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《丹房奧論》

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Dongshen 洞神部 1 volumes 6,166 characters

About this page. The original text of 《丹房奧論》 (Dongshen 洞神部, 1 volume) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 13 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

Vol. 1

丹房奥論序如一 竊謂金丹大藥丄全隂陽升降下順物理迎 逢聖人所謂格物致知大槩不過子母相生 夫婦配偶之理須藉水火無私之力結搆鉛 汞二物之精要得眞土擒鉛眞鉛制汞加以 手法火候故能超凡入聖返老還童後世學 丹之士不識眞土眞鉛不知手法火候惟求 世間罕有之草水衒惑於人各述已私妄施 工巧迷迷相指白首無成深可歎惜某幼慕 清髙樂聞至道求師訪友未造玄機後因天 禧戊午宦遊金陵遇仙師魏君顔眞人第一 得傳太清六一紫虚九丹之妙與夫造化口 訣遂回至湖湘詣南岳醮謝天眞依訣修持 一一可驗信知手法火候不易傳之於世遂 使後學莫窺端涯某不敢私秘敬將師授口 訣巳試之效集成帙目之曰丹房奥論得 之者不宜輕泄漏慢自當珍藏寳惜觀此若 能觸類而長實有益於同志矣天禧四年庚 申上元學仙子程了一書 丹房奥論      學仙子程了一著    一論眞土凡土 土爲天地之中炁功能攅簇五行生育萬物 金得土則生木得土則旺水得土則止火得 土則息修鍊者無土不可成丹不死此硫黄 芽猶農家不耕田而欲得禾難矣故先賢立 眞土之說以悟後學可不知之夫八石禀炁 於天成形於土其性嗜隂而畏陽遇火則飛 莫知所向若經草木煑錬金石温養留形住
Interpretation

"Esoteric Discourses on the Alchemical Chamber" in Plain Interpretation:

The opening passage explains that the key to refining the Golden Elixir (Jindan, the core substance of Daoist external alchemy/Waidan) lies in aligning with the celestial patterns of Yin-Yang's ascent and descent above, while harmonizing with the natural principles of all things below. This resembles what sages called "investigating phenomena to attain true knowledge"—fundamentally, it's simply the principle of Yin-Yang mutual generation and feminine-masculine interaction. One must employ the selfless natural forces of water and fire to fuse the essences of lead and mercury (primary alchemical ingredients). The crucial point involves using True Earth (a specialized alchemical term referring to specific minerals or mediums) to capture True Lead, then employing True Lead to subdue True Mercury, supplemented by precise operational techniques and fire regulation. Only through these methods can one achieve transcendent sainthood and rejuvenation.

The author laments how later generations of alchemy practitioners fail to recognize True Earth and True Lead, misunderstand techniques and fire regulation, and instead chase after rare herbal ingredients to impress and mislead others. Clinging to private interpretations and haphazard methods, they misguide one another until old age without accomplishment. The author Cheng Liaoyi recounts his youthful yearning for the Dao, wandering widely to seek masters yet finding no true transmission—until the Tianxi Wuwu year in Jinling, when he encountered the immortal master Wei Junyan, obtaining the secret methods of the Great Clarity Six-One Purple Void Nine Elixirs and the oral formulas of creation. Returning to Hunan, he established an altar at Mount Heng to give thanks to heaven. Following these oral instructions in practice yielded consistent verification, convincing him of their precious rarity.

Therefore, the author dared not hoard this knowledge privately. He compiled this book from his master's oral teachings and personally verified content, titling it "Esoteric Discourses on the Alchemical Chamber." He cautions recipients not to disclose it lightly but to treasure it carefully. For those who can extrapolate its principles, it will indeed greatly benefit fellow practitioners.

The first section discusses "True Earth": Earth represents the harmonizing Qi between heaven and earth, capable of gathering the Five Phases (Wood, Fire, Earth, Metal, Water) and nurturing all things. Metal encountering earth generates growth; wood encountering earth flourishes; water encountering earth stabilizes; fire encountering earth pacifies. Practitioners cannot complete the elixir without True Earth, just as farmers cannot harvest grain without tilling fields. Ancient sages established the theory of True Earth to enlighten later students—this cannot be ignored. Though various minerals (the Eight Stones) receive celestial Qi, they all take form through earth. Their nature favors Yin and fears Yang, scattering when encountering fire. Only through specialized processing—herbal decoctions and metallic-mineral incubation—can their forms be preserved.

質能與天地齊堅日月共乆若以㸃化五金 制養諸藥皆可成寳此名眞土如磁石石中 黄陽起石之類亦可作外匱養藥惟其形質 頑囂志性愚濁故其功不侔耳    二論眞鉛凡鉛 眞人云眞鉛不與世鉛同修鍊全憑造化工 一鼎可藏龍與虎方知宇宙在其中此言眞 鉛奥妙世人不知是何物拘泥黄丹韶粉或 者鉛中取銀砂中取金謂其元炁未散認作 眞鉛去道遠矣眞鉛即水銀一味更無餘物 須是不經母氣入眞土匱温養日乆遇火成 質鉟韛不折分耗其功可以起死回生返童 還老瓦礫遇之立成至寳此名眞鉛乃五金 之母還丹之祖黑鉛再爲藥中之害若用非 其法則諸藥隨成懦質竟爲棄物尤難改制 修丹之士深宜察馬    三論眞汞凡汞 按八石本草云朱砂乃隂中金液與離宫所 交之炁下降入地結汞而成借南方爲體所 以眞人取砂中之汞鍊而爲丹其謌曰抽爲 砂中汞還燒汞作砂胎中受五彩火裏現黄 芽此之謂也夫大丹以眞汞爲先者經云萬 般修行先要伏心萬般修鍊先要伏汞蓋汞 人不究根源妄求配合硫黄雖可爲靈砂及 者水銀也即朱砂所岀仙經所謂眞汞者世 其還返則便踈虞此葛真人所謂但能求赤 髓之意砂中汞是也今修鍊之家又不能考 究朱砂受氣之深淺夫天地五行之炁鍾於
Interpretation

Plain Interpretation of "Profound Theories of the Alchemical Chamber"

[Chapter on True Earth]

There exists a substance as enduring as heaven and earth, as eternal as the sun and moon. When used to transmute the five metals (gold, silver, copper, iron, and tin), it can refine all medicines into treasures—this is the "True Earth." Minerals such as magnetite, stone-yellow (a type of mineral), and actinolite can also serve as outer vessels for nurturing elixirs, but because of their coarse texture and dull nature, their efficacy falls short of True Earth.

[Chapter on True Lead]

The perfected Daoists say: "True Lead is not the common lead of the mundane world; its refinement relies entirely on the work of spontaneous transformation. Within a single cauldron, the Dragon and Tiger (Yin and Yang Qi) are concealed, revealing that the mysteries of the cosmos lie within." The profundity of this True Lead is often misunderstood. Some rigidly adhere to substances like yellow lead or ceruse (lead compounds), or extract silver from lead and gold from cinnabar, believing these materials—whose primordial Qi has not yet dissipated—to be True Lead. Yet they remain far from the Dao. The genuine True Lead is none other than mercury—no other substance qualifies. It must be untainted by its maternal Qi (original state), nurtured for a long time within a True Earth vessel, taking form upon encountering fire, and remaining undiminished and unbroken during refinement. Its power can revive the dead, restore youth, and instantly transform rubble into treasures upon contact. This is True Lead—the mother of the five metals and the progenitor of the Reverted Elixir (Golden Elixir). Ordinary black lead, by contrast, is a harmful impurity in alchemical medicine. If misapplied, all medicines will degrade into waste, making them even harder to refine anew. Practitioners must be especially discerning in this regard.

[Chapter on True Mercury]

According to the Compendium of the Eight Minerals, cinnabar is the golden fluid within Yin, its Qi descending from the Palace of Li (the heart) to congeal in the earth as mercury, taking the fire nature of the south as its substance. Thus, the perfected extract mercury from cinnabar to refine the Golden Elixir. A verse states: "Extract mercury from cinnabar, then refine mercury back into cinnabar. Within the elixir embryo, it receives the five colors; within the fire, the yellow sprout (initial form of the Golden Elixir) appears." This is why the Great Elixir (Golden Elixir) prioritizes True Mercury. The scriptures say: "All cultivation begins with subduing the heart; all refinement begins with subduing mercury." Modern practitioners fail to investigate the root, recklessly combining it with sulfur. Though they may produce numinous cinnabar, the mercury (derived from cinnabar) is the True Mercury spoken of in the immortal classics. The perfected Ge Hong’s phrase "only seek the red marrow" refers precisely to the mercury within cinnabar. Today’s cultivators also neglect to examine the depth of Qi imbued within cinnabar. In truth, the Qi of the Five Phases of heaven and earth all converge within...

山川秀發之地爲金爲玉爲瑞草爲醴泉朱 砂之與水銀尤爲天地精英之炁結聚而成 也若以受年月日計之則相去又遠經中真 液與離宫之炁千餘年聚爲水銀又壹千年 結爲朱砂如松脂入地千年化爲琥珀之類 是也若取凡汞爲用則何以到同體乎蓋凡 之與眞相去千百年之遠則運幾周而可以 足其炁數以是言之其差可知矣    四諭三砂 大凡制汞成寳須要子母留戀夫婦歡合方 能成丹舍此而求不可汞以硫爲夫金銀爲 母得硫則堅得金銀則實夫婦子母之道存 焉子母尚義時乎可離夫婦尚情理不可去 所以朱靈二砂雖出處不同俱是硫汞配合 成體得全夫婦之道若經神草煑煅縱無靈 藥制鍊但得鹽礬硝鵬及磁石石中黄等頑 石匱養便能住火成汁惟不能成寳耳知受 母炁亦可到家母砂乃母汞交結而成經草 木鹽礬醋等煑之則堅用梅核石蓮毬煅便 可乘槌若遇大火坯冶則汞走而母僅存蓋 因母體遇火先燥逼汞逃去非徒無益而又 害之近世學丹之士不知所自但以母砂爲 㨗徑理入玄微誠難措論夫水銀成寳則與 糝制同功故母砂須得真鉛等靈匱制養或 作貼身煅鍊眞死可過大冶不拆謂之倚母 糝制雖得眞死匱温養若非至神至虚之藥 一坏一拆母子仍舊分離亦復何用今人或
Interpretation

This passage primarily discusses the alchemical principles and precautions concerning cinnabar (mercury sulfide) and mercury in the practice of internal alchemy (Neidan).

The text begins by explaining that in places where the vital energies (Qi) of mountains and rivers converge, precious metals, auspicious herbs, and sweet springs naturally form. Cinnabar and mercury represent the concentrated essence of heaven and earth. According to temporal calculations, naturally formed "true liquid" (mercury) requires over a thousand years to accumulate, and another millennium to condense into cinnabar—much like pine resin transforming into amber over centuries. Using ordinary mercury for alchemical purposes yields vastly inferior results.

The "Four Discussions on Three Sands" section details key principles for refining mercury into elixirs:

1. One must follow the alchemical principle of "mother and child embracing, husband and wife harmonizing." Here, mercury takes sulfur as its "husband" and gold/silver as its "mother" to achieve a stable, solid elixir.

2. While cinnabar and "spirit sand" originate differently, both result from the union of sulfur and mercury, embodying the Dao of marital harmony.

3. Boiling with herbs, salt, and alum can solidify the elixir, but excessive heat will cause mercury to volatilize—leaving only the "mother" substance which becomes harmful.

4. Contemporary practitioners often misunderstand these principles, mistakenly believing raw mother sand (mercury-bearing ore) can produce quick results. In truth, it requires careful refinement with true lead and other spiritual medicines; otherwise, the mother-child (mercury-ore) bond will separate.

The passage concludes by emphasizing that even successful refinement requires pairing with supremely spiritual and subtle medicines—otherwise, the elixir will decompose under high heat. Many modern practitioners attempt random methods, often achieving nothing but wasted effort.

以草死朱砂及丹養二砂二砂作母砂貼身 入梅核固煅稍能住得半錢一銖便謂之母 砂成寳殊不知所住者二砂中之翻身汞耳 非母砂汞也然感氣砂雖借母炁而成體不 爲母所拘禦得以自如見火未便飛走若用 草藥煑竪須入水火鼎養煅令受得火力再 入靈匱温養返易成功機緘盡露學丹者須 踐履而後知之    五論三黄 凡修鍊三黄須當知藥性火候苟不究其藥 性之緩急火候之輕重悉成灰燼雖悔何及 硫内禀純陽火石精氣而成質其性通流内 含猛毒見火易飛最難擒制藥品中號爲將 軍謂其有削平治亂之功若得神草煑制大 火煅之立可眞死惟有猛毒之威不易消滅 若便用養諸石反見傷殘猶將軍難制而易 死雖千載之下凛乎英氣亦不可犯之謂須 是進火加養直候脫去黑褐二色隨草變動 成眞金色或成朱砂色或成雪白色然後用 之大能去邪歸正返滯還情徤立陽精消化 隂魄雄黄則偏陽而無隂雌黄則偏隂而無 陽丹家所謂孤隂寡陽雖易制伏惟難眞死 先須用草煑過然後緩緩進火加養死者良 然非得𥐼膽死汞等藥不可點化非配合朱 砂硫黄不可養物故藥品中以雄黄爲輔佐 之官雖能通靈謂其初無全功若不配以諸 藥實難獨用直書以記學者識之    六論三白
Interpretation

Plain Language Interpretation of "The Profound Discourse on the Alchemical Chamber":

On Cinnabar Refining:

Cinnabar processed with medicinal herbs (called "dead cinnabar") and two other types of cinnabar serve as foundational materials. When refining these two as "mother cinnabar" (base materials), success is achieved if half a qian and one zhu (ancient weight measurements) remain after calcination in a plum-pit-sized vessel. However, most practitioners don't realize that what's actually preserved is the mercury transformed from the cinnabar, not the mercury originally present in the mother cinnabar. This resonantly transformed cinnabar takes form by borrowing the primordial Qi (vital energy) of the mother cinnabar yet remains unconstrained by it, resisting immediate volatilization when exposed to fire. For herbal decoction refining, it must undergo repeated calcination in a water-fire cauldron (alchemical apparatus) to develop heat resistance, then be nurtured in a spiritual chamber (specialized container) to increase success. These crucial points require hands-on practice to truly master.

On Refining the Three Yellows (sulfur, orpiment, and realgar):

Processing these three materials demands thorough understanding of their medicinal properties and firing techniques. Without clear knowledge of their potency levels and precise heat control, they easily reduce to ashes, leaving practitioners with irreversible regret.

Sulfur:

Its essence is pure Yang fire-stone Qi, possessing fluid mobility and extreme toxicity. Highly volatile when heated, it's the most challenging to control. Known as the "General" among medicinal substances for its balancing properties. When processed with specific herbs and high-temperature calcination, it can be stabilized—though its toxic nature remains difficult to eliminate. Direct use in refining other minerals may cause damage instead. Like an uncontrollable general, its fierce character persists even after millennia. Continuous heating is required until black and brown hues fade, transforming through herbal processing into gold, cinnabar-red, or snow-white colors before application. Properly prepared sulfur dispels pathogenic Qi and transmutes Yin substances.

Orpiment and Realgar:

Orpiment leans Yang but lacks Yin qualities; realgar inclines Yin but lacks Yang properties. Alchemists call them "isolated Yin and solitary Yang"—easy to control yet difficult to fully transform. Initial herbal decoction followed by gradual heating is required. However, without arsenic or processed mercury as adjuvants, complete transformation remains impossible; without cinnabar or sulfur as companions, their efficacy stays limited. Thus orpiment serves as supplementary material in medicinal practice—while possessing some spiritual potency, its standalone effects remain constrained.

These essential points are clearly recorded for the reference of alchemical practitioners.

經云𥐼砂在五金爲賊五金皆畏之附砒粉 可通造化又云砒霜草伏眞死可以點銅爲 銀與粉霜最爲相宜得𥐼相附可成至藥世 人謂此不過點化丹陽而巳殊不知砒𥐼眞 死乆養無毒若得母炁鬱蒸亦能轉制諸石 及用之匱養膽石雌雄名曰五靈神丹轉白 爲黄其功尤大粉霜獨水銀一味借鹽礬硝 石搆鍊爲霜丹經稱爲神雪或云佐以草死 砒同作丹頭入於神室緩火養死即是眞鉛 其功豈秪換骨耶但其體本全隂極難制伏 不易眞死若非伏火朱砂不能住質大抵亦 須憑母炁而後成去母離陽萬無一可經云 粉霜以隂造隂微陽亦無非眞死三黄曰神 砂銀等非靈根不能成寳非伏砒不得軟骨 非伏𥐼不得軟潤愚因見此說常以粉霜以 砒𥐼合胎入四神匱養經百餘日用之點化 丹陽適然俱成黄金其神靈變化如此豈易 度哉     七論用鉛 仙經云用鉛不用鉛却向鉛中作及至用鉛 時用鉛還是錯蓋常至此而疑之曰用鉛是 錯則不可用須向鉛中作何耶此非神仙謾 語乃常人不知其用爾苟得鉛之法何患乎 丹之不成學丹者先當明其理而後用之銀 由鉛而生鉛銀未分胎之前神炁混成用之 匱養水銀等藥則可成功分形之後元炁旣 散則鉛爲鉛銀爲銀矣豈可舍銀而求鉛遽 欲以鉛而成寳者乎天下寜有是理耶法當
Interpretation

This passage from The Profound Discourse on the Alchemical Chamber primarily explains the properties and applications of several key materials in alchemical practice:

On Realgar (砒霜) and Cinnabar (朱砂):

Cinnabar behaves like a thief among the Five Metals (gold, silver, copper, iron, and tin)—all metals fear it. When combined with powdered realgar, it produces miraculous transformative effects. Realgar processed through "herbal subjugation" (草伏) reaches a state of "true death" (真死, toxicity neutralization) capable of transmuting copper into silver. It pairs exceptionally well with fenshuang (mercury-derived powder) and, when combined with cinnabar, can produce supreme elixirs.

Common practitioners assume these materials only yield ordinary elixirs, unaware that long-cultivated detoxified realgar—activated by "mother Qi" (母炁, foundational energy)—can further transform other minerals. When used to nurture chalcanthite, orpiment, and realgar, it refines them into the "Five Numinous Elixir" (五灵神丹), achieving the higher transmutation of white-to-yellow.

On Fenshuang (Mercury Powder):

Fenshuang is prepared solely from mercury, augmented with salt, alum, and saltpeter. Alchemical texts call it "divine snow" (神雪). When paired with processed realgar as the "elixir seed" (丹头, starter material) and refined in the furnace with gentle heat, it yields "true lead" (真铅, foundational substance)—far surpassing ordinary tonics. Yet fenshuang is profoundly yin and notoriously unstable; only through "mother Qi" can it be controlled. Without this, success is impossible.

On the Application of Lead:

Immortal scriptures state: "Using lead without using lead, yet working within lead; when the time comes to use lead, using lead is still wrong." This is no celestial ruse—ordinary practitioners simply misunderstand. Those who grasp lead’s true method need not worry about failed elixirs. Students must first comprehend the principle: silver emerges from lead. Before lead and silver separate, their shen (spirit) and qi remain undifferentiated. Only at this primordial stage can they nurture mercury and other medicinal agents successfully. Once separated, the primordial energy disperses—lead becomes lead, silver becomes silver. How could one discard silver to seek lead, then expect to refine treasures directly from lead? What logic in heaven or earth permits this?

鉛三銀四同擣成末再以靈草煑制進火養 鍊日乆今其神炁歸復方可匱養朱靈二砂 或作鉛砂入母匱母砂入鉛匱乆養而能成 寳但非歳月乆遠恐難成就凡八石曾經母 匱養過眞死無性再入鉛匱養鍊月餘其功 又倍於常矣若見寳之藥亦入鉛匱養煅或 用感鉛氣藥作關坯銷庶無耗折之患嗚呼 龍居蛇腹母隱子胎物理迎送造化之妙非 天下之至神其孰能與於此    八論用母 凡奪天地造化修鍊金丹唯水銀一味而巳 須假祖炁以全其質猶嬰兒在母胞胎中神 炁温養方能成形故喻金銀汞爲母子汞性 輕飛隨物感遇不易制伏必先養鍊朱靈二 砂爲丹基然後制汞成生生變化之道法當 靈草煑制火燒不動大鞴作汁胎色不移次 入金母温養日乆可成大丹如火上燒之猶 有光焰蓋是硫炁未死若便用母養鍊則吞 汞食母互相吞啖必致耗折母體母身旣虧 元炁羸弱豈能長生須要受母炁不吞母爲 上有母不靈無母不成即此義也或謂硫不 蝕金輙便用金爲母養鍊滿擬可成豈知金 至剛汞至柔二炁偏負情不相親徒費嵗月 不能成寳所以焦金不入丹砂故朱靈二砂 用母必先銀而後庚名爲金筋玉骨若去銀 從金不遇明師豈能成就愚得口訣云硫信 未伏必先吞汞而後食母每銀四兩入粉霜
Interpretation

Plain Interpretation of the "Arcane Discourse on the Alchemical Chamber"

On the Basic Methods of Alchemy:

Mix lead (three parts) and silver (four parts), grinding them into a fine powder. Then decoct the mixture with spiritual herbs and refine it over a long period through controlled firing. Only when the divine Qi (energy) within is fully integrated can it be placed in a vessel containing cinnabar and spiritual cinnabar for further cultivation. Alternatively, one may place lead sand into a mother-cinnabar vessel or mother cinnabar into a lead vessel for prolonged cultivation—this can produce treasures. However, without sufficient time and accumulation, success is difficult to achieve.

On the Treatment of Eight Minerals:

Any of the eight minerals cultivated in a mother-cinnabar vessel, if they have lost their vitality, can be placed into a lead vessel for refinement over a month or more. This method yields better results than conventional techniques. Precious medicinal herbs may also be placed in a lead vessel for cultivation and calcination. Alternatively, one may use medicines that resonate with lead Qi as a protective layer to prevent the dissipation of medicinal efficacy.

On the Principles of Alchemy:

Just as a dragon hides within a serpent’s belly, or a mother conceals herself within the fetus, this reflects the profound mysteries of mutual generation and restraint in nature. Unless one is a sage who comprehends the ultimate principles of heaven and earth, grasping the essence of this art is exceedingly difficult.

Eighth Discourse: On the Use of Mother Cinnabar

The Key to Refining the Golden Elixir (Jindan):

The refinement of the Golden Elixir fundamentally relies on mercury as the primary material, but it must be perfected through the "Primordial Qi" (ancestral energy). Just as an infant in the womb requires the nurturing of divine Qi to take form, gold and silver are likened to the mother, while mercury is likened to the child. Mercury is volatile and difficult to control, so one must first refine cinnabar and spiritual cinnabar as the foundation.

Specific Refinement Steps:

1. Decoct the materials with spiritual herbs to prepare them for firing.

2. Smelt them at high temperatures while maintaining their fundamental properties.

3. Place them in a golden mother-cinnabar vessel for prolonged nurturing—only then can the Great Elixir be achieved.

Precautions:

If flames still appear during the firing process, it indicates that the sulfur content has not yet fully stabilized. At this stage, directly cultivating with mother cinnabar will cause mutual depletion between the mercury and the mother cinnabar. One must wait until the material can absorb the energy of the mother cinnabar without consuming it—only then is it considered properly refined. Some mistakenly believe that sulfur does not corrode metal and thus use gold directly as mother cinnabar. However, they fail to realize that metal is too rigid and mercury too soft, making fusion difficult—this only wastes time.

Essential Secret:

When refining cinnabar and spiritual cinnabar, one must first use silver as the mother cinnabar, then gold (Geng) as the mother cinnabar—this is called "golden sinews and jade bones." Skipping silver and using gold directly will rarely succeed unless one receives guidance from an enlightened master. The esoteric口诀 (oral formula) states: If sulfur is not fully stabilized, it will first absorb mercury and then deplete the mother cinnabar. The precise ratio is four taels of silver mixed with an appropriate amount of "frost powder" (the exact measurement remains partially concealed as it involves secret transmission).

一兩同研和匀作匱養鍊二砂則硫吞汞炁 未竭力巳摧矣何暇復母耶此爲添子援母 又爲姹女抱嬰兒若以金養二砂之理言之 金汞雖剛柔不親乆乆相處亦能情同世之 用金養砂者蓋不明金遇火則燥汞見火則 飛金汞難以共乆精神不交所以無成每金 四兩入粉二兩一處研細用養二砂則金欲 燥而遽未能燥汞欲飛而遽未能飛得以乆 處情相親狎何患丹不可成愚悟其理遂歷 試之一一果驗但不可輙加大火使汞易爲 飛走不能成功宜緩火温養爲妙如無粉霜 以母汞結砂爲之亦得還源出母之法入地 坑中埋一二曰去其火毒金用青盬捺頭大 火一煅銀四兩入水銀一兩黑鉛二兩夜明 砂少許同煅後方入爐𤇨庶無屈折    九諭假借 古云家有死三黄不用置田莊又云家有眞 死砒金銀爛如泥此說固然不明假借其理 幽微未易知也世所修鍊者紛然其眞死三 黄砒中間豈無一二不能成丹何哉失其假 借之道耳燕雀不生鳯狐兎不乳馬若無眞 父母所生俱是假今人但得一藥眞死便欲 制汞成寳乆而無成則歸咎於草之不靈非 草之罪蓋不得母炁薰蒸精神不全之故也 凡修鍊雌雄硫砒不要十分眞死須是存性 先用金母養成其形後用銀母足成其炁然 後用此轉養朱砂靈砂粉霜汞牙無母之藥
Interpretation

This passage explains the essential techniques of medicinal compatibility and fire regulation in alchemical practice. Here's the modern interpretation:

On the method of refining elixirs using gold and mercury:

Grind one tael of gold powder evenly with mercury (quicksilver) to form the base material for cultivating cinnabar and spiritual sand. At this stage, sulfur will absorb mercury's essence, producing effects without excessive effort—why add other mother materials? This resembles nourishing the mother by supplementing the child's nutrition, or the harmonious image of a maiden cradling an infant.

Regarding the principle of cultivating mineral sands with metals:

Though gold and mercury differ in their rigid and yielding natures, prolonged interaction can generate affinity. Those who fail in cultivating sands with gold don't understand that gold becomes dry when heated while mercury volatilizes. The inability of gold and mercury to coexist long-term or merge their vital energies (Qi) causes failure. The correct method: grind four taels of gold powder with two taels of medicinal powder into fine particles for cultivating cinnabar and spiritual sand. This restrains gold's tendency to dry and controls mercury's volatility, allowing prolonged nurturing interaction—why fear elixir refinement failure? After thorough comprehension and repeated experimentation, this proves effective. But remember: avoid strong fire as mercury easily volatilizes, instead use gentle fire for slow incubation.

Without prepared medicinal powder, specially treated "mother mercury" can condense mineral sands instead. Specific procedure: bury materials in an earthen pit for one or two days to remove fire toxicity. Clean gold vessels with green salt, calcine with strong fire, then refine with four taels silver, one tael mercury, two taels black lead, and a small amount of luminous sand—only then can furnace placement avoid failure.

The ninth essential technique of "borrowing":

Ancient sayings state "three yellows (realgar, orpiment, sulfur) of dead medicine at home surpass farmland" and "with truly dead arsenic, gold and silver rot like mud." Though reasonable, the principle of "borrowing" remains profoundly obscure. Many practice alchemy—why do so few succeed with three yellows or arsenic? They misunderstand "borrowing." Just as sparrows cannot birth phoenixes nor foxes nourish foals, without true "parent" materials, only false elixirs result. Modern practitioners obtaining one truly dead medicine expect mercury's transformation into treasure, then blame materials when failing—the error lies in not understanding maternal Qi incubation and incomplete vital essence.

When refining orpiment, realgar, sulfur, or arsenic, don't pursue complete "death" (fully fixed medicinal properties)—preserve some vitality. First use golden mother to cultivate form, then supplement with silver mother's vital essence, finally employing these materials to nurture motherless substances like cinnabar, spiritual sand, medicinal powder, and mercury frost.

亦可成寳前用母篇朱靈用母法旣言先銀 而後金此却言先金而後銀者何蓋取其汞 易相親也如硼砂硝𥐼等草伏住火若用銀 母養煅亦能制汞藥雖眞死不經母養祗可 轉制諸石若欲乾汞成寳不可同日語矣    十論制轉 修鍊者不患爲母之爲難惟患轉制之爲難 若明轉制之理則一可成十十可成百生生 變化無有窮盡所謂得其一萬事畢豈易爲 事哉今人不達斯理恣意揣度盲修瞎鍊至 老無知尤可哀憫夫五金八石雖有逓相制 伏之說中有可制不可制之道存乎其間經 云硫養雄道在同雌養雄各西東又云砂養 砂則砂折砂澆汞則砂活若此之内儻非師 授雖智過顔閔不可得也轉制之法妙在神 水華池經云以鉛入汞名曰華池以汞入鉛 名曰神水聖人喻眞死之藥爲鉛末死之藥 爲汞以鉛制汞則汞形全以汞滋鉛則鉛氣 盛彼此相益庶能長生眞人云以神養神岀 幽入冥以氣補氣壽永天地猶此理也今人 却以鹽礬露水沐浴死藥爲神水華池誠爲 可笑所以古聖秘藏不可輕傳於世修鍊之 士尤宜細詳凡八石眞死須是添得方能通 靈謂其本體曾授藥毒凌持火逼形質枯槁 精神疲弊故加入本類添養復其神炁全其 形體方可轉制諸石惟朱靈二砂乃硫汞成 體勢有偏枯便難變化須當知砂養砂則砂
Interpretation

This scripture primarily elucidates the alchemical technique of "transmutation" (the transformation of material properties through specific methods) and the interactive principles among metals such as gold, silver, lead, and mercury.

Regarding the sequence of refinement, some advocate refining silver before gold, but here the text proposes the reverse—gold before silver—because mercury (liquid metal) bonds more readily with gold. Minerals like borax and saltpeter, when using silver as the "matrix" (foundational material) for smelting and cultivation, can also regulate mercury's properties. However, medicines refined this way, though stable in form, can only transmute ordinary ores without matrix cultivation. Attempting to solidify mercury directly into a treasure would be utterly impossible.

The true challenge lies not in selecting the matrix material but in mastering the laws of material transformation. Understanding this principle enables the infinite progression of "one generating ten, ten generating a hundred." As the ancients said, "Attaining this one principle completes all endeavors." Many today fail to grasp this truth, resorting to wild guesses and blind practice, growing old without ever comprehending the essence—truly lamentable.

Though there are theories of mutual control among the Five Metals (gold, silver, copper, iron, tin) and Eight Minerals (cinnabar, realgar, etc.), distinctions exist between what can and cannot be subdued. The scripture mentions methods like "sulfur nurturing realgar" and "cinnabar nurturing cinnabar," yet without a master's transmission, even the wisdom of Yan Hui or Min Ziqian would prove insufficient.

The most crucial secret of transmutation lies in the "Divine Water and Blossoming Pool" (the alchemical vessel where lead and mercury merge). Infusing lead into mercury is called the "Blossoming Pool," while infusing mercury into lead is called "Divine Water." Sages compare fully refined medicine to lead and unfinished medicine to mercury—lead stabilizes mercury’s form, while mercury enhances lead’s potency. Only through their mutual reinforcement can longevity be achieved. Just as nourishing spirit with spirit transcends life and death, replenishing primordial Qi (vital energy) with Qi aligns one’s lifespan with heaven and earth.

Some today absurdly claim that soaking "dead medicine" (fully reacted elixirs) in brine or alum water constitutes the "Divine Water and Blossoming Pool"—truly laughable. This is why ancient sages guarded such secrets so carefully. Practitioners must take special note: the Eight Minerals require "replenishing cultivation" (repeated refinement) to attain spiritual efficacy, as their forms become desiccated after fire refinement and must be revitalized by their own kind. This is especially true for cinnabar (the two types of "Zhu" and "Ling" cinnabar), a compound of sulfur and mercury with inherently imbalanced properties, necessitating the "cinnabar nurturing cinnabar" method for harmonization.

折砂澆汞則砂活之妙雖是二砂眞死若欲 養砂澆汞須再用硫黄炒過更加草藥煑制 進火加養大煅成汁方可匱養生砂及作丹 基澆淋芽子凡經三四次必須又依前法用 硫制之方能綿遠庶幾不致崩塌或云一黄 死衆黄隨一黄不死衆黄飛誠非確論若硫 黄眞死可以轉制諸石若雄黄眞死則可轉 制雌黄未聞有雌養雄雄能養硫之理世人 但知眞死砒可以養粉點骨豈知以此養二 黄點庚尤更捷徑所以古有云家有死砒金 銀如泥之言粉霜眞死亦與眞鉛同功不可 拘泥於點骨學者自宜消息不必形於多言    十一論澆淋 澆淋亦轉制法耳但八石伏火皆可轉制惟 有澆淋一法須用朱靈二砂草伏住火入母 養令眞死作汁可以成寳再加母力乆乆養 鍊使其精神充備根本堅固立爲丹基庶得 母壯子靈可以長生倘制度之不合温養之 未成或獨善猶且未可又安能兼善哉今人 不明此道惟只計較縻費祗誇母少爲竒殊 不知所用各有法度若屑屑如此非惟無益 亦且徒枉前功若欲二砂作丹基須是多多 換易新母養過取岀添硫炒制以不粘銚爲 度再以元草汁煑過仍用滴炒入水火鼎内 大煅成汁每丹基四兩初次澆汞四兩或二 兩其砂乾渇汞不成芽至七日或半月啓合 又澆汞二兩或三兩或一兩方成芽矣如此
Interpretation

Chapter 11 of "The Profound Discourse on the Alchemical Chamber" explains the "Percolation Method":

The percolation method is fundamentally a transformative refining technique. While all eight minerals processed through calcination (high-temperature treatment) can undergo this method, it particularly requires cinnabar and spiritually refined cinnabar as primary materials. The specific procedure involves using herb-treated cinnabar and spiritually refined cinnabar as "mother minerals," which are then fire-refined until completely transformed (what Daoists call "true death") into liquid form, thereby creating the precious foundation of the elixir.

During refinement, it's crucial to consistently strengthen the potency of the "mother minerals." Through prolonged refinement, their Jing (essence) and Qi (vital energy) become abundant and their foundation stable, only then can a high-quality elixir base be formed. Only when the mother substance is robust can the resulting elixir possess spiritual efficacy capable of achieving longevity. Improper refinement methods or insufficient nurturing will fail to produce even basic effects, let alone higher attainments.

Many practitioners today misunderstand this principle, focusing only on cost efficiency and taking pride in using minimal mother minerals. They fail to realize each material has strict usage standards - arbitrary reduction not only proves ineffective but nullifies all previous efforts.

Key operational details:

1. Use abundant fresh mother minerals for repeated refinement. After extraction, add sulfur and stir-fry until no longer sticky to the pan.

2. Boil again in the original herbal decoction, then drip into the water-fire cauldron (specialized alchemical vessel) for high-temperature liquefaction.

3. For every four taels of elixir base material, initially percolate four or two taels of mercury.

4. If the mineral quality appears desiccated and mercury fails to crystallize, open the cauldron after seven to fifteen days and percolate another two, three, or one tael of mercury.

5. Repeat this process several times until mercury crystallization (called "sprouts") finally forms.

Special notes:

  • Sulfur must achieve complete transformation (true death) before refining other minerals
  • Realgar after transformation can refine orpiment, but the reverse isn't possible
  • Fully transformed arsenic ("dead arsenic") not only transmutes bone powder but excels in refining gold and silver, hence the ancient saying: "With dead arsenic at home, gold and silver become like clay"
  • Fully transformed calomel (mercury compound) possesses efficacy comparable to true lead

These refining methods require personal experiential understanding rather than rigid adherence to fixed formulations. The essence lies in mastering material transformation degrees and fire regulation.

澆至三次或四次看其形勢如何或如龍蟠 虎踞或如鸞飛鳯舞或如瓊林玉樹如此形 狀皆爲吉兆若見如塚墓之象及油汞過多 則是丹基力竭矣急抽去芽子取丹基再如 前用硫制過其芽子若有四兩抽砂中眞汞 一兩同研如粉亦用硫黄煑過更加些小母 片及生雌雄少許依本法封固再入爐養火 則汞又復起成靈芽澆及七次與九次須以 生砂代汞入之此名七返九還如此積至一 斤取芽又入砂中汞四兩及生雌雄少許再 以硫黄白水同煑三五伏以銀二十四兩作 神室納芽於其中入眞土等匱養鍊三七日 或五七日或七七日芽俱成寳取岀分作五 處入水火鼎大煅作陀則又成五匱丹基仍 依前法澆汞生生化化其道無窮古仙所謂 子生孫孫又生孫也到此地步脫胎在此矣 變化在此矣糝制在此矣世人不見亦不識 借問何時得到家學者不可視爲泛常更宜 加意於此    十二論點化 刀圭入口換骨成仙錙銖入質易賤爲貴非 丹頭之至靈造化之至妙何由竟灌漑於骨 髓哉此乃移神易氣之道猶世之染法非透 骨藥及諸礬不能成其妙用然汞眞死皆可 點銅爲銀何故先賢惟以粉霜爲點銅之上 藥蓋其間曾受礬氣故也若以朱砂靈砂母 砂粉霜之類點銅先須用點銅砒同砂一時
Interpretation

This passage describes the concrete operations and signs to observe during the alchemical process. Let me explain in modern terms:

After three or four rounds of refinement (repeated purification), observe the transformations within the alchemical furnace. Auspicious signs include dragon-coiling, tiger-crouching, phoenix-dancing, or jade-tree formations. However, tomb-like shapes or excessive mercury leakage indicate exhaustion of the elixir's foundation.

At this critical moment, quickly retrieve the "sprout" (the preliminary elixir embryo) and reprocess it with sulfur. For a four-ounce sprout, extract one ounce of true mercury from cinnabar, grind them together into powder, and refine with sulfur. Add small amounts of foundational material (mother flakes) and raw yin-yang ingredients, then reseal the vessel following the original method before returning it to the furnace. This process regenerates the spiritual sprout from mercury.

During the seventh and ninth refinements, replace mercury with raw cinnabar—this constitutes the "seven returns and nine restorations" (Neidan terminology for cyclical refinement). When the accumulated sprout reaches one pound, combine it with four ounces of mercury extracted from cinnabar and a small quantity of raw yin-yang ingredients. Boil this mixture in sulfur water three to five times. Then fashion a "divine chamber" (alchemical vessel) from twenty-four ounces of silver, place the sprout inside with true earth and other materials, and refine for twenty-one, thirty-five, or forty-nine days.

Divide the resulting treasure into five portions and refine them under intense heat in the water-fire cauldron (alchemical equipment) to create five elixir foundations. Continue mercury refinement as before to generate new elixirs endlessly—what ancient immortals called "offspring begetting offspring." At this stage lies the secret of physical transformation and universal metamorphosis, though ordinary people neither witness nor recognize it.

The twelfth discourse reveals the elixir's miraculous effects:

Consuming even a minuscule amount (daogui, an ancient minimal measure) enables bone-marrow transformation into immortality. Trace quantities transmute base substances into precious matter—all through the elixir's extraordinary creative power that penetrates to the marrow. Like special mordants and alum fixing dyes permanently, perfected mercury (true dead mercury) can transmute copper into silver. Yet ancient sages particularly recommended powdered frost (a refined elixir) for copper transmutation due to its alum-like properties. When using cinnabar, spiritual sand, mother sand, or powdered frost for copper transmutation, first treat the copper with arsenic and sand compounds.

每一兩丹頭用砒三錢或用貳錢者然後將 丹頭砒與銅珠相拌同崑崙紙數重包褁装 在甘鍋内上面下藥關實築須用濕炭頂火 坯之熟搧二三千鞴慎勿觸動常令頂火實 少歇再搧一二千下提出爐候冷破鍋取之 其物成一陀在鍋底如有黑色再用鉛煎不 可用硝提如欲點銀成金非砒𥐼膽礬不能 透骨非雌雄二黄非曾空二青不能正色非 點聖銀不能成至道有此數理若非眞土眞 鉛匱養成諸藥不可爲也舉世皆知砒粉可 以點骨豈謂砒粉匱養雌雄膽𥐼曾空二青 點庚尤妙或點化凡銀須用藥瘦其本體然 後結成丹砂和丹頭同乳成粉入鼎装頓封 固逼去水銀加以大火一煅取入爐鞴冶成 至寳矣靈丹若就雖瓦礫亦可成金非苦酒 苦醋金鹽玉䜴煑鍊不能成也此理玄微不 傳于世學者亦當知之    十三論灰霜 灰霜乃草木之精液味鹹惟毒残賊五金丹 䆴家所以多不敢用若以煑鍊八石立能拒 火功力甚大苟得手法去盡鹹味加火乆養 是化藥成水若得如此則藥死矣切不可棄 亦可變通縁其毒炁能透金石用之煑制多 懷經云不見其形方爲眞死蓋謂此也急用 藥水傾入淨器中澄定十餘日候其上清下 濁逼取上清水煎熬成霜取下濁底乃藥也 熬乾入合装制以熬成霜捺頭養火七日或
Interpretation

This passage from the Mysterious Discourse of the Alchemical Chamber primarily explains specific operational methods and precautions in alchemical practice, which I will analyze in two parts:

The first part details concrete alchemical procedures:

Each process begins with one liang (about 40g) of Dan头 (foundational alchemical material), combined with 2-3 qian (about 7.5-11g) of arsenic. The Dan头 and arsenic are mixed with copper beads, wrapped in multiple layers of Kunlun paper (a specialized paper), and placed inside a crucible. Medicinal ingredients should be packed above this mixture and firmly sealed. The crucible requires slow heating with damp charcoal, accompanied by 2,000-3,000 fan strokes to maintain even temperature—the vessel must remain undisturbed throughout. After a brief pause, resume fanning for another 1,000-2,000 strokes before removing the crucible to cool. Upon opening, a consolidated mass should appear at the bottom; if blackened, it must be treated with lead rather than saltpeter.

The second part describes material properties:

  • Arsenic and chalcanthite can drive medicinal potency deep into bone marrow
  • Orpiment, realgar, azurite, and malachite minerals adjust coloration
  • Authentic "true earth and true lead" (special alchemical materials) are essential for nurturing medicinal compounds
  • Plant-ash extract (hui霜), though toxic, can be detoxified through specific processing to remove salty flavors, transforming it into useful medicinal liquid
  • Processing hui霜 requires settling for over ten days: the clear upper liquid is boiled into crystalline form, while the lower sediment also serves medicinal purposes

Key reminders:

  • The success of Neidan (internal alchemy) hinges on these principles, yet most only grasp superficial applications of arsenic
  • True spiritual elixirs can transmute ordinary tiles into gold
  • These profound truths were traditionally kept secret, but Daoist practitioners should understand them

Important note: Many mentioned substances (arsenic, lead, etc.) are toxic, and ancient alchemical methods pose significant hazards. Modern readers must never attempt these procedures. This text primarily reflects historical explorations of material transformation.

十四日藥眞死矣再用研細用沸湯陶化攪 匀又入淨器中澄定藥若墜底又逼去上清 水不用再換湯澄之澄時須是緩性爲之不 然藥隨水去直待去得鹹味盡大火乆鍊此 藥方靈用之轉制諸石可爲至藥齊功不可 以爲灰霜而忽之余試之有信乎葛玄所言 灰霜最爲下法諸藥見爲厭死若得變轉亦 成上法非謬言也惟硝硼𥐼礬用此煑制者 切不可用    十四論煙煤 煙煤乃草木之神炁丹䆴家亦多用此縁其 精神不足制養諸石末見全功若用本草煑 鍊過却以煙煤捺頭入爐温養方能伏火如 獨用此不可成也余親試有驗書以記之    十五論作虀 凡用草煑制諸石皆以新草汁爲良安知一 草制一藥若非有毒其藥不死人視之雖不 見其毒藥視之即有毒矣先賢恐草毒傷殘 藥性不能通靈故立作虀之訣法當用草絞 自然汁置淨器中用紙䝉蓋春秋三日夏二 日冬五日然後逼取上清水煑藥庶幾藥性 不受傷殘則有全功試之可効    十六論装制 大法爲丹装制手法最爲要緊倘不明此須 有眞鉛眞土等匱則子母混雜新舊相參孰 是孰非莫可考究故轉制之道以裝制爲先 且如八石匱養諸藥若砒𥐼三黄等作汁之 藥秪可築在合底用死匱藥捺頭封固養火 若言鋪底蓋頭㘽蓮等名狀此特言養靈砂
Interpretation

On the fourteenth day, the medicinal substance undergoes true death (referring to the initial transformation in alchemical processing). It must then be ground into fine powder, dissolved in boiling water, thoroughly stirred, and poured into a clean vessel to settle. If the substance sinks to the bottom, the clear water above should be discarded and replaced with fresh water for further sedimentation. This settling process must proceed slowly; otherwise, the medicinal material may be lost with the water. Only after completely removing the salty taste can the substance be refined over prolonged high heat—only then will it manifest its spiritual efficacy. When used to transmute other minerals, it can produce supreme elixirs. Never dismiss it as mere ash due to its appearance. Through personal verification, I confirm Ge Xuan's (the renowned Daoist master of the Three Kingdoms period) assertion: the "frost-ash method" is the most fundamental technique. Though various substances may appear inert, if successfully transformed, they can become part of advanced methods. However, substances like saltpeter, borax, arsenic, and alumstone—processed through boiling methods—must never be used.

Fourteenth Discourse: On Soot

Soot embodies the refined Qi (vital energy) of plants and is commonly employed by alchemists. However, due to its insufficient essence-energy, it proves ineffective when used alone to refine minerals. Only after preliminary refinement with herbal decoctions, followed by layering soot atop the mixture for gentle furnace incubation, can the fire phases be properly controlled. Used in isolation, soot cannot accomplish refinement—this I have personally tested and recorded.

Fifteenth Discourse: On Preparing Medicinal Liquids

When refining minerals with herbal decoctions, fresh plant juices are always preferable. Understand that each herb corresponds to specific medicinal properties; even seemingly non-toxic substances may prove harmful to particular ingredients. Ancient alchemists, wary of herbal toxicity disrupting medicinal efficacy, developed the "prepared liquid" method: naturally expressed plant juices are collected in clean vessels, sealed with paper covers, and left to stand—three days in spring/autumn, two in summer, five in winter—before the clear upper liquid is extracted for mineral processing. This preserves the integrity of medicinal properties. My experiments confirm its effectiveness.

Sixteenth Discourse: On Vessel Charging Techniques

The crux of alchemy lies in charging methods. Without this knowledge, even genuine lead or true earth (used as vessel materials) will result in chaotic mixing of old and new substances, making differentiation impossible. Thus, transformative refinement methods prioritize charging techniques. For instance, when cultivating medicinal substances in vessels prepared from eight minerals—like arsenic or the "Three Yellows" (realgar, orpiment, and sulfur)—which require melting, they must be layered solely at the vessel's base, secured with stabilizing materials, sealed, and then heated. Terms like "base-layering and top-covering" or "lotus planting" refer specifically to methods for refining numinous cinnabar (a supreme elixir).

朱砂母砂之法也凡養母砂亦須用梅核石 蓮橡斗藥葫蘆等固定方可入匱温養倘非 如此終有所失又如眞土眞鉛養三砂如硫 匱須用生硫貼身朱匱須用生朱貼身惟四 神三黄眞鉛等匱須用粉霜貼身各以其類 貼之中存類死之理此雖是𤨏碎之語苟不 知蹊徑未可圖也 丹房
Interpretation

This passage explains the method for refining cinnabar mother elixir. When refining mother elixir, materials like plum kernel stone, lotus acorn cup, and medicinal gourds must be used as stabilizers before the mixture can be placed in a sealed vessel (gui) for controlled heating. Failure to follow this procedure will result in failure.

The text also details usage methods for several crucial materials: When refining the three elixirs using true earth (zhen tu) and true lead (zhen qian), the sulfur container must be lined with raw sulfur; the cinnabar container requires raw cinnabar lining; while vessels for the four spirits (si shen), three yellows (san huang), and true lead need mercury powder (fen shuang) linings. Each material demands lining with its own kind, embodying the principle of "like begets like."

The author emphasizes: Although these operational details may appear trivial, mastering these essential techniques is crucial for successful elixir refinement. Without this knowledge, one cannot hope to achieve the golden elixir (jindan).

奥論

Source text: Kanripo 漢籍リポジトリ(KR5c0320); Licence: CC BY-SA 4.0 · Report an error / feedback