《上清諸真人授經時頌金真章》
About this page. The original text of 《上清諸真人授經時頌金真章》 (Zhengyi 正一部, 1 volume) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 3 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English
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Source textInterpretation
Vol. 1
"Jade Truth Verses Chanted by Shangqing Perfected Ones During Scripture Transmission" - A Modern Interpretation
This is a hymn of praise recited by the immortals of the Shangqing tradition during scripture transmissions, depicting the magnificent celestial realms and the profound mysteries of cultivation.
The verses describe the golden palaces of the Great Radiance Court (a Daoist celestial realm) shimmering with purple light, where meditation chambers glow with pristine primordial Qi (vital energy). Vermilion jade adorns the surrounding corridors as immortals traverse the void in emerald chariots, their jade-canopied vehicles dancing through the air. The Queen Mother of the West waves embroidered banners, effortlessly bridging the celestial and human realms.
Practitioners gather here through karmic connections from past lives, riding the wind to the highest heavens where they drink celestial dew to nourish their Neidan (internal alchemy). Having severed worldly attachments, how could ordinary people comprehend such mysteries? Ascending to the Dark Mysteries of the northern paradise, they join hands to weave celestial nets of dharma, while fragrant clouds permeate the eight directions and mysterious winds stir crimson waves.
Gazing upward at the crystalline celestial river, looking down upon winding mountain ranges - jade flutes resound through cloud banks as phoenix cries vibrate through the nine heavens' radiance. Immortals ride Qi through the cosmic void - why linger among earthly peaks? Holding golden talismans, they command celestial armies, summoning feather-forest generals to subdue ten thousand demons.
The poem further paints wondrous scenes: northern mountain ranges wreathed in violet mists, crimson trees heavy with purple blossoms, blue pistils drifting through phoenix groves, and jade-green trees standing gracefully on cliff edges. Divine palaces pierce the clouds, their rainbow towers reflecting colored mists. Curved chambers fill with rising cloud-breath as eight-direction winds whirl mysterious sands. Nine-stringed zithers play before imperial windows, their dragon-song keeping perfect rhythm.
The Five Sacred Peaks' deities obey commands at will - talismans in hand, they summon demons to surrender. In the blink of an eye, oceans become mulberry fields - how could mayfly-lived mortals grasp eternity? Practitioners roam the Great Void, finding perfect freedom in macrocosm and microcosm alike. Dragon-song twines through five-colored auspicious clouds while tiger-roars shake ten thousand mountain streams.
The Three Pure Essences (Jing-Qi-Shen) condense into mysterious patterns as cinnabar clouds stain the dawn sky crimson. Feather banners array across the Spirit River while purple chariots race beneath jeweled canopies. Soaring beyond the nine heavens, they move between heaven and earth without constraint. Earthly filth drains spiritual vitality - why not seek the immortal path? Eight thousand years pass like a single morning.
At dawn they cross jade-green sea waves, flying wheels departing emerald palaces. Chanting summons companions from the netherworld as jeweled canopies traverse the vast ocean. Thrice merging with the Jade Heaven, five times paying homage to the Eastern Florescence's immortal youths (attendants of the Emperor of Eastern Florescence). Riding the wind they ascend to the Emperor's Dawn Heaven, feasting in the Moon Palace. Music resonates through the Eight Palaces (aligned with the Bagua) as purple phoenixes sing with the numinous wind. Crimson mists veil the sun while the Eight Scenes (Daoist celestial vistas) soar through space.
Sipping jade nectar and ambrosia, their overflowing Qi reverses aging. Supreme joy nourishes the five viscera's Shen (spirit), accumulating years as lofty as mountain peaks. Through sublime imagery, the poem reveals the Daoist practitioner's ultimate pursuit - transcending time and space to attain unbound celestial freedom.
This scripture depicts the sacred scene of immortals from the Shangqing (Highest Clarity) tradition—a major Daoist school—transmitting their classics, revealing the magnificent vistas and cultivation realms of the celestial world. It primarily describes:
The immortal effortlessly casts off worldly restraints ("how easily the sandals are discarded") and sets forth at dawn riding the morning light ("driving forth with the radiance of daybreak"), traversing the heavens atop violet-hued clouds. The celestial realm features majestic palaces ("western spirit towers arrayed in rampart halls") and fluttering banners ("swirling mists entwine embroidered pennants"), as hosts of divine beings tour the eight directions in dragon-drawn chariots ("auspicious clouds circle the dragon-borne canopies").
The text employs numerous specialized Daoist terms:
- Ziqing (Purple Clarity) and Guanghan Ting (Vast Cold Court): celestial palaces
- Shijue (Ten Sublimities) and Kongtong (Hollow Void): supreme Daoist realms
- Huqi (tiger banners) and Longping (dragon canopies): immortal processional regalia
- Sanyuan (Three Primes) and Donghua (Eastern Florescence): referring to the Three Officials and the Emperor of Eastern Florescence
- Niwan (Muddy Pellet): the crown-point acupoint, crucial for cultivation
Practitioners attain their goals through methods like "strumming the jade pipes in vermilion rhythm" (playing celestial music) and "grasping the tally to enter Donghua" (holding ritual credentials to access immortal realms), ultimately achieving states of "embracing emptiness within the Niwan" (unifying the spirit) and "celestial grace renewing like an infant" (rejuvenation to childlike purity). The conclusion portrays the carefree existence of bathing in divine dew beneath the Fusang Divine Tree (mythical solar tree where the sun rises) and roaming wind-borne through the heavens.
Through its resplendent imagery of the immortal realm, the entire passage expresses the Daoist ideal of transcending worldly dust to merge with the ultimate truth of the Dao.
This passage from The Hymns of Golden Truth Chanted by the Shangqing Perfected Ones During Scripture Transmission describes a Daoist practitioner's experiential states and spiritual realms during the realization of true Dao.
The opening four lines speak of transcending worldly concerns: Practitioners meet within the mysterious realms, allowing their spirit (Shen) to roam freely through hidden darkness. Only then do they realize that worldly honors and disgraces bring nothing but toil, awakening to how sorrow shortens one’s lifespan.
The middle section depicts the setting of cultivation: In the secluded alchemical chamber (Qu Shi), they maintain purity and cultivate with sincerity, awaiting the right moment. Why cling to worldly fame and wealth? All manner of illness and suffering arise from such attachments.
Next comes the description of internal alchemy (Neidan) practice: Golden radiance emerges from the celestial court (Tianting, the upper Dantian), warding off Yin and malevolent energies. The jade valley (Yu Gu, a metaphor for the body’s Qi convergence) resonates with profound harmony, while the purest breath (Qiong Qi) interweaves. The innate vital energy (Tianzhen, primordial Qi) rises like the sun, exhaling spiritual essence (Ling Sha).
The final passage portrays the state of attaining Dao: Celestial beings descend on heavenly steeds to the practitioner’s dwelling. When the immortals enter the meditation chamber, the power of the scriptures dispels all demonic obstructions.
The concluding note explains: These twelve hymns of Golden Truth contain the true names of divine beings and the secret titles of celestial palaces. Reciting them unblocks the meridians and dissolves ailments. When transmitting these scriptures, they should always be chanted aloud.
(Note: "Tianting" refers to the upper Dantian in the head; "Yu Gu" symbolizes the body’s Qi convergence; "Tianzhen" denotes innate primordial Qi—all are specialized terms in Daoist internal alchemy.)
Source text: Kanripo 漢籍リポジトリ(KR5g0183); Licence: CC BY-SA 4.0 · Report an error / feedback