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《道樞》Vol. 31

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Taixuan 太玄部 Vol. 31 / 42 5,013 characters

About this page. The original text of 《道樞》 Vol. 31 (Taixuan 太玄部, 42 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 11 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

道樞卷之三十一誠七     至 游 子 曾 慥 集   七返篇(金感于火火去于金/得其成數存陽亡陰) 衡嶽眞人(陳少/微)曰夫金感于火之謂丹火去 于金之謂汞故丹砂者太陽之至精金火之 至體(丹交火精而候足/汞雜本質而能全)結成玄元正眞之氣 者也七返九還者異名而同歸返者砂爲金 也還者砂歸丹也或曰七返者丹砂屬火變 而成金者也火之成數七七變以應陽元之 極焉以丹砂錬治而得伏火鼓成白銀是一 返也服之一兩萬病除矣以白銀化出砂使 之伏火鼓成黄花是二返也服之一兩體和 神清返老歸童矣以黄花銀化出砂伏火鼓 成青金是三返也服之一兩虚夷忘情心合 至精矣以青金化出砂伏火鼓成黄金是四 返也服之一兩身光瑩徹通于表内矣以黄 金化出砂伏火鼓成紅金是五返也服之一 兩造化不能移鬼神不能知矣以紅金花出 砂伏火鼓成赤金是六返也服之一兩水不 溺火不焦矣以赤金化出砂伏火鼓成紫金 於是陽精眞元之氣既足更以紫金化爲砂 運火煆之者再則通徹洞曜而爲還丹是七 返也服之一兩形神俱合超然九天之上更 服九丹位登眞人矣其法五日一候也三候 一氣也合用八節二十四氣是爲一百二十 日斯飛伏之火候也凡一候則飛伏足矣五
Interpretation

A plain-language interpretation

The Perfected of Mount Heng, Chen Shaowei, says: When Metal is transformed by Fire, it is called “cinnabar”; when Fire leaves the substance of Metal, it is called “mercury.” Thus cinnabar is formed from the most refined Qi of the sun, the truest substance of Metal and Fire: cinnabar and the essence of Fire mingle until the firing reaches completion, while mercury, though mixed into the substance, can still be preserved. What condenses from this is the mysterious, primordial, upright, and true Qi.

“Seven Reversions” and “Nine Returns” have different names but the same principle. Reversion means refining cinnabar into Metal; return means allowing cinnabar to return once more to the Elixir. Another explanation says that the Seven Reversions refer to cinnabar, which belongs to Fire, changing into Metal. Seven is the completed number of Fire, and seven transformations correspond to the utmost limit of the Yang origin. Cinnabar is processed, then calcined after subduing the Fire, to produce silver: this is the First Reversion. Take one liang, and myriad illnesses can be dispelled. Silver is transformed into cinnabar, then calcined after subduing the Fire to produce yellow flower silver: this is the Second Reversion. Take one liang, and the body will be at ease, the spirit clear, and youth restored. Yellow flower silver is transformed into cinnabar, then calcined after subduing the Fire to produce blue gold: this is the Third Reversion. Take one liang, and you will be empty and still, with few desires, and your heart will unite with the utmost essence. Blue gold is transformed into cinnabar, then calcined after subduing the Fire to produce gold: this is the Fourth Reversion. Take one liang, and light will shine through the body, within and without, clear and radiant. Gold is transformed into cinnabar, then calcined after subduing the Fire to produce red gold: this is the Fifth Reversion. Take one liang, and the workings of creation and transformation will be unable to alter you, while ghosts and spirits will be unable to perceive you. Red gold is transformed into cinnabar, then calcined after subduing the Fire to produce crimson gold: this is the Sixth Reversion. Take one liang, and water will not drown you, nor will fire scorch you. Crimson gold is transformed into cinnabar, then calcined after subduing the Fire to produce purple gold. Once the true Yang essence and primordial Qi are complete, purple gold is transformed into cinnabar again and fired once more. It then becomes utterly clear and luminous, forming the Returning Elixir: this is the Seventh Reversion. Take one liang, and body and spirit will unite; you will rise above the nine heavens. Take the Nine Elixirs again, and you will attain the rank of a Perfected One.

The method is as follows: five days make one period, and three periods make one Qi. Together, the eight seasonal divisions and twenty-four Qi amount to 120 days. This is the firing cycle of volatilizing and subduing. In each period, volatilize and subdue once.

日之内其四用坎其一用離用坎者用水煑 之用離者用炭七兩常在鼎之下(常有熟炭/七兩而不) (增/減)此陽火之飛者也故五日爲一轉焉    八瓊篇(華光之鼎封以六一/九轉飛精八卦所岀) 太極眞人曰太上有九轉飛精八瓊之方昔 者葛仙翁李八百龐氏而來皆修之焉至游 子曰或有得于玉局化(在成/都)之地中其法曰 二釜其容一斗七升半以土作之既成以六 一泥錮其外十日陰乾復用其泥如此者五 七焉(六一泥法曰牡蠣白石脂雲母粉磁石/赤石脂紅灰各二斤爲末苦酒和爲泥) (以紙二斤半入泥中擣匀用之初泥釜厚/一二分復泥至五七度者厚一寸三分)二 釜相合内三分陰乾復以六一泥厚錮之是 爲太一中宫華光之鼎者也(再用六一泥法/曰鉛丹粉飛過) (天漿子各二斤半爲末灰紙/一斤半水浸訖苦酒和爲泥)於是卜名山絶 迹之地有東流之水者以施丹竈使水遶焉 丹竈之室其長四丈其廣三丈掘地四尺開 三門(東南/西也)竈之口面皆造弮焉竈高九寸甲 子日作之用甓及細土勿使有穿其高九寸 其上平其泥既乾乃安神釜于竈中其釜相 合(一倒/一正)四面相去九寸法天象地又有十二 時焉四六者戌也三七者亥也二八者子也
Interpretation

A Plain-Language Interpretation

Within one day, use Kan for four periods and Li for one.

Using Kan means boiling with water; using Li means using charcoal. The charcoal is usually measured at seven liang and kept beneath the cauldron—seven liang of prepared charcoal should always be on hand, neither more nor less. This is a method in which Yang fire rises and Qi flies upward, so one cycle takes about five days.


The Eight Jades Chapter

(The Cauldron of Radiant Light, from a method associated with “Nine Turns of Flying Essence” and the Bagua)

The Perfected One of Taiji once said: “The Most High left behind the method of Nine Turns of Flying Essence and the Eight Jades.” In ancient times, Ge Xianweng, Li Baibai, Pang, and others practiced it. Later, Youxian said that someone received the transmission near Yuju in Chengdu. The method is roughly as follows:

Make two cauldrons—pot-shaped vessels—each with a capacity of one dou and seven and a half sheng, made from clay. Once formed, coat the outside of each cauldron layer by layer with Six-in-One Mud, then let it dry in the shade for ten days. Apply another coat, repeating this process five to seven times.

(Six-in-One Mud recipe: Grind two jin each of oyster shell, white stone fat, mica powder, magnetite, red stone fat, and red ash into powder, then mix with bitter wine to make mud. Add two and a half jin of paper and pound it into the mud until evenly blended. Apply an initial coat one or two fen thick to the outside of each cauldron. After five to seven coats, the total thickness should be about one cun and three fen.)

Fit the two cauldrons together, leaving about three fen of space inside. After they have dried in the shade, seal them thickly with Six-in-One Mud. This makes the Central Palace of Taiyi, the Cauldron of Radiant Light.

(There is another recipe for Six-in-One Mud: grind two and a half jin each of lead oxide powder, processed by levigation, and tianjiangzi into powder. Soak one and a half jin of paper in water, then mix it with bitter wine to make mud.)


Choosing a site and building the furnace: In a remote part of a famous mountain, find a place with water flowing eastward. Build a cinnabar furnace there, with water running around it.

The alchemical chamber: It should be four zhang long and three zhang wide. Dig four chi into the ground and make three entrances, facing east, south, and west. The furnace opening should face outward, and its rim should curve into an arch. The furnace should be nine cun high, and construction must begin on a jiazi day. Build it from bricks and fine earth, with no cracks, and make its top level. When the clay has dried, place the spirit cauldron inside the furnace: fit the two cauldrons together, one upside down over the other, leaving nine cun on each of the four sides, to symbolize Heaven and Earth. This also corresponds to the twelve double-hours: four and six correspond to Xu, three and seven to Hai, and two and eight to Zi. (Here, numbers are matched with the Heavenly Stems and Earthly Branches as rules for choosing the time to build the furnace and set the cauldron.)


Brief notes on terms

  • Kan and Li: In the Bagua, Kan corresponds to water and Li to fire; here they refer to boiling with water and heating with charcoal.
  • Cauldron and pot: Vessels used in alchemy, often metaphors for transformation within the cauldron.
  • Six-in-One Mud: A sealing mud made from various minerals, paper ash, and other materials, used to protect the vessel from moisture and fire.
  • Nine Turns of Flying Essence and the Eight Jades: Names commonly found in Daoist Waidan writings, referring to a nine-turn alchemical process and a formula known as the Eight Jades.
  • Ge Xianweng: Ge Hong. Li Baibai and Pang: Figures said in legend to have received alchemical methods.
正九者丑也十二者寅也十一者卯也其藥 何謂也曰汞三斤是爲太陽流珠玄武之首 坎之精也曰雄黄二斤是爲勾陳之粉巽宫 之精也曰朱砂五斤是爲太陰神光朱雀之 髓離之精也曰硫黄六兩是爲中宫騰蛇坤 之精也曰北亭八兩是爲白虎索林之粉乾 之精也曰雌黄八兩是爲庚辛之粉兊之精 也曰消石一斤八兩是爲青龍甲乙震之精 也木律八兩是爲太白之粉艮之精也既擣 焉復加研焉先布太白于釜次之青龍次之 庚辛次之白虎次之揚緑碧騰蛇次之朱雀 次之勾陳實之使平入汞于神釜之口合鉛 丹泥以錮釜之唇而復蓋之且密封之用六 一之泥錮其外者一寸有三分陰乾擇戌之 日遷神釜于竈中以重陽日酉之時(黄昏/也)而 下火焉炭皆斷其拳燒于釜之下者六寸焚 之至于九伏時則加至于釜之腹者燒之亦 九伏時則加至于釜之頂者燒之亦九伏時 則進火至于合際十日則更以加火燒之三 十有六日於是通九十晝夜矣俟其火熄也 於七日卯之時出于其竈俟其冷也視之則 九色飛晶矣用雄雞之羽掃其釜出而研之 如粉焉一兩者一劑也盛以金瓶沉于寒泉 之下以出火之毒三七日而後出之盛以銀 函(銀函仍用/皮裹之)置蒸甑之中(約炊五/斗飯者)十餘日而
Interpretation

In this excerpt from The Pivot of the Dao, “the ninth, twelfth, and eleventh” correspond respectively to the Earthly Branches Chou, Yin, and Mao. They use the cyclical signs to indicate the order or quantities of ingredients, rather than naming the substances directly.

What do the various “medicines” refer to? Mercury, three jin, is called “Flowing Pearl of the Sun” and symbolizes the water essence of the Black Tortoise in the north and the Kan trigram. Realgar, two jin, is called “Powder of Gouchen” and symbolizes the essence of the Xun palace. Cinnabar, five jin, is called “Numinous Light of the Great Yin” and symbolizes the marrow of the Vermilion Bird and the essence of the Li trigram. Sulfur, six liang, is called “Soaring Serpent of the Central Palace” and symbolizes the essence of the Kun trigram. Beiting, eight liang—a hidden name commonly used in alchemical writings, perhaps referring to a mineral—is called “Powder of the White Tiger’s Suolin” and symbolizes the essence of the Qian trigram. Orpiment, eight liang, is called “Powder of Geng and Xin” and symbolizes the essence of the Dui trigram. Salitre, or saltpeter, one jin and eight liang, is called “Jia and Yi of the Azure Dragon” and symbolizes the essence of the Zhen trigram. Wood lü, eight liang, is called “Powder of the Great White” and symbolizes the essence of the Gen trigram.

Once all the ingredients have been assembled, pound them and grind them finely. First spread “Great White” across the bottom of the cauldron, then layer the Azure Dragon, Geng and Xin, White Tiger, Yanglübi (the Soaring Serpent), Vermilion Bird, and Gouchen on top, in that order. Level and press the layers firmly. Pour mercury through the mouth of the divine cauldron, seal the rim with lead-cinnabar clay, and put on the lid. Then apply a further outer seal of “Six-and-One clay,” about one inch and three tenths thick, and let it dry in the shade.

Choose a Xu day to move the divine cauldron onto the stove. On the Chongyang day, kindle the fire during the You hour, at dusk. Chop the charcoal into pieces about the size of a fist and burn it beneath the cauldron, roughly six inches below its base. The firing proceeds in a cycle of “nine fu”—nine stages of reducing or tending the fire. Add charcoal until it reaches the height of the cauldron’s belly, then perform another nine fu; add more until it reaches the top, then perform another nine fu. Next increase the fire until it reaches the seam at the cauldron’s mouth, adding fuel once every ten days. Continue for thirty-six ten-day periods, a total of ninety days and nights.

After the fire has gone out, open the furnace at the Mao hour on the seventh day. Once the contents have cooled, “crystals flying in nine colors” will be visible. Use a rooster’s feather to sweep the inside of the cauldron clean, remove the product, and grind it to a fine powder. Each dose is one liang. Put it in a gold bottle and immerse it in a cold spring for twenty-one days to remove the toxic fire qi. Then take it out, wrap it in leather, place it in a silver case, and wrap the case in leather as well. Put it in a steamer and steam it for the time it takes to cook about five dou of rice. After more than ten days of steaming, the process is complete.

Note: This passage comes from a Daoist Waidan (external alchemy) text. It uses the Eight Trigrams, the Four Emblems, and the cyclical signs to encode ingredients and firing procedures; it should not be taken literally as a recipe for everyday medicine.

後出之陰以乾之以出水之毒二三日復研 焉是爲太一八瓊者也凡欲餌之於上元日 沐浴以五香之水盛服東向扣齒九通跪而 祝曰返我常歸我神盡此生坐在立亡時乗 白雲八極翱翔西躋金闕東升扶桑日月之 精我得其嘗(仍雲急急/如律令)於是以酒調一銖餌 之(井花水/亦可也)餌至三劑則老者返于嬰顔六府 瑩然三田永清水不能漂火不能焚可以騰 空而飛矣    九仙篇(皇人析微三士頤隱/輿者得轂裘者振領) 光辯天師(葉法/善也)曰修長生者勿散亂勿煩怒 勿起着勿妄想勿貪愛勿邪淫勿放逸而後 可成也永元眞人(羅公/遠也)曰學道者先叩齒以 集其神而後想其三魂作眞仙之形此吾身 之福神也其神不安則患生其神散亂則死 矣光辯天師曰水火者古先聖人之大藥也 不在于外而在吾身焉心火也應于離腎水 也應于坎故造金丹者須憑龍虎水火者也 先之淨其坎户如水而後下龍虎焉於是交 之有度用之有數下心之火焚之可以治衆 疾補虚損矣病之微者自頂至踵以腎之水 洗之可也病之大者自足至踵以心之火焚 之可也六通國師(一行/也)曰患小用水者不欲 犯腎藏也當守一以謹之七日則諸疾除矣 患大用火者火從心發下入于左右足上至
Interpretation

The Pivot of the Dao: A Plain-Language Reading

(The Taiyi Eight Jades and the Method of Ingestion)

Later, use the method of pairing Yin with Qian to remove the water’s toxicity from the substance that has been separated out. Grind it finely, and repeat the process for two or three days. This produces the Taiyi Eight Jades.

To ingest it, bathe on a day of the Upper Origin. Wash with Five-Spice Decoction, water boiled with various aromatic spices, and put on clean clothes. Face east, click your teeth together nine times, kneel, and recite the incantation:

“Restore my constant state; return my spirit to me. For all my life, whether sitting, standing, or dying, I shall ride the white clouds and roam the eight extremities. To the west I ascend to the Golden Tower; to the east I rise to Fusang. The essence of the sun and moon—I shall taste it.” (Conclude the incantation with words such as “Swiftly, swiftly, in accordance with the statutes and commands.”)

Then take one zhu, mixed with wine. Well water drawn at dawn may also be used. After taking three doses, an elderly person may regain an infant’s complexion; the six organs will become clear and pure, and the three fields—the upper, middle, and lower Dantian (energy centers)—will remain as clear as water. Water will not drown you, fire will not burn you, and you will be able to rise into the air and fly.


The Nine Immortals Chapter (The Sovereign Man analyzes the subtle; the Three Worthies nourish their hidden nature. The charioteer finds the hub; the furrier straightens the collar—metaphors for those who attain the Dao each finding their proper use.)

Celestial Master Guangbian (Ye Fashan) said: “Those who cultivate longevity must not be scattered or given to anger. They must not live without restraint or indulge in fanciful thoughts; they must not be greedy, engage in illicit sex, or give themselves over to excess. Only then can they succeed.”

Perfected Person Yongyuan (Luo Gongyuan) said: “Those who study the Dao should first click their teeth together to gather the spirit, then visualize the Three Hun Souls taking the form of true immortals. These are the auspicious spirits within the body. When the spirit is unsettled, illness arises; when the spirit disperses, death follows.”

Celestial Master Guangbian said: “Water and fire are the great medicines of the ancient sages. They are not outside the body, but within it. Heart fire corresponds to the Li trigram; Kidney water corresponds to the Kan trigram. Thus, to make the Golden Elixir, one must rely on the Dragon and Tiger, and on water and fire. First purify the Kan gate as if with water, then bring in the Dragon and Tiger. Their union must be measured, and their operation governed by prescribed counts. Lower the heart fire to burn beneath, and it can treat many illnesses and restore what is depleted. For mild illness, ‘wash’ from the crown to the heels with Kidney water; for serious illness, ‘burn’ from the feet upward with heart fire.”

National Master Liutong (Yixing) said: “For minor illness, use the water method to avoid disturbing the kidneys. Maintain unity and proceed carefully; in seven days, all illnesses can be eliminated. For serious illness, use the fire method. The fire begins in the heart, descends to the left and right feet, then rises to the crown. Follow this method.”


Note: Terms such as “Taiyi Eight Jades,” “day of the Upper Origin,” “Three Hun Souls,” “Kan and Li water and fire,” and “Dragon and Tiger of the Golden Elixir” belong to Daoist Neidan and ingestion practices. Ye Fashan, Luo Gongyuan, and Yixing are renowned monks and Daoist figures frequently cited in Daoist history from the Tang dynasty onward; here, their words are presented in the style of teachings from masters.

于左右臂以及首目九九發之一息皆周焉 此所謂周天之火也夫火有四有曰焚身火 者想從心之下至于關鎖其光焰焰滿九九 之數可以去三蟲焉有曰敵陰火者想從陰 之下而起徧焚其身滿三三之數有曰靈龜 火者三火從其下至于坎户分爲二路左右 從其足内至于足指五路盡出相合左旋三 匝漸大至于腰之下於是敵陰之火引靈龜 之火合而右旋三匝漸大至于頂則九㸃其 首舉前法者九過有曰降魔火者大病將死 則定息而坐如靈龜之法而左旋以焚諸魔 永元眞人曰用火者心火也下至左右足上 至于手及其頂一息之中九過者也用水者 想二腎之黑氣如煙直上至于頂門滿于泥 丸化而爲水以洗之下至于腎入于五藏至 于其足既已則舉其足以意想復歸于腎癰 疽者則先入大腸自然轉動矣光辯天師曰 冥本意在鼻之上寸絲不挂于心玄牝之門 諸事俱捨離其本念定息不出不入焉永元 眞人曰玄牝之門者其鼻與肺合其出入息 宜堅守以定者也自鼻至于眉自眉至于頂 復自頂至于眉自眉至于鼻自鼻至于眉自 眉至于頂皆三過每日爲之九過滿八十一 之數可也錬七至七者何也四十有九曰必 自定矣(一伏時/不出入)六通國師曰既有定法則修 想其本靈冥在于金堂玉闕之中如吾之形
Interpretation

《Dao Shu》: A Plain-Language Interpretation

At the two arms, and at various places on the head and eyes, imagine “nine times nine”—eighty-one points of light or flame. In a single breath, let this Qi or imagined fire travel once around the whole body. This is what is called the “fire of the circuit of heaven.”

In cultivation, fire is divided into four kinds:

1. Body-Burning Fire

Begin the intention below the heart. Let the fire rise to the “Pass” (usually a passage at the back of the neck, along the Governing Vessel). Let its light and flame fill the number “nine times nine”—eighty-one. It is said to be able to drive out the “three worms” within the body, which Daoists believe dwell there and stir up desire and aging.

2. Yin-Subduing Fire

Begin the intention below the genital area. Let the fire burn upward through the whole body, filling the number “three times three”—nine times or nine circuits.

3. Numinal Tortoise Fire

Three streams of fire branch from the lower abdomen’s “Kan Gate” (around the Dantian and lower aperture), splitting into left and right paths. They then pass along the inner sides of both legs to the toes, making five routes in all. Let the fire emerge from the tips of the five toes and join together. Then turn it left three times, gradually enlarging it until it reaches the area below the waist.

Next, bring in the Yin-Subduing Fire and unite it with the Numinal Tortoise Fire. Turn them right three times, gradually enlarging them until they reach the crown of the head. At the head, pass over the crown for “nine incense sticks”—nine places or nine circuits. Following the method described above, do this nine times in all.

4. Demon-Subduing Fire

When a grave illness is near death, sit quietly and steady the breath. Use fire by turning it left as with the Numinal Tortoise Fire, burning away all demons—obstacles, deluded thoughts, or calamities.

The Perfected One of Yongyuan said: What is called using fire is using the fire of the heart. From below, it passes to both feet, then rises to the hands and the crown of the head. In a single breath, it must make nine circuits.

What is called using water: Imagine the black Qi at the two kidneys rising straight up like smoke to the crown gate, the center of the head. Let it fill the Mud Pill (the Dantian within the brain), transform into water, and wash downward to the kidneys, entering the five viscera and continuing all the way to the feet. When this is complete, use the intention to draw the Qi and water back into the kidneys. In the case of an abscess, first imagine the Qi entering the large intestine; the Qi will naturally circulate and dissolve it.

The Celestial Master Guangbian said: With “darkly abiding at the root”—silently keeping the mind at its source—place the attention one inch above the nose, with not a single stray thought in the mind. At the “Gate of the Mysterious Female,” the subtle place where breath enters and leaves through the nose, set aside all external affairs, let go of distracting thoughts, and steady the breath until it neither goes out nor comes in.

The Perfected One of Yongyuan also said: The Gate of the Mysterious Female is where the nose and lungs work together and the breath enters and leaves. One should hold firmly to this place and settle the breath. The route is from the nose to the eyebrows, and from the eyebrows to the crown; then from the crown back to the eyebrows, and from the eyebrows to the nose; then from the nose to the eyebrows, and from the eyebrows to the crown. Traverse each segment three times. Do this nine times in all each day, completing the number eighty-one.

What does “refining seven until seven” mean? After forty-nine days, one must first enter meditative absorption on one’s own. (For one period of rest, the breath neither goes out nor comes in.)

The National Preceptor of Liutong said: Once a method for settling the mind has been established, practice visualization. The original spirit abides silently within the “Golden Hall and Jade Towers”—palatial chambers associated with the upper Dantian and Yellow Court, such as those in the brain and chest—and takes a form like one’s own body.

Notes for reading the original

  • Circuit of heaven: Qi circulating around the whole body, often practiced in coordination with the “fire phases.”
  • Pass, Kan Gate, Mud Pill, and crown gate: Names for passages in the Neidan system of the Governing and Conception Vessels or the Dantian framework.
  • Turning left and turning right: Directions in which imagined fire or Qi rotates within the body. Methods vary among lineages; here, left and right turns are paired with the Yin-Subduing and Numinal Tortoise Fires.
  • “Nine times nine,” “three times three,” and “eighty-one” often refer to the number of repetitions or points in mnemonic formulas. They need not correspond directly to modern anatomy.
遍觀既已然後想開頂門有黄雲焉從脾之 上而起向于頂門撞開其額者凡一息之内 爲之七過者三焉左邊開上右邊開下故曰 黄雲滿天地矣永元眞人曰其黄雲之起而 撞也男子則撞左掩右焉女子則撞右掩左 焉高想聖身之出也用手壓其右使之下焉 女子則壓其左焉光辯天師曰一息三七撞 日爲之二十一過至二旬乃能出黄雲矣六 通國師曰吾想其靈冥乗其黄雲而起開其 頂門坐于雲内極力歸于頂門内閉其頂復 入于金堂玉闕想其出入如此者數過方離 其身則留黄雲覆其頂門乗其雲而出下視 其身修之不懈至四旬有九日當有形見(形/如) (水墨/者)十旬有八日自然去住自如其既開也 開其頂門而入于身上下俱煖矣光辯天師 曰可以卧而爲之其名曰睡法其去如寐其 來如寤焉修道必待陽數之興而勿施泄令 陽氣作用焉故當一陽之生則修之於靜室 諸縁俱捨而存想其五藏諸神所謂青龍白 虎朱雀玄武也所謂恍惚杳冥之中者也天 眞皇人言頂上藏太陽者四十五數足何謂 也此吞日月華之法歟平旦日之初出東向 而坐想其日如車輪漸漸來至于口則吞之 凡七十有二嚥入于臍之下用河車轉之拗 起入于頂門如此七旬有二日之後可以採 月華矣每月八日上弦之後向月暝坐想其
Interpretation

The Pivot of the Dao — A Plain-Language Interpretation

Main Ideas of the Scripture

Once the all-encompassing visualization is complete, imagine opening the crown gate. A yellow cloud rises from above the spleen and rushes toward the crown gate, breaking open the forehead. Perform this seven times in a single breath, for three rounds. Open upward on the left and downward on the right. Thus it is said, “Yellow clouds fill heaven and earth.”

After completing the all-encompassing visualization, imagine opening the crown gate, in the area around the Baihui point at the top of the head. Picture a yellow cloud rising from above the spleen and rushing toward the crown gate, breaking open the forehead. In a single breath, do this seven times, for three rounds. Open upward on the left and downward on the right. This is why it says, “Yellow clouds fill heaven and earth.”


The Perfected One Yongyuan said: When the yellow cloud rises and strikes, men should strike on the left and cover the right; women should strike on the right and cover the left. When you visualize the sacred body emerging high above, press down on the right with your hand; women should press down on the left.

The Perfected One Yongyuan said: As the yellow cloud rises and strikes, men should strike on the left and cover the right, while women should strike on the right and cover the left. As you visualize the sacred body, or primordial spirit, emerging high above, press down on the right with your hand to make it descend. Women should press down on the left.


The Celestial Master Guangbian said: Perform three rounds of seven strikes in one breath. Do this twenty-one times a day. After twenty days, you will be able to bring forth the yellow cloud.

The Celestial Master Guangbian said: In one breath, perform three rounds of seven strikes. Do this twenty-one times each day; after twenty days of practice, you will be able to bring forth the yellow cloud.


The National Preceptor Sitong said: I visualize the numinous spirit rising upon the yellow cloud, opening the crown gate and sitting within the cloud. With all my strength, I draw it back into the crown gate and close it from within. Then it re-enters the Golden Hall and Jade Tower. I visualize it going out and coming back this way several times. Only then does it leave the body, leaving the yellow cloud covering the crown gate. Riding on the cloud, it emerges and looks down upon the body. Practice without faltering. By the forty-ninth day, a form should appear, faintly visible like an ink painting. By the one hundred and eightieth day, you will naturally be able to come and go freely.

The National Preceptor Sitong said: I visualize the numinous spirit rising on the yellow cloud, opening the crown gate and sitting inside the cloud. With all my strength, I draw it back into the crown gate and close the gate from within. Then it re-enters the Golden Hall and Jade Tower, the imagined sacred places within the body, including the upper Dantian. I visualize it going out and coming back in this way several times. Only then does it leave the body, leaving the yellow cloud over the crown gate. It rides out on the cloud and looks down at the body. Keep practicing without faltering. By the forty-ninth day, a form should appear, faintly visible like an ink painting. By the one hundred and eightieth day, you will naturally be able to come and go freely.


Once it has opened, open the crown gate and enter the body; then the whole body, from top to bottom, will grow warm.

Once the crown gate has opened, open it again and enter the body. The whole body, from top to bottom, will grow warm.


The Celestial Master Guangbian said: You may also do this lying down. This is called the Sleep Method: going out is like falling asleep, and returning is like waking.

The Celestial Master Guangbian said: You may also practice while lying down. This is called the Sleep Method: the departure is like falling asleep, and the return is like waking.


In cultivating the Dao, one must wait for Yang to rise and refrain from emission, allowing Yang Qi to do its work. Therefore, when the first Yang is born, practice in a quiet room. Set aside all distracting concerns and hold in mind the spirits of the five viscera: the Azure Dragon, White Tiger, Vermilion Bird, and Black Tortoise. This is the state called “indistinct and obscure.”

In cultivating the Dao, wait for Yang to arise and do not emit Jing, so that Yang Qi can do its work. When the first Yang is born, practice in a quiet room. Set aside all distractions and hold in mind the spirits of the five viscera: the Azure Dragon, White Tiger, Vermilion Bird, and Black Tortoise. This is what is meant by being in an indistinct, obscure state.


The Celestial Immortal Sovereign said: What does it mean to store the sun above the head and complete forty-five counts? Is this the method of swallowing the essences of the sun and moon?

The Celestial Immortal Sovereign said: What does it mean to store the sun above the head and complete forty-five counts? Is this the method of swallowing the essences of the sun and moon?


At dawn, just as the sun rises, face east and sit. Imagine the sun as a chariot wheel gradually approaching your mouth. Then swallow it, making seventy-two swallows in all, and send it below the navel. Use the River Chariot to turn it and draw it upward into the crown gate. After practicing this for seventy-two days, you may gather the essence of the moon.

At dawn, when the sun has just risen, sit facing east. Imagine the sun as a chariot wheel slowly approaching your mouth, then swallow it. Make seventy-two swallows in all, sending it below the navel. Use the River Chariot—the circulation of inner Qi—to turn it and draw it upward into the crown gate. After practicing this for seventy-two days, you may gather the essence of the moon.


After the first quarter moon on the eighth day of each month, sit facing the moon with your eyes closed and imagine the moon…

After the first quarter moon on the eighth day of each month, sit facing the moon with your eyes closed and imagine the moon… (The passage continues no further.)


Brief Explanation

This passage describes Neidan (internal alchemy) and visualization practices:

ConceptMeaning
Crown gateThe area around the Baihui point at the top of the head, where the primordial spirit enters and leaves
Yellow cloudAn image of yellow cloudlike Qi that appears during practice
Golden Hall and Jade TowerImagined sacred places within the body, such as the upper Dantian
River ChariotThe circulation of inner Qi upward from the lower Dantian along the Governing Vessel
Azure Dragon, White Tiger, Vermilion Bird, and Black TortoiseSpirits of the viscera, including the liver, lungs, heart, and kidneys
Sleep MethodA lying-down method for spirit departure and spiritual wandering
Swallowing the sun’s radiance and gathering the moon’s radianceDaily practices of facing the sun and moon, visualizing their essences, and “swallowing” them into the body

The passage cites the Perfected One Yongyuan, the Celestial Master Guangbian, the National Preceptor Sitong, and the Celestial Immortal Sovereign. They describe the steps and formulas for making the yellow cloud strike the crown, bringing forth a visible spirit form, practicing the Sleep Method, cultivating the first Yang, and swallowing the essences of the sun and moon.

月華入口吞之凡八十有一嚥二旬有三日 下弦之後乃止俟其次月上下弦再爲之八 旬有一日即止是爲載日挾月者也吾又有 一法焉於卯之時東向想其日如明鏡漸漸 而至以鼻接之自玄牝而入至于其腹用河 車拗起焉至午之時西向想其日如懸鏡仰 首以接鼻於玄牝之中復以河車拗起焉日 之西也西向想其日來至以鼻接之入于精 海復以河車拗起入于頂後二月八月至夜 則想其月如鏡焉下入于鼻至于精海焉或 於日之出東向存想以鼻接之而勿搐(恐冷/氣入) 每月爲之四十九過此九五之數也以河車 拗起而爲枕焉用日不用月者不用陰也永 元眞人曰日者魂也屬于陽故眞仙無影純 陽也若夫鼻接而不搐者斯妙矣乎或不用 河車自入于玄牝直至頂門三㸃首仰之日 爲之四十五過至四旬有五日自一陽生至 于立春此陽之數也光辯天師曰日陽也乃 用陰數八九七十二焉月陰也乃用陽數九 九八十一焉此法純陽故用四旬有五日焉 不用河車者順天道左轉自玄牝之門至于 頂後矣六通國師曰眉之下五輪者目也其 名則有血輪氣輪水輪金輪瞳輪之别焉還 在定中而起者謂息入定中而作也永元眞 人曰定中運水火於目也六通國師曰龍虎 太丹有三焉其一則以其津液一嚥而爲虎
Interpretation

“Swallowing the Moon’s Radiance” Method

Take the Moon’s radiance into the mouth and swallow it, eighty-one times in all, doing this for twenty-three consecutive days. Stop after the last quarter of the Moon. The following month, repeat the practice once during the first quarter and once during the last quarter. Each round lasts eighty days plus one day—that is, eighty-nine days—then stop. This complete practice is called “Carrying the Sun and Embracing the Moon.”

“Receiving the Sun” Method

There is another method. At the hour of the Rabbit, face east and visualize the Sun as a bright mirror gradually moving closer. Receive it through the nose: the breath enters from the Mysterious Female (the area behind the navel, around the Dantian), passes into the abdomen, and is then lifted with the River Cart (visualizing Qi being drawn upward along the Governing Vessel).

At midday, face west and visualize the Sun as a suspended mirror. Tilt your head back and receive it through the nose at the Mysterious Female, then lift it with the River Cart.

At sunset, still facing west, visualize the Sun approaching. Receive it through the nose and guide it into the Sea of Essence (the lower Dantian), then lift it with the River Cart to the crown of the head.

At night, visualize the Moon as a mirror and draw it down through the nose into the Sea of Essence. Alternatively, at sunrise, face east, visualize the Sun, and receive it through the nose—but only receive it; do not inhale it (to prevent cold Qi from entering the body).

Practice this forty-nine times each month, the number of “nine and five.” Use the River Cart to lift it and make it a pillow. Use the Sun alone and not the Moon because Yin is not used.

Perfected One Yongyuan said: The Sun is the soul and belongs to Yang. A true immortal casts no shadow; it is pure Yang. The subtlety lies in receiving it through the nose without inhaling.

The River Cart may also be omitted, allowing Qi to flow from the Mysterious Female straight to the crown. For three days, tilt the head back toward the Sun and practice forty-five times. From the winter solstice, when Yang is first born, until the beginning of spring, use the Yang number.

Celestial Master Guangbian said: The Sun is Yang, yet this method takes the Yin number eight times nine, or seventy-two. The Moon is Yin, yet it takes the Yang number nine times nine, or eighty-one. This method favors pure Yang, so it uses forty-five days. The River Cart is not used; instead, follow the natural course of Heaven’s leftward rotation, from the Mysterious Female directly to the back of the crown.

National Master Liutong said: The “Five Wheels” beneath the eyebrows refer to the eyes, distinguished as the Blood Wheel, Qi Wheel, Water Wheel, Metal Wheel, and Pupil Wheel. “Rising while still in meditative absorption” means engaging activity from within the state of absorption.

Perfected One Yongyuan said: In meditative absorption, circulate Water and Fire through the eyes.

National Master Liutong said: There are three great elixirs of the Dragon and Tiger. One of them is formed by swallowing saliva once, thereby making it the Tiger.

氣一嚥而爲龍氣入于精海上于泥丸下心 之火以燒之拽脾之土以蓋之是爲四神之 丹(又名二氣龍虎丹/小還丹白金丹)可以補下元壯氣海矣 其二嚥之送至于臍之下精海水面之上丸 如彈子者三過縱心火燒之用脾土蓋之凡 一丸用三龍三虎三火三土其十二過應于 十二時九丸應于九州是爲一百八十之數 也其三如前定息目内一閃自有津出如冰 雪然入于其口初從口之角而下者想之爲 虎焉復于定中閃其目則火星撒下想之爲 龍焉故龍從火出虎從水生矣五藏交者先 令虎在于口而後發火龍何謂也下火吞從 其左而下至于脾化而爲龍從肝之右出入 其左而下至于脾右遶三匝是爲耕其脾也 下水從其右吞之至于肺化而爲虎從脾之 左出入其右而下至于脾之右一匝種在脾 土是爲往來不離土者也永元眞人曰目之 五輪有王火王水焉惟水難得故先閃其水 下入于口然後閃下其火而入于肝肝木也 其色青故曰青龍焉水入于肺肺金也其色 白故曰白虎焉龍從左而下至于肝穿肝而 右出復來入于左虎從右而下至于肺穿肺 左而出復來入于右此所謂五藏氣交者也 光辯天師曰青龍者晝先下焉白虎者夜後 行焉青龍屬于陽晝有二十四度白虎屬于 陰夜有三十六度於是晝行四十六夜行四
Interpretation

《The Pivot of the Dao: A Plain-Language Interpretation》

First section: The first swallowed breath (Four Spirits Elixir / Minor Return Elixir)

Swallow the first breath and visualize it transforming into dragon Qi, entering the Sea of Jing (the area around the Dantian below the navel, where Jing and Qi gather), then rising to the Niwan (near the Baihui point at the crown of the head, the Upper Dantian). Use the fire of the lower heart (the warming Qi below the navel) to “burn” it, then draw the image of Spleen Earth (the Spleen in the middle burner) over it as a cover. The elixir refined in this way is called the Four Spirits Elixir (also known as the Two Qi, Dragon-and-Tiger Elixir, the Minor Return Elixir, or the White Metal Elixir). It can replenish the lower foundation and strengthen the Sea of Qi (the sea of true Qi below the navel).

Second section: The second swallowed breath (the count of 180)

Send the second swallowed breath to just above the “surface of the water” in the Sea of Jing below the navel. Visualize it as a pellet-sized pill and pass it through three cycles; then burn it with heart-fire and cover it with Spleen Earth. Each pill must be matched with “three dragons, three tigers, three fires, and three earths,” for twelve cycles in all, corresponding to the twelve double-hours. The nine pills correspond to the Nine Provinces; together they make the count of 180, a cyclical measure commonly used in internal cultivation.

Third method: A flash of the eyes generates saliva; Dragon and Tiger, water and fire

The third method is performed as before: first regulate and settle the breath. A flash within the eyes naturally generates saliva in the mouth, cool as snowmelt. As it first trickles from the corners of the mouth, visualize it as a tiger. While settled in meditation, flash the eyes again; sparks of fire scatter downward, and you visualize them as a dragon. This gives rise to the image that “the dragon emerges from fire, and the tiger is born from water.”

The exchange of the Five Zang (the Dragon-and-Tiger circulation)

The so-called exchange of Qi among the Five Zang begins by placing the tiger in the mouth, then summoning the “fire dragon.”

  • Fire descending: Swallow it from the left and send it down to the Spleen, where it transforms into a dragon. It emerges on the right through the Liver, enters again on the left, and descends to the Spleen. Circling to the right three times is called plowing the Spleen.
  • Water descending: Swallow it from the right and send it down to the Lung, where it transforms into a tiger. It emerges on the left through the Spleen, enters again on the right, and circles once to the right around the Spleen, where it is “planted” in Spleen Earth. This symbolizes water and fire moving back and forth while remaining within the central Earth.

The Perfected Yongyuan on the eyes and the Dragon and Tiger

The Perfected Yongyuan says: The eyes have five wheels, within which are sovereign fire and sovereign water. Water is difficult to manifest, so first flash the eyes to bring forth water, and saliva enters the mouth; then flash the eyes again, and fire enters the Liver. The Liver corresponds to Wood and the color green, so it is the Green Dragon. Water enters the Lung, which corresponds to Metal and the color white, so it is the White Tiger. The dragon descends on the left to the Liver, passes through it and emerges on the right, then enters again from the left. The tiger descends on the right to the Lung, passes through it and emerges on the left, then enters again from the right. This is the route of the exchange of Qi among the Five Zang.

Celestial Master Guangbian: the measures of day and night

Celestial Master Guangbian says: The Green Dragon belongs to Yang and descends first during the day; the White Tiger belongs to Yin and moves afterward at night. It travels forty-six measures by day and thirty-six by night, in keeping with the traditional account of Yin-Yang movements within the body. These belong to the same system of timing and refinement as the Dragon and Tiger, water and fire, the twelve double-hours, and the count of 180.

Note: This text is a set of instructions for Neidan and visualization. The dragon, tiger, fire, earth, Sea of Jing, and Niwan are mostly images of things within the body, not a Waidan prescription. If practicing according to the book, do so under the guidance of a teacher within an established lineage; do not forcefully practice breath-holding or retention on your own.

十九耕種于脾之上而生黄芽黄芽者命之 根也永元眞人曰吾之身象鼎焉以左足壓 其右足以左右手按其身復虚如鼎三足焉 凝結其心血以蓋之於是想之而成嬰兒如 吾之形其初若雀之卵首目手足皆具漸漸 長大跪坐于精海之内左右手交差背肩仰 面大用口二時取脾之上所生黄芽以爲聖 胎之食焉光辯天師曰聖胎者不自外求想 其腎出精氣入于血海凝結而成者也六通 國師曰錬聖者有法焉想其左腎以爲日而 出白氣右腎以爲月而出赤氣於是白氣入 於精海復變爲赤火之象焉赤氣入于精海 復變爲白水之象焉日月之氣以成聖身至 于海中彼日之赤氣如火而上至于脾照其 身既已乃翻身入于精海而坐復想自月中 起而如前焉又乗聖身而起發光以照之復 翻身入于精海如此自卯至午足踐日影者 百過凡一息一爲之是爲胎息之氣者也永 元眞人曰所謂左右日月之氣漸漸舉起至 于金堂玉闕乃被于頂以前四旬有五日所 採太陽以照之聖胎爲日所照當投水中其 光入于五藏皆一息之内爲之每時三十有 六過焉六通國師曰晝錬神夜則出之永元 眞人曰此聖身既就也則夜自精海乗紫雲 而起至于金堂玉闕一一遍觀從頂至踵備 認之然後想出頂門乗其紫雲定息息極方
Interpretation

Plain-Language Interpretation of “The Pivot of the Dao,” Section Nineteen

Yellow Sprouts and the Sacred Embryo

“Cultivating” the spleen produces Yellow Sprouts; Yellow Sprouts are the root of life.

Perfected Being Yongyuan says: Imagine your body as a cauldron. Place the left foot over the right, and press both hands against the body; make the body hollow inside, like a three-legged cauldron. Gather and still the blood of the heart as though it were a lid covering the cauldron. Through this visualization, a baby resembling yourself takes shape. At first it is like a sparrow’s egg, complete with head, eyes, hands, and feet. Gradually it grows larger and sits kneeling in the Sea of Jing.

Cross both hands behind the back, lean the shoulders and back backward, and tilt the face up with the mouth wide open. At the hours of Mao and You, take the Yellow Sprouts produced in the spleen as food for the Sacred Embryo.

Celestial Master Guangbian says: The Sacred Embryo need not be sought outside yourself. Visualize Jing and Qi emerging from the kidneys, entering the Sea of Blood, and condensing there.

National Master Liutong says: There is a method for refining the Sacred Embryo. Imagine the left kidney as the sun, emitting white Qi, and the right kidney as the moon, emitting red Qi. White Qi enters the Sea of Jing and changes into the image of red fire; red Qi enters the Sea of Jing and changes into the image of white water. The Qi of the sun and moon brings the sacred body to completion.

Once in the Sea of Jing, the sun’s red Qi rises like fire to the spleen, illuminating the whole body. Then turn over and sit in the Sea of Jing. Next, visualize rising from the moon as before. Then mount the sacred body and rise, radiating light that illuminates the body, before turning over again and entering the Sea of Jing. Continue this from the hour of Mao until the hour of Wu, stepping on the sun’s shadow one hundred times. Do it once with each breath; this is the Qi of Embryonic Breathing.

Perfected Being Yongyuan says: The Qi of the sun and moon on the left and right is gradually drawn upward until it reaches the Golden Hall and Jade Gate (the vital point at the crown of the head), where it covers the crown. The Great Yin (lunar Qi) gathered during the preceding forty-five days is used to illuminate the Sacred Embryo. After the Sacred Embryo has been illuminated by the sun, it should be immersed in water, and its light should enter the five viscera; all of this is completed within a single breath. Perform this thirty-six times in each two-hour period.

National Master Liutong says: Refine Shen during the day; at night, let the sacred body emerge from its pass.

Perfected Being Yongyuan says: Once the sacred body has formed, at night it rises from the Sea of Jing on a purple cloud and reaches the Golden Hall and Jade Gate. Repeatedly survey the whole body from head to heel. Then visualize it emerging through the crown, riding a purple cloud. Still the breath and let it reach its utmost limit… (The original text continues below.)

Note: This text describes Daoist Neidan (internal alchemy) practice. The spleen, kidneys, Sea of Jing, Sea of Blood, Yellow Sprouts, Sacred Embryo, Qi of the sun and moon, Embryonic Breathing, and Golden Hall and Jade Gate are all terms for inner imagery. Perfected Being Yongyuan, Celestial Master Guangbian, and National Master Liutong are names cited in alchemical scriptures. This translation aims to stay close to the wording; the specific methods should be understood in the context of the complete text and oral instruction, and should not be practiced independently.

下入于金堂玉闕乃開息焉復住其息如前 而出者四十九過十月之後當有二身其狀 惟肖能離身隨意所之矣光辯天師曰其出 也自一步至十步以至二十步四十步百日 可行萬里是爲地仙者也六通國師曰定息 錬腎之氣百日於卯之後午之前(如前/法)爲之 百過夜則想腎左右有黑氣二道入于精海 化爲黑雲嬰兒乗之上至于左耳出于右耳 凡一息則一出入焉夜則三十六過百日斯 爲水仙矣光辯天師曰神仙之劒何謂也先 收日月之精華後起心火鍜之日月者腎也 於是肺爲風鞴肝爲爐炭脾爲土模膽爲礪 石一息氣中爲法自成矣六通國師曰夫錬 五藏之精者先自腎宫想其有黑氣鬱然而 起從耳而出其大如蓋息極復歸于腎宫晝 夜爲之十一過於是八旬有一日而後錬肝 肝有青氣想之出於頂門亦如蓋焉其色碧 息極復歸其藏者八十一過於是八旬有一 日而後錬心心有赤氣其數如前而後錬脾 脾有黄氣其數如前而後錬肺肺有白氣其 數如前於是五藏俱足則五氣俱興齊出于 頂其氣五色光照一室可以升騰于天矣永 元眞人曰錬之者在夫七月水生可以錬腎 十月木生可以錬肝正月火生可以錬心四 月金生可以錬肺土王於四時之季月隨四 時可以錬脾每一氣蓋八旬有一日焉
Interpretation

This passage comes from a Daoist Neidan (internal alchemy) text. It describes a method practiced after “regulating the breath and entering stillness”: refining Qi into form, then refining the Qi of the Five Viscera until it rises. It also cites the teachings of Celestial Master Guangbian, State Preceptor Liutong, and Perfected One Yongyuan.

The Golden Hall, the Jade Gate, and the Body Beyond the Body

When Qi sinks into what is called the “Golden Hall and Jade Gate” within the body—the Dantian and the key points along the Ren and Du channels—begin breath retention and regulation there. Then hold the breath as described in the preceding method. Repeat this breathing cycle forty-nine times. After ten full months, you should be able to form a “second body,” identical in appearance to your own, which can leave the body and travel. Wherever the mind goes, the body can go.

Celestial Master Guangbian says: When this body first emerges, it can travel one step, then ten, gradually reaching twenty and forty steps. After one hundred days, it can travel ten thousand li. This attainment is called an Earth Immortal.

State Preceptor Liutong says: Refine the Qi in the kidneys by holding the breath, practicing for one hundred days. After the hour of the Rabbit and before the hour of the Horse, perform the method described above one hundred times. At night, visualize two streams of black Qi on either side of the kidneys flowing into the Sea of Essence, the place where the kidneys store Jing and Qi. They transform into a black cloud, on which an infant rides upward to the left ear and then emerges from the right ear. With each breath, it enters once and emerges once. Repeat this thirty-six times each night. After one hundred days, the practice can produce a Water Immortal.

The Sword of the Immortals: An Image for Internal Refinement

Celestial Master Guangbian asks: What is meant by the “Sword of the Immortals”? First gather the essences of the sun and moon, then temper them with the fire of the heart. Here, “sun and moon” are metaphors for the Jing and Qi in the kidneys; the lungs are the bellows, the liver is the furnace fuel, the spleen is the mold of earth, and the gallbladder is the whetstone. Practice according to the method, breath by breath, and the intent of the sword will take shape on its own.

State Preceptor Liutong says: To refine the Jing and Qi of the Five Viscera, begin with the kidney palace. Visualize a dense black Qi rising from the kidneys and emerging through the ears, spreading as wide as a canopy. When the breath ends, it returns to the kidney palace. Perform this eleven times in all, day and night, for eighty-one days.

Next refine the liver. Visualize the liver’s green Qi emerging from the crown of the head, around the Baihui point, and spreading like a canopy, its color emerald. When the breath ends, it returns to the liver. Repeat this eighty-one times, and continue for another eighty-one days. Then refine the heart and its red Qi, using the same number of repetitions. Do the same for the spleen and its yellow Qi, then the lungs and their white Qi. When all five viscera are complete, the five Qi will rise together and emerge from the crown of the head. They will shine in five colors, illuminating the entire room; then you will be able to rise into the heavens.

Perfected One Yongyuan: The Four Seasons and the Five Viscera

Perfected One Yongyuan says: Qi must be refined in accordance with the seasons. In the seventh month, when Water is flourishing, the kidneys may be refined. In the tenth month, when Wood is flourishing, refine the liver. In the first month, when Fire is flourishing, refine the heart. In the fourth month, when Metal is flourishing, refine the lungs. Earth flourishes in the final month of each season; the spleen may therefore be refined in the last month of each of the four seasons. Each organ’s Qi must be refined for a period of “eighty-one days,” or about eighty days.

Reading Note

Earth Immortal and Water Immortal refer, in the context of Daoist Neidan, to different levels of attainment, often associated with the ability to leave the body in spirit and travel. They do not refer to immortals associated with the earthly landscape or bodies of water in the ordinary sense.

Celestial Master Guangbian, State Preceptor Liutong, and Perfected One Yongyuan are names attached to teachings cited in the text. The identities of the people behind these names require further research based on the complete Dao Shu and different editions of the Daoist Canon.

The passage focuses on visualizing the five colored Qi of the Five Viscera and practicing according to the hours and seasonal divisions. Its style is characteristic of Neidan texts from the Song and Ming periods onward. The instructions should be understood within a lineage and with proper guidance; they are not suitable for unassisted practice.

道樞卷之三
Interpretation

Tianma Jisheng studied the Dao under Chou Ji Ding, mastering the mysteries of the Great One (Taiyi), one of Daoism’s names for the source of the cosmos and one of its highest divine powers, as well as the method of transforming through the void: bringing change forth from emptiness and uniting with the Dao.

The Great Yu sought instruction from Ziyi, who explained how the cosmos came into being: form emerges from the void; form then divides into Yang and Yin; and Yin-Yang rise in turn to become the Heaven of the Great One. These are three levels of heaven. During the Song dynasty, the immortal Ge Xuan left a related account in the Special Truth Pavilion, a palace sanctuary devoted to the Dao.

The Scripture of the Six Auspicious Signs and Tremors (also known as a scripture of the “Original Void” tradition) says that when sword practice accords with the void, response comes freely. Whether walking, standing, sitting, or lying down, one can enter the state of True Unity: unwavering focus and union with the Dao. The phrase “sound arises from a gap” is explained by Zheng Xuan as meaning that sound needs space in order to travel. When a person unites with the Dao, it is like sound entering an open space, meeting no hindrance or obstruction.

Cultivating Yang means attuning oneself to Heaven and Earth; cultivating the void means attuning oneself to the mind and spirit. The Great One retains a state of Chaos, its original, undivided condition, so that people may find within it the pivot: the crucial turning point and place of connection with the Dao.

The perfected Zhang Zhen taught that the Way of the Great One must be cultivated to completion; only then has one truly mastered it.

十一

Source text: Kanripo 漢籍リポジトリ(KR5d0039); Licence: CC BY-SA 4.0 · Report an error / feedback

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