中文 · EN

《抱朴子外篇》Vol. 19

Start reading →Report an error / feedback

Taiqing 太清部 Vol. 19 / 51 1,450 characters

About this page. The original text of 《抱朴子外篇》 Vol. 19 (Taiqing 太清部, 51 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 3 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

Back to 《抱朴子外篇》
Reading modes explained
  • Horizontal: ordinary left-to-right reading; the interpretation can be shown.
  • Scroll: vertical text running right to left; the wheel scrolls sideways (no interpretation in this mode).
  • Wheel: columns of vertical text turn around a drum; use the wheel, drag or arrow keys, or auto-play.
  • Pages: about 200 characters per page; use the buttons, swipe or arrow keys.

Source textInterpretation

抱朴子外篇卷之十九    任命 抱朴子曰余之友人有居泠先生者恬愉靜 素形神相忘外不飾驚愚之容内不寄有爲 之心遊精墳誥樂以忘憂晝競羲和之末景 夕照望舒之餘耀道靡遠而不究言無微而 不研然車迹不軔(如震/切)權右之國尺牘不經 貴勢之庭是以名不出蓬户身不離畎畝於 是翼亮大夫候而難之曰余聞淵蟠起則玄 雲赴道化霑則逸才奮故康衢有角歌之音 鼎俎發淩風之迹沽之則收不貲之賈踊之 則超在天之舉耀逸景於暘谷播大明乎九 垓勛廕當己聲揚罔極故尋仞之塗甚近而 弗往者雖追風之脚不能到也楹梲之下至 卑而不動者雖鴻鶤之翅未之及也况乎寢 足於大荒之表斂羽於幽梧之枝安得效迅 以尋景振輕乎蒼霄哉年期奄冉而不久託 世飄迅而不再智者履霜則知堅冰之必至 處始則悟生物之有終六龍促軌於大渾華 顛倏忽而告暮古人所以映順流而頽歎眄 過隙而興悲矣先生資命世之逸量含英偉 以邈俗銳翰汪濊以波涌六竒抑鬱而淵穡 然不能淩扶摇以高竦揚清一於九玄器不 陳於瑚簋之末體不免於負薪之勞猶奏和 音於聾俗之地鬻章甫於被髮之域徒忘寤 於翰林銳意以窮神崇琬琰於懷抱之内吐 琳琅於毛墨之端躬困屢空之儉神勞堅高
Interpretation

I have a friend named Master Juling, whose temperament is serene and unassuming. Outwardly plain without deliberate adornment to deceive the foolish, inwardly free from utilitarian motives, he immerses himself in ancient classics (referring to texts like the Sanfen and Wudian), finding joy in them and forgetting worldly worries. By day, he chases the last rays of the sun (Xihe, the sun deity), and by night, he bathes in the gentle light of the moon (Wangshu, the moon deity). No matter how profound the principle, he delves into it; no matter how subtle the discourse, he scrutinizes it. Yet his footsteps never tread the thresholds of the powerful, nor do his letters reach the hands of high officials. Thus, his reputation remains confined to his humble cottage, and he never strays from the fields throughout his life.

A certain official named Yiliang once said to him: "I have heard that when the dragon (yuanpan) lurking in the deep abyss rises, auspicious clouds follow, and when moral teachings spread widely, talents emerge. Thus, folk songs (jiaoge) can be heard on the broad roads, and extraordinary individuals can be found among the feasting elite. With recognition, one may obtain priceless treasures; with opportunity, one may realize soaring ambitions. Let your radiance illuminate the land of the rising sun (Yang Valley), and let your fame spread across the Nine Provinces. Achievements will be credited to you, and your name will endure for ages. Yet if you refuse to take the short path right before you, even the swiftest feet chasing the wind will not reach the destination; if you will not move under the low eaves, even the wings of the great roc (hongkun) cannot take flight. How much less when your feet are buried in the wilderness and your wings folded on the shadowy branches of the phoenix tree—how can you swiftly chase light and shadow or soar into the azure sky?

"Human life is fleeting, and worldly splendor vanishes in an instant. The wise, stepping on frost, know that solid ice is coming; observing the beginning, they understand that all things must end. The six dragons (referring to the sun) hasten through chaos, and youthful hair turns gray in a blink—thus the ancients sighed at the flowing river and grieved at the white steed galloping past a crack. You, sir, possess extraordinary talent, a mind surpassing the mundane, thoughts surging like waves, and wisdom unfathomably deep. Yet you cannot ride the whirlwind (fuyao) to ascend the heavens and display your noble character among the Nine Heavens. A fine vessel (hugui, ritual objects) not displayed in the ancestral temple must still endure the toil of gathering firewood, like performing refined music for the deaf or selling ceremonial caps (zhangfu) among barbarians with disheveled hair. In vain, you lose yourself in the sea of books (Hanlin), stubbornly pursuing abstruse principles, cradling virtue as precious as jade (wanyan), your brush flowing with pearls of writing—yet your body remains trapped in poverty, your spirit exhausted in obstinate purity."

之間譬若埋尺璧於重壤之下封文錦於沓 匱之中終無交易之富孰賞堙翳之珍哉夫 龍驥維縶則無以别乎蹇驢赤刀韜鋒則曷 用異於鉛刃鱣鮪不居牛迹大鵬不滯蒿林 願先生委龍蛇之穴升利見之塗釋户庭之 獨潔覽二鼠而遠寤越窮谷以登高襲丹藻 以改素競驚飈於清晨不盤旋以詣夜收名 器於崇高嚮鍾鼎之慶祚栢成一介之夫採 薇何足多慕乎居泠先生應曰蓋聞靈機㝠 緬混芒眇昧禍福交錯乎倚伏之間興亡纏 綿乎盈虚之會迅逝者不能脫逐身之景樂 成者不能免理致之敗匠流末者未若挺冶 無兆之中整已然者不逮反本乎玄朴之外 是以覺尺蠖者甘屈以保伸識通塞者不慘 悅於否泰且夫洪陶範物大象流形躁靜異 尚翔沉舛情金寳其重羽矜其輕篤隘者執 束於滓涅達妙者逍遥於玄清潢洿納行潦 而潘壹渤澥吞百川而不盈鮋鰕踊悅於泥 濘赤螭淩厲乎高㝠嚼香餌者快嗜欲而赴 死味虚淡者含天和而趨生識機神者瞻無 兆而弗惑闇休咎者觸强弩而不驚各附攸 好安肯改營吾聞五玉不能自剖於嵩岫騰 蛇不能無霧而電征龍淵不能勿操而斷犀 兕景鍾不能莫扣而揚洪聲金芝須商風而 激耀倉庚俟烟煴而修鳴騏騄不苟馳以赴 險君子不詭過以毁名運屯則沉淪於勿用
Interpretation

This passage employs a series of vivid metaphors to illustrate the regret of unrecognized talent. Burying precious jade underground or locking exquisite brocade in layered chests renders even the finest treasures worthless when undiscovered. A thousand-mile steed tethered becomes no different from a lame donkey, and a treasured sword concealed might as well be made of lead. A giant fish won’t linger in a hoofprint-sized puddle, nor will the mighty roc perch among lowly shrubs.

The author advises: "I hope you’ll emerge from your hermit’s cave (the ‘dragon-snake den’ symbolizes seclusion) and step onto the path where your talents can shine. Recognize how fleeting life is—like two mice gnawing a rope (a Buddhist analogy for life’s fragility). Leave the secluded valley, scale the heights, and transcend simple living for higher pursuits. Spread your wings with the morning wind; don’t delay until nightfall. Seek noble reputation and status, savor the luxury of bell-and-cauldron feasts—why envy Bo Yi and Shu Qi (reclusive nobles who foraged wild herbs) in their poverty?"

Master Ling replies: "I’ve heard the mysteries of heaven and earth are profound—fortune and misfortune intertwine, prosperity and decline alternate. No matter how fast you run, your shadow follows; no success escapes the law of decline after zenith. Rather than drift with worldly currents, preserve your true nature; instead of mending what’s broken, return to primal simplicity. Those who understand flexion and extension know retreat prepares for advance; those who see life’s impermanence remain unmoved by circumstance.

Heaven and earth nurture all things, each with unique traits: some thrive in bustle, others in tranquility; gold is valued for weight, feathers prized for lightness. The narrow-minded are bound by filth; the enlightened roam freely in mystic purity. A puddle overflows with scant rain, yet the ocean welcomes all rivers without complaint. Minnows frolic in muddy ponds while crimson dragons soar the nine heavens. Those lured by bait perish; those savoring simplicity harmonize with nature. The wise discern omens in the formless, while the ignorant face danger unawares. All things find their place—why alter innate nature?"

A final cascade of metaphors underscores timing’s importance: "Jade won’t leap unaided from mountains; the tengshe (flying serpent) needs clouds to ascend. The Dragon Spring sword cannot fell rhinos without a wielder; great bells stay silent until struck. Golden mushrooms gleam only in autumn winds, and orioles sing solely in spring. Noble steeds don’t recklessly gallop; gentlemen err not for fame. When fortune wanes, withdraw with grace—this is the way of the world."

時行則高竦乎天庭士以自衒爲不高女以 自媒爲不貞何必委洗耳之峻摽效負俎之 干榮哉夫其窮也則有虞婆娑而陶鈞 父見逐於愚嫗范生來辱於溺簣(苦怪如/籠也)弘 式匿竒於耕牧及其達也則淮隂投竿而稱 孤文種解屩而紆青傳說釋築而論道管子 脫桎爲上卿蓋君子藏器以有待也稸德以 有爲也非其時不見也非其君不事也窮達 任所值出處無所繫其靜也則爲逸民之宗 其動也則爲元凱之表或運思於立言或銘 勛乎國器殊塗同歸其致一焉士能爲可貴 之行而不能使俗必貴之也能爲可用之才 而不能使世必用之也被褐茹草垂綸罝免 則心歡意得如將終身服冕乘軺兼朱重紫 則若固有之常如布衣此至人之用懷也若 席上之珍不積環堵之操不粹者予之過也 知之者希名位不臻以玉爲石謂鳳曰鷃者 非余罪也夫汲汲於見知悒悒於否滯者裳 民之情也浩然而養氣淡爾而靡欲者無悶 之志也時至道行器大者不悅天地之間知 命者不憂若乃徇萬金之貨以索百十之售 多失骭(干上/聲)毛我則未暇矣 抱朴子外篇卷之
Interpretation

This passage discusses the attitude and wisdom of noble individuals in navigating life. Those with true virtue (De) do not deliberately flaunt themselves—just as scholars appear noble by not boasting of their talents, and women appear chaste by not promoting themselves. Why must one imitate Xu You's ostentatious act of washing his ears (legend has it he cleansed them after Emperor Yao offered him the throne, deeming the proposal defiling), or replicate Yi Yin's showy approach of carrying his cooking pot to seek audience with King Tang of Shang?

Human circumstances alternate between adversity and prosperity: Emperor Shun once toiled in the fields, Fan Ju suffered the humiliation of being confined in a bamboo cage, and Hong Shi (a recluse of the Eastern Han) lived in seclusion farming. Yet in times of success, Han Xin rose from a humble fisherman to become a marquis, Wen Zhong exchanged straw sandals for official robes, Fu Yue ascended from wall-builder to prime minister, and Guan Zhong transformed from prisoner to high minister. This teaches us that noble individuals must cultivate their talents while awaiting opportunity and nurture their virtue (De) for future action—remaining concealed when the time is inopportune, and refusing service to unenlightened rulers.

Whether in adversity or prosperity, one should maintain equanimity: as a recluse, becoming a model of eremitic life; in office, setting the standard for all officials. Some establish their legacy through writings, others through meritorious deeds—the methods differ, but the principle remains constant. Scholars may accomplish praiseworthy deeds, yet should never demand worldly recognition; they may possess employable talents, yet must not insist on public appointment. Wearing coarse hemp and dining on wild greens, fishing and hunting—they remain content. Donning official robes and riding in carriages—they preserve their inner peace. This is the magnanimity of the perfected person (Zhiren).

If jade goes unrecognized or a phoenix is mistaken for a common bird, the fault lies not with me. Those who anxiously chase fame or wallow in frustration embody worldly frailties, while those who cultivate the vast Qi of the Dao and embrace serene detachment attain transcendent states. When the moment arrives, aspirations will naturally unfold—the truly enlightened harbor no anxieties. As for haggling over trivial gains like trading priceless treasures for meager sums? Such petty calculations are beneath contempt.

(Note: "Wearing coarse hemp and dining on wild greens" symbolizes humble circumstances, while "donning official robes and riding carriages" represents prosperity—both metaphors for life's fluctuating fortunes.)

十九

Source text: Kanripo 漢籍リポジトリ(KR5f0021); Licence: CC BY-SA 4.0 · Report an error / feedback

← Vol. 18 Vol. 20 →