “supreme joy.” The commentary explains: Supreme joy is silent and profound, beyond what the eyes and ears can perceive; hence it is deep and obscure, without sound.

It moves where there is no fixed direction.

Note: Must something that moves first have a fixed direction? The commentary explains: Though the foundation of supreme joy is soundless, it responds to things as they arise and moves with the moment. In truth, it has no fixed place. This is action within stillness.

It dwells at rest in a profound realm.

Note: This is what is called “uttermost stillness.” The commentary explains: Though it responds to things as they arise and changes in countless ways, its foundation is deep and steady, supremely calm, and always remains in the depths. This is stillness within action.

At times it is called dying, at times growth; sometimes it bears fruit, sometimes it blossoms in abundance. It moves, disperses, and shifts like clouds, without invariably producing any one particular sound.

Note: This describes how it changes along with all things. The commentary explains: All things follow the patterns of nature: they grow in winter and wither in autumn; they bear fruit in summer and flourish in spring. Clouds move, rain disperses, water flows, and wind blows. Nature’s patterns continually bring about new changes. How, then, could the Way of supreme joy always take the form of one particular sound?

People in the world are puzzled by this, so they examine the sages.

Note: This means that sages respond to the affairs of the world; they do not deliberately advocate anything. The commentary explains: “Examine” means to investigate and verify. A sage is like an echo in a hidden valley or a bright mirror: when things stand before them, they respond. When things arrive, no one knows where the response comes from; when things depart, no one knows where it goes. Things come and the sage responds, yet after responding, nothing remains in the heart. The sage does not devise methods in advance or pay deliberate attention in order to manage worldly affairs. So while things move, pause, disperse, and shift without invariably taking the form of one particular sound, people of the world give rise to groundless doubts.

A sage is one who understands the nature of all things and follows the life and disposition bestowed on them by nature.

Note: All things with feelings, dispositions, and life depend on this Way for their existence. The commentary explains: A sage is nothing other than one who understands the nature and disposition of all things and follows the course of life given by nature. That is why such a person is called a sage.

The natural workings need not be set in motion deliberately: the five sense organs and the internal organs each have their own functions. This is called “Heavenly joy,” the joy inherent in nature.

Note: When deliberate pursuit of joy is forgotten, joy becomes naturally complete; functions are complete without having to be deliberately activated. The commentary explains: “Heavenly mechanism” means the natural pivot of activity. “Five sense organs” here refers to the five internal organs, each with its own governing function. The eyes can see, the ears can hear, the hands can grasp things, and the feet can walk. Activities such as stretching out, turning, flying, and running are not learned through imitation; they come from the endowment of natural creation and do not require deliberate planning. The five internal organs each carry out their own duties and possess these functions by nature. This is where the beauty of Heavenly joy lies.

無言而心悦  註心悦在適不在言也  䟽體此天和非由措意故心靈適悦而妙  絶名言也 故有焱氏爲之頌曰聽之不聞其聲視之不 見其形充滿天地苞裹六極汝欲聽之而無 接焉而故惑也  註此乃無樂之樂樂之至也  䟽焱氏神農也美此至樂爲之章頌大音  希聲故聽之不聞大象無形視之不見道  無不在故充滿天地二儀大無不包故囊  括六極六極六合也假欲留音聽之亦不  可以耳根承接是故體兹至樂理趣幽微  心無分别事同愚惑也 樂也者始於懼懼故祟  註懼然悚聽故是祟耳未大和也  䟽以下重釋三奏三聽之意結成至樂之  道初聞至樂未悟太和心生悚懼不能放  釋是故禍祟之也 吾又次之以怠怠故遁  註迹稍滅也  䟽再聞之後情意稍悟欲懼心怠退其迹  遁滅也 卒之於惑惑故愚愚故道道可載而與之俱 也  註以無知爲愚愚乃至也  䟽最後聞樂靈府淳和心無分别有同闇  惑蕩蕩默默類彼愚迷不怠不懼雅符眞  道既而運載無心與物俱至也 孔子西遊於衛顔淵問師金曰以夫子之行 爲奚如  䟽衛本昆吾之邑又是康叔之封自魯適  衛故曰西遊師金魯太師名金也奚何也  言夫子行仁義之道以化衛侯未知此術  行用可不邪 師金曰惜乎而夫子其窮哉
Interpretation

Without speaking, the heart is filled with joy.

Commentary: The joy in the heart lies in the ease of body and mind, not in words. Subcommentary: One realizes that this is the harmonious qi (vital energy) of Heaven and Earth, not something produced by deliberate effort. The spirit is therefore naturally at ease and glad, and its subtlety cannot be conveyed by names or words.

So Lord Yan (that is, Shennong) composed a hymn on this: "Listen to it, and you hear no sound; look at it, and you see no form. It fills Heaven and Earth and wraps the six extremities (above, below, and the four directions). You wish to listen, yet cannot draw near to it, and so you are bewildered."

Commentary: This is joy without any trace of joy, joy at its utmost. Subcommentary: Lord Yan is Shennong. He praised this supreme joy and composed a hymn in verse. As the saying goes, "the greatest sound is faintest in tone," so no sound can be heard; "the greatest image has no form," so no shape can be seen. The Dao (the Way) is present everywhere, so it fills Heaven and Earth. The two great forms of Heaven and Earth are so vast that nothing lies beyond their embrace, so it encompasses the six extremities, which are the same as the six directions. Even if one tried to hold onto the music in order to hear it, the ears could not receive it. Thus, to experience this supreme joy, its principle is deep and subtle: the heart makes no more distinctions, and outwardly one seems foolish and bewildered.

"When the music was first performed, it inspired fear, and fear brought on a sense of disaster."

Commentary: One listened in alarm and tension, and so it became an "omen." This was because one had not yet reached the state of Great Harmony. Subcommentary: What follows explains again the meaning of the "three performances and three hearings," leading back to the Dao of supreme joy. On first hearing supreme music, one has not yet grasped the realm of Great Harmony. Fear arises in the heart and cannot be put aside, so one is troubled by the unease of impending calamity.

"I then continued with the tones of slackening, and slackening led to withdrawal."

Commentary: The traces gradually vanished. Subcommentary: On the second hearing, one's feelings have begun to understand a little. The fearful heart relaxes, and those traces retreat and fade away.

"Finally I closed with the tones of bewilderment. Bewilderment appears as foolishness, foolishness accords with the Dao, and the Dao can then be carried and dwell together with a person."

Commentary: Ignorance is taken as foolishness, and this very foolishness is the highest state. Subcommentary: On the last hearing, the mind is simple, pure, and calm, without any discriminating thought. It is as if one were in darkness and bewilderment, vast and silent like a fool. One is neither slack nor afraid, and so one accords exactly with the true Dao. One then follows what is natural, acts without deliberate intent, and arrives together with the myriad things.

Confucius traveled west to the state of Wei. Yan Hui asked the music master Jin of Lu, "What do you think of the Master's journey this time?"

Subcommentary: The state of Wei was originally the fief of Kunwu and later became the domain of Kangshu. Since one travels from Lu to Wei, it is called a journey "west." Master Jin was the grand music master of Lu, and Jin was his given name. Xi means "what." The question is this: the Master is promoting the Dao of benevolence and righteousness to transform the Marquis of Wei, so will this method work?

Master Jin said, "What a pity! Your Master is likely to fall into dire straits!"

 䟽言仲尼叡哲明敏才智可惜守先王之  聖迹執堯舜之古道所以頻遭辛苦屢致  困窮 顔淵曰何也  䟽問窮之所以也 師金曰夫芻狗之未陳也盛以篋衍巾以文 繡尸祝齋戒以將之  䟽此下譬喻凡有六條第一芻狗第二舟  車第三桔橰第四樝梨第五狙猨第六妍  醜芻狗草也謂結草爲狗以解除也衍笥  也尸祝巫師也將送也言芻狗未陳盛以  筐笥之器覆以文繡之巾致齋潔以表誠  展如在之將送庶其福祉貴之如是 及其己陳也行者踐其首脊蘇者取而爨之 而己將復取而盛以篋衍巾以文繡遊居寢 卧其下彼不得夢必且數眯焉  註廢棄之物於時無用則更致他妖也  䟽踐履也首頭也脊背也取莫曰蘇爨炊  也眯魘也言芻狗未陳致斯肅敬既祭之  後棄之路中故行人履踐其頭脊蘇者取  供其炊爨方將復取而貴之盛於筐衍之  中覆於又繡之下敖游居處寢卧其傍假  令不致惡夢必當數數遭魘故郭注云廢  棄之物於時無用則更致他妖也 今而夫子亦取先王已陳芻狗取弟子游居 寢卧其下故伐樹於宋削迹於衛窮於商周 是非其夢邪  䟽此合芻狗之譬并合孔子窮義也先王  謂堯舜禹湯先代之帝王也憲章文武祖  述堯舜而爲教迹故集聚弟子敖游於仁  義之域卧寢於禮信之鄉古法不可執留
Interpretation

The commentary says: Confucius was clever and perceptive, with exceptional talent. It is regrettable that he held fast to the traces of the sages left by the former kings and clung to the ancient Way of the times of Yao and Shun. As a result, he repeatedly encountered hardship and often fell into distress.

Yan Yuan asked, “Why was this so?”

The commentary explains that Yan Yuan was asking why Confucius had fallen into distress.

Shijin said: “Before a straw dog used in sacrifice has been brought out for the rites, it is kept in a bamboo box and covered with an embroidered cloth. The person presiding over the sacrifice also fasts and respectfully carries it up to the altar.”

The commentary says: “The passage that follows uses six things as comparisons: the straw dog, boats and carts, a well sweep, pears and crabapples, macaques and gibbons, and beauty and ugliness. It begins with the straw dog. A straw dog is made of straw for use in sacrifices and prayers for blessings. ‘Box’ refers to a container such as a bamboo chest; ‘ritual officiant’ means the person who presides over the sacrifice; and ‘carry up’ means to bring it to the altar. The point is that before the straw dog is used in the sacrifice, people place it in a box, cover it with an embroidered cloth, and express their sincerity through fasting and purification. They carry it respectfully to the altar as though the spirits were present, and so they value it.”

“Once the sacrifice is over and the straw dog has been discarded, travelers tread on its head and back, while people gathering firewood pick it up to burn. If someone were then to retrieve it, put it back in a box, cover it with an embroidered cloth, and keep it around for people to play with, live beside, or even sleep next to, that person would have nightmares again and again, even if they did not have a bad dream.”

The notes say: “Something that has been discarded and is of no use at the time may invite strange events if it is treated with great ceremony again.”

The commentary explains: “‘Tread’ means to step on; ‘head’ means the head; ‘back’ means the back. ‘Firewood gatherer’ refers to someone collecting wood, and ‘burn’ means to cook over a fire. ‘Nightmare’ refers to a distressing dream. Before a straw dog is used in a sacrifice, people treat it with reverence and keep it pure. After the sacrifice, it is thrown onto the road, where people tread on it, or it is gathered up and burned as fuel. If it is then put back in a box, covered with an embroidered cloth, carried around like a treasure, or kept where people live and sleep, it will bring repeated nightmares even if it does not cause bad dreams. That is why Guo Xiang’s commentary says that when something useless has been discarded, treating it with great ceremony again at the wrong time may invite strange events.”

Shijin continued: “Now you treat Confucius like that straw dog after the sacrifice, yet you still regard the old laws left by the former kings as precious. You gather disciples and have them study, live, and rest among these teachings. That is why Confucius was threatened with the felling of trees in the state of Song, pursued and questioned in the state of Wei, and brought to distress in the lands of Shang and Zhou. Is this not like having that kind of dream?”

The commentary explains that this connects the straw dog comparison with Confucius’s troubles. “Former kings” refers to ancient rulers such as Yao, Shun, Yu, and Tang. Confucius took King Wen and King Wu as models and recounted the Way of Yao and Shun to establish his teachings. He gathered disciples so that they could learn and practice the Way of benevolence and righteousness, and dwell in the study of ritual and trustworthiness. The meaning of the passage is that ancient laws belong to the past and should not be grasped stubbornly.

 事同已陳芻狗伐樹於宋者孔子曾遊於  宋與門人講說於大樹之下司馬桓魋欲  殺夫子夫子去後桓魋惡其坐處因伐樹  焉削剗也夫子嘗遊於衛衛人疾之故剗  削其迹不見用也商是殷地周是東周孔  子歷聘曾因於此良田執於聖迹故致斯  弊狼狽如是豈非惡夢邪 圍於陳蔡之間七日不火食死生相與鄰是 非其昧邪  註此皆絶聖棄知之意耳無所稍嫌也夫  先王典禮所以適時用也時過而不棄即  爲民妖所以興矯效之端也  䟽當時楚昭王聘夫子夫子領徒宿於陳  蔡之地蔡人見徒衆極多謂之爲賊故興  兵圍繞經乎七日糧食罄盡無復炊爨從  者餓病莫之能興憂悲困苦鄰乎死地豈  非遭於已陳芻狗而魘邪 夫水行莫如用舟而陸行莫如用車以舟之 可行於水也而求推之於陸則没世不行尋 常  䟽夫舟行於水車行於陸致於千里未足  爲難若推舟於陸求其運載終没一世不  可數尺 古今非水陸與周魯非舟車與今蘄行周於 魯是猶推舟於陸也  䟽此合諭也蘄求也亦今古代殊豈異乎  水陸周魯地異何異乎舟車 勞而無功身必有殃彼未知夫無方之傳應 物而不窮者也  註時移世異禮亦宜變故因物而無所係  焉斯不勞而有功也  䟽万猶常也傳轉也言夫子執先王之迹
Interpretation

The changes in circumstances were plain to see. Confucius once taught his disciples beneath a large tree in the state of Song. Sima Huantui wanted to kill him. After Confucius left, Huantui resented the place where they had stayed and cut down the tree. “Cutting and clearing away” means removing or chopping something down. Confucius also traveled in the state of Wei. The people there disliked him, so they erased the traces of his passing and refused to employ him. Song was the land of Yin; Zhou was in the Eastern Zhou period. Confucius traveled among the various states, teaching and seeking office in these places, yet suffered repeated setbacks and was reduced to such a miserable state. Was it not like having a nightmare?

Confucius was trapped between the states of Chen and Cai. For seven days, they could not light a fire or cook. Life and death seemed to hang by a thread. Was this not because he was confused and unable to see clearly?

Note: These examples all show that one should abandon attachment to sages and intellectual knowledge; there is nothing here that deserves even the slightest reproach. The laws, institutions, and rites established by the former kings were meant to meet the needs of their own time. When the age has changed, clinging to the old system becomes a burden on the people and gives rise to pretence and imitation.

Commentary: At that time, King Zhao of Chu invited Confucius to his state, and Confucius brought his disciples to live in the area between Chen and Cai. Seeing that he had so many disciples, the people of Cai took them for bandits and sent troops to surround them. After seven days, their food was gone, and they could not light a fire to cook. His companions were hungry and ill, too weak to stand. Beset by sorrow and hardship, they were on the verge of death. Was this not because Confucius clung to teachings that had long since grown obsolete, and was thus trapped as if in a nightmare?

For travel on water, nothing is more suitable than a boat; for travel on land, nothing is more suitable than a cart. A boat can travel on water, but if you insist on pushing it across land, you will not get far even over a lifetime.

Commentary: A boat travels on water and a cart on land; using them to travel a thousand miles is no difficulty. But push a boat across land and expect it to carry people forward, and you will not move it even a few feet in a lifetime.

Are the circumstances of ancient times and the present not as different as travel by water and travel by land? Are the situations of the Zhou dynasty and the state of Lu not like a boat and a cart, each suited to its own use? To insist on putting the Zhou system into practice in Lu today is like pushing a boat across dry land.

Commentary: This metaphor makes the point clear. “Seek” means to search for or pursue. Are the times of antiquity and the present not different, just as water and land are distinct? Are the circumstances of Zhou and Lu not different, just as a boat and a cart serve different purposes?

Such an approach will only come to nothing and may even bring harm upon those who pursue it. This is because they do not understand how to adapt to change and respond to circumstances. Those who understand this will not be confounded by the transformations of the myriad things.

Note: As times change and circumstances differ, rites and institutions should change accordingly. By responding to changing conditions without being bound by old systems, one can accomplish things without undue effort.

Commentary: “Myriad” here means constant; “transmit” means to transform. The point is that Confucius clung to the old methods handed down by the former kings, still believing they could be applied in later ages.

 行衰周之世徒勞心力卒不成功故削迹  伐樹身遭殃禍也夫聖人之智接濟無方  千轉萬變隨機應物未知此道故嬰斯禍  也 且子獨不見夫桔橰者乎引之則俯舍之則 仰彼人之所引非引人也故俯仰而不得罪 於人  䟽桔橰挈水木也人牽引之則俛下捨放  之則仰上俛仰上下引捨以人委順無心  故無罪夫人能虚己其義亦然也 故夫三皇五帝之禮義法度不矜於同而矜 於治  註期於合時宜應治體而已  䟽矜美也夫三皇五帝步驟殊時禮義威  儀不相㳂襲美在逗機不治以定不貴率  今以同古 故譬三皇五帝之禮義法度其猶柤梨橘柚 邪其味相反而皆可於口  䟽夫柤梨橘柚甘苦味殊至於噉嚼而皆  可於口譬三皇五帝澆淳異世至於爲政  咸適機宜也 故禮義法度者應時而變者也  註彼以爲美而此或以爲惡故當應時而  變然後皆適也  䟽帝王之迹蓋無常凖應時而變不可執  留豈得膠柱刻船居今行古也 今取猨狙而衣以周公之服彼必齕齧挽裂 盡去而後慊觀古今之異猶猨狙之異乎周 公也  䟽慊足也周公聖人譬淳古之世狙猨狡  獸諭澆競之時是以禮服雖華猨狙不以  爲美聖迹乃貴末代不以爲尊故毁禮服  猨狙始慊其心棄聖迹蒼生方適其性
Interpretation

Putting these practices into effect in the declining final years of the Zhou dynasty was only a waste of effort; in the end, they failed, and so Confucius withdrew from public view. Later, he again met with misfortune when he advised someone against cutting down a tree. The sage’s wisdom could have adapted to changing circumstances and benefited all things. But at the time, people did not understand this principle, and so he suffered such misfortune.

Have you never seen a water-lifting lever? When someone pulls it down, it sinks; when they let go, it rises. Its movement is guided by a person, but it is not meant to guide others. So whether it bends down or lifts up, it offends no one. The commentary says: A water-lifting lever is a wooden device for drawing water. When a person pulls it, it lowers; when they release it, it rises. It moves in response to a person’s pull and has no attachment of its own, so it makes no mistake. If people too could set aside their own will and respond to the times, the principle would be the same.

The Three Sovereigns and Five Emperors established rites, moral principles, and laws, but they did not value them for being identical to one another. They valued them for governing the world well. The note says: What matters is that they fit the circumstances of the time and meet the needs of governance. The commentary says: The Three Sovereigns and Five Emperors lived in different eras, and their rites and institutions differed accordingly. Their value lay in responding to the moment. No single system can be fixed forever, and similarity between past and present is no reason, by itself, to call something valuable.

The rites, moral principles, and laws of the Three Sovereigns and Five Emperors were like the fruits of the hawthorn, pear, tangerine, and pomelo: their flavors differed, yet each suited people’s tastes. The commentary says: These fruits may be sweet or bitter, and their flavors differ, but each is enjoyable in its own way. So too, the eras of the Three Sovereigns and Five Emperors varied: some were simple and sincere, others shallow and frivolous. Their policies, too, each suited the circumstances of their time.

Therefore, rites, moral principles, and laws should change with the times. The note says: A practice regarded as good in one era may be considered bad in another. One must respond to changes in the times for things to remain fitting. The commentary says: The institutions handed down by rulers have no eternal, unchanging standard. They must be adjusted to the times; one must not be rigid, like someone who glues a bridge on a zither in place, or try to find a sword lost in a river by marking the boat—living in the present while mechanically copying the methods of the past.

Now, if you caught a monkey and dressed it in the ceremonial robes of the Duke of Zhou, it would surely bite, tug, and tear at them until it had stripped them off completely and was satisfied. The difference between the past and the present is like the difference between a monkey and the Duke of Zhou. The commentary says: “Satisfied” means content. The Duke of Zhou represents the simple and sincere ancient age; the monkey is a metaphor for an age of shallowness and rivalry. A monkey does not value splendid ceremonial robes; later generations, likewise, may not honor the traces left by sages. The monkey is content only after destroying the robes; the people can follow their own nature only after casting off the old institutions left behind by the sages.

故西施病心而矉其里其里之醜人見而美 之歸亦捧心而矉其里其里之富人見之堅 閉門而不出貧人見之挈妻子而去之走  䟽西施越之美女也貌極妍麗既病心痛  嚬眉苦之而端正之人體多宜便因其嚬  蹙更益其美是以閭里見之彌加愛重鄰  里醜人見而學之不病强嚬倍增其陋故  富者惡之而不出貧人棄之而遠走捨己  效物其義例然削迹伐樹皆學嚬之過也 彼知美矉而不知矉之所以美  註况夫禮義當其時而用之則西施也時  過而不棄則醜人也  䟽所以猶所由也嚬之所以美者由乎西  施之好也彼之醜人但美嚬之麗雅而不  知由西施之妹好也 惜乎而夫子其窮哉  䟽總會後文結成其㫖窮之事迹章中具  載矣 孔子行年五十有一而不聞道乃南之沛見 老聃  䟽仲尼雖領徒三千號素王而盛行五德  未聞大道故從魯之沛自北徂南而見老  君以詢玄極故也 老聃曰子來乎吾聞子北方之賢者也子亦 得道乎孔子曰未得也  䟽聞仲尼有當世賢能未知頗得至道不  答言未得自楚望魯故曰北也 老子曰子惡乎求之哉  䟽問於何處尋求至道 曰吾求之於度數五年而未得也  䟽數筭術也三年一閏天道小成五年再  閏天道大成故言五年也道非術數故未  得之也 老子曰子又惡乎求之哉
Interpretation

Xishi suffered from heart pain and walked through the village with her brows furrowed. She was already beautiful, and the way she furrowed her brows made her seem even more captivating. When the villagers saw her, they admired her all the more. An ugly woman in the village saw her and thought that furrowed brows looked beautiful. She too clutched her heart and walked through the village with her brows furrowed. When the rich saw her, they were so repelled that they shut their doors and would not come out. When the poor saw her, they took their wives and children and fled far away.

The commentary explains: Xishi was a renowned beauty of the state of Yue, with exceptionally delicate features. When her heart ached, she furrowed her brows. Though she was in pain, her natural grace and beauty made her seem even more beautiful when she did so. The villagers therefore admired her all the more. Seeing this, an ugly woman from the neighborhood imitated her. She was not suffering from heart pain, but deliberately furrowed her brows, which only made her look uglier. The rich despised her and shut themselves indoors; the poor abandoned her and fled far away. This is what happens when someone discards their natural appearance and insists on imitating another. The “cutting off one’s traces” and “felling trees” mentioned later are likewise errors caused by blind imitation.

She knew only that the look of furrowed brows was beautiful; she did not know that it looked beautiful because Xishi was beautiful to begin with.

The note says: When ritual and righteousness are practiced in their proper time, they are like Xishi. When their time has passed and one still clings to them, one becomes like the ugly woman.

The commentary explains: “Because” means “the source of.” Furrowed brows were beautiful because Xishi was beautiful to begin with. The ugly woman saw only the grace of the furrowed look, without realizing that its beauty came from Xishi’s own appearance.

How unfortunate that even Confucius fell into hardship!

The commentary explains: This sentence sums up what follows and points to the meaning of this passage. The account of Confucius’s hardship is given in detail in the chapters below.

When Confucius was fifty-one, he had still not heard the Great Dao. So he traveled south to Pei to visit Lao Dan.

The commentary explains: Though Confucius had three thousand disciples, was called the “Uncrowned King”—one who held the virtue of a king without the throne—and vigorously promoted the virtues of the Five Constant Virtues, he had not yet grasped the Great Dao. He therefore traveled from the state of Lu to Pei, going south from the north, to visit Laozi and ask him about the most profound mysteries.

Lao Dan said, “You have come. I have heard that you are a worthy man from the north. Have you attained the Dao?”

Confucius replied, “Not yet.”

The commentary explains: Lao Dan had heard that Confucius was a worthy and able man of his age, so he asked whether he had attained the Great Dao. Confucius replied that he had not. Looking from the state of Chu toward the state of Lu, Lao Dan saw Lu to the north of Chu, and so called Confucius a “worthy man from the north.”

Laozi asked, “Where have you gone to seek the Dao?”

Confucius said, “I have sought it in the calendar and calculations, but after five years I still have not attained it.”

The commentary explains: “Measures and numbers” refers to calendars, calculations, and similar matters. The notes and commentary say that one intercalary month every three years marks an initial appearance of the Way of Heaven, while two intercalary months every five years mark a further appearance. Confucius had sought for five years and still had not attained the Dao because the Great Dao cannot be found through calendars and calculations.

Laozi asked again, “Where else have you gone to seek the Dao?”

 䟽更問求道用何方法 曰吾求之於陰陽十有二年而未得  註此皆寄孔老以明絶學之義也  䟽十二年陰陽之一周也而未得者明以  陰陽取道而道非陰陽故下文云中國有  人非陰非陽 老子曰然使道而可獻則人莫不獻之於其 君使道而可進則人莫不進之於其親使道 而可以告人則人莫不告其兄弟使道而可 以與人則人莫不與其子孫然而不可者無 他也  䟽夫至道深玄妙絶言象非無非有不自  不他是以不進獻於君親豈得告於子弟  所以然者無他由也故記孔老二君聖以  明玄中之玄也 中無主而不止  註心中無受道之質則雖聞道而過去也  䟽若使中心無受道之主假令聞於聖說  亦不能止住於胸懷故知無他也 外無正而不行  註中無主則外物亦無正己者也故未嘗  通也  䟽中既受道之心故外亦無能正於己  者故不可行也 由中出者不受於外聖人不出  註由中出者聖人之道也外有能受之者  乃出耳  䟽由從也從内出者聖人垂迹顯教也良  由物能感聖故聖人不應若使外物不能  禀受聖人亦終不出教 由外入者無主於中聖人不隱  註由外入者假學以成性者也雖性可學  成然要當内有其質若無主於中則無以  藏聖道也  䟽隱藏也由外入者習學而成性也由其
Interpretation

[Commentary] Someone asks, “What method should one use to seek the Dao?”

[Scripture] “I once sought the Dao through the way of Yin-Yang. I sought it for twelve years, yet still did not attain it.”

[Note] The dialogue between Confucius and Laozi is used here to explain that the true Dao cannot be attained merely by learning knowledge from outside oneself.

[Commentary] Twelve years is exactly the time it takes Yin-Yang to complete one cycle. Saying “yet still did not attain it” means that even seeking the Dao through Yin-Yang cannot lead one to it, because the Dao is not the same as Yin-Yang. Hence the text goes on to say, “There are people in China who belong neither to Yin nor to Yang.”

[Scripture] Laozi said, “If the Dao could be offered as a gift, there would be no one who would not offer it to their ruler. If the Dao could be recommended, there would be no one who would not recommend it to their parents. If the Dao could be told to others, there would be no one who would not tell it to their siblings. If the Dao could be given to others, there would be no one who would not give it to their descendants. Yet these things cannot be done, and there is no other reason.”

[Commentary] The Great Dao is profound and mysterious, beyond words and forms. It cannot simply be called “nothing,” nor can it be called “something.” It depends neither on itself nor on external things. Therefore, it cannot be offered to rulers or parents, nor passed on to younger relatives or children. That is the reason. The dialogue between the two sages, Confucius and Laozi, is recorded here to explain the Dao’s profound and mysterious principles.

[Scripture] “If the heart has no foundation for receiving the Dao, the Dao cannot remain there.”

[Note] If the heart lacks the capacity to receive the Dao, then even after hearing it, one will soon forget it.

[Commentary] If the heart has no foundation for receiving the Dao, then even hearing the teachings of a sage cannot make them stay in one’s heart. That is the problem.

[Scripture] “If there is no external standard by which to rectify oneself, the Dao cannot be put into practice.”

[Note] When the heart has no foundation for receiving the Dao, external things likewise provide no standard to help one rectify oneself. Thus the Dao can never be put into effect.

[Commentary] Since the heart lacks the capacity to receive the Dao, there is also no external standard by which to rectify oneself. Therefore, the Dao cannot be put into practice.

[Scripture] “The Dao appears from within because external things can receive it. If no one can receive it, the sage will not come forth to transmit the Dao.”

[Note] What appears from within is the Dao of the sage. The sage comes forth to transmit it only when people and things outside can receive it.

[Commentary] “By” means “from.” To appear from within means that the sage manifests their presence and makes their teaching clear. This happens because living beings respond to the Dao, and the sage answers them. If external things cannot receive the teaching, the sage will not come forth to transmit the Dao.

[Scripture] “The Dao is transmitted from outside. If the heart has no foundation for receiving it, the sage will not conceal the Dao either.”

[Note] To be transmitted from outside means to cultivate De through learning. Although De can be cultivated through learning, the heart must first have the corresponding foundation. If the heart has no foundation for receiving the Dao, it cannot preserve the sage’s Dao.

[Commentary] “Conceal” means “to hide.” To be transmitted from outside means to cultivate De through learning. This is because… (The original text ends here.)

 外禀聖教冥在心中若使素無受入之心  則無藏於聖道 名公器也  註夫名者天下之所共用  䟽名鳴也公平也器用也名有二種一是  命物二是毁譽今之所言是毁譽名也 不可多取  註矯飾過實多取者也多取而天下亂也  䟽夫令譽善名天下共用必其多取則矯  飾過實而爭競斯起也 仁義先王之蘧廬也  註猶傳舍也 止可以一宿而不可乆處覯而多責  註夫仁義者人之性也人性有變古今不  同也故遊寄而過去則㝠若無滯而係於  一方則見見則偽生偽生而責多矣  䟽蘧廬逆於傳舍也覯見也亦乆也夫蘧  廬舍客不可乆停仁義禮智用訖宜廢客  停乆疵釁生聖迹留過責起 古之至人假道於仁託宿於義  註隨時而變無常迹也 以遊逍遥之墟  䟽古之眞人和光降迹逗機而行博愛應  物而用人群何異乎假借塗路寄託宿止  暫時游寓蓋非眞實而動不傷寂應不離  眞故恒逍遥乎自得之場彷徨乎無爲之  境 食於苟簡之田立於不貸之圃  註苟且也簡略也貸施與也知止知足食  於苟簡之田不損已物立於不貸之圃而  言田圃者明是聖人養生之地 逍遥無爲也  註有爲則非仁義 苟簡易養也  註全從其簡故易養也  䟽只爲逍遥累盡故能無爲恬淡苟簡苟  且簡素自足而已故易養也
Interpretation

The sage receives the Way of the sages through instruction from without and lets it sink deep into the heart. If the heart has no foundation for receiving and holding it, the Way has nowhere to reside.

Reputation is something shared by everyone under Heaven, like a public tool. There are two kinds of names: names that identify things, and names that praise or blame them. Here, the text refers to praise and blame; these should not be sought in excess.

The commentary explains that pursuing an excellent reputation too fervently leads people to put on an act and make their conduct seem better than it is. When people compete for fame, the world falls into disorder. Good repute is something people recognize and share. Once someone covets too much of it, they embellish their words and actions and conceal what is real, giving rise to rivalry.

Benevolence and righteousness are temporary lodgings left behind by the former kings, like an inn. One may stay for a night, but should not remain for long. If one treats them as a permanent home, in time they will invite reproach.

The commentary explains that benevolence and righteousness arise from human nature, but human nature changes, and the people of ancient times differ from those of today. We should therefore make use of benevolence and righteousness as circumstances require, then let go of them when the matter has passed. If we bind ourselves to a single way of acting, the traces of contrivance become apparent; a lifetime of contrivance brings ever more reproach.

The perfected people of antiquity—those whose cultivation had reached a high level—followed the Way of benevolence and righteousness, treating it as a temporary resting place, then roamed freely in a realm of ease and spontaneity.

The commentary says that the realized people of antiquity kept their brilliance in check and adapted to the moment, acting in accordance with circumstances. They responded to all things with broad compassion and played their part among people, but this was like borrowing a road or staying at an inn for a while; they did not treat such ways of acting as eternal, unchanging truths. They acted without disturbing the stillness of their hearts and responded to the world without departing from their original nature. Thus they remained at ease, wandering in the realm of Wuwei (non-action).

They lived in simple fields and made their home in gardens that sought nothing from others.

The commentary explains that “plain and simple” means unadorned and modest, while “seeking no assistance” means not looking outside oneself for gifts or support. Those who know contentment and when to stop can find sufficiency in a simple life without depleting what they have. The fields and gardens are metaphors for the place where the sage nourishes body and mind.

To roam freely is to practice Wuwei. Once one deliberately sets out to accomplish something, one has left behind the realm described by benevolence and righteousness.

A simple life is easy to sustain. By following a plain way of life without craving or extravagance, one can naturally nourish the body and calm the spirit.

The commentary concludes that because roaming freely releases one from burdens, it makes Wuwei and tranquility possible. A simple life, content with what it has, is therefore also an easy way to care for body and mind.

不貸無出也  註不貸者不損己以爲物也  䟽不損我以益彼故無所出此三句覆釋  前義也 古者謂是采眞之遊  註遊而任之斯眞采也采眞則色不偽矣  䟽古者聖人行苟簡等法謂是神采眞實  而無假偽逍遥任適而隨化遨游也 以富爲是者不能讓禄以顯爲是者不能讓 名親權者不能與人柄  註天下未有以所非自累者而各没命於  所是所是而以没其命者非立乎不貸之  圃也  䟽夫是富非貪貪於貨賄者豈能讓人財  禄是顯非隱滯於榮位者何能與人名譽  親愛權勢矜夸於物者何能與人之柄柄  權也唯厭穢風塵羶臊榮利者故能棄之  若遺 操之則慄舍之則悲  註舍之悲者操之不能不慄也  䟽操執權柄恐失所以戰慄捨去威力喪  去所以憂悲 而一無所鑒以闚其所不休者是天之戮民 也  註言其知進而不知止則性命喪矣所以  爲戮  䟽是富好權之人心靈愚暗唯滯名利一  無鑒識豈能聞見玄理而休心息智者乎  如是之人雖復楚戮未加而情性以困故  是自然刑戮之民 怨恩取與諫教生殺八者正之器也  䟽夫怨敵必殺恩惠須償分内自取分外  與他臣子諫上君父教下應青春以生長  順素秋以殺罰此八者治正之器不得不  用之也 唯循大變無所湮者爲能用之故曰正者正
Interpretation

If you do not deplete what is your own, there is nothing to give.

“Not depleting” means not wearing yourself down to benefit external things.

Not harming yourself to benefit others means there is nothing to give. These three sentences explain the meaning of the preceding passage.

The ancients called this “wandering in search of the Real”: a carefree journey that finds what is real and follows the natural course of things.

To let the mind roam in nature and follow the course of all things is what it truly means to “wander in search of the Real.” When one finds what is real, one’s outward conduct is free of pretense.

The ancient sages followed simple, natural principles, believing that this was to embody what is genuine, without falsehood or affectation. They wandered freely, following whatever they encountered and moving with change.

Those who regard wealth as most important cannot give their stipends to others. Those who regard high status as most important cannot give their reputation to others. Those who cling to power and prize authority cannot hand their power to others.

No one in the world lets something they do not value bring them harm. People often cling so tightly to what they value that they even lose their lives for it. Those who die for what they value have not reached the state of “not depleting.”

How could those who prize wealth and covet possessions give their riches to others? How could those who prize high status and are absorbed in honors and official rank give away their reputation? And how could those who love power and boast of worldly possessions hand over their authority? Only those who reject the filth of worldly life, along with fame, wealth, and honor, can cast these things aside as if they had lost nothing.

To hold authority is to live in fear and trepidation; to relinquish it is to feel grief and sorrow.

The sorrow of relinquishing authority comes from the fact that, while holding it, one cannot help fearing its loss.

Those who hold authority tremble for fear of losing it. Those who relinquish power grieve because they have lost what they depended on.

If the mind has no discernment and only seeks what it will never willingly give up, that person is being punished by Heaven’s Way.

This means that one knows only how to advance and not when to stop. As a result, one’s life is harmed, and this is called being “punished.”

Those who prize wealth and covet power have clouded minds. They are absorbed in fame and profit and lack discernment. How could they hear or grasp the subtle Way, quiet the mind, and rein in cleverness? Even if they have not yet suffered a punishment like that of the state of Chu, their nature is already worn down. They are therefore subject to nature’s punishment.

Resentment and gratitude, taking and giving, remonstrating and instructing, executing and nurturing: these eight ways are means of setting things in order.

One may resent an enemy and thus execute them; a favor received should be repaid. One may take what is rightfully one’s own and give what lies beyond one’s due to others. A minister remonstrates with a ruler; a parent instructs a child. One should nurture all things as spring does, and also carry out punishments in keeping with autumn. These eight ways are means of governing and setting things in order, and at times they cannot be avoided.

Only those who follow change at its root and whose minds are free of obstruction can use these means. Thus it is said, “to rectify” means to set in order…

也其心以爲不然者天門弗關矣  註守故不變則失正矣  䟽循順也湮塞也唯當順於大理隨於變  化達於物情而無滯塞者故能用八事治  之正事合於正理故曰正者正也其心之  不能如是者天機之門擁而弗開天門心  也 孔子見老聃而語仁義老聃曰夫播糠眯目 則天地四方易位矣蚊虻𠾱膚則通夕不寐 矣  註外物如之雖小而傷性已大也  䟽仲尼滯於聖迹故發辭則語仁義夫播  糠眯目目暗故不能辯東西蚊虻𠾱膚膚  痛則徹宵不睡是以外物雖微爲害必巨  況乎仁非天理義不率性捨己效他喪其  本性其爲害也豈眯目𠾱膚而已哉𠾱齧  也 夫仁義𢡚然乃憤吾心亂莫大焉  註尚之以加其性故亂  䟽仁義𢡚毒甚於蚊虻憤憤吾心令人煩  悶擾亂物性莫大於此一本亦作憤字者 吾子使天下無失其朴  註質全而仁義著 吾子亦放風而動總德而立矣  註風自動而依之德自立而秉之斯易持  易行之道也  䟽放縱任也欲使蒼生喪其淳樸之性者  莫若絶仁棄義則反冥我極也仲尼亦宜  放無爲之風教隨機務而應物總虚妄之  至德立不測之神功亦有作放方往反放  依也 又奚傑然若負建鼓而求亡子者邪  註言夫揭仁義以趨道德之鄉其猶擊鼓  而求逃者無由得也
Interpretation

If the mind clings to old prejudices and does not change with circumstances and reason, it will lose the right way. The commentary says one should follow the Great Dao, keep pace with change, and understand the underlying principles of things without letting the mind become blocked. Only then can one apply the eight methods to govern affairs and handle them in accordance with what is right. If the mind cannot do this, the Gate of Heaven within—the portal through which the mind understands the changes of nature—will be closed and impassable. “The Gate of Heaven” refers to the mind.

Confucius went to see Lao Dan and spoke of benevolence and righteousness. Lao Dan said, “When chaff is blown into your eyes, the four quarters of heaven and earth seem to turn upside down. When mosquitoes and gnats bite your skin, you cannot sleep all night.”

The commentary explains that even very small external things can seriously harm a person’s nature. Confucius was bound by the words and deeds of the sages, so he spoke of benevolence and righteousness. Chaff in the eyes makes it hard to see which way to go; bites from mosquitoes and gnats cause pain and sleeplessness. Though external things may be small, the harm they cause can be great. How much more so when benevolence and righteousness fail to accord with the principles of nature and a person’s own nature? People then abandon themselves and imitate others, losing what is genuine in them. How could such harm amount to no more than obscured vision and insect bites?

“The teachings of benevolence and righteousness are so cruel that they leave my heart agitated and resentful. Nothing could disturb it more.”

The commentary says that imposing benevolence and righteousness on human nature only disrupts that nature.

“You should keep the people of the world from losing their unspoiled nature.”

“You, too, should follow the wind of nature in your actions, and take your stand by embracing the De of all things.”

The commentary says that “release” means to follow things as they are. The wind of nature moves of itself, and people follow it; De establishes itself naturally, and people hold to it. This is a way that is easy to maintain and put into practice. If one wants the people to lose their unspoiled nature, nothing works better than forcibly cutting them off from benevolence and righteousness. In this way, they can instead return to the utmost depths of naturalness. Confucius, too, should follow the Wuwei (non-action) of transformative teaching, respond to all things according to time and circumstance, embrace the De that is empty, still, and true, and establish wondrous effects beyond measure.

“Why make yourself so conspicuous, like someone carrying a drum to search for a child who has run away?”

The commentary says that setting out for the realm of De under the banner of benevolence and righteousness is like beating a drum to search for someone who has run away: there is no way you will find them.

 䟽建擊傑然用力貌夫揭仁義以趨道德  之鄉何異乎打大鼔以求逃亡之子故鼔  聲大而亡子速仁義彰而道德廢也 夫鵠不日浴而白烏不日黔而黑  註自然各已足 黑白之朴不足以爲辯  註俱自然耳無以偏向  䟽浴洒也染緇曰黔黔黑也辯者别其勝  負也夫鵠白烏黑禀之自然豈須日日浴  染方得如是以言物性其義例然然黑白  素樸各足於分所遇斯適故不足於分所  以論勝負亦言辯變也黑白分定不可變  白爲黑也 名譽之觀不足以爲廣  註夫至足者忘名譽忘名譽乃廣耳  䟽修名立譽招物觀視此乃狹劣何足自  多唯恐遣名譽方可稱大耳 泉涸魚相與處於陸相呴以濕相濡以沫  註言仁義之譽皆生於不足 不若相忘於江湖  註斯乃忘仁而仁者也  䟽此總結前文斥仁義之弊夫泉源枯竭  魚傳沫以相濡樸散淳離行仁義以濟物  及其江湖浩蕩各足所以相忘道德深玄  得性所以虚淡既江湖比於道德濡沫方  於仁義以此格量故不同日而語矣 孔子見老聃歸三日不談  䟽老子方外大聖變化無常不可測量故  無所談說也 弟子問曰夫子見老聃亦將何規哉  䟽不的姓名直云弟子當是升堂之類共  發此疑既見老子應有規誨何所聞而三  日而不談也
Interpretation

Loudly proclaiming benevolence and righteousness and straining to attain moral perfection is like beating a drum to find a runaway child: the louder the drum, the faster the child flees. The more benevolence and righteousness are displayed, the more Virtue declines.

A swan need not bathe every day; its feathers are naturally white. A crow need not be dyed black every day; its feathers are naturally black. Each thing receives its own natural nature and is complete as it is. Black and white each retain their natural color. There is no need to rank them or compete for superiority; both are simply as nature made them, and neither deserves preference.

Here, “bathe” means to wash, and “dye black” means to darken something. “Distinguish” means to rank things and dispute which is superior. Swans are white and crows are black by nature; why would they need daily washing or dyeing to become so? The nature of all things is the same. Black and white each keep to their own place and adapt to whatever circumstances they encounter, so there is no need to argue over which is superior. Since black and white each have their own fixed nature, white cannot be turned into black.

The attention brought by fame and honor is not true greatness. A truly complete person does not care about fame and honor; only when reputation is forgotten can the heart be called broad. To deliberately build a reputation and attract an audience is narrow and shallow. What is there to boast about? Only when one is no longer burdened by reputation can one be called great.

When a spring dries up, fish are stranded on land. They moisten one another by breathing on each other and wetting each other with their saliva. Yet rather than helping one another in this way, it would be better for them to forget one another in the rivers and lakes. Benevolence and righteousness by name often arise from a state of lack; forgetting one another in the rivers and lakes means forgetting deliberate acts of benevolence, so that benevolence arises naturally.

The passage above sums up the preceding discussion and criticizes the drawbacks of deliberately pursuing benevolence and righteousness. When a spring dries up, fish can only breathe on and moisten one another. This is like people turning to benevolence and righteousness to help others after simplicity has been lost and their innate sincerity has departed. Once the fish return to the vast rivers and lakes, each can live freely, and they no longer need to help one another. The rivers and lakes are like Dao and De; their mutual moistening is like benevolence and righteousness. Dao and De are profound and mysterious, enabling all things to fulfill their nature and live freely and serenely. Benevolence and righteousness, by contrast, are expedients for times of hardship. The two cannot be compared.

After Confucius met Lao Dan (Laozi), he returned and did not speak for three days. Lao Dan was a great sage who had transcended the ordinary world, whose transformations were unfathomable and impossible to predict; Confucius therefore had no words to describe him.

A disciple asked, “Master, when you met Lao Dan, what guidance did you receive?” The text does not say which disciple this was; presumably, it was one of his followers. They wondered: since he had met Laozi, he must have received some instruction. What had he heard that left him silent for three days?

孔子曰吾乃今於是乎見龍龍合而成體散 而成章  註謂老聃能變化  䟽夫龍之德變化不恒以況至人隱顯無  定故本合而成妙體窈冥迹散而起文章  焕爛 乗乎雲氣而養乎陰陽  註言其因御無方自然已足  䟽言至人乗雲氣而無心順陰陽而養物  也 予口張而不能嗋予又何規老聃哉  䟽嗋合也心懼不定口開不合復何容暇  聞規訓之言乎 子貢曰然則人固有尸居而龍見雷聲而淵 默發動如天地者乎  䟽言至人其處也若死尸之安居其出也  似龍神之變見其語也如雷霆之振響其  默也類玄理之無聲是以奮發機動同二  儀之生物者也既而或處或出或語或默  豈有出處語默之異而異之哉然則至人  必有出處默語不言之能故仲尼見之口   而不能合 賜亦可得而觀乎遂以孔子聲見老聃  䟽賜子貢名也子貢欲至觀至人龍德之  相遂以孔子聲教而往見之 老聃方將倨堂而應微曰予年運而往矣子 將何以戒我乎  䟽倨企也運時也老子自得從容故企堂  敖誕物感斯應發微其言子年衰邁可以  教何以戒我乎 子貢曰夫三王五帝之治天下不同其係聲 名一也而先生獨以爲非聖人如何哉  䟽澆淳漸異歩驟有殊用力用兵逆順斯  異故云不同聲名令聞相係一也先生乃
Interpretation

Confucius said, “Only today have I truly seen a dragon. It gathers itself into a whole; when it disperses, it reveals a dazzling pattern.”

The commentary explains: This means that Lao Dan (Laozi) could change without limit.

The subcommentary explains: The dragon’s nature lies in its ceaseless transformation. It is used as a metaphor for the perfected person—a person of lofty virtue who accords with the Great Dao—whose presence and absence are unpredictable. When gathered, its wondrous form is deep and unfathomable; when dispersed, it displays brilliant patterns. Riding the clouds, it nurtures all things through the transformations of Yin and Yang.

The commentary explains: This means that the perfected person responds to all things and acts without any fixed method; this comes naturally and is sufficient.

The subcommentary explains: The perfected person rides the clouds without deliberate effort, responding to the transformations of Yin and Yang to nurture all things.

Confucius said, “My mouth has fallen open, and I cannot close it. How could I still question or admonish Lao Dan?”

The subcommentary explains: “Xie” means to close. Confucius was filled with awe and astonishment; his mouth hung open and would not close. How could he have any leisure to listen to instruction?

Zigong said, “So a person really can sit calmly like a corpse, yet appear like a dragon; speak with the force of thunder, and fall silent like an abyss; and, when moved to act, be like the workings of Heaven and Earth?”

The subcommentary explains: At rest, the perfected person is as still as a corpse; when appearing, the person changes unpredictably like a divine dragon. When speaking, the person resounds like thunder; in silence, the person is as wordless as the profound principles of the Dao. Thus, when moved to act, the person is like Heaven and Earth bringing forth the myriad things. Yet at times the perfected person rests, at times appears, at times speaks, and at times falls silent. Can there truly be distinctions between coming and going, speaking and silence? The perfected person surely has the capacity to come and go, to speak and to fall silent, but does not cling to these distinctions. That is why, after seeing him, Confucius could not even close his mouth.

Zigong said, “May I go and see him too?” So, relying on Confucius’s reputation, Zigong went to pay a visit to Lao Dan.

The subcommentary explains: “Ci” was Zigong’s given name. Zigong wanted to see for himself the perfected person’s dragonlike virtue of transformation, so he relied on Confucius’s reputation and standing to go and pay a visit.

Lao Dan was leaning against the side of the hall, stretching his body at ease. He replied mildly, “My years are gradually advancing. What would you use to admonish me?”

The subcommentary explains: “Ju” means to stretch out and lean; “yun” refers to the passage of time. Laozi was composed and at ease, leaning against the side of the hall and behaving freely. When something external moved him, he responded accordingly, speaking briefly and indirectly. He was saying: “You are already advanced in years. What could you teach me?”

Zigong said, “The Three Kings and the Five Emperors governed the world in different ways, yet they all left behind a reputation. Why, then, do you alone consider them not to have been sages?”

The subcommentary explains: The world gradually declined from simplicity to corruption, and governing methods differed. Some governed through exertion; others waged war and conquered. Their approaches were accordingly aligned with or opposed to the Dao. That is why their methods of governance are said to have differed. Yet their reputations and achievements followed one another in succession. You, however, consider them not to have been sages…”

 排三王爲非聖有何意㫖可得聞乎 老聃曰小子少進子何以謂不同  䟽汝少進前說不同所由 對曰堯授舜舜受禹禹用力而湯用兵文王 順紂而不敢逆武王逆紂而不肯順故曰不 同  䟽堯舜二人即是五帝之數自夏禹以降  便是三王堯讓舜舜讓禹禹治水而用力  湯伐桀而用兵文王拘羑里而順商辛武  王渡孟津而逆殷紂不同之狀可略言焉 老聃曰小子少進余語汝三皇五帝之治天 下  䟽三皇者伏犧神農黄帝也五帝少昊顓  頊高辛唐虞也治天下之治列在下文 黄帝之治天下使民心一民有其親死不哭 而民不非也  註若非之則强哭  䟽三皇行道人心淳一不獨親其親不獨  子其子故親死不哭而世俗不非必也非  之則强哭者衆 堯之治天下使民心親民有爲其親殺其殺 而民不非也  註殺降也言親䟽有降殺  䟽五帝行德不及三皇使子父兄弟更相  親愛爲降殺之服以别親䟽既順人心亦  不非毁 舜之治天下使民心競民孕婦十月生子子 生五月而能言  註教之速也  䟽舜是五帝之末其俗漸澆樸散淳離民  心浮競遂使懷孕之婦十月生子五月能  言古者懷孕之婦十四月而誕育生子兩  歲方始能言澆淳既革故與古之乖異也 不至乎孩而始誰  註誰者别人之意也未孩已擇人言其競
Interpretation

“What does it mean to reject the Three Kings—the rulers of the Xia, Shang, and Zhou dynasties—and say they were not true sages? Could you explain it to me?”

Lao Dan said, “Young man, come closer. Why do you say they were different from one another?”

Commentary: “Come closer” means: explain why you say they were different.

The young man replied, “Yao passed the throne to Shun, and Shun passed it to Yu. Yu relied on his own efforts to control the floods, while Tang of Shang sent troops to attack Jie of Xia. King Wen of Zhou submitted to King Zhou of Shang and did not dare to defy him; King Wu of Zhou, however, attacked King Zhou and refused to submit to him. That is why I say they were different from one another.”

Commentary: Yao and Shun belonged to the Five Emperors; the Three Kings begin with Yu of Xia. Yao yielded the throne to Shun, and Shun yielded it to Yu. Yu controlled the floods through his own labor, while Tang sent troops to attack Jie. When King Wen was imprisoned at Youli, he still submitted to King Zhou of Shang; King Wu, by contrast, crossed the Meng Ford and resisted King Zhou of Yin. Their differences can be described in roughly this way.

Lao Dan said, “Young man, come closer. I will tell you how the Three Sovereigns and Five Emperors governed the world.”

Commentary: The Three Sovereigns were Fuxi, Shennong, and the Yellow Emperor; the Five Emperors were Shaohao, Zhuanxu, Gaoxin, Tang, and Yu. Their ways of governing the world are set out below.

When the Yellow Emperor governed the world, he made the people’s hearts simple and single-minded. When someone’s relative died, the people did not weep, and they did not think this was wrong.

Note: If someone thought it wrong not to weep, they would force themselves to cry.

Commentary: When the Three Sovereigns followed the Dao, people’s hearts were generous and single-minded. People loved not only their own relatives and cherished not only their own children, so they did not weep when a relative died, and no one thought this was wrong. If people insisted on condemning this way of acting, everyone would force themselves to cry.

When Yao governed the world, he made people feel close to one another. When mourning a relative, people distinguished between grades of mourning attire according to how close they were to the deceased, and they did not think this was wrong.

Note: “Reducing” here means making something lesser or lower. It refers to distinctions in closeness between relatives, which led to differences in the formality of mourning attire.

Commentary: The Five Emperors promoted rule through De, but their age was not as simple as that of the Three Sovereigns. Parents and children, and brothers among themselves, loved one another and wore different grades of mourning attire according to how closely related they were. This accorded with people’s hearts, and no one condemned it.

When Shun governed the world, he made people’s hearts competitive. Women gave birth after ten months of pregnancy, and their children could speak at five months old.

Note: This means that instruction took effect very quickly.

Commentary: Shun was the last ruler among the Five Emperors. By then, customs were gradually becoming shallow, simplicity was fading, and people’s hearts were growing restless and competitive. Thus it came about that women gave birth after ten months of pregnancy and children could speak at five months old. The ancients said that a pregnant woman gave birth only after fourteen months, and that a child began speaking at two years old. Customs had shifted from generosity to shallowness, unlike conditions in ancient times.

Before children had grown enough to walk, they were already choosing among other people.

Note: “Choosing” here means selecting or distinguishing. Children who could not yet walk but were already choosing among people showed that people’s hearts had become competitive.

 教速成也  䟽未解孩笑已識是非分别之心自此而  始矣 則人始有夭矣  註不能同彼我則心競於親䟽故不終其  天年也  䟽分别既甚不終天年夭逝之始起自虞  舜 禹之治天下使民心變人有心而兵有順  註此言兵有順則天下已有不順故也  䟽去道既遠澆偽日興遂使蠢爾之民好  爲禍變廢無爲之迹興有爲之心賞善罰  惡以此爲化而禹懷慈愛猶解泣辜兵刃  所加必須天道也 殺盜非殺  註盜自應死殺之順也故非殺  䟽盜賊有罪理合其誅順乎素秋雖殺非  殺此則兵有順義也 人自爲種而天下耳  註不能大齊萬物而人人自别斯人自爲  種也承百代之流而會乎當今之變其弊  至於斯者非禹也故曰天下耳言聖知之  迹非亂天下而天下必有斯亂  䟽夫澆浪既興分别日甚人人自爲種見  不能大齊萬物此則解人有心也聖智之  迹使其如是非禹之過也故曰天下耳矣 是以天下大駭儒墨皆起  註此乃百代之弊  䟽此總論三皇五帝之迹驚天下蒼生致  使儒崇堯舜以飾非墨遵禹道而自是既  而百家競起九流爭騖後代之弊實此之  由也 其作始有倫而今乎婦女  註今之以女爲婦而上下悖逆者非作始  之無理但至理之弊遂至於此  䟽倫理也當莊子之世六國競興淫風大
Interpretation

This passage says that maturing too early is nothing to celebrate. Before an infant can smile, thoughts that distinguish right from wrong and those who are close from those who are distant have already begun to take shape. From that point on, people set out on the path toward dying before the end of their allotted years.

Guo Xiang’s commentary says that when people cannot regard themselves and others as equals, distinctions of closeness and distance stir up rivalry in their hearts, and they therefore cannot enjoy the full span of their lives. As the impulse to make distinctions grows stronger, people become unable to live out their allotted years. Traced to its source, this began when Shun and Yu ruled the world. Their governance changed the people’s hearts: people began to make distinctions, and warfare acquired a “justifiable” aspect.

The text says that “warfare has its justifiable aspect” precisely because the world had already fallen into disorder. The subcommentary on the Zhuangzi explains that people drifted ever farther from the Dao, while a shallow and deceitful ethos grew more prevalent. The people then took pleasure in creating disorder, abandoned the Way of Wuwei (non-action), and developed a desire to act. They used rewards for good and punishments for evil as means of instruction. Though Yu of Xia was moved by compassion and wept when he saw criminals, weapons used against people still had to accord with the Way of Heaven.

“To kill a thief is not killing” means that thieves are guilty and, by right, should be put to death. Since they are dealt with in accordance with reason and circumstance, this does not count as killing that violates the constant Way. The subcommentary adds that the execution of thieves is like following autumn’s power to suppress and kill. Though it involves killing, this is what is meant by “warfare has its justifiable aspect.”

People each came to form their own kind, and the world became as it was. Guo Xiang’s commentary says that if people cannot regard all things equally, they draw boundaries and distinguish themselves from one another, each becoming a separate kind. Changes accumulated over a hundred generations and converged in the present; the troubles grew to this point, and it was not Xia Yu’s fault alone. That is why the text can only say, “the world became as it was.” The traces left by the governance of sages and wise men were not intended to disrupt the world, yet the world ultimately fell into this disorder.

The subcommentary says that as a shallow ethos took hold and the impulse to make distinctions grew stronger, people divided themselves into groups and could no longer regard all things equally. This is what is meant by “people have minds.” The traces left by the governance of sages and wise men led to this outcome, but the blame cannot simply be laid on Xia Yu.

The world was therefore thrown into great turmoil, and the Confucians and Mohists arose one after another. Guo Xiang’s commentary regards this as the result of troubles accumulated over a hundred generations. The subcommentary says that the governing achievements of the Three Sovereigns and Five Emperors stirred the people throughout the world. Later, the Confucians honored Yao and Shun, using them to embellish their own teachings; the Mohists followed the Way of Xia Yu and likewise considered themselves right. From then on, the various schools and thinkers sprang up in competition, each advancing its own doctrines. The troubles of later ages arose from this.

At first, these teachings had some ethical order. By this time, however, even relations involving women had reached a state in which the proper hierarchy was reversed. Guo Xiang’s commentary says that taking a woman as a wife and the resulting reversal of the proper roles between husband and wife did not mean the original teachings were wholly without reason. Rather, the flaws in those principles gradually developed until matters reached this point. The subcommentary explains that “order” means the proper sequence of ethical relations. At the time, when Zhuangzi lived, the Six Kingdoms stood side by side and rose in competition, while customs grew increasingly licentious…

 行以女爲婦乖禮悖德莫甚於兹故知聖  迹始興故有倫理及其末也例同斯弊也 何言哉  註弊生於理故無所復言  䟽從理生教遂至於此世澆俗薄何可稍  言論正發憤而傷歎也 余語汝三皇五帝之治天下名曰治之而亂 莫甚焉  註必弊故也  䟽夫三皇之治實自無爲無爲之迹迹生  於弊故百代之後亂莫甚焉弊亂之狀列  在下文 三皇之知上悖日月之明下睽山川之精中 墮四時之施  䟽悖逆也睽乖離也墮廢壞也施澤也運  無爲之智以立治方後世執迹遂成其弊  致星辰悖彗日月爲之不明山川乖離嶽  瀆爲之崩竭廢壞四時寒暑爲之𠎝叙 其知𢡚於𧓽蠆之尾鮮規之獸莫得安其性 命之情者而猶自以爲聖人不可恥乎其無 恥也  䟽𢡚毒也𧓽蠆尾端有毒也鮮規小貌言  三皇之智損害蒼生其爲毒也甚於𧓽蠆  是故細小蟲獸皆遭擾動況乎黔首如何  得安以斯爲聖於理未可毒害既多深可  羞媿也 子貢蹴蹴然立不安  註子貢本謂老子獨絶三王故欲同三王  於五帝耳今又見老子通毁五帝上及三  皇則失其所以爲談矣  䟽蹴蹴驚驚貌也子貢欲救三王同五帝  今見老子詞調高貌排擯五帝指斥三皇  心形驚悚失其所謂故蹴然形容雖立心  神不安
Interpretation

Taking one’s daughter as one’s wife violates ritual law and damages morality; nothing could be more serious. From this we can see that when the traces of the sages—their conduct and institutions—first arose, ethical principles and social order were established along with them. In later ages, similar evils appeared. What more can be said?

Note: Evils arise from reason itself, so there is nothing more to say.

Commentary (explanation in the annotated text): Teachings arose from reason and eventually developed to this point. With customs growing shallow and society in decline, is there anything left to debate? These words express indignation and lament in a forthright critique.

I tell you, when the Three Sovereigns and Five Emperors governed the world, what was called governance in name brought about, in fact, no greater disorder than theirs.

Note: This is because governance inevitably gives rise to evils.

Commentary: The Three Sovereigns’ rule did at first embody Wuwei (non-action). But once the traces of non-action took shape, they gave rise to evils. Thus, after a hundred generations, no greater disorder could be found. What follows will list these manifestations of evil and disorder one by one.

The wisdom of the Three Sovereigns went against the brightness of the sun and moon above, disrupted the vital energy of mountains and rivers below, and damaged the workings of the four seasons in between.

Commentary: “Defy” means to go against; “turn away” means to depart from the proper course; “ruin” means to waste or destroy; and “bestow” means to grant or exert an influence. The Three Sovereigns used the wisdom of Wuwei to establish methods of governance, but later generations clung to these forms, and evils arose from them. The stars went astray in their courses, even producing comets; the sun and moon consequently lost their brightness; mountains and rivers departed from their proper state, as peaks collapsed and rivers dried up; and the cycles of cold and heat in the four seasons also fell into disorder.

Their wisdom harmed the people more than a scorpion’s sting; even tiny insects and beasts could not live in peace according to their nature and life. Yet such people thought themselves sages. Should they not be ashamed of their own shamelessness?

Commentary: “Poison” means to harm. “Scorpion” refers to a venomous creature with a poisonous tail. “Small beasts” means creatures of tiny size. The passage says that the wisdom of the Three Sovereigns harmed the people with a poison deeper than a scorpion’s. Even tiny insects and beasts were disturbed; how much more so the people, who could not live in peace according to their nature and life. To call such people sages makes no sense. Having caused so much harm, they should feel profound shame.

When Zigong, a disciple of Confucius, heard this, he was so alarmed that he could hardly stand.

Note: Zigong had thought Laozi was merely condemning the Three Kings in particularly harsh terms, so he wanted to argue that their governance was the same as that of the Five Emperors. Now he saw that Laozi criticized the Five Emperors as well and traced the criticism back to the Three Sovereigns. He felt that the argument had lost its original footing.

Commentary: “Trembling with alarm” describes a state of fearful agitation. Zigong had wanted to defend the Three Kings by grouping them with the Five Emperors. But now, seeing Laozi speak from such a lofty perspective, reject the Five Emperors, and censure the Three Sovereigns, he was alarmed in both mind and expression. Though he remained standing, his spirit was unsettled.

孔子謂老聃曰丘治詩書禮樂易春秋六經 自以爲乆矣孰知其故矣以奸者七十二君 論先王之道而明周召之迹一君無所鉤用 甚矣夫人之難說也道之難明邪老子曰幸 矣子之不遇治世之君也夫六經先王之陳 迹也豈其所以迹哉  註所以迹者眞性也夫任物之眞性者其  迹則六經也 今子之所言猶迹也夫迹履之所出而迹豈 履哉  註况今之人事則以自然爲履六經爲迹 夫白鶂之相視眸子不運而風化蟲雄鳴於 上風雌應於下風而風化  註鶂以眸子相視蟲以嗚聲相應俱不待  合而便生子故曰風化 類自爲雌雄故風化  註夫同類之雌雄各自有以相感相感之  異不可勝極苟得其類其化不難故乃有  遥感而風化也 性不可易命不可變時不可止道不可壅  註故至人皆順而通之 苟得於道無自而不可  註雖化者無方而皆可也 失焉者無自而可  註所在皆不可也 孔子不出三月復見曰丘得之矣鳥鵲𡦗魚 傳沫細要者化  註言物之自然各有性也  䟽鵲居巢内交尾而表陰陽魚在水中傳  沫而爲牝牡蜂取桑蟲祝爲己子是知物  性不同禀之大道物之自然各有性也 有弟而兄啼  註言人之性舍長而視幼故啼也  䟽有弟而兄失愛捨長憐幼故啼是知陳
Interpretation

Confucius said to Lao Dan, “I have studied the six classics—the Odes, the Documents, the Rites, the Music, the Changes, and the Spring and Autumn Annals—for a long time, or so I believe, and I think I understand their principles. Drawing on these teachings, I have explained the Way of the former kings to seventy-two rulers and clarified the deeds of the Duke of Zhou and the Duke of Shao. Yet not one ruler has been willing to adopt my proposals. Is it truly so difficult to persuade people and so difficult to make principles clear?”

Laozi said, “Fortunately, you have not met a ruler living in an age of great peace. The six classics record the deeds handed down by the former kings. Are those deeds really the root of why the former kings acted as they did?”

The commentary explains: What enabled the former kings to leave these deeds behind was their genuine, natural nature. Only those who follow the true nature of things can bring about the deeds recorded in the six classics.

Laozi continued, “What you speak of is still only the deeds handed down by the former kings. Deeds are footprints, and footprints are made by feet. How could a footprint be the foot itself?”

The commentary explains: Later generations, in dealing with affairs, go further still: they treat natural nature as the foot and the six classics as its footprints.

When white waterfowl, a kind of aquatic bird mentioned in ancient books, gaze at one another, their eyes remain motionless, yet they can stir one another to reproduce. Among insects, the male calls from upwind and the female answers from downwind; they too can be stirred to reproduce.

The commentary explains: White waterfowl reproduce by gazing at one another, and insects by answering each other’s calls. Since neither needs to mate, this is called “transformation by wind.”

Living things of the same kind naturally have males and females. They respond to one another and thereby reproduce.

The commentary explains: Each male and female of the same kind has its own way of responding to the other, and the forms this response takes are beyond counting. When the two are in accord, reproduction is not difficult. Thus some creatures can respond to one another and reproduce even when far apart.

One’s nature cannot be forcibly changed, one’s allotted life cannot be arbitrarily altered, the course of events cannot be held in place, and the Dao cannot be obstructed.

The commentary explains: That is why the perfected ones, those who have understood the Great Dao, follow these conditions and let them run their course.

Once one has grasped the Dao, there is no situation one cannot meet.

The commentary explains: Even changes that have no fixed pattern can all be met.

Those who have lost the Dao cannot deal properly with any situation they find themselves in.

The commentary explains: Such people find no way forward wherever they go.

Confucius left, and three months later he came to see Laozi again. He said, “I understand now. Magpies mate in their nests, fish pass saliva from one to another, and the long-waisted wasp transforms another creature. All of this shows that every thing has its own natural disposition.”

The commentary explains: This means that all things follow their own nature, and each has a different nature.

The explanatory note says: Magpies reproduce by mating in their nests; fish reproduce by touching their mouths together in the water; and the wasp takes a caterpillar from a mulberry tree, prays over it, and transforms it into its own offspring. This shows that all things receive the Great Dao in different ways and each has its own natural nature.

“When a younger brother is born, the elder brother cries.”

The commentary explains: This means that a person may cry because he has lost the affection of his elders and sees his younger brother favored.

The explanatory note says: When a younger brother is born, the elder brother feels he has lost affection. Seeing adults reject the older child and favor the younger one, he cries. This shows that human feelings and the nature of things differ from one another.

 迹不可執留但當順之物我無累言人性  捨長視幼故啼也 久矣夫丘不與化爲人不與化爲人安能化 人  註夫與化爲人者任其自化者也若繙六  經以說則䟽也 老子曰可丘得之矣 南華眞經
Interpretation

Do not cling to or grow attached to the traces of things; simply follow their changes. Then external things and the self will no longer entangle one another. This is what is meant by human nature.

One weeps because one leaves the old behind and cares for the young.

Confucius, if you did not take part in the transformations of nature and become human, how could you bring others into being as humans?

Note: “Taking part in the transformations of nature and becoming human” means allowing all things to change naturally. To expound the Six Classics over and over only makes them seem more distant.

Laozi said, “Confucius, you have understood.” Commentary and Subcommentary on the True Classic of Southern Florescence, juan 16.

注䟽卷之十六

Source text: Kanripo 漢籍リポジトリ(KR5c0139); Licence: CC BY-SA 4.0 · Report an error / feedback

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