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《淮南鴻烈解》Vol. 17

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Taiqing 太清部 Vol. 17 / 29 10,467 characters

About this page. The original text of 《淮南鴻烈解》 Vol. 17 (Taiqing 太清部, 29 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 22 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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淮南鴻烈解卷之十七神三     太尉祭酒臣許愼記上    齊俗訓(齊一也四宇之風世之衆/理皆混其俗令爲一道也) 率性而行謂之道得其天性謂之德性失然 後貴仁道失然後貴義是故仁義立而道德 遷矣禮樂飾則純樸散矣是非形則百姓眩 矣珠玉尊則天下爭矣凡此四者衰世之造 也末世之用也夫禮者所以别尊卑異貴賤 義者所以合君臣父子兄弟夫妻朋友之際 也今世之爲禮者恭敬而忮(忮害也/音寘)爲義者 布施而德君臣以相非骨肉以生怨則失禮 義之本也故搆而多責(搆謂以權相交權盡/而交疏搆搆然也) 夫水積則生相食之魚土積則生自穴之獸 禮義飾則生僞匿之本夫吹灰而欲無眯涉 水而欲無濡不可得也古者民童蒙不知東 西貌不羨乎情而言不溢乎行其衣致煖而 無文其兵戈銖而無刃(楚人謂刃/頓爲銖)其歌樂而 無轉其哭哀而無聲鑿井而飲耕田而食無 所施其美亦不求得親戚不相毁譽朋友不 相怨德及至禮義之生貨財之貴而詐僞萌 興非譽相紛怨德並行於是乃有曾參孝己 之美而生盜跖莊蹻之邪故有大路龍旂羽 蓋垂緌(大路天子車/也龍旂龍旗)結駟連騎則必有穿窬 拊揵抽箕踰備之姦(抽握也/備後垣)有詭文繁繡弱
Interpretation

This passage from Huainan Honglie Jie elucidates the evolutionary patterns of social morality. The commentator Xu Shen (a Han Dynasty Confucian scholar) posits that human nature in its primal state embodies the Dao (the Way), and aligning with this innate nature constitutes De (Virtue). Only when people lose their original purity does the need for benevolence (ren) arise; only when the great Dao declines does righteousness (yi) require emphasis. The emergence of ren and yi paradoxically signals moral decay—much like how the rise of ritual and music erodes simplicity, or how clearly defined standards of right and wrong confuse the common people. Valuing jewels and jade inevitably sparks competition among people.

Ritual (li) was originally meant to distinguish hierarchy and social status, while righteousness (yi) served to harmonize interpersonal relationships. Yet in practice, people of that era performed rituals with superficial reverence while harboring secret envy, and practiced righteousness as transactional charity—leading to mutual reproach between rulers and ministers, and estrangement among family members. This completely distorted the essence of li and yi. Just as stagnant water breeds fish that devour one another, and piled earth attracts burrowing beasts, excessive emphasis on ritual and righteousness instead cultivates hypocrisy.

The author employs vivid analogies: expecting to blow ashes without irritating one’s eyes or wade through water without wetting one’s feet is impossible. In antiquity, people lived in naive simplicity—their clothing sought warmth, not splendor; their weapons were blunt, not sharp; their songs expressed joy without affectation; their weeping conveyed grief without pretense. Self-sufficiency prevailed over greed, relatives refrained from slandering one another, and friends bore no grudges. But with the rise of ritual and righteousness, and the growing importance of material wealth, deceit and hypocrisy began to spread. Praise became entangled with slander, resentment coexisted with gratitude. While moral exemplars like Zeng Shen (the famed filial disciple) and Xiaoji (son of King Wuding of Shang) emerged, so too did villains like the legendary bandit Zhi and the rebel leader Zhuang Qiao of Chu.

A final contrast drives the point home: when the Son of Heaven rides in ornate chariots with dragon banners (dalü refers to imperial carriages; longqi are dragon-emblazoned flags), escorted by endless processions, wall-breaching thieves (chuanyu denotes tunneling; fuqian, lock-picking; chouji, digging holes; yubei, scaling walls) will inevitably appear. Where exquisite embroidered robes exist, fraudulence—passing off inferior goods as premium—will surely follow. These phenomena all signify the degeneration of an era.

緆羅紈(弱緆細在也/羅穀紈素也)必有菅屩跐(音/此)踦短褐 不完者(菅茅也跐偶也踦適也/楚人謂袍爲短褐大布)故高下之相 傾也短脩之相形也亦明矣夫蝦蟇爲鶉(鶉/鸙) (也)水蠆爲𧐟莣(青蛉也音/予音務)皆生非其類唯聖 人知其化(其化視隂入/陽從陽入隂)夫胡人見黂(黂麻/子也)不 知其可以爲布也越人見毳不知其可以爲 旃也故不通於物者難與言化昔太公望周 公旦受封而相見太公望問周公曰何以治 魯周公曰尊尊親親太公曰魯從此弱矣(尊/尊) (親親仁/者弱也)周公問太公曰何以治齊太公曰舉 賢而上功周公曰後世必有劫殺之君(舉賢/上功) (則民競/故劫殺)其後齊日以大至於霸二十四世而 田氏代之(齊臣田氏奪/其君位而代)魯日以削至三十二 世而亡(魯禄去公室至/楚考烈王滅之)故易曰履霜堅氷至 聖人之見終始微言故糟丘生乎象𣛰(紂爲/長夜) (之飲積糟成丘/者起於象𣛰)炮烙生乎熱升(庖人進羹於/紂熱以爲惡) (以熱升殺之趙國升/可以殺人故起炮烙)子路撜溺而受牛謝(撜/舉) (也升出溺人/主謝以牛也)孔子曰魯國必好救人於患子 贛贖人而不受金於府(魯國之法贖人於/他國者受金於府)孔
Interpretation

Vernacular Interpretation of the Huainan Honglie Jie

Beside fine silk gauze, fine hemp cloth, and plain silk, there are always straw sandals, worn-out shoes, and coarse, short cloth garments—things incomplete and crude. Thus high and low are relative, and long and short reveal each other; the principle is very clear.

A frog can turn into a quail (plover), and a dragonfly nymph can become a dragonfly (damselfly). These are cases of being born into one kind and emerging transformed into another. Ordinary people merely find them strange; only sages understand this as the principle of Yin-Yang interpenetrating and species transforming into one another.

When the Hu people see the seeds of fen hemp (a hemp that can be woven into cloth), they do not know it can be woven into cloth; when the Yue people see coarse wool, they do not know it can be twisted into felt blankets. With people who have not penetrated things, it is very hard to discuss the principle of “transformation.”


In former times, after Jiang Taigong and Duke of Zhou Dan had received their fiefs, they met. Jiang Taigong asked, “How will you govern Lu?” The Duke of Zhou said, “I will honor the honorable and be affectionate to kin” (respect those who should be respected and be close to one’s kin—upholding ritual order and clan ties). Jiang Taigong said, “Lu will from this point grow weak.” (Note: An excess of benevolence, righteousness, and kinship feeling often makes a state’s power soft.)

The Duke of Zhou asked in turn, “How will you govern Qi?” Jiang Taigong said, “I will elevate the worthy and exalt merit” (promote the capable and reward according to achievement). The Duke of Zhou said, “In later generations there will likely be men who usurp and kill their rulers.” (Note: When everyone contends for merit and position, it easily leads to violent seizure of power.)

Later, Qi grew stronger day by day until it became hegemon; after twenty-four generations, the Tian clan usurped the ruler’s position. Lu grew weaker day by day; after thirty-two generations it perished. Hence the Yijing says, “Treading on frost, solid ice arrives”—when you tread on frost, you must think that solid ice will come. The sage can see the outcome from the first small sprout, and need not say everything to the full.


Therefore, the hill of wine dregs (zaoqiu) grew out of a climate like that of the “ivory baskets” (the extravagance of King Zhou’s long nights of drinking); the Paoluo punishment grew out of methods like “hot rising” (killing with boiling water and cruel torture).

Zilu pulled a drowning man out of the water, and the man’s household thanked him with an ox. Confucius said, “From now on Lu will surely have a vogue for risking danger to save people.”

Zi Gan (Zigong) redeemed people in other states and brought them back. Under Lu law he was entitled to take gold from the state treasury, but he would not. Confucius said… (What follows continues with the Confucian school’s discussion of how good governance can change popular customs.)


Note: In the original interlinear notes, the pronunciations of characters, variant forms (such as the rare characters read xi, ci, and fen), and the old interpretations of various schools have been integrated into the sentence meaning in this vernacular rendering according to common exegesis.

子曰魯國不復贖人矣子路受而勸德子贛 讓而止善孔子之明以小知大以近知遠通 於論者也由此觀之廉有所在而不可公行 也故行齊於俗可隨也事周於能易爲也矜 僞以惑世伉行以違衆聖人不以爲民俗廣 厦闊屋連闥通房人之所安也鳥入之而憂 高山險阻深林叢薄虎豹之所樂也人入之 而畏川谷通原積水重泉黿鼉之所便也人 入之而死咸池承雲(皆黄/帝樂)九韶(舜/樂)六英(帝顓/頊樂) 人之所樂也鳥獸聞之而驚深谿峭岸峻木 尋枝猨狖之所樂也人上之而慄形殊性詭 所以爲樂者乃所以爲哀所以爲安者乃所 以爲危也乃至天地之所覆載日月之所照 誋(音/告)使各便其性安其居處其宜爲其能故 愚者有所脩智者有所不足柱不可以樀齒 筐不可以持屋(筐小/簪也)馬不可以服重牛不可 以追速鈆不可以爲刀銅不可以爲弩鐵不 可以爲舟木不可以爲釜各用之於其所適 施之於其所宜即萬物一齊而無由相過夫 明鏡便於照形其於以函食不如簞犠牛粹 毛宜於廟性其於以致雨不若黑蜧(黑蜧神/蛇也潜) (於神淵蓋/能興雲雨)由此觀之物無貴賤因其所貴而 貴之物無不貴也因其所賤而賤之物無不 賤也夫玉璞不猒厚角䚩(魚沼/反)不猒薄(角䚩/刀劍)
Interpretation

Huainan Honglie Jie: A Vernacular Interpretation

Confucius said that Lu later ceased to carry out the reward for ransoming people. Zilu accepted the reward and still encouraged people toward goodness, while Zigong declined it and would not accept. Confucius was clear-sighted in seeing the great through the small and inferring the distant from the near, and he understood the principles of the Analects. From this we see that a sense of integrity and shame has its proper occasions, but it cannot be applied everywhere. Conduct that accords with custom may be followed; matters within one’s capacity are easy to accomplish. To be pretentious and hypocritical in order to delude the world, or to stand apart and act independently in order to defy the crowd—the sage does not use such things to form the customs of the people.

Spacious halls and broad houses with connected doors and communicating rooms are places where people dwell securely, yet when birds fly into them they are not at ease. High mountains and perilous barriers, deep forests and dense thickets are places tigers and leopards delight in, yet when people enter them they are afraid. River valleys and broad plains, pools and deep springs are convenient for soft-shell turtles and crocodilians, yet people who enter them may drown. The Xianchi and Chengyun (both music of the Yellow Emperor), the Jiushao (music of Shun), and the Liuying (music of Emperor Zhuanxu) are what people love, yet when birds and beasts hear them they are frightened. Deep ravines with steep banks, tall and towering trees, and high long branches are where apes and monkeys delight, yet when people climb up they tremble. Since forms and appearances differ and natural endowments are each distinct, what can bring joy is also what can bring sorrow; what can bring security is also what can bring danger.

Indeed, within what Heaven and Earth cover and support and what the sun and moon shine upon, all things should be allowed to follow their own nature, be at peace in their dwelling, occupy what is fitting for them, and exercise their own capacities. Thus the foolish have capacities they can develop, and the wise also have their deficiencies: a pillar cannot serve as a rafter; a small basket cannot support a house (a basket is as small as a hairpin); a horse cannot carry heavy loads; an ox cannot pursue speed; lead cannot make a knife; copper cannot make a crossbow; iron cannot make a boat; wood cannot make a cauldron. When each is used in what is suitable for it and applied where it ought to be used, then the myriad things are all on one level, and none has grounds to surpass another.

A bright mirror is convenient for reflecting forms, but for holding food it is not as good as a bamboo basket. Pure white ox hair is suitable for temple sacrifices, but for praying for rain it is not as good as the black li (a divine snake that hides in a divine abyss and can raise clouds and rain). From this we see that things have no inherent noble or base status: if one values them according to what is valuable in them, then nothing is not valuable; if one demeans them according to what is base in them, then nothing is not base. Uncut jade does not object to being thick; the jiaoduan (a type of sword or blade) does not object to being thin.

(羽間之/覆角也)漆不猒黑粉不猒白此四者相反也 所急則均其用一也今之裘與蓑孰急見雨 則裘不用升堂則蓑不御此代爲常者也譬 若舟車楯肆窮廬故有所冝也(水固冝舟陸/地冝車沙地) (冝肆泥地宣楯/草野宜窮廬)故老子曰不上賢者言不致 魚於木沉鳥於淵(物各因其冝故/不須用賢也)故堯之治 天下也舜爲司徒契爲司馬禹爲司空后稷 爲大田師奚仲爲工其導萬民也水處者漁 山處者木谷處者牧陸處者農地宜其事事 宜其械械宜其用用冝其人澤臯織岡陵阪 耕田得以所有易所無以所工易所拙是故 離叛者寡而聽從者衆譬若播棋丸於地員 者走澤方者處高各從其所安夫有何上下 焉若風之遇簫(簫/籟)忽然感之各以清濁應矣 夫猨狖得茂木不舍而穴狟狢得埵防弗去 而縁(狟狟豚也埵/水埒也防隄)物莫避其所利而就其所 害是故鄰國相望雞狗之音相聞而足迹不 接諸侯之境車軌不結千里之外者皆各得 其所安故亂國若盛治國若虚亡國若不足 存國若有餘虚者非無人也皆守其職也盛 者非多人也皆徼於末也有餘者非多財也 欲節事寡也不足者非無貨也民躁而費多 也故先王之法籍非所作也其所因也其禁 誅非所爲也其所守也凡以物治物者不以
Interpretation

Huainan Honglie Jie: A Vernacular Interpretation

Feathers and horn ornaments, and the like, each have their uses; lacquer does not shrink from being black, nor do powder and eyebrow-black shrink from being white—these four are opposite in nature, but when people have an immediate need, they will use whichever is required in due measure. It is like fur coats and straw rain capes: wearing a fur coat to go out in the rain is unsuitable, while wearing a straw rain cape to enter a hall is improper. This is a matter of changing ordinary rules according to time and place.

Again, consider travel: on water one uses a boat, on land a cart; on sandy ground it is suitable to use a si (a kind of easy-travel device), on muddy ground a dun (a kind of mudguard), and in grassy wilds or desolate places it is suitable to stay in a qionglu (a simple thatched hut). Thus when Laozi says “not exalting the worthy,” he does not mean that talent is unwanted; he means not to hang fish in trees or sink birds in deep pools—when the myriad things each rest in their place, there is no need to force “worthiness” into a position of universal applicability.

When Yao governed the world, Shun served as Minister of Education, Xie as Minister of War, Yu as Minister of Works, Hou Ji oversaw the great fields, and Xi Zhong was in charge of artisans. He guided the myriad people: those near water fished, those near mountains felled trees, those in valleys herded livestock, and those on plains farmed; where the land was suited to grow something, that is what was planted; for any task, whatever tool was suited to it was used; and whatever tool suited a particular person was assigned to that person. People in marshes and low wetlands wove hemp, while people on ridges and slopes cultivated fields. People exchanged what they had for what they lacked, and what they were skilled at for what they were poor at; thus there were few rebels and many who followed.

It is like scattering chess pieces on the ground: the round ones roll into hollows, the square ones stop on high ground, each settling in a stable place—where is there any fixed high and low, noble and base? It is also like wind blowing through flute pipes (xiao, lai, and similar instruments): they are suddenly moved together, each simply responding according to its clear or murky tone.

When apes and monkeys find a dense forest, they will not leave it and dwell in hollows; when huan and he (small badger-like beasts) encounter dikes and waterbanks, they will not leave but climb about them—there is no creature that does not pursue benefit and avoid harm. Thus neighboring states are within sight of one another and the sounds of chickens and dogs are heard across the border, yet footprints need not cross the borders of the feudal lords, nor need cart tracks join over a thousand li; people near and far each attain their security.

Therefore, a state in disorder seems very “full” (many people and tangled affairs), while a well-governed state seems instead very “empty” (quiet and little disturbed); a doomed state seems “insufficient” in everything, while a state that survives seems still to have “more than enough.” The so-called “empty” is not truly no people, but that each keeps to their duty; the so-called “flourishing” is not that people are especially numerous, but that all chase after minor details; “more than enough” is not piles of goods, but restrained desires and few affairs; “insufficient” is not absence of goods, but that the people are restless and expenses are many.

Thus the laws, measures, and registers of the former kings were not fabricated from nothing; they had something they followed and inherited. Prohibitions, executions, and punishments were not arbitrary; they had something they firmly upheld. In general, when governing things by means of things, one does not forcibly impose a single standard by human desire.

物以睦治睦者不以睦以人治人者不以人 以君治君者不於君以欲治欲者不於欲以 性治性者不於性以德治德者不以德以道 原人之性蕪濊而不得清明者物或堁之也 (堁紛/塵也)羌氐僰翟嬰兒生皆同聲(羌束戎氐南/夷僰西夷也) (翟北/胡也)及其長也雖重象狄騠(象狄騠驛也象/傳狄騠之語也) 不能通其言教俗殊也今今三月嬰兒生而 徙國則不能知其故俗由此觀之衣服禮俗 者非人之性也所受於外也夫竹之性浮殘 以爲牒束而投之水則沉失其體也金之性 沉託之於舟上則浮勢有所枝也夫素之質 白染之以涅則黑縑之性黄染之以丹則赤 人之性無邪久湛於俗則易易而忘本合於 若性(若性合於他/性自若本性)故日月欲明浮雲蓋之河 水欲清沙石濊之人性欲平嗜欲害之惟聖 人能遺物而反己夫乘舟而惑者不知東西 見斗極則寤矣夫性亦人之斗極也以有自 見也則不失物之情無以自見則動而惑營 譬若隴西之遊愈躁愈沉孔子謂顔回曰吾 服汝也忘(孔子謙自謂無知/而服回此忘行也)而汝服於我也 亦忘雖然汝雖忘乎吾猶有不忘者存孔子 知其本也夫縱欲而失性動未嘗正也以治 身則危以治國則亂以入軍則破是故不聞 道者無以反性故古之聖王能得諸已故令
Interpretation

Huainan Honglie Jie: A Vernacular Interpretation

Governance and Returning to the Original State

In governing things, one cannot rely solely on the “harmony” approach of harmonizing them; in governing the multitude, one cannot regard people merely as people; in restraining a ruler, one cannot fixate only on the ruler’s position; in moderating desires, one cannot merely wrestle with desire; in cultivating original nature, one cannot just circle around original nature; in promoting moral transformation through De (Virtue/Power), one cannot simply use De as a tool—ultimately all must rely on Dao (the Way), enabling people to return to their original state.

Custom and Original Nature

Human original nature is turbid and difficult to clarify; it is often disturbed by external things. (Ke: dust, impurities.) Among the Qiang, Di, Bo, and Di peoples, when infants are born their cries are all the same. (Qiang: Western Qiang; Di: the Di people; Bo: the Southern Yi Bo; Di: the Northern Hu.) After they grow up, even with heavy carriages, elephant carriages, Di carriages, and Ti carriages (elephant, Di, and Ti: carriage systems and languages used by different tribes), they cannot understand one another’s speech, because their instruction and customs differ. If an infant born this month were immediately moved to another state, he would not understand its rules—this shows that clothing, ritual propriety, and customs are not innate in humans but are acquired from outside after birth.

External Things Alter Original Nature

Bamboo by nature is light; when cut into slips, tied together, and thrown into water, it sinks—because its physical form has been altered. Metal by nature is heavy; when supported on a boat, it can float—because its situation has something to rely on. Raw silk’s original color is white; dyed with nie (black earth), it turns black. Jian silk’s original color is yellowish; dyed with dan (cinnabar), it turns red. Human nature originally has no depravity; soaked for long in vulgar customs, it is easily changed, and after being changed for long one forgets the root, as if merged with another “nature.” (Ruo xing: refers to the condition after being pulled along and joined by external things; it is not the original self-nature.) Therefore, the sun and moon wish to be bright, but floating clouds obscure them; river water wishes to be clear, but sand and stones make it turbid; people wish for a peaceful mind, but cravings harm it—only the sage can set aside external things and reflect back upon himself.

The Dipper and Pole Star, and Self-Seeing

People who lose their bearings on a boat do not know east from west; when they see the Northern Dipper and the North Pole, they know their orientation. Original nature is likewise the “North Pole” in a person’s heart. Once one clings to the appearance of the “self,” one cannot grasp the true condition of things; if one cannot reflect back upon oneself, every action will become confused. It is like a traveler from the Longxi region who, the more anxious he becomes, the more he sinks. Confucius said to Yan Hui: “I am convinced by you, and so forget myself; you are convinced by me, and so also forget yourself.” (Confucius is speaking with self-deprecation, saying that he has no true knowledge and admires Yan Hui; “forget” here means not clinging to traces of conduct and names.) Even so, Confucius said: “Although you can forget, in my mind there is still something ‘unforgotten’ that remains”—what Confucius grasped was the root.

Losing Original Nature and Cultivating the Self and Governing the State

Indulging desires causes one to lose original nature, and conduct is hard to rectify. Cultivating oneself in this way brings danger; governing the state in this way brings disorder; employing it in military affairs brings defeat and ruin. Therefore those who do not understand Dao cannot return to original nature. The sage kings of antiquity could grasp the “root” of the myriad things, and so their governmental decrees were concise and clear; they attained Dao within, and the common people did not know their beneficence—this is called “spiritual transformation” (shenhua).


Note: The original text contains punctuation variants and variant characters (such as ke, ti, etc.); this interpretation follows the common philosophical meaning of Huainanzi-related literature to make it coherent.

行禁止名傳後世德施四海是故凡將舉事 必先平意神清意平物乃可正若璽之抑埴 (璽印也/埴泥也)正與之正(印正而/封正也)傾與之傾故堯之 舉舜也决之於目桓公之取寗戚也斷之於 耳而已矣爲是釋術數而任耳目其亂必甚 矣夫耳目之可以斷也反情性也聽失於誹 譽而目淫於采色而欲得事正則難矣夫載 哀者聞歌聲而泣載樂者見哭者而笑哀可 樂者笑可哀者載使然也是故貴虚(虛者心/無所載) (於哀/樂也)故水擊則波興氣亂則智昏智昏不可 以爲政波水不可以爲平故聖王執一而勿 失萬物之情既矣四夷九州服矣夫一者至 貴無適於天下聖人記於無適故民命繫矣 爲仁者必以哀樂論之爲義者必以取予明 之目所見不過十里而欲遍照海内之民哀 樂弗能給也無天下之委財而欲遍贍萬民 利不能足也且喜怒哀樂有感而自然者也 故哭之發於口涕之出於目此皆憤於中而 形於外者也譬若水之下流煙之上尋也夫 有孰推之者故强哭者雖病不哀强親者雖 笑不和情發於中而聲應於外故釐負羈之 壼餐愈於晋獻公之垂棘(獻公以垂/棘滅虞虢)趙宣孟 之束脯賢於智伯之大鐘(智伯以大/鐘滅仇由)故禮豐 不足以效愛而誠心可以懷遠故公西華之
Interpretation

A Vernacular Interpretation of the Huainan Honglie Jie

In action there are standards; reputation can be passed down to later generations; virtue can be spread throughout the four seas. Therefore, whenever one undertakes a great affair, one must first settle the mind and clarify the spirit and consciousness. Only when the mind is balanced can affairs be set straight. It is like pressing a seal (xi) onto sealing clay (zhi): if the seal is upright, the impression is upright; if the seal is crooked, the impression is crooked.

Yao’s selection and use of Shun was determined by what he saw with his eyes; Duke Huan of Qi’s appointment of Ning Qi was settled by what he heard with his ears—that was all. If on this basis one discards techniques and methods and judges solely by ear and eye, disorder will only become worse. What the ears and eyes can determine often runs counter to people’s original nature and true feelings: hearing is easily skewed by praise and blame, sight is easily deluded by beauty. In such a state, to still want to set affairs right is very difficult.

One whose heart is filled with grief will weep even on hearing a song; one whose heart is filled with joy will laugh even on seeing another weep. Grief can turn into joy, and laughter can turn into grief—all because the heart has first been “filled” with something. Therefore what is valued lies in “emptiness”—the heart is not filled up by grief and joy, nor stuffed in advance with emotions.

Strike water and waves rise; once the Qi (vital energy) is disturbed, the intelligence grows clouded. When intelligence is clouded, one cannot govern the state; a water surface with surging waves cannot be called level. When the sage king holds fast to the “One” without losing it, the natures of the myriad things each find their place, and the Four Barbarians and Nine Provinces will submit and comply. The “One” is most precious; in all under Heaven nothing surpasses it. The sage abides where there is neither partiality nor bias, and only then are the people’s destinies tied to the right way.

To speak of benevolence, one cannot depart from the true feelings of grief and joy; to speak of righteousness, one cannot depart from the proper measure of taking and giving. The eye sees no more than ten li, yet if one wishes to illumine all the people within the seas, grief and joy cannot provide such “universal illumination”; without the vast resources of all under Heaven, yet wishing to support and relieve the myriad people, benefit cannot fill the need either. Moreover, joy, anger, grief, and delight are originally stirred by external things and arise naturally: wailing from the mouth and tears from the eyes are both inner feeling agitated and taking form outwardly, like water flowing downward and smoke rising upward—what need is there for anyone to push them?

Therefore, if one forces oneself to weep, the heart may not truly grieve; if one forces intimacy, the smile will not be harmonious. True feeling issues from within, and sound echoes outwardly. Li Fuji’s one meal of coarse food surpassed Duke Xian of Jin’s jade of Chuiji (the Duke used Chuiji to destroy Yu and Guo); Zhao Xuanmeng’s bundle of dried meat surpassed Zhi Bo’s great bell (Zhi Bo used the great bell to destroy Chouyou). However abundant ritual propriety may be, it is not enough to express true love; but sincerity of heart can move and summon people from afar. Thus Gongxi Hua… (the original text continues below).

養親也若與朋友處(公西華孔子弟子也/與朋友處睦而少敬)曾 參之養親也若事嚴主烈君(烈酷也曾子/事親其敬多)其 於養一也故胡人彈骨(胡人之盟約置酒/人頭中飲以相詛)越 人契臂(刻臂/出血)中國歃血也(殺牲歃血/相與爲信)所由各 異其於信一也三苗髽首(三苗之國在彭蠡/洞庭之野髮以枲) (束髮/也)羌人括領(括/結)中國冠笄(笄/簪)越人酇髮(劗/斷) 其於服一也帝顓頊之法婦人不辟男子於 路者拂之於四達之衢(拂/仿)今之國都男女切 踦(踦/足)肩摩於道其於俗一也故四夷之禮不 同皆尊其主而愛其親敬其兄獫狁之俗相 反(獫狁北胡也其俗/物與中國相反也皆)慈其子而嚴其上夫 鳥飛成行獸處成羣有孰教之故魯國服儒 者之禮行孔子之術地削名卑不能親近來 遠越王句踐酇髮文身無皮弁搢笏之服(皮/弁) (以爲爵冠也搢佩紟笏佩/玉也長三尺抒上終葵首)拘罷拒折之容(拘/罷) (園也拒/折方也)然而勝夫羌於五湖南面而霸天下 泗上十二諸侯皆率九夷以朝胡貉匈奴之 國縱體拖髮(拖縱/也)箕倨反言而國不亡者未 必無禮也楚莊王裾衣博袍(裾襄也/衣裾)令行乎
Interpretation

Vernacular Interpretation of the Huainan Honglie Jie

How did Zeng Shen serve his parents? Some say he associated with them as with friends (Confucius’s disciple Gongxi Hua got along harmoniously with friends but showed little reverence); others say he was as respectful as if serving a stern master or a violent ruler (in Zeng Shen’s service of his parents, the element of reverence was greater). The accounts differ, but on the point of “filial support of parents,” the principle is the same.


Making covenants and keeping trust: The Hu people formed alliances by setting out wine and striking human bones as a covenant; the Yue cut their arms and let blood as an oath; the Central Plains killed livestock and smeared blood as a pledge. The practices differed, but on the point of “keeping faith,” they were the same.

Clothing: The Sanmiao around Pengli and Dongting bound up their hair with hemp; the Qiang tied their collars; the Central Plains wore caps and hairpins; the Yue cut their hair short. The forms differed, but on the point of “wearing clothes and caps, each with its own rules,” they were the same.

Rites between men and women: Under the ancient law of Zhuanxu’s time, women on the road did not avoid men; if they met on a great thoroughfare open in all directions, they would turn aside and make a gesture of bowing to yield the way. Today in the capital men and women brush shoulders and tread on one another’s heels. Though customs have changed, this is still human relation and the way of dealing with one another; the principle can still be understood in common.


The ritual propriety of the Four Yi differed, yet all honored their own rulers, loved their own parents, and respected their own elder brothers. The customs of the Xianyun (northern Hu) outwardly ran contrary to those of the Central Plains, but in fact they too were kind to children and strict toward elders.

Birds fly in rows and beasts gather in herds—who specially taught them? This is their natural disposition.

Lu practiced the rites of the Confucians and Confucius’s art of governing, yet its territory was pared away and its reputation was low; it could not draw close to allied states or overawe distant regions. King Goujian of Yue cut his hair, tattooed his body, and lacked court dress such as the leather cap and the tablet thrust in the sash, and also lacked the constrained, stiff ceremonial bearings of “juba” and “juzhe”; yet he was able to defeat the powerful Qiang in the region of the Five Lakes, face south and become hegemon, and the twelve feudal lords around the Si River all led the Nine Yi to come to court; even the Hu-Mo and Xiongnu submitted. The Xiongnu let their hair hang loose, let their bodies sprawl, squatted with legs splayed, and spoke contrary words, yet their state did not perish—it was not necessarily because they had no rites.

King Zhuang of Chu wore loose robes and broad sleeves, yet his commands circulated throughout the world.


Summary: External ritual rules, clothing, and forms of oath-taking may differ in a thousand ways; the fundamentals—honoring the ruler, being filial to parents, respecting elder brothers, and keeping faith—need not be confined to a single form. Clinging to Confucian rites weakened the state, while those with different customs sometimes became hegemons; this shows that “rites” lie in their substantive meaning, not in surface sameness or difference.

天下遂霸諸侯晋文君大布之衣(大布/粗布)䍧羊 之裘韋以帶劍威立于海内豈必鄒魯之禮 之謂禮乎(鄒孟軻邑/魯孔子邑)是故入其國者從其俗 入其家者避其諱不犯禁而入不迕逆而進 雖之夷狄徒倮之國(徒倮/不衣)結軌乎遠方之外 而無所困矣禮者實之文也仁者恩之效也 故禮困人情而爲之節文而仁發恲以見容 (恲色/也)禮不過實仁不溢恩也治世之道也夫 三年之喪是强人所不及也而以僞輔情也 三月之服是絶哀而迫切之性也(三月之服/夏后氏禮) 夫儒墨不原人情之終始而務以行相反之 制五縗之服(五縗謂三年暮九/月五月三月服也)悲哀抱於情 葬薶稱於養不强人之所不能爲不絶人之 所能已度量不失於適誹譽無所由生古者 非不知繁升降槃還之禮也蹀采齊肆夏之 容也(采齊肆夏/皆樂名也)以爲曠日煩民而無所用故 制禮足以佐實喻意而已矣古者非不能陳 鐘鼓盛筦簫揚干戚奮羽旄以爲費財亂政 制樂足以合歡宣意而已喜不羨於音非不 能竭國麋民虚府殫財含珠鱗施綸組節束 (鱗施王田也綸/絮也束縛也)追送死也以爲窮民絶業而 無益於槁骨腐肉也故葬薶足以收歛蓋藏 而已昔舜葬蒼梧市不變其肆(舜南巡狩死/蒼梧墓紟道)
Interpretation

Duke Wen of Jin relied on great power to dominate the feudal lords. He wore coarse cloth and sheepskin, girded his sword with a leather strap, and still awed the world. This shows that ritual need not match what places like Zou and Lu insist on to count as ritual. So when you enter a state, follow its local customs; when you enter someone’s home, avoid what they taboo. Observe prohibitions and do not violate taboos; in dealing with people, do not go against local practice—even if you travel far to lands of barbarians who wear no clothes, you can still move freely.

Ritual is the outward expression of inner reality and reason; benevolence is the outpouring of affection from the heart. Thus ritual should set appropriate measure and form according to human feeling; benevolence should come from within and show in a harmonious countenance. Ritual should not exceed what is really needed; benevolence should not go beyond genuine feeling—this is the principle of governing the world.

Observing three years of mourning forces people to do what is hard to bear and uses empty form to inflate emotion. Wearing mourning for only three months suppresses grief and goes against the urgent pain of human nature. Confucians and Mohists do not examine how human feeling runs from start to finish in actual life, yet they push institutions that run counter to feeling. The five grades of mourning dress include periods of three years, one year, nine months, five months, and three months. Grief should follow the heart; funeral rites should match the intent of honoring the dead. Do not force what people cannot do; do not forbid what they can. When measure is right, blame and praise have nowhere to arise.

The ancients were not ignorant of elaborate advance-and-retreat and circling etiquette, nor of splendid dress with pieces like “Cai Qi” and “Si Xia”—they simply thought such things wasted time, troubled the people, and had no real use. So in making ritual, it was enough that it support actual reason and express the mind. The ancients were not unable to array bells and drums, play pipes and flutes, wave shields and battle-axes, and dance with feather banners—they thought this squandered wealth and disrupted government. So in making music, it was enough that it deepen joy and express the mind; delight does not depend on having more and more music.

The ancients were not unable to drain the state’s wealth and exhaust the people, empty the treasuries, adorn corpses with pearls and jade, wrap and bind them with silk, and bury them with great pomp—they thought this would impoverish the people, ruin their livelihoods, and do the dry bones and rotting flesh no good. So burial was enough to gather and cover the dead. Tradition says that when Shun was buried at Cangwu, the market kept trading as before, unchanged in its business.

(九嶷山不煩/於市有所廢)禹葬會稽之山農不易其畒(禹/會) (羣臣於會稽墓山隂之/陽不煩農人之田畒)明乎死生之分通乎 侈儉之適者也亂國則不然言與行相悖情 與貌相反禮飾以煩樂優以淫崇死以害生 久喪以招行是以風俗濁於世而誹譽萌於 朝是故聖人廢而不用也義者循理而行宜 也禮者體情制文者也義者宜也禮者體也 昔有扈氏爲義而亡(有扈夏啓之庶兄也以/堯舜舉賢禹獨與子故) (伐啓啓/亡之)知義而不知宜也魯治禮而削知禮 而不知體也有虞氏之祀其社用土(封土/爲社)祀 中霤葬成畝(田畝/而葬)其樂咸池承雲九韶(舜兼/用黄) (帝樂九韶/舜所作也)其服尚黄(舜土德也/故尚黄)夏后氏其社 用松(所樹之木皆所/生地之所宜也)祝尸(春祭先尸/夏木德也)葬墻置 翣(翣棺衣/飾也)其樂夏籥九成六佾六列六英(九/成) (變也六列六六爲行列也/六英禹兼用顓頊之樂也)其服尚青(木德故/尚青也) 殷人之禮其社用石(以石爲/社主也)祀門(秋祭先門/殷金德也) 葬樹松其樂大護晨露(大護晨露/湯所作樂)其服尚白 (金德故/尚白也)周人之禮其社用栗祀竈(夏祭先竈/周火德也)
Interpretation

Yu was buried at Mount Kuaiji. The common people went on farming as usual; no fields were changed and no agricultural work was disturbed because a tomb was being built. When the ministers and officials went to the burial site and moved about on the shady and sunny sides of the mountain, they likewise did not occupy or throw into disorder the peasants’ fields. This shows that they clearly distinguished the boundary between the living and the dead, and that they understood when to be lavish and when frugal, when to be simple and when elaborate, so that they did not turn funeral affairs into a burden that harmed the living.

The practice of a disorderly state is the opposite. What is said does not match what is done; what is in the heart does not match what is displayed on the face. Cumbersome rituals are used to adorn appearances, and performers’ songs and dances are used to indulge in licentious pleasure. The dead are exalted too highly, and the living are harmed instead. Mourning periods are deliberately prolonged and grand displays staged in order to advertise one’s own “virtue.” As a result, public morals become muddied, and slander and mutual abuse also emerge in the court. Therefore the sage abolishes these practices and does not use them.

“Righteousness” (yi) is doing what should be done according to the nature of things; this is called “fittingness” (yi, appropriateness). “Ritual propriety” (li) is first settling people’s true feelings and then establishing external ceremonial forms; this is called “embodiment” (ti, manifesting and implementing). The Youhu clan spoke only of “righteousness” and lost its state: it knew righteousness but did not know fittingness. The state of Lu clung rigidly to ritual institutions and was weakened: it knew ritual propriety but did not know embodiment.

Examples of sacrificial rites in the various ages follow (the earth-god altar, burial regulations, music and dance, and clothing colors were mostly matched to the De (Virtue/Power) cycles and the Five Phases (Wood, Fire, Earth, Metal, Water) as understood at the time). For the Youyu clan (Shun), the earth-god altar used earth; sacrifice was made to Zhongliu, the soil deity beneath the central hall of the house; burials were placed among the fields; the music used was Xianchi, Chengyun, and Jiushao (also employing the music of the Yellow Emperor); and the favored clothing color was yellow (the De of Earth). For the Xiahou clan, pines were planted beside the earth-god altar; in the spring sacrifice the shi, the personator of the dead, was presented first, in accordance with the De of Wood; burials used brick-lined tomb passages and other “wall” regulations, and coffin ornaments used feather fans (shao); the music included the Xia yue, Jiucheng, Liulie, and Liuying (Yu also employed the music of Zhuanxu); and the favored clothing color was blue-green (the De of Wood). For the Yin people, the earth-god altar used stone; in the autumn sacrifice the gate god was sacrificed to, in accordance with the De of Metal; pines were planted at burials; the music included Dahu and Chenlu (made by Tang); and the favored clothing color was white (the De of Metal). For the Zhou people, the earth-god altar used chestnut; in the summer sacrifice the stove god was sacrificed to, in accordance with the De of Fire; pines were also planted at burials; their music, clothing colors, and so on were likewise according to the Zhou house’s De of Fire and favored red (the unfinished portion on Zhou rites in the text means, in general, that each determined its rites according to its “De”).

Note: The parenthetical material consists of sentence divisions, textual collations, and explanations of terms from the original text or its commentators (such as Yu’s burial at Kuaiji, the dispute between Youhu and Qi, the use of earth, stone, or chestnut for the earth-god tablet, and the precedence of the shi, the gate, and the stove); in this paraphrase it has been integrated as far as possible and is no longer annotated item by item.

(鄒子曰吾德之次從此不/勝故虞土夏木殷金周火)葬樹栢其樂大武 三象棘下(三象棘下/武象樂也)其服尚赤(火德故/尚赤也)禮樂 相詭服制相反然而皆不失親䟽之恩上下 之倫今握一君之法籍以非傳代之俗譬由 膠柱而調琴也故明主制禮義而爲衣分節 行而爲帶衣足覆形從典墳虚循撓便身體 適行步不務於竒麗之容隅眥之削帶足以 結紐收衽束牢連固不亟於爲文句䟽短之 鞵故制禮義行至德而不拘於儒墨所謂明 者非謂其見彼也自見而已所謂聦者非謂 聞彼也自聞而已所謂達者非謂知彼也自 知而已是故身者道之所託身德則道得矣 道之得也以視則明以聽則聦以言則公以 行則從故聖人財制物也猶工匠之斲削鑿 芮也宰庖之切割分别也曲得其宜而不折 傷拙工則不然大則塞而不入小則窕而不 周動於心枝於手而愈醜夫聖人之斲削物 也剖之判之離之散之已淫已失復揆以一 既出其根復歸其門已雕已琢遂反於樸合 而爲道德離而爲儀表其轉入玄㝠其散應 無形禮義節行又何以窮至治之本哉世之 明事者多離道德之本曰禮義足以治天下 此未可與言術也所謂禮義者五帝三王之 法藉風俗一世之迹也譬若芻狗土龍之始
Interpretation

Zouzi said: The rank of my De has from this point become difficult to surpass (that of earlier generations); therefore the Yu dynasty honored Earth, the Xia honored Wood, the Yin honored Metal, and the Zhou honored Fire. For burial they used cypress, and their music was the Great Wu; the Wu Xiang was the music of the martial dance, and their ceremonial dress favored red—because Zhou belonged to the De of Fire, it honored red. Ritual and music were at odds with each other, and the dress regulations were also contrary; yet none of them lost the kindness due to close and distant relations or the order of high and low.

Now, however, to grasp the laws and records of a certain ruler and use them to censure the customs of an age one does not inherit is like gluing the tuning pegs in place and then tuning the strings. Thus the enlightened ruler establishes ritual propriety as clothing and regulates conduct by measures as a belt: clothing need only cover the body and follow the classical standards; the belt need only be light, supple, and convenient for the body and footsteps, not sought for strange beauty or angular ornament; the belt need only tie the knot, gather the lapel, bind firmly, and hold together, not be rushed into elaborate patterns and short, sparse stitching for shoes. Therefore he establishes ritual propriety, practices the highest De, and does not cling to the doctrines of the Confucians and Mohists. The so-called “clear-sighted” is not seeing external things clearly but seeing oneself clearly; the so-called “keen-eared” is not hearing external things clearly but hearing oneself clearly; the so-called “penetrating” is not knowing external things thoroughly but knowing oneself thoroughly. Thus the body is where the Dao lodges; when the body has De, the Dao is obtained in the body. Once the Dao is obtained in the body, when used for seeing it is clear, when used for hearing it is acute, when used for speaking it is impartial, and when used for action it accords. Therefore the sage regulates the myriad things as a craftsman chops, whittles, chisels, and carves, or as a cook cuts and separates: crooked and straight each attain what is fitting, and things are not injured. The clumsy craftsman is not like this: if the piece is too large it cannot be inserted; if too small it is hollow and does not fit around; his hand is stirred by impulse, and the more he handles it the uglier it becomes. The sage regulates the myriad things: he splits, divides, separates, and disperses them; when they have already exceeded bounds and lost their measure, he again weighs them by a single standard; when they have left their root, they again return to their gate; when they have been carved and polished, they return to plainness. Joined, they become one and are called Dao and De; separated, they disperse into ritual propriety and laws and measures. When condensed, they enter the dark mystery; when dispersed, they respond to the formless. How can ritual propriety and regulated conduct exhaust the root of perfect governance? Those in the world who discuss clear understanding mostly depart from the root of Dao and De and say that ritual propriety is sufficient to govern the world—with such people one still cannot discuss the art of governance. What is called ritual propriety was originally the laws and records of the Five Emperors and Three Kings, the traces left by the customs of one age, like straw dogs and clay dragons at the moment they are first made (useful only for the occasion, not to be held as constant).

成(芻狗束芻爲狗以謝/過求福土龍以請雨)文以青黄絹以綺繡 纏以朱絲尸祝袀袨(袀純服袨/墨齋衣也)大夫端冕(端/冕) (冠/也)以送迎之及其已用之後則壤土草剟(音/出) 而已夫有孰貴之(言弃之/不貴也)故當舜之時有苗 不服於是舜脩政偃兵執干戚而舞之禹之 時天下大兩禹令民聚土積薪擇丘陵而處 之武王伐紂載尸而行(武王伐紂伯夷曰父/死未葬爰及干戈可) (謂孝/乎)海内未定故不爲三年之喪始(三年之/喪於武) 王禹遭洪水之患陂塘之事故朝死而暮葬 此皆聖人之所以應時耦變見形而施宜者 也今之脩干戚而笑钁插(钁斫/屬)知三年非一 日是從牛非馬以徵笑羽也以此應化無以 異於彈一絃而會棘下(棘下樂石一絃/會之不可成也)夫以 一世之變欲以耦化應時譬猶冬被葛而夏 被裘夫一儀不可以百發(儀弩招顔也射百/發遠近不可皆以) (一儀/也)一衣不可以出歲儀必應乎高下衣必 適乎寒暑是故世異即事變時移則俗易故 聖人論世而立法隨時而舉事尚古之王封 於泰山禪於梁父七十餘聖法度不同非務 相反也時世異也是故不法其以成之法而 法其所以爲法所以爲法者與化推移者也 夫能與化推移爲人者至貴在焉爾故狐梁
Interpretation

Vernacular Interpretation of Huainan Honglie Jie

The sacrificial straw dogs (chugou, grass bound into the shape of a dog and used to apologize for faults and seek blessings) and earth dragons (tulong, clay molded into dragon form and used to pray for rain)—some were made only with blue and yellow cloth and silk, others with fine patterned embroidery, and then wrapped with crimson silk threads. The shizhu (the one who presides over the sacrifice and recites the invocations) wore quxuan (a pure sacrificial robe, a black fasting garment), and the high officials wore duanmian (proper ceremonial caps and robes), as the objects were solemnly welcomed and sent off. Once the ritual was over, these things were thrown on the ground, leaving only clods of earth and broken grass; who would still treasure them? The commentary says: the meaning is that once used, they are discarded and no longer valued.

Thus in Shun’s time, when the Sanmiao did not submit, Shun cultivated the virtue of government and ceased military force; holding shields and axes, he danced in order to transform them. In Yu’s time, when great floods covered the world, Yu had the common people gather earth and pile up firewood and move to live on hills and mounds. When King Wu attacked the Shang tyrant Zhou, he “carried the corpse and set out” (he sent troops before his father was buried; Boyi once questioned whether this accorded with filial piety), because the world was not yet settled and he could not immediately observe the three-year mourning. Because Yu faced the calamities of floods and broken dikes and ponds, there was the practice of “dying in the morning and being buried in the evening.” These are all examples of sages responding to the times and matching change (adapting to the age and cooperating with change), and seeing the circumstances and applying what is fitting (taking appropriate action according to the concrete situation).

Today some people single-mindedly exalt the shield-and-axe dance while mocking the hoe and plow; they know that three years of mourning cannot be completed in a single day, yet—like saying an ox is not a horse—they deliberately distort things in order to mock Yu. To use such a rigid attitude to cope with change is as absurd as “plucking a single string and expecting it to match the entire set of chime stones at Jixia”—one string cannot produce the harmony of a whole set of musical stones.

To want to use one fixed method to deal with the myriad changes of an age is like wearing hemp cloth in winter and fur in summer. The archer’s yi (aiming posture) cannot make every shot hit the center at both near and far distances; nor can a single garment be worn through all four seasons. The posture must change with the height of the target, and clothing must change with cold and heat. Thus when the way of the world is different, affairs change; when times shift, customs change. For this reason sages establish laws by assessing the age (setting standards according to the way of the world) and undertake affairs according to the times (acting as the age requires).

The ancient emperors performed the Feng and Shan sacrifices at Mount Tai and sacrificed to Heaven at Liangfu; the laws and standards of more than seventy sage kings were not the same. They did not deliberately oppose one another; rather, the times were different. Therefore one should not mechanically copy the concrete statutes they “had already completed,” but should learn their very practice of “establishing laws”—the way of establishing laws is to move together with change.

Only one who can establish himself and act while moving together with change can be called supremely noble.

Note: The interlinear glosses in the original (such as chugou, tulong, quxuan, duanmian, King Wu carrying the corpse, one string at Jixia, and so on) have been integrated into the parenthetical explanations above; the final sentence “gu huliang” may have textual variants in current editions. Here it has been translated coherently according to the surrounding theme of “responding to the times and changing methods,” without offering a separate interpretation.

之歌可隨也其所以歌者不可爲也聖人之 法可觀也其所以作法不可原也辯士言可 聽也其所以言不可形也淳均之劍不可愛 也而歐冶之巧可貴也今夫王喬(王喬蜀武/陽人也爲) (伯人令得/道而仙也)赤誦子(赤誦子上谷人也病/厲入山導引輕舉)吹嘔 呼吸吐故内新遺形去智抱素反眞以遊玄 眇上通雲天今欲學其道不得其養氣處神 而放其一吐一吸時詘時伸其不能乘雲升 假亦明矣(假上/也)五帝三王經天下細萬物齊 死生同變化抱大聖之心以鏡萬物之情上 與神明爲友下與造化爲人令欲學其道不 得其清明玄聖而守其法籍憲令不能爲治 亦明矣故曰得十利劍不若得歐冶之巧得 百走馬不若得伯樂之數樸至大者無形狀 道至眇者無度量故天之員也不得規地之 方也不得矩往古來今謂之宙四方上下謂 之宇道在其間而莫知其所故其見不遠者 不可與語大其智不閎者不可與論至昔者 馮夷得道以潛大川(馮夷河伯也華隂潼鄉/隄首里人服八石得水) 仙鉗且得道以處崑崙(鉗且得仙道/升居崑崙山)扁鵲以 治病(扁鵲盧人姓秦名越/人趙簡子時人也)造父以御馬羿以 之射倕以之斲(倕堯/巧功)所爲者各異而所道者 一也夫禀道以通物者無以相非也譬若同
Interpretation

This passage teaches that the sage’s practices can be observed, but the source that produced those practices cannot be recovered; the words of a disputer can be heard, but the principle behind the words cannot be delineated. The Chunjun sword is not valuable in itself; what is precious is Ou Yezi’s craftsmanship. Wang Qiao and Chi Songzi attained the Dao and became immortals through daoyin and breathing exercises, but if one merely imitates the superficial movements of each inhale and exhale, of now bending and now stretching, without nourishing Qi and settling Shen, it is utterly impossible to ride the clouds and ascend to heaven. The Five Emperors and Three Kings governed the world, examined the myriad things, treated life and death as equal, and held the heart of a great sage to mirror the dispositions of the myriad things; above they communicated with spiritual intelligences, below they harmonized with creation and transformation. Yet if they merely guarded legal records and statutes without attaining the clear and bright Dao of the mysterious sage, they still could not govern the world. Therefore it is said: to obtain ten sharp swords is not as good as to obtain Ou Yezi’s art of casting swords; to obtain a hundred fine horses is not as good as to obtain Bo Le’s art of judging horses. The supremely great has no form; the supremely wondrous has no measure. Heaven is round and earth is square; past and present constitute zhou, time, while the four directions and above and below constitute yu, space. The Dao is within them, yet no one knows where it is. With those whose insight does not reach far, one cannot discuss the Great Dao; with those whose wisdom is not broad, one cannot discuss the ultimate principle. Feng Yi attained the Dao and could dive into the great rivers; Qian Ju attained the Dao and could dwell on Kunlun; Bian Que could cure illness; Zao Fu could drive horses; Yi could shoot; Chui could carve. Their undertakings differed, but the principle they followed was the same. Those who are endowed with the Dao and comprehend the myriad things do not condemn one another; it is like the same qin: the players differ, yet the tones are harmonious.

陂而溉田其受水鈞也今屠牛而烹其肉或 以爲酸或以爲甘煎敖燎炙齊味萬方其本 一牛之體伐楩柟豫樟而剖梨之(剖判/梨分)或爲 棺槨或爲柱梁披斷撥檖(披解也撥/析理遂順)所用萬 方然一木之樸也故百家之言指奏相反其 合道一體也譬若絲竹金石之會樂同也其 曲家異而不失於體伯樂韓風秦牙管青(四/子) (皆古善/相馬者)所相各異其知馬一也故三皇五帝 法籍殊方其得民心鈞也故湯入夏而用其 法武王入殷而行其禮桀紂之所以亡而湯 武之所以爲治故剞劂銷(音/削)鋸陳非良工不 能以制木鑪橐埵坊設(鑪橐埵皆治具/也坊土刑也)非巧 治不能以治金屠牛吐(齊之/大屠)一朝解九牛而 刀以剃毛(剃截/髮也)庖丁用刀十九年(庖丁齊/屠伯也)而 刀如新剖(刑剖始石也/硎磨刀石)何則游乎衆虚之間 (衆虛之間/剖中理也)若夫規矩鉤繩者此巧之具也而 非所以巧也故瑟無絃雖師文不能以成曲 (師文/樂師)徒絃則不能悲故絃悲之具也而非所 以爲悲也若夫工匠之爲連鐖運開隂閉眩 錯(連饑饑發也運開相通也隂/閉獨閉也眩因而相錯也)入於冥冥之 眇神調之極游乎心手衆虚之間而莫與物 爲際者父不能以教子瞽師之放意相物寫
Interpretation

A Vernacular Interpretation of the Huainan Honglie Jie

When water is channeled from a hillside to irrigate fields, each place receives roughly the same amount. Now if an ox is slaughtered and cooked, one person may make it sour, another sweet; some fry it, some boil it, some roast it, some grill it—the flavors differ in a thousand ways, yet their source is this one ox. When great trees such as the pian, nan, yu, and zhang are felled, split open, and divided into blocks, some are made into coffins, some into pillars and beams; they are split, smoothed, and used according to their grain—their uses are countless, yet the substance is still one uncarved piece of wood.

Therefore the doctrines of the Hundred Schools, as they lay out their arguments and replies, often stand sharply opposed, yet what accords with the Dao is fundamentally one body. It is like an ensemble of silk, bamboo, metal, and stone: the principles of music are the same, though the melodies of each school differ, and none departs from the basic substance of music. Bole, Han Feng, Qin Ya, and Guan Qing (all ancients skilled in judging horses) used different criteria, but the way of recognizing a horse was one. The Three August Ones and Five Emperors had different laws and canonical records, but the way of winning the people’s hearts was the same. Thus when Tang of Shang entered Xia, he still used Xia law; when Wu of Zhou entered Yin, he still practiced Yin rites—this is precisely the key to why Jie and Zhou perished and why Tang and Wu brought order to the realm.

Carving knives, files, and saws, when laid out, cannot cut wood into vessels unless there is a good craftsman; furnaces, bellows (wind bags), casting blocks, and clay molds (the latter two are implements for smelting and casting; fang refers to an earthen mold) cannot smelt metal into implements unless there is a skilled artisan. Tu Niutu (a famous butcher of Qi) could dismember nine oxen in a single morning, yet his knife could still be used to shave hair and cut fur; Cook Ding (a butcher of Qi) used his knife for nineteen years, and the blade was still like one newly sharpened on a whetstone—why? Because he moved through the gaps among the patterns, following the spaces in muscle and sinew and not striking hard bone, so the blade was not damaged. As for the compass and square, the hook and marking cord, they are instruments for accomplishing skill, not “skill” itself. If a se zither has no strings, even Music Master Shi Wen cannot make a tune; with strings alone but no fingering, one cannot produce mournful sounds either—strings are the means to produce sorrow, but not sorrow itself.

As for the craftsman’s handling of linked shafts and opening mechanisms (referring to devices that interconnect and open and close in concert), hidden closures, and dazzling intricacies (complex, shifting transformations), penetrating into the dark and subtly hidden, reaching the utmost point where spirit and intention attune, roaming between mind and hand and amid all emptiness without coming into conflict with things—such a state a father cannot teach his son by oral transmission alone; a blind music master can only let his intention go and comprehend it in his mind, observing things and giving form to his heart.

神愈舞而形乎絃者兄不能以喻弟今夫爲 平者準也爲直者繩也若夫不在於繩準之 中可以平直者此不共之術也故叩宫而宫 應彈角而角動此同音之相應也其於五音 無所比而二十五絃皆應此不傳之道也故 蕭條者形之君(蕭條/深靜)而寂漠者音之主也(微/音) (生於/寂漠)天下是非無所定世各是其所是而非 其所非所謂是與非各異皆自是而非人由 此觀之事有合於己者而未始有是也有忤 於心者而未始有非也故求是者非求道理 也求合於己者也去非者非批邪施(施微/曲也)去 忤於心者也忤於我未必不合於人也合於 我未必不非於俗也至是之是無非之非至 非無是此眞是非也若夫是於此而非於彼 非於此而是於彼者此之謂一是一非也此 一是非隅曲也夫一是非宇宙也今吾欲擇 是而居之擇非而去之不知世之所謂是非 者不知孰是孰非老子曰治大國若烹小鮮 爲寬裕者曰勿數撓(裕饒/也)爲刻削者日致其 醎酸而已矣晋平公出言而不當師曠舉琴 而撞之跌衽宫壁(跌衽至平公/衣衽中宫壁)左右欲塗之 (欲塗師曠/所敗壁也)平公曰舍之以此爲寡人失孔子 聞之曰平公非不痛其體也欲來諫者也韓 子聞之(韓子韓/公子非)曰羣臣失禮而弗誅是縱過
Interpretation

Vernacular Interpretation of the Huainan Honglie Jie

Even if Shen (spirit) is numinous and form is ingenious, when it comes to what rests on the qin strings, an elder brother may still be unable to explain it to his younger brother. When speaking of “level,” one relies on the water level (a tool for testing levelness); when speaking of “straight,” one relies on the ink cord (a taut guideline). If someone does not work within the system of cord and level, yet can still make people believe something is both level and straight, then what he uses is not a method shared by all.

Thus, when the Gong note is struck, the Gong sound responds; when the Jue note is plucked, the Jue sound stirs—this is like responding to like in pitch. Among the five notes there seems nothing to match, yet the twenty-five strings all resonate together; this is the Dao (the Way) that cannot be fully spoken or fully transmitted. Deep stillness and desolate openness (deep stillness) are the masters of physical form; silent and soundless solitude (subtle sounds arise from silence) is the master of sound. Right and wrong in the world originally have no fixed standard; each person affirms what he approves and denies what he disapproves. What they call right and wrong differs from one to another, each believing himself correct and others wrong.

From this we see: what suits my mind is not necessarily truly “right”; what goes against my mind is not necessarily truly “wrong.” Therefore, those who seek “right” are not seeking principle; they seek what suits their own minds. Those who remove “wrong” are not removing crookedness (shi means crooked); they are removing what goes against their own minds. What goes against me is not necessarily at odds with others; what agrees with me may still be regarded by the world as wrong.

The rightness of the ultimate right admits no wrong; the wrongness of the ultimate wrong admits no right—this is true right and wrong. If something is “right” here and “wrong” there, “wrong” here and “right” there, this is called “one right and one wrong” (a relative right and wrong). This sort of one right and one wrong is only a corner, a one-sided view; but the “one right and one wrong” within the cosmos has a vastly different scope. Now I wish to choose “right” and abide in it, choose “wrong” and depart from it, yet I do not know what the right and wrong people speak of actually refers to, nor do I know which is right and which is wrong.

Laozi said: Governing a great state is like cooking a small fish. The generous person will say: Do not turn it over frequently (be ample and forgiving); the harsh person, however, merely adds salt and sour every day.

Duke Ping of Jin spoke improperly; Master Kuang raised his qin and rammed him, tearing his robe and striking the palace wall (he struck all the way into Duke Ping’s robe lapel and then into the palace wall). The attendants wanted to repair the wall (to plaster over the wall damaged by Master Kuang). Duke Ping said: Do not repair it; let it show that this was my fault. Confucius, hearing of it, said: Duke Ping was not indifferent to his own body; he wanted people to come forward with remonstrance. Han Feizi (Han Gongzi Fei), hearing of it, said: When the assembled ministers breach ritual propriety and are not punished, this is to indulge their faults.

也有以也夫平公之不霸也故賔有見人於 密子者(密子子/賤者也)賔出密子曰子之賔獨有三 過望我而笑是攓也(攓慢/也)談語而不擇師是 返也交淺而言深是亂也賔曰望君而笑是 公也談語而不稱師是通也交淺而言深是 忠也故賔之容一體也或以爲君子或以爲 小人所自是之異也故趣舍合即言忠而益 親身疏即謀當而見疑母親爲其子治扢秃 而血流至耳見者以爲其愛之至也使在於 繼母則過者以爲嫉也事之情一也所從觀 者異也從城上視牛如羊視羊如豕所居高 也闚面於盤水則員於杯則隨面形不變其 故有所員有所隨者所自闚之異也今吾雖 欲正身而待物庸遽知世之所自窺我者乎 若轉化而與世競走譬猶逃雨也無之而不 濡常欲在於虛則有不能爲虚矣(爲者失之/執者敗之) 若夫不爲虚而自虛者(性自/然也)此所慕而不能 致也故通於道者如車軸不運於己而與轂 致千里轉無窮之原也不通於道者若迷惑 告以東西南北所居聆聆(聆聆意/曉解也)一曲而辟 (小邪/僻也)然忽不得復迷惑也故終身隸於人辟 若倪之見風也(倪侯風雨也世/所謂五雨者也)無須臾之間 定矣故聖人體道反性不化以待化(無爲以/待有爲)
Interpretation

There are also cases like this: Duke Ping’s failure to become hegemon was connected with the following affair. A guest saw someone at Mi Zi’s place (Mi Zi being a man of low station). After the guest left, Mi Zi said: “That guest of yours was guilty of three breaches of propriety: he looked at me and smiled—that is disrespect; in conversation he did not choose a suitable audience—that is contrary to ritual; our acquaintance was shallow yet he spoke deeply—that is muddling.” The guest, however, said: “Looking at you and smiling is open-heartedness; in conversation not treating you as a teacher is understanding; shallow acquaintance yet deep speech is wholeheartedness.” Of the same person’s conduct, some say he is a gentleman, others say he is a petty man—each has different standards by which he judges. Therefore when aspirations accord, loyal words become more intimate; when relations are distant, even well-conceived plans are suspected.

A mother treating her son’s scabies, with blood flowing to her ears—those who see it feel she loves him deeply; if a stepmother did the same, passersby would take it as jealousy. The thing itself is the same, but the onlooker’s standpoint differs, and so the conclusion differs. Looking down from a city wall, oxen look like sheep and sheep like pigs—because one stands high. Looking at one’s face in plate water, the reflection is round; looking in a cup, it is distorted—the face has not changed, but the vessel differs, and so the image differs. Now even if I wish to rectify myself and treat others, how can I immediately know from what angle the people of the world are looking at me?

If one single-mindedly seeks change and races with the world, it is like escaping the rain: there is no place that is not wet. Always wanting to abide in the state of “emptiness,” one instead fails to be empty. (Clinging to “making empty” loses emptiness; grasping “emptiness” ruins it.) As for those who are not deliberately empty but naturally empty and still (this being their nature), this is precisely what people long for but find hard to force.

Therefore one who penetrates the Dao is like the hub that does not itself turn, yet with the wheel travels a thousand li and turns in the endless wilds; one who does not penetrate the Dao is like a lost traveler: tell him east, south, west, and north, and for a moment he seems to understand, but at the next turn he is confused again. Thus all his life he is used like a servant, like Ni Hou watching the wind (Ni Hou being one who observes the wind and predicts rain, of the sort traditionally called the “five rains”), never stable for a moment.

Hence the sage embodies the Dao and returns to nature, using non-transformation to await transformation (using Wuwei, non-action, and stillness to await transformative action). He does not nail himself fixedly to one posture, yet within change he preserves his original self.

則幾於免矣(近於免/世難也)治世之體易守也其事 易爲也其禮易行也其責易償也是以人不 兼官官不兼事士農工商鄉别州異是故農 與農言力士與士言行工與工言巧商與商 言數是以士無遺行農無廢功工無苦事商 無折貨各安其性不得相干故伊尹之興土 功也脩脛者使之跖钁(長脛以蹋插/者使而入深)强脊者 使之負土(脊强者/任負重)眇者使之准(目不正/因令晞)傴者 使之塗(傴人塗地/因其俛也)各有所宜而人性齊矣胡 人便於馬越人便於舟異形殊類易事而悖 失處而賤得勢而貴聖人緫而用之其數一 也夫先知遠見達視千里人才之隆也而治 世不以責於民(言民不以己/求備於下也)博聞强志口辯 辭給人智之美也而明主不以求於下敖世 輕物不汙於俗士之伉行也而治世不以爲 民化神機隂閉剞劂無迹人巧之妙也而治 世不以爲民業故萇弘師曠先知禍福言無 遺策而不可與衆同職也公孫龍折辯抗辭 别同異離堅(公孫龍趙人好分析詭異之言/以白馬不得合爲一物離而爲) (二/也)不可以衆同道也北人無擇非舜而自投 清冷之淵(北人無擇古隱士也/非舜非其德之衰也)不可以爲世 儀魯般墨子以木爲鳶而飛之三日不集而
Interpretation

This passage expounds the wisdom of governance, with its core principle being the appropriate utilization of talents and proper placement of individuals.

The key to governing a peaceful and prosperous society lies in simple and practicable systems: clearly defined responsibilities, easily followed ritual norms, and readily fulfilled duties. With distinct social divisions, scholars, farmers, artisans, and merchants each attend to their proper functions—farmers discuss cultivation techniques, scholars cultivate moral virtues, artisans exchange craft secrets, and merchants deliberate business strategies. Thus each profession can fully employ its specialized skills without mutual interference.

The text cites the example of Yi Yin (renowned minister of the Shang dynasty) in employing people: those with long legs handled shovel work, those with strong backs carried earth, the near-sighted conducted measurements, and the hunchbacked took charge of plastering. Just as northerners excel at horsemanship while southerners are adept at boating, people's natural endowments determine their most suitable roles. The sage's way of governing follows the same principle—never demanding extraordinary abilities like "precognitive foresight" from common people, nor exacting exceptional wisdom like "encyclopedic knowledge."

Talents like Chang Hong and Shi Kuang who could foresee fortune and misfortune, or debaters like Gongsun Long with their special rhetorical skills—such extraordinary abilities are unsuitable for ordinary official posts. The ancient recluse Beiren Wuze who drowned himself to protest Emperor Shun's virtue cannot serve as a model for society; nor should the marvelous wooden birds crafted by Lu Ban and Mozi that flew for three days without landing be promoted as common technology.

The passage emphasizes that governance must respect both natural human endowments and social divisions of labor. Neither should it demand universal competence, nor should it exalt overly specialized talents. The true way of governance lies in allowing everyone to function in their appropriate position.

不可使爲工也故高不可及者不可以爲人 量行不可逮者不可以爲國俗夫契輕重不 失殊兩聖人弗用而縣之乎銓衡視高下不 差尺寸明主弗任而求之乎浣準(浣準水/望之平)何 則人才不可專用而度量可世傳也故國治 可與愚守也而軍制可與權用也夫待騕裊 飛兔而駕之(騕裊良馬飛兔其子裊/兔走蓋皆一日萬里也)則世莫 乘車待西施毛嬙而爲配(西施毛嬙/古好女也)則終身 不家矣然非待古之英俊而人自足者因所 有而並用之夫騏驥千里一日而通駑馬十 舍旬亦至之(旬十/日也)由是觀之人材不足專恃 而道術可公行也亂世之法高爲量而罪不 及重爲任而罰不勝危爲禁而誅不敢民困 於三責則飾智而詐上犯邪而干免(干求/也)故 雖峭法嚴刑不能禁其姦何力不足也故諺 曰鳥窮則噣獸窮則𧢻人窮則詐此之謂也 道德之論譬猶日月也江南河北不能易其 指馳騖千里不能易其處趍舍禮俗猶室宅 之居也東家謂之西家西家謂之東家雖臯 陶爲之理不能定其處故趍舍同誹譽在俗 意行鈞窮達在時湯武之累行積善可及也 其遭桀紂之世天授也今有湯武之意而無 桀紂之時而欲成霸王之業亦不幾矣昔武 王執戈秉鉞以伐紂勝殷搢笏杖殳以臨朝
Interpretation

This passage discusses the principles of governing the state and employing people, of measures and expedient adaptation, and of legal standards and the way of Dao and De in an age of disorder. The following explains it section by section in plain language.

The first passage concerns employing people and measures. One cannot require people to do only one kind of thing. Thus “too high to reach” cannot be taken as the standard for people, and “conduct beyond reach” cannot be taken as the measure for customs. A measuring vessel for lightness and heaviness makes no error by a hair; the sage does not use it himself, but hangs it on the balance. In observing heights and lows without the slightest difference in inches, the enlightened ruler does not measure in person but relies on the water level—that is, a leveling instrument used to test flatness. Why is this? Talent cannot be employed by relying solely on one standard, whereas measures can be handed down for generations. Therefore the state can be kept in order and achievements preserved together with the “simple,” and military regulations can be applied together with expedient adaptation. If one insisted on fine horses like Yaoniao and Feitu to drive a carriage—Yaoniao was a fine horse and Feitu its foal, both said to travel ten thousand li in a day—no one in the world could ride; if one insisted on beauties like Xi Shi and Mao Qiang to make a marriage—Xi Shi and Mao Qiang were famous beauties of antiquity—one would never establish a household in a lifetime. But this is not to say that only the outstanding talents of antiquity will do; people themselves are sufficient, provided each is used according to what he has and all are employed together. A thoroughbred can go a thousand li in a day; a nag can arrive in ten days. From this we see that talent cannot be relied on by a single standard, while the art of governing can be openly practiced.

The second passage concerns the laws of an age of disorder and the people’s distress. In the laws of a disordered age, standards are set very high, yet offenses do not reach them; responsibilities are made very heavy, yet punishments cannot be borne; prohibitions are made very perilous, yet execution is not dared to be incurred. When the people are trapped by these three burdens, they will adorn themselves with cleverness and practice fraud; those above commit evil, while those below exploit loopholes—gan means to seek or curry favor. Therefore even harsh laws and severe punishments cannot prohibit villainy, because their force is insufficient. Hence the proverb says: when birds are exhausted they peck, when beasts are exhausted they fight, when people are exhausted they cheat—this is what it means.

The third passage concerns the discourse on Dao and De and the direction of choices. The discourse on Dao and De is like the sun and moon: in Jiangnan or north of the Yellow River, one cannot change their direction; galloping a thousand li, one cannot change their place. Choices and ritual customs are like the house in which one lives: the eastern household calls it the western household, and the western household calls it the eastern household; even if Gao Yao were to adjudicate, he could not determine “where one lives.” Therefore when choices are the same, praise and blame lie in custom; when intentions and conduct are like the steelyard, poverty and eminence lie in timing. Tang and Wu accumulated deeds and goodness, and people can catch up with them; that they encountered the ages of Jie and Zhou was bestowed by Heaven. Now if one has the hearts of Tang and Wu but lacks circumstances like those of Jie and Zhou, wanting to achieve the enterprise of hegemon or king would also fall far short. Formerly King Wu grasped the dagger-axe and held the battle-axe to attack Zhou and overcame Yin; then, with the tablet tucked in his sash and holding the staff and shu, he held court—jin hu zhang shu means holding court with ceremonial implements such as the tablet, staff, and shu.

In summary, governing the state depends on transmissible measures—weight and height—and cannot rely solely on “too high to reach” or “conduct beyond reach” in employing people; talent must be used according to each person’s capacities and all employed together, not by a single standard. In an age of disorder, standards, responsibilities, and prohibitions are all raised too high; when the people are trapped by these “three burdens,” they become fraudulent and commit evil, and no severity of law can restrain them, because force is insufficient. The discourse on Dao and De is like the sun and moon, unchanged by region; choices and ritual customs are like a dwelling, with praise and blame depending on custom and poverty or eminence on timing. The virtue of Tang and Wu can be matched, but their achieving hegemonic rule depended on a time bestowed by Heaven; without a Jie or Zhou era, even with the intention of Tang and Wu, hegemonic-kingly enterprise is hard to accomplish.

(殳木/杖也)武王既没殷民叛之周公踐東宫(東宫/太子) (宫/也)履乘石(人君升車/有乘石也)攝天子之位負扆而朝 諸侯(户牖之間/謂之扆)放蔡叔誅管叔(周公/兄也)克殷殘 商(殘商誅紂/紂子禄父)祀文王于明堂七年而致政成 王夫武王先武而後文非意變也以應時也 周公放兄誅弟非不仁也以匡亂也故事周 於世則功成務合於時則名立昔齊桓公合 諸侯以乘車退誅於國以斧鉞晋文公合諸 侯以革車退行於國以禮義桓公前柔而後 剛文公前剛而後柔然而令行乎天下權制 諸侯鈞者審於勢之變也顔闔魯君欲相之 (顔闔魯/隱士也)而不肯使人以幣先焉鑿培而遁之 (培屋/後墻)爲天下顯武(楚人謂/士爲武)使遇商鞅申不害 刑及三族又況身乎世多稱古之人而高其 行並世有與同者而弗知貴也非才下也時 弗宜也故六騏驥駟駃騠(駃騠北翟/之良馬也)以濟江 河不若窾木便者(窾/空)處世然也是故立功之 人簡於行而謹於時今世俗之人以功成爲 賢以勝患爲智以遭難爲愚以死節爲贛吾 以爲各致其所極而已王子比干非不智箕 子被髮佯狂以免其身也然而樂直行盡忠 以死節故不爲也伯夷叔齊非不能受禄任 官以致其功也然而樂離世伉行以絶衆故
Interpretation

A Vernacular Interpretation of the Huainan Honglie Jie

After King Wu (King Wu of Zhou) died, the remnants of Yin-Shang launched a rebellion. The Duke of Zhou (Zhou Gongdan) ascended the East Palace (the palace where the crown prince resided), stepped onto the mounting stone used for boarding a carriage (the footstool a ruler stepped on when mounting a chariot), acted as regent for the Son of Heaven, and presided over court audiences with his back to a screen, while the feudal lords all came to pay homage. He exiled Cai Shu (Cai Shudu) and executed Guan Shu (Guan Shuxian, both elder brothers of the Duke of Zhou), pacified the Yin rebellion, put to death the Shang scion (Lu Fu, son of King Zhou), sacrificed to King Wen in the Mingtang (the great hall where the Son of Heaven proclaimed his teachings and government), and after seven years in power returned the government to King Cheng.

King Wu first used military force and afterward employed civil governance; this was not because his intentions changed, but because he was complying with the times. The Duke of Zhou exiled an elder brother and executed a younger brother; this was not because he lacked benevolence, but because he was rectifying a chaotic age. Therefore, in action one must accord with the ways of the age for achievements to be accomplished; in measures one must fit the times for reputation to be established.

Formerly, Duke Huan of Qi (head of the Five Hegemons of the Spring and Autumn period), when convening the feudal lords, rode in an ordinary carriage and team, but after returning home he used axes and halberds to execute criminals within the state; Duke Wen of Jin (one of the Five Hegemons), when convening the feudal lords, rode in a war chariot, but after returning home he acted according to ritual and righteousness. Duke Huan was first soft and then hard; Duke Wen was first hard and then soft. Yet their commands circulated throughout the world and their authority restrained the feudal lords—the key lay in assessing the times and adapting to circumstances.

Yan He (a recluse of Lu)—the ruler of Lu wanted to make him chief minister, but he was unwilling; before the ruler sent someone with recruitment gifts to seek him, he had already bored through the back wall and fled. The people of the world admired his courage and martial spirit (the people of Chu called a scholar “wu”), but if Yan He had encountered men like Shang Yang (a representative Legalist thinker of the Warring States) and Shen Buhai (a representative Legalist thinker of the Warring States), not only would his three clans have been implicated, he himself would hardly have escaped death.

Most people in the world praise the ancients and esteem their conduct, yet when there are people of their own age similar to them, they do not know how to prize them. This is not because their talent is inferior, but because the age is unsuitable. Thus the six famous horses—Qi, Ji, Si, and Jueti (Jueti being a fine horse produced by the northern Di)—when used to cross rivers, are not as convenient as a single hollow log (yumu). So it is also in conducting oneself in the world.

Therefore, those who establish merit and build a career may act in a simple and abbreviated way, but they must be cautious about the times. Nowadays worldly people regard success in achievements and enterprises as worthiness, overcoming disasters as wisdom, encountering danger as dullness, and dying to hold fast to integrity as foolish simplicity. I believe each person merely reaches the limit of what he himself can reach.

Prince Bi Gan (uncle of King Zhou of Shang) was not unintelligent—Ji Zi (also an uncle of King Zhou of Shang) let down his hair and feigned madness to preserve his life; but Bi Gan took pleasure in acting uprightly, exhausting his loyalty, and dying to uphold integrity, so he was unwilling to do as Ji Zi did. Bo Yi and Shu Qi (two sons of the lord of Guzhu at the end of the Shang) were not incapable of accepting salary and taking office to achieve merit, but they took pleasure in withdrawing from the world and standing apart to cut themselves off from the crowd, so they were unwilling to do that.

不務也許由善卷非不能撫天下寧海内以 德民也然而羞以物滑和故弗受也豫讓要 離(豫讓智伯臣要/離吴王闔閭臣)非不知樂家室安妻子以 偷生也然而樂椎誠行必以死主故不留也 今從箕子視比干則愚矣從比干視箕子則 卑矣從管晏視伯夷則戇矣從伯夷視管晏 則貪矣趍舍相非嗜欲相反而各樂其務將 誰使正之曾子曰擊舟水中鳥聞之而高翔 魚聞之而淵藏故所趍各異而皆得所便故 惠子從車百乘以過孟諸(惠子名施仕爲梁/相從車百乘志尚) (未足孟/諸宋澤)莊子見之弃其餘魚(莊子名周蒙人/隱而不仕見惠) (施之不足故/弃餘魚也)鵜胡飲水數斗而不足(鵜胡鳥/汙澤鳥) 鱓鮪入口若露而死(鱓鮪/魚名)智伯有三晋而欲 不贍(三晋智伯有范/中行之地瞻足)林類榮啓期衣若縣衰 (林類榮啓/期皆隱賢)意不慊(慊/恨)由此觀之則趣行各異 何以相非也夫重生者不以利害己立節者 見難不苟免貪禄者見利不顧身而好名者 非義不苟得此相爲論譬猶氷炭鈎繩也何 時而合若以聖人爲之中則兼覆而并之未 有可是非者也夫飛烏主巢狐狸主穴巢者 巢成而得棲焉穴者穴成而得宿焉趍舍行 義亦人之所棲宿也各樂其所安致其所蹠
Interpretation

A Vernacular Interpretation of the Huainan Honglie Jie

Those who do not take office but withdraw into reclusion, such as Xu You and Shan Juan (worthies of ancient legend who refused the thrones offered by Yao and Shun and preferred to keep to poverty), were not incapable of using De (Virtue/Power) to soothe all under heaven and settle the seas within; they were simply ashamed to let external things disturb the peace of their inner hearts, and so would not accept power and position.

Yu Rang (a retainer of Zhibo in the Spring and Autumn period who disfigured himself to avenge his master) and Yao Li (a minister of King Helü of Wu who gave up his family and braved danger to repay his state) were not ignorant of the pleasure of staying by household and enjoying wife and children in ignoble survival; but they took delight in the sincerity of striking their breasts, disfiguring their faces, and resolving to die to repay their lord, and so would not live on ignobly in ease.

From the standpoint of Ji Zi (a worthy minister at the end of Shang who feigned madness to avoid disaster), Bi Gan (who remonstrated directly with King Zhou and was killed) would seem foolish; from Bi Gan’s standpoint, Ji Zi would seem base. From the perspective of Guan Zhong and Yan Ying (famous chancellors of Qi who were practical and strengthened the state), Bo Yi (an ancient worthy who kept righteousness and would not eat Zhou grain) would seem foolishly stubborn; from Bo Yi’s perspective, Guan Zhong and Yan Ying would seem greedy. Their pursuits and avoidances criticized one another; their desires were opposite, yet each was at peace in his own calling—who, after all, should adjudicate right and wrong?

Zengzi (a disciple of Confucius) once struck a boat in the water; the birds heard the sound and flew high, the fish heard it and dove into the deep. What they hastened toward differed, yet each found what suited it. Thus when Huizi (named Shi, chancellor of Liang, fond of fame and profit) passed through Mengzhu (a great marsh of Song) with a hundred carriages, Zhuangzi (named Zhou, a recluse of Song who did not serve) saw him and threw away the surplus fish in his cart—what Huizi sought, Zhuangzi disdained. Pelicans and hu birds (water-marsh birds) drink several dou of water and still are not satisfied; eels and sturgeons (kinds of fish), once taken into the mouth, die like dew—their bodily capacities differ, and their needs are utterly different. Zhibo held the territory of the three Jin states and still felt it was not enough; Lin Lei and Rong Qiji (ancient recluses) wore clothes like hanging tattered rags, yet in their hearts bore no resentment. From this we see that aspirations and conduct differ; why must people condemn one another?

Those who value life do not harm themselves for profit or loss; those who keep integrity do not ignobly evade danger when they see it; those greedy for salary do not spare themselves when they see profit; those fond of reputation do not improperly take ill-gotten wealth. If these types discuss one another, they are like ice and charcoal, hook and plumb line—their natures are opposite; when could they ever agree? If one observes from the central standpoint of the sage’s Dao (the Way), then it is all-embracing and all-inclusive; fundamentally there is no fixed right and wrong to be distinguished.

Flying birds take the nest as their dwelling, foxes take the burrow as their dwelling: once the nest is made they can roost; once the burrow is made they can lodge. What one pursues and avoids, the rightness of what one practices—these too are dwelling places in the human heart; when each person rests in what he finds restful and walks where he treads, then each has already found what suits him.

謂之成人故以道論者緫而齊之治國之道 上無令官無煩治士無僞仁上工無淫巧其 事經而不擾其器完而不飾亂世則不然爲 行者相揭以高(揭/舉)爲禮者相矜以僞車輿極 於雕琢器用遽於刻鏤求貨者爭難得以爲 寳詆文者處煩撓以爲慧爭爲佹辯久積而 不訣無益於治工爲竒器歷歲而後成不周 於用故神農之法曰丈夫丁壯而不耕天下 有受其飢者婦人當年而不織天下有受其 寒者故身自耕妻親織以爲天下先其導民 也不貴難得之貨不器無用之物是故其耕 不强者無以養生其織不强者無以揜形有 餘不足各歸其身衣食饒溢姦邪不生安樂 無事而天下均平故孔丘曾參無所施其善 孟賁成荆無所行其威(成荆古/勇士也)衰世之俗以 其知巧詐僞飾衆無用貴遠方之貨珍難得 之財不積於養生之具澆天下之淳(澆薄也/淳厚也) 析天下之樸牿服馬牛以爲牢滑萬民以清 爲濁性命飛揚皆亂以營貞信漫瀾人失其 情性於是乃有翡翠犀象黼黻文章以亂其 目芻豢黍梁荆吴芬馨以□(音/藍)其口(荆吴國/也芬珍) (味也嚂/貪求也)鐘鼓管簫絲竹金石以淫其身趍舍 行義禮節謗議以營其心於是百姓縻沸豪 亂暮行遂利煩挐澆淺(淺薄也既/薄尚澆也)法與義相
Interpretation

A Vernacular Reading of the Huainan Honglie Jie

Gist of the Scripture

What is meant by “the completed person” is that one takes the Great Dao as the comprehensive and unifying basis for discussing the principles of governing.

An Age of Great Peace: Simple Government and Practicality

In the ideal condition, above there need be no piled-up laws and decrees, and officials need not be burdened with multifarious affairs. Scholars do not affect false goodness, and artisans do not engage in bizarre skills and clever artifices. Government affairs follow constant norms and do not disturb the people; utensils are fit for use and are not excessively ornamented.

A Troubled Age: Emulation, Hypocrisy, and Extravagance

In a troubled age it is otherwise. Those who act raise one another up and compete to be higher; those who speak of ritual propriety show off to one another and are hypocritical; carriages are carved to the utmost, and utensils are overly engraved; those seeking goods compete for “hard-to-obtain things” and treat them as treasures; those fond of ornate words take vexatious complication as intelligence and contend in sophistry, leaving matters unresolved for years, with no benefit to governing; artisans make strange devices that take years to complete yet are impractical.

The Method of Shennong: Farming and Weaving as the Foundation

The method of Shennong says: if a man in his prime does not plow, someone in the world will go hungry; if a woman does not weave in the proper season, someone in the world will suffer cold. Therefore he plowed the fields himself and his wife wove cloth, setting an example for the world. In guiding the people, he did not prize hard-to-obtain goods or exalt useless things. If farming is not diligent, one cannot nourish the body; if weaving is not diligent, one cannot cover the body. Surplus and deficiency each returned to the person concerned; when food and clothing sufficed, wickedness did not arise, and there was peace and ease without trouble, so the world was equal and level. For this reason Confucius and Zeng Shen had no place to display their goodness, and Meng Ben and Cheng Jing, ancient warriors, had no place to display their prowess—the order of the age was already too equal and level.

Customs of a Declining Age: Cleverness, Remote Goods, and Loss of Nature

In the customs of a declining age, people use cleverness and deceit to gloss over the multitude and exalt uselessness; they prize rare goods from afar and hard-to-obtain wealth, and do not accumulate the means for nourishing life; they make thin the world’s thickness and break apart the world’s uncarved simplicity; they put yokes and fetters on horses and oxen as if into cages, and disturb the myriad people; they treat clarity as turbidity; nature and life are set flying about, and all are thrown into disorder in their integrity and trustworthiness. Sincerity and trust scatter and dissipate, and people lose their original nature. Thereupon kingfisher feathers, rhinoceros horn and ivory, and embroidered patterns confuse their eyes; fodder-fed animals, millet and fine grain, and the fragrant delicacies of Jing, Chu, Wu, and Yue make their mouths greedy; bells and drums, pipes and flutes, silk and bamboo, metal and stone overindulge their bodies; choices of advance and retreat, conduct and righteousness, ritual propriety, and slanderous discussions entangle their minds. Thus the common people were like boiling porridge, in great disorder; at dusk they went about pursuing profit, troubled and entangled; they became shallow and thin, and law and righteousness turned their backs on each other.

Brief Explanation of Terms

In the original wording, “jie” means to lift up or raise high; “Cheng Jing” was an ancient warrior; “jiao” and “chun” mean thin and thick; “the fragrance of Jing and Wu” refers to the delicacies of Jing, Chu, Wu, and Yue; “lan” means greedily to seek; “jiaoqian” means thin and shallow, and moreover esteeming superficiality.

The Main Point of the Whole Passage

To discuss governing by the Dao values constant norms without disturbing the people, and complete utensils without ornamentation; a troubled age prizes reputation, goods, rhetorical disputation, and strange devices. Shennong and plowing and weaving oneself are the foundation for nourishing life; in great peace, both the worthy and the brave have no place to use their abilities. In a declining age, remote goods, carving and ornament, music, and ritual disputation entangle the mind, causing people to lose their nature, law and righteousness to turn against each other, and the world to seethe like boiling porridge.

非行與利相反雖十管仲弗能治也且富人 則車輿衣纂錦(纂/繪)馬飾傅旄象帷幕茵席綺 繡條組青黄相錯不可爲象貧人則夏被褐 帶索啥菽飲水以充腸以支暑熱冬則羊裘 解札(解札裘/敗解也)短褐不掩形而煬竈口(煬/炙)故其 爲編户齊民無以異然貧富之相去也猶人 君與樸虜不足以論之夫乘竒技僞邪施者 自足乎一世之間守正脩理不苟得者不免 乎飢寒之患而欲民之去末反本由是發其 原而壅其流也夫雕琢刻鏤傷農事者也錦 繡纂組害女工者也農事廢女工傷則飢之 本而寒之原也夫飢寒並至能不犯法干誅 者古今之未聞也故仕鄙在時不在行利害 在命不在智夫敗軍之卒勇武遁逃將不能 止也勝軍之陳怯者死行懼不能走也故江 河决沉一鄉父子兄弟相遺而走爭升陵阪 上高丘輕足先升不能相顧也世樂志平見 鄰國之人溺尚猶哀之又況親戚乎故身安 則恩及鄰國志爲之滅身危則忌其親戚而 人不能解也游者不能拯溺手足有所急也 灼者不能救火身體有所痛也夫民有餘即 讓不足則爭讓則禮義生爭則暴亂起扣門 求水莫弗與者所饒足也林中不賣薪湖上 不鬻魚所有餘也故物豈則欲省求贍則爭 止秦王之時或人葅子(生子殺/葅之)利不足也劉
Interpretation

Source: Huainan Honglie Jie

Improper practices run counter to true benefit; even with ten men as capable of governing as Guan Zhong, they could not govern well. The rich go out in carriages, wear embroidered brocade, adorn their horses with yak-tail and ivory, curtain their carriages, and use cushions of embroidered fine silk; tassels, belts, and woven pendants are interlaced with blue and yellow—luxurious beyond measure. The poor in summer wear coarse cloth tied with hemp rope, eat bean leaves, and drink cold water to stave off hunger and heat; in winter they wear sheepskin coats, tattered furs, and short coarse garments that do not cover the body, and must still draw near the stove mouth for warmth. Yet they are all equally registered commoners, with no difference in status; the gulf between rich and poor is like that between a ruler and a servant, and they cannot be compared.

Those who get by through strange skills, cunning, and heterodox paths can be self-sufficient for a lifetime; those who uphold the right Way, cultivate conduct, and do not take what is not rightfully theirs cannot escape hunger and cold. Under such conditions, to still wish to make the people abandon the secondary and return to the root, while cutting them off upstream and damming them downstream—this is like carving and engraving harming farming, and brocade and braided ornaments harming women’s work; when farming is neglected and women’s work is injured, these are the sources of hunger and cold. When hunger and cold press in together, to still avoid breaking the law and incurring punishment has never been heard of from ancient times to the present. Therefore whether one serves in office or remains lowly, whether noble or base, often depends on circumstances, not only on conduct; benefit and harm, misfortune and blessing, often lie in fate, not only in intelligence.

Soldiers of a defeated army, however brave, will flee, and generals cannot hold them back; in the ranks of a victorious army, even the timid will press forward desperately, and fear cannot make them run away. When a river bursts its banks and floods a village, fathers, sons, and brothers only care about fleeing to high ground; the nimble-footed climb the hills first, and no one can look after anyone else. When the times are peaceful and one’s mind is calm, seeing a person from a neighboring state fall into water, one would still feel pity—how much more for relatives? When oneself is secure, kindness and righteousness can reach neighboring states; when oneself is in danger, even relatives become suspicious, and others find it hard to resolve it for him. One who cannot swim cannot save a drowning person, because his hands and feet cannot even look after themselves; one who has been burned cannot fight fire, because his body is in pain. When the people have surplus, they yield; when they lack enough, they contend. Yielding gives rise to ritual propriety and righteousness; contention gives rise to violence and disorder. Knock on a door to ask for water, and no one refuses, because the household has enough water; in the forest no one sells firewood, and on the lake no one sells fish, because they have surplus of their own. When goods are abundant, desires are few; when demands are satisfied, contention ceases.

In the time of King Zheng of Qin, some people salted their own sons and sold them—not because the profit was great, but because the profit was so thin that they could not survive. The Liu clan did the same (this sentence may refer to comparable extreme cases of hunger and cold; the meaning of “Liu” in the original is uncertain, so here, following the sense of “the same as the Qin case,” it is rendered as: under similar circumstances people would also commit such extreme acts).

氏持政(劉氏謂/漢也)獨夫收孤財有餘也故世治 則小人守政而利不能誘也世亂則君子爲 姦而法弗能
Interpretation

This passage elucidates principles of political governance. When the Liu clan (referring to the Han dynasty) held power, even a solitary individual could amass considerable wealth—a testament to social stability. In times of peace and prosperity, even if petty men were entrusted with administrative duties, temptations of personal gain couldn't sway them; whereas in chaotic eras, even noble gentlemen might turn to corruption, with laws proving powerless to restrain them.

Through contrasting governance during orderly and disorderly periods, the text demonstrates how social environments shape human behavior. During well-governed eras with sound institutions, people's conduct remains properly constrained; when laws collapse in turbulent times, even inherently upright individuals may become corrupt. The vivid phrase "a solitary man gathers lone wealth in abundance" illustrates how personal prosperity naturally flourishes within effective political frameworks.

禁也

Source text: Kanripo 漢籍リポジトリ(KR5f0018); Licence: CC BY-SA 4.0 · Report an error / feedback

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