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《巨勝歌》

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Dongshen 洞神部 1 volumes 1,637 characters

About this page. The original text of 《巨勝歌》 (Dongshen 洞神部, 1 volume) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 4 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

Vol. 1

巨勝歌(并序)      玄明子上清大洞逍士柳冲用 陶眞君三篇云以水銀爲金丹者妄人言也 朱砂可以駐年者不知道人也且水銀非五 行正位朱砂非龍虎配合若以水銀爲還丹 之要可以耕石而植稻耳況抱朴子以二山 之秘鉛汞之源曉諭丁寧迷者至死不悟混 元經引五行相尅更爲父母此蓋明乾坤之 道金碧經云金土相配叅同亦然引驗至明 指示不昩且龍虎者隂陽之軸轄造化之樞 機雖曰坎離實亦天地以剛伏柔從無入有 五行節序各得其位在於配匹舉東合西一 氣旣分三才並列六爻遞設四象具陳然可 伏鍊丹砂斯道玄微世人罕測只如叅同云 以金爲隄防水入乃優遊金計有十五水數 亦如之臨爐定銖兩五分水有餘其三遂不 入水二興之俱此數句是大藥之綱紀如金 水樞柄人皆不曉是道但穿尋巧譎自率胷 襟無師執文终無得理誠所哀哉且古歌云 始青之下月與日兩半同昇合爲一舉世不 知此義但伏汞與砂不然則取朱砂中水銀 多門燠伏變爲煙燼何由還返不亦謬哉太 易云二女同居其志不相得是即位而居也 北方坎是隂返而歸陽南方離是陽伏而爲 隂日中之有烏月中之有蟾烏者陰精都歸 其陽故曰生男不生女明矣大凡果實因亳 末而生長而秀终得其實實之於樹樹亦不
Interpretation

Interpretation of the "Song of the Supreme Victory"

This alchemical work, composed by the Shangqing (Highest Clarity) Daoist Liu Chongyong under the Daoist name Xuanmingzi, begins by critiquing common misconceptions in alchemical practices of the time:

The three treatises by Master Tao Zhenjun point out that claims of refining the Golden Elixir (Jindan) using mercury are nothing but the talk of deluded individuals. Those who believe cinnabar can grant immortality fundamentally misunderstand the Dao. Mercury does not align with the proper positions of the Five Phases (Wuxing), nor does cinnabar conform to the principles of Dragon-Tiger (Yin-Yang) harmony. Attempting to use mercury as the primary material for refining the Reverted Elixir (Huandan) is as absurd as trying to grow rice on stone.

The author cites several classic texts to support his arguments:

1. The Baopuzi (by Ge Hong) had already clarified the origins of lead and mercury (fundamental alchemical materials), yet the ignorant remain unenlightened even unto death.

2. The Hunyuan Jing (Scripture of Chaotic Origin) employs the theory of mutual conquest among the Five Phases to explain the transformation of Yin and Yang.

3. The Jinbi Jing (Scripture of Gold and Jade) reveals the principle of gold-earth pairing, a view also shared in the Cantong Qi (The Seal of the Unity of the Three).

Key analysis of the "Dragon-Tiger" concept:

The Dragon and Tiger represent the core axis (Yin-Yang rotation) and the pivotal mechanism (creative transformation) of alchemy. Though superficially referring to Kan (Water) and Li (Fire), they secretly symbolize the workings of Heaven and Earth. Through the process of using the firm to control the yielding, and generating being from non-being, the Five Phases are restored to their proper positions. Only when East and West harmonize and Yin-Yang merge can the complete alchemical system (encompassing the Three Powers [San Cai], Six Lines [Liu Yao], and Four Symbols [Sixiang]) be formed.

The text particularly emphasizes the alchemical secrets recorded in the Cantong Qi:

Use gold (lead) as a dike to control the flow of water (mercury). The specific ratio is fifteen parts gold to an equal measure of mercury. However, when actually placed in the furnace, slightly less mercury is used (three parts out of five)—this is the crucial rule for refining the Great Medicine (Daya). Sadly, people often presume to know better and deviate from the classical methods, resulting in futile efforts.

Finally, natural phenomena illustrate the principles of Yin-Yang:

Just as the sun contains the Golden Crow (symbolizing Yang harboring Yin) and the moon holds the Jade Toad (symbolizing Yin harboring Yang), the process from sprouting to ripening in fruits follows the natural laws of Yin-Yang transformation. Forcibly refining mercury with cinnabar (an incorrect method) is like extracting only the mercury from cinnabar—ultimately, it will burn to ash, making the Reverted Elixir impossible to achieve. This aligns with the Book of Changes (Yijing) adage: "When two women dwell together, their wills do not unite"—demonstrating that misaligned Yin-Yang cannot accomplish the alchemical Dao.

知是爲自然太易圖云凡有隂陽即生人民 禽獸草木若以水銀朱砂産於巴蜀其不岀 水銀朱砂處即不合有人民禽獸草木也以 此方之不亦愚乎水銀朱砂有自然之者非 世人可解千變萬化難窮乎理聖人多借金 石以名之坎居七十二石之長何由之歌云 不用雄兮自有黄是此義也若用水銀朱砂 見火即飛何門可住縱伏火以爲堅質本亦 不存無生長還返之道那肯致焉又以霧散 若風兩川流百脉即乖矣經云得一萬事畢 又云得一莫執一杳杳㝠㝠其中有精恍恍 惚惚其中有物玄之又玄體道之宗是各一 二叅及五行戊已之功歎鉛之羙實難明解 叅同云有若漢經星百川流帶海舉世不可 知之元君歌曰五内斤兩文葳蕤赤鹽白雪 成雄雌眞還在此人不知即應不用人間朱 砂水銀乃知萬物因一氣而生三才因萬物 所育又歌云一炁所失猶如瓦礫此論鼎内 之事非外旨也余少親儒墨長學玄風偶因 求瘼之餘近得長生之道雖盡彤襜之任有 慙朱綬之榮輙以謏學將論大藥窮其精實 究以玄微曾遇明師獲傳要妙固非謬妄演 道賢良爲巨勝歌十首其間歌詠鉛汞五行 之妙後来學者用祛迷惑云爾    其一 九鼎何所自都因一炁生銀鉛看得所龍虎 自吞并銖兩相旬制河車辨性情循還依節 候還丹應可成
Interpretation

This scripture expounds core principles of Daoist alchemy:

1. It begins by critiquing prevalent misconceptions of the time - some believed life couldn't exist where cinnabar and mercury (primary alchemical materials) were absent, a notion the author deems foolish. These substances are described as wondrous products of nature beyond ordinary comprehension.

2. The text emphasizes grasping the fundamental principle of "One" in alchemical practice: "Attaining the One completes all matters," yet cautions "Don't cling stubbornly to the One." It describes Dao's mysterious essence - containing refined energies within primordial chaos.

3. True elixir refinement ("affairs within the cauldron") involves internal cultivation rather than external material combinations. All things originate from the "Primordial Qi," and the Three Powers (heaven, earth and humanity) are sustained by the myriad creatures.

4. The author recounts his personal journey: Confucian studies in youth, later turning to Daoism, and discovering the path of longevity through medical practice. Though having held official positions ("scarlet official robes"), he valued spiritual cultivation more. Now compiling the "Songs of Supreme Victory" in ten verses to transmit authentic alchemical principles learned from enlightened masters and dispel common delusions.

5. The first attached verse reveals:

  • The Ninefold Golden Elixir (highest alchemical achievement) emerges from Primordial Qi
  • Proper proportions of silver and lead (alchemical materials) must be maintained
  • Harmonizing the Dragon and Tiger (Yin-Yang energies) for mutual integration
  • Precise measurement control and understanding of the River Chariot (celestial cycles)
  • Following seasonal fire phases in cyclical practice to refine the Returned Elixir

The core teaching stresses that true alchemy lies in apprehending Primordial Qi and balancing Yin-Yang principles, not fixation on external substances. Cultivation must follow natural rhythms, emphasizing internal equilibrium and proper timing.

   其二 龜蛇體殊異鉛汞共宗祖二女雖同居良媒 分子母配合由三花青龍句白虎四象旣可 憑五神當有主    其三 巍巍尊復髙飄飄何左顧世人徒鍊丹不識 神仙路衆石屬坎宫假名皆不悟黑白旣不 知流年亦虚度    其四 盡言水土金三物成大藥假氣遞相生相生 復相爍黄芽不是鉛元向鉛中作舉東已合 西戊巳爲囊橐    其五 二八成兩家中弦敵二八乃知天地間隂陽 制樞轄子因母而生母因子而殺長養嬰孩 精温顔防利滑月满毎成形抽添還暫歇壬 子一陽生循環至亥絶若知出世期神符與 白雪    其六 修真鍊形須守一參差一二爐間失且將壬 子制褭蹄不然更泥扶桑日必令有味到無 情方保元和夭性質不要他處覓良媒夫妻 由來相配匹馬牙從此勝琅玕弦望晦朔候 遅疾乃知東西定圓方世人莫謾誇竒術    其七 水母金父不易識化他流珠轉輝赩假氣若 到白雪宮黃芽從兹實難測隄防堅固半浮 沉姹女悲吟寧暫息    其八 古詩歌訣盡分明只是迷人强穿鑿至道猶 來不甚煩妄將砂汞相交錯未知赤血與青 腰終日只向鉛中作鉛中有物豈易修失之 一氣無齗    其九 黃芽不是鉛二物生丹田若求巨勝法鉛汞 須自然都非世間有不問愚與賢日魂與月 華識者皆神仙
Interpretation

Interpretation of the Jusheng Ge in Plain Language:

Second Verse:

Though turtle and snake (symbolizing yin-yang) differ in form, lead and mercury (alchemical terms) share the same origin. Two maidens (representing yin and yang qi) may dwell together, yet require proper mediation to unite. Distinguish mother and child (alchemical terms), harmonize the Three Flowers (Jing, Qi, Shen). With the Azure Dragon (east/wood) and White Tiger (west/metal), the Four Symbols (Azure Dragon, White Tiger, Vermilion Bird, Black Tortoise) are complete—yet the Five Spirits (of the organs) must be properly governed.

Third Verse:

The lofty deities rise repeatedly, drifting leftward in contemplation. People know only of alchemical refinement, yet fail to comprehend the path to immortality. All mineral substances belong to the Palace of Kan (north/water), their borrowed names remaining unpenetrated. If one cannot even distinguish black and white (yin-yang), life passes in vain.

Fourth Verse:

They say water, earth, and metal—these three—can forge the Great Medicine, yet while fostering each other through breath, they also consume one another. Yellow Sprouts (nascent elixir) are no common lead, yet must be extracted from lead. East already merges with west, while Wu-Ji (central earth) envelops like a pouch.

Fifth Verse:

Two eights (balanced yin-yang) form two households, the mid-phase moon mirrors this balance. Only then does one grasp how yin-yang governs heaven and earth's pivot. The child is born through the mother; the mother perishes through the child. Nourish the infant (metaphor for elixir refinement)—warm essence glows in radiant countenance. At the moon's fullness, form takes shape; waxing and waning must cease timely. In the Renzi hour (yang qi's birth), the cycle concludes at Hai. To know liberation's moment requires divine talismans (fulu) and Snow-White Purity (pure elixir).

Sixth Verse:

Cultivating truth and refining form demands singular focus—the slightest deviation brings failure between furnaces. Use the Renzi hour (yang's birth) to regulate, lest you mimic Fusang's sun (eastern sunrise). From flavor-bearing to flavorless (refinement stages), preserve Primordial Harmony's innate nature. Seek no matchmaker elsewhere—husband and wife (yin-yang) are naturally paired. Horse Teeth (elixir form) thence surpass jade; observe lunar phases to master fire-phasing. Let none boast vainly of arcane arts.

Seventh Verse:

Water Mother (true yin) and Metal Father (true yang) resist easy recognition—yet they ignite flowing pearls (elixir) to spin radiance. Should qi reach the Snow-White Palace (pure state), Yellow Sprouts become authentically unfathomable. Fortify dikes against half-submersion. The Crimson Maiden's (true yin) lament knows no rest.

Eighth Verse:

Ancient verse-formulas speak plainly—only the deluded force distortions. The supreme Daoist method was never complex, yet fools recklessly mix cinnabar and quicksilver. Ignorant of scarlet blood (yang essence) and azure loins (yin essence), they toil solely with lead. What lead contains is hardly easily refined—lose the One Qi (primordial breath), and reparation fails.

Ninth Verse:

Yellow Sprouts are no common lead—both arise in the Dantian (qi sea). Seeking the method of Jusheng (elixir), lead and mercury must unite spontaneously. These transcend worldly substances, distinguishing no fool or sage. Those who recognize the sun's soul and moon's splendor (yin-yang essences) may all become transcendents.

   其十 太元道士本神仙移名中都學自然世人鍊 藥迷金水燒盡黃芽不識鉛西蜀水銀人競 採得火須臾變作煙若能得一莫執一妙法 玄之又更玄
Interpretation

The vernacular interpretation of the tenth poem in the Jusheng Ge:

Accomplished Daoist cultivators are originally incarnations of immortals who descend to the human realm under changed names to study the Dao of nature. Ordinary people in the world, when refining the elixir, are often misled by appearances—mistaking gold and water as the ingredients for alchemy, only to burn away the precious "yellow sprout" (the essential substance produced in the early stages of elixir refinement) while failing to recognize the true "lead" (the core ingredient in alchemy).

It is like the people of Western Shu, who eagerly gather cinnabar (a raw material for alchemy), only to see it instantly dissipate as blue smoke when exposed to the right heat. This reveals an important principle: when refining the elixir, if one can grasp the "attainment of the One" (acquiring the Qi of true unity, the foundation of alchemy), one should not cling to a single external form. The true marvel of cultivation lies in transcending superficial phenomena and delving into the most subtle and profound mysteries.

巨勝歌

Source text: Kanripo 漢籍リポジトリ(KR5c0331); Licence: CC BY-SA 4.0 · Report an error / feedback