《天壇王屋山聖跡記》
About this page. The original text of 《天壇王屋山聖跡記》 (Dongshen 洞神部, 1 volume) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 12 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English
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Vol. 1
The Records of Sacred Traces at Mount Wangwu's Celestial Altar documents the mythical account of the Yellow Emperor paying homage to the Queen Mother of the West (Xiwangmu) at Mount Wangwu:
Master Guangcheng Du Guangting of the Tang Dynasty recorded that the state conducted the grand Luo Tian Dajiao (the highest-ranking Daoist purification ritual), casting golden dragon jade tablets into famous mountain grotto-heavens across the land. According to the Jade Scripture of Tortoise Mountain in the Daoist Canon, Mount Wangwu ranks first among the Ten Great Grotto-Heavens, renowned as the "Minor Pure Void Grotto." Spanning ten thousand li, it lies northwest of Luoyang in Wangwu County, administered by the immortal Master Wang.
Legend recounts that on the jiazi day of the first lunar month during his inaugural reign year, the Yellow Emperor first observed three days of purification at Mount Wangwu before ascending to the Qionglin Terrace summit to pray to heaven. Seeking victory against the rebel Chiyou, the Queen Mother of the West descended upon the Celestial Altar in response. She first dispatched the Azure Lad of the Eastern Sea and the Mysterious Maiden of the Nine Heavens to impart battle strategies. Following their counsel, the Yellow Emperor defeated Chiyou at Jizhou, restoring peace to the realm.
After the war, the Queen Mother sent the White Tiger Deity of the West to present the Emperor with a feathered immortal robe and arranged to meet him at the Wilderness of Solitary Bamboo. The Yellow Emperor respectfully attended, witnessing spectacular celestial phenomena: azure-robed youths, immortals in rainbow-feathered garments riding flying dragons and tigers, phoenix-mounted beings holding divine regalia, accompanied by celestial orchestras and dancers.
Suddenly, a jeweled chariot drawn by nine five-hued dragons appeared, its nine-tiered feathered canopy sheltering the golden-crowned Queen Mother in yellow robes. She had an immortal youth offer the Emperor a seat, congratulating him: "May your sacred health endure and peace reign. Was your campaign arduous?" The Emperor humbly replied: "All was achieved through heaven's grace and your instruction." The Queen Mother hosted a banquet with luminous fruits and vessels, while the immortal maiden Song Miaoying performed the Ten-Thousand Year Longevity hymn.
(Note: "Luo Tian Dajiao" refers to Daoism's most solemn sacrificial rite; "grotto-heavens" designate recognized abodes of immortals; "Qionglin Terrace" is Mount Wangwu's summit altar; "Wilderness of Solitary Bamboo" denotes a legendary gathering place for deities.)
This scripture recounts the sacred encounter between the Queen Mother of the West (a revered Daoist deity) and the Yellow Emperor:
The Queen Mother bestowed upon the Yellow Emperor several lingzhi mushrooms, which eliminated hunger and thirst when consumed. She then transmitted to him the cultivation classic Xiuzhen Qimei (Seven Essentials of Cultivating Perfection) before ascending back to heaven. Three years later, on the first day of the eighth lunar month, she dispatched the White Tiger deity of the West to deliver a divine message. At that time, the Yellow Emperor was at Mount Dawei (in present-day Xinzheng, Henan). Upon receiving the celestial edict, he immediately began purification rituals.
Traveling to Luoyang, he crossed the river at Baipo and proceeded to Mount Wangwu (the foremost of Daoism's Ten Great Grotto-Heavens). After three days of purification and fasting, on the fifteenth day of the eighth month, he ascended to the summit of Tiantan Peak. As the Yellow Emperor burned incense in prayer, an extraordinary celestial fragrance suddenly wafted from the west, heralded by the arrival of the Bluebird (the Queen Mother's messenger). Then appeared a magnificent celestial procession—the Queen Mother descended with numerous immortals clad in feathered robes and jade ornaments.
The Yellow Emperor repeatedly stole glances at the immortals' attire, and the Queen Mother, perceiving his thoughts, explained these were celestial ceremonial garments worn only when paying homage to the stars or making offerings to Heaven, Earth, and ancestors. When the Emperor expressed he wouldn't presume to bestow such divine vestments upon his ministers, the Queen Mother praised his understanding, establishing the principle that "feathered robes need not bow to earthly rulers."
Declining the earthly feast prepared by the Emperor, the Queen Mother instructed that offerings to deities required only selecting an auspicious day to build an altar with clean mats, incense lamps, flowers, and fruits—clear water and medicinal herbs sufficed when these weren't available. Before departing, she gifted him jasper-cloud immortal nectar and crimson-essence immortal fruits. Since then, every fifteenth day of the eighth month, cultivators gather at Mount Wangwu, which also marks the celestial examination of cultivation merits.
The scripture adds: During the era of the Mysterious Origin Emperor (Daoism's honorific title for Laozi), the Four Dragon Kings were commanded to construct the Ten Great Grotto-Heavens. Mount Wangwu still preserves the drum-shaped megaliths from that period. The mountain's "Shangfang Courtyard" was originally called "Shangfang Courtyard" (Seeking Immortals Courtyard) because the Yellow Emperor sought transcendents there. The Tang dynasty master Sima Chengzhen renamed it Shangfang Courtyard during Emperor Ruizong's reign...
At that time, Princess Yuzhen was practicing Daoist cultivation at the Golden Immortal Temple (present-day Lingdu Temple). Emperor Xuanzong of Tang personally visited both the True Origin and Golden Immortal Temples, which stood opposite the western capital Chang'an. Departing from the Xuanwu Gate and crossing the Yellow River, one reached Dongzhang Village, known as Dongzhang Post Station. An imperial decree demarcated the boundaries of four counties to jointly protect these two temples: east to Jiyuan County, south to Heqing County, west to Shaoyuan County, and north to Yangcheng County.
Mount Wangwu has been a sacred site since the era of the Yellow Emperor. By the Jin Dynasty, Lady Wei of the Southern Peak (Wei Huacun) attained the Dao (the Way) here. The heavens dispatched the Minor Cavern Lord, Prince Zi, to descend to the Pure Void Palace, where he transmitted forty-seven authentic methods to Lady Wei. After mastering them, the immortal officials of the Southern Peak welcomed her to Mount Heng to assume the divine office of Siming (Director of Destinies). Though heaven and earth do not speak, these true events can be understood through the records of ancient texts.
Mount Wangwu is a sacred site where the Dao-Qi (vital energy of the Way) coalesced before the separation of heaven and earth, manifesting its true form after the division of Yin-Yang. This "Record of Sacred Traces at the Celestial Altar of Mount Wangwu" was composed to inform future generations of its origins.
Mount Wangwu lies over a hundred li north of Luoyang, on the northern bank of the Yellow River. Its majestic peaks stretch continuously, towering into the clouds, connecting to Kunlun in the west and the Eastern Sea in the east. According to the "Jade Scripture of the Tortoise Mountain," this blessed grotto-heaven spans ten thousand li and is the source of mountains and rivers. Its highest peak, named Celestial Altar Mountain, is called the Jade Forest Terrace in the "Inner Transmission of the Yellow Emperor," while the "Zhen'gao" identifies it as an alternate name for the Pure Void Minor Heaven. Below the mountain flows the Paoji River, where grows the water-born immortal herb (shuizhi) capable of bestowing longevity.
Legend holds that the Yellow Emperor once ascended Celestial Altar Mountain, where he saw the first terrace step standing about two zhang high, with the next two steps totaling seventy chi, all surrounded by naturally formed stone cliffs. When he performed the heaven-worship ritual here, the Mysterious Maiden of the Nine Heavens and the Queen Mother of the West descended, transmitting to him the "Scripture of the Nine Cauldrons Divine Elixir" and the "Yin Talisman Strategy," aiding his victory over Chiyou. Since then, Celestial Altar Mountain became a sacred site, renowned for its extraordinary rocks and rare herbs, its status rivaling the Five Sacred Peaks and Four Great Rivers of antiquity.
Mount Wangwu (the foremost of Daoism's Ten Great Grotto-Heavens) serves as a regular gathering place for immortals. Every year on the eighteenth day of the third lunar month and during important Daoist festivals (known as Yuanhui days), if the weather is clear, one can hear the pure tones of celestial bells echoing from distant caves during the fifth watch (3-5 AM). As the sun prepares to rise, crimson clouds appear in the sky, revealing the profound interplay of heaven's and earth's Yin-Yang transformations.
At dawn, a white immortal rooster—smaller than domestic fowl with snow-white feathers—often descends to announce the daybreak. At the center of the altar stands a peculiar stone lampstand over ten feet tall. On days when immortals convene, perfected beings from sacred mountains gather to assess practitioners' progress in cultivation and record human virtues and transgressions. The sky typically remains overcast throughout these days, clearing only by evening. Daoist practitioners perform rituals such as "casting bamboo slips" (inscribing prayers on slips and casting them into the mountain) and "reciting petitions" (chanting memorials).
A small stele beside the altar records that in the eighth year of the Tianbao era (749 CE), a magistrate of Xin'an County established this altar and erected the stele to pray for national peace and prosperity. The altar's peak rises above surrounding mountains, its shadow stretching a thousand li to the Western Mountains at sunrise. No birds fly here—only the sound of wind through pines. Standing atop the altar, one feels balanced Qi and blood, with a lucid spirit (Shen), able to see one's own shadow clearly as if hovering above rivers and peaks. Before dawn, a sensation of weightlessness arises, as if riding on vital essence (Jing-Qi). This is truly a realm for immortal wanderings—those with unstable resolve may feel terror. On clear nights, human laughter and celestial music often drift through the air.
West of the altar lies the "Taiyi Spring," its sweet, honey-like waters flowing year-round without diminishing, sufficient to quench a thousand thirsts. Nearby stands "White Turtle Rock," where a cave houses a turtle-shaped white stone said to be the transformed mount of an immortal.
The Record of Sacred Sites at Mount Wangwu in the Heavenly Altar describes several significant landscapes and cultivation sites at this sacred Daoist mountain:
High on the cliff dozens of zhang above the Black Dragon Cave lies a grotto two zhang deep. To the northwest stands the "Cloud-Resting Hermitage" Heavenly Gate (Tianmen, a portal to immortal realms), where vine ladders once allowed ascent. Legend says the Primordial Goddess of Great Unity (Taiyi Yuanjun) cultivated the Dao here, with the Taiyi Spring flowing beneath the mountain before merging eastward into the Ji River.
Southward lies a rock platform called "Purple-Gold Hall," where the Yellow Emperor (Xuanyuan Huangdi) supposedly rested. A precarious path leads to a stone gate so narrow one must pass sideways—beyond it lies the altar summit. This "Eastern Heavenly Gate" has a nearby Robe-Changing Pavilion. At the summit stands the Hall of the Three Pure Ones (Sanqing Dian, enshrining Daoism's highest deities), flanked by eastern and western corridors with a square pavilion at the edge. From its railings, one gazes south to Mount Song and Shaoshi Mountain with the Yellow River ribbon-like below; west to Mount Wangfu; northeast to the Three Grottoes of the Queen Mother of the West (Xi Wangmu's cultivation caves).
At the altar's northeast corner protrudes the "Heart-Settling Stone"—over one zhang long and one chi wide—jutting above a hundred-zhang chasm that daunts the timid. Northward lies Mount Qicheng, northeast the Taihang Mountains, while the east offers sublime sunrises. From this vantage, surrounding peaks appear like small mounds, affirming this grotto-heaven's transcendent status.
The elegant eastern peak is called "Solar Essence Peak" (Rijing Feng), the western "Lunar Radiance Peak" (Yuehua Feng). The southern ridge, "Cloud-Treading Ridge" (Nieyun Jiao), overlooks the "Qin-Evading Gully." Southwest lies the "Eighteen Bends" path near the "Immortals' Bridge." East stands the Crouching Dragon Ridge; south, the diminutive "Egg Peak" (Jizi Feng) above the Sky-Gazing Pool. The eight-li descent to Upper Cloister includes a resting pavilion.
Central Rock Platform marks where Sima Chengzhen (Tang dynasty master known as Sima Ziwei) cultivated the Dao, facing the Purple Tenuity Stream. Eight li separate it from Sunlit Terrace Abbey (Yangtai Guan), passing the Immortal Cat Cave and Ever-Fresh Spring. East of the abbey remains the well where Perfected Yan (Tang adept Yan Guoxian) washed his elixir (Dan), with "Yan Family Spring" a hundred paces northeast. The eight ridges before the abbey are called "Eight Immortals' Ridges." Celestial Master (Tianshi) Sima Chengzhen, descendant of Sima Yi of Western Jin, hailed from Wencheng in Henei (modern Wen County, Henan).
This passage documents the sacred sites of Mount Wangwu (a renowned Daoist mountain) and related historical figures:
Near the mausoleums of three Jin dynasty emperors, Princess Yuzhen, daughter of Emperor Ruizong of Tang, devoted herself to Daoism and became a disciple of Celestial Master (Tianshi) Sima. Originally residing at Purple Mist Peak of Mount Tiantai, Sima was later summoned by imperial decree to dwell at the Shangfang Temple. His spiritual lineage traced back through four orthodox masters: first studying under Pan Shizheng of Mount Song, who had learned from Wang Shengzhen of Mount Mao, who in turn was a disciple of the reclusive Taoist immortal of Huayang.
In the 12th year of Kaiyuan era (724 CE), Emperor Xuanzong of Tang ordered the construction of Yangtai Temple, personally inscribing the plaque "Liaoyang Hall" which enshrined statues of the Five Elder Immortals. The temple housed a "Myriad Forms Bell" engraved with the sixty-four hexagrams (Bagua), along with a "Dharma Forms Altar" and a "Qi Forms Bell Tower." Northwest of the hall stood the "White Cloud Daoist Cloister," where Celestial Master Sima—revered as "Master White Cloud"—had established a pine pavilion and memorial shrine. He authored the "Records of White Clouds" and developed a distinctive seal script style known as "Golden Scissors Calligraphy."
On the 15th day of the 8th month in 727 CE, twin cranes circled the ritual altar before flying northwest as white clouds emerged from the hall accompanied by celestial music—a miraculous sign of Master Sima's spiritual manifestation. County Magistrate Cui Riyong reported this event to the emperor, who marveled at the occurrence. Master Sima lived to 89 years old, posthumously honored with the title "Silver-Green Light Grand Master" and the honorific "Master White Cloud." The western shrine mural depicted his spiritual journey riding an ox-drawn cart amidst trailing clouds.
West of the temple stood a mountain deity shrine venerating the sacred spirit of Mount Wangwu. During the Tianbao era (742-756 CE), this deity secretly dispatched spectral troops to aid General Guo Ziyi's victory over An Lushan, later receiving imperial recognition as "Sovereign Luminous Celestial King" with orders to renovate the shrine. South of the complex stood the Temple of Mount Tai, while eight li west of Wangwu County lay the Hidden Blossom Cave, whose waters miraculously changed color with the seasons (green in spring, red in summer, white in autumn, purple in winter) while maintaining sweet flavor.
Southeast of the altar rose Azure Silk Peak, beneath which stood the Azure Silk Immortal Temple with surviving stele inscriptions. North of the altar stood the Five Dippers Peak connecting the Herb Basket and Medicine Cabinet mountains. Within Mount Wangwu lay an unfathomable cavern resembling imperial palaces in grandeur—hence the mountain's name meaning "Royal Chambers."
Near Gui Mountain east of Mount Wangwu (a sacred Daoist mountain in Jiyuan, Henan), there once lived an adept named Elder Zhao who cultivated the Dao here. Later, four other perfected beings (Zhenren) came to refine the Golden Elixir (Jindan) in this area, leaving behind over twenty stone chambers. Another immortal named Huo also practiced here, and his dwelling became known as "Master Huo's Hall."
To the southeast stands Qiling Mountain, beneath which lies the Chuizan Peak. Adjacent to it is the renowned Qingxu Xiaoyou Grotto (the foremost among Daoism's Thirty-Six Minor Grotto-Heavens). This cavern's interior is said to be vast enough to contain ten thousand li. During the Tang Dynasty, it housed a Sanqing Hall (Three Pure Ones shrine) and Qingxu Temple. When refugees took shelter here during wartime, their presence polluted the cave with defiled Qi (vital energy). After they left, a massive boulder suddenly fell to seal the entrance.
The Zhengao (Declarations of the Perfected, a Daoist classic) records that this grotto possesses its own sun and moon whose radiance illuminates the interior as brightly as the outside world. This is because the cave contains the primordial essence of the celestial bodies—the sun's essence called "Divine Jing" (Shenjing) and the moon's essence called "Yin Jing." Though no plants grow within, its vaulted ceiling displays constellations and swirling mists. Golden palaces and jade towers filled with indescribable treasures adorn the cavern, while five immortal mountains surpass the Five Sacred Peaks in grandeur. Purple fairy trees bear fruits like "Star Marrow" and "Golden Nectar"—consuming them grants immortality.
The grotto's ruler is Perfected Lord Wang, who administers the celestial registers of merits and faults. The Supreme Dao Lord of Primordial Simplicity once dispatched two divine matriarchs bearing a jade seal to confer upon him the title "Perfected Being of Primordial Simplicity and Void," granting him governance over the Qingxu Xiaoyou Grotto. Three hundred golden boys and jade maidens serve under him, safeguarding texts like the Shangqing Jade Chapters and riding dragon chariots through celestial realms.
Among all Daoist grotto-heavens and blessed lands, Qingxu Xiaoyou Grotto holds supreme status as the source of the Ten Major Grotto-Heavens, Thirty-Six Minor Grotto-Heavens, and Seventy-Two Blessed Lands. Guarded personally by the Supreme Dao Ancestor (Taishang Daoju), it is jointly managed by numerous perfected beings. As Primordial Heavenly King (Yuanshi Tianwang, one of Daoism's highest deities) declared: "Among the Ten Major Grotto-Heavens, the Xiaoyou Grotto reigns paramount."
This records the sacred sites of Mount Wangwu (also known as Celestial Terrace Mountain), a renowned Daoist peak:
Mount Wangwu ranks first among the Thirty-Six Lesser Grotto-Heavens. East of Qiling Ridge stands Jade Sun Mountain, where a hundred-foot waterfall cascades like white silk from the cliff into the deep ravine below, forming a pool called "Plunging Bell Deep." To the west lies Western Jade Sun Mountain, home to the Numinous Capital Palace. Northeast stands Eastern Jade Sun Mountain, containing a hundred-foot-deep cave where the imperial court often deposited golden dragons (ritual implements used in Daoist ceremonies). Beside the cave stands the Crane Resting Platform, several zhang high, still bearing crane footprints—legend says Crown Prince Jin of King Ling of Zhou (also known as Prince Qiao) once rested here with his master Fuqiu Gong after visiting Celestial Terrace Mountain.
Encircled by peaks and deep valleys with murmuring springs, Celestial Terrace Mountain's scenic wonders are described in detail later. A eulogy praises: "Wangwu's Celestial Terrace is a blessed grotto-heaven where immortals dwell in the Clear Void Minor Grotto. Endless beauty abounds here, with numinous manifestations recorded through the ages."
The text further records Emperor Ruizong of Tang's imperial poems and mountain protection edict bestowed upon Celestial Master Sima (Sima Chengzhen, Daoist name Master White Cloud). The emperor wrote: "We hear Master Sima of Tiantai Mountain possesses virtue surpassing even Heshang Gong [a famous Han dynasty recluse] and Daoist attainment excelling Fuqiu Gong. You walk alone in the Azure Primordial paradise—since Our accession, We've admired your exalted virtue. Though Our yearning rivals Emperor Yao's search for sages and the Yellow Emperor's quest for the Dao, summer heat makes Us reluctant to disturb your meditation. While We considered sending envoys, fearing intrusion, We first dispatched your elder brother, hoping for an audience to discuss profound matters."
Finally, the text honors Sima Chengzhen: "The Master's Daoist practice reaches sublime heights, his De (Virtue/Power) serene and boundless, comparable to the ancient immortal Guangchengzi [a legendary sage from the Yellow Emperor's era]. Your alchemical cultivation at Tiantai Mountain illuminates the peaks like Guangchengzi's legacy, bringing glory to mountains and seas."
(Note: "Master" here translates "lianshi," an honorific for Daoist practitioners; "Heshang Gong," "Fuqiu Gong," and "Guangchengzi" are legendary Daoist immortals; terms like "Earth Lung" and "Red Wall" are Daoist toponymic designations for specific mountains.)
"Records of Sacred Traces at Mount Wangwu's Celestial Altar" Modern Interpretation:
This passage documents interactions between several emperors and the eminent Daoist Master Sima the Alchemist, showcasing the transcendent demeanor of accomplished Daoist practitioners.
The first section depicts Master Sima's extraordinary presence: He nourished himself on morning mists and evening dews at Red Wall Mountain (a renowned Daoist peak), riding cranes to traverse the Purple Empyrean paradise. Though temporarily departing the Penglai immortal isles, he would return to practice in the caves of Tongbai Mountain. Having contemplated the teachings of Guangchengzi (an immortal from the Yellow Emperor era), he hadn't yet achieved the complete reclusion of Yan Ziling (Eastern Han hermit). As they parted, the drifting white clouds mirrored the vast heavens, evoking longing for his virtuous presence.
The second part contains Emperor Xuanzong of Tang's imperial edict: Praising how Master Sima, while cultivating breath regulation techniques (Tuna), found joy in zither and calligraphy, wandering freely like white clouds in the Jade Garden of immortals. Though reluctant to see him depart, the emperor respected his aspiration to follow ancient immortals like Chisongzi and Wangzi Qiao. Now having perfected his Daoist arts, Master Sima would retreat to Tiantai Mountain (sacred Daoist site), with the emperor wishing him eternal youthful countenance.
The third section presents Emperor Ruizong of Tang's pentasyllabic verse: Depicting Master Sima's journey from the Purple Mansion (celestial realm) to seclusion by clear streams, weary of worldly dust, refining his nature amidst forest springs. Tiantai Mountain's connection to coastal realms ensures his virtue would be celebrated for millennia.
Concluding with encomiums by Du Fu and the Golden Gate immortal Lin: They acclaim Mount Wangwu's Celestial Altar (foremost of Daoism's Ten Great Grotto-Heavens) as the "Minor Celestial Realm" linking mortals and immortals, where Qi resonates with cosmic forces. Tang dynasty reverence for these sacred traces facilitated widespread transmission of Daoist methods.
Note: "Alchemist" (Lianshi) honors accomplished Daoist practitioners; "breath regulation" (Tuna) denotes respiratory cultivation techniques; "mist-nourishment" refers to Daoist solar-ether ingestion practices for immortality.
This scripture depicts the magnificent scenery and immortal aura of the sacred Daoist mountain Wangwu:
The first passage describes the mountain's topography:
This towering peak pierces the clouds, its summit nearly touching the Big Dipper. Here gather all manner of divine beings, while ten thousand mountain peaks bow westward toward Kunlun. To the east it connects with the Penglai Immortal Isles, its spring waters sweet as jade nectar. The altar atop its summit firmly anchors the mountainside, with the three peaks of Hua Mountain standing majestically as the Yellow River winds like a silk ribbon below.
The second passage portrays its wondrous sights:
At fifth watch one can witness the sunrise over the sea, while at midnight celestial music drifts through the air. The moon hangs low over Dragon Ridge as cold mists shroud the Rainbow Bridge. Snow pheasants crow at dawn while winds whisper through bamboo groves. Fragrance wafts from cloud-wreathed dwellings where lingzhi mushrooms radiate auspicious light. Hemp baskets exhale spiritual energy as divine herbs manifest in medicine cabinets. The alchemical well remains crystal clear, though the sacred bell's chimes grow faint. Eight mountain ridges stand solemn and tall as two cranes dance in mutual reverence.
The third passage continues the description:
Waterfalls cascade like silver threads while rainbow-lit cities gleam like brocade. Ponds reflect with crystalline clarity as ancient cypresses reach skyward. Newly built Daoist temples display majestic grandeur, though the true masters' stories have faded into legend. Gazing often at azure peaks, I watch white clouds drift by. The stone chamber stands empty with answers elusive, while pines by the terrace never wither.
The fourth passage transitions to cultivation insights:
Blossoms on cliffs spread like embroidered tapestry as mountain streams polish jade. Grottoes and ravines lie beyond the dusty world, with forests muffling worldly clamor. Here the Yellow Emperor once arranged his ceremonial procession, and the Queen Mother of the West arrived in her phoenix carriage. Dawn and dusk witness the dance of Yin-Yang, as seasons cycle through heat and cold. Gibbons cry intermittently while morning mists gather and disperse unpredictably.
The fifth passage expresses spiritual aspirations:
Though poetry records these visions, the true work of cultivation defies description. In youth I yearned for the moon's cassia (symbolizing immortality), in old age I find contentment in Yan Hui's simple gourd (embracing humble virtue). Though aspiring to emulate virtuous ministers like Yi Yin and Huo Guang, I lack talent to assist sage rulers like Shun and Yao. Often I contemplate paintings with reverence, yet brushwork only deepens my yearning. Sensory desires have all dissolved as my mind attains the transcendent emptiness of Xiyi (Daoist void). When shall I retire to these woods to seek out immortals like Chisongzi and Prince Qiao?
The concluding poems add further imagery:
1. Amid ten thousand valleys where pines and vines intertwine with purple mist, the alchemical terrace gathers divine beings. This numinous mountain concentrates heaven and earth's essence, as sun and moon illuminate the grotto-heavens. Unaware how many dynasties have passed in the mortal realm, the蟠peach barely ripens within a single year. Ordinary minds cannot fathom such mysteries - they only see five-colored clouds sealing immortal fields.
2. Within the pure void of the Xiaoyou Grotto (one of Daoism's Thirty-Six Grotto-Heavens), silver thrones and golden waists support jade capitals. Lingzhi herbs have grown since the primordial Dragon Han kalpa, while cinnabar formed during the Chi Ming era. The Ginseng Washing Well preserves ancient records as swallows and vines gather at Tiger Plain. The White Water Immortal advises recluses: "First build two or three thatched huts."
3. White crags pierce the firmament as verdant pines overlook winding rivers. Every plant in this blessed land is divine medicine; every dweller in these famous mountains becomes immortal. To entertain guests, one must search beneath the cliffs...
This passage recounts a cultivator's journey to seek immortality at Mount Wangwu (the foremost of Daoism's Ten Great Grotto-Heavens), written in the persona of "Master White Cloud" (a legendary immortal), expressing transcendent detachment from worldly affairs. The poet leaves mundane society with his qin and books, traversing arduous paths from Mount Taihang to Mount Wangwu. He visits sacred Daoist sites like the Hidden Blossom Vale and Sunlit Terrace Temple, where he observes murals of nine dragons playing with pearls, moonlit alchemy wells, and immortal youths with twin topknots gathering medicinal herbs.
During his ascent, he inadvertently enters the Purple Tenuity Valley (symbolizing celestial realms), beholding golden-roofed towers resplendent in jade hues. At Qin-Escape Gully (legendary refuge for Qin dynasty recluses), he hears midnight songs of spirit-gathering. Crossing the perilous Lean Dragon Ridge, he feels as though climbing stars along the Sichuan cliffs ("groping past constellations" describes touching celestial bodies). Finally reaching the Hall of Purple Gold, his ailments miraculously vanish after drinking from the Supreme Unity Spring (sacred waters).
The text vividly depicts celestial scenes at the Heavenly Altar: the silver-based, gold-waisted altar connecting with heaven, where solar and lunar essences illuminate thirty-six grotto-heavens. Fragrance of elixirs lingers beneath alchemical furnaces, guarded by sword-bearing Dharma protectors. The unfathomable depth of the Queen Mother's Grotto and faint celestial music from the Three Officials' Examination Platform (where Daoist merits and faults are judged) are mentioned.
The conclusion presents mystical imagery of herb-gathering boys collecting golden mushrooms under the Big Dipper, immortal hounds barking, and transcendents riding deer—revealing the wonder of this Daoist sacred site. The author marvels at these indescribable marvels, inviting worldly people to abandon fame and wealth for joint cultivation. The entire passage brims with the mystical atmosphere of Daoist grotto-paradises and eremitic ideals.
The "Records of Sacred Traces at Mount Wangwu's Celestial Altar" depicts the paradisiacal scenery of this sacred Daoist mountain.
The first section portrays a solitary cultivator sitting atop a mountain rock, his prolonged whistle echoing through the violet clouds. Amidst the mist, he seems to glimpse the immortal maiden Magu (a Daoist female transcendent) arriving astride a yellow crane, as if gently mocking the fleeting nature of mortal time.
The accompanying five-character verse vividly captures Mount Wangwu's majestic landscape: its cliffs rise precipitously, piercing the clouds, while the altar platform ascends so high it nearly grazes the constellations Wei and Ji (two of the twenty-eight lunar mansions). The mountain's summit harbors the essence of green jade, while its slopes conceal purple-golden lingzhi mushrooms. Moonlight bathes the Hall of the Empty Sovereign (a Daoist divine palace), and mist veils the Pool of the Supreme One (a sacred Daoist site). This is a hidden grotto-heaven beyond mortal reach, where only cranes perch upon ten-thousand-year-old ancient trees.
The passage concludes by identifying this as the foremost of Daoism's Thirty-Six Grotto-Heavens: the "Minor Grotto of Clarity and Emptiness" (the formal designation of Mount Wangwu's sacred cave). Through its fusion of natural grandeur with Daoist symbolism, the text manifests the mountain's transcendent beauty as a supreme Daoist sanctuary.
[Note: All specialized terms follow the Daoist glossary conventions, with pinyin provided parenthetically on first occurrence where applicable]
Source text: Kanripo 漢籍リポジトリ(KR5c0369); Licence: CC BY-SA 4.0 · Report an error / feedback