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《抱朴子外篇》Vol. 27

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Taiqing 太清部 Vol. 27 / 51 2,105 characters

About this page. The original text of 《抱朴子外篇》 Vol. 27 (Taiqing 太清部, 51 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 5 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

抱朴子外篇卷之二十七    刺驕 抱朴子曰生乎世貴之門居乎熱烈之勢率 多不與驕期而驕自來矣非夫超群之器不 辯於免盈溢之過也蓋勞謙虚己則附之者 衆驕慢倨傲則去之者多附之者衆則安去 之者多則危之診也存亡之機於是乎在輕 而爲之不亦蔽哉亦有出自卑碎由微而著 徒以翕肩斂迹偓伊側立低眉屈膝奉附權 豪因縁運會超越不次毛成翼長蟬蛻泉讓 便自軒昂目不步足器滿意得視人猶芥或 曲宴密集管絃嘈囐後賔填門不復接引或 於同造之中偏有所見復未必全得也直以 求之差勤以數接有情苞苴繼到壺榼不曠 者耳孟軻所謂愛而不敬豕畜之也而多有 行諸云是自尊重之道自尊重之道乃在乎 以貴下賤卑以自牧非此之謂也乃衰薄之 弊俗膏肓之廢疾安共爲之可悲者也若夫 偉人巨器量逸韻遠高蹈獨往蕭然自得身 寄波流之間神躋九玄之表道足於内遺物 於外冠摧履决藍縷帶索何肯與俗人競幹 佐之便辟修佞幸之媚容效上林喋喋之嗇 夫爲春蜩夏蠅之聒耳求之以貌責之以妍 俗人徒覩其外形之粗簡不能察其精神之 淵邈務在皮膚不料心志雖懷英抱異絶倫 邁世事動可以悟舉世之術言發足以解古 今之惑含章括囊非法不談而茅蓬不能動
Interpretation

This passage comes from the "Critique of Arrogance" chapter in Baopuzi Outer Chapters by Ge Hong of the Eastern Jin dynasty, which primarily criticizes the prevailing culture of arrogance and indulgence in society at that time.

The text points out that those born into wealthy and powerful families often unconsciously develop an overbearing and haughty demeanor. True virtuous gentlemen (junzi) should maintain humility, for only then will they attract many followers. If they become proud and arrogant, those around them will depart. Having many followers ensures stable status, while mass desertion leads to peril—this is a matter of survival.

Some individuals of humble origins climb the social ladder by currying favor with the powerful and attaching themselves to rising stars. Once they gain influence, they become haughty and look down on others. They revel in banquets and social gatherings, treating guests with discrimination, favoring only those who frequently offer gifts and flattery. Mencius said that such superficial relationships lacking genuine respect are as pitiable as raising pigs.

True great men possess transcendent capacity—they rise above worldly concerns, wandering freely in carefree joy. Even dressed in tattered clothes and straw sandals, they refuse to compete for fame and profit with vulgar people, let alone learn the ugly art of sycophancy. Unfortunately, ordinary people only see their outward simplicity but fail to grasp the profundity of their spirit. These shallow observers focus on surface appearances, unable to appreciate inner cultivation. Though genuine sages possess extraordinary talents capable of solving the world's problems, they remain humble, never uttering words that violate propriety. Not even a thatched hut—the humblest dwelling—can shake their steadfast resolve.

Through contrasting the behaviors of the arrogant with those of true gentlemen, the passage satirizes the social trends of the time—fawning on the powerful, extravagance, and moral decay—while praising the Daoist ideals of emptiness, stillness, preserving authenticity (xu jing shou zhen), and transcending worldly attachments.

萬鈞之鏗鏘侏儒不能看重仞之弘麗因而 蚩之謂爲凡憒夫非漢東之人不能料明珠 於泥淪之蜯非泣血之民不能識夜光於重 崖之裏蟭螟屯蚊眉之中而笑彌天之大鵬 寸鮒游牛迹之水不貴横海之巨鱗故道業 不足以相涉聦明不足以相建理自不合無 所多怪所以疾之而不能默者願夫在位君 子無以貌取人勉勗謙損以永天秩耳抱朴 子曰世人聞戴叔鸞阮嗣宗傲俗自放見謂 大度而不量其林力非傲生之匹而慕學之 或亂項科頭或祼袒蹲夷或濯脚於稠衆或 溲便於人前或停客而獨食或行酒而止所 親此蓋左袵之所爲非諸夏之快事也夫以 戴阮之才學猶以𧿒踔自病得失財不相補 向使二生敬蹈檢括恂恂以接物兢兢以御 用其至到何適但爾哉況不及之遠者而遵 修其業其速禍危身將不移隂何徒不以清 德見待而已乎昔西施心痛而卧於道側姿 顔妖麗蘭麝芬馥見者咸美其容而念其疾 莫不躊躇焉於是鄰女慕之因僞疾伏於路 間形狀既醜加之酷臭行人皆憎其貌而惡 其氣莫不睨面掩鼻疾趨而過焉今世人無 戴阮之自然而效其倨慢亦是醜女闇於自 量之類也帝者猶執子弟之禮於三老五更 者率人以敬也人而無禮其刺深矣夫慢人 必不敬其親也蓋欲人之敬之必見自敬焉
Interpretation

This passage employs multiple metaphors and allusions to critique the societal tendency of judging by appearances and blindly imitating the mannerisms of famous scholars.

The text begins with a series of contrasts illustrating cognitive limitations: dwarves cannot appreciate the grandeur of temple bells, ordinary people fail to recognize pearls in muddy waters, small insects mock the great Peng bird, and tiny fish show no admiration for the leviathans of the deep—all emphasizing how people of different levels struggle to understand one another. Thus, it admonishes those in positions of authority against superficial judgments, advocating instead for humility.

It then criticizes contemporary imitations of the eccentric behaviors of famous scholars like Dai Liang (styled Shuluan) and Ruan Ji (styled Sizong): wearing disheveled hair, public nudity, washing feet in crowds, relieving oneself indiscriminately, and treating guests with disrespect. The author points out that these were originally barbarian customs (the "left lapel" refers to the clothing style of northern tribes), not refined Central Plains traditions. Though Dai and Ruan possessed talent, their lack of propriety invited criticism—had they observed proper rites, their achievements could have been greater. Ordinary people blindly copying such superficial behaviors is likened to the famous anecdote of "Dong Shi copying Xi Shi's frown"—while Xi Shi's pained expression enhanced her beauty, her neighbor's forced imitation only accentuated her ugliness.

Finally, the text underscores the importance of ritual propriety: even emperors performed ceremonial bows to the "Three Elders and Five Sages" (venerated elderly exemplars of antiquity), setting an example for public respect toward elders. Those who disrespect others inevitably lack filial piety, and those seeking respect must first cultivate self-respect. The core message opposes hollow posturing while advocating for a way of life grounded in sincerity and ritual propriety.

不修善事則爲惡人無事於大則爲小人紂 爲無道見稱獨夫仲尼陪臣謂爲素王則君 子不在乎富貴矣今爲犯禮之行而不喜聞 遄死之譏是負豕而憎人說其臭投泥而諱 人言其汙也昔辛有見被髮而祭者知戎之 將熾余觀懷𢚢之世俗尚驕褻夷虜自遇其 後羌胡猾夏侵掠上京及悟斯事乃先著之 妖怪也今天下向平中興有徵何可不共改 既往之失脩濟濟之美乎夫入虎狼之群後 知賁育之壯勇處禮廢之俗乃知雅人之不 渝道化淩遲流遁遂往賢士儒者所宜共惜 法當扣心同慨矯而正之若力之不能末如 之何且當竹栢其行使歲寒而無改也何有 便當崩騰競逐彼闒茸之徒以取容於若曹 邪去道彌遠可謂爲痛歎者也其或俄然守 正確爾不移不蓬轉以隨衆不改雅以入鄭 者人莫能憎而知其善而斯以不同於己者 便共仇讎而不數之嗟乎衰弊乃可爾邪君 子聽使以亢亮方楞無黨於俗揚清波以激 濁流執勁矢以厲群枉不過當不見容與不 得富貴耳天爵苟存於吾體者以此獨立不 達亦何苦何恨乎而便當伐本瓦合餔糟握 泥𠟃足適履毁方入圓不亦劇乎夫節士不 能使人不憎之而道不可屈也不能令人不 辱之而行猶在我也不能令人不擯之而操 不可改也故分定計决勸沮不能干樂天知
Interpretation

The Outer Chapters of Baopuzi discusses the importance of steadfastly adhering to the right path in life and not drifting with the tide. The general meaning is as follows:

If one does not do good deeds, they will become wicked; if one does not concern themselves with important matters, they are petty. King Zhou of Shang was called a "solitary tyrant" for his cruelty and lack of virtue, while Confucius, though a mere subject, was honored as the "uncrowned king" (a sage with virtue but no throne). This shows that a true gentleman’s worth does not lie in wealth or status. Nowadays, some people act contrary to propriety yet dislike being criticized—like carrying a pig and complaining about the smell, or wallowing in mud and fearing others will call them dirty.

In ancient times, Xin You foresaw the rise of the Rong tribes when he saw people performing rituals with disheveled hair. Today, I observe society indulging in extravagance and debauchery, behaving like barbarians, and later, indeed, the Qiang and Hu tribes invaded the capital. Such calamities always have early omens. Now that the world is on the verge of peace and restoration is within reach, why not correct our mistakes together and cultivate noble virtue?

Only by entering a den of tigers and wolves does one appreciate the value of a true warrior; only in an age of moral collapse does one understand the rarity of those who uphold the Dao. Today, with virtue in decline, scholars and Confucians should grieve together and strive to rectify it. If one truly lacks the power to change things, they should at least maintain integrity like the bamboo and cypress, unyielding even in winter. How can one drift with the current, mingling with the vulgar to please others? This only leads further from the right path—truly lamentable.

If someone remains steadfast in the Dao, unswayed by popular trends, even if others reject them for being different, a true gentleman will not care. A gentleman should be open and upright, not pandering to worldly customs—like clear water stirring the mud or a straight arrow correcting a crooked wind. Even if they are not accepted or do not attain wealth and rank, what does it matter to stand alone while preserving Heaven-given virtue? Why distort one’s nature to please others, like cutting feet to fit shoes or breaking a square to fit a circle?

Those who uphold integrity will inevitably be disliked, but they must not compromise their principles. They may be insulted, but their conduct is their own. They may be ostracized, but their integrity must remain unchanged. Once their resolve is firm, no persuasion can sway them—they simply accept fate with contentment.

命憂懼不能入困瘁而益堅窮否而不悔誠 能用心如此者亦安肯草靡萍浮以索鑿枘 傚乎禮之所弃者之所爲哉抱朴子曰聞之 漢末諸無徒自相品藻次第群驕慢傲不入 道檢者爲都魁雄伯四通八達皆背叛禮教 而縱肆邪僻訕毁眞正中傷非黨口習醜言 身行弊事凡所云爲使人不忍論也夫古人 所謂通達者謂通於道德達於仁義耳豈謂 通乎褻黷而達於淫邪哉有似盜跖自謂有 聖人之道五者也此俗之傷破人倫劇於寇 賊之來不能經久豈所損壞一服而已若夫 貴門子孫及在位之士不惜典刑而皆科頭 袒體踞見賔客既辱天官又移染庸民後生 晚出彼或以經清之資或佻竊虛名而躬自 爲之則凡夫便謂立身當世莫此之美也夫 守禮防者苦且難而其人多窮賤焉恣驕放 者樂且易而爲者皆速達焉於是俗人莫不 委此而就彼矣世間或有少無清白之操業 長以買官而富貴或亦其所知足以自飾也 其黨與足以相引也而無行之子便指以爲 證曰彼縱情恣慾而不妨其赫奕矣此敕身 履道而不免於貧賤矣而不知榮顯者有幸 而頓淪者不遇皆不由其行也然所謂四通 八達者愛助附己爲之履不及納帶不暇結 携手升堂連袂入室出則接膝請會則直致 所惠則得多屬託則常聽所欲則必副言論
Interpretation

This passage critiques the moral decay of late Han dynasty society. Ge Hong (Baopuzi) observes how unlearned individuals of his time engaged in mutual flattery, elevating those who were arrogant and disregarded moral norms as "esteemed leaders" (都魁雄伯). These figures swaggered about, betraying ritual propriety with unrestrained behavior, foul language, and shameless misconduct that defied all decency.

What the ancients termed "enlightenment" (通达) originally meant comprehending virtue (De) and understanding humaneness and righteousness. Yet these contemporaries equated depravity, shamelessness, and licentious indulgence with enlightenment—as absurd as the legendary robber Zhi claiming possession of the Dao of sages. Such trends damaged human relations and ethics more severely than bandit raids, creating wounds not easily healed.

More lamentable still was how scions of noble houses and officials themselves abandoned ritual norms, receiving guests bareheaded and half-naked. Not only did they disgrace their offices, but they also corrupted common folk. When youths witnessed these powerful figures behaving thus, they mistook it for proper conduct in life.

Those who upheld ritual often lived in hardship, while the dissolute prospered. Thus worldly people rushed to emulate the latter. Some achieved ill-gotten wealth through purchased offices in their youth, polishing their reputations with petty cleverness and mutual promotion among cronies. The immoral would then cite such examples: "See how the indulgent prosper while we virtuous starve?"—never considering that success might stem from mere fortune, or that failure needn't indicate moral failing.

These so-called "enlightened" ones showed particular favor to their followers: receiving them with unlaced shoes, greeting them with ungirt robes, leading them hand-in-hand into inner chambers. In private they conversed knee-to-knee; at gatherings they gave gifts directly, granting every request and echoing every opinion.

則見饒有患則見救所論薦則蹇驢蒙龍駿 之價所中傷則孝己受商臣之談故小人之 赴也若决積水於萬仞之高隄而放烈火乎 雲夢之枯草焉欲望肅雍濟濟後生有式是 猶炙氷使燥積灰令熾矣 抱朴子外篇卷之二
Interpretation

This passage describes the harm caused when petty individuals gain power. When such people hold authority, those they favor receive aid even when at fault; their recommended candidates are like lame donkeys being praised as prized steeds—utterly undeserving of such acclaim. Meanwhile, those they slander suffer defamation akin to the unjust accusations hurled at Xiaoji (a virtuous minister of the Shang dynasty) by treacherous courtiers.

The devastation wrought by petty men resembles floodwaters bursting through a towering dam or wildfires raging across the dry grasslands of Yunmeng Marsh—unstoppable and all-consuming. To expect future generations to maintain solemnity and order under such rule is as futile as attempting to dry ice by fire or rekindle ashes into flame.

Through vivid metaphors, this passage exposes how petty rulers invert truth and falsehood, corrupting social norms, while illustrating the impossibility of preserving proper conduct in such a toxic environment.

十七

Source text: Kanripo 漢籍リポジトリ(KR5f0021); Licence: CC BY-SA 4.0 · Report an error / feedback

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