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《太平經》Vol. 116

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Taiping 太平部 Vol. 116 / 57 6,010 characters

About this page. The original text of 《太平經》 Vol. 116 (Taiping 太平部, 57 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 13 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

太平經卷之一百一十六(原缺一百/一十五)入七    某訣第二百四 前文原缺 合其氣與帝王用事同喜同心同指同方同 運同樞同根同意故古者聖人陳法使帝王 春東方夏南方秋西方冬北方者主與此天 氣共事也氣同故相迎也是主所謂謹順天 之道與天同氣故相承順而相樂主所言和 同者相樂也相樂者則天地長喜悅不戰怒 不戰怒則灾害姦邪凶惡之屬悉絶去矣惡 人絶去乃致平氣天上平氣得下治地下平 氣得上升助之也如不順樂用皇天后土所 順用氣而休廢氣也皆應錯逆逆天地之道 逆帝王之氣與天地用意異天地戰怒萬變 並起姦邪日興則致不安平凶年氣來故當 深知之也善哉善哉愚生聞命矣易曉乎天 喜之真人愼之唯唯謹詳記不敢忘善哉善 哉天明師旣加不得已願聞其春夏秋冬云 何哉皆順其氣如其數獨六月者以夏至之 日並動宫音盡五月六月者純宫音也又樂 者乃舉聲歌舞夫王氣者宜動揺動搖見樂 相奉順見奉助也休囚死氣皆欲安靜不欲 見動搖即不悅喜則戰怒戰怒則生凶惡姦 邪灾害矣是乃自然天地之格性萬不失一 也當動揺何氣乎願聞之以爲法不敢逆一 氣是常先動其帝氣其次動王氣其次動相 氣其次動候氣其次動微氣此氣皆在天斗
Interpretation

Plain-Language Interpretation

A Certain Method, Chapter 204

(The preceding text is missing.)

To bring one’s Qi into accord with the sovereign’s activity, sharing its joy, its heart, its direction, its position, its movement, its pivot, its root, and its intent—this is why the sages of antiquity established rules directing the sovereign to reside in the east in spring, the south in summer, the west in autumn, and the north in winter. The purpose was to act in concert with the Qi of each season. When their Qi is the same, they welcome one another. This is what the ruler meant by “carefully following the Way of Heaven and sharing Heaven’s Qi.” In this way, they can support and follow one another, and rejoice together.

When the ruler speaks of “harmony and accord,” he means rejoicing together. When they rejoice together, Heaven and Earth remain joyful and do not fall into conflict or anger. Without conflict or anger, calamities, treachery, evil, and wickedness are all brought to an end. Once evil people are gone, balanced Qi can arise: the balanced Qi above descends to govern, while the balanced Qi below rises to assist it.

If one fails to follow and gladly use the Qi that the August Heaven and Sovereign Earth follow, and instead lets the Qi fall into neglect, everything will respond in disorder and opposition. This means going against the Way of Heaven and Earth, and against the sovereign’s Qi, with an intent different from that of Heaven and Earth. Heaven and Earth then fall into conflict and anger; countless changes arise, treachery and wickedness flourish day by day, and peace is lost. The Qi of a disastrous year arrives. Thus one must understand this deeply.

“Excellent, excellent! I, a humble student, have heard your instruction. Is it easy to understand?”

The Perfected One of Heavenly Joy said, “Take care. Yes, yes. Record it carefully and in detail; I dare not forget.”

“Excellent, excellent! Since the Master of Heavenly Illumination has bestowed this teaching, I cannot help but ask: what are the principles for spring, summer, autumn, and winter?”

In every case, follow the Qi in accordance with its number. The sixth month is an exception: on the day of the summer solstice, the palace tone is set in motion as well. The fifth and sixth months together use the pure palace tone. Music involves raising the voice in song and dance. The sovereign Qi should be stirred; such movement shows joy and a willingness to serve and follow, and reveals support and assistance. Qi that is resting, weakening, or dying all seeks stillness and does not wish to be stirred. If it does not feel pleased and joyful, conflict and anger arise; from conflict and anger come wickedness, treachery, and calamity. This is simply the natural disposition of Heaven and Earth, and not one in ten thousand cases fails to follow this pattern.

“Which Qi should be stirred? I ask you to explain it so that I may take it as a rule and not go against even a single Qi.”

One should always stir the imperial Qi first, then the sovereign Qi, then the ministerial Qi, then the seasonal Qi, and finally the subtle Qi. All these Qi are located in the celestial Dipper.

前日進欲見助興故動之其餘氣者皆在天 斗後天氣所背去氣日衰故不宜興動與天 反地逆不合天地之心故凶故天之所向者 興之天之所背者廢之是爲知時氣吉凶安 危可知矣請問今純動王音五音不足不成 歌舞之曲如何乎善哉子之言也然但先動 故爲隂陽者動則有音聲故樂動輒與音聲 俱陽者有音故一宫三微五羽七商九角而 二四六八不名音也刑者太隂者無音而作 故少以隂害人無音而作此之謂也今軍師 何故有音哉善乎子言也然君子有軍師有 音但倡樂却之耳不必欲害之也及怒發旦 害之時非有音聲起中而已不復相告語也 子知之邪唯唯真如是小愚生已覺矣故古 者聖人將從樂者左載將從刑者右載吉事 尚左凶事尚右左者陽右者隂言各從其類 也善哉善哉故吾事爲文也隨天爲意隨地 爲理順之者吉旦昌逆之者凶也與天不同 其意復何所望故夫天乃有三氣上氣稱樂 中氣稱和下氣稱刑故樂屬於陽刑屬於隂 利屬於中央故東南陽樂好生西北隂怒好 殺和氣隨而往來一藏一見主避害也故樂 但當以樂吉事樂生事不可以樂凶事樂死 事自天格法如此不可反也真人惻愼吾文 言唯唯今說音獨說一甲殊不盡說之其餘 當云何而悉得知其所盡引哉然宜拘校凡
Interpretation

Plain-Language Commentary on the Taiping Jing (Scripture of Great Peace)

Question: Some time ago, you said that one should use the timing of Heaven to advance one’s undertakings. The other Qi lies beyond the Heavenly Dipper and moves against Heaven’s timing. Its Qi therefore grows weaker day by day, so one should not act rashly. To go against Heaven’s timing and oppose Earth is to violate the intent of Heaven and Earth, bringing danger. Thus, pursue what Heaven inclines toward and abandon what Heaven turns away from. This is how to understand the Qi of the times and discern good fortune from misfortune, safety from danger.

I ask: If, at present, one acts solely according to the “ruling tone” (the principal of the Five Tones), the Five Tones are insufficient to form a song-and-dance piece. What should one do?

Answer: That is a good question. First, you must understand that Yin and Yang produce sound when they move. Thus, when music begins, sound usually follows. Yang has sound; this is why the first, third, fifth, seventh, and ninth tones are named: Gong, Zhi, Yu, Shang, and Jue. The second, fourth, sixth, and eighth are not called tones. Punishment belongs to Greater Yin: it acts without sound. That is why harming someone under cover of darkness means acting without sound.

Question: Then why is there sound when a military commander leads troops into battle?

Answer: You are right to ask. When a noble leads troops into battle, there is sound, but it serves only to use music to drive the enemy away and intimidate them; there is no need actually to harm anyone. When anger flares, action is taken, and people are harmed, sound plays no part in it. Rather, people have stopped informing one another. Do you understand?

Yes, yes. Indeed. I, a foolish and insignificant student, understand now.

Answer: This is why the ancients placed on the left what was to be carried out through music, and on the right what was to be carried out through punishment. Auspicious matters favor the left; inauspicious matters favor the right. The left belongs to Yang, the right to Yin: each follows its own kind.

Question: Excellent, excellent.

Answer: When I write, I therefore take Heaven as my intent and Earth as my principle. Those who follow this will prosper and flourish; those who go against it will meet misfortune. If you do not share Heaven’s intent, what can you hope for? Heaven has three Qi: the upper Qi is called music, the middle Qi is called benefit, and the lower Qi is called punishment. Music belongs to Yang, punishment to Yin, and benefit to the center. Thus, the southeast belongs to Yang, music, and the love of life; the northwest belongs to Yin, anger, and the love of killing. Harmonious Qi moves back and forth, at times hidden and at times revealed. Its purpose is to avoid harm.

Therefore, music should be used only for auspicious matters and matters of life. It must not be used for inauspicious matters or matters of death. This is a law set by Heaven and must not be reversed. Perfected One, take care to heed what I have written.

Yes, yes.

Question: At present, you speak only of sound and discuss just one of the ten Heavenly Stems; you have not explained everything. How should the rest be drawn out so that the full meaning can be understood?

Answer: One should examine and compare all of it… (The text continues with the meaning of collation and citation.)


Key Points in This Section

ConceptMeaning
Heavenly Dipper / opposing QiQi weakens when it goes against Heaven’s timing; one should not initiate action.
Five TonesGong, Shang, Jue, Zhi, and Yu; Yang movement produces sound, while Yin punishment acts without sound.
Left Yang, Right YinMusic is on the left and punishment on the right; auspicious matters favor the left, inauspicious matters the right.
Three QiUpper: music; middle: benefit; lower: punishment.

| Southeast / Northwest | Yang, music, and life-giving action versus Yin, anger, and killing.

聖賢文各以家類引之出入上下大小莫不 相應以一况十十况百百况千千况萬萬況 無極衆賢共計莫不盡得故但爲子舉其端 首不復盡悉言之也上賢見吾文自悉得其 意中人見吾文冀可上及之小人見吾文可 儀而爲之不犯天地之禁各使自生善意盡 說之積文多反且眩瞀於文則失其綱紀令 其文亂難理故當財示其端首使其自思之 耳善哉善哉行吾辭小竟疑乃復來唯唯請 問音聲和得其意與不得豈可知邪然可知 也帝王之氣以其天數耳帝王之氣得勝教 令聲響音得先發是乃比若夫帝王得先發 號施令於天下則凡人萬物悉隨之而從天 下和平矣有敢不從爲反逆則死矣故先發 其帝王之氣其餘從矣善哉善哉然不先發 帝王之氣反先動發休囚之氣而反當使帝 王之氣隨從之爲大反逆也此者天地格法 也不可彊也子知之邪唯唯又五音乃各有 所引動或引天或引地或引日月星辰或引 四時五行或引山川或引人民萬物音動者 皆有所動揺各有所致是故和合得其意者 致善不得其意者致惡動音凡萬物精神悉 先來朝乃後動占其形體故動樂音常當務 知其事審得其意太平可致凶氣可去真人 詳之唯唯請問樂音者動引之云何哉善乎 子之間事也得其要意然比若春者先動大
Interpretation

[Plain Language Interpretation]

The scriptures of the sages cite one another across different schools and categories. Whether high or low, large or small, everything corresponds. One can compare one with ten, ten with a hundred, a hundred with a thousand, a thousand with ten thousand, and ten thousand with the infinite. The assembled sages investigate together, and there is no end to what can be explored. So I will only point out the beginning for you all; I will not explain the whole text in full. The most accomplished readers will fully grasp its meaning on their own. Readers of middling ability may gradually rise to a deeper understanding. Those of lesser ability can follow its example, avoid violating Heaven and Earth’s prohibitions, and each give rise to good thoughts. If I were to explain everything, the words would pile up in such abundance that they would confuse the eye, obscure the main thread, and make the meaning tangled and hard to follow. So I should show only the beginning and let people reflect for themselves.

The disciple said, “Excellent, excellent. I will follow your words and gradually reach a fuller understanding. If I have doubts, I will return to ask you. May I ask whether we can know if sounds are harmonious and accord with their intended meaning?” “Yes, we can. We do so by means of the ‘Heavenly Measures’—the Qi of the emperor. When the emperor’s Qi prevails, the sounds of commands and teachings must be sounded first. It is like an emperor issuing the first order throughout the realm: ordinary people and all things then move in response, and peace reigns under Heaven. Whoever dares not to follow is a rebel and must die. Thus the emperor’s Qi must sound first, and the rest must follow.” “Excellent, excellent. If the emperor’s Qi does not sound first, but the Qi of ‘rest and decline’ is set in motion before it, with the emperor’s Qi made to follow afterward, that is a grave violation. This is the rule of Heaven and Earth; it cannot be forced. Do you understand?” “Yes, yes.”

There is another point: each of the five tones stirs different things. One may stir Heaven, Earth, the sun, moon, and stars; the four seasons and Five Phases (Wood, Fire, Earth, Metal, Water); mountains and rivers; or people and the myriad things. When a sound is set in motion, what it stirs is shaken, and each thing responds in its own way. If the sound is harmonious and accords with its intended meaning, it brings good; if it does not accord, it brings harm. For all things stirred by sound, their spirits must first come forward to pay court; only then do they take on physical form. Therefore, whenever musical sounds are set in motion, one must carefully understand the matter and discern its meaning. Peace can then be brought about and baleful Qi dispelled. The Perfected One should examine this closely.” “Yes, yes. May I ask how musical sounds stir things when they are set in motion?” “That is a good question; you have grasped the essential point. Take spring, for example. What is set in motion first is …” (The original scroll continues below.)

角弦動甲甲日上則引動歲星心星下則引 動東嶽氣則搖少陽音則搖木行神則揺鉤 芒禽則動蒼龍位則引青帝神則致青衣玉 女上洞下達莫不以類來朝樂其樂聲也說 一以求其類無窮極也自精詳索其要意悉 自得也與凡書文合之爲法式也故舉樂得 其上意者可以度世得其中意者可以致平 除凶害也得其下意者可以樂人也上得其 意者可以樂神靈也中得其意者可以樂精 下得其意者可以樂身俱得其意上帝王可 遊而無事樂起而刑斷絶精神相厭也願聞 樂起刑斷絶意訣善哉子之言也然樂者太 陽之精也刑者太隂之精也陽盛則隂服隂 盛則陽服故樂盛則刑絶也樂何故爲陽刑 何音和者其方和善得也音不和者其方凶 惡當爲之時精聽其音知音者悉知其事吉 凶不知音者亦不可知也音聲者即是樂之 語談也占遠占近皆當合之日時姓字分畫 境界王相休廢更相取合以爲談語精者聽 之無失也善哉善哉請問以樂除灾害姦猾 凶惡象天地法爲數帝當晏早而動揺其樂 器而始唱其聲以解除愁苦之氣而致太平 哉善哉子之問法何其常巧也皇天久疾灾 害憐帝王愁苦令使具人主問凡疑事邪諾 諾安坐吾不敢有可匿也匿之恐得天責使 吾久被重謫無益於吾天年子安坐詳聽之
Interpretation

A Plain-Language Interpretation of the Taiping Jing

Main Meaning of the Scripture

When the horn and the zither, two musical instruments, are played, on a Jia day they stir the Year Star (Jupiter) and the Heart Star (Mars). Below, they stir the vital energy of the Eastern Peak, arouse Shaoyang Qi, move the spirit of the Wood phase, and rouse Goumang, the spirit associated with Wood virtue. They stir the Azure Dragon’s position and summon the spirit of the Azure Emperor, enabling the Jade Maidens in blue, Daoist immortal messengers, to communicate between above and below. All beings of their kind come to pay homage.

People delight in the sound of the music and wholeheartedly seek out what resembles it, without end. By carefully seeking its essential meaning, one can naturally come to understand it. When it accords with ordinary writings, it can serve as a model. Therefore, if playing music allows one to grasp its highest meaning, it can save the world; grasping its middle meaning can bring peace and eliminate calamities; grasping its lowest meaning can bring people joy. To grasp its highest meaning is to delight the spirits; its middle meaning, to delight Jing (essence); and its lowest meaning, to delight the body. If all three meanings are grasped, the Supreme Lord and the emperor can roam freely without concern; music will arise, punishments will cease, and spirit and vitality will balance and restrain one another.


Question: I would like to hear the essential teaching behind “music will arise, punishments will cease, and spirit and vitality will balance one another.”

Answer: Your words are good indeed. Music is the essence of the Great Yang; punishment is the essence of the Great Yin. When Yang is strong, Yin yields; when Yin is strong, Yang yields. Thus, when music flourishes, punishment comes to an end. Why is music Yang? Why is punishment Yin? When sound is harmonious, the corresponding situation is harmonious and favorable; when sound is discordant, the corresponding situation is inauspicious and harmful. At the time an event occurs, listen closely to its sound. Those who understand sound can know the good or ill fortune of the matter; those who do not understand sound cannot know it. Sound is the language of music. Whether making a divination about distant or near events, one must bring together the day and time, the surname and given name, the divisions and boundaries, and whether the Five Phases are flourishing, strong, declining, or spent. These are combined to form a language. Those who listen with precision will make no mistakes.


Question: Excellent, excellent. May I ask: Can music eliminate calamities, treachery, and evil, following the pattern of Heaven and Earth and their numerical laws? Could the emperor rise early or late, shake his musical instruments, and begin singing, thereby dispelling the energy of sorrow and bringing peace?

Answer: Your question is good. How constantly ingenious are the laws of Heaven! High Heaven has long suffered from calamities and, taking pity on the emperor’s distress, has sent someone to have the ruler ask about matters of doubt. Yes, yes. Sit quietly. I dare not conceal anything from you; if I did, I fear I would incur Heaven’s punishment and suffer a grave reprimand for a long time, gaining nothing for the span of my life. Sit at ease and listen carefully.


Notes on the Passage

1. Music, punishment, and Yin-Yang: The scripture compares music to the essence of the Great Yang and punishment to the essence of the Great Yin. When Yang grows strong, Yin yields, and vice versa. So “when music flourishes, punishment comes to an end” describes a cosmology in which music regulates Qi and sound helps govern the state. It is not simply a statement about the justice system.

2. Sound and good or ill fortune: Instruments and musical modes are coordinated with the day and time, names, and the phases of the Five Phases as they flourish, strengthen, decline, or become spent. Together, these form a language for divination: those who can listen understand good and ill fortune through sound; those who cannot have no way to know.

3. Three levels of meaning: The highest meaning saves the world, the middle brings peace and removes calamities, and the lowest brings people joy. These correspond to delighting the spirits, Jing, and the body. This threefold structure reflects a common Daoist approach to music as a way to communicate with spirits, support health, and instruct society.

4. The final passage: The questioner proposes that the emperor rise early and play music, shaking the instruments and singing to dispel sorrow and bring peace. The answer says that Heaven takes pity on the emperor and permits the ruler to ask about matters of doubt, while warning that nothing should be concealed for fear of Heaven’s punishment. This is framed as a story of correspondence between Heaven and humanity and an emperor seeking the Dao.

爲子一二分别道其至意夫天道比若循環 周而復始起樂也常以時加其王氣建響斗 所加方響其面動其音聲人唱之亦可各以 其音爲之數以六甲五行五六甲五行即天 地之數也時氣者即天地之所響所興爲也 假令立春之日斗加寅名爲上帝之時先動 大角月半加甲二月斗加卯月半加乙三月 加辰也他行效此各次其時氣晏早爲其度 數先動帝音帝弦次動王音王弦次動相音 相弦次動候音候弦次動微音微弦各如其 數此名爲承天之教順地之氣天地乃自樂 用之而况於人乎人者最物之尊者天之所 子也天乃樂人嚴敬用其數地乃樂人謹順 用其數此猶比若孝子之順用父母之教父 母安得不愛而好之乎今天故使子來問事 吾主爲天談爲上太平制數不敢有可遣力 畏天地之謫不敢欺諸真人不敢有可隱匿 也唯不見問問輒言之吾覩真人問事口口 承知天欲語故爲子具言真人得吾道深思 其意以付下古之人使其象而爲之以除群 災害之屬上以安天地之氣下以助帝王爲 治令凡人心安不爲邪萬二千物各得其所 豈不樂哉大哉大哉諸具人可謂知之矣請 問六洞八方之事最何等者爲吉善最何等 者爲凶惡善乎子之問事然詳聽之爲子說 其意最相順相樂爲善爲吉相逆相愁苦爲
Interpretation

Those of you who have come to ask about the Dao must grasp, one by one, the deeper meaning of what I say. The Dao of Heaven is like a cycle that turns and returns. When music is raised, the timely “ruling Qi” must also be added in accordance with the season. The direction indicated by the Dipper’s handle determines which way one should face to sound and vibrate the notes. People may sing aloud, or each may set the count according to their own pitch. Use the Six Jia and the Five Phases to make the calculation. What is called the “Five and Six Jia and the Five Phases” refers to the numbers by which Heaven and Earth move. The Qi of the seasons is what Heaven and Earth respond to and bring forth.

For example, on the day Spring begins, the Dipper’s handle points toward the Yin position. This is called the “time of the Supreme Lord.” First sound the great Jiao note—the Jiao mode among the five notes, governed by spring Qi. At midmonth, add Jia. In the second month, the Dipper points toward Mao, and at midmonth add Yi. In the third month, add Chen, and so on. The other phases follow the same pattern: each follows the Qi of its season, with its measure determined by the proper timing. First sound the notes and strings of the Emperor, then those of the King, then the Minister, then the Herald, and finally the Subtle—each according to its proper number. This is called receiving Heaven’s teaching and following Earth’s Qi; Heaven and Earth thereby find joy of their own.

If Heaven and Earth are so, how much more so must it be for human beings? Among all things, humans are the most honored: they are children of Heaven. Heaven rejoices when people respectfully uphold and use these numbers; Earth rejoices when people carefully follow and use them. It is like a dutiful child who complies with the wishes of their parents: how could the parents fail to love and treat that child well?

So today, when you, Zi, ask about this matter, I speak on Heaven’s behalf. I establish the numbers and methods for the Great Peace of ancient times, without daring to hold anything back. Fearing punishment from Heaven and Earth, I dare not deceive you Perfected Ones or conceal anything from you. If you do not ask, I do not speak; once you ask, I tell you truthfully. Seeing a Perfected One ask about a matter, I know in every sentence that Heaven wishes to speak, and so I explain it to you in full. When the Perfected Ones obtain this Dao, they must reflect deeply on its meaning and pass it down to people of later ages, so that they may follow it and put it into practice, removing every kind of calamity. Above, they can bring peace to the Qi of Heaven and Earth; below, they can help the rulers govern. Then ordinary people will feel at ease and not turn toward evil, and all twelve thousand kinds of beings will find their proper place. Would this not be joyful? Great indeed, great indeed! You Perfected Ones may truly be said to understand the principle.

I ask: Among the affairs of the Six Caverns and Eight Directions, what is most auspicious and good? What is most inauspicious and evil?

You have asked well. Listen closely, and I will explain the meaning to you: What is most mutually harmonious and joyful is good and auspicious; what is most opposed and sorrowful is inauspicious and evil.

凶爲惡相順相樂爲善聲相逆相愁苦爲凶 聲故樂者乃獨樂相順樂爲善樂吉事乃得 作樂凶惡事不得有樂有樂名爲樂凶凶日 多是故時加帝王之氣相氣微氣皆在天斗 前吉事也天地所樂欲興起也天地所共方 興用也故當樂之順之昌之也休廢之氣天 地所共廢共衰故當廢之不宜興樂之樂之 爲逆天地心名爲大逆不順時氣時氣者正 天之時氣也天地爲法王相之氣主太平也 内廢絶氣立凶年王相之氣多所生多善事 故太平之歲凡物具生多善物是明證也天 地之大效也天地之喜善效乃及見於人民 萬物以是爲大效證驗也故古者聖賢以是 深自占相自知行之得失也明以同類同事 同氣占相之也得同氣類之象則改性易行 不敢爲非也天地之語言以此爲效不與人 交頭言也視象類所得可自知矣夫囚廢死 絶氣少所生無成善事是故凶年之歲少可 生無善應無善物是其同事同氣也是故將 太平者得具作樂樂者乃順樂王氣平氣至 也先以道之凶年者不得作樂不得無故興 樂囚廢之氣與天地反逆故凶年凶事不得 作樂也故王相之氣德所居也囚廢之氣刑 所居也故有德好生之君天使其得作樂無 德之君不得作樂也是天之明證也真人知 之邪唯唯可㤥哉今日具問天明師乃具知
Interpretation

Plain-Language Interpretation of the Scripture of Great Peace

Misfortune and evil echo and accord with each other; what they sound like is an inauspicious sound. Reversal and sorrow echo each other; what they sound like is a sound of misfortune.

Thus, music—celebration and festivity—is auspicious music and a propitious affair only when people are in accord and rejoice together. Only then should music be performed. There should be no music at times of misfortune or evil. To perform it on an inauspicious day or during an ill-fated event is called “making music for misfortune.”

A year of calamity often comes about in this way. At such a time, the qi of the sovereign, the qi of mutual flourishing, and the subtle qi all lie before the Celestial Dipper—the position of the Dipper in the heavens, which symbolizes the timing of Heaven. These are propitious matters: what Heaven and Earth delight in and wish to bring forth, what they jointly promote and put to use. They should be welcomed, followed, and allowed to flourish.

Qi of decline and abandonment is qi that Heaven and Earth jointly cast off, and through which they jointly fall into decline. It should be discarded, not celebrated. To celebrate it is to go against the heart of Heaven and Earth; this is called a great reversal and means failing to follow the qi of the season. The qi of the season is the proper qi of Heaven’s timing. Heaven and Earth serve as the model, and the qi of the sovereign and mutual flourishing brings Great Peace.

When the qi of inner decline and extinction prevails, a year of calamity arises. The more abundant the qi of the sovereign and mutual flourishing, the more life is brought forth and the more good things occur. This is clear proof: the great confirmation of Heaven and Earth. The effects of Heaven and Earth’s delight in goodness appear among the people and all things; this is the greatest confirmation. For this reason, the sages of antiquity carefully observed and assessed themselves, knowing what they had done well and where they had gone wrong. They assessed themselves by analogy with things of the same kind, activity, and qi. When they saw signs of the same kind of qi, they changed their nature and conduct and dared not do wrong.

Heaven and Earth communicate through such confirmations, not by speaking face to face with people. By observing the patterns and their analogies, people can understand for themselves. The qi of confinement, decline, death, and extinction brings forth little and produces no good outcomes. So in years of calamity, little can grow, no good response appears, and no good things are produced. This follows the principle that things sharing the same activity also share the same qi.

Therefore, those who are about to attain Great Peace may perform music freely. Music is the fullest expression of following the qi of the sovereign and the qi of peace. To state the principle plainly: music must not be performed in a year of calamity, and it must not be raised without cause. The qi of confinement and decline runs counter to Heaven and Earth; therefore, music must not be performed in years of calamity or during ill-fated events.

The qi of the sovereign and mutual flourishing is where De (Virtue/Power) resides; the qi of confinement and decline is where punishment resides. Thus Heaven allows a virtuous ruler who cherishes life to perform music, while a ruler without De may not. This is clear proof from Heaven. Does the Perfected One understand this? Yes, yes—how awe-inspiring! Today I have asked fully about Heaven’s clarity, and now the Master knows it all.

天樂意不問之時謂作樂但小事凡人凡事 皆得爲之也今日問乃後不敢妄動搖也善 哉曉事生可謂知文書理長得天之意矣太 平至災氣悉去矣謹復重請問心所疑行平 言勿諱也唯唯今天地之氣乃半王半休比 若書夜無有解已樂寧可竟日作之邪獨加 王鄉有王氣時可作邪但始作之時以其帝 王始耳無以休氣始也歲亦然月亦然日亦 然時亦然今愚生未及其意然欲樂歲歲在 東方卯以春二月乃樂之欲樂月各加其月 日者以王日時者以王時如是則可謂得天 之道灾氣去矣如不若此皆爲亂天之紀生 凶灾矣是故古者聖王深知天地心意不敢 樂凶事凶事見樂則凶事日興多興多不可 救故不當樂之也天之授性各自有精神樂 善善精神至樂惡惡精神至此自然之性也 無有怪也但愚人不深計之耳善哉善哉真 人欲知其大效此比若天道也諸清淨者樂 歸天諸沈重者樂歸地各從其家無可非也 故樂善得善樂凶得凶比若水從下火從高 不失銖分真人以此書付有德之君以示凡 人今太平氣至天興善皆使樂善也不得復 有無故樂凶事者也樂凶事者乃與天爲仇 與地爲咎其過不除今天上名此樂凶事者 爲大反逆之人也天凶氣地中諸咎悉且來 下歸之也請問卒有急當以樂樂吉事時不
Interpretation

The Perfected asked: If one makes music without regard to the season, it is only a minor matter, as ordinary people may do with everyday affairs. Now that the matter has been clarified, I will no longer dare to act rashly. The Perfected has spoken well. To understand these principles is to grasp the meaning of the written texts and to comprehend the will of Heaven. When the age of Great Peace arrives, the baneful qi will dissipate.

The Perfected then earnestly asked to pursue his doubts further and requested that the Master speak without reservation.

The Perfected continued: At present, the qi (vital energy) of Heaven and Earth is half flourishing and half waning, much like the alternation of day and night, which never wholly ceases. Then may music be performed throughout the day, or only when the qi of one direction is flourishing? The Master replied that it may begin only when the qi is flourishing, for that is when the sovereign first assumes power, and it should not begin when the qi is waning. The same holds for the year, the month, the day, and the hour.

The Perfected humbly said, "This foolish disciple has not yet grasped the meaning," and wished to learn more: If one wishes to perform music in a given year, one should observe the position of the Year Star (Jupiter), which is in the east at Mao; the performance should then take place in the second month of spring. If one wishes to perform music in a given month, one should choose a flourishing day of that month. If one wishes to perform music on a given day, one should choose a flourishing hour of that day. Only then can one be said to accord with the Dao (the Way) of Heaven, and only then will the baneful qi be eliminated. To act otherwise is to disrupt the governing order of Heaven and Earth, and calamity will follow.

Therefore, the sage kings of antiquity understood deeply the heart of Heaven and Earth and did not dare to hold music in the midst of inauspicious affairs. If music is performed in celebration of misfortune, the misfortune will grow greater day by day, until it can no longer be remedied. For this reason, music should not be performed in connection with inauspicious events. Heaven endows all things with natures, each of which carries its own spirit: those who love the good have spirits that tend toward perfect goodness, and those who love evil have spirits that tend toward perfect evil. This is the nature of things and is nothing strange. It is only that the foolish do not reflect upon it deeply.

The Master said: The Perfected has asked well. These principles all accord with the Dao of Heaven. Those whose qi is pure are inclined to return to Heaven; those whose qi is heavy and turbid are inclined to return to Earth. Each goes according to its kind, and there is nothing to find fault with. Thus, one who delights in goodness obtains goodness, and one who delights in calamity obtains calamity, just as water flows downward and fire rises upward, without the slightest error.

The Perfected presented this book to a virtuous ruler (De) so that it might enlighten the people of the world. Now that the qi of Great Peace has arrived, Heaven has raised up good qi, and all people can take joy in doing good, so that no one remains who delights in doing evil. Those who take delight in inauspicious affairs set themselves against Heaven and oppose Earth. If their faults are not removed, Heaven has already listed them among those guilty of the gravest impiety. The baneful qi of Heaven and the various calamities of the earth will all descend upon them.

The Perfected further asked: If one suddenly encounters a pressing matter, should one respond with music, or should music be performed only on auspicious occasions?

暇待加王鄉斗前當奈何哉善乎子之問事 也得其要意然使樂人居王鄉不得居王鄉 者令樂人衆人亦向王請之亦以其音亦以 其數如但其人姓字舉持律曆音氣相應亦 可順其王相時氣而依其人使作樂亦可如 此如此者皆爲順用天地之教令無灾害也 如不若此有與凶囚氣合者悉生凶事又舉 音倡樂亦當以吉吉音善事夫王相氣比若 人之有君王亦不欲聽聞凶事凶言凶音也 所以然者王相之氣乃爲皇天主生主成善 事乃而助天生成也惡音凶事不而助天生 成凡物是故王氣不欲樂聞之也斗前之氣 皆不欲樂聞之也是故古者聖賢帝王悉積 聚善言善事不内凶惡之事名爲祅言罪即 誅死其罪未足以誅死但惡其祅言不祥耳 故殺之也真人豈知此禁重邪唯唯可㤥哉 可㤥哉子知早㤥可長存不知㤥死之根也 一曰先順樂動天地四時帝氣一事加三倍 以樂天令天大悅喜帝王老壽祅惡滅天灾 害悉除去太陽氣不戰怒國界安而知常先 動順樂之者天道爲之興真神爲之出幽隱 穴居之人皆樂來助正也哉 二曰先順樂動天地四時王氣再倍以樂地 地氣大悅不戰怒令王者壽姦猾盜賊兵革 消國界興善下悉樂承順其上中賢悉出助 國治地神順養哉 三曰先順樂動相氣微氣令中和之氣大悅
Interpretation

(The question is:) In the passage on “Wang and Xiang,” before the Dipper stars, how should one make arrangements and wait appropriately?

(The answer:) That is a good question. Those willing to serve should be placed in the position of Wang and Xiang. If someone cannot occupy that position, then everyone may join in seeking guidance from the position of Wang and Xiang. Use music that accords with the pitches and rites that follow the proper numbers. One may also act according to the person’s name, observe the calendrical rules, and bring the sounds into accord with Qi; or have someone play music in accordance with the Qi of Wang and Xiang and the season. That is also acceptable. All who act in this way follow the commands imparted by Heaven and Earth, and will not bring calamity.

If they do not, someone may come into accord with the Qi of the baleful and the imprisoned, bringing forth misfortune. The tones raised and the music performed should also be auspicious: auspicious sounds should accompany good deeds. The Qi of Wang and Xiang is like a ruler within the human body; it does not wish to hear of misfortune, ill words, or ill sounds. Why? The Qi of Wang and Xiang is governed by August Heaven and brings life into being and good deeds to fruition. It comes to assist Heaven in bringing the myriad things to life. Evil sounds and misdeeds cannot help Heaven bring the myriad things to life, so the royal Qi does not wish to hear them. The Qi in the region before the Dipper likewise does not wish to hear them. That is why the sage rulers and emperors of antiquity gathered good words and good deeds, and did not admit evil and baleful matters among them. If something is called “ominous speech”—inauspicious and perverse words—its speaker deserves execution. In truth, the offense may not warrant certain death; the person is killed because their ominous, inauspicious words are detested. Could a Perfected One really be unaware of the gravity of this prohibition? (The disciple:) Yes, yes. It is fearsome! Those who know to be wary can preserve themselves for a long time; those who do not know fear are on the path to death.

First: First use music in accord with the commands of Heaven to move the Qi of the four seasons and the Heavenly Emperor. This single act can triple the results. When music follows Heaven’s commands, Heaven rejoices greatly, the ruler enjoys long life, baleful forces are dispelled, heavenly calamities are entirely removed, the Qi of the sun does not clash in anger, and the borders of the realm are peaceful and know constancy. When one moves first and follows the music, the Way of Heaven rises in response and the true spirits become manifest. Even those who live in hidden places and caves are glad to come and aid the way of righteousness.

Second: First use music in accord with the commands of Heaven to move the Qi of the four seasons and the royal Qi, and the results are doubled again. When music follows the Earth, the Qi of the Earth rejoices greatly and does not clash in anger. The ruler enjoys long life; cunning schemers, thieves, and the weapons of war are brought to an end; the borders of the realm flourish; the common people are all glad to obey and serve their superiors; worthy officials emerge to help govern the state; and the earth spirits nurture and sustain it in accord with the Way.

Third: First use music in accord with the commands of Heaven to move the Qi of Xiang and the subtle Qi, so that the Qi of harmony and balance rejoices greatly.

喜君臣人民順謹各保其處則佞僞盜賊不 作境界保故利氣日興王氣生凡物好善 四曰愼無動樂死破之氣至劇盜賊又多卒 死者國界常危難安致邪氣鬼物甚多爲害 甚劇劇則名爲亂擾極隂之氣致返逆愼之 愼之 五曰無動樂囚廢之氣多致盜賊囚徒獄事 刑罪紛紛甚難安民相殘傷致多痼病之人 六曰無動樂衰休之氣令致多衰病人又生 偷猾人相欺多邪口舌國界少財民多貧困 樂上帝上王相微氣三部今天地人悅致時 澤灾害之屬除去名爲順天地人善氣也致 善事樂下三部死破囚休衰之氣致逆灾天 時雨邪害甚衆多不可禁防也此諸廢氣動 揺樂之則致惡氣大發泄賢儒藏匿縣官失 政民臣難治多事紛紛不可不戒之愼之也 天地凡事有固常法有氣之鄉而向尊者欲 見樂無氣之鄉衰死者不宜見樂故樂善者 天上名爲順政樂惡者天上名爲逆令順政 者得天力逆令者得天賊得天力者致壽得 天賊者致凶咎所以然者天之爲政猶影響 不奪人所安樂善得善樂惡得惡是復何言 夫善惡安危各從其類亦不失也但愚人不 計之耳是故樂道者道來聚樂德者德來聚 樂武者武來聚樂正者正來聚樂邪者邪來 聚何嘗不若此乎故吾深計天之法以戒真 人也口口哉天法不可犯也故重丁寧子唯
Interpretation

The Taiping Jing: A Plain-Language Interpretation

(4)

When rulers and subjects alike act obediently and with care, each keeping to their proper role, treacherous flatterers, hypocrites, and thieves are less likely to arise. The borders can remain secure, beneficial Qi gradually flourishes, royal Qi can grow, and all things develop in a favorable direction.

But be on guard: do not casually stir up or delight in the Qi of death and ruin, a baleful kind of Qi associated with decline and destruction. When it arrives, there will be more thieves and sudden deaths, the borders will often be in danger and difficult to keep peaceful, and there will be many evil influences and ghosts, bringing great harm. When the harm reaches its extreme, it is called luanrao—disorder and disturbance: a perverse rebellion caused by the Qi of utmost Yin. Take the greatest care in this matter.

(5)

Do not stir up or delight in the Qi of imprisonment and decay, either. When this Qi grows abundant, thieves, prisoners, legal cases, and punishments will arise one after another. The people will find it hard to live in peace and will injure one another; many will also suffer from chronic illnesses that do not heal.

(6)

Likewise, do not stir up or delight in the Qi of decline and cessation, associated with weakness and stoppage. It will bring many weak and sick people, as well as thieves and tricksters who deceive one another. There will also be much malicious gossip and dispute, little wealth within the borders, and widespread poverty among the people.

What one should delight in is the subtle Qi represented by the Supreme Emperor, the Supreme King, and the minister—a gentler Qi that follows Heaven—as well as the timely beneficence bestowed when all three domains, Heaven, Earth, and Humanity, are pleased. One should dispel calamities and the like. This is what it means to follow the good Qi of Heaven, Earth, and Humanity and to do more good.

If instead one delights in the Qi of death, ruin, imprisonment, cessation, and decline belonging to the lower three domains, this will bring calamity and rebellion. The seasons and rainfall will become irregular, and many harms will arise, difficult to prevent or guard against. Once these forces of decay are stirred and honored, evil Qi will surge. Worthy scholars will hide from view, the government will lose its way, subjects will be difficult to govern, and everything will fall into disorder. This must be met with caution and vigilance.


All things in Heaven and Earth follow fixed principles. There are places or conditions where a certain Qi is abundant and in season; those who turn toward it and honor it will rejoice. Where Qi is absent or has declined and died away, it is unwise to continue honoring it, for doing so brings no benefit. In Heaven, delighting in goodness is called shunzheng, “following the proper order”; delighting in evil is called niling, “defying the command.” Those who follow the proper order receive Heaven’s support; those who defy the command incur Heaven’s harm. The former gain long life, while the latter invite misfortune. This is because the governance of Heaven—the workings of the Way of Heaven—follows people like a shadow follows a body, and does not deprive anyone of the peace and happiness they deserve. Delight in good and you receive good; delight in evil and you receive evil. What more is there to say? Good and evil, safety and danger, each follow their own kind and do not become confused. Only the foolish refuse to think deeply about this.

Thus: delight in the Dao, and the Dao gathers around you; delight in De, and De gathers around you; delight in martial force, and martial force gathers around you; delight in what is right, and what is right gathers around you; delight in what is wicked, and wickedness gathers around you. What among these does not work this way? Therefore, I have pondered deeply the laws of Heaven and use them to admonish the perfected ones, those who have attained the Dao through practice: Heaven’s laws must not be violated. For this reason, I earnestly repeat this warning to you.


Note: The phrase “stir up and delight in a certain Qi” broadly means that people’s intentions turn toward, favor, and encourage a particular current of Qi; it does not mean “being happy” in the modern everyday sense. “Three domains” and “subtle Qi” are terms from the Taiping Jing’s theory of Qi. Here they have been briefly explained according to the passage’s meaning, without detailing the ritual procedures term by term.

唯所以三倍帝氣樂賢者帝氣最尊無上象 天尊故倍樂之天者而制御地與人故三倍 之象天地人也夫天地人見樂興理而萬物 各得其所瑞應善物萬二千爲其具出矣故 先樂之也樂之當詳聽一意端坐長思心中 悅喜愉愉然也忠信至誠無有惡意比若對 帝王而坐不敢邪僻天應其行祅惡灾害之 屬莫不悉去因天爲尊因帝氣爲權自然天 述法故致太平不難也善哉善哉所以再倍 王氣樂弦者王氣象地地者與人並居故再 倍其樂樂地也地與人見樂悅喜而萬物並 理得矣又地者卑故其樂少於天也善哉善 哉又王氣弱於帝氣卑於帝氣爲一等故少 之也尊卑相次之法其分自然也善哉善哉 所以樂相氣微氣一行者相氣微氣象中和 人夫中和人卑於天地故其樂少人者主爲 天地理萬物人樂則悅喜爲善爲善則萬物 理矣人不樂則爲惡爲惡則萬物凶矣善哉 善哉又人者是中和萬物之長也其長悅喜 理則其萬物事理其長亂則其物亂故先樂 其長以順樂天地人之道也善哉善哉是故 上善之氣最尊善故樂得三重也以樂善也 是故古者帝王治得善得天心意者得重樂 也是其明證也今太平氣至故教其興樂也 衰亂之氣應凶年故不得興樂如興樂名爲 興樂凶衰天上名之爲大逆也灾害之本禍
Interpretation

This scripture discusses the relationship between the Qi (vital energy) of Heaven, Earth, and humanity with music. The most revered is the "Imperial Qi" (Diqi, symbolizing Heaven's supreme energy), followed by "Royal Qi" (Wangqi, representing Earth's secondary energy), and lastly the "Ministerial and Subtle Qi" (Xiangqi Weiqi, embodying humanity's harmonizing energy).

Heaven's nobility is incomparable, thus requiring threefold musical reverence. Since Heaven governs both Earth and the human realm, music must reflect the harmony of these three realms. When Heaven, Earth, and humanity are all joyful, all things find their proper place, auspicious signs appear, and manifold blessings manifest. When listening to such music, one must concentrate fully, sit upright, and fill the heart with sincere delight—just as one wouldn't dare harbor improper thoughts before an emperor. Thus Heaven responds, and calamities naturally dissipate.

Earth coexists with humanity, so its reverence requires only half that of Heaven. Humanity, as the harmonizing agent of all things, holds a position below Heaven and Earth. When people are joyful, they perform good deeds and all things are well-ordered; when unhappy, they commit misdeeds and all things suffer. Therefore, one must first bring joy to people to align with the harmonious Dao of Heaven, Earth, and humanity.

The ancient sage-kings governed properly and pleased Heaven, thus enjoying grand music. Now that the Qi of universal peace descends, music should be promoted. However, during years of decline and chaos, music must not be performed—forcing it would defy Heaven's will and invite disaster. This resembles the modern saying "ill-timed"—doing the right thing at the wrong time brings misfortune instead.

之所從起可不愼乎善哉善哉是故其次樂 再重王氣不若帝氣故樂少是故治少善者 樂爲之衰少所以衰少者氣衰不而大善故 不敢重多樂也中有凶氣故不敢具其樂也 比若人家有七善三惡則心中爲之不而樂 此之謂也善哉善哉夫七善三惡善多惡少 安而止樂乎人心中雖樂時念三惡則不而 純樂此天性也乃且盡善無復一憂乃而大 樂也故樂以樂善不以樂凶也善哉善哉吾 言乃天明券書不失一也是故其次樂一行 相氣微氣少所而安人德最少不面若天地 氣也故乃微少不而若天地故少其樂相氣 微氣少所而化乃其中國固多惡少善故不 敢多具其樂也反名爲樂凶惡其善少故其 樂少也所以少者但樂其中善者不敢樂其 中凶惡也樂其中凶惡比若小人有七凶三 善三善謫得三從樂有七凶惡反七愁苦悒 浥安而從樂乎所以然者十十爲法者十乃 三折之也帝氣十十皆善王氣者二善一惡 相氣者二惡一善也故帝氣者象天天者常 樂生無害心欲施與三皇象之常純善良無 惡無害心天如三皇三皇如天也故上善之 人無一惡但常欲爲善其象天也其象真神 乎善哉善哉王氣者象地地者常養而好德 五帝象之也地雖養者名爲殺故五帝時有 刑也善哉善哉相氣微氣者象人人者無常
Interpretation

This passage from the Daoist Taiping Jing explains that the Qi of Heaven, Earth, and humanity each contain different proportions of good and evil, and that people’s joy should correspond to these proportions. They must not rejoice recklessly.

Plain-language interpretation

Can one be anything but cautious about where all things come from? Well said! So joy of the next lower degree must be reduced another step. The Qi of kingship, associated with the age of kings, falls short of the Qi of emperors, associated with an age of perfect rule; joy must therefore be less.

When there is less goodness in government, joy declines accordingly. It declines because the Qi is weakening and goodness is not abundant, so people dare not let joy become excessive. In the midst of it there is still baleful Qi, so they dare not celebrate fully. It is like a household with seven parts goodness and three parts evil: its members cannot feel entirely carefree, rejoicing without a thought of worry.

With seven parts goodness and three parts evil, goodness is plentiful and evil scarce—but how can one focus only on joy and ignore everything else? Even if people feel joy in their hearts, remembering those three parts of evil makes that joy impure. This is human nature. Only when everything is wholly good and there is not the least cause for concern can there be great joy. Thus, joy belongs with goodness, not with balefulness.

At the next lower degree of joy are the Qi of ministers and lesser officials, which are below the Qi of kingship. In the human world shaped by these, De is at its thinnest, and the state of things is not as clear and bright as that of Heaven and Earth. Joy must therefore be less and more restrained; it cannot compare with the joy of Heaven and Earth.

In the world shaped by the Qi of ministers and lesser officials, evil outweighs goodness in the state, so people dare not celebrate fully. What is called joy in name is, in reality, close to balefulness: because goodness is scarce, joy can only be limited. The reason is that people dare rejoice only in the goodness there, not in its evil. To rejoice in evil is like a petty person with seven parts balefulness and three parts goodness. The three parts of goodness can yield, at most, three parts of joy; the seven parts of balefulness bring seven parts of sorrow and gloom. How could anyone continue to follow joy?

Why is this so? Take ten parts as the measure: the Qi of emperors consists of ten parts goodness. The Qi of kings consists of two parts goodness and one part evil out of ten—roughly a three-to-seven ratio. The Qi of ministers and lesser officials consists of two parts evil and one part goodness out of ten, so evil outweighs goodness. The Qi of emperors is like Heaven: Heaven continually delights in nurturing life, has no wish to harm people, and wishes to give to all things. The Three Sovereigns modeled themselves on this image: wholly good, without evil or any wish to harm people. Heaven was like the Three Sovereigns, and the Three Sovereigns were like Heaven. The highest kind of person has no evil at all and always seeks to do good. Such a person is like Heaven, like a true spirit!

The Qi of kingship is like Earth: Earth constantly nurtures and sustains life and cherishes De, and the Five Emperors modeled themselves on this image. Though Earth nurtures life, it is also said to kill, through withering and flourishing, and through punishments. Thus, the age of the Five Emperors included punishment and killing. The Qi of ministers and lesser officials is like that of humanity: people are not constant…

(If there is a continuation of the scripture, it can be translated next.)

Note: Expressions such as “ten parts as the measure” and “two parts goodness, one part evil” use numbers in the Taiping Jing to represent the proportions of good and evil in the Qi of three kinds of age. The Qi of emperors, kings, and ministers is commonly associated with ideal rule, royal government, and declining ages, respectively. The Three Sovereigns and Five Emperors symbolize sage rulers of antiquity; they are not simply figures in a historical account.

法數變易三王象之無常法也夫和氣變易 或前或退故下上無常和者覩剛亦隨之覩 柔亦隨之故無常也衰死囚亡之氣象萬物 數變亂無正相出入五霸象之其氣亂凶故 不得有樂也夫天地之性樂以樂善不以樂 惡也夫天地之武以誅惡不以誅善天地格 法不可反也善哉善哉請問樂以樂善意願 聞大訣使愚生心悉解而不敢復問豈可聞 乎子自若不解邪謹已小解恐下古之人積 愚迷日久雖與其文猶復不解復令犯天禁 故不敢不問其大訣易知者矣善哉子之言 得其意諾安座方解之然夫上善大樂歲凡 萬物盡生善人人歡喜心中常樂欲歌舞人 默自相愛不變爭自生樂上下不相尅賊皆 相樂故樂生於善以樂善天使自然如此也 善哉善哉夫大凶年凡物無一善者人人皆 饑寒啼呼哭泣更相尅賊默自生愁苦忿恚 心中不樂何而歌舞樂默自廢絶故凶年惡 歲無樂天使具自然無也是則明天不樂凶 惡之證也是故樂爲樂善生武爲興凶作是 故古者帝王將興者得應樂善也將衰者得 應惡也此者自然之法也是故樂生善善生 樂凶凶生樂武武生凶無爲生樂樂生無爲 武生亂亂生武樂生歌舞歌舞生樂凶惡生 愁苦愁苦生凶惡以吾文見下古之人使其 思之樂之訣說小竟於此善哉善哉
Interpretation

Plain-Language Interpretation of the Scripture of Great Peace

“The patterns of law and number change. The Three Kings embodied them; there is no unchanging law.” The patterns of law and number shift over time. The models of governance embodied by the rulers of the Xia, Shang, and Zhou dynasties were not fixed rules for all time.

“The harmonious Qi changes, sometimes advancing and sometimes receding. Thus high and low are never constant.” Harmonious Qi is always changing. Sometimes it advances; sometimes it recedes. So the relative positions of high and low are never fixed.

“One who harmonizes follows strength when seeing strength and follows gentleness when seeing gentleness. Thus there is no constant method.” Those who know how to bring things into harmony adapt to strength when they encounter it, and to gentleness when they encounter it. They do not adhere to a fixed way of acting.

“The Qi of decline, death, imprisonment, and extinction represents the disorder of the numbers governing all things, which lose their proper patterns of coming and going. The Five Hegemons embodied this: their Qi was chaotic and harmful, so there could be no joy.” The four kinds of declining Qi—decline, death, imprisonment, and extinction—symbolize a disorder in the patterns governing all things, which disrupts their proper alternation and movement. The Five Hegemons of the Spring and Autumn period—Duke Huan of Qi, Duke Wen of Jin, King Zhuang of Chu, King Helü of Wu, and King Goujian of Yue—embodied this chaotic and harmful state of Qi. For that reason, there could be no true joy.

“The nature of Heaven and Earth is to rejoice in goodness, not in evil.” By their inherent nature, Heaven and Earth celebrate good deeds with joy; they never celebrate evil deeds.

“The martial power of Heaven and Earth is used to punish evil, not goodness.” The inherent force of Heaven and Earth is used to destroy evil, never to punish goodness.

“The laws set by Heaven and Earth must not be reversed.” The laws established by Heaven and Earth cannot be defied.


Disciple: “Excellent, excellent! Please explain the deeper meaning of ‘rejoice in goodness.’ I sincerely wish to hear your main points, so that even someone as dull as I can understand completely and never need to ask again. May I hear them?”

Master: “Do you think you still do not understand? I have already offered a brief explanation, but I worry that people in later generations will have been steeped in ignorance for so long that even after reading the scripture they will fail to grasp it, and may instead violate Heaven’s prohibitions. So I cannot help asking about its main points. The parts that are easy to understand have already been explained.”

Disciple: “Excellent, excellent! Your words are just what I had hoped to hear.”

Master: “Good. Sit quietly, and I will explain in detail.”


“In years of supreme goodness and great joy, all things flourish in goodness. Everyone is happy and carries joy in their heart. They long to sing and dance. People quietly love one another and do not fall into strife. Joy arises of itself. Those above and below do not harm one another; they all share in joy. Thus joy arises from goodness, and goodness is celebrated with joy. Heaven has caused things to unfold naturally in this way.”

In years of great good fortune and joy, all things bring forth goodness. Everyone is happy and keeps joy in their heart, eager to sing and dance in celebration. People quietly care for one another and no longer fight. Joy arises naturally, and those above and below do not harm one another; all share in happiness. So joy grows from good deeds, and good deeds are celebrated with joy. This is the natural way Heaven has set things in motion.

“Excellent, excellent! In years of great calamity, not one thing is good. Everyone suffers hunger and cold; they wail and weep, and harm one another. Quietly, sorrow, bitterness, and resentment arise within them. Their hearts have no joy—how could they sing, dance, and celebrate? Joy quietly dies away and is cut off. Thus in years of calamity and ill fortune there is no joy. Heaven lets everything naturally come to nothing. This is clear proof that Heaven does not celebrate evil with joy.”

The opposite holds in years of great calamity: nothing in the world is good. Everyone suffers hunger and cold, cries out and weeps, and harms others. Sorrow, bitterness, and resentment quietly grow within them. Their hearts have no joy—how could they sing, dance, and celebrate? Joy quietly withers and vanishes. Thus, years of calamity and ill fortune have no joy: Heaven allows everything to naturally come to nothing. This is unmistakable proof that Heaven does not celebrate evil with joy.


“Therefore, joy arises to celebrate goodness, while martial force is brought forth to address calamity.” Joy arises in response to good deeds, while martial force—punitive power—is used to confront evil.

“Thus, when the ancient emperors were about to flourish, they received signs corresponding to joy and goodness; when they were about to decline, they received signs corresponding to evil.” Therefore, when ancient rulers were about to prosper, signs of joy and goodness appeared in response; when they were about to fall into decline, signs of evil appeared.

“This is the natural law.” These are all laws of nature.

“Thus, joy gives rise to goodness, and goodness gives rise to joy; evil gives rise to martial force, and martial force gives rise to more evil; Wuwei (non-action) gives rise to joy, and joy gives rise to Wuwei; martial force gives rise to disorder, and disorder gives rise to martial force; joy gives rise to song and dance, and song and dance give rise to joy; evil gives rise to sorrow and suffering, and sorrow and suffering give rise to more evil.”

“I have set these words down for people in later generations, so they may reflect on them.” I have written these words for people of later generations, so they can think carefully about their meaning.

“That is as far as I will go for now in explaining the essentials of joy.”

“Excellent, excellent!”

 右五音樂當所動發前後得天地人以意  以致太平除灾姦致和氣出大訣 太平經卷之一
Interpretation

Music using the five tones should be played and set in motion at the proper time. In their proper sequence, they allow the heart and mind to link Heaven, Earth, and humanity—the Three Powers.

Only in this way can peace be achieved: calamities and wickedness are swept away, and an auspicious, harmonious Qi gathers. From this, the essential teaching of the Great Dao is revealed.

The five tones are the ancient musical notes gong, shang, jue, zhi, and yu. They were understood to correspond to the seasons of Heaven and Earth and to the body’s five organs, serving as a medium between humanity and Heaven. “Set in motion” means performing the tones and activating their rhythms so that they accord with the workings of Heaven and Earth. The Three Powers are Heaven, Earth, and humanity; their harmony is central to the Taiping Jing’s vision of peace. The “essential teaching” refers to an important method or key principle—in this passage, the principles of governing and cultivation revealed through harmony achieved by the five tones.

This passage comes from a section of the Taiping Jing on music and the attainment of peace. It emphasizes harmonizing the Three Powers through the five tones, dispelling calamity and bringing harmony. It reflects early Daoist ideas of “communicating with the spirits through music” and “bringing about peace.”

百一十六

Source text: Kanripo 漢籍リポジトリ(KR5e0002); Licence: CC BY-SA 4.0 · Report an error / feedback

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