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《南華真經註疏》Vol. 21

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Dongshen 洞神部 Vol. 21 / 35 10,594 characters

About this page. The original text of 《南華真經註疏》 Vol. 21 (Dongshen 洞神部, 35 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 21 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source text (with commentary)Interpretation

南華眞經注䟽卷之二十一善七     河南郭象註     唐西華法師成玄英䟽    外篇達生第十九 達生之情者不務生之所無以爲  註生之所無以爲者分外物也 達命之情者不務知之所無奈何  註知之所無奈何者命表事也  䟽夫人之生也各有素分形之妍醜命之  脩短奚及貧富貴賤愚智窮通一毫已上  無非命也故達生於性命之士性靈明照  終不貪於分外爲己事務也一生命之所  鍾者皆智慮之所無奈之何也 養形必先之以物物有餘而形不養者有之 矣  註知止其分物稱其生生斯足矣有餘則  傷  䟽物者謂資貨衣食旦夕所須夫頤養身  形先須用物而物有分限不可無涯故凡  鄙之徒積聚有餘而養衛不足者世有之  矣 有生必先無離形形不離而生亡者有之矣  註守形太甚故生亡也  䟽既有此浮生而不能離形遺智愛形太  甚亡失全生之道也如此之類世有之矣 生之來不能却其去不能止  註非我所制則無爲有懷於其間  䟽生死去來委之造物妙達斯原故無所  惡 悲夫世之人以爲養形足以存生  註故彌養之而彌失之  䟽夫壽夭去來非己所制而世俗之人不  悟斯理貪多資貨厚養其身妄謂足以存  生深可悲歎 而養形果不足以存生  註養之彌厚則死地彌至
Interpretation

Those who understand the nature of life do not pursue things beyond their proper share that cannot be attained. Guo Xiang’s commentary says these are external things that lie beyond one’s own allotment.

Those who understand the nature of fate do not fixate on investigating matters beyond their power. Guo Xiang’s commentary says these are matters beyond the reach of fate, which one cannot control.

Each person is born with an inborn allotment: some are beautiful, others plain; some live longer, others less long. Wealth or poverty, high or low status, intelligence or dullness, ease or hardship—even the smallest details—are not for us to decide. Those who understand life and fate therefore have clear and lucid minds. They do not covet what lies beyond their proper share, nor do they waste their efforts on matters beyond their power. No human ingenuity can change the allotment one receives in life.

Caring for the body certainly requires material goods. Yet it is also true that people may have abundant goods and still fail to care properly for their bodies.

Guo Xiang’s commentary says that when we know where to stop and keep our means in proportion to what life requires, life can be settled; excessive desire only brings harm. The explanatory commentary says that “things” here means everyday necessities such as money, clothing, and food. Caring for the body requires these goods, but they are limited and cannot be accumulated without end. Thus, some people in the world greedily amass possessions; though their stores are great, they fail to care for their bodies.

Once people are alive, they cannot avoid being burdened by their physical form. Yet some cling so fiercely to preserving the body that they end up losing their lives.

Guo Xiang’s commentary says that an excessive attachment to guarding the body can lead to the loss of life. The explanatory commentary says that, living in the world, we cannot entirely escape our physical form and our thoughts. If we cherish the body too much, we may instead lose the proper way of preserving life. Such cases also exist in the world.

When life comes, people cannot refuse it; when life departs, they cannot stop it.

Guo Xiang’s commentary says that since the coming and going of life and death are beyond our control, there is no need to cling to them. The explanatory commentary says that when we understand the changes of life and death as part of the natural workings of creation, we will neither despise nor resist them.

It is lamentable that people in the world believe that caring well for the body is enough to preserve life.

Guo Xiang’s commentary says that the more deliberately one tries to preserve the body, the easier it may be to lose one’s life. The explanatory commentary says that the length of one’s life and the coming or departure of death are not ours to decide. Yet ordinary people do not understand this: they covet possessions and lavish care on the body, mistakenly believing that this will preserve their lives. This is truly cause for lament.

Ultimately, caring for the body is not enough to preserve life.

Guo Xiang’s commentary says that the more excessive the care, the sooner death may arrive.

 䟽厚養其形彌速其死故决定不足以存  生 則世奚足爲哉  註莫若放而任之  䟽夫馳逐物境本爲資生生既非養所存  故知世間物務何足爲也 雖不足爲而不可不爲者其爲不免矣  註性分各自爲者皆在至理中來故不可  免也是以善養生者從而任之  䟽分外之事不足爲也分内之事不可不  爲也夫目見耳聽足行心知者禀之性理  雖爲無爲故不務免也 夫欲免爲形者莫如棄世棄世則無累無累 則正平正平則與彼更生更生則幾矣  註更生者日新之謂也付之日新則性命  盡矣  䟽幾盡也更生日新也夫欲有爲養形者  無過棄却世間分外之事棄世則無憂累  無憂累則合於正眞平等之道平正則冥  於日新之變故能盡道之玄妙 事奚足棄而生奚足遺棄事則形不勞遺生 則精不虧  註所以遺棄之  䟽人世虚無何足損棄生涯空幻何足遺  忘故棄世事則形逸而不勞遺生涯則神  凝而不損也 夫形全精復與天爲一  註俱不爲也  䟽夫形全不擾故能保完天命精固不虧  所以復本還原形神全固故與玄天之德  爲一 天地者萬物之父母也  註無所偏爲故能子萬物  䟽夫二儀無心而生化萬物故與天地合  德者群生之父母 合則成體散則成始  註所在皆成無常處
Interpretation

If people devote themselves to chasing after things and excessively nourishing the body, they will only approach death more quickly. This cannot truly preserve life. If so, what in the world is worth pursuing without restraint?

Zhuangzi says that following nature is better than forcing things. People bustle about in pursuit of external things, originally to sustain their lives. But if pursuing external things does not truly nourish life, then we know that worldly affairs are not worth taking too seriously.

Although some things are not worth pursuing deliberately, others cannot be left undone, because people cannot avoid them. Each person’s innate duties and abilities come from the principles of nature, so they cannot be entirely avoided. Those skilled at caring for life act in accordance with these duties: they do not force things, nor do they deliberately evade them.

There is no need to do what lies beyond one’s proper role, while what falls within it cannot be left undone. Seeing with the eyes, hearing with the ears, walking with the feet, and thinking with the mind are abilities people possess by virtue of their nature and the principles of nature. Even when one takes action, there is no need to avoid it deliberately, so long as it does not arise from forcing things.

To avoid being burdened by the body, nothing is better than setting aside worldly affairs. When burdens are set down, the mind can become calm and at peace; when it is calm and at peace, it can respond to the ceaseless change and renewal of all things. “Renewed life” means that something changes anew each day. Entrusting everything to this unceasing renewal allows the nature of life to be fully realized.

If one wishes to take action to care for the body, the best course is to set aside worldly affairs that go beyond one’s proper role. Letting go of these affairs brings freedom from worry and burden; free of worry and burden, one can accord with the Way of what is true and peaceful. When the mind is balanced and upright, it can harmonize with ceaseless renewal and thereby experience the mystery of the Great Way.

What is there that must be given up? What is there in life worth forgetting? When worldly affairs are set aside, the body will not be worn out; when life is not treated lightly, the spirit will not be depleted. Worldly affairs are inherently illusory, so giving them up need not be seen as a loss; nor is everyday life something to be forgotten. Setting aside excessive worldly business allows the body to rest; refusing to cast life aside allows the spirit to settle and remain undiminished.

When the body is kept whole and the spirit restored, one can become one with the Way of Heaven. To keep the body whole is to preserve one’s innate life without disturbance; to restore essence is to keep the spirit firm and free from loss. When both body and spirit are whole, one returns to the source and accords with the De of the Way of Heaven.

Heaven and Earth are the parents of all things. Heaven and Earth show no partiality, and so can bring forth and nurture all things. Those who accord with the De of Heaven and Earth can likewise embrace all things without limit.

When things gather, they take on particular forms; when they disperse, they open a new beginning. The commentator explains that wherever things may be, they can assume forms suited to that place, and have no fixed, unchanging abode.

 䟽夫陰陽混合則成體質氣息離散則反  於未生之始 形精不虧是謂能移  註與化俱也  䟽移者遷轉之謂也夫不勞於形不虧其  精者故能隨變任化而與物俱遷也 精而又精反以相天  註還輔其自然也  䟽相助也夫遣之又遣乃曰精之又精是  以反本還元輔於自然之道也 子列子問關尹曰至人潜行不窒  註其心虚故能御群實  䟽古人稱師曰子亦是有德之嘉名具斯  二義故曰子列子即列禦寇也姓尹名喜  字公度爲函谷關令故曰關令尹眞人是  老子弟子懷道抱德故禦寇詢之也窒塞  也夫至極聖人和光匿燿潜伏行世混跡  同塵不爲物境障礙故等虚室空而無塞  本亦作空字 蹈火不熱行乎萬物之上而不慄  註至適故無不可耳非物往可之  䟽冥於寒暑故不能灾一於高卑故心不  恐懼 請問何以至於此  䟽總結前問意也 關尹曰是純氣之守也非知巧果敢之  䟽夫不爲外物侵傷者乃是保守純和之  氣養於性澹之心而致之也非關運役心  智分别巧詐勇决果敢而得之 列居予語汝  䟽命禦寇令復坐我告汝至言也 凡有貌象聲色者皆物也物與物何以相遠  註唯無心者獨逮耳 夫奚足以至乎先是色而已  註同是形色之物耳未足以相先也  䟽夫形貌聲色可見聞者皆爲物也二彼
Interpretation

When Yin-Yang (the two fundamental forces that interact) combine, they form a body. When the breath disperses, the body returns to the state it was in before birth. If neither the body nor the vital essence is damaged or depleted, this is called being able to move along with change.

Commentary: To move in step with the transformations of all things.

Exegesis: “Move” means to shift or transform. The body is not worn down, and the vital essence is not depleted. One can therefore follow change, let things unfold naturally, and transform along with all things.

Refine the essence until it is perfected, and in the end it will, in turn, assist Nature.

Commentary: To turn back and assist Nature itself.

Exegesis: “Assist” means to help. By gradually letting go of attachments to external things, one reaches a state of ever greater refinement. Then one can return to one’s origin and assist the Dao of Nature.

Liezi (Lie Yukou) asked Guanyin (the Keeper of the Pass, Yin Xi, courtesy name Gongdu; legend holds that he was a disciple of Laozi): “The Perfected One (a person of the highest spiritual attainment) moves unseen through the world without being obstructed, walks through flames without feeling heat, and walks over all things without fear. May I ask how one can attain this state?”

Commentary: The Perfected One’s mind is empty and still, so he can master the profusion of material things.

Exegesis: In antiquity, “zi” was an honorific for a teacher, a term of praise for a virtuous person. Liezi was Lie Yukou. Guanyin’s surname was Yin, his given name Xi, and his courtesy name Gongdu. He once served as Keeper of the Hangu Pass, which is why he was called the Keeper of the Pass. Tradition holds that he was a Perfected One and a disciple of Laozi, with Dao and virtue in his heart. For this reason, Lie Yukou sought his guidance. “Obstructed” means blocked. The supreme sage gathers in his radiance and conceals his sharpness, moving unseen through the world and mingling with ordinary people. He is not hindered by external circumstances, like an empty room with no obstruction. Some editions read “empty” instead of “root” for the character 本.

Commentary: This is because his state is utterly at ease, so there is nothing he cannot endure; it is not that external things deliberately come to accommodate him.

Exegesis: He deeply understands the changes of cold and heat, so neither can harm him. His mind does not cling to distinctions such as high and low, noble and humble, and therefore he has no fear.

Guanyin replied: “This comes from preserving pure, harmonious Qi. It is not achieved through cleverness, courage, or decisiveness.”

Exegesis: He is unharmed by external things because he preserves pure, harmonious Qi and nurtures a calm, tranquil nature. This is not achieved by exercising the intellect, making distinctions and choices, using clever devices, or relying on courage and decisiveness.

Liezi remained seated. Guanyin said to him: “I will tell you the ultimate truth of this.”

Everything that has form, shape, sound, or color is a thing. By what measure can things be ranked as higher or lower, near or far?

Commentary: Only one who is free of intention can reach this state.

Commentary: They are equally just things with color and form; this alone is not enough to say that one comes before the other.

Exegesis: Everything that can be seen or heard, whether it has form, sound, or color, belongs to the category of “things.” Both are things with form and color, …

 俱物何足以遠亦何足以先至乎俱是聲  色故也唯當非色非聲絶視絶聽者故能  超貌象之外在萬物之先也 則物之造乎不形而止乎無所化  註常遊於極  䟽夫不色不形故能造形色者也無變無  化故能變化於萬物者也是以群有從造  化而受形任變化之妙本 夫得是而窮之者物焉得而止焉  註夫至極者非物所制  䟽夫得造化之深根自然之妙本而窮理  盡性者世間萬物何得止正而控馭焉故  當獨往獨來出没自在乗正御辯於何待  焉 彼將處乎不淫之度  註止於所受之命  䟽彼之得道聖人方將處心虚澹其度量  宏博終不滯於世間 而藏乎無端之紀  註冥然與變化日新  䟽大道無端無緒不始不終即用比混沌  而爲紀綱故聖人藏心晦跡於恍惚之鄉  也 遊乎萬物之所終始  註終始者物之極  䟽夫物所始終謂造化也言生死始終皆  是造化物固以終始爲造化也而聖人於  任乎自然之境遨遊乎造化之場 壹其性  註飾則二矣  䟽率性而動故不二也 養其氣  註不以心使之  䟽吐納虚夷故愛養元氣 合其德  註不以物離性  䟽抱一不離故常與玄德冥合也 以通乎物之所造  註萬物皆造放自爾  䟽物之所造自然也既一性合德與亦相
Interpretation

All things belong to the same kind of existence. On what grounds can we say that one surpasses another, or that one comes before another? It is because they are all limited by sound, color, shape, and appearance. Only those who go beyond form and color, and are not confined by sight and hearing, can transcend outward appearances and stand before all things.

All things come into being from the formless and come to rest where nothing changes.

[Commentary] They are constantly at ease in the ultimate realm of things.

[Exegesis] Because they are not constrained by form and color, they can give rise to form and color. Though they do not change, they can bring change to all things. Thus all things come forth from the transformation of nature, receive their forms, and undergo change. This transformation is the root of the generation and change of all things.

One who can grasp and thoroughly understand this root—how could all things bind them?

[Commentary] One who has reached the ultimate is not constrained by external things.

[Exegesis] How could the things of the world bind or control someone who grasps the deep source of transformation, understands the subtle essence of nature, exhaustively investigates the principles of things, and fully expresses their own nature? Such a person can come and go alone, freely entering and leaving, following the right course and putting change to use. What, then, would they need to rely on?

Such a person rests in a state that is neither excessive nor beyond its proper bounds.

[Commentary] They are at peace with the allotment of life they have received.

[Exegesis] The sage who has attained the Dao has a quiet, empty, and untroubled heart and a broad outlook, and does not become mired in the world.

They entrust themselves to the order of the Dao, which has neither beginning nor end.

[Commentary] In a deep and mysterious way, they accord with ceaseless change.

[Exegesis] The Great Dao has no point of origin and no distinction between beginning and end. Here, primordial chaos is used as a metaphor for the guiding order of the Great Dao. The sage therefore conceals their thoughts and actions in a hazy, mysterious realm.

They roam amid the changes through which all things pass from beginning to end.

[Commentary] “Beginning and end” refers to the limits of a thing’s development.

[Exegesis] The beginning and end of all things are the transformations of nature. The life and death, beginnings and endings of all things belong to these transformations. The sage follows nature and roams within them.

They make their nature whole and undivided.

[Commentary] Deliberate cultivation brings distinctions.

[Exegesis] They act in accordance with their nature, and so avoid division and partiality.

They nourish their original Qi.

[Commentary] They do not use the mind’s intentions to force it into submission.

[Exegesis] Through breathing practices, they bring body and mind to a quiet, balanced state, thereby protecting and nourishing their original Qi.

They bring their own De into accord with the Dao.

[Commentary] They do not allow external things to divide their nature.

[Exegesis] By maintaining unity without straying from it, they can remain in accord with the subtle De of the Dao.

In this way, they understand the principles by which all things come into being.

[Commentary] All things are brought forth by transformation, each in its own way.

[Exegesis] All things come into being spontaneously. Since they can make their nature whole and accord with De, they can also be in accord with… [The original text ends here.]

 應故能達至道之原通自然之本 夫若是者其天守全其神無郤物奚自入焉  䟽是者指斥以前聖人也自從也若是者  其保守自然之道全而不虧其心神凝照  曾無間郤故世俗事物何從而入於靈府  哉 夫醉者之墜車雖疾不死骨節與人同而犯 害與人異其神全也乗亦不知也墜亦不知 也死生驚懼不入乎其胸中是故遻物而不 慴  䟽自此已下凡有三譬以况聖人任獨無  心一者醉人二者利劍三者飄瓦此則是  初夫醉人乗車忽然顚墜須復困疾必當  不死其謂心無縁慮神照凝全既而乗墜  不知死生不入是故遻於外物而情無慴  懼 彼得全於酒而猶若是  註醉故失其所知耳非自然無心者也 而况得全於天乎  䟽彼之醉人因於困酒猶得暫時凝澹不  爲物傷而況德全聖人冥於自然之道者  乎物莫之傷故其冥矣 聖人藏於天故莫之能傷也  註不闚性分之外故曰藏  䟽夫聖人照等三光智周萬物藏光塞智  於自然之境故物莫之傷矣 復讎者不折鏌干  註夫干將鏌鎁雖與讎爲用然報讎者不  事折之以其無心  䟽此第二諭也干將鏌鎁並古之良劍雖  用劍殺害因以結讎而報讎之人終不瞋  怒此劍而折之也其爲無心故物莫之害  也 雖有忮心者不怨飄瓦
Interpretation

It is precisely by adapting to things that one can reach the source of the utmost Dao and pass through to the nature of the natural world.

In this way, a person’s inborn nature remains whole and intact, and the spirit has no gaps. How, then, could external things intrude?

Commentary: “A person like this” refers to the sage mentioned earlier. “From” means “starting from.” A person like this preserves the Dao of nature, keeping it whole and without loss. The mind and spirit are settled and clear, with no gaps at any time. How, then, could worldly things enter the heart?

A drunkard who falls from a carriage may not die, even if it is moving very fast. His bones and joints are like anyone else’s, yet he is less likely to be injured, because his spirit is in a state of unknowing. He does not know he is riding in the carriage, nor does he know when he falls. Death, life, and fear have not entered his breast. So even when he encounters external things, he is not startled or afraid.

Commentary: From here on, three illustrations explain how the sage follows his independent, inborn nature and remains inwardly unattached. The first is the drunkard, the second the sharp sword, and the third a flying roof tile. Here the text begins with the drunkard. A drunkard riding in a carriage may suddenly be thrown out when it overturns, and will surely be shaken and hurt, yet may escape death. The point is that he has no worries or concerns in his heart, and his spirit is settled and whole. Unaware of both the ride and the fall, with neither life nor death nor fear entering his heart, he does not panic when confronted by external things.

Note: He has merely lost awareness through drunkenness; this is not the natural absence of self-consciousness found in a sage.

If a drunkard can temporarily preserve himself through intoxication, how much more can one whose inborn nature is whole and in accord with nature?

Commentary: Through drunkenness, the drunkard’s mind and spirit are temporarily calm and unharmed by external things. How much more so the sage, whose De is whole and who accords with the Dao of nature? External things cannot harm him, and so he can merge with nature.

The sage takes shelter within the Way of Heaven; therefore nothing can harm him.

Note: Because he does not pursue anything beyond the limits of his nature, he is said to be “sheltered.”

Commentary: The sage’s insight is like the sun, moon, and stars, and his wisdom extends throughout the myriad things. Yet he draws in his radiance, conceals his wisdom, and dwells in the realm of nature. Thus external things cannot harm him.

A person seeking revenge will not break the swords Ganjiang and Moye, famous blades of antiquity.

Note: Although Ganjiang and Moye were once used to kill and create enmity, the avenger does not deliberately break them, for he bears no resentment toward the swords themselves.

Commentary: This is the second illustration. Ganjiang and Moye were famous swords of antiquity, used to kill and give rise to enmity. Yet the avenger ultimately does not take his anger out on the swords, much less break them. This is because he bears no resentment toward them, and so external things cannot harm him.

Even a person harboring resentment does not resent a roof tile flying toward him.

 註飄落之瓦雖復中人人莫之怨者由其  無情  䟽飄落之瓦偶爾傷人雖忮逆褊心之夫  終不怨恨爲瓦是無心之物此第三諭也 是以天下平均  註凡不平者由有情 故無攻戰之亂無殺戮之刑者由此道也  註無情之道大矣  䟽夫海内清平遐荒靜息野無攻戰之亂  朝無殺戮之刑者蓋由此無爲之道無心  聖人故致之也是知無心之義大矣 不聞人之天而開天之天  註不慮而知開天也知而後感開人也然  則開天者性之動也開人者知之用也  䟽郭注云不慮而知開天者也知而後感  開人者也然則開天者性之動開人者智  之用郭得之矣無勞更釋 開天者德生  註性動者遇物而當足則忘餘斯德生也 開人者賊生  註知用者從感而求勌而不已斯賊生也  䟽夫率性而動動而常寂故德生也運智  御世爲害極深故賊生也老經云以智治  國國之賊不以智治國國之德也 不厭其天不忽於人  註任其天性而動則人理亦自全矣  䟽常用自然之性不厭天者也任智自照  於物斯不忽人者也 民幾乎以其眞  註民之所患偽之所生常在於知用不在  於性動也  䟽幾盡也因天任人性動智用而人天無  別知用不殊是以率土盡眞蒼生無偽也 仲尼適楚出於林中見痀僂者承蜩猶掇之 也
Interpretation

Even when a falling roof tile strikes and injures someone, people do not blame it, because the tile has no feelings or consciousness.

If a falling tile happens to injure someone, even a narrow-minded person who is quick to resent others will not resent the tile, because it is a thing without a mind. This is the third analogy.

Thus peace can prevail throughout the world.

Whatever is not peaceful comes from feelings, awareness, and discrimination. The world is free from the disorder of wars of aggression and from the execution of people as punishment precisely because it follows the Dao of Wuwei (non-action).

The principle of being without feelings or awareness and following nature’s course has far-reaching significance.

Peace prevails within the seas, and the distant borders are secure. There is no warfare in the fields, nor killing and punishment in the court. This is all because the Dao of Wuwei is put into practice, bringing about such conditions through the sage who is without a mind. From this we can see the far-reaching significance of being “without a mind.”

Do not seek human cleverness and ingenuity; instead, awaken your inborn nature.

To understand spontaneously, without deliberation, is to awaken one’s innate nature. To think consciously first and then respond to things is to use artificial cleverness. Thus, awakening one’s innate nature is the natural activity of one’s nature; using artificial cleverness is the function of the mind.

Guo Xiang’s commentary says, “To understand spontaneously, without deliberation, is to awaken one’s innate nature; to think consciously first and then respond is to use artificial cleverness.” He goes on to say that awakening one’s innate nature is the activity of one’s nature, while using cleverness is the function of the mind. Guo Xiang has made the point clearly; no further explanation is needed.

When one awakens one’s innate nature, De (Virtue/Power) grows from it.

To act in keeping with one’s nature, respond aptly when things arise, and be content without coveting more than one needs: this is the growth of De.

Using artificial cleverness instead harms life.

To rely on the mind to respond to things, ceaselessly pursuing sensations and desires without knowing when to stop, is to harm life. When one acts in keeping with one’s nature, one can remain calm and still amid one’s actions, and De grows from this. But using cleverness to control worldly affairs brings deep harm. The Laozi says, “When cleverness is used to govern a state, calamities arise in the state; when cleverness is not used to govern a state, blessings and De arise in it.”

Do not go against Heaven-given nature, and do not neglect the ordinary principles of human life.

When Heaven-given nature is allowed to run its course, the ordinary principles of human life are naturally preserved.

Always act through one’s natural nature, without rejecting it; at the same time, meet external things by letting them take their natural course, without neglecting the ordinary principles of human life.

Then the people will be almost able to return to their original nature.

The people’s troubles and pretenses often arise from excessive reliance on the mind, rather than from the natural activity of their innate nature.

“Almost” means approaching or nearly attaining something. By following one’s nature while also taking account of the ordinary principles of human life, the activity of one’s nature and the function of the mind do not come into conflict. There is then no separation between people and their innate nature, and the people of the world can draw close to their original nature, with little pretense.

When Confucius went to Chu, he was walking through a forest when he saw a hunchback catching cicadas with sticky poles. He moved so skillfully that it seemed as easy as picking something up from the ground.

 䟽病僂老人曲腰之貌承蜩取蟬也掇拾  也孔子聘楚行出林籟之中遇老公以竿  承蟬如俛拾地芥一無遺也 仲尼曰子巧乎有道邪曰我有道也  䟽怪其巧妙一至於斯故問其方答云有  道也 五六月累丸二而不墜則失者錙銖  註累二丸於竿頭是用手之停審也故其  承蜩所失者不過錙銖之間也  䟽錙銖稱兩之微數也初學承蜩時經半  歲運手停審故所失不多 累三而不墜則失者十一  註所失愈多  䟽時節猶乆累丸微多所承之蜩十失其  一也 累五而不墜猶掇之也  註停審之至故乃無所復失  䟽累五丸於竿頭一無墜落停審之意遂  到於斯是以承蜩蟬猶如俛拾 吾處身也若橛株拘吾執臂也若槁木之枝  註不動之至  䟽拘謂斫殘枯樹枝也執用也我安處身  心猶如枯樹用臂執竿若槁木之枝凝寂  停審不動之至斯言有道此之謂也 雖天地之大萬物之多而唯蜩翼之知  䟽二儀極大萬物甚多而運智用心唯在  蜩翼蜩翼之外無他縁慮也 吾不反不側不以萬物易蜩之翼何爲而不 得  註遺彼故得此  䟽反側猶變動也外息攀縁内心凝靜萬  物雖衆不奪蜩翼之知是以事同拾芥何  爲不得也 孔子顧謂弟子曰用志不分乃凝於神其痀 僂文人之謂乎
Interpretation

An old hunchback bent over, using a pole tipped with sticky material to catch cicadas. He caught them with such light, nimble movements that it was like bending down to pick up a blade of grass. Not a single cicada escaped him.

Confucius asked, “Your skill is remarkable. Do you have a special method?”

The old man replied, “I do.”

He went on: “When I began practicing, I balanced two pellets on the tip of my pole. After five or six months, I could keep them from falling. Then I rarely missed a cicada; failure came only once in a while.

“Later, I balanced three pellets on the tip. They still didn’t fall, and I missed only about once in every ten attempts.

“After that, I balanced five pellets on the tip and could keep them from falling. By then, catching cicadas was like bending down to pick something up. I almost never missed.”

The old man said, “I hold my body steady like a tree stump, and the arm that holds the pole is like a dead branch.” He meant that his concentration was so complete that his body and arm remained perfectly still.

“Though Heaven and Earth are vast and the myriad things are many, I keep my mind fixed only on the cicada’s wings. Whatever happens, I do not change my posture or let anything else distract me from the wings. How could I fail to catch the cicada?”

Confucius turned to his disciples and said, “When the mind is single and undistracted, the spirit can gather itself. Surely this is just what the old hunchback has shown us.”

 䟽夫運心用志凝靜不離故累丸承蜩妙  疑神鬼而尼父勉勗門人故云病僂丈人  之謂也 顔淵問仲尼曰吾嘗濟乎觴深之淵津人操 舟若神  䟽觴深淵名也其狀似桮因以爲名在宋  國也津人謂津濟之人也操捉也顔回嘗  經行李濟渡斯淵而津人操舟甚有方便  其便僻機巧妙若神鬼顔面怪之故問夫  子 吾問焉曰操舟可學邪曰可善遊者數能  註言物雖有性亦須數習而後能耳  䟽顔回問可學答曰好遊涉者數習則能  夫物雖禀之自然亦有習以成性者 若乃夫没人則未嘗見舟而便操之也  註没人謂能鶩没於水底  䟽注云謂鶩没水底鶩鴨子也謂津人便  水没入水下猶如鴨鳥没水因而捉舟 吾問焉而不吾告敢問何謂也仲尼曰善遊 者數能忘水也  註習以成性遂若自然  䟽好遊於水數習故能心無忌憚忘水者  也 若乃夫没人之未嘗見舟而便操之也彼視 淵若陵視舟之覆猶其車却也  註視淵若陵故視舟之覆於淵猶車之却  退於坂也  䟽好水數遊習以成性遂使顧視淵潭猶  如陵陸假令舟之顚覆亦如車之却退於  阪 覆却萬方陳乎前而不得入其舍  註覆却雖多而猶不以經懷以其性便故  也  䟽舍猶心中也隨舟進退方便萬端陳在  目前不關懷抱既不忘水豈復勞心 惡往而不暇
Interpretation

Commentary note: I’ll preserve the technical Daoist terms and the passage’s explanatory structure, while rendering the prose in natural English.

Only when the mind is wholly focused, the spirit settled, and the breath calm, without distraction, can one attain the extraordinary mastery shown by piling pellets and catching cicadas.

People suspected that spirits or ghosts were helping with this. To encourage his disciples, Confucius told the story of the hunchbacked old man who caught cicadas. It illustrates just this kind of mastery.

Yan Yuan asked Confucius, “I once crossed the deep pool of Shangshen. The ferryman’s skill at handling his boat seemed almost divinely assisted.”

Shu: Shangshen is the name of a deep pool in the state of Song. It was named for its shape, which resembles a wine cup. “Ferry worker” means the person who ferries people across; “handle” means to manage and steer. Yan Hui once crossed the river there and saw the ferryman maneuver the boat with extraordinary skill and agility, as if by the power of spirits or ghosts. He found it astonishing and asked Confucius for an explanation.

Yan Hui asked, “Can the skill of steering a boat be learned?” Confucius said, “Yes. Someone who is good at swimming can master it through repeated practice.”

Note: Even when a skill comes naturally, it takes repeated practice to become proficient.

Shu: Yan Hui asked whether the skill could be learned. Confucius replied that someone who enjoys swimming can learn it by practicing again and again. Skills may come from natural gifts, but they can also be acquired through practice until they become habitual.

As for someone who can dive, even if he has never seen a boat before, he can steer one at once.

Note: “Someone who can dive” means someone able to descend beneath the water.

Shu: The note says that a diver goes underwater like a duck. The point here is that the ferryman knows the water so well that he can move beneath it like a duck, and so can steer a boat too.

Yan Hui asked again, “I asked him, but he would not tell me. What does that mean?” Confucius said, “Someone who is good at swimming can, through repeated practice, reach a point where he no longer thinks about the water.”

Note: Through practice, a skill becomes habitual and eventually seems to come naturally.

Shu: Someone who enjoys being in the water and practices again and again will no longer be afraid. It is as though he has forgotten the water is there.

As for someone who can dive, even if he has never seen a boat before, he can steer one at once: he sees a deep pool as though it were a hill, and a boat capsizing as though a cart were rolling backward.

Note: He sees a deep pool as though it were a hill, so a boat capsizing in it looks to him like a cart rolling backward on a slope.

Shu: Because he knows the water and swims often, practice has become habit. He therefore sees a deep pool as he would a hill on dry land. Even if the boat capsizes, he takes it no more seriously than a cart rolling backward on a slope.

All the boat’s movements—capsizing, advancing, and retreating—may unfold before his eyes, yet none of them enters his mind.

Note: However many movements there are, including capsizing, advancing, and retreating, he does not dwell on them; steering a boat has become completely familiar to him.

Shu: Here, “shelter” refers to the mind. The boat’s changing movements are all there before him, yet he does not take them to heart. Since he no longer treats the water as a cause for concern, he need not give it any thought.

Wherever he goes, he can respond with ease.

 註所遇皆閒暇也  䟽率性操舟任眞遊水心無矜係何往不  閒豈唯操舟學道亦爾但能忘遣即是達  生 以瓦注者巧以鈎注者憚以黃金注者殙  註所要愈重則其心愈矜也  䟽注射也用瓦器賤物而戲覩射者既心  無矜惜故巧而中也以鈎帶賭者以其物  稍貴恐不中垛故心生怖懼而不著也用  黃金覩者既是極貴之物矜而惜之故心  智昏亂而不中也是以津人以忘遣故若  神射者以矜物故昏亂是以矜之則拙忘  之則巧朂諸學者幸志之焉 其巧一也而有所矜則重外也凡外重者内 拙  註夫欲養生全内者其唯無所矜重也  䟽夫射者之心巧拙無二爲重於外物故  心有所矜只爲貴重黃金故内心昏拙豈  唯在射萬事亦然 田開之見周威公威公曰吾聞祝腎學生  註學生者務中適 吾子與祝腎遊亦何聞焉  䟽姓田名開之學道之人姓祝名腎懷道  者也周公之胤莫顯其名食采於周謚曰  威也素聞祝腎學養生之道開之既從遊  學未知何所聞乎有此咨疑庶禀其術 田開之曰開之操拔篲以侍門庭亦何聞於 夫子  䟽開之謂祝腎爲夫子拔篲掃帚也言我  操提掃帚參侍門户灑掃庭前而已亦何  敢輒問先生之道乎古人事師皆擁篲以  充役也 威公曰田子無讓寡人願聞之
Interpretation

When you act in accord with your nature, steer a boat with ease, and swim freely, with no reserve or worry in your heart, you can be at ease wherever you go. This applies not only to steering a boat; it applies to learning the Dao (the Way) as well. Once you can let go of attachment, you can understand the principles of life.

When a tile is the prize, the archer shoots skillfully; when a belt hook is the prize, the archer grows fearful; when gold is the prize, the archer’s mind becomes clouded. The more precious the prize, the more concerned the archer becomes.

If the prize for archery is something worthless, such as a tile, the archer has nothing to protect and can focus on aiming, so the shot is accurate. If the prize is a belt hook, which is somewhat valuable, the archer fears missing; that fear arises in the heart, and the shot becomes inaccurate. If the prize is gold, which is extremely precious, the archer treasures it greatly. The mind then grows clouded, making it even harder to hit the mark.

This shows that the ferryman, skilled at crossing water, acts as if aided by a spirit because he has no worries to weigh on him. The archer’s mind, by contrast, becomes unsettled because he is concerned about the prize. The more we value external things, the more awkwardly we act; when we let go of attachment, we can move with greater skill. Students should keep this in mind.

A person’s abilities have not changed; they only seem less capable because the mind places too much value on external things. Whoever cares excessively about such things is liable to lose inner sharpness.

Caring for life and preserving one’s inner nature probably depends on letting go of attachment and not placing too much weight on external things.

There is no inherent difference between a skilled archer and an unskilled one. But when a person prizes an external thing—gold, for example—the mind becomes clouded and sluggish with concern for it. This does not happen only in archery; it happens in other pursuits as well.

Tian Kaizhi went to see Duke Wei of Zhou. The duke said, “I have heard that Zhu Shen is studying the art of nourishing life. You spend time with Zhu Shen. Have you heard anything about it?”

Tian Kaizhi was a student of the Dao, while Zhu Shen was a practitioner. Duke Wei had heard that Zhu Shen was studying the art of nourishing life, so he asked Tian Kaizhi, who studied under him, in the hope of learning its methods.

Tian Kaizhi replied, “I carry a broom and serve in the courtyard. What could I have heard from my teacher?”

Tian Kaizhi said that he merely swept the courtyard and served his teacher, and would not presume to ask about his teacher’s Dao. In ancient times, students serving their teachers would often carry a broom and take on chores such as sweeping.

Duke Wei said, “Master Tian, there is no need to decline. I would like to hear what you have to say.”

 䟽讓猶謙也養生之道寡人願聞幸請指  陳不勞謙遜 開之曰聞之夫子曰善養生者若牧羊然視 其後者而鞭之  䟽我承祝腎之說養生譬之牧羊鞭其後  者令其折中 威公曰何謂也  䟽未悟田開之言故更發疑問 田開之曰魯有單豹者巖居而水飲不與民 共利行年七十而猶有嬰兒之色不幸遇餓 虎餓虎殺而食之  䟽姓單名豹魯之隠者也巖居飲水不爭  名利雖復年事長老而形色不衰乆處山  林忽遭餓虎所食 有張毅者高門縣薄無不走也行年四十而 有内熱之病以死  䟽姓張名毅亦魯人也高門富貴之家也  縣薄垂簾也言張毅是流俗之人追奔世  利高門甲第朱户垂簾莫不馳驟參謁趍  走慶弔形勞神弱困而不休於是内熱發  背而死 豹養其内而虎食其外毅養其外而病攻其 内此二子者皆不鞭其後者也  汪夫守一方之事至於過理者不及於會  通之適也鞭其後者去其不及也  䟽單豹寡欲清虚養其内德而虎食其外  張毅交游世貴養其形骸而病攻其内以  死此二子各滯一邊未爲折中故並不鞭  其後也 仲尼曰無入而藏  註曰藏既内矣而又入之此過於入也  䟽注云入既入矣而又藏之偏滯於處此  單豹也 無出而陽  註陽既外矣而又岀之此過於出也
Interpretation

“Humility” means being modest. I would very much like to hear about the way of nourishing life. Please instruct me.

Tian Kaizhi said, “I hardly deserve such praise. Please don’t be so modest.”

Tian Kaizhi replied, “I once heard my teacher say that someone skilled at nourishing life is like a shepherd. When he sees a sheep lagging behind, he gives it a flick of the whip to urge it on.”

The commentary explains: I take up Zhu Shen’s account and compare nourishing life to herding sheep. A sheep that falls behind is whipped so that it catches up and reaches a balanced state.

Duke Wei asked, “What does that mean?”

The commentary explains: Duke Wei had not understood Tian Kaizhi’s words, so he asked him to explain.

Tian Kaizhi said, “In the state of Lu there was a recluse named Shan Bao. He lived in a rocky cave and drank from mountain springs, seeking no gain at the expense of the people. He lived to the age of seventy and still had the appearance of an infant. Unhappily, he encountered a hungry tiger, which killed and devoured him.”

The commentary explains: Shan Bao’s surname was Shan and his given name was Bao. He was a recluse of Lu. He lived in a rocky cave and subsisted on water, without competing for fame or profit. Though old, his appearance had not grown aged. After living for a long time in the mountains and forests, he suddenly encountered a hungry tiger and was eaten.

“There was also a man named Zhang Yi. There was no grand household or street in a county town that he did not hurry to visit. He lived to the age of forty, then fell ill with internal heat and died.”

The commentary explains: Zhang Yi’s surname was Zhang and his given name was Yi. He, too, was from Lu. “Grand households” refers to wealthy and powerful families; “county residences” refers to houses with hanging curtains. Zhang Yi pursued worldly advantage. He hurried to visit every great mansion and every curtained residence. He rushed from one social obligation to another, offering congratulations and condolences, wearing himself out without ever stopping. In the end, internal heat flared up, he became ill, and he died.

“Shan Bao cultivated his inner life, but a tiger harmed his body. Zhang Yi tended to outward things, but illness harmed him within. Neither man urged forward the side that lagged behind.”

The commentary explains: Shan Bao had few desires and lived quietly, cultivating his inner virtue, but a tiger injured him from the outside. Zhang Yi associated with the powerful and pursued worldly aims, tending to his outward form, but died when illness attacked him from within. Each clung to one side and failed to find a suitable balance; neither spurred himself to develop the side he had neglected.

Confucius said, “Do not draw everything inward.”

The note explains: To have already drawn things inward and then keep drawing them further inward is excessive introversion.

The commentary explains: As the note says, to have already turned inward and then continue to store everything away is to cling to a life of seclusion, like Shan Bao.

“Do not display everything outwardly.”

The note explains: To have already turned outward and then continue to display oneself further is excessive outward expression.

 䟽陽顯也出既出矣而又顯之偏滯於岀  此張毅也 柴立其中央  註若槁木之無心而中適是立也  䟽柴木也不滯於出不滯於處出處雙遣  如槁木之無情妙捨二邊而獨立於一中  之道 三者若得其名必極  註名極而實萬也  䟽夫因名詮理從理生名若得已前三句  語意者則理窮而名極者也亦言得此三  者名爲證至極之人也 夫畏塗者殺人則父子兄弟相戒也必 盛卒徒而後敢岀焉不亦知乎  䟽塗道路也夫路有劫賊險難可畏十人  同行一人被殺則親情相戒不敢輕行彊  盛卒伍多結徒伴斟量平安然後敢去豈  不知全身遠害乎 人之所取畏者衽席之上飲食之問而不知 爲之戒者過也  註十殺耳便大畏之至於色欲之害動  皆之死地而莫不冒之斯過之甚也  䟽衽衣服也夫塗路患難十殺其一猶相  戒愼不敢輕行況飲食之問不能將節衽  席之上恣其淫蕩動之死地萬無一全舉  世皆然深爲罪過 祝宗人玄端以臨牢莢說彘  䟽祝祝史也如今太宰六祝官也玄端衣  冠筴圈也彘猪也夫饗祭宗廟必有祝史  具於玄端冠服執版而祭鬼神未祭之問  臨圈說彘說彘之文在於下也 曰汝奚惡死吾將三月㹖汝十日戒三日齋 藉白茅加汝肩尻乎彫俎之卜則汝爲之乎
Interpretation

After displaying itself, it deliberately displays itself again; this makes it fixated on “going forth.”

Commentary: This is Zhang Yi’s situation.

Zhang Yi stood in the center like a withered tree.

Commentary: Like a withered tree, he was free of self-interest and took his place appropriately in the middle.

Explanatory note: “Firewood” means wood. He was attached neither to entering public service nor to withdrawing from it, but let go of both. Like a withered tree, he had no desires and leaned toward neither side, resting calmly in the middle way.

If one can understand the names of these three situations, one can reach their utmost.

Commentary: Though the names have limits, the principles they encompass are boundless.

Explanatory note: Names are used to explain principles, and principles are expressed through names. If one understands the three statements given above, one can fully grasp their principles and understand the ultimate meaning of “name.” In other words, one who understands these three situations may be called someone who has attained the highest state.

Roads are perilous and may cost people their lives. So fathers and sons, brothers and brothers warn one another to take enough companions before they dare set out. Is this not knowing how to protect oneself?

Explanatory note: “Road” means a path. Bandits and other dangers lie along the way, making travel frightening. If ten people travel together and one is killed, their relatives warn one another and dare not set out lightly. They gather more companions, travel in a group, and carefully make sure it is safe before departing. Is this not knowing how to preserve oneself and avoid harm?

What people should truly be wary of is sexual desire between the bed and mat, and indulgence in food and drink. To take no precautions against these is a mistake.

Commentary: As soon as people hear that one out of ten has been killed, they are terrified. Yet the harms of sexual desire can lead people to their deaths, and still they take the risk and indulge. This is a grave mistake.

Explanatory note: “Bed and mat” refers to the objects of everyday life, such as clothing and bedding. When one person out of ten dies on a dangerous road, people still warn one another and travel cautiously. But with food and drink, they do not know restraint; and between the bed and mat, they give themselves over to lust, with the result that they may end up dead. Many people in the world behave this way. It is a very great failing.

At a sacrifice, an officiant wore a dark ceremonial robe and went to the pigsty, where he said to the pig:

Explanatory note: “Officiant” refers to the official who presided over the ritual announcements at a sacrifice, like the six ritual announcers under the Grand Steward in later times. “Dark ceremonial robe” means ritual attire; “pen” refers to the enclosure; and “pig” means a swine. At an ancestral temple sacrifice, an officiant would wear the dark ceremonial robe and hold a ritual tablet to make offerings to the spirits. Before the rite began, the officiant went to the pigsty, preparing to persuade the pig. His words are given below.

He said, “Why are you afraid to die? I will feed you for three months, have you fast for ten days and bathe for three, then lay you on white thatching and place you on an ornately decorated sacrificial vessel. Would you be willing to receive such a blessing?”

 䟽豢養也俎盛肉器也謂彫飾之俎也說  彘曰汝何須好生而惡死乎我將養汝以  好食齋戒以潔清藉神坐以白茅置汝身  於俎上如此相待豈不欲爲之乎 爲彘謀曰不如食以糠糟而錯之牢筴之中 自爲謀則苟生有軒冕之尊死得於腞楯之 上聚僂之中則爲之爲彘謀則去之自爲謀 則取之所異彘者何也  註欲贍則身亡理常俱耳不問人獸也  䟽錯置也腞畫飾也楯筴車也謂畫輀車  也聚僂棺椁也爲彘謀者不如置之圈内  食之糟糠不用白茅無勞彫俎自爲謀則  苟且生時有乗軒戴冕之尊死則置於棺  中載於楯車之上則欲得爲之爲彘謀則  去白茅彫俎自爲謀則取於軒冕楯車而  異彘者何也此蓋顚倒愚癡非達生之性  者也 桓公田於澤管仲御見鬼焉公撫管仲之手 曰仲父何見對曰臣無所見  䟽公即桓公小白也畋獵於野澤之下而  使管夷吾御車公因見鬼心有所怖懼執  管之手問之答曰臣無所見此章明凡百  病患多因妄係而成 公反誤詒爲病數日不出  䟽誒詒是懈怠之容亦是數悶之貌既見  鬼憂惶而歸遂成病患所以不出 齊士有皇子告敖者曰公則自傷鬼惡能傷 公  䟽姓皇子字告敖齊之賢人也既聞公有  病來問之云公妄係在心自遭傷病鬼有  何力而能傷公欲以正理遣其邪病也
Interpretation

Commentary: Raising pigs means feeding livestock; a zu is a vessel for holding meat. Here it refers to a sacrificial meat stand decorated with carvings.

Someone says to a pig, “Why do you love life and hate death? I will nourish you with fine food, purify you through fasting, then lay white rushes beneath you and place you on a sacrificial meat stand. Would you not welcome such treatment?”

If you were making plans for the pig, you would say, “It would be better to feed it bran and wine dregs and keep it in a pen.” But when making plans for yourself, you might think that as long as you can cling to life, you can enjoy the honor of riding in a carriage and wearing a crown; and after death, you can lie in a coffin and be placed in a richly decorated funeral carriage. Those things, too, are worth pursuing. When making plans for the pig, you reject the white rushes used in sacrifice and the carved sacrificial stand. When making plans for yourself, you accept carriages, crowns, funeral carriages, and coffins. How are you any different from the pig?

Note: To enjoy being provisioned, one must give up one’s life. This is a common principle, the same for people and livestock.

Commentary: Cuo means to place, and zhuan means to decorate with painted designs. Shun and ce refer to a carriage; here they mean a funeral carriage painted with designs. Julou refers to a coffin and its outer casing. If you were making plans for the pig, you would keep it in a pen and feed it wine dregs and bran, without white rushes or the trouble of decorating a sacrificial stand. But when making plans for yourself, you might think it desirable to ride in a fine carriage and wear a crown while alive, then enter a coffin and ride in a funeral carriage after death. When making plans for the pig, you reject the white rushes and carved sacrificial stand; when making plans for yourself, you accept carriages, crowns, funeral carriages, and coffins. How are you any different from the pig? This is foolish confusion: you do not understand how to follow the nature of life.

Duke Huan of Qi, whose personal name was Xiaobai, was hunting in the marshes, with Guan Zhong driving his carriage. Duke Huan saw a ghost, grasped Guan Zhong’s hand, and asked, “Father Zhong, did you see anything?” Guan Zhong replied, “I saw nothing.”

Commentary: Duke Huan was Xiaobai. While hunting in the open marshland, he had Guan Zhong—Guan Yiwu—drive his carriage. Frightened after seeing a ghost, Duke Huan took Guan Zhong’s hand and asked him about it. Guan Zhong replied that he had seen nothing. This passage explains that many illnesses arise from groundless anxiety and fear in the mind.

After Duke Huan returned, he was dazed and anxious. He fell ill for several days and did not go out.

Commentary: Wuyi describes a slack, dazed state and can also mean troubled and uneasy. After seeing the ghost, Duke Huan returned in fear and fell ill, so he stayed indoors.

A Qi scholar named Huangzi Gao’ao said to Duke Huan, “You have harmed yourself. How could a ghost harm you?”

Commentary: Huangzi was his surname and Gao’ao his courtesy name; he was a worthy man of Qi. Hearing that Duke Huan was ill, he came to visit and said that Duke Huan had brought harm upon himself by giving rise to groundless suspicions. How could a ghost have the power to harm him? He sought to dispel, through sound reasoning, the illness Duke Huan had brought on himself through deluded thoughts.

夫忿滀之氣散而不反則爲不足  䟽夫人忿怒則滀聚邪氣於是精魂離散  不歸於身則心虚弊犯神道不足也 上而不下則使人善怒下而不上則使人善 忘不上不下中身當心則爲病  䟽夫邪氣上而不下則上攻於頭令人心  中怖懼鬰而好怒下而不上陽伏陰散精  神恍惚故好忘也夫心者五藏之主神靈  之宅故炁當身心則爲病 桓公曰然則有鬼乎曰有  䟽公問所由答言有鬼 沈有履竈有髻  䟽沈者水下泥之中有鬼曰履竈神其狀  如美女著赤女衣名髻也 户内之煩壤雷霆處之  䟽門户内糞壤之中其間有鬼名曰雷霆 東北方之下者倍阿鮭聾躍之  䟽人宅中東北墻下有鬼名陪阿鮭聾躍  狀如小兒長一尺四寸黑衣赤憤帶劍持  㦸 西北方之下者則泆陽處之  䟽豹頭馬尾名曰泆陽 水有罔象  䟽注云狀如小兒黑色赤衣大耳長臂名  曰罔象 丘有崒  䟽其狀如狗有角身有文彩 山有夔  䟽大如牛狀如鼔一足行也 野有徬徨  䟽其狀如蛇兩頭五彩 澤有委蛇公曰請問委蛇之狀何如  䟽桓公見鬼本在澤中既聞委蛇故問其  狀 皇子曰委蛇其大如轂其長如轅紫衣而朱 冠其爲物也惡聞雷車之聲則捧其首而立 見之者殆乎霸桓公辴然而笑曰此寡人之 所見者也
Interpretation

When people become angry, malevolent Qi gathers within the body. If this Qi disperses and cannot return to the body, the Jing and Shen scatter; the Shen-Qi cannot return to the body, the mind and spirit grow weak and damaged, and the body is left depleted.

If malevolent Qi surges upward but cannot descend, it attacks the head, making a person inwardly fearful, troubled, and prone to anger. If it sinks downward but cannot rise, Yang-Qi lies dormant while Yin-Qi becomes disordered, leaving the mind dazed and prone to forgetfulness. The heart governs the Five Zang organs and is where the spirits dwell. So when malevolent Qi becomes lodged between body and mind, it makes a person ill.

Duke Huan asked, “Then are there really ghosts in the world?” Huangzi replied, “There are.”

In the mud beneath the water lives a ghost called Lü. The Kitchen God, guardian of the hearth, is called Ji. He looks like a beautiful woman and wears red.

Among the filth and dust inside doorways lives a ghost called Leiting.

At the foot of the wall in the northeast corner of a house lives a ghost called Bei’axianlongyue. It looks like a child, stands one chi and four cun tall, wears black clothes and a red sash, and carries a sword and a halberd.

At the foot of the wall in the northwest corner of a house lives a ghost called Yiyang, with a leopard’s head and a horse’s tail.

In the water lives Wangxiang. It looks like a child, has black skin, wears red clothes, and has large ears and long arms.

On earthen mounds lives Zu. It looks like a dog, has horns, and bears colorful patterns on its body.

In the mountains lives Kui. It is as large as an ox and shaped like a drum, with only one leg, which it uses to walk.

In the wilderness lives Panghuang. It is shaped like a snake, has two heads, and bears five-colored patterns on its body.

In lakes and marshes lives Weishe. Duke Huan asked, “What does Weishe look like?”

Huangzi replied, “Weishe is as large as a cartwheel and as long as a cart shaft. It wears purple clothes and a red cap. It hates the sound of thunder carts. When it hears one, it clutches its head and stands upright. Whoever sees it may one day become a hegemon.”

Duke Huan laughed when he heard this and said, “That is exactly the thing I saw.”

 䟽辴喜笑貌也殆近也若見委蛇近爲霸  主桓公聞說大笑歡之我所見正是此也 於是正衣冠與之坐不終日而不知病之去 也  註此章言憂來而累生者不明也患去而  性得者達理也  䟽聞說委蛇情中暢適於是整衣冠共語  論不終日而情抱豁然不知疾病從何而  去也 紀省子爲王養鬥雞  䟽姓紀名渻子亦作消字隨字讀之爲齊  王養雞擬鬥也此章明不必禀生知自然  之理亦有積習以成性者 十日而問雞已乎曰未也方虚憍而恃氣  䟽養經十日堪鬥乎答曰始恃驕矜自恃  意氣故未堪也 十日又問曰未也猶應嚮景  䟽見聞他雞猶相應和若形聲影響也 十日又問曰未也猶疾視而盛氣  䟽顧視遠疾意氣强盛心神尚動故未堪  也 十日又問曰幾矣雞雖有鳴者已無變矣  䟽幾盡也都不驕矜心神安定雞雖之嗚  以無變慴養雞之妙理盡於斯 望之似木雞矣其德全矣異雞無敢應者反 走矣  註此章言養之以至於全者猶無敵於外  况自全乎  䟽神識安閑形容審定遥望之者其猶木  雞不動不驚其德全具他人之雞見之反  走天下無敵誰敢應乎 孔子觀於吕梁縣水三十仞流沫四十里黿 鼉魚鼈之所不能游也  䟽吕梁水名解者不同或言是西河離石  有黃河縣絶之處名吕梁也或言蒲州二
Interpretation

“䟓” describes the look of someone laughing with delight; “殆” means “close to” or “almost.” If you have seen Weishe, the marvelous being from ancient legend, you may almost be said to have achieved supremacy.

Duke Huan heard this and laughed heartily. “That is exactly what I saw with my own eyes,” he said.

He then straightened his clothes and cap, and invited the other person to sit down and talk. In less than a day, he found that his illness had disappeared without his even realizing it.

Note: This chapter says that when worry arrives and burdens life, it is because one does not understand the situation. When distress fades and one’s nature is free to unfold, that shows a clear understanding.

Commentary: After hearing about Weishe, Duke Huan felt at ease. He straightened his clothes and cap, then spoke with the other person. In less than a day, the knot in his heart suddenly came undone, and he could not tell how his illness had gone away.

Ji Shengzi was raising fighting cocks for the king.

Commentary: Ji was the man’s surname and Sheng his given name; Sheng is also written “Xiao.” Here, he is raising fighting cocks for the king of Qi, preparing them to fight. This chapter explains that inborn nature is not shaped by endowment alone; sometimes it can also be cultivated through long practice.

Ten days later, the king asked, “Are the cocks ready?” Ji Shengzi replied, “Not yet. This one is still flighty and conceited, and relies on its own spiritedness.”

Commentary: After ten days of raising it, is the cock ready to fight? The answer is that it has only just begun to grow proud and self-assured, acting on impulse, so it is not ready.

Another ten days passed, and the king asked again. Ji Shengzi said, “Still not ready. When it hears other cocks crow, it answers them; when it sees them, it reacts.”

Commentary: It still responds to what it hears and sees, as though sound and shadow were answering one another.

Another ten days passed, and the king asked again. Ji Shengzi said, “Still not ready. Its gaze is still sharp, and its presence forceful.”

Commentary: It still darts its eyes about, full of spirited energy. Its mind is not yet at rest, so it is not ready to fight.

Another ten days passed, and the king asked, “Is it ready now?” Ji Shengzi replied, “Almost. Even when other cocks crow, it no longer reacts.”

Commentary: It is no longer proud, and its mind is settled. Even the crowing of other cocks cannot unsettle it. The art of raising fighting cocks has reached its culmination.

Seen from a distance, it looks like a wooden cock. Its De is now complete. The other cocks dare not challenge it; they turn and flee.

Note: This chapter says that once one has been cultivated to completeness, one is invincible in external contests. How much more, then, is one’s own life preserved?

Commentary: Its expression is composed, its form calm and steady. Seen from afar, it resembles a carved wooden cock: it neither moves nor startles. Its De is complete. The other cocks flee at the sight of it, and no one in the world dares to challenge it.

Confucius was watching a waterfall at Lüliang. The water there was thirty ren deep, and its spray stretched for forty li. Even tortoises, alligators, fish, and turtles—various kinds of aquatic animals—could not swim in it.

Commentary: Lüliang is the name of a body of water, though different accounts disagree about its precise location. Some say it is at Lishi in the Western River region, where the Yellow River passes over a cliff called Lüliang. Others say it is in Puzhou…

 百里有龍門河水所經瀑布而下亦名梁  或言宋國彭城縣之吕梁八尺曰仞計高  二十四丈而縣下也今者此水縣注名高  蓋是寓言談過其實耳黿者似鼈而形大  鼉者類魚而有脚此水瀑布既高流波峻  駃遂使激湍騰沫三十里至於水族尚不  能游況在陸生如何可渉 見一丈夫游之以爲有苦而欲死也使弟子 並流而拯之  䟽激湍沸涌非人所能游忽見丈夫謂之  遭溺而困苦故命弟子隨流而拯接之 數百步而出被髮行歌而游於塘下  䟽塘岸也既安於水故散髮而行歌自得  逍遥敖游岸下 孔子從而問焉曰吾以子爲鬼察子則人也 請問蹈水有道乎  䟽丈夫既不憚流波行歌自若尼父怪其  如此從而問之我謂汝爲鬼神審觀察乃  人也汝能履深水頗有道術不乎 曰亡吾無道  䟽答云我更無道術直是乆游則巧習以  性成耳 吾始乎故長乎性成乎命  䟽我初始生於陵陸遂與陵爲故舊也長  大游於水中習而成性也既習水成性心  無懼憚恣情放任遂同自然天命也 與齊俱入與汩偕出  註磨翁而旋入者齊也回伏而涌出者汩  也  䟽湍沸旋入如磑心之轉者齊也回復騰  漫而反出者汩也既與水相宜事符天命  故出入齊汩曾不介懷郭注云磨翁而入  者關東人唤磑爲磨磨翁而入是磑釭轉  也
Interpretation

A hundred miles from Longmen, the river passes over a cliff and plunges down as a waterfall. This place is also called “Liang.”

Some say it is the Lüliang Falls in Pengcheng, in the state of Song. A waterfall eight chi high is one ren; by that reckoning, it would be twenty-four zhang tall, with the water dropping from a great height. The fall here today is very high, so the fable’s description is probably an exaggeration. A yuan resembles a soft-shelled turtle but is larger; a tuo looks like a fish but has legs. The waterfall drops steeply, and its current rushes so swiftly that the spray and foam surge for thirty li. Even creatures in the water cannot swim across it. How, then, could someone on land wade across?

Confucius saw a man swimming in the water. Thinking the man had met with disaster and was trying to drown himself, he sent his disciples downstream to catch up and rescue him.

Commentary: The water churned in a fierce current that an ordinary person could not swim across. When Confucius suddenly saw a man, he thought the man was drowning and trapped, so he ordered his disciples to go downstream and rescue him.

After swimming several hundred paces, the man climbed ashore. His hair hung loose as he walked along singing, strolling at ease by the bank.

Commentary: Tang means the riverbank. Having come safely out of the water, he let his hair hang loose, walked along singing, and wandered freely by the shore.

Confucius caught up with him and asked, “At first I thought you were a ghost or monster. Looking closely, I see that you are a man. May I ask: do you have some special method for walking in the water?”

Commentary: The man faced the raging current without fear and even sang as he walked. Confucius found this strange, so he caught up with him and asked, “I thought you were a spirit or ghost. After looking carefully, I see that you are a man. How do you manage to walk in deep water? Do you have some method?”

The man replied, “No. I have no special method.”

Commentary: The man said he had no particular skill. He had simply swum for a long time; with practice, it became a habit, and that habit became part of his nature.

“At first, I grew up on land. Later, I became accustomed to water and grew up in it. In the end, I followed my nature.”

Commentary: At first I grew up on land and knew the land well. As I grew older, I swam in the water; with long practice, I formed the habit of living in it. Once I was accustomed to the water, I was no longer afraid. I let things take their natural course, as if following the decree of Heaven.

“I am drawn in along with the water’s whirlpool, then surge out with the returning current.”

Note: The water’s twisting inward, turning like the center of a millstone, is called “qi.” The current that swirls and churns before surging outward is called “gu.”

Commentary: The swift current twists inward, turning like the center of a millstone; this is called “qi.” The water swirls and churns, then surges outward; this is called “gu.” He had adapted to the water’s force, and his movements followed its natural changes, so he paid no heed to the current’s ebb and flow. Guo Xiang’s commentary says that people in the eastern regions called a mill a “wei”; “being drawn in like the mill’s hub” means being swept inward as though turning at the center of a millstone.

從水之道而不爲私焉  註任水而不任己  䟽隨順於水委質從流不使私情輒懷違  拒從水尚爾何況唯道是從乎 此吾所以蹈之也  䟽更無道術理盡於斯 孔子曰何謂始乎故長乎性成乎命  䟽未開斯㫖請重釋之 曰吾生於陵而安於陵故也長於水而安於 水性也不知吾所以然而然命也  註此章言人有偏能得其所能而任之則  天下無難矣用夫無難以涉生生之道何  往而不通也  䟽此之三義並釋於前無勞重解也 梓慶削木爲鐻鐻成見者驚猶鬼神  註不似人所作也  䟽姓梓名慶魯大匠也亦云梓者官號鐻  者樂器似夾鍾亦言鐻似虎形刻木爲之  彫削巧妙不類人工見者驚疑謂神鬼之  所作也 魯侯見而問焉曰子何術以爲焉  䟽魯侯見其神妙怪而問之汝何道術爲  此鐻焉 對曰臣工人何術之有雖然有一焉臣將爲 鐻未嘗敢以耗氣也必齊以靜心  䟽梓答云臣是工巧材人有何藝術雖復  如是亦有一法焉臣欲爲鐻之時未嘗輒  有攀縁損耗神氣必齋戒清潔以靜心靈  也 齊三日而不敢懷慶賞爵禄  䟽心跡既齊凡經三日至於慶弔賞罰官  爵利禄如斯之事並不入於情田 齊五日不敢懷非譽巧拙  䟽齊日既多心靈漸靜故能非譽雙遣巧  拙兩忘
Interpretation

Act in accordance with the nature of water, without bringing in your own private intentions.

Commentary: Let the current carry you; do not act according to your own wishes.

Explanation: Follow the current and entrust your body to the flow of water. Do not let private feelings suddenly stir up resistance. If one can follow the water in this way, how much more should one wholeheartedly follow the Great Dao?

That is why I can walk on water.

Explanation: There is no other technique involved; the principle has been fully explained.

Confucius asked, “What does it mean to be guided first by old habits, then by one’s nature, and finally by one’s destiny?”

Explanation: You have not yet understood this point. Please explain it further.

He replied, “I was born in the hills, so I am at ease living in the hills; this is habit. I grew up by the water, so I am at ease living in the water; this is nature. I do not know why I am this way, yet it comes about naturally. This is destiny.”

Commentary: This passage says that each person has a particular ability. If one follows what one is capable of doing, nothing under Heaven is difficult. Meeting the course of life with this sense that nothing is difficult allows one to find one’s way wherever one goes.

Explanation: The three ideas of habit, nature, and destiny have already been explained above and need not be repeated.

Qing of the Zi family, a carpenter from Lu, carved wood into a stand for musical instruments. When the finished piece appeared, everyone who saw it was astonished, thinking it had been made by spirits.

Commentary: It did not look as though it had been made by human hands.

Explanation: Qing of the Zi family was a master craftsman in Lu. Some say that “Zi” was an official title. A ju was a musical instrument, shaped like a pair of bells; others say it resembled a tiger and was carved from wood. Qing’s carving was so skillful that the finished piece seemed not to have been made by human hands. Those who saw it were amazed and unsettled, believing it to be the work of spirits.

The Marquis of Lu saw it and asked him, “What skill did you use to make this?”

Explanation: The Marquis of Lu was struck by the ju’s uncanny workmanship and, puzzled, asked Qing what technique he had used to make it.

Qing replied, “I am only a craftsman. What special skill could I have? Still, I do have a method. When I prepare to make a ju, I never let my spirit and vital energy become depleted. I always begin by fasting and quieting my mind.”

Explanation: Qing said that he was only a craftsperson and had no special ability. But he did have a way of working: when preparing to make a ju, he would not let his mind attach itself to distracting thoughts and drain his vital essence. Instead, he would first fast and become still, settling his spirit.

After three days of fasting, he no longer thought about congratulations, rewards, official rank, or salary.

Explanation: After three days of fasting in body and mind, matters such as congratulations or condolences, rewards or punishments, official rank, and salary no longer occupied his thoughts.

After five days of fasting, he no longer thought about whether others would praise or criticize him, and no longer concerned himself with whether the work was skillful or clumsy.

Explanation: As the days of fasting increased, his mind grew steadily calmer. Praise and criticism no longer weighed on him, and he set aside all concern with whether the work was skillful or clumsy.

齊七日輒然忘吾有四枝形體也當是時也 無公朝  註視公朝若無則跂慕之心絶矣  䟽輒然不敢動貌也齊潔既乆情義清虚  於是百體四肢一時忘遣輒然不動均於  枯木既無意於公私豈有懷於朝廷哉 其巧專而外滑消  註性外之事去也  䟽滑亂也專精内巧之心消除外亂之事 然後入山林觀天性形軀至矣然後成見鐻 然後加手焉不然則己  註必取材中者也  䟽外事既除内心虚靜於是入山林觀看  天性好木形容軀貌至精妙而成事堪爲  鐻者然後就手加工焉若其不然則止而  不爲 則以天合天  註不離其自然也  䟽機變雖加人工木性常因自然故以合  天也 器之所以疑神者其是與  註盡因物之妙故乃疑是鬼神所作也  䟽所以鐻之微妙疑似鬼神者只是因於  天性順其自然故得如此此章明順理則  巧若神鬼性乖則心勞而自拙也 東野稷以御見莊公進退中繩左右旋中規 莊公以爲文弗過也  䟽姓東野名稷古之善御人也以御事魯  莊公左右旋轉合規之圓進退抑揚中繩  之直莊公以爲組繡織文不能過乎此之  妙也 使之鉤百而反  䟽任馬旋回如鈎之曲百度反之皆復其  跡 顔闔遇之入見曰稷之馬將敗公密而不應  䟽姓顔名闔魯之賢人也入見莊公初不  信故密不應焉
Interpretation

After seven days of purification and abstinence, he was so still that he seemed to have forgotten he had limbs and a body. At that point, the court had vanished from his mind.

Once his mind and spirit were wholly focused, the turmoil of things outside him also disappeared. He then went into the mountains and woods and studied the natural shapes of the trees. Only when he had found a piece of wood suited to making a musical instrument stand—a wooden frame for hanging bells and stone chimes—did he begin to work on it. If the wood did not seem suitable, he stopped.

In this way, he used human nature to follow the nature of the wood, without violating its original, natural state.

The craftsmanship of an object can be so exquisite that it seems to have come from the hands of spirits. This is probably why: the maker follows the material’s own subtle qualities completely, and works in accordance with its nature. That is what makes the result seem so miraculous. This passage shows that when one follows the nature of things, one’s skill can attain the refinement of spirits; when one goes against their nature, one strains and labors, yet becomes clumsy.

Dongye Ji was highly skilled at driving a chariot. He gave Duke Zhuang of Lu a demonstration: the chariot moved forward and backward in lines as straight as those drawn with a carpenter’s ink line, and turned left and right in circles as true as those made with a compass. Duke Zhuang thought his driving was so exquisite that even the patterns of woven embroidery could not compare.

Duke Zhuang then had him drive around in curves a hundred times before returning to the starting point. Each time, the chariot traced a winding path like a hook, then finally returned to its original track.

Yan He, a worthy man of Lu, witnessed this and went to the palace to see Duke Zhuang. “Dongye Ji’s horses are close to exhaustion,” he said. At first, Duke Zhuang did not believe him and said nothing.

少焉果敗而反公曰子何以知之  䟽少時之頃馬困而敗公問顔生何以知  此 曰其馬力竭矣而猶求焉故曰敗  註斯明至當之不可過也  䟽答馬力竭盡而求其過分之能故知必  敗也非唯車馬萬物皆然 工倕旋而蓋規矩指與物化而不以心稽  䟽旋規也規圓也稽留也倕是堯時工人  禀性極巧蓋用規矩手隨物化因物施巧  不稽留也 故其靈臺而不桎  註雖工倕之巧猶任規矩此言因物之易  者也  䟽任物因循忘懷虚淡故其靈臺凝一而  不桎梏也 忘足屨之適也忘要帶之適也  註百體皆適則都忘其身也 知忘是非心之適也  註是非生於不適耳  䟽夫有履有帶本爲足爲要今既忘足要  履帶當閑適亦猶心懷憂戚爲有是非今  則知忘是非故心常適樂也 不内變不外從事會之適也  註所遇而安故無所所變從也  䟽外智凝寂内心不移物境虚空不從事  乃契會眞道所在常適 始乎適而未嘗不適者忘適之適也  註識適者猶未適也  䟽始本也夫體道虚忘本性常適非由感  物而後歡娛則有時不適本性常適故無  往不歡也斯乃忘適之適非有心適 有孫休者  䟽姓孫名休魯人也 踵門而詫子扁慶子曰休居鄉不見謂不修 臨難不見謂不勇然而田原不遇歲事君不
Interpretation

After a while, the horse did indeed collapse from exhaustion. Lord Sun asked Yan Sheng, “How did you know this would happen?”

The commentary explains: Before long, the horse grew exhausted and collapsed. Lord Sun asked Yan Sheng how he had foreseen it.

Yan Sheng replied, “The horse’s strength was already spent, yet it was still being made to run. So I knew it would certainly collapse.”

The note explains: This shows that everything has a proper limit, which must not be exceeded.

The commentary explains: Yan Sheng said that the horse had used up its strength, yet was still being asked to perform beyond its capacity. That is why he knew it would inevitably collapse. This is true not only of horses and carts, but of all things.

When the artisan Chui, renowned in legend for his skill in making things in the time of Emperor Yao, turned his compass, it traced a circle. His fingers adapted freely to the needs of the object he was making, without his having to deliberate over and over in his mind.

The commentary explains: “Turning” means drawing a circle with a compass; the compass is used to draw circles. “Ji” means to pause or become obstructed. Chui was an artisan in the time of Yao, naturally very skillful. As he worked with tools and measures, his hands adapted freely to the needs of the object. He applied his skill in keeping with the material, without hesitation or obstruction.

Thus, his inner mind was not constrained.

The note explains: Even someone as highly skilled as Chui still relied on tools and measures. The point is that when you act in accordance with the conditions inherent in things, the task becomes easy to complete.

The commentary explains: By following things as they are, without clinging to one’s own preconceptions, the mind remains empty, still, and calm. The inner mind is therefore settled and focused, free of constraint.

When you forget your feet, your shoes fit comfortably; when you forget your waist, your belt fits comfortably.

The note explains: When every part of the body feels at ease, a person forgets their own body.

When you forget disputes over right and wrong, the mind can be at ease and free.

The note explains: Disputes over right and wrong arise from inner unrest.

The commentary explains: Shoes are made for the feet, and belts for the waist. When the feet and waist are comfortably dressed, one no longer notices the shoes or belt. It is like becoming caught up in disputes over right and wrong because of worry. If one can understand and let go of right and wrong, the mind can remain at ease and joyful.

When the mind is not changed by things around it, and one does not force oneself to follow the outside world, this is the ease that comes from being in accord with things.

The note explains: When you are content with whatever you encounter, your mind is not changed by external things. “Following” means going along with something.

The commentary explains: When discriminating thought about external things settles down, the mind is no longer disturbed, and the world outside no longer creates obstacles. Since one is not led along by external affairs, one can accord with the true Dao (the Way) and be at ease wherever one goes.

To begin in ease and remain at ease everywhere: this is the ease that comes from forgetting ease.

The note explains: If you are still conscious of being at ease, you have not yet truly found ease.

The commentary explains: “Beginning” means the source. One who understands the Great Dao is empty, still, and unattached; ease is inherent in their nature, and does not arise only after something external stirs delight in them. That is why they can be at ease whatever they encounter. This is ease gained by forgetting ease, not by deliberately seeking it.

There was a man named Sun Xiu.

The commentary explains: His surname was Sun, and his given name was Xiu. He was from the state of Lu.

He came to the gate of Bian Qingzi’s home and complained to him: “I, Sun Xiu, live in the countryside, yet people say I do not cultivate myself. When danger comes, they say I am not brave. Yet when I farm, I never catch a good harvest; when I serve my ruler, I do not…”

遇世賔於鄉里逐於州部則胡罪乎天哉休 惡遇此命也  䟽踵頻也詫告也歎也不能述道而怨迍  邅頻來至門而歎也姓扁名子慶魯之賢  人孫休之師也孫休俗人不達天命頻詣  門而言之我居鄉里不見道我不修飾臨  於厄難不見道我無勇武而營田於平原  逢歲不熟禾稼不收處朝廷以事君不遇  聖明不縻好爵遭州部而放逐被鄉閭而  賔棄有何罪於上天苟遇斯之運命 扁子曰子獨不聞夫至人之自行邪忘其肝 膽遺其耳目  註闇付自然也  䟽夫至人立行虚遠清高故能内忘五藏  之肝膽外遺六根之耳目蕩然空靜無纖  介於胸臆 芒然彷徨乎塵垢之外  註凡此眞性皆塵垢也 逍遥乎無事之業  註凡自爲者皆無事之業也  䟽芒然無心之貌也彷徨是縱放之名逍  遥是任適之稱而處染不染縱放於囂塵  之表涉事無事任適於物務之中也 是謂爲而不恃  註率性自爲耳非恃而爲之 長而不宰  註任其自長耳非宰而長之  䟽接物施化不恃藉於我我勞長養黎元  豈斷割而從己事出老經 今汝飾知以驚愚修身以明汙昭昭乎若揭 日月而行也  䟽汝光飾心智驚動愚俗修營身形顯他  汗穢昭昭明白自炫其能猶如擔揭日月  而行於世也豈是韜光匿燿以蒙養恬哉
Interpretation

You meet guests in your village, then are driven away when you reach the regional seat. What wrong have you done that you should blame Heaven? Alas, how can it be that you have met with such a fate?

The commentary says: “Following one another” means occurring without end; “lament” means to tell or sigh. Sun Xiu could not comprehend the Great Dao, yet blamed his repeated misfortunes on his own fate, and so sighed without cease. Bianzi, surnamed Bian and named Ziqing, was a worthy man of Lu and Sun Xiu’s teacher.

Sun Xiu was a worldly man who did not understand the Mandate of Heaven. He went to Bianzi’s house many times and said: “I live in the village, yet have never met anyone who understands the Great Dao. I have not adorned myself, and when I fall into hardship, no one recognizes my worth. I have no military skill, yet I farm the plains; when the harvest is poor, my crops fail. I serve my ruler at court, yet have not met a sage ruler or received a generous official post. When I reach the regional seat, I am banished; in my own village, I am rejected. What wrong have I done against Heaven to meet with such a fate?”

Bianzi said: “Have you never heard how those who have attained the Dao conduct themselves? They forget their liver and gallbladder, and cast aside their ears and eyes.”

The commentary explains that this means entrusting everything to nature. Those who have attained the Dao carry themselves with a mind that is empty, still, and far-reaching. Inwardly, they forget bodily things such as the liver and gallbladder; outwardly, they are not constrained by the senses of hearing and sight. Their minds are clear and tranquil, without the slightest distracting thought.

At ease, they wander beyond the dust of the world.

The commentary says that, to those who have attained the Dao, all the things spoken of here as real and true are like dust and grime.

Freely and without constraint, they engage in affairs of Wuwei (non-action).

The commentary says that anything done in accordance with nature, arising naturally, belongs to the affairs of Wuwei.

The commentary explains: “Vast and untroubled” describes a state free of thought and worry; “wandering” means moving freely and expansively; “at ease” means following one’s own nature and finding contentment. Those who have attained the Dao live in the world without being stained by it, standing apart from its clamor. They take part in affairs, yet their minds remain unentangled; responding to things, they act with ease.

This is called “acting without relying on oneself,”

The commentary says that this means acting in accordance with one’s nature and with what arises naturally, rather than relying on oneself to bring things about.

“Allowing all things to grow without ruling them.”

The commentary says that this means letting all things grow naturally, without controlling them oneself. Those who have attained the Dao engage with all things and teach others without claiming credit for their achievements. When they nurture the people, do they force them into the shape they themselves desire? This saying comes from the Laozi.

But now you cultivate cleverness and disturb the ignorant, deliberately refining yourself to make others’ failings stand out. You shine so conspicuously that it is as if you walked through the world carrying the sun and moon.

The commentary explains: You deliberately display your intelligence and disturb worldly people, then refine yourself to expose the failings of others. You flaunt your abilities so brightly that it is as if you walked through the world carrying the sun and moon. Can this be called concealing your radiance and cultivating quietude?

汝得全而形軀具而九竅無中道夭於聾盲 跛蹇而比於人數亦幸矣又何暇乎天之怨 哉子往矣  䟽而汝也得軀貌完全九竅具足復免中  塗夭於聾盲跛蹇又得預於人倫偕於人  數慶幸矣莫甚於斯有何容暇怨於天道  子宜速往無勞辭費 孫子出扁子入坐有間仰天而歎  䟽孫休聞道而出扁子言訖而歸俄頃之  間子慶嗟歎也 弟子問曰先生何爲歎乎  䟽扁子門人問其嗟歎所以 扁子曰向者休來吾告之以至人之德吾恐 其驚而遂至於惑也  䟽孫休頻來踵門而詫述己居世坎軻不  平吾遂告以至人深玄之德而器小言大  慮有漏機恐其驚迫更增其惑是以吁歎  也 弟子曰不然孫子之所言是邪先生之所言 非邪非固不能惑是孫子所言非邪先生所 言是邪被固惑而來矣又奚罪焉  䟽若孫子言是扁子言非非理之言必不  惑是若扁子言是孫子言非彼必以非故  來詣斯求是進退尋責何罪有乎先主之  歎終成虚假 扁子曰不然昔者有鳥止於魯郊魯君悦之 爲具太牢以饗之奏九韶以樂之鳥乃始憂 悲眩視不敢飲食此之謂以己養養鳥也若 夫以鳥養養鳥者宜棲之深林浮之江湖食 之以委蛇則平陸而已矣  註各有所便也  䟽此爰居之鳥非應瑞之物魯侯濫賞饗  以太牢事顯前篇無勞重解
Interpretation

You have been given a complete body, with all nine apertures—the two eyes, two ears, two nostrils, and mouth—intact. You did not die young, nor were you left deaf, blind, lame, or crippled. You can live among other people just as they do. This is a rare blessing indeed. What reason do you have to resent the Dao of Heaven? Go on your way.

Commentary: Your body is whole and your nine apertures complete. You did not die young or become deaf, blind, lame, or crippled, and you can live among other people. That is already great good fortune. Why waste time blaming the Dao of Heaven? You should leave now; there is no need to say more.

After Sun Xiu left, Bianzi went inside and sat down. A little while later, he raised his head toward the sky and sighed.

Commentary: After hearing the explanation, Sun Xiu left. When Bianzi had finished speaking, he too returned indoors. Soon afterward, Ziqing, Bianzi’s disciple, sighed.

The disciple asked, “Why are you sighing, Master?”

Commentary: One of Bianzi’s disciples asked him why he had sighed.

Bianzi said, “Sun Xiu came just now, and I told him about the Virtue of the Perfected Person, one who has realized the Great Dao and possesses profound Virtue. I worry that he was startled by it and has become even more confused.”

Commentary: Sun Xiu has come to me repeatedly, lamenting how troubled and unfair his life has been. So I told him about the profound, mysterious Virtue of the Perfected Person. But I worry that his understanding is limited, and that hearing such lofty teachings all at once was more than he could bear. He may have been startled and become even more confused. That is why I sighed.

The disciple said, “Not necessarily. If Sun Xiu is right and you are wrong, then words that do not accord with reason cannot make him truly understand. How could they confuse him? If you are right and Sun Xiu is wrong, then he came to seek instruction precisely because he was confused. What is there to blame him for?”

Commentary: If Sun Xiu is right and Bianzi is wrong, then words that do not accord with reason will not confuse him. If Bianzi is right and Sun Xiu is wrong, then Sun Xiu came to seek instruction because he was confused. In either case, asking why Bianzi sighed makes his sigh seem unwarranted.

Bianzi said, “That is not so. Once, a bird settled in the outskirts of the state of Lu. The ruler of Lu was very fond of it, so he prepared a grand feast of ox, sheep, and pig, and had the music of the Nine Shao played for it. But the bird was distressed and grief-stricken, its vision blurred and its mind in turmoil; it dared not eat or drink. This is what it means to care for a bird as one cares for a person. To care for a bird according to its nature, one should let it perch in a deep forest, float on rivers and lakes, feed it what suits it, and let it live freely on the open ground.”

Note: Each thing has a way of life suited to its own nature.

Commentary: This story is about the yuanju bird, not a bird that foretells good fortune. The ruler of Lu treated it to lavish sacrificial offerings and music, but these went against the bird’s nature. This story was already discussed in the previous chapter, so it will not be repeated here.

今休款啓寡聞之民也吾告以至人之德譬 之若載鼷以車馬樂鴳以鍾鼓也彼又惡能 無驚乎哉  註此章言善養生者各任性分之適而至  矣哉  䟽鼷小鼠也鴳雀也孫休是寡識少聞之  人應須款曲啓發其事今乃告以至人之  德大道玄妙之言何異乎載小鼠以大車  娛鴳雀以韶樂既御小而用大亦何能無  驚懼者也 南
Interpretation

Sun Xiu is now seeking instruction from someone of limited understanding and experience, yet I am telling him about the virtue of the Perfected Person. It is like hauling a tiny mouse in a great cart, or delighting a little sparrow with the music of bells and drums. Faced with such things, how could they fail to be alarmed?

Note: This chapter says that those skilled in nurturing life accommodate each being’s nature and endowment, allowing life to find its proper place.

Commentary: “Xi” means a tiny mouse, and “yan” means a sparrow. Sun Xiu had little understanding and limited experience, so he should have been guided gradually. Instead, he is being told about the virtue of the Perfected Person and the profound mysteries of the Great Dao. This is like carrying a tiny mouse in a great cart or entertaining a little sparrow with the music of Shao. Faced with things far beyond what they can bear, how could they not be frightened?

華眞經註䟽卷二十一

Source text: Kanripo 漢籍リポジトリ(KR5c0139); Licence: CC BY-SA 4.0 · Report an error / feedback

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