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《洞玄靈寶玄門大義》

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Taiping 太平部 1 volumes 7,173 characters

About this page. The original text of 《洞玄靈寶玄門大義》 (Taiping 太平部, 1 volume) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 15 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

Vol. 1

洞玄靈寳玄門大義儀二    正義第一 夫十二部經者蓋是通三乘之妙典貫七部 之鴻規尋之者知真玩之者悟理出生死之 津梁入大道之途逕者也故正一經云三乘 所修各十二部    釋名第二 夫十二部義通於三乘今就次乘爲釋餘例 可知十二部者第一本文第二神符第三玉 訣第四靈圖第五譜録第六戒律第七威儀 第八方法第九衆術第十記傳第十一讚誦 第十二表奏言本文者即三元八會之書長 行原起之說其例是也真迹紫微夫人云三 元八會之書太極高真所用本者始也根也 是經教之始文字之根又爲得理之原萬法 之本文者分也理也既能分辨二儀又能分 列法相既能理於萬事又能表詮至理如木 有文亦名爲理也又名真文者十二義通三 乘真文教主中洞非通義也神符者即龍章 鳳篆之文靈迹符書之字是也神以不測爲 義符以符契爲名謂此靈迹神用無方利益 衆生信若符契玉訣者如河上釋注之文玉 訣解金書之例是也玉名無染訣語疑謂决 定了知更無疑染靈圖者如含景五帝之象 圖局三一之形其例是也靈妙也圖度也謂 度寫妙形傳流下世譜録者如生神所述三 君本行所陳五帝其例是也譜緒也録記也 謂緒記聖人以爲教法亦是緒其源起使物
Interpretation

The Dongxuan Lingbao Xuannen Dayi (Great Meaning of the Mysterious Gate of Numinous Treasure) scripture explains the twelvefold classification system of Daoist texts:

The first section clarifies the significance of the twelve divisions: These scriptures are treasured texts that integrate the teachings of the Three Vehicles (Mahayana, Middle Vehicle, and Hinayana), encompassing the grand framework of the Seven Sections (likely referring to seven stages of cultivation). Studying these classics enables one to comprehend ultimate truth, penetrate the principles of the Dao, and become a bridge transcending life-and-death toward the Great Way. The Zhengyi Jing (Orthodox Unity Scripture) states that all Three Vehicles of practice are based upon these twelve divisions.

The second section details the names and meanings of the twelve divisions:

1. Benwen (Original Texts): Refers to the most primordial scriptures, such as writings in the Sanyuan Bahui (Three Primes and Eight Convergences, the most profound Daoist script). These form the source of scriptural teachings, the foundation of written language, and the origin of truth.

2. Shenfu (Divine Talismans): Includes spiritually potent talismanic scripts like Longzhang Fengzhuan (Dragon Seals and Phoenix Scripts) that miraculously benefit living beings beyond ordinary comprehension.

3. Yujue (Jade Instructions): Exegetical writings such as Heshang Gong's commentary on the Daode Jing. "Jade" symbolizes purity, while "jue" denotes decisive teachings that resolve doubts.

4. Lingtu (Numinous Charts): Diagrams like the images of the Five Emperors or illustrations of the Sanyi (Three Unities: Jing, Qi, Shen) that convey profound principles through visual representation.

5. Pulu (Genealogical Records): Accounts of immortal lineages, such as the deeds of the Three True Lords described in the Shengshen Jing (Scripture of Life and Spirit) or the histories of the Five Emperors.

(Note: The original text continues with seven additional classifications—only the first five are translated here as examples. This system constitutes the complete framework of Daoist scriptures, with each category having distinct functions and expressive forms.)

録持也戒律者如六情十惡之例是也戒者 解也界也止也能解衆惡之縛能分善惡之 界防止諸惡也律者率也直也慄也率計罪 愆直而不枉使懼慄也威儀者如齋法典式 請經軌儀之例是也威是儼嶷可畏儀是軌 式所宜亦是曲從物宜爲威法也方法者如 存三守一制魄拘魂之例是也方者方所法 者節度修行治身有方所節度也衆術者如 變丹鍊石化形隱景之例是也衆多也術道 也爲趣至極之聖道也記傳者如道君本業 皇人往行之例是也記誌也傳傳也謂記誌 本業傳示學人讚頌者如五真頌九天舊章 之例是也讚以表事頌以歌德故詩云頌者 美盛德之形容亦曰偈頌也偈頌者以四字 五字爲句也表奏者如六齋啓願三會謁請 之例是也表明也奏凑也謂表明心事上凑 大道通言部者以部類爲義亦以部别其義 類以相從也無方釋義十二玄通制别意如 前解然十二部内唯本文有通相别相以十 二部皆是文字爲得理之本文猶是經之異 名十二既通名爲經是通相本文也於通相 文内别出一部是五篇真文有生天立地之 能是一切法本爲别相本文也不可言十二 部是玉訣别出一部是别相玉訣也餘部例 然其又有長行爲偈本稱本文者餘二乘經 望此可知    岀體第三
Interpretation

This passage elucidates various literary forms and cultivation standards in Daoist scriptures. Let's examine it section by section:

Regarding precepts (戒律): These function as restraints against the "six emotions" (sensory desires of eyes, ears, nose, tongue, body, and mind) and prohibitions against the "ten evils" (ten wicked behaviors). "Precepts" (戒) carry three meanings: liberation (freeing from evil bonds), discrimination (distinguishing good from evil), and prevention (stopping wicked deeds). "Disciplines" (律) also have three aspects: governance (accounting for transgressions), rectitude (impartial justice), and deterrence (inspiring reverence).

Concerning dignified rituals (威仪): These refer to purification ceremonies and scriptural liturgies. "Dignity" (威) implies solemnity and awe, while "ritual" (仪) denotes standardized protocols—establishing solemn regulations according to specific circumstances.

About methods (方法): Such as "preserving the three and guarding the one" (visualizing the three Dantian while maintaining primordial Qi) or "controlling the seven corporeal souls and restraining the three ethereal souls" (po and hun). "Techniques" (方) indicate concrete methods, while "principles" (法) represent regulatory standards—both cultivation and self-cultivation follow specific methods and norms.

Concerning numerous arts (众术): These include alchemy (Neidan and Waidan), transmuting stones to gold, shape-shifting, and invisibility techniques. "Numerous" (众) refers to quantity, while "arts" (术) are pathways to supreme sagehood.

Regarding records and transmissions (记传): These document the deeds of Lord Dao (Laozi) and the cultivation experiences of ancient perfected beings (zhenren). "Records" (记) preserve events, while "transmissions" (传) pass down teachings—recording fundamental events to instruct Dao practitioners.

About eulogies and hymns (赞颂): Such as the Hymns of Five Perfected or Ancient Chapters of the Nine Heavens. "Eulogies" (赞) narrate achievements, while "hymns" (颂) extol virtues—like the "Odes" section in the Book of Songs that praises magnificent virtue. Gathas (偈颂) typically use four or five characters per line.

Concerning memorials and petitions (表奏): These include ritual documents like Six Fastings' Vows or Three Assemblies' Invitations. "Memorials" (表) declare intentions, while "petitions" (奏) communicate them upward—expressing devotion to reach the supreme Dao.

The section on comprehensive teachings (通言部) organizes content by classification, grouping similar meanings together. Among the twelve scriptural categories, only "fundamental texts" (本文) have both universal (通相) and particular (别相) aspects. All twelve categories share the universal aspect of being "scriptures" (经), while the particularly important Five True Writs (灵宝五篇真文)—which establish heaven and earth as the root of all Daoist methods—represent the particular aspect.

Finally, other scriptures may be understood similarly. Some take prose (长行) as their fundamental form called "original text," while other secondary scriptures (二乘) can be comprehended by this standard.

(Note: The "twelve categories" refer to the Daoist scriptural classification system including fundamental texts, divine talismans, jade commentaries, etc. The "Five True Writs" are the Numinous Treasure Five True Writs, a key Daoist scripture. "Two vehicles" borrows Buddhist terminology metaphorically to indicate different levels of Daoist scriptures.)

十二部經通皆以文爲體名味往尋自有全 以文爲名者自有全以詮理爲名者自有文 理合爲名者有四部但以文名别體即是本 文神偈符頌靈圖等也按此四名無的明義 但以文爲其體靈圖乃不是文既言象相類 亦從文攝次有四部全以詮理之名别體即 是威儀譜録記傳表奏等也威儀是容上之 法譜録是祖繫之源記傳序其功名表奏啓 其心迹故皆就理事工能爲體也次有四部 通以文理之名别體即是戒律玉訣方法衆 術等也戒律則通心與教戒是心善亦通戒 勑律是言語銓量亦通心之秉直也玉訣即 道事理解玉訣文之理事方也詣事處法該 文理術通經術故爲文衆智數故爲理也    明同異第四 體同異者有四句一者異二者同三者亦同 亦異四者非同非異異句者此十二部並得 異體四文體别故不得同八工義殊數自成 異然八工不離四文而言十二異體者有二 義故然一者自有四文無八工能二者玄望 若以工能在一文中則與三文異體若在三 文中則與一文異體故皆得不同也同句者 十二部無離通相本文皆同體也亦同亦異 句者有别相本文有通相本文别相本文即 是一千一百九字爲體其二百五十六字意 觀似與譜録記傳讚頌同體其六十三字與 衆術同體其一百二十二字無注解者是所
Interpretation

This scripture primarily discusses the classification and characteristics of Daoist texts, which can be understood in several parts:

First, it explains the classification criteria. Daoist scriptures are divided into twelve major categories, which can be grouped into three types based on their form: 1) Those primarily composed of text (such as divine incantations, talismans and registers [Fulu], verses, and sacred diagrams); 2) Those focused on expounding principles (such as liturgical regulations [Keyi], lineage records, biographies, and memorial documents); and 3) Those combining both text and principle (such as precepts, commentaries, cultivation methods, and techniques). Among these, "liturgical regulations" address behavioral norms, "lineage records" document sect transmissions, "biographies" recount meritorious deeds, and "memorials" express inner intentions.

Next, it describes the characteristics of each category: Precepts govern both conduct and mental cultivation; "jade instructions" [Yujue] are annotations on scriptures; "methods" detail specific cultivation techniques; and "various arts" encompass diverse Daoist skills and practices.

Finally, it examines the similarities and differences among scriptures, proposing four scenarios: 1) Completely distinct; 2) Entirely identical; 3) Partially similar and partially different; and 4) Neither wholly identical nor entirely distinct. For instance, in terms of textual form, each has unique features (difference), but in their fundamental principles, they are interconnected (similarity). Specific scriptures may vary—some consist of 119 characters as self-contained units, others share 256-character structures resembling lineage records, some match 63-character formats found in technique-based texts, while others comprise 122-character passages that stand alone without commentary.

(Note: The numerical references may be symbolic, representing the word-count patterns or structural features of different scripture categories.)

未詳通相本文者即是長存之經爲偈本之 本文也此與八工體同三文體異也神符有 得與玉訣同體何者若玉訣變此符字爲隸 者此符與玉訣同體若不變字形雖解符義 不得同體餘例可知望解注靈圖則並非同 體非同非異者文學相空無可論同異也曲 論如此大意者同則皆是文異則十二文事 合故亦異同不可定故非同非異也    明次第第五 本文是生法之本數自居前既生之後須即 扶養故次辨神符八會雲篆三元玉字若不 諳鍊豈能致益故須玉訣釋其理事也衆生 闇鈍直聞聲教不能悟解故立圖像助以表 明聖功既顯若不是其祖宗物情容言假僞 故須顯其譜録也此之五條生物義足將欲 輔成必須鑒戒惡法交弊宜前防止故有戒 律既捨俗入道出家受戒簉於師寳須善容 儀故次明威儀也又前乃防惡宿罪未除故 須修齋軌儀悔三生惡也儀容既善宿根已 淨須進學方學理期真當假道術道術之妙 顯乎記傳論其習學以次相從也亦是學工 既著名傳竹帛故次記傳始自生物終乎行 成皆可嘉稱故次有讚頌又前諸言教多是 長行散說今論讚頌即是句偈結辭既功滿 德成故須表申靈府如齋訖言功之例故申 奏也又前十二部明出世之行後之表奏祛 世間之灾如三元塗炭子午請命之流皆關 表也
Interpretation

This scripture primarily explains the classification system of Daoist canonical texts and their underlying logical relationships:

Regarding the classification of canonical texts:

1. The core content (original text) of scriptures remains eternally unchanging, much like the essence of poetry. This shares similarities with the "Eight Crafts Style" but differs from the "Three Literary Styles."

2. Divine talismans (Fulu with mystical power) sometimes belong to the same category as jade commentaries (explanatory annotations), because if the commentaries translate talisman texts into ordinary language, they become similar. However, if the talismans retain their original form, even with explanations of their meaning, they cannot be considered the same category.

3. Spiritual diagrams (illustrations of scriptures) are neither completely identical nor entirely different, as text and images differ in nature and cannot be easily compared.

Regarding the sequencing logic of the twelve canonical divisions (Clarifying Hierarchy, Chapter Five):

1. Foundational scriptures (original texts) are the root of practice, hence ranked first.

2. Divine talismans require the interpretation of jade commentaries to manifest their efficacy.

3. For ordinary devotees, images (spiritual diagrams) are needed to aid comprehension of profound teachings.

4. To prevent forgery, clear transmission lineages (genealogical records) must be established.

5. Practice requires precepts to regulate conduct, followed by dignified rituals (liturgical protocols).

6. Through purification rituals (Zhaijiao), one repents transgressions and purifies the foundation before studying Daoist arts.

7. Achievements in practice must be documented in biographical records, with hymns expressing reverence.

8. Finally, memorials (such as "reporting merits" after rituals) are submitted to the deities.

Special notes:

  • The first twelve canonical divisions primarily concern transcendent cultivation.
  • The final petitions (such as the Sanyuan Tukan and Zi-Wu Life-Requesting rituals) address worldly calamities.
  • The entire system forms a complete cycle from foundational practice to ultimate attainment.

(Note: Terms like "Eight Crafts Style," "Three Literary Styles," "Sanyuan Tukan," and "Zi-Wu Life-Requesting" refer to unique Daoist textual classifications and ritual names.)

   詳釋第六 即爲十二重一釋本文前就洞玄爲釋若具 足爲言名空釋赤書景皇真文聖應唯是一 文之經隨五帝所當開爲五篇帝之與篇各 有名字出真文上卷東方安寳華林青靈始 老帝君名靈威仰所掌真文名曰生神寳真 洞玄章一名東山神呪八威策文南方梵寳 昌陽丹靈真老帝君名赤熛弩所掌真文名 曰南雲通天寳衿一名九天神呪一名赤帝 八威策文中央玉寳元靈元老帝君名含樞 紐所掌真文名曰寳劫洞清九天靈書一名 黄帝靈威策文西方七寳金門皓靈皇老帝 君名耀伯寳所掌真文名曰金真寳明洞微 篇一名西山神呪一名八威召龍文北方洞 隂朔單鬱絶五靈玄老帝君名協光紀所掌 真文名曰元神生真寳明文一名北山神呪 一名八威制天文五老玉篇皆空洞自然之 文也委釋此文如彼流本文大意正是天書 今汎論古今變文凡有六種一者隂陽初分 有三元五德八會之炁以成飛天之書後撰 爲八龍雲篆明光之章陸先生解三才謂之 三元三元既立五行咸具以五行爲位三五 合和謂之八會爲衆書之原又有八龍雲篆 明光之章自然飛玄之炁結空成文字方一 丈肇於未天之内生立一切也按真迹紫微 夫人說三元八會建文章之祖八龍雲篆是 其根宗所起有書之始而先生云八會是三
Interpretation

This scripture provides a detailed explanation of the origins and meanings of the "Five Directions True Scripts" from the Dongxuan Lingbao Xuandayi (Great Meaning of the Mysterious Gate of Numinous Treasure from the Cavern of Mystery). The main content can be understood as follows:

The Five Thearchs of the Directions each preside over distinct sacred texts:

1. The Eastern Azure Numinous Beginning Elder Thearch (named Ling Weiyang) governs the Shengshen Baozhen Dongxuan Zhang (Precious and True Cavern-Mystery Chapter on Generating Spirits), also called the Eastern Mountain Divine Incantation or Eight Mighty Policies Text.

2. The Southern Cinnabar Numinous True Elder Thearch (named Chi Biaonu) oversees the Nanyun Tongtian Baojin (Southern Cloud Precious Brocade Penetrating Heaven), alternatively known as the Nine Heavens Divine Incantation or Red Thearch's Eight Mighty Policies Text.

3. The Central Origin Numinous Origin Elder Thearch (named Han Shuniu) holds authority over the Baojie Dongqing Jiutian Lingshu (Precious Kalpa Cavern-Pure Numinous Writ of the Nine Heavens), also titled Yellow Thearch's Numinous Mighty Policies Text.

4. The Western Bright Numinous August Elder Thearch (named Yao Bobao) commands the Jinzhen Baoming Dongwei Pian (Golden Truth Precious Radiance Cavern-Subtle Chapter), referred to as the Western Mountain Divine Incantation or Eight Mighty Dragon-Summoning Text.

5. The Northern Mysterious Elder Thearch (named Xie Guangji) safeguards the Yuanshen Shengzhen Baoming Wen (Original Spirit Life-Truth Precious Radiance Writ), also named the Northern Mountain Divine Incantation or Eight Mighty Heaven-Controlling Text.

These True Scripts are all "writings of the empty cavern's spontaneous nature"—primordial texts originating from the cosmic source. The scripture further explains that such celestial writings underwent six evolutionary forms historically. Initially, they emerged as "flying celestial scripts" formed by the Qi (vital energy) of the "Three Primes, Five Virtues, and Eight Convergences" during the primal separation of Yin and Yang. These later evolved into the "Eight Dragon Cloud Seal Bright Radiance Chapters," a sacred form of script. Master Lu Xiujing clarified that the "Three Primes" refer to the triad of Heaven, Earth, and Humanity, while the "Eight Convergences" denote the eight fundamental patterns produced by the interaction of the Five Phases (Wood, Fire, Earth, Metal, Water) with this triad—the root source of all divine scripts.

Lady Ziyi (an important Daoist female transcendent) once noted that the Three Primes and Eight Convergences constitute the foundation for creating sacred scripts, with the Eight Dragon Cloud Seals representing the earliest scriptural form developed from this origin. These divine writings existed prior to cosmic formation, serving as the fundamental principles that generate all phenomena.

才五行便在既判之後赤書又云靈寳赤書 五篇真文出於元始之先即此而論三元應 非三才五德非五行也此正應是三寳丈人 之三炁耳有五德故九天生神章云天地萬 物自非三元所育九炁所導莫能生也又曰 三炁爲天地之尊九炁爲萬物之根故知三 元在天地未開三才未生之前也一家同宋 法師八會只是三元五德三元者一曰混洞 太無元高上玉虚之炁二曰赤混太無元無 上紫虚之炁三曰㝠寂玄通元無上清虚之 炁五德者所本有三即隂陽和隂有少隂太 隂陽有少陽太陽就和中之和五德也篆者 撰集雲書謂之雲篆此即三元八會之文八 龍雲篆之章皆是天書三元八會則五文八 字之例是也雲篆明光則五符五勝之例是 也八會本文凡一千一百九字其五篇真文 合六百六十八字是三才之元根生天立地 開化人神萬物所由故云有天道地道神道 人道此之謂也玉訣云修用此法五篇皆分 字數各有四條一者主召九天上帝校神仙 圖籙求仙致真之法二者主召天宿星官正 天分度保國寧民之道三者攝制酆都六天 内音天有八字之氣四者勑命水帝制召龍 魚也其諸天内音天有八字三十二天合二 百五十六字論諸天度數期會大聖真仙名 諱位號所治宫府臺城處所神仙變化升降
Interpretation

This scripture expounds key Daoist concepts regarding cosmic origins and sacred writings. The content is organized into several main sections:

First, it explains the "Three Primordials" (sanyuan, referring to three foundational Qi energies) and the "Five Virtues" (wude, representing the essence of Yin-Yang and the Five Phases). The text states that before the formation of heaven and earth, there existed three supreme primordial energies: 1) The Jade Void Qi of the Supreme Chaos of Great Nothingness, 2) The Purple Void Qi of the Crimson Chaos of Great Nothingness, and 3) The Clear Void Qi of the Mysterious Silence and Profound Pervasion. The Five Virtues encompass four Yin-Yang states (lesser yin, greater yin, lesser yang, greater yang) plus a harmonious fifth state.

Next, it introduces "cloud-seal script" (yunzhuan), a celestial writing system known as the "Text of Three Primordials and Eight Convergences" or "Chapter of Eight Dragon Cloud Seals," which is used in heavenly realms. Special mention is made of the "Five Authentic Texts" totaling 668 characters, believed to be the fundamental basis for creating heaven and earth and nurturing all beings.

The scripture then details four methods for employing these sacred texts in cultivation: 1) Summoning the Nine Heavens' Celestial Lords to verify the Dao of immortality; 2) Invoking star officials to protect the nation and its people; 3) Subduing underworld spirits; and 4) Commanding water deities to control aquatic creatures. Each method corresponds to different sacred writings with specific functions.

Finally, it describes how each heaven possesses its own unique script, with the thirty-two heavens collectively containing 256 "celestial characters." These writings record the operational principles of celestial realms, names of deities, and their abodes, forming an essential foundation for Daoist cultivation and ritual practices.

品次衆魔種類人鬼生死轉輪因縁其六十 三字是五方元精名號服御求仙練神化形 白日升空之法餘一百二十二字闕無音解 二者演八會爲龍鳳之文謂之地音地書此 下皆玄聖所述以寫天文也三者軒轅之時 蒼頡傍龍鳳之勢採鳥跡爲古文以代結繩 即體也四者周時史籀(音/宙)變古文爲大篆五 者秦時李斯變大篆爲小篆六者秦後程邈 變小篆爲隸書有云漢謂隸書曰佐書此乃 程邈獄中所造出捉徒隸故以隸爲名此即 爲六也就第二中又有雲篆明光之章爲順 形梵書文别爲六十四種播於三十六天令 經書相傳皆以隸字解天書相離而行也    釋本文第 初傳古文者有邯鄲淳又有八體一曰大篆 二曰小篆三曰刻符四曰蟲書五曰摹印六 曰署書七曰殳書八曰隸書王莽時使司徒 甄酆校定文字復有六書一曰古文孔子壁 中書二曰竒字古之異者三曰篆書四曰佐 書即隸書也五曰縁篆所以摹印也六曰鳥 篆所以書幡也蒼頡始書已應有筆詩云彤 管則是筆者也而言蒙恬造筆者恬爲秦將 三世有名制筆精能獨擅竒名也漢和帝時 蔡倫始造紙爾前唯書簡牒牒者詮牒語事 也簡者在簡略恐是文字不繁也但知本是 天書金簡餘地書已下八體六文皆從真出 外學者自更詳之又未知何時書於此經在
Interpretation

This scripture primarily discusses the evolutionary history of Daoist scriptural texts and their various writing systems. The content can be understood in several sections:

First, it mentions that the "Three Characters" represent the names of the Five Directions' Primordial Essences (Wufang Yuanjing, referring to the quintessential energies of heaven and earth in Daoism), and that through ingestion and cultivation, one may achieve immortality and ascension. However, over a hundred subsequent characters are missing and cannot be interpreted.

Next, it outlines six stages in the development of writing:

1. During the era of the Yellow Emperor (Xuanyuan Huangdi), Cangjie observed dragon patterns and phoenix traces to create ancient script (Guwen), replacing the earlier knot-tying method of record-keeping.

2. During the Zhou dynasty, the scribe Shi Zhou transformed ancient script into large seal script (Dazhuan).

3. In the Qin dynasty, Li Si modified large seal script into small seal script (Xiaozhuan).

4. Also in the Qin dynasty, Cheng Miao, while imprisoned, reformed small seal script into clerical script (Lishu, named for its use in recording prisoners' affairs).

5. In the Han dynasty, clerical script was called auxiliary script (Zuoshu).

6. Additionally, 64 types of writing including cloud script (Yunzhuan) and luminous script (Mingguang) circulated among the Thirty-Six Heavens (Daoist cosmological realms).

The text also lists eight calligraphic styles: large seal, small seal, engraved tally script, insect script, seal-copying script, inscription script, weapon script, and clerical script. During Wang Mang's reign, Zhen Feng standardized six scripts: ancient script, peculiar script, seal script, auxiliary script (clerical script), border seal script (used for seals), and bird script (used for banners).

Regarding writing implements:

  • Brushes existed since Cangjie's time (referred to as "vermilion tube" in the Book of Songs)
  • Meng Tian became famous for improving brush-making techniques
  • Cai Lun of the Eastern Han invented papermaking; before this, bamboo slips were used for recording

Finally, it states that all these writing systems originated from the "Celestial Script on Golden Slips" (Tianshu Jinjian, sacred texts believed to be transmitted from celestial realms in Daoism), with all others being human adaptations. However, it remains unclear when these contents were recorded in this particular scripture.

Note: The mentioned "cloud script" (Yunzhuan) refers to unique Daoist sacred writing believed to form naturally from cloud energies; the "Thirty-Six Heavens" represent the layered celestial realms in Daoist cosmology.

紙作卷今謂劫初己自有筆太真所書何容 無紙及以八體六文等耶以而尊造化具一 切法故也後人承用自有前後耳    釋神符第二 一切萬法莫不以精炁爲用故二儀三景皆 以精炁行乎其中萬物既有亦以精炁行乎 其中也是則五行六物莫不有精炁者也以 道之精炁布之簡墨會物之精炁以却邪僞 輔正真召會群靈制御生死保持劫運安鎮 五方然此符字本於結空太真仰寫天文分 置方位區别圖像符書之異符者通取雲物 日辰之勢書者别析音句銓量之㫖圖者書 取靈變之狀然符中有書參八圖像書中有 圖形聲並用故有八體六文更相顯發六文 者一曰象形日月是也二曰指事上下是也 三曰形聲江河是也四曰會意武信是也五 曰轉注考老是也六曰假借令長是也八體 者一曰天書八會是也二曰神書雲篆是也 三曰地書龍鳳之象四曰内書龜龍魚爲所 吐五曰外書鱗甲羽毛所𡕀音載六曰鬼書 雜體微末七曰夏書模範雲篆八曰戎夷書 類於昆蟲此六文八體或今字同古或古字 同符更相加減共成一法合爲一用故同異 無定也而三洞經中符有作今字者此以古 文尚書中有與今字同者耳    釋玉訣第三 此别有經二卷太上道君於南丹洞陽上觀 爲學士王龍賜說此靈文玉字之訣但未知
Interpretation

This scripture primarily expounds on the origins, classifications, and functions of Daoist talismans (Fulu) and sacred writing.

Regarding the origin of writing, the text states that while the earliest talismans were recorded on paper scrolls, writing implements existed since the dawn of heaven and earth. How could the characters inscribed by the Supreme Truth (Taizhen, a Daoist deity) lack a medium? The eight calligraphic styles and six methods of character creation were inherently present in the natural order of creation—later generations merely inherited and employed them.

The second section explains the efficacy of divine talismans: All phenomena in the world operate through the movement of vital essence (Jing) and energy (Qi). Heaven, earth, the sun, moon, the Five Phases (Wood, Fire, Earth, Metal, Water), and the six categories of beings all contain this essence. When the essence of the Dao is inscribed with brush and ink on bamboo slips, it can gather the essence of all things, achieving effects such as repelling evil, supporting righteousness, summoning deities, controlling life and death, preserving cosmic cycles, and stabilizing the five directions.

Talismanic writing originated from the Supreme Truth's divine beings observing celestial patterns and astronomical phenomena. It manifests in three forms:

  • Fu (Talismans): Modeled after clouds and constellations
  • Shu (Scripts): Analyzing phonetics and meanings
  • Tu (Diagrams): Depicting spiritual transformations

These three interweave to form the eight calligraphic styles and six methods of character creation.

The six methods of character creation include:

1. Pictographs (e.g., sun 日, moon 月)

2. Indicatives (e.g., above 上, below 下)

3. Phonetic compounds (e.g., river 江, stream 河)

4. Associative compounds (e.g., martial 武, trust 信)

5. Derivative cognates (e.g., elder 考, aged 老)

6. Loan characters (e.g., command 令, chief 长)

The eight calligraphic styles comprise:

1. Celestial Script (Eight Meetings Style)

2. Divine Script (Cloud Seal Style)

3. Earth Script (Dragon-Phoenix Pictographs)

4. Inner Script (Turtle-Dragon-Fish Inscriptions)

5. Outer Script (Scales-Feathers-Patterned Writing)

6. Ghost Script (Miscellaneous Subtle Forms)

7. Xia Dynasty Script (Cloud Seal Imitations)

8. Barbarian Script (Insectoid Shapes)

The third section mentions that the Supreme Lord of the Dao (Taishang Daojun) once expounded the secrets of jade-script spiritual texts to scholar Wang Long at the Upper Observatory of Southern Cinnabar Cavern (Nandan Dongyang). However, the specifics remain unclear. These writings have evolved over time—some ancient characters resemble modern talismans, while certain contemporary forms echo archaic symbols. Through additions, reductions, and transformations, they coalesced into a complete system of ritual arts. Among the Three Caverns (Dongzhen, Dongxuan, Dongshen) scriptures, some talismans employ modern characters precisely because certain ancient graphs coincide with present-day forms.

定是何代所注學者尋之又說諸修行符圖 五方思存禳灾等法正是解訣八會之文而 就本文理中復有明理如解真文中更明感 通之理定志又出思微之義事中復有事如 玉訣中復明傳經及盟授威儀之事然訣中 凡有解訣皆通謂之玉訣也    釋靈圖第四 圖書之作俱出形聲至於玄聖著述各有功 用圖以傳有書以傳無無者言之與理無有 形迹定志局等之例是也有者有形之與迹 八景及人鳥之例是也書圖亦可通於有無 以如前出思之也云或鎮藏五嶽以保劫運 或宣被十方開化周普或祕之金格以示禁 重天文或藏之名山明會乃出或題之宫闕 隨行處所安或書之空林顯神通力用或行 之五國表縁所宜或及之三清辯升沈異域 或宣之上古拯物之迷或傳之下世哀物之 苦皆大慈之德隨病設方大哀之心赴縁說 法也    釋譜録第五 如生神章前三寳君及本業道君自序宿世 根本之例是也録者條别神明位次名諱八 景及内音之例是也譜者之爲用衆生或謂 生死之理倏然而有倏然而無如彼草木無 所縁起故述本宿因令其得悟録亦是條牒 名領以付學人令其領録存思以自防保舉 人身以升天也大洞所明即上皇玉録之例 是也    釋戒律第六 戒法者即止惡也止者止惡心口爲誓不作
Interpretation

"The Great Meaning of the Mysterious Gate of the Dongxuan Lingbao" – A Modern Interpretation

On the Dating of Commentaries and Cultivation Methods:

These practices—such as talismanic incantations (Fulu) and the visualization of the Five Directions (east, west, south, north, and center) for dispelling calamities—are essentially interpretations of the "Eight Meetings" (Bahui), an important Daoist scripture. While explaining the principles of the text itself, they also reveal deeper insights into spiritual realization. For example, when interpreting the True Text (Zhenwen), the text further elucidates the principle of resonance between heaven and humanity. Similarly, the "Fixing the Will" (Dingzhi) cultivation method develops into the profound mystery of "Contemplating Subtleties" (Siwei), an advanced form of refined visualization.

On "Jade Instructions" (Yujue, Secret Oral Transmissions):

When explaining the classics, Daoist texts not only discuss principles but also provide concrete methods. For instance, the Yujue records in detail the rituals for transmitting scriptures and the rules of sacred oaths. All such explanatory instructions are collectively referred to as "Jade Instructions."

On the Function of "Numinous Charts" (Lingtu, Divine Diagrams):

Both images and texts convey truth—the former through form, the latter through meaning. The writings left by the Mysterious Sages (Daoist supreme deities) each serve distinct purposes: images transmit tangible realities, while words convey intangible principles. For example, methods like the "Fixing the Will Chamber" (Dingzhi Ju) belong to the realm of intangible principles, whereas the Eight Scenes Chart (depicting inner bodily landscapes) and the Human-Bird Chart represent tangible forms. Text and image complement each other in their explanations.

Practical Applications of Numinous Charts:

Some charts are used to guard the Five Sacred Mountains (Wuyue), protecting the mortal world. Others spread teachings across the Ten Directions, while some are enshrined in golden caskets to signify their sacredness. Some remain hidden in famous mountains, awaiting those with the right affinity. Some are hung in temples, placed according to the needs of cultivation sites. Others are inscribed in secluded forests, manifesting divine powers. Some circulate in five lands, adapting to local conditions, while some ascend to the Three Pure Realms (Sanqing), revealing stages of spiritual attainment. Some were used in ancient times to save sentient beings, and others are passed down to later generations to alleviate suffering. All these reflect great compassion, employing different methods according to circumstances.

On "Genealogical Records" (Pulu, Registers of Immortals and Deities):

For example, the Chapter on the Birth of Spirits (Shengshen Zhang) records the past lives of the Three Treasures Lords (the Celestial Worthy of Primordial Beginning, the Celestial Worthy of Numinous Treasure, and the Celestial Worthy of the Dao and Its Virtue) and the Original Vocation Lord (Benye Daojun). "Registers" (Lu) systematically document the ranks and titles of deities, such as the records of the Eight Scenes Spirits (Bajing Shen) and Inner Sound Spirits (Neiyin Shen). "Genealogies" (Pu) serve to awaken beings to the impermanence of life and death—like plants and trees, they have no fixed roots—hence, they recount past causes to inspire enlightenment. "Registers" also compile deity names into orderly lists for practitioners, who use visualization (Cunxiang) for self-protection and eventual ascension to the celestial realms. The Great Cavern Scripture (Dadong Jing), for instance, includes records like the Jade Register of the Supreme Sovereign.

On "Precepts and Discipline" (Jielü):

Precepts prohibit evil. "Cessation of Wrongdoing" (Zhi'e) refers to taking vows—in both mind and speech—to refrain from creating unwholesome karma.

惡也戒之爲義又有詳略詳者太清道本無 量法門百二十九條老君及三元品戒百八 十條觀身大戒三百條太一六十戒之例是 也略者道人三戒録生五戒祭酒八戒想爾 九戒智慧上品十戒明真科二十四戒之例 是也律者終出戒中無更别目多論罪報憲 法之科如天師老君玄都律女青等律是也 斯則戒主於因律主於果戒論防惡律論與 罪故也然或空中而下或口内傳授皆隨機 而作授受不同同如上品戒則弟子向東定 志戒則弟子向南金籙簡文則天尊北向若 東向者向陽位也依三元品戒則東方南方 爲左官屬太陽西方北方爲右官屬太隂初 先謝罪求度故向太隂所以北向回禮十方 次請生求義故向太陽所以東向而受也定 志所明法師居南弟子向師幕側首向之以 理而推則法師居多向北與金籙同上品戒 弟子向東定志戒弟子向南此皆使弟子向 生氣也問生神章及二十四生圖法師向南 向北與此不類復何義耶答此經于時天尊 面命三天真人傳二十四生圖與道君命九 天司馬侍仙玉郞傳生神章與飛天神王飛 天神王及道君于時北向請天尊使者銜天 尊命從天尊邊來仍授但是傳經簡異於授 戒不得爲例也    釋威儀第七 三元本有威儀俯仰之格三千四百條龍漢
Interpretation

This scripture primarily discusses the classification and transmission methods of Daoist precepts.

Precepts are divided into detailed and simplified categories:

Detailed precepts include the 129 articles of the Great Clarity (Taiqing) tradition, the 180 articles of Laozi and the Three Primes (Sanyuan), the 300 major precepts of bodily observation, and the 60 precepts of Supreme Unity (Taiyi). Simplified precepts consist of the Three Precepts for Daoist practitioners, Five Precepts for registered disciples, Eight Precepts for ritual masters (Jijiu), Nine Precepts of Xiang'er, Ten Superior Precepts of Wisdom, and the 24 Precepts of the Mingzhen Code.

Regulations (lü) derive from these precepts, primarily addressing karmic retribution for violations, such as found in the Celestial Master's (Tianshi) Laozi's Mystic Capital Regulations and the Nüqing Regulations. While precepts emphasize preventing misconduct, regulations focus on punishing transgressions.

There are two methods for transmitting precepts: celestial descent or oral transmission, both adapted to specific circumstances. The directional orientation during transmission also holds significance:

  • Superior Precepts: Disciples face east
  • Determination Precepts: Disciples face south
  • Golden Register Scriptures: Celestial Worthies (Tianzun) face north

The east and south belong to yang positions, while west and north correspond to yin. Novice practitioners must first confess transgressions facing the northern yin position before turning eastward to seek Daoist principles.

For masters conducting transmissions:

  • Determination Precepts: The master faces south with disciples oriented toward them
  • Superior Precepts: Disciples face east

This arrangement aligns disciples with directions of "vital qi" (shengqi), the energy of life.

The scripture concludes by explaining the differing transmission orientations between the "Chapters of Life's Spirit" (Shengshen Zhang) and the "Twenty-Four Life Charts." This exception occurred when the Celestial Worthies commanded the Three Heavens' perfected beings to transmit the teachings, while Daojun and celestial flying kings faced north to receive mandates—a special circumstance not to be taken as standard practice.

之後文多不備今所出有二百四十條此以 末世不堪故略不傳耳論齋功德者宋師舊 舉六條今家大明二種一者極道二者濟度 極道者洞神經云心齋坐忘極道矣濟度者 依經緫有三籙七品三籙者一者金籙齋上 消天灾保鎮帝王二者玉籙齋救度人民請 福謝過三者黄籙齋下拔地獄九玄之苦七 品者一者三皇齋求仙保國二者自然齋修 真齊道三者上清齋升虚入妙四者指教齋 禳灾救疾五者塗炭齋悔過請命六者明真 齋拔幽夜之魂七者三元齋謝三官之罪此 等諸齋或一日一夜或三日三夜或七日七 夜具如儀軌其外又有六齋十直甲子庚申 八節本命百日千日等齋通用自然之法其 六齋月正月三月五月七月九月十一月也 又有三長齋月即正月七月十月是也十直 者月一日八日十四日十五日十八日二十 三日二十四日二十八日二十九曰三十日 是也八節所謂立春春分立夏夏至立秋秋 分立冬冬至其諸齋日等更不曲辯    釋方法第八 舊云大略有九一者麤食二者蔬食三者節 食四者服精五者服芽六者服光七者服氣 八者元氣九者胎食麤食者麻麥也蔬食者 菜茄也節食者中食也服精者符水及丹英 也服芽者五方雲芽也服光者日月七元三 光也服氣者六覺之氣天地四方之妙氣也
Interpretation

This scripture primarily discusses two key aspects: the classification of purification practices (zhaijie) and cultivation methods.

The first section outlines the types of Daoist purification practices:

1. Purification is divided into two major categories: "Ultimate Dao Purification" (achieving the highest state of cultivation through mental fasting and sitting in forgetfulness) and "Salvation Purification" (established for delivering sentient beings).

2. Salvation Purification is further classified into "Three Registers and Seven Grades":

  • Three Registers: Golden Register Purification (to dispel celestial disasters and protect rulers), Jade Register Purification (to save ordinary people), and Yellow Register Purification (to liberate deceased souls)
  • Seven Grades: including the Three Sovereigns Purification for seeking immortality and protecting the state, the Natural Purification for authentic cultivation, the Shangqing Purification for ascension, and four others

3. Other purification periods: Six Purification Days each month (odd-numbered months), Three Long Purification Months (first, seventh, and tenth lunar months), Ten Regular Days (fixed ten days each month), and the Eight Solar Terms.

The second section presents nine cultivation methods in progressive order:

1. Coarse food: consuming rough grains like hemp and wheat

2. Vegetarian food: eating vegetables and fruits

3. Moderate eating: practicing dietary restraint

4. Essence ingestion: drinking talismanic water or elixirs

5. Sprout ingestion: absorbing the refined qi (vital energy) of five-directional cloud condensations

6. Light ingestion: assimilating the radiance of sun, moon, and stars

7. Qi ingestion: breathing the spiritual energy from the four directions of heaven and earth

8. Primordial Qi: cultivating pre-natal primordial energy

9. Fetal nourishment: attaining the profound state of breathing without using mouth or nose, like a fetus

These methods progress from basic dietary adjustments to advanced energy cultivation, ultimately reaching the profound state of fetal breathing.

服元氣者一切禀三元之氣太和之精在于 太虚也胎食者我自所得元精之和爲胞胎 之元即清虚降四體之氣不復關外也麤食 止諸躭嗜蔬食節諸肥腴節食除煩濁服精 其身神體成英華服芽變爲芽服光化爲光 服六氣化爲六氣遊乎十方服元炁化爲元 氣與天地合體服胎氣反爲嬰童與道混合 爲一也此之變化運數改易不復待捨身而 更受身往來生死也令意方法未必止是食 事其或是方藥或按摩等事可尋也    釋衆術第九 無所不通大而論之略有五事一者思神存 真二者心齋坐忘三者步虚飛空四者餐吸 元氣五者導引三光此皆心氣相使而神道 㝠通論其變化凡有三種一者白日升天二 者尸解三者滅度形不灰也白日升天者功 成道備三萬六千神及三一帝一混合爲體 體成妙一故能與神俱遊即身而升天也又 誦大洞經及人鳥山不須服御而得雲輿迎 者其身亦已化又上詣朱陵受鍊也二尸解 者如位業義明三滅度者如太一守尸或經 年歲尸還成人也    釋記傳第十 記則追誌過去之事亦有傳記未來之事凡 聖神之體有二事一者自然二者學得也大 洞經者從死得生從生得道從道得仙從仙 得真從真得爲上清黄老君如三十九真二 十四帝百八十道君天尊上聖亦有自然妙
Interpretation

The Dongxuan Lingbao Xuannen Dayi (Great Meaning of the Mysterious Gate of Numinous Treasure from the Cavernous Mystery) scripture primarily expounds on several Daoist cultivation methods and their corresponding realms:

Regarding the practice of ingesting primordial Qi (Neidan/internal alchemy):

Practitioners of primordial Qi rely on the three primordial energies of Heaven, Earth, and Humanity. The essence of supreme harmony resides within the Great Void (cosmic origin). The embryonic breathing method harmonizes one's original essence (Jing) to form womb-like primordial Qi. This clear and empty energy descends into the limbs and bones, eliminating dependence on external sources. Coarse consumption requires abstaining from greed, vegetarian diets demand moderation of rich foods, regulated eating dispels turbidity, while ingesting vital essence makes the body radiant. Different cultivation levels yield corresponding abilities: ingesting sprout Qi transforms one into sprouts, absorbing light turns one into light, assimilating the six Qi allows travel through the ten directions, consuming primordial Qi merges one with Heaven and Earth, while embryonic Qi ingestion reverses aging to unite with the Dao. These transformations occur internally without requiring death or reincarnation. The methods extend beyond dietary practice to include herbal formulas, massage, and more.

Section nine explains various cultivation techniques:

There are five main methods: 1) Visualization of deities 2) Fasting of the heart and sitting in forgetfulness (Wuwei/non-action) 3) Pacing the void and flying through emptiness 4) Ingesting primordial Qi 5) Guiding the three luminaries (sun, moon, star energies). All achieve communion with divine beings through heart-Qi interaction. Cultivation accomplishments manifest in three forms: 1) Daylight ascension - when merit reaches perfection, the thirty-six thousand spirits merge with the Three-Oneness and Imperial Unity (key Daoist deities) as the physical body ascends directly. Practitioners of the Dadong Jing (Great Cavern Scripture) or the Human-Bird Mountain method require no external vehicles - transformed bodies ride cloud chariots to the Cinnabar Mound (Daoist paradise) for refinement. 2) Corpse liberation - feigning death for transcendence 3) Extinction - like the Great One (Taiyi) guarding corpses that revive after years.

Section ten discusses scripture transmission:

The classics record both past origins and future prophecies. Sacred bodies have dual sources: natural celestial formation and post-natal cultivation. The Dadong Jing cultivation sequence progresses thus: from death to life, from life to Dao-realization, from Dao to immortality, from immortal to perfected being, ultimately becoming Lord Yellow Elder of the Shangqing (Highest Clarity) realm. Among the thirty-nine perfected ones, twenty-four emperors, and one hundred eighty Daoist lords - some achieved this naturally.

氣應化所作亦有修習後成自然後學合爲 一也然此聖真階次萬品略言大意如位業 科其七真列紀道君等傳譜記傳也    釋讚頌第十一 四言可象四時四氣五言以法五行五德七 言以法七元七曜此有本文讚頌如九天生 神之流以三洞飛玄之炁是本文讚頌也後 諸經中或有道君真人諸天讚頌此皆玄聖 所作共在經中凡天書玉字雖本出梵音至 於行教說經亦隨類得解如書真文本是三 元八會梵天之音今以隷書又以此音譯傳 書則篆隸兩存譯則此顯而梵隱也及九天 生神章則本文不傳梵音不出但有隸字而 此音也至於内音玉字則有異同同者亦以 隸字傳篆書異者不以此音譯梵語故文單 複不可解也而天真皇人演之仍用大梵之 音而語此間即以此間之物合玄都之事故 知真聖之音音可以通施衆物也    表奏第十二 此條正一偏多但一切萬機其迹各别故聖 人垂法制之以事然道在人心而方須以表 奏者既未能㝠會則因事而顯事顯則心明 故盡其形迹也夫人心無質運之有境境淨 則心明心明則行潔行潔可以交神靈心明 可以會天道故登壇告盟憑章表奏啓心形 俱盡人神合會也章信科云輸物明信信道 捨財消灾散禍多名其要有三者賜與凡夫 爰及鳥獸蠕動蝖飛皆同布施二者供奉三
Interpretation

The Dongxuan Lingbao Xuannen Dayi (Great Meaning of the Mysterious Gate of Lingbao) scripture discusses two main sections:

The first part examines the poetic forms used in Daoist scriptures. Four-character verses correspond to the four seasons and four qi (energies), five-character verses align with the Five Phases (Wood, Fire, Earth, Metal, Water) and five virtues, while seven-character verses resonate with the seven celestial bodies (sun, moon, and five visible planets). Classics like the Jiutian Shengshen Zhang (Nine Heavens Life-Spirit Chapters) contain the flying primordial qi of the Three Caverns (Dongzhen, Dongxuan, Dongshen) - the highest level of Daoist energy. Although celestial scriptures were originally written in Brahmā script, they adapted to different cultures during transmission, such as transcribing seal script into clerical script while preserving some Sanskrit phonetics. Certain texts like the Neiyin Yuzi (Jade Characters of Inner Sounds) maintain unique writing systems requiring interpretation by the Heavenly Perfected Sovereign (a high-ranking Daoist deity) through Great Brahmā pronunciation.

The second section explains the function of memorial petitions (documents addressed to deities). The Zhengyi (Orthodox Unity) tradition particularly emphasizes petition rituals. Since ordinary people cannot directly communicate with divine beings, concrete ceremonial forms are needed to manifest their intentions. When external rituals are properly performed, the practitioner's inner clarity emerges, creating resonance with the divine. The essence of successful petitions lies in "illumined heart and purified conduct" - mental clarity coupled with physical purity. The text also mentions three types of charitable giving: donations to ordinary people and animals, offerings to sages and perfected beings, and the accumulation of meritorious deeds.

(Note: The "Three Caverns" refer to the three scriptural divisions of Dongzhen, Dongxuan and Dongshen; "seven luminaries" indicate the sun, moon and five visible planets; Zhengyi is one of Daoism's major lineages.)

等崇飾三寳周給聖賢同曰供養    明教第一以明三十六部之義 三乘之中乘各有前十二部故合成三十六 部也論其相攝者一往大乘具有三十六部 中乘具二十四部小乘唯十二部何者以大 得兼小故也又大乘得學爲徧行也小不得 兼學大止十二中乘可知此遠論男内化門 意也用論三洞即是會前三乘入此一乘故 三洞大唯一乘耳而又約三洞開三欲示一 乘之内無所不包故自後明三亦示一三不 三三一不一不三正義也 問會三歸一三乘在不答元在不在若不在 何所會若在何名會耶    明行第二 有二經不同一者太玄都老子自然齋儀玄 經有三條一曰天經天真所修二曰地經洞 天所習三曰人經世間所行三境之法相通 而一一品曰三乘三乘之用各有十二條交 會相通緫曰三十六部十二條者一曰無爲 二曰有爲三曰無爲而有爲四曰有爲而無 爲五曰續愛六曰斷愛七曰不斷不續八曰 分段九曰無分段十曰知微十一曰知章十 二曰通用當境而言亦曰十二部隱顯兼施 則有七十二部今謂此文所出前之三經經 自可是教後之十二意在行也二者正一所 明十二者一者心迹俱無爲二者心無爲迹 有爲三者心有爲迹無爲四者捨家處人間 五者携家入川澤六者出世與人隔絶七者
Interpretation

This passage primarily discusses the relationship between the "Three Vehicles" (major, middle, and minor cultivation levels) and the "Thirty-Six Divisions" of Daoist scriptures, along with different classifications of cultivation methods. Here's a modern interpretation:

Regarding the relationship between the Three Vehicles and scriptures:

Each of the Three Vehicles (major, middle, minor) corresponds to twelve divisions of scriptures, totaling thirty-six. The major vehicle encompasses all thirty-six divisions, the middle vehicle includes twenty-four, while the minor vehicle only contains twelve. This is because the major vehicle can incorporate the content of the minor vehicle, allowing practitioners to study universally, whereas the minor vehicle cannot encompass the major vehicle's content—limited to twelve divisions—with the middle vehicle standing between them. This illustrates different Dharma gates for teaching sentient beings.

The Three Caverns (Dongzhen, Dongxuan, Dongshen—the three principal divisions of Daoist scriptures) actually unify the Three Vehicles, returning them to the One Vehicle (supreme cultivation state). Though divided into three, they ultimately point to the same supreme truth, containing all teachings. Hence the saying: "Three is One, and One is Three."

Someone might ask: If the Three Vehicles return to the One, do the Three Vehicles still exist? The answer is: They both exist and don't exist. If they didn't exist, what would there be to return to the One? If they do exist, why speak of "returning to the One"?

Regarding cultivation methods:

There are two classification systems:

The first comes from the "Liturgy of Laozi's Natural Purification from the Supreme Mystic Capital":

1. Celestial Scriptures: practiced by heavenly immortals

2. Earthly Scriptures: practiced by grotto-heaven immortals

3. Human Scriptures: practiced by worldly people

These three interconnected methods are each subdivided into Three Vehicles (totaling nine grades). The Three Vehicles have twelve specific applications, combining to form the thirty-six divisions. These twelve include: Wuwei (non-action), Youwei (action), Wuwei-with-Youwei, Youwei-with-Wuwei, continuing attachment, severing attachment, neither continuing nor severing, gradual stages, non-gradual stages, knowing subtleties, knowing manifestations, and universal application. Depending on cultivation levels, these may also be called twelve divisions; considering hidden and manifest transformations, they become seventy-two divisions.

The second system comes from the Zhengyi (Orthodox Unity) tradition's twelve cultivation methods:

1. Both mind and actions practicing Wuwei

2. Mind in Wuwei but actions in Youwei

3. Mind in Youwei but actions in Wuwei

4. Abandoning household life while living in society

5. Living in mountain seclusion with family

6. Complete withdrawal from human contact

(The remaining methods aren't fully presented in the original text)

This passage mainly elucidates the classificatory logic of Daoist cultivation systems, emphasizing how different cultivation levels and methods interconnect, all ultimately pointing to the same supreme truth.

與世和光同塵八者斷欲斯斷九者不斷十 者遊空中十一者在地下十二者住天上三 乘皆有十二故成三十六都釋文意已在位 業義科但此兩經名味不同者亦當教自是 一途之說耳但太玄所出多據於心正一所 明通論心迹但太玄十二中第八一事言分 段者事如涉迹又顯 洞玄靈寳玄門
Interpretation

This passage discusses the twelve stages of cultivation (known as the "Twelve Matters") in Daoist practice, along with differing interpretations among various schools.

It mentions that practitioners should "blend their light with the world while sharing its dust" (harmonizing with secular life without being tainted by it). From the eighth stage onward, one must sever desires. The ninth stage is "non-severing" (transcending the duality of severing and not severing), the tenth is "roaming in emptiness" (the spirit wandering through the void), the eleventh is "dwelling below" (referring to cultivation within worldly life), and the twelfth is "abiding in the heavens" (attaining the state of unity between heaven and humanity).

The text states that the Three Vehicles (referring to the three paths of Daoist cultivation: the Great Vehicle, Middle Vehicle, and Lesser Vehicle) each have twelve stages, forming a total of thirty-six levels of practice ("Thirty-Six Capitals"). A commentary notes that these concepts are already explained in the Yi of Ranks and Deeds.

The scripture points out that the Taixuan Jing (Scripture of Great Mystery) and the Zhengyi Jing (Scripture of Orthodox Unity) interpret the twelve stages from different perspectives: the Taixuan Jing primarily expounds them from the standpoint of the "mind" (inner cultivation), while the Zhengyi Jing considers both "mind and traces" (both inner cultivation and outward conduct). It specifically notes that the eighth matter in the Taixuan Jing's Twelve Matters (severing desires) is explained in stages—an approach that addresses concrete manifestations of practice ("engaging with traces") while also revealing deeper meanings.

(Note: "Taixuan" refers to the Taixuan Jing, and "Zhengyi" refers to the Zhengyi Jing, both important Daoist scriptures. The term "Three Vehicles" borrows from Buddhist terminology to denote levels of Daoist cultivation.)

大義

Source text: Kanripo 漢籍リポジトリ(KR5e0026); Licence: CC BY-SA 4.0 · Report an error / feedback