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《抱朴子外篇》Vol. 3

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Taiqing 太清部 Vol. 3 / 51 2,031 characters

About this page. The original text of 《抱朴子外篇》 Vol. 3 (Taiqing 太清部, 51 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 5 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

抱朴子外篇卷之三(四同/卷)真三    勗學 抱朴子曰夫學者所以清澄性理簸揚埃穢 雕鍜鑛璞礱鍊屯鈍啓導聰眀飾染質素察 往知來博涉勸成仰觀俯察於是乎在人事 王道於是乎備進可以爲國退可以保己是 以聖賢罔莫孜孜而勤之夙夜以勉之命盡 日中而不釋飢寒危困而不廢豈以有求於 當世哉誠樂之自然也夫斲削刻畫之薄伎 射御騎乘之易事猶須慣習然能後善況乎 人理之曠道德之遠隂陽之變鬼神之情緬 邈玄奥誠難生知雖云色白匪染弗麗雖云 味甘匪和弗美故瑶華不琢則耀夜之景不 發丹青不治則純鈞之勁不就火則不鑽不 生不扇不熾水則不决不流不積不深故質 雖在我而成之由彼也登閬風捫晨極然後 知井谷之闇隘也披七經玩百氏然後覺面 牆之至困也夫不學而求知猶願魚而無網 焉心雖勤而無獲矣廣博以窮理猶順風而 託焉體不勞而致遠矣粉黛至則西施以加 麗而宿瘤以藏醜經術深則高才者洞達鹵 鈍者醒悟文梓干雲而不可名臺榭者未加 班輸之結構也天然爽朗而不可謂之君子 者不識大倫之臧否也欲超千里於終朝必 假追影之足欲凌洪波而遐濟必因艘楫之 器欲見無外而不下堂必由之乎載籍欲測 淵微而不役神必得之乎明師故朱緑所以
Interpretation

This passage discusses the importance of learning and its profound impact on human life.

Ge Hong (Baopuzi) believed that learning purifies one’s nature, removing impurities just as polishing carves and refines jade. By studying history, one can foresee the future, and through broad learning, one grows—observing both the heavens and the earth while understanding human affairs. Those who master learning can govern the nation when in office and preserve themselves when in retreat. Thus, sages and worthies tirelessly devoted themselves to study day and night, persisting even when exhausted or in hardship—not for worldly gain, but out of genuine passion.

Even simple skills like carving and archery require repeated practice to master—how much more so for profound truths like human nature, the essence of virtue (De), the transformations of Yin-Yang, and the mysteries of spirits (Shen) and ghosts? Even innate intelligence must be perfected through learning. Just as unpolished jade cannot shine, unseasoned delicacies lack flavor, and unrefined swords fail as weapons, fire does not blaze without fanning, and water does not deepen without flowing. Though talent is inborn, it is learning that brings it to fruition.

Only by ascending the summit of Mount Kunlun (Langfeng) can one recognize the narrowness of valleys; only by studying the classics (Seven Scriptures) and the philosophies of the Hundred Schools does one realize the poverty of ignorance. Seeking knowledge without learning is like fishing without a net—futile effort. Yet broad learning to explore truth is like sailing with the wind, reaching far with little exertion. Just as cosmetics enhance the beauty of Xi Shi or mask the flaws of an unattractive woman, profound learning sharpens the wise and enlightens the dull.

Fine timber (Wenzi) cannot become towers without the craftsmanship of a master artisan (Ban Shu); a naturally brilliant mind cannot be called noble without understanding human ethics. To travel a thousand miles in a day, one needs a swift horse; to cross great rivers, one must rely on boats; to know the world without leaving home, one must read; to grasp profound truths without exhausting the mind, one must seek a wise teacher. Thus, cinnabar and green pigment (Zhu Lü)... [The original text is incomplete here, but the intended meaning likely continues with analogies emphasizing the necessity of learning.]

改素絲訓誨所以移蒙蔽披玄雲而揚大明 則萬物無所隱其狀矣舒竹帛而考古今則 天地無所藏其情矣况於鬼神乎而况於人 事乎泥涅可令齊堅乎金玉曲木可攻之以 應繩墨百獸可教之以戰陳畜牲可習之以 進退沈鱗可動之以聲音機石可感之以精 誠又况乎含五常而禀最靈者哉低仰之駟 教之功也鷙擊之禽習之馴也與彼凡馬野 鷹本實一類此以飾貴彼以質賤運行潦而 勿輟必混流乎滄海矣崇一簣而弗休必鈞 高乎峻極矣大川滔瀁則虬螭群游日就月 將則德立道備乃可以止夢乎丘旦何徒解 桎乎困蒙哉昔仲由冠雞帶㹠䨥珥鳴蟬杖 劍而見拔刃而舞盛稱南山之勁竹欲任掘 强之自然尼父善誘染以德教遂成升堂之 生而登四科之哲子張鄙人而灼聚凶猾漸 漬道訓成化名儒乃抗禮於王公豈直免於 庸陋以是賢人悲寓世之倏忽疾泯没之無 稱感朝聞之弘訓悟通微之無類懼將落之 明戒覺罔念之作狂不飽食以終日不棄功 於寸隂鑒逝川之勉志悼過隟之電速割遊 情之不急損人間之末務洗憂貧之心遣廣 願之穢息畋□博奕之游戲矯晝寢坐睡之 懈怠知徒思之無益遂振策於聖途學以聚 之問以辯之進德脩業温故知新夫周公上 聖而日讀百篇仲尼天縱而韋編三絶墨翟
Interpretation

This passage uses metaphors to illustrate how education and learning can transform human nature and facilitate progress. Just as dyed silk threads can alter their original color, or parting clouds allow sunlight to illuminate the earth and reveal the true forms of all things, unrolling bamboo scrolls to study past and present enables one to comprehend the mysteries of heaven and earth—how much more so the affairs of spirits and human society!

Clay fired in a kiln becomes as hard as gold and jade; warped wood can be straightened with an inked line; wild beasts can be trained for military formations; domestic animals learn to advance and retreat; deep-water fish are drawn by music; intricate mechanisms respond to sincere devotion. How much more then for humans—endowed with the Five Constant Virtues (humanity, righteousness, propriety, wisdom, and faithfulness) and possessing the most refined spiritual endowment? Fine steeds become so through training, fierce falcons through taming—though of the same species as wild horses and hawks, they acquire distinction through cultivation.

Like ceaseless streams that eventually merge into the ocean, or basketfuls of earth that accumulate into mountains, great rivers flowing ceaselessly become home to dragons, and daily accumulation leads to the establishment of Virtue (De) and realization of the Dao. Only thus can one, like Confucius and the Duke of Zhou, meet sages in dreams—transcending mere liberation from ignorance.

The text provides examples: Confucius's disciple Zilu was originally wild and unrestrained, but through the transformative influence of Confucian Virtue (De), he ultimately became a worthy who entered the hall of wisdom. Another disciple, Zizhang, began as a crude man but through moral cultivation became a renowned scholar who associated with nobility as an equal.

Therefore, worthy men lament the brevity of life and fear obscurity. They cherish time, avoiding idleness, refusing to be troubled by trivialities, abstaining from frivolous pleasures, and correcting slothful habits. Understanding the futility of empty speculation, they strive toward the path of sages. Knowledge grows through study; principles clarify through questioning; Virtue (De) deepens through reviewing the old to understand the new. Sages like the Duke of Zhou read a hundred texts daily; prodigies like Confucius wore out the leather thongs binding his bamboo books three times through constant rereading; even the wise Mozi never ceased his diligent study.

大賢載文盈車仲舒命世不窺園門倪寬帶 經以芸鉏路生截蒲以寫書黄霸抱桎梏以 受業甯子勤夙夜以倍功故能究覽道奥窮 測微言觀萬古如同日知八荒若户庭考七 耀之盈虚步三五之變化審盛衰之方來驗 善否於既往料玄黄於掌握甄未兆以如成 故能盛德大業冠於當世清芳令問播于罔 極也且夫聞商羊而戒浩瀁訪鳥砮而洽東 肅諮萍實而言色味訊土狗而識墳羊披靈 寳而知山隱因折俎而說專車瞻離畢而分 隂陽之候由冬螽而覺閏餘之錯何神之有 學而已矣夫童謡猶助聖人之耳目豈况墳 索之弘博哉才性有優劣思理有脩短或有 夙知而早成或有提耳而後喻夫速悟時習 者驥騄之脚也遲解晩覺者鶉鵲之翼也彼 雖尋飛絶景止而不行則步武不過焉此雖 咫尺以進往而不輟則山澤可越焉明暗之 學其猶兹乎蓋少則志一而難忘長則神放 而易失故修學務早及其精專習與性成不 異自然也若乃絶倫之器盛年有故雖失之 於暘谷而收之於虞淵方知良田之晩播愈 於卒歲之荒蕪也日燭之喻斯言當矣世道 多難儒教淪喪文武之軌將遂凋墜或沈溺 於聲色之中或驅馳於競逐之路孤貧而精 六藝者以游夏之資而抑頓乎九泉之下因 風而附鳳翼者以駑庸之質猶迴遑乎霞霄
Interpretation

This passage illustrates how ancient sages achieved extraordinary wisdom through diligent study. Exemplary figures like Dong Zhongshu (renowned Confucian scholar of the Western Han Dynasty) devoted three years to scholarship without even glancing at his garden gate; Ni Kuan (Han Dynasty scholar) carried classics to study while farming; Huang Ba (famous Han minister) continued learning even in prison; Ningzi (virtuous man of Spring-Autumn period) doubled his efforts with day-and-night study. Through such dedication, they penetrated the profound mysteries of the Dao (the Way), discerned subtle truths, perceived ancient history as clearly as present events, and understood distant realms as intimately as their own courtyards.

The text cites numerous examples of ancient wisdom gained through observing natural phenomena: recognizing impending floods by the behavior of "shangyang birds," understanding eastern governance through "bird crossbows," discerning colors and flavors by examining "duckweed fruits," identifying mythical "grave sheep" by observing mole crickets. These insights stemmed from accumulated knowledge rather than supernatural powers.

The author emphasizes the importance of early learning, as youthful minds retain focus and memory more readily, whereas older practitioners face greater distraction. Yet even late study proves valuable—like sowing fertile fields at dusk, it surpasses complete neglect. The "late candle" metaphor illustrates: though lit at evening, its light still triumphs over perpetual darkness.

Finally, the text critiques contemporary moral decline and Confucianism's deterioration. Some indulge in pleasure-seeking; others chase fame and profit. True talents like Ziyou and Zixia (disciples of Confucius)—who mastered the Six Arts despite poverty—remain overlooked, while mediocrities thrive through political connections. Through historical contrast, the passage underscores the enduring value of earnest scholarship.

之表舍本逐末者謂之勤修庶幾擁經求己 者謂之陸沈迂闊於是莫不蒙塵觸雨戴霜 履氷懷黄握白提清絜肥以赴邪徑之近易 規朝種而暮穫矣若乃下帷高枕遊神九典 精義賾隱味道居靜確乎建不拔之操揚青 於歲寒之後不揆世以投迹不隨衆以萍漂 者蓋亦鮮矣汲汲於進趨悒悶於否滯者豈 能舍至易速達之通塗而守甚難必窮之塞 路乎此川上所以無人子衿之所爲作愍俗 者所以痛心而長慨憂道者所以含悲而頽 思也夫寒暑代謝否終則泰文武迭貴常然 之數也冀群寇畢滌中興在今七耀遵度舊 邦惟新振天惠以廣掃鼓九陽之洪爐運大 鈞乎皇極開玄模以軌物陶治庶類匠成翹 秀蕩汰積埃革邪反正戢干戈橐弓矢興辟 雍之庠序集國子修文德發金聲振玉音降 風雲於潜初旅束帛乎丘園令抱翼之鳳奮 翮於清虛頂領之駿騁迹於千里使夫含章 抑鬱窮覽洽聞者申公伏生之徒發玄纁登 蒲輪吐結氣陳立素顯其身行其道俾聖世 迪唐虞之高軌馳升平之廣塗玄流沾於九 該惠風被乎無外五刑厝而頌聲作和氣洽 而嘉穟生不亦休哉昔秦之二世不重儒術 舍先聖之道習刑獄之法民不見德唯戮是 聞故感而不知反迷之路敗而不知自救之 方遂墮墜於雲霄之上而整粉乎不測之下 惟尊及卑可無鑒乎
Interpretation

This passage critiques the prevalent societal tendency toward quick success and instant gratification, contrasting it with two fundamentally different approaches to life. Those who neglect fundamentals while chasing trivialities appear diligent on the surface, yet their efforts are but superficial posturing—rushing about like travelers braving storms and treading frost, taking crooked paths for immediate gains while deluding themselves that morning's sowing will yield evening's harvest.

Those of true integrity follow an entirely different path. They cultivate stillness to delve deeply into classical texts (the "Nine Classics" representing essential scriptures), comprehending the Dao's profound meaning through quiet contemplation. Like evergreen pines enduring winter's chill, they maintain unwavering virtue. Neither swayed by trends nor anxious about official careers, such individuals remain exceedingly rare, for most opt for seemingly easier shortcuts rather than the arduous yet righteous path—a social phenomenon that grieves those concerned with moral decline.

The author perceives worldly affairs as cyclical as seasonal changes, believing adversity will eventually pass. He anticipates that after turmoil subsides, society may rebuild ritual and cultural education ("Piyong" referring to ancient academies), refining talent like molten metal in a great furnace while purging accumulated social ills. Let scholars (exemplified by revered Han Dynasty Confucians like Shen Gong and Fu Sheng) fully employ their wisdom to restore the golden age of Yao and Shun—where punishments lie unused and harvests abound—recreating that legendary peace.

The text concludes with a warning from the Qin Dynasty's collapse: Emperor Qin Ershi's contempt for Confucian teachings and abandonment of the sages' Dao, relying solely on harsh laws, resulted in a populace acquainted only with tyranny, devoid of benevolent virtue—ultimately leading to their catastrophic downfall from great heights. This historical lesson, the author stresses, should serve as solemn warning for all, regardless of status or nobility.

抱朴子外篇卷
Interpretation

The Outer Chapters of the Master Who Embraces Simplicity (Baopuzi Waipian) was composed by Ge Hong, a Daoist theorist of the Eastern Jin dynasty. Unlike the Inner Chapters which focus on techniques for attaining immortality, the Outer Chapters primarily discuss sociopolitical issues and life philosophy. This section from Chapter 3 emphasizes principles for personal conduct.

Ge Hong asserts that a noble person should be like fine jade—warm and measured, neither excessively displaying sharp edges nor deliberately concealing talent. He offers an analogy: a truly fine sword isn't worn ostentatiously at the waist all day, just as a genuinely wise person doesn't flaunt intelligence at every turn. This restrained approach to life embodies the Daoist ideal of "harmonizing radiance with the dust" (heguang tongchen)—blending harmoniously with worldly affairs while preserving one's true nature.

When discussing friendship, he observes that a person's character should be judged by their conduct in poverty and their actions when achieving success. Just as pine and cypress reveal their resilience through winter's harshness, genuine friendship must withstand adversity. He specifically warns against forming deep bonds with three types: first, petty individuals who feign warmth while scheming behind one's back; second, opportunistic people who abandon principle for profit; and third, obstinate pedants who refuse to acknowledge their mistakes.

Regarding study, Ge Hong stresses the importance of absorbing knowledge broadly like a sponge soaking up water, yet refining its essence like smelting metal. He criticizes contemporaries who read voraciously without depth, comparing them to carrying water in a broken basket—appearing diligent while achieving nothing. True learning values distillation, much like using medicine to cure illness: the key lies in precise application rather than quantity.

之三

Source text: Kanripo 漢籍リポジトリ(KR5f0021); Licence: CC BY-SA 4.0 · Report an error / feedback

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