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《讀龍虎經》

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Taixuan 太玄部 1 volumes 921 characters

About this page. The original text of 《讀龍虎經》 (Taixuan 太玄部, 1 volume) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 2 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

Vol. 1

讀龍虎經 出陽入陰(陽日也/陰月也)變化既未神(謂既濟未/濟之卦也)金 火直事(即坎離爲/直事也)陽和凖旦暮(謂旦屯/暮蒙也)金水 (謂採坎離/之樂也)初九(陽爻初/生也)周暦(謂周六十/四卦也)水火 (樓蒙水火水火列一方/此即言坎離之象也)金火(金火當直事坎/雄金精離雌火) (光金火相伐火金相運推金火者直鉛也離/之所生者爲火坎之所生者爲金二者皆鉛) (比之/也)金水(金水相含受雄陽翠玄水雌陰赭/黃金金半斤水半斤金水□太陽) (金水相瑩金入北方水戊巳黃金母/殻爲金精水環黃液黃金銷不飛)  此皆言坎爲金離爲水蓋雄陽謂坎也出  而生震兊以至於乾而在上玄者乾色也  玉池清水即乾之所生也雌陰謂離也出  而生異良以至於坤而在下黃者坤色也  戊巳無金母者即坤之所生也 砂汞(砂汞別居砂汞者金土二用丹砂流汞/父紫華矅日砂汞滅亡赤髓流爲汞中) (和流汞情金砂依分/金土之德常與汞俱)  砂汞者金土二用砂即坎也汞即離也金  即乾也土即坤也同契之坎離者乾坤二  用是也乾卦初成而離之一陰巳生其中  故離爲汞坤卦初成而坎之一陽巳生其  中故坎爲砂又曰砂汞沒亡即同契所謂
Interpretation

Interpretation of the "Dragon-Tiger Scripture" in Plain Language:

This scripture passage primarily explains the principles of Yin-Yang transformation in Daoist alchemy, using the hexagram imagery from the Classic of Changes (Yijing) to illustrate the alchemical process.

Core Concepts:

1. "Yang" represents the Great Sun (日), while "Yin" symbolizes the Great Moon (月). Their transformations manifest through the "Ji Ji" (既济, Completion) and "Wei Ji" (未济, Incompletion) hexagrams.

2. "Golden Fire" refers to the operational patterns of the Kan (坎, Water) and Li (离, Fire) hexagrams. The Kan hexagram contains golden essence (Jing) within its Yang nature, while the Li hexagram holds fiery light within its Yin nature - these two perpetually revolve in mutual interaction.

3. "Golden Water" describes the fused state of Kan and Li during alchemical practice: eight ounces of gold (Kan) combines with eight ounces of water (Li), mirroring the sun's celestial motion. The gold enters the northern position (Kan's domain) while water encircles the yellow liquid (Li's domain), forming the foundation of elixir refinement.

Hexagram Correspondences:

  • The Kan hexagram (Water) represents masculine Yang Qi, progressing from Zhen (震, Thunder) through Dui (兑, Lake) to Qian (乾, Heaven), with Qian manifesting mysterious blackness.
  • The Li hexagram (Fire) symbolizes feminine Yin Qi, developing from Xun (巽, Wind) through Gen (艮, Mountain) to Kun (坤, Earth), with Kun displaying yellow coloration.
  • "Wu-Ji" (戊巳) denotes the central earth position - the generative matrix of alchemy born from the Kun hexagram.

Cinnabar-Mercury Principle:

"Cinnabar" corresponds to the Kan hexagram (gold), while "mercury" relates to the Li hexagram (water). When the Qian hexagram first forms, Li's Yin energy already grows within it, hence Li is called mercury. When Kun initially takes shape, Kan's Yang energy emerges within it, thus Kan is termed cinnabar. During their conjunction, the golden (Qian) and earthen (Kun) energies interact like the process where cinnabar (vermilion) melts into mercury (quicksilver).

This passage systematically employs the Yijing's hexagram framework to expound fundamental Waidan (external alchemy) principles in Daoism, emphasizing the harmonious interaction between Kan-Li and Qian-Kun as the essence of Yin-Yang dynamics.

 坎離沒亡是也又言金砂依分則金自砂  中生明矣 土(化歸中宮中宮土德黃帝之功火錬中宮/土土鎮中官烕位生中宮旺金鄉此言脾) (在中宮同契曰黃中漸/通理潤澤達肌膚是也)火(朱雀炎空赤童戲/朱雀發火初微溫) (火錬中宮土灼土煙雲/起此言發火以籙藥也)金(金精一化玄白作/金公上戴黃金精) (金德尚白殼爲金精/此坎中所生之金也)水(或水銖不必水涸滅/影水環黃良此水乃) (離宮之水也水者道樞/故能生銀金入北方水)  此指坎而言也前言金入者言自中宫而 灌注乎北方也故同契曰金爲水母是也 三物(水土獨相配土水相尅黃黑沼其精水/土相尅土旺金歸三物俱喪火煉中宮) (土金入北方水土水金三物變化六十/日先存后亡土木金將化□坤生震龍)  金色尚白錬鉛以求黃色焉錬銀於鉛銀  者金精鉛色北靈水故能生鉛鉛化黃丹  寄位五金爲鉛外黑內懷銀精鉛沈銀浮  可造黃
Interpretation

This scripture elucidates the principles of mutual generation and restraint among the Five Phases (Wuxing) in Daoist alchemy, detailing the transformative relationships between metal, wood, water, fire, and earth during the elixir refinement process:

The text first discusses the waxing and waning of "Kan-Li" (representing water and fire). When cinnabar separates, metal emerges from it, analogous to how the spleen (corresponding to "Central Palace Earth") mediates equilibrium at the body's core. The Yellow Emperor (symbolizing central earth virtue) refines this Central Palace Earth through fire, causing earth qi to flourish and generate metal.

When fire (the Vermilion Bird) initially ignites, its temperature remains moderate yet sufficient to smelt the Central Palace Earth, producing smoke clouds—a crucial stage in elixir preparation. Metal (gold essence) undergoes transformation to produce mysterious white substances, as metal's intrinsic nature tends toward whiteness, being true gold born from the Kan trigram (water). Water (the aqueous element of the Li palace) serves as the pivot of the Dao (the Way), generating silver as metal enters the northern water position.

Quoting the Zhouyi Cantongqi, it states "metal is water's mother," describing metal's journey from the Central Palace to the northern water position. Earth, water, and metal engage in mutual restraint yet cooperation: earth restrains water to form yellow-black vital essences (jingqi), and when earth overcomes water during its flourishing phase, metal returns to its proper position. After sixty days of fire refinement, these substances first condense then disperse, ultimately transforming earth, wood, and metal into a state where the Kun trigram (earth) generates the Zhen trigram (thunder).

The alchemical key lies in metal's intrinsic whiteness: refining lead (externally black yet concealing silver essence within) yields yellow elixir. Lead's sinking nature and silver's buoyancy enable gold production, as lead's shell contains gold essence like water embracing yellow fluid—this "yellow fluid" subtly alluding to the supreme Golden Elixir (Jindan).

金殼爲金精水環黃液

Source text: Kanripo 漢籍リポジトリ(KR5d0015); Licence: CC BY-SA 4.0 · Report an error / feedback