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《南華真經註疏》Vol. 35

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Dongshen 洞神部 Vol. 35 / 35 14,132 characters

About this page. The original text of 《南華真經註疏》 Vol. 35 (Dongshen 洞神部, 35 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 27 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source text (with commentary)Interpretation

南華眞經注䟽卷之三十五尺八     河南郭象註     唐西華法師成玄英䟽    雜篇天下第三十三 天下之治方術者多矣皆以其有爲不可加 矣  註爲以其有爲則眞爲也爲其眞爲則無  僞矣又何加焉  䟽方道也自軒頊已下迄于堯舜治道藝  術方法甚多皆隨有物之情順其所爲之  性任羣品之動植曾不加之於分表是以  雖教不教雖爲不爲矣 古之所謂道術者果惡乎在  䟽上古三皇所行道術隨物任化淳樸無  爲此之方法定在何處假設疑問發明深  理也 曰無乎不在  䟽答曰無爲玄道所在有之自古及今無  處不徧 曰神何由降明何由出  註神明由事感而後降出  䟽神者妙物之名明者智周爲義若使虚  通聖道今古有之亦何勞彼神人顯兹明  智制禮作樂以導物乎 聖有所生王有所成  䟽夫虚凝玄道物感所以誕生聖帝明王  功成所以降迹豈徒然哉 皆原於一  註使物各復其根抱一而已無飾於外斯  聖王所以生成也  䟽原本也一道雖復降靈接物混迹和光  應物不離眞常抱一而歸本者也 不離於宗謂之天人不離於精謂之神人不 離於眞謂之至人以天爲宗以德爲本以道 爲門兆於變化謂之聖人  註凡此四名一人耳所自言之異  䟽冥宗契本謂之自然淳粹不雜謂之神
Interpretation

Many who govern the world and pursue methods (principles and techniques) believe that because what they do springs from authenticity, nothing can surpass it.

【Guo Xiang’s commentary】Because the action is authentic action, it is not pretense; and since it is authentic action, what could be added to it?

【Cheng Xuanying’s commentary】“Method” (fang) here means the Dao. From the Yellow Emperor and Zhuanxu down to Yao and Shun, there were many ways of governing and many technical approaches. All followed the disposition of things, accorded with each thing’s native character, and let every living being grow and move on its own, without imposing anything beyond its proper place. Thus, though there was teaching, it was as if there were none; though there was activity, it was as if there were none.

Where, then, lies the “method of the Dao” spoken of by the ancients?

【Cheng Xuanying’s commentary】The method of the Dao practiced by the Three Sovereigns of high antiquity was to comply with things and allow change, so that custom stayed thick and plain and Wuwei (non-action) prevailed. Where is that method? This is a rhetorical question posed to bring out a deeper meaning.

The answer: there is no place where it is absent.

【Cheng Xuanying’s commentary】The answer is that the subtle Dao of Wuwei is everywhere; from antiquity to the present, no place is left out.

On what basis does numinous principle descend? From where does discernment appear?

【Guo Xiang’s commentary】The numinous and discernment appear and descend only because things respond to one another.

【Cheng Xuanying’s commentary】“Shen” (numinous) refers to the mystery of things; “ming” (discernment) refers to thorough wisdom. If the open, penetrating sacred Dao had existed from antiquity to the present all along, why would one need numinous beings to display mystery and wisdom, or to institute ritual and music to guide the myriad things?

From this, sages are born and kings accomplish their work.

【Cheng Xuanying’s commentary】The mysterious, still great Dao, through the responsiveness of the myriad things, gives birth to sages; the achievement of kings is what then appears in the world. Their arising is not without cause.

All of this stems from one and the same root.

【Guo Xiang’s commentary】Let each thing return to its root; holding fast to the “One” (the common source of all things) is enough—there is no need to add ornament on the surface. This is how the sage-king brings the myriad things into being.

【Cheng Xuanying’s commentary】“Yuan” (origin) means root. Though the great Dao descends into the world, meets the myriad things, and blends into the mundane without showing its edge, in responding to things it never leaves the true, constant Dao; holding the One, it ultimately returns to the root.

Not leaving the root is called “Heaven-and-human” (tianren); not leaving the refined essence is called “spirit-person” (shenren); not leaving authenticity is called “utmost person” (zhiren). Taking Heaven as root, taking De (Virtue/Power) as foundation, taking the Dao as gate, and manifesting in transformation—this is called “sage” (shengren).

【Guo Xiang’s commentary】These four designations refer to the same person, named from different angles.

【Cheng Xuanying’s commentary】Accord with the hidden root is called “natural” (ziran); purity and refinement, without admixture of alien elements, is called “spirit…”

 妙嶷然不假謂之至極以自然爲宗上德  爲本玄道爲門觀於機兆隨物變化者謂  之聖人已上四人只是一耳隨其功用故  有四名也 以仁爲恩以義爲理以禮爲行以樂爲和薰 然慈仁謂之君子  註此四名之粗迹而賢人君子之所服膺  也  䟽布仁惠爲恩澤施義理以裁非運節文  爲行首動樂音以和性慈照光乎九有仁  風扇乎八方譬蘭蕙芳馨香氣薰於遐邇  可謂賢矣 以法爲分以名爲表以參爲驗以稽爲决其 數一二三四是也  䟽稽考也操執也法定其分名表其寔操  驗其行考决其能一二三四即名法等是  也 百官以此相齒以事爲常  䟽自堯舜已下置立百官用此四法更相  齒次君臣物務遂以爲常所謂彝倫也 以衣食爲主蕃息畜藏  䟽夫事之不可廢者耕織也聖人之不可  廢者衣食也故國以民爲本民以食爲天  是以蕃滋生息畜積藏儲者皆養民之法 老弱孤寡爲意皆有以養民之理也  註民理既然故聖賢不逆 古之人其備乎  註古之人即此之四名也  䟽養老哀弱矜孤恤寡五帝已下備有之  焉 配神明醇天地育萬物和天下  䟽配合也夫聖帝無心因循品物故能合  神明之妙理同天地之精醇育宇内之黎  元和域中之羣有 澤及百姓明於本數係於末度  註本數明故末不離
Interpretation

When its subtlety is lofty and its depths profound, needing no help from any outside thing, this is called the "Ultimate." What takes naturalness as its guiding principle is called "Supreme De (Virtue)." What takes De as its root and the mysterious Dao (the Way) as its gateway, belonging to those who "observe the subtle signs of things," that is, who can perceive the faintest omens in events and accord with the changes of all beings, is called the "Sage." These four kinds of people in truth share a single realm; they received four names only because their functions differ in how they are expressed.

One who bestows kindness through benevolence, establishes principles through righteousness, regulates conduct through ritual, and harmonizes temperament through music, who is gentle, loving, and a source of blessing to others, is called a "Gentleman" (junzi).

Note: These four are only the coarse traces of the Dao, what worthy persons and gentlemen keep in mind and put into practice.

Commentary: To spread benevolence and kindness widely is to confer grace; to carry out righteousness is to judge right from wrong; to use ceremony and ritual form is to regulate conduct; to set music in motion is to harmonize temperament. When the radiance of compassion shines over the nine regions and the spirit of benevolent virtue blows through the eight directions, it is like orchids and thoroughwort giving off fragrance that is smelled far and near. Such a person may be called "worthy."

Fix duties by means of laws and standards, mark status by means of names, test by means of verification, and decide by means of examination. The so-called order of "one, two, three, four" refers to these.

Commentary: "Examination" means investigating, and "holding" means grasping firmly. Laws and standards are used to fix duties, and names and titles to indicate actual substance. One holds verification in hand to inspect conduct, and uses assessment to judge ability. "One, two, three, four" refers to these stages, namely names, laws, and the rest.

The hundred officials are ranked according to these, and doing their work becomes the regular practice.

Commentary: After Yao and Shun established the hundred officials, these four methods were used to arrange positions in relation to one another. Between ruler and minister, and across every kind of affair, this became the regular practice. This is what is called "yilun" (constant principle and human order).

Clothing and food are taken as the foundation, so that the population multiplies and goods are accumulated and stored.

Commentary: Among affairs, farming and weaving must not be neglected, and clothing and food are what the sage cannot overlook. Hence the state takes the people as its root, and the people take food as their heaven. For this reason the population must be made to grow and goods must be amassed and stored, all of which are means of nourishing the people. Caring for the elderly, the weak, orphans, and widows is likewise part of the principle of nurturing the common people.

Note: Such is the inherent principle of the people's livelihood, and so the sages and worthies did not go against it.

The people of antiquity, it seems, possessed all of these in full!

Note: "The people of antiquity" here refers to the four kinds of persons named above.

Commentary: Supporting the elderly, pitying the weak, and showing compassion to widows and orphans were all fully carried out from the time of the Five Emperors onward.

They accorded with the divine illumination, refined the Qi (vital energy) of Heaven and Earth, nurtured the myriad things, and harmonized all under heaven.

Commentary: "Accord" means to match or join with. Enlightened sovereigns had no private interest and followed the nature of all things. They could therefore unite with the subtle principle of divine illumination and share in the pure virtue of Heaven and Earth, nurturing the common people of the world and harmonizing the myriad kinds within the four seas.

Their grace extended to the common people; they understood the fundamental principle, and were also able to hold to the lesser matters of law and standards.

Note: Once the fundamental principle is clear, the lesser matters of law and standards will not stray from the root.

 䟽本數仁義也末度名法也夫聖心慈育  恩覃黎庶故能明仁義以崇本係法名以  救末 六通四闢小大精粗其運無乎不在  註所以爲備  䟽闢法也大則兩儀小則羣物精則神智  粗則形像通六合以遨游法四時而變化  隨機運動無所不在也 其明而在數度者舊法世傳之史尚多有之  註其在數度而可明者雖多有之已䟽外  也  䟽史者春秋尚書皆古史也數度者仁義  法名等也古舊相傳顯明在世者史傳書  籍尚多有之 其在於詩書禮樂者鄒魯之士搢紳先生多 能明之  註能明其迹耳豈所以迹哉  䟽鄒邑名也魯國號也搢笏也亦插也紳  大帶也先生儒士也言仁義名法布在六  經者鄒魯之地儒服之人能明之也 詩以道志書以道事禮以道行樂以道和易 以道陰陽春秋以道名分  䟽道達也通也夫詩道情志書道世事禮  道心行樂道和適易明卦兆通達陰陽春  秋褒貶定其名分 其數散於天下而設於中國者百家之學時 或稱而道之  註皆道古人之陳迹耳尚復不能常稱  䟽六經之迹散在區中風教所覃不過華  壤百家諸子依稀五德時復稱說不能大  同也 天下大亂  註用其迹而無統故也  䟽執守陳迹故不升平 聖賢不明  註能明其迹又未易也  䟽韜光晦迹 道德不一
Interpretation

The root lies in benevolence and righteousness; the branches lie in law and proper naming. The sage’s heart holds compassion, and his grace reaches all the people—therefore he can clarify benevolence and righteousness and thereby honor the root; he can also rely on law and proper naming to shore up the branches.

The six directions are open and the four quarters are cleared; whether great or small, subtle or plain, transformation in motion is nowhere absent.

【Note】This is so that the teaching may be complete in every respect.

【Commentary】“Cleared” means opened up. On the large scale there are Heaven and Earth (the two modes); on the small scale there are the myriad things. The subtle aspect is spirit and wisdom; the plain aspect is form and appearance. Penetrating the six directions (above, below, and the four sides), one roams freely; taking the four seasons as one’s model and changing with them, one turns with the occasion—present everywhere.

What can be made out from institutions and regulations: old systems have been handed down through generations, and historical writings still preserve a great deal.

【Note】What can be seen through institutions and regulations, though much survives, still belongs to the outward traces on the surface of the Dao.

【Commentary】Historical writings include the Spring and Autumn Annals and the Book of Documents—both are ancient chronicles. Institutions and regulations include benevolence, righteousness, law, proper naming, and the like. What was transmitted from antiquity and made manifest in the world is still preserved in great quantity in the chronicles and classics.

As for what appears in the Poetry, Documents, Rites, and Music, scholars and Confucians in the regions of Zou and Lu could for the most part explain them.

【Note】They could only clarify the superficial traces of these matters—how could that amount to grasping their root?

【Commentary】Zou is a place name; Lu is a state name. “To insert” refers to holding the court tablet (the board used in ritual); it also has the sense of putting in place. “Girdle sash” is the great belt; “the master” means the Confucian scholar. The point is that benevolence, righteousness, proper naming, law, and similar matters are recorded in the Six Classics (the Confucian scriptures), and men in Confucian dress in Zou and Lu could explain them.

The Poetry is used to express feeling and intent; the Documents to narrate affairs of the world; the Rites to regulate conduct; the Music to harmonize disposition; the Changes to clarify the transformations of Yin and Yang; the Spring and Autumn to fix praise and blame and establish proper naming.

【Commentary】“Way” here has the sense of expressing and penetrating. The Poetry expresses feeling and intent; the Documents record affairs of the world; the Rites regulate mind and action; the Music brings people into accord and harmony; the Changes clarify the emblems of the hexagrams and penetrate the transformations of Yin and Yang; the Spring and Autumn fixes praise and blame through commendation and censure and thereby establishes proper naming.

These institutional principles and meanings spread through the realm and circulated in the central lands; the teachings of the hundred schools sometimes cited and expounded them as well.

【Note】Yet they were all merely repeating the old traces of the ancients—and even that they could not always sustain.

【Commentary】What the Six Classics record is scattered across the land, but the reach of their teaching does not extend beyond the civilized heartland. The hundred philosophers each imitated earlier doctrines and often spoke of these matters, yet they could not arrive at a single consistent view.

The realm fell into great disorder.

【Note】This was because people only applied those outward old traces and had nothing to unify their root.

【Commentary】Clinging to the old traces of the ancients, they therefore could not attain great peace.

Sages and worthies did not show themselves plainly.

【Note】Even if one could explain those outward traces, it was still not easy.

【Commentary】Sages and worthies drew in their light and hid their tracks.

Dao and De thus ceased to be one…

 註百家穿鑿  䟽法教多端 天下多得一  註各信其偏見而不能都舉  䟽宇内學人各滯所執偏得一術豈能弘  通 察焉以自好  註夫聖人統百姓之大情而因爲之制故  百姓寄情於所統而自忘其好惡故與一  世而得澹漠焉亂則反之人恣其近好家  用典法故國異政家殊俗  䟽不能恬淡虚忘而每運心思察隨其倩  好而爲教方 譬如耳目鼻口皆有所明不能相通  䟽夫目能視色不能聽聲鼻能聞香不能  辯味各有所主故不能相通也 猶百家衆技也皆有所長時有所用  註所長不同不得常用  䟽夫六經五德百家諸書其於救世各有  所長既未中道故時有所廢猶如鼻口有  所不通也 雖然不該不徧一曲之士也  註故未足備任也  䟽雖復各有所長而未能該通周徧斯乃  偏僻之士滯一之人非圓通合變者也 判天地之美析萬物之理  註各用其一曲故析判  䟽一曲之人各執偏僻雖著方術不能會  道故分散兩儀淳和之美離析萬物虚通  之理也 察古人之全寡能備於天地之美稱神明之 容  註况一曲者乎  䟽觀察古昔全德之人猶能備兩儀之亭  毒稱神明之容貌况一曲之人乎 是故内聖外王之道闇而不明鬱而不發  註全人難遇故也  䟽玄聖素王内也飛龍九五外也既而百
Interpretation

Each school of thought pieced together and forced its own reading onto the classics, so methods of teaching and transformation also diverged widely.

People everywhere grasped a fragment of truth yet each trusted their own partial view, unable to set forth the Way in full. Scholars clung to what they upheld and gained only one method—how could they integrate and penetrate the whole?

When they observed things, they did so only to satisfy their own preferences. The sage embraced the shared patterns of human feeling and fashioned institutions accordingly. When the people entrusted their hearts to the order the sage had embraced, they could forget private likes and dislikes and, together with others, remain plain and still. In troubled times, people returned to personal preferences and let private taste rule: every household had its own codes, so states differed in policy and families in custom.

They could not be calm, empty, and still, or set aside fixed views; instead they always strained their minds and shaped methods of teaching to suit their own likes.

It is like the ear, eye, nose, and mouth: each has its function, yet they cannot fully communicate with one another. The eye sees color but cannot hear sound; the nose smells fragrance but cannot tell flavors apart. Each has its office, so none can replace the others.

The hundred schools and the various crafts are the same: each has strengths and each fits certain occasions. Their excellences differ and none can suit every time and place.

The Six Classics, the Five Virtues, and the writings of the hundred schools each had strengths for saving the world and aiding the people, yet none reached the central Way; therefore each was set aside at times, just as nose and mouth each have what they cannot reach.

Even so, these people were still not thorough and could not pervade all affairs—they were scholars biased toward one side, not fit to bear full responsibility. Though each had a specialty, none could combine and extend everywhere; they were narrow minds fixed on one corner, not those who could round out the whole and respond flexibly to change.

Relying on their one-sided views, they judged the beauty of Heaven and Earth and dissected the rationale of the myriad things. Those who clung to one corner each guarded their own opinion; even if they mastered one method, they could not unite with the great Dao, and so they split apart the harmonious beauty of Heaven and Earth and broke up the unobstructed rationale of the myriad things.

Looking at the fully accomplished persons of old, few could fully embody the beauty by which Heaven and Earth nurture the myriad things or match the bearing of the spirits—how much less those who were fixed on one corner?

Therefore the ideal of inner sagehood and outer kingship (neisheng waiwang) lay dark and unmanifest, blocked and unable to unfold, because it was hard to meet one whose virtue was complete. Profound sage virtue and the capacity for kingship without the title were inward; the flying dragon in heaven and occupying the “nine-five” position were outward. Yet… (the original text ends here)

 家競起各私所見是非殽亂彼我紛紜遂  使出處之道闇塞而不明鬱閉而不泄也 天下之人各爲其所欲焉以自爲方悲夫百 家往而不反必不合矣  䟽心之所欲執而爲之即此欲心而爲方  術一往逐物曾不反本欲求合理其可得  也既乖物情深可悲歎 後世之學者不幸不見天地之純古人之大 體  註大體各歸根抱一則天地之純也  䟽幸遇也天地之純無爲也古人大體樸  素也言後世之人屬斯澆季不見無爲之  道不遇淳樸之世 道術將爲天下裂  註裂分離也道術流弊遂各奮其方或以  主物則物離性以從其上而性命喪矣  䟽裂分離也儒墨名法各馳驚各私所見  咸率己情道術紛紜更相倍譎遂使蒼生  措心無所分離一性實此之由也 不侈於後世不靡於萬物不暉於數度  註勤儉則瘁故不暉也  䟽侈奢也靡麗也暉明也教於後世不許  奢華物我窮儉未嘗綺麗既乖物性教法  不行故於先王典禮不得顯明於世也 以繩墨自矯  註矯厲也  䟽矯厲也用仁義爲繩墨以勉厲其志行  也 而備世之急  註勤而儉則財有餘故急有備  䟽世急者謂陽九百六水火之灾也勤儉  節用儲積財物以備世之凶灾急難也 古之道術有在於是者墨翟禽滑釐聞其風 而悦之爲之大過己之大循  註不復度衆所能也
Interpretation

world.

13. Using the “carpenter’s line” (shengmo—the tool for making things straight) to restrain and sharpen oneself.

14. “To correct and sharpen” (jiao) means to grind and encourage. Taking benevolence and righteousness as the measuring line, one steels one’s aspirations and conduct.

15. And preparing for the world’s urgent difficulties.

16. Through diligence, thrift, and saving, goods are stored up, so that when urgent difficulty arises one can respond.

17. The urgent difficulties of the world spoken of here mean disasters such as famine, flood, and fire. Thrift, economy, and storing goods are for meeting calamity and crisis.

18. Among the teachings of the ancient arts of the Dao there was this position. Mo Di (Mozi) and Qin Guli heard it and were very pleased; when they put it into practice they went too far and demanded too much of themselves.

19. “Measuring what the multitude can bear” means gauging to what extent ordinary people can comply. The point is that Mo Di and Qin Guli did not consider whether the people could endure it, and therefore pushed the practice to excess.

Schools each clung to their own views, so right and wrong blurred together and quarrels never ceased. In the end the “Way of engagement and withdrawal”—how to advance, retreat, act, and rest—was blocked and could no longer be seen clearly.

People everywhere followed their own desires and treated that as the rule. A sad state: the hundred schools chased outward and never returned to the root, so in the end they could not agree.

Whatever the heart wanted, they seized on it and turned it into a method; they ran after externals and never came home, yet still hoped for a result that fit reason. That cannot work. It goes against how things really are, and it is hard not to sigh over it.

Later scholars are unlucky: they neither see Heaven and Earth in their plain simplicity nor grasp the ancients’ great, unified Way.

“Great wholeness” means each thing returns to its root and holds to oneness—that is the plain truth of Heaven and Earth.

“Fortunate” (xing) means to meet or to catch a time. Heavenly-Earthly simplicity is wuwei (non-action); the ancients’ great wholeness is plain, unadorned substance. The text means that people of later ages live in a thin age: they do not see the Way of wuwei and cannot recover an era of thick simplicity.

The arts of the Dao were about to be torn apart under Heaven.

“Torn apart” (lie) means split apart. Once the arts of the Dao were handed down, faults appeared; each school spun out its own method. Some tried to master outer things, and things turned from their nature to obey the master, so their original nature-and-life (xingming) were harmed.

“Torn apart” is separation. Confucians, Mohists, name theorists, and legalists each hurried about, fixed on private views, all acting from personal bent. The arts of the Dao grew tangled; schools contradicted and deceived one another, and common people no longer knew how to settle body and mind. All things had been one whole; now they were split—the root lies here.

Do not flaunt luxury to later generations, do not drive all things toward splendor, and do not display oneself through thick ritual and institutions.

“Extravagance” (chi) is luxury; “splendor” (mi) is ornate display; “brilliance” (hui) is conspicuous show. Diligence and thrift alone can still grind people down, so one must not parade dense ritual as glory.

Teach later people not to be extravagant and do not let persons and things chase extreme thrift or finery. Such teaching fights the nature of things and is hard to carry out, so the former kings’ canonical rites could not shine in the world.

Use the carpenter’s line (shengmo—the straightedge) to bind and sharpen oneself.

“Correct and sharpen” (jiao) means to grind and encourage. Take benevolence and righteousness as the line and steel aspiration and conduct.

And prepare for the world’s sudden crises.

Diligence, thrift, and saving build stores, so when crisis comes one can answer it.

Those crises are famine, flood, fire, and the like. Thrift, economy, and stored goods exist to meet disaster and urgency.

The ancient arts of the Dao included this teaching. Mo Di (Mozi) and Qin Guli heard it and delighted in it; in practice they went too far and were harsh on themselves.

“Measuring what the multitude can bear” means asking how far ordinary people can go. Mo Di and Qin Guli did not weigh that and pushed the practice past what people could stand.

 䟽循順也古之道術禹治洪水勤儉枯槁  其迹尚在故言有在於是者姓禽字滑釐  墨翟弟子也墨翟滑釐性好勤儉聞禹風  教深悦愛之務爲此道勤苦過甚適周己  身自順未堪教被於人矣 作爲非樂命之曰節用生不歌死無服  䟽非樂節用是墨子二篇書名也生不歌  故非樂死無服故節用謂無衣衾棺槨等  資葬之服言其窮儉惜費也 墨子氾愛兼利而非鬭  註夫物不足則以鬭爲是今墨子令百姓  皆勤儉各有餘故以鬭爲非也  䟽普汜兼愛利益羣生使各自足故無鬬  爭以鬬爭爲非也 其道不怒  註但自刻也  䟽克己勤儉故不怨怒於物也 又好學而博不異  註既自以爲是則欲令萬物皆同乎己也  䟽墨子又好學博通墳典己既勤儉欲物  同之也 不與先王同毁古之禮樂  註先王則恣其羣異然後同焉皆得而不  知所以得也  䟽禮則節文隆殺樂則鍾鼓羽毛嫌其侈  麗奢華所以毁棄不用 黄帝有咸池堯有大章舜有大韶禹有大夏 湯有大濩文王有辟雍之樂武王周公作武  䟽已上是五帝三王樂名也 古之喪禮貴賤有儀上下有等天子棺槨七 重諸侯五重大夫三重士再重  䟽自天王已下至于士庶皆有儀法悉有  等級斯古之禮也 今墨子獨生不歌死不服桐棺三寸而無椁
Interpretation

This passage discusses the philosophical tenets of Mo Di (known as Mozi), founder of the Mohist school, and his disciple Qin Guli. While deeply influenced by the diligent and frugal approach of the ancient sage-king Yu the Great during flood control, Mozi took these principles to extreme lengths.

Mozi advocated "fei yue" (rejection of musical enjoyment) and "jie yong" (extreme frugality). He believed people shouldn't sing or play music during their lives, nor wear mourning garments or use proper coffins at death—proposing instead simple three-inch-thick paulownia wood coffins without outer shells. These radical measures stemmed from his philosophy of austerity and opposition to waste.

His doctrine of "jian ai" (universal love) and mutual benefit opposed conflict, maintaining that sufficient resources through universal diligence would eliminate strife. This demanding philosophy required severe self-discipline to prevent resentment toward material things.

Though exceptionally learned, Mozi rigidly insisted everyone adopt his ascetic standards. He rejected the ritual-music systems of ancient sage-kings, condemning ceremonial bells, drums, and feathered ornaments as extravagant luxuries.

The text contrasts Mozi's views with traditional rites: the ancient musical compositions like Huangdi's "Xianchi," Yao's "Dazhang," and Shun's "Da Shao," along with burial hierarchies specifying seven coffin layers for emperors, five for lords, three for ministers, and two for scholars. Mozi shattered these conventions with his minimalist funerary prescriptions.

Ultimately, Mozi's extreme frugality represented an exaggerated application of Yu the Great's emergency flood-control austerity—a philosophy suited to extraordinary circumstances but impractical as universal practice.

以爲法式以此教人恐不愛人以此自行固 不愛己  註皆以任力稱情爲愛今以勤儉爲法而  爲之大過雖欲饒天下更非所以爲愛也  䟽師於禹迹勤儉過分上則乖於三王下  則逆於萬民故生死勤窮不能養於外物  形容枯槁未可愛於己身也 末敗墨子道  註但非道德  䟽末無也翟性尹老之意也 雖然歌而非歌哭而非哭樂而非樂是果類 乎  註雖獨成墨而不類萬物之情  䟽夫生歌死哭人倫之常理凶哀吉樂世  物之大情今乃反此故非徒類矣 其生也勤其死也薄其道大觳  註觳無潤也  䟽觳無潤也生則勤苦身心死則資葬儉  薄其爲道乾觳無潤也 使人憂使人悲其行難爲也恐其不可以爲 聖人之道  註夫聖人之道悦以使民民得性之所樂  則悦悦則天下無難矣  䟽夫聖人之道得百姓之歡心今乃使物  憂悲行之難乆又無潤澤故不可以教世  也 反天下之心天下不堪墨子雖獨能任奈天 下何離於天下其去王也遠矣  註王者必合天下之懽心而與物俱往也  䟽夫王天下者必須虚心忘已大順羣生  今乃毁皇王之法反黔首之性其於主物  不亦遠乎 墨子稱道曰昔禹之湮洪水决江河而通四 夷九州也名川三百支川三千小者無數  䟽湮塞也昔堯遭洪水命禹治水寘塞隄
Interpretation

Taking this practice as a standard to teach others is probably not truly caring for people; applying it to oneself likewise cannot be called caring for oneself.

Note: The “caring” spoken of here means aligning with human capacities and what is reasonable in human affairs. To treat strenuous thrift and austerity as the standard and push it to excess—even if the intention is to make all under heaven prosperous—is still not a way of caring for them.

Commentary: Mozi took the deeds of Great Yu in controlling floods as his model and was frugal to the point of excess: above, he went against the way of the Three Kings in governing; below, he did not fit the feelings and reason of the myriad people. He toiled his whole life in poverty and could not use external things to nurture his body; in the end he was gaunt and withered—this too cannot be called caring for oneself.

Mozi’s way was ultimately ruined; what he advocated was not true virtue and the Way.

Note: This only means that what Mozi advocated was not the way of virtue and the Dao.

Commentary: “末” here means “not” or “without.” Zhai is Mozi’s personal name; Yin and Lao refer to Yin Xi and Laozi—meaning each held his own doctrine.

Though one sings, it is not like singing; though one weeps, it is not like weeping; joy too is not like joy—is this really in accord with human feeling?

Note: Though Mozi formed a school of his own, it did not accord with the natural reason of the myriad things.

Commentary: When alive one sings; when dead one mourns with weeping—this is the constant pattern of human relations. In misfortune one grieves; in joy one rejoices—this too is universal feeling in the world. Mozi’s teaching runs counter to these things, so it is not merely “not the usual feeling” but something more.

In life he makes people toil; after death his funeral rites are extremely spare—such a principle is far too dry and without moisture.

Note: “觳” means dry, without moisture or richness.

Commentary: In life he wears body and mind with labor; after death burial is excessively austere. Such a principle is parched and flavorless, utterly without richness.

It fills people with worry and grief, and in practice it is very hard—hardly fit to serve as the sage’s way of ordering the world.

Note: The sage’s way should make the people glad and let them follow their nature in enjoying life. When the people are glad, nothing under heaven is hard to carry out.

Commentary: The sage’s way wins the people’s hearts. Mozi’s teaching makes people worried and sad, hard to sustain for long, and lacking richness—therefore it cannot be used to transform the world.

To go against the mind of all under heaven is something they cannot bear. Even if Mozi alone could hold to it, what could he do with everyone else? Departing from the reason of the world, he was far from the kingly way.

Note: A true king must follow the hearts of all under heaven and advance together with the myriad things.

Commentary: One who governs all under heaven must empty the self and forget self-interest, following living beings. Mozi now casts aside the institutions of the ancient kings and goes against the people’s nature—this is vastly distant from the way of governing the myriad things.

Mozi described his own teaching thus: “In antiquity Great Yu dammed the floodwaters, opened the rivers and channels, and made the waters flow to the four quarters and the nine provinces. There were three hundred famous streams, three thousand branches, and smaller waterways beyond counting.”

Commentary: “湮” means to dam or block. In antiquity, in Yao’s time, there was a great flood; Yao ordered Great Yu to control the waters, building dikes and blocking the disaster…

 防通决川瀆救百六之灾以播種九穀也 禹親自操橐耜而九雜天下之川  䟽橐盛土器也耜掘土具也禹捉耜掘地  操橐負土躬自辛苦以導川原於是舟檝  往來九州雜易又解古者字少以滌爲盪  川爲原凡經九度言九雜也又本作鳩者  言鳩雜川谷以導江河也 腓無肢脛無毛沐甚雨櫛疾風置萬國禹大 聖也形勞天下也如此  註墨子徒見禹之形勞耳未覩其性之適  也  䟽通導百川安置萬國聞啓之泣無暇暫  看三過其門不得看子賴驟雨而洒髮假  疾風而梳頭勤苦執勞形容毁悴遂使腓  股無肉膝脛無毛禹之道聖尚自艱辛况  我凡庸而不勤苦 使後世之墨者多以裘褐爲衣以跂蹻爲服 日夜不休以自苦爲極  註謂自苦爲盡理之法  䟽裘褐粗衣也木曰跂草曰蹻也後世墨  者翟之弟子也裘褐跂蹻儉也日夜不休  力也用此自苦爲理之妙極也 曰不能如此非禹之道也不足謂墨  註非其時而守其道所以爲墨也  䟽墨者禹之陳迹也故不能勤苦乖於禹  道者不可謂之墨也 相里勤之弟子五侯之徒南方之墨者苦獲 己齒鄧陵子之屬俱誦墨經而倍譎不同相 謂别墨  註必其各守所見則所在無通故於墨之  中又相與别也  䟽姓相里名勤南方之墨師也苦獲五侯  之屬並是學墨人也譎異也俱誦墨經而
Interpretation

Yu the Great cleared waterways and opened river channels, relieving the people of floods and sowing the nine kinds of grain.

Yu the Great took up a basket for carrying earth and a plow for turning the soil, and personally managed the rivers throughout the realm.

The commentary says: A tuo was a container for carrying earth, and a si was a tool for digging. Yu the Great dug with the si and carried earth on his back in the tuo. He took on the hard labor himself and cleared the waterways. As a result, boats could travel among the nine regions. There are also interpretations of “jiu za”: some say za means “to clear,” and chuan refers to the sources of rivers; “jiu za” would then mean that he managed nine places. Another version writes the word as jiu, meaning to gather and clear river valleys, guiding the rivers into the sea.

Yu the Great had no flesh on his calves and no hair below his knees. He washed his hair in downpours and combed it in fierce winds, bringing peace to the myriad states. Yu was a great sage, yet he exhausted himself on behalf of the realm to such an extent.

The note says: The followers of Mozi saw only the physical hardship Yu the Great endured; they did not see the ease and satisfaction he felt within.

The commentary says: Yu the Great cleared the many rivers and brought peace to the myriad states. Even when he heard that his son Qi was crying, he had no time to go and see him. He passed his own gate three times without being able to go in and see the child. He washed his hair in sudden downpours and combed it in fierce winds, laboring tirelessly until his body grew thin and haggard, with no flesh on his calves and no hair below his knees. If even a virtuous sage like Yu the Great labored so hard, how much more should ordinary people like us work diligently?

Most later followers of Mozi wore coarse clothes and wooden clogs or straw sandals. They labored without pause, day and night, and made self-imposed hardship their highest principle.

The note says: They regarded making themselves suffer as a way to probe matters to their depths and attain the highest state.

The commentary says: Qiuhe means coarse, rough clothing. Wooden shoes were called qi, and straw-woven shoes were called qiao. The later followers of Mozi were disciples of Mo Di. They wore coarse clothes and crude footwear to practice frugality, and labored without pause, day and night, to do their utmost. They regarded this self-imposed hardship as the highest method of governing the realm.

Some said: “Anyone who cannot work this hard does not follow the way of Yu the Great and cannot be called a Mohist.”

The note says: They were not living in Yu the Great’s time, yet insisted on copying his practices. That is why they were called Mohists.

The commentary says: The Mohists followed the old practices handed down by Yu the Great. Therefore, anyone who could not labor diligently and went against Yu’s way could not be called a Mohist.

The disciples of Xiangli Qin, the school of the Five Lords, and southern Mohist scholars such as Ku Huo, Ji Chi, and Deng Lingzi all recited the Mozi Canons, yet their views differed and did not agree with one another. They therefore called one another “Separate Mohists.”

The note says: Each group clung to its own views, and they could not reconcile them. As a result, the Mohists split into different schools.

The commentary says: Xiangli is a surname, and Qin is a given name; he was a teacher among the southern Mohists. Ku Huo, the Five Lords, and the others also studied Mohism. Jue means different or divergent. They all recited the Mozi Canons, yet… (The original text ends here.)

 更相倍異相呼爲别墨 以堅白同異之辯相訾以觭偶不仵之辭相 應以巨子爲聖人  註巨子最能辨其所是以成其行  䟽訾毁也巨大也獨唱曰觭音竒對辯曰  偶仵倫次也言鄧陵之徒然蹈墨術堅執  堅白各炫己能合異爲同析同爲異或獨  唱而寡和或賔主而往來以有無是非之  辯相毁用無倫次之辭相應勤儉甚者號  爲聖人 皆願爲之尸  註尸者主也 冀得爲其後世至今不决  註爲欲係巨子之業也  䟽咸願爲師主庶傳業將來對爭勝負不  能决定也 墨翟禽滑釐之意則是  註意在不侈靡而備世之急斯所以爲是 其行則非也  註爲之太過故也  䟽意在救物所以是也勤儉太過所以非  也 將使後世之墨者必自苦以腓無肢脛無毛 相進而已矣  䟽進過也後世學徒執墨陳迹精苦自勵  意在過人也 亂之上也  註亂莫大於逆物而傷性也 治之下也  註任衆適性爲上今墨反之故爲下  䟽墨子之道逆物傷性故是治化之下術  荒亂之上首也 雖然墨子眞天下之好也  註爲其眞好重聖賢不逆也但不可以教  也 捋求之不得也  註無輩 雖枯槁不舍也  註所以爲眞好也  䟽字内好儉一人而已求其輩類竟不能  得顦顇如此終不休廢率性眞好非矯爲  也 才士也夫
Interpretation

The various factions among later Mohists (disciples of the Mohist school) differed greatly in opinion and called one another “bie Mo” (“other Mohists”).

They argued over issues such as “hard and white” and “sameness and difference,” accusing one another; they answered each other with ill-formed rhetoric and each took the “juzi” (grand master) they revered as a sage. The commentators say the juzi was best at distinguishing right from wrong and used that to guide action. The sub-commentary explains that “zi” means to slander, “ji” means to assert a position on one’s own, “ou” means debate between two sides, and “wu” means proper order. Followers of the Dengling line clung to Mohist doctrine and fixated on debates like “hard and white,” each boasting of their skill: sometimes they treated different things as the same, sometimes they split what was the same into different things; sometimes one side spoke alone with few to respond, sometimes they debated back and forth like host and guest. They used arguments about being and non-being and right and wrong to tear one another down, and answered with disorderly, incoherent words; among them, the most frugal and diligent were even called sages.

Everyone wanted to become the leader of their own group. The commentators explain that “shi” means the one in charge, the leader. The sub-commentary says they all wished to be teachers and heads, hoping to pass their doctrines to posterity; yet the factions disputed victory and defeat and never reached a settled conclusion. The commentators add that this was because they wanted to continue the work of the juzi.

The original intentions of Mo Di (Mozi) and Qin Guli were right: they opposed extravagance and wanted to prepare for the world’s urgent needs. The commentators hold that their doctrines were well meant but wrongly carried out in practice; the sub-commentary also says their hearts were set on helping the world, so the intention is admirable—only they took frugality and diligence too far, and thus their conduct went astray.

They would make later Mohists insist on such austerity that there was no hair on the calves and none on the shins, each striving only to outdo the others. The sub-commentary explains that “jin” means to surpass; later students, bound to old Mohist formulas, disciplined themselves harshly and thought only of beating their rivals.

This practice is the worst extreme within disorder. The commentators say the greatest disorder is none other than going against the nature of things and harming human nature.

This way of governing is also the lowest. The commentators say that letting everyone obtain their own nature is superior governance; the Mohists instead violated that, so theirs is inferior. The sub-commentary says the Mohist path goes against the nature of things, injures human nature, is the worst kind of governing principle, and is the root of disorder.

Even so, Mozi was truly among the world’s genuine lovers of goodness. The commentators say he sincerely loved the way of the sages and did not wish to violate nature—only this method was unfit for teaching the multitude.

Even if one sought someone like him, none could be found. The commentators say there was no one of the same kind in the world.

Though worn and afflicted, he would not give up. The commentators say this shows his love was sincere. The sub-commentary holds that in the world only Mozi loved frugality; to seek someone resembling him was ultimately impossible. Though so haggard, he never ceased—because this sincerity came from nature, not from deliberate pose.

Truly a man of talent and virtue!

 註非有德也  䟽夫歎也逆物傷性誠非聖賢亦勤儉救  世才能之士耳 不累於俗不飾於物不苟於人不忮於衆  註忮逆也  䟽於俗無患累於物無矯飾於人無苟且  於衆無逆忮立於名行以養蒼生也 願天下之安寧以活民命人我之養畢足而 止  註不敢望有餘也 以此白心古之道術有在於是者  䟽每願宇内清夷濟活黔首物我儉素止  分知足以此教迹清白其心古術有在相  傳不替矣 宋鈃尹文聞其風而悦之  䟽姓宋名鈃姓尹名文並齊宣王時人同  游稷下宋著書一篇尹著書二篇咸師於  黔首而爲之名也性與教合故聞風悦愛 作爲華山之冠以自表  註華山上下均平  䟽華山其形如削上下均平而宋尹立志  清高故爲冠以表德之異 接萬物以别宥爲始  註不欲令相犯錯  䟽宥區域也始本也置立名教應接人間  而區别萬有用斯爲本也 語心之容命之曰心之行  䟽命名也發語吐辭每令心容萬物即名  此容受而爲心行 以輀合驩以調海内  註强以其道聏令合調令和也 請欲置之以爲主  註二子請得若此者立以爲物主也  䟽聏和也用斯名教和調四海庶令同合  以得驩心置立此人以爲物主也 見侮不辱  註其於以活民爲急也 救民之鬥禁攻寢兵救世之戰  註所謂聏調
Interpretation

They sighed with admiration: although Song Xing and Yin Wen could hardly be called lofty in virtue, they detested what went against human affairs and harmed innate character; they were truly people of frugal diligence who worked to save the world and possessed real ability.

They were not burdened by worldly entanglements, did not dress up their relation to external things, did not treat others with false compliance, and did not resent the multitude. Here “zhi” (忮) means to go against or to bear resentment. They did not fret over worldly troubles, did not ornament themselves with outward things, did not deal with people in a merely accommodating way, and did not harbor hatred toward the crowd. They stood on name-and-teaching and moral conduct and used these to nourish the people.

They hoped to settle the realm so the common people could live; for themselves and for others, having enough food and clothing was sufficient—they dared not ask for more. With this program they declared their intent. In the ancient arts of the Dao—the transmitted ways of ordering society and cultivating the person—there was also teaching that ran in the same direction.

Song Xing and Yin Wen heard of this spirit and were deeply pleased. Both lived under King Xuan of Qi and studied together at Jixia, the academic center at the Ji gate in the Qi capital Linzi. Song Xing wrote one treatise and Yin Wen two; both took instructing the people as their charge and became known for it. Their natures and aims aligned, and when they encountered this current of thought they gladly embraced it. They also made the Huashan cap to show their resolve. The Huashan cap was flat above and below; Mount Hua’s silhouette is like a face cut smooth. Song Xing and Yin Wen aspired so high that they wore this cap to display a virtue set apart from the ordinary.

They took “discrimination and demarcation” as the starting point of government and were unwilling to let the myriad things clash with one another. Here “you” (宥) means to distinguish and to set off regions or bounds. To establish titles and teaching and to meet human affairs, they made the sorting out of things fundamental.

When they spoke, they let the heart take all things into itself; this inclusive heart they called the “movement of the heart.” “Ming” here means to name. In speech they always let the inner mind embrace the myriad things, and they named that embrace the heart’s action.

They wanted this teaching to unite the multitude and bring peace to the world. The commentary says they strained to harmonize people and foster unity according to their doctrine. They asked that such persons be made masters of all under heaven, so that things would blend, people throughout the four seas would share one heart, and joy would prevail.

When insulted, they did not feel shamed, because they regarded nourishing the people as the most pressing matter. They sought to rescue the people from contention, halt attacks, stop warfare, and thereby pull the world back from chaos. The commentary takes this as exactly what they meant by “harmonization.”

 䟽寢息也防禁攻伐止息干戈意在調和  不許戰鬥假令欺侮不以爲辱意在救世  所以然也 以此周行天下上說下教雖天下不取强聒 而不舍者也  註聏調之理然也  䟽用斯教迹行化九州上說君王下教百  姓雖復物不取用而强勸喧聒不自廢舍  也 故曰上下見厭而强見也  註所謂不辱  䟽雖復物皆厭賤猶自强見勸他所謂被  人輕侮而不耻辱也 雖然其爲人太多其自爲太少  註不因其自化而强以慰之則其功太重  也  䟽夫達道聖賢感而後應先存諸己後存  諸人今乃勤强勸人被厭不已當身枯槁  豈非自爲太少乎 曰請欲固置五升之飯足矣  註斯明自爲之大少也 先生恐不得飽弟子雖飢不忘天下  註宋鈃尹文稱天下爲先生自稱爲弟子  也  䟽宋尹稱黔首爲先生自謂爲弟子先物  後己故也坦然之迹意在勤儉置五升之  飯爲一日之食唯恐百姓之飢不慮已身  之餓不忘天下以此爲心勤儉故養蒼生  也用斯作法晝夜不息矣 日夜不休曰我必得活哉  註謂民亦當報已也 圖傲乎救世之士哉  註揮斥高大之貌  䟽圖傲高大之貌也言其强力忍垢接濟  黎元雖未合道可謂救世之人也 曰君子不爲苛察  註務寬恕也  䟽夫賢人君子恕己寬容終不用取捨之
Interpretation

Rest here means cessation—stopping aggressive attack and letting warfare subside, with the aim of harmonizing conflict.

They do not make contention their business; even when deceived or insulted, they do not take it as shame, because their intention is to rescue the world.

For this reason they travel everywhere with this teaching: above, they persuade rulers; below, they instruct the common people. Even when the world refuses to listen, they still press their advice, talking on and on, and will not give up.

Commentary: This is how the way of harmony appears in practice.

Expanded commentary: They apply this teaching and spread their doctrine through the nine regions; above they counsel kings, below they teach the people. Even when people do not accept it, they still urge persuasion by force of words, repeating themselves, and refuse to stop. Hence they are wearisome wherever they go, yet still demand that others obey.

“Not taking it as shame” means that even when everyone dislikes and despises them, they still thrust themselves forward to persuade; even when treated with contempt and abuse, they feel no humiliation.

“Though they do much for others, they do little for themselves” means they worry over others far too much and think of themselves far too little.

Commentary: They do not wait for others to be moved naturally; they force themselves to comfort and counsel, and so expend effort in excess.

Expanded commentary: Sages who penetrate the Way usually respond only when there is genuine resonance; they cultivate themselves first, then help others. These men, by contrast, wear themselves out coercing persuasion, continue though hated, and grow haggard in body and mind—is this not caring too little for oneself?

Someone said: “I only want to set aside five sheng of rice—enough to eat is enough.”

Commentary: This shows how little they plan for themselves.

They fear the “teacher” may not have enough to eat; disciples, though hungry themselves, cannot forget the world.

Commentary: Song Xing and Yin Wen called the people of the world “teacher” (xiansheng) and called themselves “disciples” (dizi).

Expanded commentary: Song Xing and Yin Wen called the common people “teacher” and themselves “disciple” because they put others first and themselves last. They appeared open and plain; their mind was thrift: they prepared only five sheng of rice for a day’s food, fearing the people might starve, heedless of whether they themselves would go hungry. With this as their resolve they lived frugally, wishing to sustain the people; acting on this principle, they toiled without rest day and night.

Day and night without pause they said: “We must make everyone live.”

Commentary: They held that the people ought in turn to repay them for this.

“How lofty—like world-saving gentlemen!” means they truly resemble men of great bearing who save the world.

Commentary: “Huichi” describes a manner high, vast, and grand.

Expanded commentary: “Tu’ao” describes greatness of stature. The point is that they endured humiliation to the limit in order to relieve the people; though this may not accord with the great Way, they may still be called men who rescue the world.

Someone said: “The gentleman does not engage in harsh, minute scrutiny.”

Commentary: The gentleman should treat others with breadth and forbearance.

Expanded commentary: Worthy gentlemen and noble persons can extend themselves to others and be tolerant; in the end they do not insist on rigid discrimination of right and wrong…

 心苟且伺察於物也 不以身假物  註必自出其力也  䟽立身求己不必假物以成名也 以爲無益於天下者明之不如已也  註所以爲救世之士也  䟽已止也苦心勞形乖道逆物既無益於  宇内明不如止而勿行 以禁攻寢兵爲外  䟽爲利他外行也 以情欲寡淺爲内  䟽爲自利内行也 其大小精粗其行適至是而止  註未能經虚涉曠  䟽自利利他内外兩行雖復大小有異精  粗稍殊而立趨維綱不過適是而已矣 公而不黨易而無私决然無主  註各自任也  䟽公正而不阿黨平易而無偏私依理斷  决無的主宰所謂法者其在於斯 趣物而不兩  註物得所趣故一  䟽意在理趣而於物無二也 不顧於慮不謀於知於物無擇與之俱往  䟽依理用法不顧前後斷决正直無所懼  慮亦不運知法外謀謨守法而往酷而無  擇 古之道術有在於是者  䟽自五帝已來有以法爲政術之者故有  可尚之迹而猶在乎世 彭蒙田駢愼到聞其風而悦之  䟽姓彭名蒙姓田名駢姓愼名到並齊之  隱士俱游稷下各著書數篇性與法合故  聞風悦愛也 齊萬物以爲首曰天能覆之而不能載之地 能載之而不能覆之大道能包之而不能辯 之知萬物皆有所可有所不可故曰選則不 徧  註都用乃周
Interpretation

The mind simply observes external things at ease, without resting itself upon them; in every matter one must personally apply one’s own effort.

In standing and living in the world, one should rely on oneself and need not borrow external things to build a reputation.

When one clearly knows that something brings no benefit to the world, one should see that it is better to stop. Those called world-saving scholars who exhaust mind and heart and weary the body, yet act against principle and run counter to the nature of things—since this does no good for the world, it is better not to act at all.

Taking the forbidding of aggression and the cessation of warfare as outward conduct serves to benefit others; reducing and softening desire is inward cultivation and serves oneself.

Whether affairs are great or small, fine or coarse, what these ways can reach goes no further than this.

Commentary holds that inner cultivation and outward benefit to others, though they differ in scale and refinement, share the same direction and guiding thread and stop at this point—they have not yet attained “jing xu she kuang” (transcending concrete affairs and penetrating the open, empty realm).

One handles affairs fairly without forming factions, remains even without partiality, decides resolutely according to principle, and does not cling to a predetermined master. That is to say, each person bears his own responsibility and acts in accord with the law.

The intention follows the reason of things without leaning to either side; it lets the myriad things each find their place and thereby return to unity. In applying the law according to principle, one does not weigh gain and loss before and after, nor plot with personal cleverness; facing affairs without picking and choosing, one advances together under the same standard—strict and without favoritism.

In ancient techniques of the Way there was such a practice. From the time of the Five Emperors onward, some took legal norms as the method of governance, and so left deeds worth praise that are still known in the world today.

Peng Meng, Tian Pian, and Shen Dao were all recluses of Qi who studied together at Jixia (the academic center of Qi). When they heard this teaching they were greatly pleased. Their temperaments matched the doctrine of governing by law, so they wholeheartedly embraced it.

They put first “equalizing the myriad things” (holding that each thing has its own principle and that one must not force a single standard on all): Heaven can cover the myriad things but cannot bear them; Earth can bear the myriad things but cannot cover them; the great Dao can embrace the myriad things but cannot for each thing separately mark out what is clear. One must understand that every thing has what suits it and what does not. Therefore, wherever there is selection, one cannot be complete in every respect. Exegetes explain that only by employing all together in full measure can one be thorough.

 䟽夫天覆地載各有所能大道包容未嘗  辯說故知萬物有可不可隨其性分但當  任之若欲揀選必不周徧也 教則不至  註性其性乃至 道則無遺者矣  䟽萬物不同禀性各異以此教彼良非至  極若率至玄道則物皆自得而無遺失矣 是故愼到棄知去己而縁不得已泠汰於物 以爲道理  註泠汰猶聽放也  䟽泠汰猶揀鍊也息慮棄知忘身去已機  不得已感而後應揀鍊是非據法斷决愼  到守此用爲道理 曰知不知將薄知而後鄰傷之者也  註謂知力淺不知任其自然故薄之而後  鄰傷焉  䟽鄰近也夫知則有所不知故薄淺其知  雖復薄知而未能都忘故猶近傷於理 謑髁無任而笑天下之尚賢也  註不肯當其任而任夫衆人衆人各自能  則無爲横復尚賢也  䟽謑髁不定貌也隨物順倩無的任用物  各自得不尚賢能故笑之也 縱脱無行而非天下之大聖  註欲壤其迹使物不殉  䟽縱恣脱略不爲仁義之德行忘遺陳迹  故非宇内之聖人也 椎拍輐斷與物宛轉  註法家雖妙猶有椎拍故未泯合  䟽椎拍笞撻也輐斷行刑也宛轉變化也  復能打拍刑戮而隨順時代故能與物變  化而不固執之者也 舍是與非苟可以免  䟽不固執是非苟且免於當世之爲也 不師知慮不知前後
Interpretation

Heaven covers the earth and bears all things; each has its own capacity. The Great Dao can embrace all things yet never contends. Therefore, each thing has what suits it and what does not; one should follow each thing’s native disposition and let it develop naturally. If one tries to pick and arrange everything one by one, completeness will be impossible.

Acting only according to commands and regulations can never reach the ultimate Dao; following each thing’s original nature is what avoids leaving anything out. Things differ in endowed nature and in kind; teaching everything with a single method is indeed not the most complete approach. If one can follow the profound and abstruse Great Dao, all things can each find their place and nothing will be lost.

For this reason, Shen Dao (a Warring States thinker) discarded cleverness and forgot the self, followed what circumstances made unavoidable, let the mind-spirit change with things, and took this as the principle of living in the world. The commentary says that “lingtai” (泠汰) means to let go and not hold on; the sub-commentary also explains it as sifting and refining. What is meant is: stilling thought, abandoning cleverness, forgetting the self, and not acting with deliberate purpose; only when unavoidable circumstances arise does one respond. Shen Dao used this to distinguish right from wrong and decide according to law, and made it his standard of conduct.

What is called “knowing that one does not know” only reduces cleverness to a shallow level; after doing so, one still comes close to harming the natural order of things. The commentary says that when intelligence is limited and one does not know how to let all things develop naturally, cleverness is therefore weakened; the sub-commentary explains that “lin” (邻) means “close to”: where there is knowing, there is also not-knowing. Even when cleverness has been reduced, it is not yet fully forgotten, so one still comes close to damaging the Dao.

“Xike” (謑髁) refers to not being fixed in form and having no set posture. Such a person does not take on a fixed role and mocks the world’s esteem for the worthy. The commentary says that if one does not let a few people hold specialized duties but lets everyone act according to their own ability, there is no need to promote worthy people by force. The sub-commentary holds that by following the tendency of things and not fixing uses in advance, letting all things each find their place, one does not exalt the worthy.

Indulging freely and not binding oneself to convention, not presenting oneself as embodying benevolence, righteousness, and virtue—therefore such a person is seen as going against what the world calls the great sage. The commentary explains that this is meant to break through outward traces so that things no longer chase these surface norms.

Using the rod to punish and applying penalties, then changing along with things. The commentary says that even when Legalist methods are refined, they still involve punitive measures, so they are not yet fully aligned with the Great Dao. The sub-commentary explains that “chuipai” (椎拍) is flogging, “wanduan” (輐断) is imposing punishment, and “wanzhuan” (宛转) is turning with the situation. That is, even when punishment and execution are used, if one can follow the changes of the age and not cling to one side, one can still turn with things.

Setting aside dispute over right and wrong, seeking only to escape present difficulty; not taking clever thought as one’s teacher, and not deliberately tracing causes and effects to their roots.

 註不能知是之與非前之與後睧目恣性  苟免當時之患也  䟽不師其成心不運用知慮亦不瞻前顧  後矯性爲情直舉宏網順物而已 魏然而已矣  註任性獨立  䟽魏然不動之貌也雖復處俗同塵而魏  然獨立也 推而後行曳而後往  註所謂縁於不得已  䟽推而曳之縁不得已感而後應非先唱  也 若飄風之還若羽之旋若所石之隧全而無 非動靜無過未嘗有罪  䟽磨磑也隧轉也如飄風之回如落羽之  旋若磑石之轉三者無心故能全得是以  無是無非無罪無過無情任物故致然也 是何故  䟽假設疑問以顯其能 夫無知之物無建己之患無用知之累動靜 不離於理是以終身無譽  註患生於譽譽生於有建  䟽夫物莫不耽滯身己建立功名運用心  知没溺前境今磨磑等行藏任物動靜無  心恒居妙理患累斯絶是以終於天命無  咎無譽也 故曰至於若無知之物而已無用賢聖  註唯聖人然後能去知與故循天之理故  愚知處宜貴賤當位賢不肖襲情而云無  用賢聖所以爲不知道也 夫塊不失道  註欲令去知如土塊也亦爲凡物云云皆  無縁得道道非遍物也  䟽貴尚無知情同瓦石無用賢聖闇若夜  游遂如土塊名爲得理愼到之惑其例如  斯 豪桀相與笑之曰愼到之道非生人之行而
Interpretation

Note: Unable to distinguish right from wrong, past from future; with eyes closed one acts on whim alone, seeking only to dodge immediate calamity.

Commentary: One does not take one’s own preconceptions as standards, nor employs the mind for plotting; one does not look ahead or behind. One does not adorn one’s nature or artificially craft one’s demeanor—one only spreads a great net and goes along with external things.

“Wei ran” (majestic and unmoving)—that is all.

Note: Acting on whim while standing alone.

Commentary: “Wei ran” means resting secure and unmoving. Even when dwelling in the world among the crowd, one still stands apart in tranquil independence.

Pushed, one moves; pulled, one goes.

Note: This is what is meant by complying with what circumstances make unavoidable.

Commentary: Being pushed or pulled happens because the situation demands it; one responds only after being stirred—one does not take the lead.

Like a whirlwind wheeling, like a feather circling, like a millstone turning—complete and without bias; whether in motion or at rest, there is no fault, and one never incurs blame.

Commentary: “Wei” is the millstone; “sui” is rotation. Like a whirlwind’s spin, a falling feather’s drift, a millstone’s turn—these three have no subjective intent, and so can preserve themselves. Thus for them there is no question of right and wrong, no guilt or error. They have no private attachment; they only follow external things, and that is why they are so.

Why is this?

Commentary: Here a question is posed in order to show why they can be this way.

Things without perception have no anxiety from insisting on a self, and no burden from using the mind. Their movement and stillness do not violate the natural order, so through life they win no reputation.

Note: Anxiety arises from reputation, and reputation arises from insisting on a self.

Commentary: Things in general cling to themselves, erect fame, and employ the mind, drowning in immediate circumstances. The millstone and the like, in going and stopping, simply yield to external things; movement and rest are without deliberate mind, always dwelling in profound principle—so anxiety and entanglement vanish. Hence they reach their natural span without disaster, and still less any reputation.

Therefore it is said: even to reach the level of things without perception is only this much; why must one employ the worthy and the sage?

Note: Only the sage can strip away craft and clever knowing and follow heaven’s pattern. Fool and sage each fit their place; noble and base each keep their station; worthy and unworthy each follow their nature. To say now “do not use the worthy and sage” shows failure to understand the Dao (the Way).

Commentary: To prize lack of knowing is to be no different from tile and stone; not to employ the worthy and the sage is to grope like walking at night—yet one still compares oneself to a lump of earth and calls that attaining the Dao. Shen Dao’s error is roughly of this kind.

Heroes and champions mocked one another, saying, “Shen Dao’s Dao is not what the living ought to follow…”

至死人之理  註夫去知任性然後神明洞照所以爲賢  聖也而云土塊乃不失道人若土塊非死  如何豪桀所以笑也  䟽夫得道賢聖照物無心德合二儀明齊  三景今乃以土塊爲道與死何殊既無神  用非生人之行也是以英儒贍聞玄通豪  桀知其乖理故嗤笑之 適得怪焉  註未合至道故爲詭怪  䟽不合至道者適爲其怪也 田駢亦然學於彭蒙得不教焉  註得自任之道也  䟽田駢愼到禀業彭蒙縱任放誕無所教  也 彭蒙之師曰古之道人至於莫之是莫之非 而已矣  註所謂齊萬物以爲首 其風窢然惡可而言  註逆風所動之聲  䟽窢然迅速貌也古者道人虚懷忘我指  爲天地無復是非風教窢然隨時過去何  可留其聖迹執而言之也 常反人不聚觀  註不順民望  䟽未能大順羣品而每逆忤人心亦不能  致蒼生之稱其瞻望也 而不免於魭斷  註雖立法而魭斷無圭角也  䟽魭斷無圭角貌也雖復立法施化而未  能大齊萬物故不免於魭斷也 其所謂道非道而所言之韙不免於非  註韙是也  䟽韙是也愼到所謂爲道者非正道也所  言爲是者不是也故不免於非也 彭蒙田駢愼到不知道  註道無所不在而云土塊乃不失道所以  爲不知  䟽雖復習尚虚忘以無心爲道而未得圓
Interpretation

Dao (the fundamental principle that is omnipresent and encompasses all things) does not mean turning oneself into a lump of clay. Sages who have attained the Dao can penetrate all things because they shed fixed opinions and follow their innate nature—not because they are as insensate as clay. To say that a lump of clay has not “lost” the Dao, then, is no different from speaking of a dead thing. Such a view has neither the functioning of spirit (shen) nor the conduct of the living; thus learned and penetrating scholars and heroes all knew the claim was unreasonable and mocked it.

Their doctrine, in turn, became a mere oddity—because it did not accord with the ultimate Dao.

Tian Pian was much the same. He studied under Peng Meng but received Peng Meng’s doctrine of “no teaching”—namely, acting on impulse and unrestrained freedom.

Peng Meng’s teacher said: “The ancients who attained the Dao sought only not to treat anything as absolutely right or absolutely wrong.”

That spirit swept past like a gust of wind—how could it be pinned down in words or fixed as a lasting teaching? The ancients who attained the Dao emptied themselves and forgot self, holding that heaven and earth need not be clung to in terms of right and wrong; their transforming influence passed with the moment, leaving no saintly traces to be bound by.

They often ran counter to ordinary opinion, so no one gathered to look up to them. They did not meet popular expectations, frequently went against what people wanted, and could not win uniform praise and reverence from the masses.

Yet they still could not avoid seeming slick and without sharp edges. This means that even when they set up laws and carried out teaching, they had not yet truly equalized all things.

The “Dao” they spoke of was not the true Dao; what they called correct could not escape being wrong. Here “韪” (wěi) means “correct.” The “Dao” that Shen Dao spoke of was not the right path, and what he held to be correct was not necessarily correct—so error could not be avoided.

Peng Meng, Tian Pian, and Shen Dao did not understand the true Dao. The Dao is everywhere, yet they said even a lump of clay had not lost the Dao—hence their failure to understand Dao. Even though they valued emptiness and stillness and took non-mind as Dao, they had still not grasped the complete Dao.

 照故不知也 雖然槩乎皆嘗有聞者也  註但不至也  䟽彭蒙之類雖未體眞而志尚知略有梗  槩更相師祖皆有禀承非獨臆斷故嘗有  聞之也 以本爲精以物爲粗  䟽本無也物有也用無爲妙道爲精用有  爲事物爲粗 以有積爲不足  註寄之天下乃有餘也 澹然獨與神明居古之道術有在於是者  䟽貪而儲積心常不足知足止分故清廉  虚澹絶待獨立而精神道無不在自古有  之也 關尹老聃聞其風而悦之  䟽姓尹名喜字公度周平王時函谷關令  故爲之關尹也姓李名耳字伯陽外字老  聃即尹喜之師老子也師資唱和與理相  應故聞無爲之風而悦愛之也 建之以常無有  註夫無有何所能建建之以常無有則明  有物之自建也 主之以太一  註自天地以及羣物皆各自得而已不兼  他飾斯非主之以太一邪  䟽太者廣大之名一以不二爲稱言大道  曠蕩無不制圍括囊萬有通而爲一故謂  之太一也建立言教每以凝常無物爲宗  悟其指歸以虚通太一爲主斯蓋好儉以  勞形質未可以教他人亦無勞敗其道術  也 以濡弱謙下爲表以空虚不毁萬物爲實  䟽表外也以柔弱謙和爲權智外行以空  惠圓明爲實智内德也 關尹曰在己无居  註物來則應應而不藏故功隨物去
Interpretation

Therefore, one still cannot say that they truly understood this teaching. Even so, these views are, in broad outline, what they had once heard.

[Note] They had simply not yet reached the level of genuine comprehension.

[Commentary] People like Peng Meng had not awakened to the true Dao, yet their aim was to seek knowledge and they had some limited insight. They honored teachers and transmitted teachings to one another; all had lineages of instruction and did not rely solely on private speculation—so they had indeed heard these teachings before.

They took the “root” (ben) as what is essential and “things” (wu) as what is coarse.

[Commentary] “Root” refers to non-being (wu); “things” refers to being (you). Taking non-being as function and embodying the subtle Dao is called essential; taking being as function and fixing on concrete things is called coarse.

They regarded amassing visible possessions as insufficient.

[Note] When one entrusts oneself to the world at large, one paradoxically has abundance.

Dwelling in quiet simplicity and keeping only to the spirit-like (shen), in the ancient arts of the Dao there were indeed those who upheld such a principle.

[Commentary] Those who crave accumulation always feel they lack enough; those who know contentment and hold to their place can be pure, empty, and tranquil, standing alone without depending on externals. In this way, spirit and the Dao are present everywhere. This principle has existed from antiquity.

Guan Yin (Yin Xi, the legendary keeper of Hangu Pass) and Old Dan (Laozi, personal name Er, clan name Li) heard this style of teaching and were both delighted.

[Commentary] Yin Xi’s surname was Yin, given name Xi, style name Gongdu; in the reign of King Ping of Zhou he served as keeper of Hangu Pass, hence the title Guan Yin. Old Dan’s surname was Li, given name Er, style name Boyang; he was Yin Xi’s teacher. Master and disciple echoed one another; their words matched the principle—therefore when they heard the teaching of Wuwei (non-action), they rejoiced in it.

They established their doctrine through the constant pairing of “non-being” and “being.”

[Note] Non-being and being in themselves have nothing by which to be “constructed.” To say one establishes doctrine through constant non-being and being is precisely to show that the myriad things each arise according to their own nature.

They took the Great One (Taiyi)—the vast, undivided whole of the Dao—as the root.

[Note] From Heaven and Earth down to the myriad things, each is simply completed according to its own nature, without reliance on added ornament. Is this not taking Taiyi as the root?

[Commentary] “Great” means vast; “one” means not split in two. The great Dao is boundless; it embraces and governs all things and makes them penetrate as one—hence it is called Taiyi. In setting up teaching, one should take constant non-being and Wuwei as the root; in grasping its ultimate aim, one should take the open, penetrating Taiyi as the master. This approach only esteems simplicity and does not weary the bodily form; it is not suited to instruct everyone, and one need not thereby harm the art of the Dao.

They took softness, yielding, and humility as their outward expression, and emptiness and non-harming of things as their inner substance.

[Commentary] “Expression” is the outer show. Softness, yielding, and humility are expedient wisdom in outward practice; open clarity and completeness are the inner, authentic wisdom and De (virtue/power).

Guan Yin said: “The body is within the self, yet one does not fix on oneself as master.”

[Note] When a thing arrives, one accords with it; after according with it one does not hoard it in the mind—so efficacy passes with the thing and does not linger or abide.

 䟽成功弗居推功於物用此在己而修其  身也 形物自著  註不自是而委萬物故物形各自彰著  䟽委任萬物不伐其功故彼之形性各自  彰著也 其動若水其靜若鏡其應若響  註常無情也  䟽動若水流靜如縣鏡其逗機也似響應  聲動靜無心神用故速 芴乎若亡寂乎若清同焉者和得焉者失  註常全者不知所得也  䟽芴忽也亡無也夫道非有非無不清不  濁故闇忽似無體非無也靜寂如清也是  已同靡清濁和蒼生之淺見也遂以此清  虚無爲而爲德者斯喪道矣 未嘗先人而常隨人  䟽和而不唱也 老聃曰知其雄守其雌爲天下谿知其白守 其辱爲天下谷  註物各自守其分則靜默而已無雄白也  夫雄白者非尚勝自顯者邪尚勝自顯豈  非逐知過分以殆其生邪故古人不隨無  崖之知守其分内而已故其性全其性全  然後能及天下能及天下然後歸之如谿  谷也  䟽夫英雄俊傑進躁所以夭年雌柔謙下  退靜所以長乆是以去彼顯白之榮華取  此韜光之屈辱斯乃學道之樞機故爲宇  内之谿谷也而谿谷俱是川壑但谿小而  谷大故重言耳 人皆取先己獨取後  註不與萬物爭鋒然後天下樂推而不厭  故後其身  䟽俗人皆尚勝趨先大聖獨謙卑處後故  道經云後其身而身先故也
Interpretation

It accomplishes its work yet does not claim the credit, and instead lets all things share in the merit. This is the way of keeping merit within oneself and cultivating the self.

Each thing manifests in its own way.

The commentary says: Not insisting on one’s own view, but letting every thing follow its own nature, so that each can display itself.

The exposition says: By not boasting of one’s own merit and simply allowing things to be, the forms and natures of all things can each appear on their own.

In action, like water; at rest, like a mirror; in response, like an echo.

The commentary says: This means being always without private intent and without fixed preconceptions.

The exposition says: In movement, like flowing water that goes with the current; at rest, like a clear mirror hanging in stillness; when something from outside stirs you, like an echo answering a sound—prompt and fitting. Whether moving or still, there is no deliberate scheming, so the spirit’s effect is quick and natural.

Vague and indistinct, as if there and not there; in silence, clear and empty. Those who align with it can harmonize all things; those who think they have gained something are the ones who lose it.

The commentary says: Those who always preserve the Dao do not even know what they have “obtained.”

The exposition says: “Hu” means dim and uncertain; “wang” means non-being. The Dao is neither fully “there” nor fully “not there”; neither purely clear nor purely muddy. Hence it is subtle and hard to pin down—seemingly without form, yet not nothing; quiet and luminous, as if transparent, yet not mere transparency. People who rely on shallow views and chase quietude, emptiness, and Wuwei (non-action) as “virtue” end up losing the Dao.

Never pushing ahead of others, yet always coming behind them.

The exposition says: Living in harmony with others and not taking the lead.

Laozi said: “Know what is strong, yet keep to what is soft, and you can be the stream of the world; know what is bright and white, yet keep to obscurity and lowliness, and you can be the valley of the world.”

The commentary says: When each thing keeps to its proper place, all return to stillness; there is no need to contend or to show off.

Are “strength” and “brightness” not precisely the love of winning and displaying oneself? To compete for victory and put oneself forward—is that not pursuing excessive cleverness and thereby harming one’s own life? So the ancients did not follow cleverness without limit; they only held to their own proper station. Only then could they preserve their inborn nature. When that nature is preserved, one can benefit the world; when the world is benefited, people turn to one as water gathers in streams and valleys.

The exposition says: Bold heroes who rush to be first often shorten their lives; yielding, retiring, and staying quiet tend to last longer. Therefore one should give up dazzling glory and choose to dim one’s light and accept a low place—that is the crux of learning the Dao, and then one can become the valley of the world. “Stream” and “valley” are both channels water runs through; a stream is smaller, a valley larger—hence the double phrase “stream and valley.”

Everyone struggles to be first; only he is willing to be last.

The commentary says: By not competing with things for precedence, the people of the world gladly put him forward and do not grow tired of him. That is why he places himself behind.

The exposition says: Ordinary people honor winning and being ahead; the sage is humble and low, content to follow. So the Daodejing says: “Put yourself last, and you end up in front.”

曰受天下之垢  註雌辱後下之類皆物之所謂垢  䟽退身居後推物在先斯受垢辱之者 人皆取實  註唯知有之以爲利未知無之以爲用  䟽貪資貨也 己獨取虚  註守冲泊以待羣實  䟽守冲寂也 無藏也故有餘  註付萬物使各自守故不患其少  䟽藏積也知足守分散而不積故有餘 巋然而有餘  註獨立自足之謂  䟽巋然獨立之謂也言清廉潔己在物至  稀獨有聖人無心而已 其行身也徐而不費  註因民所利而行之隨四時而成之常與  道理俱故無疾無費也  䟽費損也夫達道之人無近恩惠食苟簡  之田立不貸之圃從容閑雅終不損己爲  於物耳以此爲行而養其身也 無爲也而笑巧  註巧者有爲以傷神器之自成故無爲者  因其自生任其自成萬物各得自爲蜘蛛  猶能結網則人人自有所能矣無貴於工  倕也  䟽率性而動淳朴無爲嗤彼俗人機心巧  僞也 人皆求福己獨曲全  註委順至理則常全故無所求福福已足 曰苟免於咎  註隨物故物不得咎也  䟽咎禍也俗人愚迷所爲封執但知求福  不能慮禍唯大聖虚懷委曲隨物保全生  道且免灾殃 以深爲根  註理根於太初之極不可謂之淺也 以約爲紀  註去甚泰也  䟽以深玄爲德之本根以儉約爲行之綱  紀
Interpretation

People attribute all the world's humiliation to him. The “stains” (gou) spoken of here include situations of being shamed and placed in lowly positions: he steps back and lets others go ahead, and therefore willingly bears disgrace.

Everyone else pursues what is substantial and real; only he pursues emptiness and stillness. “Substance” (shi) refers to tangible benefits such as wealth; commentaries hold that people know only that possession brings advantage, and do not know that emptiness, stillness, and wuwei (non-action) have their own efficacy. He abides in purity and detachment, and thereby accommodates the many concrete things of the world.

He does not hoard goods, and so is often left with surplus. Commentaries say that “hoarding” means amassing; when one is content and keeps within one's place, without gathering and scraping, one need not worry about lack of wealth. He is self-sufficient and appears at ease with margin to spare. A person who guards purity, holds to detachment, and is without ulterior motive is rare in the world; what is called “standing firm and lofty” (kuiran) is the manner of standing alone in excellence.

In how he deals with the world and nurtures life, his actions are unhurried and he does not wear himself down. He follows what benefits the people, accords with the changes of the four seasons in accomplishing affairs, and often aligns with the Way (Dao), so he is neither rash nor strained. Commentaries add that one who has penetrated the Great Way does not live on petty favors of the moment, nor insist on abundant fields; he is leisurely and at ease, and does not deplete himself for external things.

He follows nature and does not deliberately deploy craft, and for that reason mocks those who are crafty and artificial. Deliberate cleverness obstructs the natural growth of things; one who practices wuwei accords with the innate nature of things and lets them grow and each attain completion on their own. Spiders still spin webs, and every person has their own capacity—not everyone need exalt Gongshu (the legendary artisan skilled at making implements). Commentaries say he acts according to innate nature, keeps to simplicity and wuwei, and ridicules the worldly mind's scheming and falsity.

Everyone else seeks blessing; only he, by following the natural course, preserves himself. When one accords with the inherent pattern of things, life is often preserved, so there is no need to seek blessing separately—blessing is already sufficient. He seeks only to escape calamity: by going along with things, things do not turn blame upon him. Commentaries say the world pursues blessing but does not know to guard against calamity; the sage, empty-hearted and yielding to things, preserves life and the Dao, and thereby avoids disaster.

He takes profundity and mystery as his root, and simplicity and restraint as his standard. “Profound” means the root is hidden deep in the Way of the primordial beginning—it cannot be called shallow; “restraint” (yue) means casting off excessive luxury. Commentaries summarize: take deep mystery as the root of virtue, and frugal simplicity as the guiding principle of conduct.

曰堅則毁矣  註夫至順則雖金石無堅也迕逆則雖水  氣無耎也至順則全迕逆則毁斯正理也 銳則挫矣  註進躁無崖爲銳  䟽毁損堅剛之行挫止貪銳之心故道經  云挫其銳 常寬容於物  註各守其分則自容有餘 不削於人  註全其性也  䟽退己謙和故寬容於物知足守分故不  侵削於人也 可謂至極關尹老聃乎古之博大眞人哉  䟽關尹老子古之大聖窮微極妙冥眞合  道教則浩蕩而宏博理則廣大而深玄莊  子庶幾故有斯嘆也 寂漠無形變化無常  註隨物也  䟽妙本無形故寂漠也迹隨物化故無常  也 死與生與天地並與神明往與 註任化也  䟽以死生爲晝夜故將二儀並也隨造化  而轉變故共神明往矣 芒乎何之忽乎何適  註無意趣也  䟽委自然而變化隨芒忽而敖游既無情  於去取亦任命而之適 萬物畢羅莫足以歸  註故都任置  䟽包羅庶物囊括宇内未嘗離道何處歸  根 古之道術有在於是者莊周聞其風而悦之 以謬悠之說荒唐之言無端崖之辭時恣縱 而不儻不以觭見之也  註不急欲使物見其意  䟽謬虚也悠遠也荒唐廣大也恣縱猶放  任也觭不偶也而莊子應世挺生冥契玄  道故能致虚遠深宏之說無涯無緒之談
Interpretation

When hardness is pushed to an extreme, it is destroyed.

Note: When compliance goes all the way, even metal and stone no longer seem hard; when resistance goes all the way, even water and vapor no longer seem soft. Compliance preserves; resistance destroys—that is the constant principle.

Sharpness is blunted.

Note: Rash advance without limit—that is sharpness.

Commentary: He sets aside conduct that is rigidly hard and checks the mind’s greed for a cutting edge. Hence the Classic of the Dao says, “Blunt the sharp.”

He is always generous toward all things.

Note: When each keeps to its own portion, there is naturally room to spare.

He does not harm others.

Note: That is how one preserves one’s own nature.

Commentary: By yielding and treating others with modesty, he can be generous toward all things; by knowing what is enough and holding to one’s place, he does not encroach on others.

Guan Yin and Old Dan may truly be called those who reached the utmost height—authentic realized persons of antiquity, vast and true!

Commentary: Guan Yin and Laozi were great sages of old who penetrated the obscure and attained the abstruse, merging in silent union with the true Dao. Their teaching was vast and sweeping; their reason broad and far-reaching. Zhuangzi, having inwardly tasted this, gave voice to such praise.

Still and empty, without form; in change, without fixed pattern.

Note: Changing along with things.

Commentary: The root of the mysterious has no form, hence stillness and emptiness; outward traces follow the myriad things, hence no fixed constancy.

Whether in death or in life, he stands with Heaven and Earth and moves with the spirits.

Note: Leaving change to itself.

Commentary: Treating death and life as the alternation of day and night, he therefore proceeds in parallel with Heaven and Earth; turning with creation and transformation, he therefore operates together with the spirits.

Vast and dim—where would he go? Suddenly here—where would he depart?

Note: Without deliberate intent.

Commentary: He lets natural change take its course and roams as the heart leads. He does not cling to choosing or rejecting, but entrusts himself to fate and rests content wherever he lands.

All things are fully encompassed within; nothing can make it belong to any one place.

Note: Therefore he simply lets each be as it is.

Commentary: Embracing the myriad things and enclosing the cosmos, he has never left the great Dao—what place could serve as a final home?

In the Daoist ways of antiquity, some upheld such an attainment. Zhuang Zhou heard of this ethos, rejoiced in it, and with far-reaching discourse, broad unbounded speech, and words without limit or thread, often gave free rein to his expression—yet he did not merely follow the crowd, nor did he parade one-sided views.

Note: He was not eager to let others see his intent.

Commentary: “Miaoyou” means remote and insubstantial; “huangtang” means vast and unrestrained; “zizong” is to let oneself go in expression; “qi” is skewed, not paired. Zhuangzi was born to meet the world yet secretly accorded with the mysterious great Dao, and so could offer discourse remote and deep, vast, without border or guiding thread.

 隨時放任而不偏黨和炁混俗未嘗觭介  也 以天下爲沉濁不可與莊語  註累於形名以莊語爲狂而不信故不與  也  䟽莊語猶大言也宇内黔黎沉滯闇濁咸  溺於小辯未可與說大言也 以巵言爲曼衍以重言爲眞以寓言爲廣  䟽巵言不定也曼衍無心也重尊老也寓  寄也夫巵滿則傾巵空則仰故以巵器以  況至言而蓍艾之談體多眞實寄之他人  其理深廣則鴻蒙雲將海若之徒是也 獨與天地精神往來而不敖倪於萬物  註其言通至理正常萬物之性命  䟽敖倪猶驕矜也抱眞精之智運不測之  神寄迹域中生來死往謙和順物固不驕  矜 不譴是非  註己無是非故恣物而行 以與世俗處  註形羣於物  䟽譴責也是非無主不可窮責故能混世  揚波處於塵俗也 其書雖瑰瑋而連犿無傷也  註還與物合故無傷也  䟽瑰瑋宏壯也連犿和混也莊子之書其  㫖高遠言猶涉俗故合物而無傷 其辭雖參差而諔詭可觀  註不唯應當時之務故參差  䟽參差者或虚或實不一其言也諔詭猶  滑稽也雖寓言託事時代參差而諔詭滑  稽甚可觀閲也 彼其充實不可以已  註多所有也  䟽已止也彼所著書辭清理遠括囊無實  富贍無窮故不止極也 上與造物者遊而下與外死生無終始者爲 友
Interpretation

He followed the times, letting all things develop naturally without favoring any side; he mingled with the world without standing out as different.

He considered everyone sunk in dullness, unable to discuss weighty, far-reaching truths with them. Commentators explain that people cling to form and names, treat solemn deep speech as wild talk, and refuse belief—so one cannot reason with them.

The sub-commentary says “grand speech” (zhuangyu) means expansive discourse. The people are lost in obscurity, trapped in petty disputation, and therefore cannot yet be addressed with great principles.

He used “goblet words” (zhiyan)—speech that tilts like a cup with fullness and emptiness—to convey continuous change and mindless non-fixity; he used “weighty words” (zhongyan)—speech borrowed from respected elders—to win trust; he used “allegorical words” (yuyan)—meaning lodged in others or stories—to spread doctrine widely. A full cup tips, an empty one rights itself, so the cup images truth that follows change without clinging to one pole. Words on the lips of the aged often carry lived insight; meaning entrusted to tales runs deep and wide, as in stories of Hun Dun, the Cloud General, or the Sea God.

He alone communed with the spirit of heaven and earth, yet showed no arrogance toward the myriad things. His speech penetrated ultimate principle and accorded with each thing’s nature and life. “No arrogance” means he held genuine wisdom, employed unfathomable spiritual power, lodged in the world, passed through birth and death, yet remained humble and compliant with things, never self-aggrandizing.

He did not condemn right and wrong. Commentators say that because he did not fix on right and wrong, he let the myriad things run their course.

He also dwelt with the vulgar world. Commentators say he shared bodily form with other beings. The sub-commentary explains: “reproach” is blame; right and wrong have no fixed master and cannot be exhausted, so he could follow the world like ripples merging with the dust of the age.

Though his writings are grand and strange, their expression could still meet the vulgar world, so they did not clash with people. Commentators say he could return to union with things and therefore was not harmed. The sub-commentary says “grand and splendid” (guiwei) means vast beauty; “smoothly blended” (lianpai) means harmonious mixture. Zhuangzi’s aim is lofty, yet his words stay near the vulgar—hence union with things without conflict.

Though his phrasing is uneven, it is marvelously witty and worth viewing. Commentators say his writing does not target only present affairs, so expression is sometimes empty, sometimes full, not uniformly neat. The sub-commentary says “uneven” means varied wording; “zhuogui” nears comic wit. Though meaning is entrusted to allegory and touches different eras, the strangeness and wit make it very much worth reading.

His compositions are full inside, rich without end. Commentators say he contains much. The sub-commentary says “cease” means stop; his text is clear, his principles deep, his inner content ample and inexhaustible—hence it never runs out.

Above, he wandered with the Creator; below, he befriended those who transcend life and death and have no beginning or end.

 䟽乗變化而遨遊交自然而爲友故能混  同生死冥一始終本妙迹粗故言下下 其於本也弘大而闢深閎而肆其於宗也可 謂調適而上遂矣  䟽闢開也弘大也閎亦大也肆申也遂達  也言至本深大申暢開通眞宗調適上達  玄道也 雖然其應於化而解於物也  䟽言此莊書雖復諔詭而應機變化解釋  物情莫之先也 其理不竭其來不蜕  䟽蜕脱捨也妙理虚玄應無窮竭而機來  感己終不蜕而捨之也 芒乎昧乎未之盡者  註莊子通以平意說己與說他人無異也  案其辭明爲汪汪然禹拜昌言亦何嫌乎  此也  䟽芒昧猶窈冥也言莊子之書窈窕深遠  芒昧恍忽視聽無辯若以言象徵求未窮  其趣也 惠施多方其書五車其道舛駁其言也不中  䟽舛差殊也駁雜揉也既多方術書有五  車道理殊雜而不純言辭雖辯而無當也 歷物之意  䟽心遊萬物歷覽辯之 曰至大無外謂之大一至小無内謂之小一  䟽囊括無外謂之大也入於無間謂之小  也雖復大小異名理歸無二故曰一也 無厚不可積也其大千里  䟽理既精微搏之不得妙絶形色何厚之  有故不可積而累之也非但不有亦乃不  無有無相生故大千里也 天與地卑山與澤平  䟽夫物倩見者則天高而地卑山崇而澤
Interpretation

By accommodating the changes of things and roaming freely, and taking the natural Dao as a friend, one can treat life and death as a single matter and fuse beginning and end into one. The subtle principle is what is fundamental; outward expression is comparatively coarse, hence it is called “lower.” Yet in its root it is vast, far-reaching, broad, and open; in its aim it may be said to harmonize and adapt, penetrating the superior mysterious Dao.

“Pi” means to open; “hong” means vast; “hong” (闳) also means vast; “si” means to unfold; “sui” means to penetrate. The point is this: what Zhuangzi investigates at the root is deep, vast, and wide, capable of being unfolded and opened; what he sets forth as the true teaching harmonizes and adapts, penetrating the mysterious Dao.

Even so, among books that accommodate change and explain the rationale of things, none can match Zhuangzi. Its principles are inexhaustible; when the moment comes and one is moved by them, one does not turn away or cast them off.

“Obscure and dim—what has not yet been fully grasped”: Zhuangzi’s discourse is deep and subtle, and to this day it has not been completely fathomed.

Note: In his book Zhuangzi often speaks of himself in an even tone, much as he speaks of others, without making a special distinction. Read his words and his vast intent is plainly visible. When the Great Yu heard upright counsel he would bow in thanks—what is there to find fault with in such a saying?

Commentary: “Obscure and dim” is close in meaning to “dark and hidden”; it describes Zhuangzi’s book as deep, subtle, hazy and hard to pin down, as if one cannot see clearly or hear distinctly. If one seeks only by words and surface appearances, one still cannot exhaust its purport.

Hui Shi had many branches of learning and books enough to fill five cartloads, but his doctrines were mixed and impure and his statements often missed what mattered.

“The intent of traversing things” means that Hui Shi’s mind ranged through the myriad things, examining each in turn and debating them.

He said: “What has no outer boundary and embraces all that is beyond inclusion is called the ‘Great One’; what is so small that it has no inner space is called the ‘Small One.’” Commentary: What is so large that it embraces everything and has nothing outside it is called great; what is so small that it admits no gap within is called small. Though the names for large and small differ, the principle returns to nonduality, so both are called “one.”

He said: “What has no thickness cannot be piled up, yet its extent can reach a thousand li.” Commentary: The principle is subtle and cannot be touched by hand; it is marvelous beyond form and color—where would thickness be? Therefore it cannot be stacked layer upon layer. It is not simply nonbeing, nor simply being; being and nonbeing generate each other, so one may also say it extends a thousand li.

He said: “Heaven and earth are equally low; mountains and marshes are equally level.” Commentary: This is spoken from the way things appear when viewed: people usually think heaven is high and earth low, mountains high and marshes low…

 下今以道觀之則山澤均平天地一致矣  齊物云莫大於秋豪而太山爲小即其義  也 日方中方睨物方生方死  䟽睨側視也居西者呼爲中處東者呼爲  側則無中側也猶生死也生者以死爲死  死者以生爲死日既中側不殊物亦死生  無異也 大同而與小同異此之謂小同異  䟽物情分别見有同異此小同異也 萬物畢同畢異此之謂大同異  䟽死生交謝寒暑遞遷形性不同體理無  異此大同異也 南方無窮而有窮  䟽知四方無窮會有物也形不盡形色不  盡色形與色相盡也知不窮知物不窮物  窮與物相盡也只爲無厚故不可積也獨  言南方舉一隅三可知也 今日適越而昔來  䟽夫以今望昔所以有今以昔望今所以  有昔而今自非今何能有昔昔自非昔豈  有今哉既其無昔無今故曰今日適越而  昔來可也 連環可解也  䟽夫環之相貫貫於空處不貫於環也是  以兩環貫空不相涉入各自通轉故可解  者也 我知天下之中央燕之北越之南是也  䟽夫燕越二邦相去迢遞人情封執各是  其方故燕北越南可爲天中者也 氾愛萬物天地一體也  䟽萬物與我爲一故氾愛之二儀與我並  生故同體也 惠施以此爲大觀於天下而曉辯者  䟽惠施用斯道理自以爲最觀照天下曉  示辯人也
Interpretation

From the standpoint of the Dao, mountains are as level as marshes, and Heaven and Earth are not divided. The Qiwu Lun (Discourse on Making All Things Equal) says: “Nothing is larger than the down on an animal in autumn, yet Mount Tai is regarded as small.” That is exactly the point.

The sun has only just reached the meridian when it already begins to slant; all things have barely come into being when they are already moving toward extinction.

“Nì” means to look sideways. Someone west of the sun calls it “directly overhead,” while someone to the east says it is already oblique—so “meridian” and “slant” have no absolute boundary. Birth and death are the same: the living take death as an end, while in another sense the dead take life as an end. If the sun’s “center” and “slant” are not fundamentally different, then birth and death in all things are not absolutely distinct either.

When great sameness is folded into small sameness, differences appear—this is called “small sameness-and-difference.” “Sameness and difference” means same and not-same.

When you distinguish things from each of their own situations, you naturally see what is alike and unlike among them—that is “small sameness-and-difference.” When all things are wholly the same and wholly not the same, that is “great sameness-and-difference.”

Life and death alternate, cold and heat succeed each other; form and nature differ in countless ways, yet from the root principle there is no difference—that is “great sameness-and-difference.”

The south has no limit, and yet it also has a limit.

Knowing that the four directions have no end, you also know that within them there are still the myriad things; forms change without end and colors change without end, yet form and color may each reach their own limit. Knowing has no limit, what is known has no limit, and knowing and the known may also limit each other. This is because the Dao has no thickness, so it cannot be piled up. Only the south is taken as an example here, using one corner to illustrate the other three.

Setting out today for the land of Yue can also be said to mean one had already arrived in thepast.

Looking back from today gives “today”; looking back from the past gives “the past.” Without today, how could there be a past? Without the past, how could there be today? Since today and the past have no fixed, unchanging boundary, it is also admissible to say that “going to Yue today is already having arrived in the past.”

Interlocked rings can be taken apart.

Rings linked together actually engage the empty space in each other, not the solid body of the ring. Thus each ring can turn on its own without obstructing the other, and they can be separated.

I know the center of the world: it is north of Yan and south of Yue.

Yan and Yue are far apart; people often cling to the belief that their own position is the true center, so “north of Yan” and “south of Yue” can both be called the center of the world.

Cherish the myriad things broadly, because Heaven, Earth, and the myriad things are one body with me.

The myriad things and I are originally one body, so they should be cherished broadly; Heaven and Earth exist together with me, and can therefore be said to form one whole.

Hui Shi (a Warring States period disputant) took these doctrines as his lofty way of viewing the world and used them to instruct other debaters.

天下之辯者相與樂之  䟽愛好既同情性相感故域中辯士樂而  學之也 卵有毛  䟽有無二名咸歸虚寂俗倩執見謂卵無  毛名謂既空有毛可也 雞三足  䟽數之所起自虚從無從無適有三名斯  立是知二三竟無實體故雞之二足可名  爲三雞足既然在物可見者也 郢有天下  䟽郢楚都也在江陵北七十里夫物之所  居皆有四方是以燕北越南可謂天中故  楚都於郢地方千里何妨即天下者邪 犬可以爲羊  䟽名無得物之功物無應名之實名實不  定可呼犬爲羊鄭人謂玉未理者爲璞周  人謂鼠未腊者亦曰璞故形在於物名在  於人也 馬有卵  䟽夫胎卵濕化人情分别以道觀者未始  不同鳥卵既有毛獸胎何妨名卵也 丁子有尾  䟽楚人呼蝦蟆爲丁子也夫蝦蟆無尾天  下共知此蓋物情非關至理以道觀之者  無體非無非無尚得稱無何妨非有可名  尾也 火不熱  䟽火熱水冷起自物情據理觀之非冷非  熱何者南方有食火之獸聖人則入水不  濡以此而言固非冷熱也又譬杖加於體  而痛發於人人痛杖不痛亦猶火加體而  熱發於人人熱火不熱也 山出口  䟽山本無名山名出自人口在山既爾萬  法皆然也 輪不蹍地  䟽夫車之運動輪轉不停前迹已過後塗
Interpretation

People throughout the world who delight in disputation, sharing similar aspirations and resonating in temperament, thus take pleasure in exploring these paradoxical arguments.

An egg has hair.

The claims “has” and “has not” ultimately return to emptiness and stillness. Ordinary people cling to their own views and insist that an egg has no hair; yet if one recognizes that such assertions themselves are empty, then saying an egg has hair is equally permissible.

A chicken has three feet.

Number arises from the void: from non-being to being, the designation “three” is only then established. From this it follows that neither two nor three possess fixed, unchanging substance; hence a chicken’s two feet may equally be called three feet. This holds for chicken feet and for all visible things alike.

Ying [the capital] is the whole world.

Ying was the capital of Chu, seventy li north of Jiangling. Wherever a thing stands, it has its four directions; thus the northern border of Yan may be called “the north of the world,” and the southern border of Yue may be called “the south of the world.” The Chu capital Ying sprawled for a thousand li—why then may it not be said to be “the world” itself?

A dog may be called a sheep.

Names have no power to fix what things are; things likewise bear no inherent obligation to match a particular name. The bond between name and reality is unsettled, so a dog may be called a sheep. The people of Zheng called unworked jade pu; the people of Zhou likewise called uncured rat meat pu. Form belongs to the thing, but the name is conferred by human beings.

A horse lays eggs.

Bearing live young, laying eggs, generating in moisture, transforming through metamorphosis—these are divisions imposed by human judgment; from the perspective of the Dao they were never different in the first place. If a bird’s egg may have hair, why should a mammal’s womb not be termed an “egg”?

The tadpole has a tail.

Chu folk called tadpoles dingzi. That tadpoles have no tails is something everyone knows. This speaks only to ordinary views of things and does not touch the root principle. From the perspective of the Dao, things have no fixed, unchanging substance; since even “non-being” may be spoken of as nothing, why may “not-having” not equally be called having a tail?

Fire is not hot.

People rely on everyday sensation and deem fire hot and water cold; examined from the nature of things themselves, neither is absolutely cold or hot. In the south there are creatures that feed on fire, and sages can enter water without being wet. Thus fire and water possess no fixed, unchanging qualities of cold or heat. Moreover, when a staff strikes a person, the pain occurs in the human body—it is not that the staff itself feels pain. By the same token, when fire touches the body, the sensation of heat arises in the person; one may likewise say it is not fire itself that is “hot.”

The mountain opens its mouth and speaks.

A mountain originally has no name; its name is spoken by people. If this is so for mountains, the names of all things are generated in the same way.

The wheel never rolls upon the ground.

As the carriage advances unceasingly, the wheel turns without pause; the track left behind has already passed, and the road surface ahead…

 未至除却前後更無踞時是以輪雖運行  竟不踞於地也猶肇論云旋嵐偃嶽而常  靜江河競注而不流野馬飄鼓而不動日  月歷天而不周復何怪哉復何怪哉 目不見  䟽夫目之見物必待於縁縁既體空故知  目不能見之者也 指不至至不絶  䟽夫以指指物而非指故指不至也無目  指得物故至不絶者也 龜長於蛇  䟽夫長短相形則無長無短謂蛇長龜短  乃是物之滯情今欲遣此昏迷故云龜長  於蛇也 矩不方規不可以爲圓  䟽夫規圓矩方其來乆矣而名謂不定方  圓無實故不可也 鑿不圍枘  䟽鑿者孔也枘者内孔中之木也然枘入  鑿中木穿空處不關涉故不能圍此猶連  環可解義也 飛鳥之景未嘗動也  䟽過去已滅未來未至過未之外更無飛  時唯鳥與影嶷然不動是知世間即體皆  寂故論云然則四象風馳璇璣電卷得意  豪微雖遷不轉所謂物不遷者也 鏃矢之疾而有不行不止之時  䟽鏃矢耑也夫幾發雖速不離三時無異  輪行何殊鳥影既不踞不動鏃矢豈有止  有行亦如利刀割三條絲其中亦有過去  未來見在之者也 狗非犬  䟽狗之與犬一物兩名名字既空故狗非  犬也狗犬同實異名名實合則彼謂狗此  謂犬也名實離則彼謂狗異於犬也墨子  曰狗犬也然狗非犬也
Interpretation

Before the journey reaches its end, there is likewise no fixed moment at which to pause between before and after. Thus, though the wheel keeps turning, it never truly comes to rest on the ground. As the Zhaolun (Treatise on the Profound Meaning) says: “A violent whirlwind can topple mountains, yet remains utterly still; rivers race in rivalry, yet do not flow; dust swirls like wild horses, yet does not stir; sun and moon course through the sky, yet do not cycle round and round.” What is strange about that? What is strange about that?

The eyes do not see.

[Commentary] For the eyes to see things, they must rely on certain conditions. Since those conditions themselves have no fixed substance, one may know that the eyes cannot see things on their own.

The finger does not reach; reaching is not severed.

[Commentary] When the finger points at a thing, what is pointed at is not the finger itself—so the finger does not truly reach the thing. Yet if neither eyes nor finger can grasp the thing, then “reaching” is not cut off either.

The tortoise is longer than the snake.

[Commentary] Long and short exist only by comparison; there is no absolute long or short. To say the snake is long and the tortoise short is a view trapped in surface appearances. Here the aim is to dispel that confusion, hence “the tortoise is longer than the snake.”

The carpenter’s square cannot fix what is square; the compass cannot fix what is round.

[Commentary] Squaring with the square and circling with the compass are practices as old as tradition; yet names and definitions are not fixed, and square and round have no independent, unchanging substance—so one cannot say they truly determine square and round.

The chisel-hole cannot enwrap the tenon.

[Commentary] “Chisel” here means the hole; “tenon” (rui) is the wooden peg fitted into it. The tenon enters the hole and the wood passes through the empty space—they cannot literally wrap around each other. This is like interlocking rings that can be undone.

The shadow of a flying bird has never moved.

[Commentary] The past has already vanished; the future has not yet arrived; apart from past and future there is no moment of “flying now.” Only bird and shadow seem frozen in place. From this one knows that, in the deepest sense, all things in the world are still. The Zhaolun says: “The four seasons run like the wind; the armillary sphere turns like lightning; even if the finest things shift, in root they do not migrate.” This is what is meant by “things do not move” (wu qian).

An arrow shot with great speed also has moments when it neither advances nor stops.

[Commentary] “Arrowhead” (zu) is the point of the arrow. Even when the arrow flies swiftly, it cannot escape the three times—past, present, and future; the principle is the same as the turning wheel. Since the wheel does not truly halt and the bird’s shadow does not truly move, how could the arrow have absolute stopping or advancing? It is like a sharp knife cutting three threads—each cut still involves past, future, and present.

A dog is not a hound.

[Commentary] “Dog” (gou) and “hound” (quan) are two names for the same animal. Since names themselves have no fixed substance, one may say “a dog is not a hound.” Dog and hound are the same in fact, differing only in name: from the angle of name matching thing, here one says “dog,” there “hound”; if name and thing are separated, one will say dog is not hound. Mozi said: “A dog is a hound—yet a dog is not a hound.”

黄馬驪牛三  䟽夫形非色色乃非形故一馬一牛以之  爲二添馬之色而可成三曰黄馬曰驪牛  曰黃驪形爲三也亦猶一與言爲二二與  一爲三者也 白狗黑  䟽夫名謂不實形色皆空欲反執情故指  白爲黑也 孤駒未嘗有母一尺之捶日取其半萬世不 竭  䟽捶杖也取折也問曰一尺之杖今朝折  半逮乎後夕五寸存焉兩日之間捶當窮  盡此事顯著豈不竭之義乎答曰夫名以  應體體以應名故以名求物物不能隱也  是以執名責實名曰尺捶每於尺取何有  窮時若於五寸折之便虧名理乃曰半尺  豈是一尺之義邪 辯者以此與惠施相應終身無窮桓團公孫 龍辯者之徒  䟽姓桓名團姓公孫名龍並趙人皆辯士  也客游平原君之家而公孫龍著守白論  見行於世用此上來尺捶言更相應和以  斯卒歲無復窮已 飾人之心易人之意  䟽縱兹玄辯彫飾人心用此雅辭改易人  意 能勝人之口不能服人之心辯者之囿也  䟽辯過於物故能勝人之口言未當理故  不服人之心而辯者之徒用爲苑囿又解  囿域也惠施之言未宜於理所詮限域莫  出於斯者也 惠施曰以其知與人之辯特與天下之辯者 爲怪此其柢也  䟽特獨也字亦有作將者怪異也柢體也  惠子曰用分别之知共人評之獨將一己
Interpretation

A yellow horse and a black ox together make three.

Explanation: A body is not a color, and a color is not a body. A horse and an ox therefore count as two kinds. Add the horse’s color, and they can be said to make three: the yellow horse, the black ox, and “yellow-black color.” Body and color thus make three together. It is like “one” joined with “word” making “two,” and then adding “one” to “two” to make “three.”

A white dog is black.

Explanation: A name is not the same as the thing itself, and both form and color are empty. It is only by clinging to subjective impressions that one turns things around and says white is black.

A lonely colt has never had a mother; a one-foot staff, if you take away half of it each day, will never be used up, even in ten thousand generations.

Explanation: “Chui” means a staff, and “take” means to break off a piece. Someone asks: If you break half of a one-foot staff this morning, by evening only five inches will remain. In two days the staff should be used up. This is plainly visible, so how can one say it will never be exhausted?

The answer is: Names are used to refer to things, and things correspond to names. So if you pursue a thing by following its name, the thing has nowhere to hide. If you cling to the name “one-foot staff” and each time take away a portion from that one foot, when will you ever finish? If you break off another piece from the five inches, you violate the principle contained in the name. And if you call five inches “half a foot,” how can that still fit the meaning of “one-foot”?

The disputers answered Hui Shi with this argument and debated it without end for the rest of their lives. Huan Tuan and Gongsun Long were both figures of the disputers’ school.

Explanation: Huan was Huan Tuan’s family name, and Tuan his given name; Gongsun was Gongsun Long’s family name, and Long his given name. Both were from the state of Zhao and were skilled debaters. They had once stayed as guests in Lord Pingyuan’s household. Gongsun Long wrote the Treatise on Upholding the White, which was widely circulated at the time. They echoed one another with the preceding argument about the one-foot staff, and debated it into old age without reaching an end.

Polish people’s thoughts and change their minds.

Explanation: Even these abstruse arguments do no more than use clever words to polish people’s minds and elegant phrases to change their thinking.

Debate can overwhelm another person’s words, but it cannot make that person willingly accept them. This is the limit of the disputers’ school.

Explanation: By defeating another person in debate, one can overwhelm their words. But because one’s arguments have not hit upon what is right, they cannot win the other person’s conviction. The disputers’ school takes this as its own domain. Another interpretation is that “limit” means scope: Hui Shi’s arguments do not accord with what is right, and the scope of what he can argue does not extend beyond this.

Hui Shi said, “Using one’s own power of discernment to debate with others, standing alone to dispute with the debaters of all under Heaven, and treating this as something extraordinary—this is the root.”

Explanation: “Te” means standing alone, “strange” means extraordinary, and “root” means foundation. Hui Shi said that one uses the cleverness of distinguishing things to discuss them together with others, while standing alone… (The original text ends here.)

 與天地殊異雖復姦狡萬端而本體莫過  於此 然惠施之口談自以爲最賢  䟽然猶如此也言惠施解理亞乎莊生加  之口談最賢於衆豈似諸人直辯而已 曰天地其莊乎施存雄而五術  䟽壯大也術道也言天地與我並生不足  稱大意在雄俊超世過人既不謙柔故無  眞道而言其壯者猶獨壯也 南方有倚人焉曰黃繚問天地所以不墜不 陷風雨雷霆之故  䟽住在南方姓黃名繚不偶於俗羈異於  人游方之外賢士者也聞惠施聰辯故來  致問問二儀長乆風雨雷霆動靜所發起  何端緒 惠施不辭而應不慮而對  䟽意氣雄俊言辯縱横是以未辭謝而應  機不思慮而對答者也 徧爲萬物說說而不休多而無已猶以爲寡 益之以怪  䟽徧爲陳說萬物根由並辯二儀雷霆之  故不知休止猶嫌簡約故加竒怪以騁其  能者也 以反人爲實而欲以勝人爲名是以與衆不 適也  䟽以反人情曰爲實道每欲超勝群物出  衆爲心意在聲名故不能和適於世者也 弱於德强於物其塗隩矣  䟽塗道也德術甚弱於物極强自言道理  異常深隩也 由天地之道觀惠施之能其猶一蚊一蝱之 勞者也其於物也何庸  䟽由從也庸用也從二儀生成之道觀惠  施化物之能無異乎蚊蝱飛空鼓翅喧擾
Interpretation

Although Huizi differed from heaven, earth, and the myriad things in countless ways—even his cleverness and sophistry were beyond counting—in the end his nature still did not go beyond what is proper to a human being.

Yet Huizi was skilled at speech and considered himself wiser than everyone else.

The commentary explains: “Ran” means “still” or “thus.” Huizi’s grasp of principle was almost on a par with Zhuangzi’s; add to that his eloquence and disputation, and he thought himself superior to the crowd—nothing like those who merely quarrel for quarreling’s sake.

Huizi said: “How vast heaven and earth are! And I still hold marvelous Daoist arts.”

The commentary explains: “Zhuang” means powerful; “shu” means arts or techniques. Huizi held that heaven and earth were generated together with him, so they were not enough to count as great; he took his own mind to be bold and above the world, yet without humility or softness, so he had not truly attained the Dao. What he called “vast” was only his own sense of standing alone in strength.

In the south there was an unconventional man named Huang Liao. He asked why heaven and earth do not fall or collapse, and how wind, rain, thunder, and lightning come about.

The commentary explains: Huang Liao lived in the south; his surname was Huang and his given name Liao. He did not follow custom and acted unlike ordinary people—a worthy who had stepped outside the world. Hearing that Huizi was clever and disputatious, he came to ask him: What is the reason heaven and earth endure so long? From what beginning do the movements of wind, rain, and thunder arise?

Huizi did not decline but answered at once; he did not pause to think but replied immediately.

The commentary explains: Huizi’s spirit was bold and his words ranged freely, so before he could even make polite excuses he was already responding; without reflection he answered straight away.

He went through the principles of all things, talking without end; the content seemed inexhaustible, yet he still found it insufficient and piled on yet more bizarre claims.

The commentary explains: Huizi discoursed on the roots of the myriad things and argued about how heaven, earth, and thunder and lightning take shape, not knowing when to stop. He still thought he had spoken too briefly, so he added strange and outlandish doctrines to show off his talent.

He treated violations of common sense as truth and tried to win fame by outdoing others, so he could not live in harmony with people.

The commentary explains: Huizi took what goes against human feeling and ordinary reason to be real, always wanted to surpass the crowd and stand out, and set his heart on reputation—therefore he could not blend with the world.

His cultivation of virtue was thin, while his drive to dominate external things was strong; the path he walked was truly obscure and remote.

The commentary explains: “Tu” means path or way. Huizi’s virtue and mastery of the Dao were insufficient, yet he was fiercely competitive toward external things and imagined his own doctrines especially deep.

Seen from the perspective of how heaven and earth operate and generate the myriad things, Huizi’s power to sway things through words was like a mosquito or gadfly beating its wings in the air and making a fuss. For the myriad things, what use was that?

The commentary explains: “You” means “from”; “yong” means “use.” From the standpoint of heaven and earth giving rise to the myriad things, Huizi’s ability to affect things through language was no more than insects humming and flapping in the void—what could that do for the myriad things?

 徒自勞倦曾何足云益物之言便成無用  者也 夫充一尚可曰愈貴道幾矣  䟽幾近也夫惠施之辯詮理不弘於萬物  之中尚可充一數而已而欲銳情貴道飾  意近眞慤而論之良未可也 惠施不能以此自寧散於萬物而不厭卒以 善辯爲名  䟽卒終也不能用此玄道以自安寧而乃  散亂精神高談萬物竟無道存目擊卒有  辯者之名耳 惜乎惠施之才駘溢而不得逐萬物而不反 是窮響以聲形與影競走也悲夫  註昔吾未覽莊子嘗聞論者爭夫尺捶連  環之意而皆云莊生之言遂以莊生爲辯  者之流案此篇較評諸子至於此章則曰  其道舛駁其言不中乃知道聽塗說之傷  實也吾意亦謂無經國體致眞所謂無用  之談也然膏粱之子均之戲豫或倦於典  言而能辯名析理以宣其氣以係其思流  於後世使性不邪淫不猶賢於博奕者乎  故存而不論以貽好事也  䟽駘放也痛惜惠施有才無道放蕩辭辯  不得眞原馳逐萬物之末不能反歸於妙  本夫得理莫若忘知反本無過息辯今惠  子役心術求道縱河瀉以素眞亦何異乎  欲逃響以振聲將避影而疾走者也
Interpretation

It amounts to nothing but wasted effort—how can such talk be said to benefit the myriad things? In the end, it is nothing but useless discourse.

If one can devote oneself to a single aspect, that may still count as some gain; but if one then takes oneself to be lofty and pursues the Dao in that spirit, one has only moved farther from the Dao.

Commentary: “Ji” (几) means “to approach.” Huizi’s disputations were many, yet he could not broadly clarify matters among the myriad things—at most he could focus on one side alone. If he still wished to pursue the Dao with a sharp mind, polishing his words so as to seem close to what is genuine and sincere, then on close inspection his approach was truly inadvisable.

Huizi could not settle himself by such talk; instead he scattered his spirit among the myriad things and was still not satisfied, ending up known only for skill in disputation.

Commentary: “Zu” (卒) means “in the end.” He could not use the profound Dao to bring himself peace; he dissipated his spirit, discoursing loftily on the myriad things, so that the Dao never appeared in his sight—he gained nothing but the name of a disputer.

It is a pity that Huizi’s talent was abundant yet he could not follow the myriad things back to the root. This is like trying to silence an echo with sound, or racing one’s own shadow—a thing truly lamentable.

Note: In the past, before I had read the Zhuangzi, I heard people dispute the meaning of “chi chui lianhuan” (尺捶连环, the problem of the short staff and interlocking rings), and they all said it was Zhuangzi’s doctrine—so Zhuangzi was classed among the disputers. When I read this chapter and saw Zhuangzi appraise the various schools, especially where this chapter shows those doctrines to be tangled in principle and wrong in wording, I understood that taking hearsay for real doctrine truly harms the facts.

I also hold that these doctrines lack fundamental principles for governing the state and cannot bring a person to authenticity—they are indeed what is called useless talk. Still, sons of wealthy houses must find pastimes in their leisure; some who tire of canonical discourse can, by analyzing names and principles, ease the mind and lodge their thoughts, and pass these doctrines to later ages so that the heart is not led into perversity and dissipation—is that not better than addiction to gambling and chess? Therefore these words are preserved without further judgment, for those who care to read them.

Commentary: “Tai” (駘) means to indulge or let run wild. Huizi had talent but no Dao; he let disputation run wild and could not seek the true root, chasing only the tips of the myriad things and unable to return to the subtle foundation. To grasp the principle, nothing is better than forgetting cleverness and returning to the root; nothing is more fitting than ceasing dispute. Now Huizi labored in mind seeking the Dao; even if he poured out everything like a rushing river, he still could not keep his authentic state—how is that different from trying to escape an echo by making sound, or trying to outrun one’s shadow by running fast? With talent so outstanding, to end thus is truly sad.

Commentary and Subcommentary on the Nanhua Zhenjing, fascicle 35

洪才  若此深可悲傷也 南華眞經註䟽卷之三十五

Source text: Kanripo 漢籍リポジトリ(KR5c0139); Licence: CC BY-SA 4.0 · Report an error / feedback

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