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《列子》Vol. 2

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此为张湛注四库本,白文本见《列子》。

Dongshen 洞神部 Vol. 2 / 8 13,160 characters

About this page. The original text of 《列子》 Vol. 2 (Dongshen 洞神部, 8 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 27 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English

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Source textInterpretation

欽定四庫全書  列子卷二             晉 張湛  注             唐 殷敬慎 釋文   黃帝第二(禀生之質謂之性得性之極謂之和故/應理處順則所適常通任情背道則遇)   (物斯/滯) 黃帝即位十有五年喜天下戴已(隨世而/喜耳)養正命(正當/為性) 娯耳目供鼻口燋(音/焦)然肌(本又作/顔色)色皯(古旱/反)黣(音每諸/書無此) (字/)昏然五情爽惑(役心智未足以養性/命秪足以焦形也)又十有五年憂 天下之不治(隨世而/憂耳)竭聰明進(音/盡)智力營百姓焦然肌 色皯黣昏然五情爽惑(用德明未足以致/治秪足以亂神也)黃帝乃喟然 讃曰(讃當/作歎)朕之過淫矣(淫當/作深)養一已其患如此治萬物 其患如此(惟任而不養縱而不治則/性命自全天下自安也)於是放萬機⬤(音/捨) 宫寢去直侍徹鐘懸減厨膳退而間(音/閒)居大庭之館齋 心服形(心無欲則/形自服矣)三月不親政事晝寢而夢(將明至理/不可以情) (求故寄之於夢/聖人無夢也)遊於華胥氏之國華胥氏之國在弇(音/奄) 州之西台州之北(不必便有此國也明至理之必如此/耳淮南云正西曰弇州西北曰台州) 不知斯齊國幾(居豈/反)千萬里(斯離也/齊中也)蓋非舟車足力之
Interpretation

The second chapter of the Liezi records an episode from the Yellow Emperor’s spiritual cultivation. Fifteen years into his reign (the Yellow Emperor being the legendary progenitor of Chinese civilization), he became delighted that all under heaven revered him and began indulging in sensory pleasures, immersing himself in music, women, and hunting. Yet this only left his complexion sallow and his spirit scattered, as endless desires disturbed his heart-mind (Shen).

After another fifteen years, the Yellow Emperor grew troubled by the thought of poor governance and exhausted his wisdom and strength to manage the people. Again, this left him haggard and unsettled. At this point, he lamented: "My faults run deep! Focusing solely on self-cultivation leads to problems, and governing the world does the same."

Thereupon, he set aside state affairs, left his palace, reduced his attendants, removed the bells and drums, simplified his meals, and retired alone to a quiet hall for purification. For three months, he devoted himself to nurturing his body and paid no heed to governance. One day, while napping, he dreamed of arriving in the land of Huaxu (a mythical utopia).

This Huaxu Kingdom lay west of Yanzhou (a legendary western land) and north of Taizhou (a northwestern land), so distant that neither carriage, boat, nor foot could reach it. This account does not suggest such a place literally existed but uses the dream to illustrate the highest principle—that true governance lies in following the natural order (Dao) without excessive striving. As the Huainanzi states, Yanzhou lies due west and Taizhou northwest, both serving as symbolic directions.

所及神㳺而已(舟車足力形之所資者耳/神道恍惚不行而至者也)其國無帥(所/𩔖) (反/)長(丁丈反帥/長首主也)自然而已其民無嗜欲自然而已(自然/者不) (資於/外也)不知樂生不知惡死故無夭殤不知親已不知踈 物故無愛憎不知背(音/佩)逆不知向順故無利害(理無生/死故無) (所樂惡理無愛憎故無所親/踈理無逆順故無所利害也)都無所愛惜都無所畏忌 入水不溺入火不熱斫撻(斫音酌/撻打也)無傷痛指擿(音倜/搔也)無 痟癢(餘兩反痟癢謂疼癢也周禮春時有痟首疾夏時/有癢疥疾鄭𤣥云痟酸削也説文云痟疼痛也○) (至和者無物能傷熱溺痛癢實由矜懼/義例詳於下章痟癢酸痟也義見周官)乗空如履實寢 虚若處牀雲霧不硋(五蓋/反)其視雷霆不亂其聽美惡不 滑(音/骨)其心山谷不躓(音/致)其步神行而已(至順者無/物能逆也)黃帝 既寤(亦寄之眠寤耳/聖人無眠覺也)悟然自得召天老力牧太山稽(音/鷄) (漢書云太山稽黄帝師/也○三人黄帝相也)告之曰朕閒居三月齋心服形 思有以養身治物之道弗獲其術(身不可養物不可治/而精思求之未可得) 疲而睡所夢若此今知至道不可以情求矣朕知之矣
Interpretation

The Liezi passage describes the Yellow Emperor's divine wandering experience after attaining enlightenment. Here it portrays a state where the spirit roams freely without relying on material vehicles like boats or carts to reach distant places. In that ideal realm, there are no rulers—everything follows its natural course. The people harbor no excessive desires and view life and death with equanimity; they neither rejoice excessively at being alive nor fear death, thus avoiding premature demise. They make no distinctions between closeness and distance in relationships, nor between love and hatred toward things, neither rebelling nor blindly following, and thus remain unaffected by personal gain or loss.

These people do not drown when entering water, do not burn when stepping into fire, feel no pain from blades or whips, and experience no itch from scratching. This is because their inner harmony has reached such perfection that external harm cannot touch them. They walk through the air as if treading solid ground, sleep in emptiness as if on a bed, clouds and mist do not obstruct their vision, thunder does not disturb their hearing, beauty and ugliness cannot confuse their minds, and they never stumble while walking through valleys—all this is the result of the spirit's unimpeded movement.

When the Yellow Emperor awoke (though for a sage, waking and sleeping are merely appearances), he grasped this truth and summoned Tianlao, Limu, and Taishanji (his three chief ministers), saying: "For three months I practiced quiet cultivation, purifying my mind and reducing desires, yet I could not grasp the method for cultivating the self and governing the world. Exhausted, I fell asleep and had this dream. Now I understand—the profoundest Dao cannot be pursued through ordinary thinking. At last, I have attained realization."

朕得之矣而不能以告若矣(不可以情求則/不能以情告矣)又二十有 八年天下大治幾若華胥氏之國而帝登假(假當/作遐)百姓 號(户刀/反)之二百餘年不輟列姑射(射音/夜)山在海河洲中 (見山/海經)山上有神人焉(凝寂故/稱神人)吸風飲露不食五榖(既不/食穀) (矣豈復須吸風飲露哉蓋/吐納之貎不異於物耳)心如淵(上字讀/為深)泉行如處女 (盡柔虚之極者其天姿/自粹非養而不衰也)不偎(烏恢反/愛也)不愛(不偎不愛謂/或隱或見山) (海經曰北海之隅其人水居偎愛隱偎也字林云偎仿/佛見不審也○偎亦愛也芻狗萬物恩無所偏偎音隱) (偎/)仙聖為之臣(仙夀考之跡/聖治世之名)不畏不怒愿慤為之使(畏/威) (也若此豈有君臣役使之哉尊卑/長短各當其分因此而寄稱耳)不施不惠而物自足 不聚不斂而已無愆(愆本又作蹇去言/反○愆蹇之也)隂陽常調日月 常明四時常若(若順/也)風雨常均字育常時年穀常豐而 土無札傷人無夭惡物無疵厲鬼無靈響焉(天人合德/隂陽順序) (昏明有度災害不生故道合二儀契均/四時老子曰以道位天下者其鬼不神)列子師老商氏 友伯髙子進二子之道乗風而歸(莊子云列子御風而/行泠然善旬五日而)
Interpretation

I (the Yellow Emperor) attained profound understanding of the art of governance, yet cannot convey it to you through words (for the Dao transcends emotional expression). After twenty-eight more years, the world was perfectly ordered, nearly matching the legendary utopia of Huaxu. When the Yellow Emperor ascended to immortality, the people mourned continuously for over two centuries without cease.

On Mount Lieguye ("ye" pronunciation) where the Yellow River meets the sea, dwells a divine being. He inhales pure winds and drinks celestial dew, abstaining from earthly grains (why emphasize consuming wind and dew? This illustrates his breath cultivation merging with nature). His mind remains still as the deepest abyss, his movements gentle as a maiden (this ultimate tranquility is innate endowment, not acquired through practice). He neither deliberately draws near nor distances himself from others ("wei" denotes intimacy—the Classic of Mountains and Seas describes northern sea-dwellers appearing intermittently by waters).

Immortals and sages willingly serve as his subjects (immortals being longevity-achievers, sages being world-rulers), yet he never intimidates nor displays anger—the people naturally revere him. He neither distributes favors nor grants gifts, yet all things flourish abundantly; he accumulates no wealth, yet lacks nothing. Yin and Yang remain eternally balanced, sun and moon perpetually bright, the four seasons ever orderly, wind and rain perfectly measured. All beings grow in their seasons, harvests remain bountiful, lands know no calamity, people suffer no premature deaths, objects bear no flaws, and spirits cause no disturbances (this realm of cosmic harmony prevents misfortunes, as Laozi said: "When the world follows the Dao, even spirits lose their power").

Liezi (Lie Yukou) studied under Master Lao Shang and befriended Bo Gaozi. After mastering their teachings, he could ride the wind homeward (the Zhuangzi records Liezi's wind-riding flights—ethereal and effortless, completing fifteen-day journeys).

(後反蓋神人/禦冦稱之也)尹生聞之從列子居數月不省(息井/反)⬤因 間(間音/閑)請蘄其術者十反而十不告尹生懟(音墜/怨也)而請 辭列子又不命尹生退數月意不已又徃從之列子曰 汝何去來之頻尹生曰曩章載(章載字載則/一本作章戴)有請於子 (章戴尹/生名)子不我告固有憾於子今復脱然是以又來列 子曰曩吾以汝為達(曩昔/也)今汝之鄙至此乎姬(音/居)將告 汝(姬居/也)所學於夫子者矣自吾之事夫子友若人也(夫/子) (謂老商若/人謂髙伯)三年之後心不敢念是非口不敢言利害始 得夫子一眄而已(實懷利害而不敢言此匿/怨藏情者也故眄之而已)五年之後 心庚念是非口庚言利害(庚當/作更)夫子始一解顔而笑(是/非) (利害世間之常理任心之所念任口之所言而無矜吝/於胷懹内外如一不猶踰於已而不顯哉欣其一致聊) (寄笑/馬)七年之後從(音縱/下同)心之所念庚無是非從口之所 言庚無利害夫子始一引吾並席而坐(夫心者何寂然而/無意想也口者) (何黙然而自吐納也若順心之極則無是非任口/之理則無利害道契師友同位比肩故其宜耳)九年 之後横(去聲下同/縱放也)心之所念横口之所言亦不知我之
Interpretation

The disciple Yin Sheng, having heard that Liezi (a prominent Daoist figure) possessed extraordinary abilities, went to live with him for several months. Yet he couldn't even participate in Liezi's household chores. He repeatedly sought opportunities to request instruction in the Daoist arts, but was refused ten times. Filled with resentment, Yin Sheng decided to take his leave, but Liezi didn't attempt to stop him. After several months, unable to let go of his desire, Yin Sheng returned once more.

Liezi asked him, "Why did you leave and then come back?" Yin Sheng replied, "Earlier, I sincerely sought your teachings, but you refused to instruct me. I truly harbored resentment. But now I've come to understand, so I've returned." Liezi sighed and said, "I originally thought you had great potential for realization, but I see now how shallow your understanding is. Sit down, and I'll tell you about my own experience studying with my teacher."

"I studied under Lao Shangshi (Liezi's teacher) and befriended Bo Gaozi (Liezi's fellow student). For the first three years, I didn't dare entertain thoughts of right and wrong in my heart, nor did I dare speak of gain and loss with my mouth. Only then did my teacher reluctantly glance at me. After five years, I began to think about right and wrong in my heart and dared to speak of gain and loss—my teacher occasionally smiled at me then. After seven years, it no longer mattered whether my thoughts concerned right or wrong, nor did I weigh the consequences of my words. Only then did my teacher allow me to sit beside him. After nine years, I let my mind wander freely and spoke without restraint, to the point where I could no longer distinguish whether I was conforming to worldly ways or defying them."

是非利害歟亦不知彼之是非利害歟亦不知夫子之 為我師若人之為我友内外進矣(心既無念口既無違/故能恣其所念縱其) (所言體道窮宗為世津梁終日念而非我念終日言而/非我言若以無念為念無言為言未造於極也所謂無) (為而無不為者如斯則彼此之異於何而/求師資之義將何所施故曰内外盡矣)而後眼如耳 耳如鼻鼻如口無不同也心凝形釋骨肉都融不覺形 之所倚足之所履隨風東西猶木葉幹(音/乾)殻竟不知風 乗我邪我乗風乎(夫眼耳鼻口各有攸司令神凝形廢/無待於外則視聽不資眼耳⬤味不) (賴鼻口故六藏七孔四肢百節塊然尸居同為一物則/形奚所倚足奚所履我之乗風風之乗我孰能辨也) 今女居先生之門曾未浹時而懟憾者再三女之片體 將氣所不受汝之一節將地所不載(用其情有其身則/肌骨不能相容一) (體將無所寄豈二/儀之所能覆載)履虚乗風其可幾(音/兾)乎尹生甚怍屏 息良久不敢復言列子問關尹(關令尹喜字公/度著書九篇)曰至人 潜行不空(一本作窒塞也○不空者實有也至人動止/不以實有為閡者也郭象曰其心虚故能御) (羣實/也)蹈火不熱行乎萬物之上而不慄(向秀曰天下樂/推而不猒非吾)
Interpretation

This passage from the Liezi describes the ultimate state achieved through Daoist cultivation. When practitioners reach the stage of "complete internal and external dissolution," the boundaries of their senses completely dissolve—their eyes perceive like ears, their ears discern scents like a nose, their nose speaks like a mouth, and all sensory faculties merge seamlessly. At this point, the spirit (Shen) becomes intensely concentrated while the physical form dissolves; bones and flesh seem to melt away. One no longer feels what the body leans upon or where the feet tread, like a withered leaf drifting with the wind, unable to distinguish whether the wind carries them or they ride the wind.

Guan Yin (also known as Guanling Yin Xi, styled Gongdu, author of nine treatises) explains that those who have truly attained the Dao (Zhiren) move through emptiness without feeling void, for their inner being is wholly fulfilled. They enter fire without sensing heat and tread upon all things without fear. This is because their mind remains in serene emptiness (Xu), allowing them to master all substantial phenomena.

The text also criticizes a disciple named Yin Sheng, who, after only brief study under his master, repeatedly complained of dissatisfaction. Such attachment to bodily sensations makes even heaven and earth incapable of bearing him—how much less could he attain the supernatural ability to tread on emptiness or ride the wind? Hearing this, Yin Sheng was overcome with shame and held his breath for a long time, not daring to speak again.

This describes the cultivation state of "forgetting both self and objects," where practitioners fully relinquish self-awareness to merge with nature, transcending physical laws. Known as "spirit concentrated, form discarded" (Shen Ning Xing Fei), it represents an advanced realm pursued in Daoist practice, where intense spiritual focus renders the body seemingly nonexistent.

(之自髙故/不慄者也)請問何以至於此關尹曰是純氣之守也非 智巧果敢之列(列音例○至純至真即我之性分非求/之於外順而不失則物所不能害豈智) (計勇敢而得/冐涉艱危也)姬(姬音/居)魚語(魚當作吾/語魚據反)女(音/汝)凡有貎像聲 色者皆物也(上至聖人下及昆蟲皆形聲之/物以形聲相觀則無殊絶者也)物與物何 以相逺(于萬/反)也(向秀曰唯無/心者獨逺耳)夫奚足以至乎先是色而 已(向秀曰同是形色之物耳未足/以相先也以相先者唯自然也)則物之造(音作臧作/反注同) 乎不形而止乎無所化(有既無始則所造者無形矣形/既無終則所止者無化矣造音) (作/)夫得是而窮之者焉(於䖍/反)得為正焉(尋形聲欲窮其/終始者亦焉得) (至極之/所乎)彼將處乎不深之度(即形色而不求其終始者/不失自然之正矣深當作) (淫/)而藏乎無端之紀(至理豈有隱藏哉任而不/執故冥然無迹端崖不見)㳺乎萬 物之所終始(乗理而無心者則常與萬物/並逰豈得無終始之迹者乎)壹其性養其 氣(一本作/真其氣)含其德以通乎物之所造(造至也○氣壹德/純者豈但自通而) (已哉物之所至皆使無閡/然後通濟羣生焉造音操)夫若是者其天守全其神無
Interpretation

This passage elucidates the core principles of Daoist cultivation. Master Guanyinzi (a Daoist figure) states that the true highest realm lies in preserving the purity of one's innate Qi (vital energy), which cannot be attained through mere intelligence or forceful determination.

All that has form, appearance, sound, or color is considered "material"—from sages to insects, none are exceptions. If one fixates on external appearances, there is no fundamental difference between all things. So why then are there distinctions between higher and lower realms? The key lies in whether one is attached to superficial phenomena.

The truly accomplished transcend the realm of "form" and abide in the state of "non-transformation" (no longer being altered by external things). Such individuals can exhaustively investigate the origin of all phenomena and grasp the true Dao. They dwell in the "depth that is not profound" (without deliberately pursuing the abstruse), conceal themselves within the "unbounded order" (the law without beginning or end), and roam freely at the source where all things arise and perish.

The essence of cultivation lies in unifying the mind and nature, nurturing Qi, and internalizing De (Virtue/Power), thereby penetrating the root of all existence. Those who attain this state preserve their innate nature, their Shen (spirit) undisturbed by external influences. The "preservation of pure Qi" refers to maintaining the pristine state of one's original vital energy, while "that from which all things are made" points to the fundamental source of all phenomena.

郤 (郤音⬤/閑也)物奚自入焉(自然之分不虧則形神/全一憂患奚由而入也)夫醉 者之墜於車也雖疾不死骨節與人同而犯害與人異 其神全也乗(食陵/反)亦弗知也墜亦弗知也(此借麤以明/至理之必然) (也/)死生驚懼不入乎其胷是故逆(音忤遇也一本作遌/心不欲見而見曰遌) (於義頗迂莊/子亦作遌)物而不慴(慴之涉反○向秀/曰遇而不恐也)彼得全於酒 而猶若是(向秀曰醉故失其所/知耳非自然無心也)而況得全於天乎(向秀/曰得) (全於天者自然無/心委順至理也)聖人藏於天故物莫之能傷也(郭象/曰不) (闚性分之外/故曰藏也)列禦冦為(于偽/反)伯昏無(莫侯反/下並同)人射引之 盈貫(盡弦/窮鏑)措杯(必回/反)水其肘上(手停審故/杯水不傾)發之鏑矢復 沓(郭象曰矢去也/箭鏑去復徃沓)方矢復寓(郭象曰箭方去未至的以/復寄杯於肘言敏捷之妙) (也/)當是時也猶象(木偶人形/曰象人)人也伯昏無人曰是射之 射(雖盡射之理而不/能不以矜物也)非不射之射也(忘其能否雖不/射而同乎射也)當 與汝登高山履危石臨百仞之淵若能射乎(内有所畏/懼則失其) (射/矣)於是無人遂登髙山履危石臨百仞之淵背逡巡足
Interpretation

This passage describes how a drunken person falling from a carriage suffers severe injuries yet doesn't die. Though the drunkard's bones and joints are the same as others', the degree of harm differs. This occurs because the drunkard's spirit (Shen) remains in a state of wholeness—being unaware while riding and equally unaware while falling (using this crude analogy to illustrate profound truth). Thoughts of life, death, or fright never enter their mind, hence they feel no fear when accidents occur. If mere intoxication can provide such protection, how much more so for those who fully align with the Dao (the Way)?

The sage merges with natural laws, making them invulnerable to external harm. The text then illustrates this through Liezi's archery demonstration for Bohun Wuren: Liezi draws his bow to full tension, balances a cup of water on his elbow to show steadiness, and releases arrows in rapid succession with consummate skill. Yet Bohun Wuren remarks this is merely "shooting for shooting's sake," not the "supreme state of effortless archery." He then leads Liezi up a mountain, standing on precarious rocks at the cliff's edge with his back to the abyss—true archery demands a mind completely free from fear.

二分垂(謂足二分/懸垂在外)在外揖禦冦而進之禦冦伏地汗流 至踵伯昏無人曰夫至人者上闚青天下潜黄泉揮斥 (郭象曰揮斥猶放縱/也又曰揮斥奮迅也)八極神氣不變(夫德充於内則神/滿於外無逺近幽) (深所在皆明故審安危/之機而泊然自得也)今汝怵(丑律/反)然有恂(何承天纂/云呉人呼) (瞬目為/恂目)目之志爾於中(丁仲/反)也殆矣夫(郭象曰不能明/至分故有懼而) (所喪者多矣/豈唯射乎)范氏有子曰子華善養私名(遊俠之/徒也)舉國 服之有寵於晉君不仕而居三卿之右目所偏視晉國 爵之口所偏肥(音皮美反按説文字林並作⬤又作/圯皆毁也字從其省音鄙肥薄也)晉 國黜之㳺其庭者侔於朝子華使其俠客以智鄙相攻 彊弱相凌雖傷破於前不用介意(介界副/也稱也)終日夜以此 為戲樂國殆成俗禾生子伯范氏之上客出行經坰外 (坰郊野/之外也)宿於田更商丘開之⬤(更當/作叟)中夜禾生子伯二 人相與言子華之名勢能使存者亡亡者存富者貧貧 者富商丘開先(悉薦/反)窘(竒隕反/困也)於饑寒潜於牗北聽之 因假糧荷(胡可/反)畚(音本蕢/籠也)之子華之門子華之門徒皆
Interpretation

This passage recounts the story of Zihua from the Fan clan during the Spring and Autumn period. Zihua, a noble scion of the Fan family, held no official position yet wielded greater influence than the three high ministers of Jin. A master patron of retainers, his mere glance could secure a man's promotion, while a single critical remark might bring about another's downfall. His residence bustled with visitors like a royal court.

Zihua amused himself by pitting his knights against one another in contests of wit and strength, encouraging the strong to dominate the weak. Bloodied faces and injuries during these clashes drew no concern—such spectacles became daily entertainment, eventually spreading as custom throughout Jin. Among his retainers was one Hesheng Zibo, who one night while lodging in the countryside with companions, spoke of Zihua's terrifying power: the ability to resurrect the dead, turn paupers into princes and princes into beggars.

Listening beneath the window was Shang Qiu-kai, a destitute man starving in the cold. Desperate to change his fate, he shouldered a bamboo basket and presented himself at Zihua's gate, feigning allegiance. Zihua's retainers... The narrative mentions Bohun Wuren, an enlightened Daoist master, who remarked: "The perfected person (one who has attained the Dao) observes celestial phenomena above and earthly currents below. Their spirit (Shen) penetrates the eight directions while remaining unshaken in essence. Ordinary men, lacking inner cultivation, panic when facing danger—how could they ever reach the realm of the perfected?"

世族也縞衣乗軒緩步闊(苦括反逺/也廣也)視顧見商丘開年 老力弱面目黎黒衣冦不檢莫不眲之(眲奴革反方言/云楊越之間凡) (人相輕侮以為無知謂/之眲眲耳目不相信也)既而狎侮欺紿(音代方言相/欺亦曰紿)攩 (攩胡廣反方言今江東人亦/名推為攩又音晃搥打也)㧙(㧙蒲結反方言凡相推/搏曰㧙又扶畢反推擊) (也/)挨(烏駭反/推也)抌(抌丁感反方言擊背也一本作抗違拒/也○攩音晃㧙音扶閉挨音烏待抌音) (都感/切)亡(亡音/無)所不為商丘開常無愠容而諸客之技單 (單音丹/盡也)憊(蒲介反/疲也)於戲笑遂與商丘開俱乗髙臺於衆 中漫(莫汗反/散也)言曰有能自投下者賞百金衆皆競應商 丘開以為信然遂先投下形若飛鳥(一本作/飛鳬)揚(餘亮反/猶颺物) (從風/也)於地⬤(音/肌)骨無䃣(音/毁)范氏之黨以為偶然未詎怪 也因復(扶又/反)指河曲之淫(音/深)隈(烏恢反水曲/也一本作偶)曰彼中有 寳珠泳(音詠潜行/水中也)可得也商丘開復從而泳之(水底潜/行曰泳) 既出果得珠焉衆昉(昉分兩反或/云昉始也)同疑子華昉令豫肉 食衣帛之次俄而范氏之藏大火子華曰若能入火取
Interpretation

This passage from the Liezi recounts the story of Shang Qiu Kai (a seemingly foolish old man) who, despite being mocked by others, repeatedly performed miraculous feats:

At that time, nobles dressed in elegant plain robes and rode in carriages, strolling leisurely when they spotted Shang Qiu Kai—old, frail, with a dark complexion and disheveled clothing. They scornfully called him "Nè" (a dialect term meaning "ignorant fool"). The crowd began to escalate their mockery, pushing and striking him without restraint, yet Shang Qiu Kai remained unfazed, his expression unchanging.

Eventually, the nobles grew exhausted from their antics and took Shang Qiu Kai to a high platform. Jokingly, they announced to the crowd, "Whoever dares to jump down will be rewarded with a hundred pieces of gold." Everyone clamored in response, but to their shock, Shang Qiu Kai took them at their word. He leapt down like a bird in flight, landing as lightly as a feather, completely unharmed. The Fan family dismissed it as mere coincidence.

Next, they pointed to a deep bend in the river and said, "There are precious pearls at the bottom." Shang Qiu Kai immediately dove in (in ancient times, diving was called "yǒng") and indeed retrieved the pearls. Only then did the crowd begin to suspect that Zihua (the Fan family leader) had orchestrated this in secret.

Soon after, a fire broke out in the Fan family’s storehouse. Zihua declared, "Whoever can rush into the flames to save..." (Here the original text breaks off, but based on context, it likely implies that Shang Qiu Kai would once again display his extraordinary abilities.)

錦者從所得多少賞若商丘開往無難色入火往還埃 不漫身不焦范氏之黨以為有道乃共謝之曰吾不知 子之有道而誕子(誕欺/也)吾不知子之神人而辱子子其 愚我也子其聾我也子其盲我也敢問其道商丘開曰 吾亡(亡音/無)道雖吾之心亦不知所以雖然有一於此試 與子言之曩子二客之宿吾⬤也聞譽范氏之勢能使 存者亡亡者存富者貧貧者富吾誠之無二心故不逺 而來及來以子黨之言皆實也唯恐誠之之不至行之 之不及不知形體之所措利害之所存也心一而已物 亡迕者如斯而已今昉知子黨之誕我我内藏猜慮外 矜觀聽追幸昔日之不焦溺也怛然内熱惕然震悸矣 水火豈復可近哉自此之後范氏門徒路遇乞兒馬醫 弗敢辱也必下車而揖之宰我聞之以告仲尼仲尼曰 汝弗知乎夫至信之人可以感物也動天地感鬼神横 六合而無逆者豈但履危險入水火而已哉商丘開信 偽物猶不逆況彼我皆誠哉小子識之周宣王之牧正 (養禽獸/之長也)有役人梁鴦者能養野禽獸委(於偽/反)食(音嗣下/食虎同) 於園庭之内雖虎狼鵰鶚之𩔖無不柔馴者雄雌在前 孳(音兹又音字乳化/曰孳交接曰尾)尾(孳尾牡牝/相生也)成羣異𩔖雜居不相
Interpretation

This passage recounts the story of Shang Qiu-kai demonstrating the power of "utmost sincerity." The retainers of the Fan family (a powerful clan of that era) deliberately played tricks on Shang Qiu-kai, urging him to leap into fire and dive into deep water, yet he emerged completely unharmed. The Fan family retainers, assuming he was a man of Dao (the Way), collectively apologized to him, saying: "We didn’t realize you were a practitioner of the Dao and deceived you, nor did we know you were a divine being and insulted you. Were you feigning foolishness, deafness, or blindness? May we ask what Dao you cultivate?"

Shang Qiu-kai replied: "I possess no special arts of the Dao, and even I don’t understand the reason for what happened. But I can share my thoughts: Previously, while staying at an inn, I overheard two guests praising how the Fan family could bring the dead back to life and reverse fortunes between poverty and wealth. I believed these words wholeheartedly, so I traveled thousands of miles to come here. Upon arriving, I found everything you said to be true, and my only concern was whether my sincerity was insufficient or my actions not resolute enough—never did I consider the safety of my body. When the mind is wholly focused, external things cannot harm it—that’s all there was to it. Now I realize you were deceiving me, and doubts and worries have arisen in my heart. Recalling how I escaped unscathed from fire and water before was merely luck, I tremble with fear—how could I dare approach fire or water now?"

From then on, whenever the Fan family disciples encountered beggars or horse doctors (people of low status) on the road, they no longer dared to slight them and would invariably dismount to pay respects. When Confucius’s disciple Ziwo reported this incident to Confucius, the sage remarked: "Don’t you understand? One with utmost sincerity can move all things, shake heaven and earth, and commune with spirits and gods. Such a person traverses the world without obstruction—how could it be limited to merely entering fire and water? Shang Qiu-kai didn’t resist even falsehoods—how much more could he achieve when met with mutual sincerity? Remember this principle well."

The passage then cites another example from the era of King Xuan of Zhou: the animal trainer Liang Yang, who could tame tigers, wolves, eagles, and other fierce beasts in his courtyard, enabling them to mate, reproduce, and coexist peacefully despite being different species. This serves as another illustration of the transformative power of "utmost sincerity."

搏噬(音博/逝)也王慮其術終於其身令毛丘園(一本作圉/魚吕反姓) (毛名/邱園)傳之梁鴦曰鴦賤役也何術以告爾懼王之謂隱 於爾也且一言我養虎之法凡順之則喜逆之則怒此 有血氣者之性也然喜怒豈妄發哉皆逆之所犯也夫 食虎者不敢以生物與之為(于偽/反)其殺之之怒也(恐因/殺以) (致/怒)不敢以全物與之為其碎(一本作/决之)之之怒也(恐因其/用力致) (怒/)時其饑飽達其怒心(向秀曰達其心之/所以怒而順之也)虎之與人異 𩔖而媚養已者順也(殊性而愛媚/我順之故也)故其殺之逆也(所以/害物) (逆其/心故)然則吾豈敢逆之使怒哉亦不順之使喜也夫喜 之復也必怒怒之復也常喜皆不中也(不處中和勢極/則反必然之數) 今吾心無逆順者也則鳥獸之視吾猶其儕也故㳺吾 園者不思髙林曠澤寢吾庭者不願深山幽谷理使然 也(聖人所以陶運羣生使各得其性亦猶/役人之能將養禽獸使不相殘害也)顔回問乎仲 尼曰吾嘗濟乎觴深之淵矣津人操(七刀反/下同)舟若神吾 問焉曰操舟可學邪曰可能㳺(浮水/曰㳺)者可教也善㳺者 數(色據反術/也注同)能(向秀曰其數自能也言/其道數必能不懼舟也)乃若夫没人則
Interpretation

This passage presents two allegorical stories about taming animals and mastering the natural way (Dao).

The first story recounts how Liang Yang, an ancient animal trainer, revealed the secret of raising tigers: the key lies in conforming to the tiger's innate nature. As creatures of blood and qi (vital energy), tigers become pleased when obeyed and enraged when opposed. Feeding requires three precautions: never offer live prey (lest killing trigger its fury), never provide whole carcasses (lest tearing meat provoke anger), and always regulate its hunger cycles while understanding the roots of its rage. Though tigers belong to a different species, they grow close to those who accommodate their instincts. True masters neither deliberately oppose nor excessively indulge them, maintaining inner equilibrium—thus birds and beasts regard humans as kin, dwelling peacefully in human courtyards.

The second story features a dialogue between Yan Hui and Confucius. While crossing a river, Yan Hui witnessed a boatman's supernatural steering skills. The boatman explained: "Swimmers can learn to steer; expert swimmers master it quickly, while divers (meiren—those skilled in diving) can naturally handle boats even without prior experience." This subtly illustrates how genuine mastery of Daoist arts means aligning with nature's patterns rather than enforcing control through force.

(Note: "Understanding the roots of anger" (da qi nu xin) refers to comprehending the source of an animal's rage; "diver" (meiren) denotes one proficient in swimming and underwater diving. Both stories embody the Daoist core principle of "following nature's way.")

未嘗見舟而謖(所六反莊/子作便)操之者也(謖起也向秀曰/能鶩没之人也)吾 問焉而不告敢問何謂也仲尼曰⬤(⬤音衣與譩/同歎聲也)吾與 若玩(五貫反/習也)其文也久矣而未達其實而固且道與(音/余) (○見操舟之可學則是玩其文未悟没者/之自能則是未至其實今且為汝説之也)能遊者可教 也輕水也善㳺者之數能也忘水也(忘水則無/矜畏之心)乃若夫 没人之未嘗見舟也而謖操之也彼視淵若陵視舟之 覆猶其車却也覆却萬物方陳乎前而不得入其⬤(神/明) (所居故/謂之舍)惡(音/烏)徃而不暇(所遇皆/閒暇也)以瓦摳(摳探也以手藏/物探而取之亦) (曰藏彄風土記云臘日飲祭之後叟嫗兒童為藏彄之/戯辛氏三秦記云漢鉤弋夫人手拳時人傚之因名為) (藏鉤也彄曰侯/反莊子作摳)者巧以鉤(銀銅/為之)摳者憚(待汗/反)以黄金摳 者惛(惛音昏方言迷殙也○互有所投者/摳郭象曰所要愈重則其心愈矜也)巧一也而有 所矜則重外也凡重外者拱(本作/拙)内(唯忘内外遺輕/重則無巧拙矣)孔 子觀於吕梁(在今彭城郡爾雅/曰石絶水曰梁)懸水三十仞流沬三十 里黿鼉魚鼈之所不能㳺也見一丈夫游之以為有苦
Interpretation

This passage from the Liezi illustrates the philosophy of concentration and mastery. Confucius observed a man effortlessly swimming in the raging currents of the Lüliang Falls (near present-day Xuzhou), where even fish and turtles struggled. At a height of thirty fathoms, the man moved as casually as if strolling on level ground.

Confucius asked: How can someone who has never seen a boat immediately know how to row? It’s like how skilled divers are naturally attuned to water—they perceive deep abysses as flat ground and capsized boats as mere carriage reversals. Though the transformations of all things unfold before them, their minds remain undisturbed (referring to a state of deep focus). Thus, they respond to any situation with ease.

The text then uses gambling as a metaphor: When betting with pottery shards, one’s movements are deft; with silver hooks, tension arises; with gold, the mind grows muddled. The skill is the same, but the greater the attachment to the stakes, the more distracted one becomes. Those overly fixated on external things become inwardly clumsy (losing their natural state). The true key lies in forgetting the distinction between inner and outer, relinquishing thoughts of gain and loss.

The passage concludes: Those who can swim can be taught because they understand water’s nature; master swimmers, however, reach the state of "forgetting water" (no longer consciously thinking about it). Like the expert diver who had never seen a boat yet could instantly command it, his complete immersion in the environment left no room for fear in his mind.

而欲死者也使弟子並流而承(音拯方言出溺為承/諸家直作拯又作撜)之 數百步而出被髮行歌而游於棠行(棠當作塘/行當作下)孔子從 而問之曰吕梁懸水三十仞流沬三十里黿鼉魚鼈所 不能游向吾見子道之(道當/作蹈)以為有苦而欲死者使弟 子並流將承(音/拯)子子出而被髮行歌吾以子為鬼也察 子則人也請問蹈水有道乎曰亡(音無本無/此亡字)吾無道吾 始乎故長乎性成乎命與齎俱入與汨(古忽反涌波也/郭象云洄伏而) (涌出者/汨也)偕出(齎汨者水迴/入涌出之貎)從水之道而不為私焉此吾 所以道之也孔子曰何謂始乎故長乎性成乎命也曰 吾生於陵而安於陵故也(故猶素也任其真/素則所遇而安也)長於水而 安於水性也(順性之理則/物莫之逆也)不知吾所以然而然命也(自/然) (之理不可以智知知/其不可知謂之命也)仲尼適楚出於林中見痀(於禹/反)僂 (音縷痀僂/背曲疾也)者承蜩(音條一本/作蜩蟬也)猶掇(都括反/拾也)之也仲尼曰 子巧乎有道邪曰我有道也五六月纍(占累/反)垸(音丸司/馬云謂) (累丸於/竿頭也)二而不墜則失者錙銖(音淄殊○向秀曰累二/丸而不墜是用手之停)
Interpretation

A skilled swimmer once plunged into the Lüliang Waterfall—where cascades drop thirty fathoms and churning rapids stretch thirty miles, a place even giant turtles and crocodiles dare not enter—yet emerged with effortless grace. Confucius, witnessing this, feared the man was attempting suicide and urgently sent his disciples downstream to rescue him. To his astonishment, the swimmer surfaced singing, his hair loose and flowing. Confucius exclaimed, "I thought you were a water ghost! But you're human! How did you master such swimming?"

The swimmer replied, "No special method. Born among hills, I adapted to hills (gu); raised by water, I harmonized with its nature (xing)—it came to me naturally (ming). I enter and exit with the flow, never struggling against it. When a whirlpool pulls me under, the waves return me to the surface."

Later, in the forests of Chu, Confucius encountered a hunchbacked old man catching cicadas with a long pole as effortlessly as picking fruit. Confucius asked, "Is there an art to this skill?" The old man said, "Indeed! After five or six months of balancing two clay balls on the pole's tip without dropping them, I rarely miss a cicada. With three balls steady, I fail maybe once in ten tries. With five balls balanced, catching cicadas becomes like gathering fallen fruit. I stand rooted like a tree stump, hold the pole like a dead branch—though heaven and earth are vast, my gaze sees only cicada wings. How could I miss?"

(Note: "Léi huán" refers to stacking clay balls to train steadiness; "jū lóu" describes a hunchback; "chéng tiáo" is the art of catching cicadas with a long pole.)

(審也故承蜩所失者/不過錙銖之間耳)纍三而不墜則失者十一纍五而 不墜猶掇之也(用手轉審則/無所失者也)吾處也若橜株駒(橜本或/作撅同) (其月反説文作身木也李頥云橜竪也株駒亦/枯樹本也駒音俱○崔譔曰橜株駒斷樹也)吾執臂 若槁(空好/反)木之枝雖天地之大萬物之多而唯蜩翼之 知吾不反不側不以萬物易蜩之翼何為而不得(郭象/曰遺) (彼故得/此也)孔子顧謂弟子曰用志不分乃凝於神(分猶散/意專則) (與神相/似者也)其痀僂丈人之謂乎丈人曰汝逢衣(禮記儒行/篇曰邱少) (居魯衣逢掖之衣長居宋冠章甫之冠鄭𤣥注云/逢猶大也謂大掖之衣向秀曰儒服寛而長大)徒也 亦何知問是乎脩汝所以而後載言其上(脩治也言治/汝所用仁義) (之術反於自然之道然/後可載此言於身上也)海上之人有好(呼報/反)漚(音/鷗)鳥者 每旦之海上從漚鳥游漚鳥之至者百住(音/數)而不止(心/和) (而形順者物所/不惡住當作數)其父曰吾聞漚鳥皆從汝㳺汝取來吾 玩之明日之海上漚鳥舞而不下也(心動於内形變於/外禽鳥猶覺人理) (豈可/詐哉)故曰至言去(丘吕/反)言至為無為齊(在詣/反)智之所知
Interpretation

These are two parables about concentration and the natural Dao (the Way).

The first story tells of an old hunchback (the Hunchback Elder) with extraordinary skill at catching cicadas. He could balance three pellets atop his bamboo pole without dropping them, missing only one catch in ten attempts; with five pellets balanced, catching cicadas became as effortless as picking things up from the ground. The elder explained his secret: standing as steady as a tree stump, holding the pole as motionless as a dead branch. Though heaven and earth were vast and all things abundant, his eyes saw only cicada wings, his mind free from distraction. When Confucius witnessed this, he told his disciples: "Single-minded concentration leads to miraculous skill—this elder embodies that truth!" Later, the elder challenged Confucius: "You scholars in broad robes (fengyi disciples), spending days studying artificial doctrines of benevolence and righteousness—what do you know of the natural Dao? Only by abandoning these human constructs can one grasp true wisdom."

The second story describes a seaside man who loved seagulls (ou birds), playing daily with hundreds of them. His father said: "I hear the gulls trust you—catch some for me." The next day when the man returned to the shore, the gulls only circled overhead, refusing to land. This shows how when hidden motives arise within, even birds and beasts perceive the change in one's outward demeanor.

The conclusion reveals: The highest wisdom transcends words, the greatest action is wuwei (non-action), and true understanding surpasses ordinary knowledge (equalizing wisdom). Just as catching cicadas depends not on technique but on mental purity, and harmonious seagull companionship requires complete absence of ulterior motives—the moment possessiveness arises, the harmony is lost.

則淺矣(言為都忘然後物無疑心限於智之所知則失/之逺矣或有疑丈人假偽形以獲蟬海童任和) (心而鷗㳺二情相背而同不忤物夫立言之本各有攸/⬤似若乖互㑹歸不異者蓋丈人明夫心慮專一猶能) (外不駭物況自然冥至形同於木石者乎至於海童誠/心充於内坦蕩形於外雖未能利害兩忘猜忌兼消然) (輕羣異𩔖亦無所多怪此二喻者/蓋假近以徵逺借末以明本耳)趙襄子率(所律/反)徒十 萬狩於中山(火畋/曰狩)藉(在夜/反)芿(芿而誫反在下曰/藉草不剪曰芿)燔(燔音/煩燒) (也/)林扇赫百里有一人從石壁中出隨煙燼(疾刄/反)上(時/掌) (反/)下衆謂鬼物火過徐行而出若無所經涉者襄子怪 而留(力救反謂宿/留而視之)之徐而察之形色七竅人也氣息音 聲人也問奚道而處石奚道而入火其人曰奚物而謂 石奚物而謂火(此則都不覺有石/火何物而能閡之)襄子曰而嚮之所出 者石也而嚮之所涉者火也其人曰不知也(不知之極/故得如此) 魏文侯聞之問子夏曰彼何人哉子夏曰以商所聞夫 子之言和者大同於物物無得傷閡者㳺金石蹈水火 皆可也文侯曰吾子奚不為之子夏曰刳(刳音/枯)心去智
Interpretation

This passage recounts a wondrous tale and its accompanying philosophical discourse. When Lord Xiang of Zhao led a hundred thousand men hunting in Zhongshan, they witnessed a man emerge from burning rocks, traversing freely through flames without injury. The crowd initially thought it a ghost or demon, but upon closer inspection, they saw an ordinary person with seven facial orifices who breathed and spoke normally.

When Lord Xiang asked how he could move effortlessly through stone and fire, the man countered with questions of his own: "What is stone? What is fire?"—indicating complete ignorance of these concepts. Upon hearing this account, Marquis Wen of Wei consulted Zixia (a disciple of Confucius) about the man's identity. Zixia quoted Confucius' explanation: when a person's Shen (spirit) attains the state of "harmony" and becomes one with all things, they can traverse metal, stone, water, and fire without obstruction.

Zixia further elaborated that achieving this state requires "hollowing the heart and removing cunning" (kuxin quzhi)—emptying worldly thoughts and abandoning clever stratagems—a feat he himself had yet to accomplish. The text employs two allegories to illustrate this: the "elder catching cicadas" demonstrates how focused concentration makes one oblivious to external things, while the "sea boy and gulls" shows how genuine inner sincerity manifests as natural ease in outward behavior. Both examples use simple parables to illuminate the profound Daoist cultivation state of "forgetting both self and things" (wuwoliangwang).

商未之能雖然試語之有暇矣(夫因心以刳心借智以/去智心智之累誠盡然) (所遣心智之跡猶存明夫至理非/用心之所體忘言之則有餘暇矣)文侯曰夫子奚不為 之子夏曰夫子能之而能不為者也文侯大説(説音悦/天下有) (能之而能不為者有能之而不能不為者有不能而彊/欲為之者有不為而自能者至於聖人亦何所為亦何) (所不為亦何所能亦何所不能俛仰同俗升降隨物竒/功異迹未嘗蹔顯體中之絶妙處萬不視一焉此卷自) (始篇至此章明順性命之道而不係著五情專氣致柔/誠心無二者則處水火而不燋溺涉木石而不悸駭觸) (鋒刄而無傷殘履危險而無巔墜萬物靡逆其心入獸/不亂群神能獨㳺身能輕舉耳可洞聽目可徹照斯言) (不經實駭常心故試論之夫隂陽⬤化五才偏育金土/以母子相生水火以燥濕相乗人性以静躁殊途升降) (以所能異情故有雲飛之翰⬤潜之鱗火遊之䑕木藏/之蟲何者剛柔炎涼各有攸宜安於一域則困於餘方) (至於聖人心與元氣𤣥合體與隂陽冥諧方圓不當於/一象温涼不值於一器神定氣和所乗皆順則五物不) (能逆寒暑不能傷謂含德之厚和之至也故常無死地/豈用心去就而復全哉蹈水火乗雲霧履髙危入甲兵)
Interpretation

In the late Shang dynasty, people attempted to discuss the principles of "being" and "non-being" through language, yet always found themselves inadequate. To truly eliminate the burdens of the mind, one must transcend the mind using the mind itself, and relinquish attachment to wisdom through wisdom. Even when freed from mental constraints, traces of the mind remain. The profound truth of the Dao (the Way) cannot be grasped through deliberate effort—only by forgetting the limitations of language can one attain genuine liberation.

Marquis Wen of Wei once asked Zixia, "Why did Confucius not pursue supernatural powers?" Zixia replied, "The Master possessed such abilities but chose not to employ them." The Marquis was greatly pleased upon hearing this. In this world, there are indeed four kinds of people: those who have ability but choose not to use it, those who have ability and must use it, those who lack ability yet insist on forcing it, and those who appear inactive yet achieve effortlessly. True sages neither deliberately pursue anything nor intentionally avoid anything. They flow with the rise and fall of worldly affairs, merging with all things, never deliberately displaying miraculous feats. The profound mysteries within them remain beyond the comprehension of ordinary people, who cannot perceive even a ten-thousandth of their depth.

From the beginning up to this point, the text elucidates the Dao of conforming to the innate truth of life—free from the bondage of the five desires (wealth, sex, fame, food, sleep), focusing on refining Qi (vital energy) to attain a state of harmony, and maintaining a pure and uncluttered mind. Those who reach this state cannot be burned by fire, drowned by water, or harmed when passing through wood and stone. They remain unafraid when touching blades, and they walk through peril without falling. No creature can harm them, and even entering a herd of beasts causes no disturbance. Their spirit can wander alone, their body can ascend lightly, their ears can hear the most distant sounds, and their eyes can see through all things. These claims may sound irrational and indeed astonish the listener.

The two energies of Yin and Yang give birth to all things, and the Five Phases (Wood, Fire, Earth, Metal, Water) each have their own inclinations: Metal and Earth generate each other like mother and child, while Fire and Water counteract each other due to the opposition of dryness and dampness. Human nature differs due to stillness or agitation, and abilities vary due to innate endowments. Thus, there are birds that soar through clouds, fish that dive into deep waters, mice that live in fire, and insects that dwell in wood—each creature finds its place according to its hardness, softness, heat, or cold. If one fixates on a single aspect, they will inevitably be constrained in others.

But the sage's mind mysteriously aligns with the primordial Qi (cosmic origin-energy), and their body silently harmonizes with Yin and Yang. They are not confined by shapes or boundaries, nor affected by heat or cold. Their spirit is tranquil, their breath balanced, and wherever they go, all flows smoothly. The Five Phases cannot harm them, and neither heat nor cold can invade them—this is the state of profound De (Virtue/Power) and ultimate harmony. Thus, they never find themselves in desperate straits—why would they need to deliberately avoid danger to preserve themselves? They can walk safely through fire and water, ride clouds and mist, ascend great heights, and traverse battlefields unscathed.

(未足/怪也)有神巫(男曰覡女曰巫顔師/古曰巫覡亦通稱)自齊來處於鄭命曰 季咸知人死生存亡禍福夀夭期以嵗月旬日如神鄭 人見之皆避(一本/作棄)而走(向秀曰不喜/自聞死日也)列子見之而心醉 (向秀曰迷/惑其道也)而歸以告壺丘子(列子/師也)曰始吾以夫子之道 為至矣則又有至焉者矣(郭象曰謂季咸之/至又過於夫子也)壺子曰吾 與汝無其文未既其實而固得道與(與音/余)衆雌而無雄 而又奚卵焉(向秀曰夫實由文顯道以事彰有道而無/事猶有雌無雄耳今吾與汝雖深淺不同) (然俱在實位則無文相發矣故未盡我道之/實也此言至人之唱必有感而後和者也)而以道與 世抗(抗口浪反或/作亢音同)必信矣夫故使人得而相(悉亮/反)汝(向/秀) (曰元其一方以必信/於世故可得而相也)嘗試與來以予示之明日列子與 之見壺子出而謂列子曰譆(譆音/熈)子之先生死矣弗活 矣不可以旬數矣吾見怪焉見濕灰(司馬云氣/如濕灰)焉列子 入涕泣沾衾以告壺子壺子曰向吾示之以地文(向秀/曰塊) (然若/土也)罪(本作/萌)乎不誫(音/震)不止(罪或作萌向秀曰萌然不/動亦不自止與枯木同其)
Interpretation

In the state of Zheng arrived a spirit medium from Qi named Ji Xian (in ancient times male mediums were called "xi" and female mediums "wu", here collectively referred to as wu xi). He could foretell life and death, fortune and misfortune, the length of one's lifespan, and predict events down to the exact year, month and day with uncanny accuracy. The people of Zheng would avoid him when they saw him (another interpretation says "abandon and flee", which Xiang Xiu explains as people not wanting to hear their own death dates).

When Liezi encountered Ji Xian, he became utterly fascinated (Xiang Xiu explains this as being bewitched by his Daoist arts). Returning to his teacher Master Hu Zi, he said: "Originally I thought your mastery of the Dao had reached the pinnacle, but now I realize there are even higher levels." Hu Zi replied: "What I've taught you so far are only surface techniques, not yet the substantive content. Do you presume to have attained the Dao? It's like having only hens without a rooster—how could eggs be produced? (Xiang Xiu explains: Substance requires literary expression to manifest, the Dao must be revealed through concrete matters. Having the Dao without concrete manifestation is like keeping hens without a rooster. Though our master-disciple relationship shows different levels of attainment, we're both still operating at the concrete level, not yet fully revealing the substance of the great Dao.)"

Hu Zi continued: "When you take this half-baked understanding of the Dao to compete with worldly people, you'll inevitably be seen through. That's why others can read your fortune. Bring him to see me tomorrow."

The next day, Liezi brought Ji Xian to meet Hu Zi. After the encounter, Ji Xian told Liezi: "Alas! Your teacher is about to die—he won't last ten more days. I saw his face like dead ashes (Sima Biao explains: his qi resembled dampened embers)." Liezi entered weeping, his tears soaking his robe, and reported this to Hu Zi. Hu Zi said: "Just now I showed him the quiescent state of earth (Xiang Xiu explains: motionless like a clod of earth), neither shaken ("zhen" meaning vibration) nor transformed (another version reads "sprouting", which Xiang Xiu explains: lifeless like withered wood)."

(不華死灰均其寂魄此至人無感之時也夫至人其動/也天其静也地其行也水流其湛也淵嘿淵嘿之與水) (流天行之與地止其於不為而自然一也今季咸見其/尸居而坐忘即謂之將死見其神動而天隨便為之有) (生茍無心而應感則與變升降以世為量然後/足為物主而順時無極耳豈相者之所覺哉)是殆見 吾杜德㡬也(向秀曰德㡬不/發故曰杜也)嘗又與來明日又與之見壺 子出而謂列子曰幸矣子之先生遇我也有瘳矣灰然 (灰或/作全)有生矣吾見杜權矣(有用而無利/故謂之杜權)列子入告壺子 壺子曰向吾示之以天壤(向秀曰天壤之中覆載之功/見矣比地之文不猶外乎) 名實不入(向秀曰任自然而覆載/則名利之飾皆為棄物)而機發於踵(許慎注/淮南子) (云機發不旋踵○郭/象曰常在極上起)此為杜權是殆見吾善者幾也(向/秀) (曰有善於彼彼乃見之/明季咸之所見者淺矣)嘗又與來明日又與之見壺子 出而謂列子曰子之先生坐不齋(齋側皆反下同○或/無坐字向秀曰無徃) (不平混然一之以管窺天/者莫見其崖故以不齋也)吾無得而相焉試齋將且復 相之列子入告壺子壺子曰向吾示之以太沖莫眹(向/秀)
Interpretation

This passage recounts the story between Liezi (a prominent Daoist figure) and the physiognomist Ji Xian, revealing the profound state attained by those who have realized the Dao (the Way).

When one cultivates themselves to the highest realm, their movements and stillness become as natural as the workings of heaven and earth. In motion, they flow like water; in stillness, they are deep and serene as an abyss. This state fully accords with nature, requiring no deliberate action (Wuwei). When Ji Xian first met Huzi (Liezi's teacher), he saw him sitting in stillness like a corpse, completely self-forgetful, and mistakenly thought he was about to die. Later, when he observed Huzi's spiritual activity in harmony with the Dao of heaven, he assumed he had come back to life. In truth, those who have realized the Dao never deliberately conform to external changes—they follow nature spontaneously, becoming masters of all things. How could such a realm be comprehended by a mere physiognomist?

Huzi demonstrated three distinct states to Ji Xian. First, he revealed the "Heaven and Earth" state (encompassing all existence), where fame, gain, and loss no longer mattered, and vitality (Qi) arose naturally from the soles of his feet. Ji Xian mistook this for "Hidden Power" (a seemingly useless yet profoundly potent state). Next, Huzi displayed the "Supreme Void Undetectable" state (an extreme tranquility beyond perception), leaving Ji Xian utterly baffled. He claimed Huzi's spirit (Shen) was unsettled and unpredictable, requesting to return another day for further observation.

This story illustrates how the realm of Dao-realized individuals is unfathomably subtle, far beyond ordinary comprehension. By revealing different levels of cultivation, Huzi ultimately made Ji Xian recognize the limitations of his physiognomy.

(曰居太沖之極皓然泊/心𤣥同萬方莫見其迹)是殆見吾衡氣幾也(衡平/也)鯢(鯢/音) (倪/)旋(旋音桓云盤桓也一/本作旋謂盤旋也)之潘(音盤本作蟠水之盤回/之盤今作潘恐寫之誤) 為淵止水之潘為淵(鯢大魚也桓盤桓也蟠洄流也此/言大魚盤桓其水蟠洄而成深泉) (南華真經作審梁/簡文云蟠聚也)流水之潘為淵濫(咸上聲爾雅/云水涌出也)水之 潘為淵沃(沃烏僕反水泉/從上溜下也)水之潘為淵氿(音軌水泉/從旁出也)水 之潘為淵雍(音擁河水決/出還復入也)水之潘為淵汧(音牽水之/流行也)水 之潘為淵肥(水所出異/為肥也)水之潘為淵是為九淵焉(此九/水名) (義見爾雅夫水一也而隨髙下夷險冇洄激流止之異/似至人之心因外物難易有動寂進退之容向秀曰夫) (水流之與止鯢旋之與龍躍常淵然自若未始失其静/黙也郭象曰夫至人用之則行舍之則止雖波流九變) (治亂紛紜若居其極者常/澹然自得泊乎無為也)嘗又與來明日又與之見壺 子立未定自失而走壺子曰追之列子追之而不及反 以報壺子曰已滅矣已失矣吾不及也壺子曰向吾示 之以未始出吾宗(向秀曰雖進退同羣/而常深根寧極也)吾與之虚而猗
Interpretation

This passage describes how nine different forms of water flow ultimately converge to form deep abysses, paralleling the highest state attained by Daoist practitioners.

The giant salamander (Ni) swimming in circles creates whirlpools; still waters swirling back form abysses; surging currents form abysses; gushing springs (Lan) form abysses; waterfalls (Wo) descending from heights form abysses; side-flowing springs (Gui) form abysses; breached yet returning river waters (Yong) form abysses; flowing waters (Qian) form abysses; and uniquely sourced springs (Fei) form abysses—these are the origins of the nine abysses.

The text uses the diverse manifestations of water as a metaphor for the practitioner’s state of mind: though outwardly varied, the essence remains unchanged. Just as water, whether still or flowing, whether stirred by the salamander’s movement or a dragon’s leap, maintains the abyss’s profound stillness, the perfected person (Zhiren) preserves inner tranquility and detachment regardless of circumstance. Like dwelling at the cosmic center (Taichong’s extremity), they mysteriously commune with all things without leaving traces.

Later, a story is told: Huzi demonstrated the state of "not yet emerging from the origin" to someone, who fled in terror the moment they glimpsed it. Liezi could not catch up, and Huzi explained that this was because he had revealed the fundamental Dao ("not yet departing from my root"), as still as deeply rooted trees in utter serenity. Huzi remarked that he had merely responded with emptiness, yielding without interference—thus achieving this effect.

Here, "not yet departing from my root" refers to abiding in the original state of the Dao, while "responding with emptiness" (Xu er yi) means accommodating all things with a void-like attitude, embodying the Daoist principle of "governing through non-action" (Wuwei). When practitioners reach this state, though they dwell among ordinary people, they remain rooted in fundamental stillness.

(於危/反)移(委移至順之貎○向/秀曰無心以隨變也)不知其誰何(向秀曰汎/然無所係)因 以為茅(音/頽)靡(崔譔云/遜伏也)因以為波流故逃也(茅靡當為頽/靡向秀曰變) (化頽靡世事波流無徃不因則為之非我我雖不為而/與羣俯仰夫至人一也然應世變而時動故相者無所) (用其心自失/而走者也)然後列子自以為未始學而歸三年不出 (向秀曰棄人/事之近務也)為(于偽/反)其妻㸑(㸑七玩反○向/秀曰遺恥辱)食(食音嗣/下同) 狶(虚豈反楚人/呼猪作狶)如食人(向秀曰忘/貴賤也)於事無親(向秀曰無/適無莫也) 雕瑑(持兖反一/本作琢)復朴塊然獨以其形立(向秀曰雕瑑之/文復其真朴則) (外事/去矣)㤋(音/紛)然而封戎(向秀曰真不散/也戎或作哉)壹以是終(向秀曰/遂得道) (也/)子列子之齊中道而反(驚人之推敬於/已故不敢遂進)遇伯昏暓人 伯昏暓人曰奚方而反曰吾驚焉惡(音/烏)乎驚吾食於十 漿(客⬤賣/漿之家)而五漿先饋(饋求位反餉也○/人皆敬下之也)伯昏暓人曰 若是則汝何為驚已曰夫内誠不解(郭象曰外自矜/飾内不釋然也)形
Interpretation

This passage describes the spiritual journey of Liezi (a prominent Daoist figure) in his cultivation practice. Initially, he went with the flow like reeds bending in the wind or waves following the water's current, completely conforming to worldly changes to the point of forgetting his own identity. Later, he realized this state hadn't yet attained true realization of the Dao, so he returned home and devoted himself to three years of secluded practice.

During these three years, Liezi completely relinquished worldly affairs. He no longer observed formalities when having his wife cook meals (the term "㸑" indicates disregarding culinary propriety), ate as casually as feeding pigs ("狶" being the Chu dialect term for swine), and treated all things without distinction between intimate and distant. He abandoned all external ornamentation ("雕瑑" referring to refined craftsmanship), returning to the most unadorned authentic state, existing alone like a block of wood. His inner turmoil ("㤋") completely subsided as he maintained singular purity until the end of his days, ultimately attaining realization of the great Dao.

Later, when Liezi prepared to journey to Qi, he unexpectedly turned back midway. Meeting his teacher Bohun Maoren (a Daoist perfected being), he explained: "At ten shops selling gruel, five voluntarily offered me their goods ("饋" meaning gifts) before I asked. People's reverence toward me made me feel unsettled." Bohun Maoren pointed out: "This shows you still harbor inner attachments ("内诚不解"). Though outwardly feigning indifference, your heart hasn't truly let go."

諜(音/牒)成光(郭象曰舉動/便辟成光儀)以外鎮人心(外以矜嚴服/物内實不足)使人 輕乎貴老(使人輕而尊長之者/由其形諜成光故也)而⬤(子西/反)其所患(郭象/曰以) (美形動物則/所患亂至矣)夫漿人特為食(食音/嗣)羮之貨無多餘之贏 (贏音盈一本無無字○所貨/者羮食所利者盈餘而已)其為利也薄其為權也輕 而猶若是(郭象曰權輕利薄可無求於人而/皆敬已是髙下大小無所失者)而況萬乘 之主身勞於國而智盡於事(所以不/敢之齊)彼將任我以事而 效我以功吾是以驚(推此𩔖也則貨輕者望/利薄任重者責功多)伯昏暓人 曰善哉觀乎(汝知驚此者是/善觀察者也)汝處已人將保汝矣(汝若/黙然) (不自顯曜適齊之與處此皆無/所懼茍違此義所在見保矣)無幾何而徃則户外之 屨(屨九遇反關西/呼履謂之屨)滿矣(歸之/果衆)伯昏暓人北面而立敦(敦/音) (頓竪/也)杖蹙之乎頥立有間不言而出賔(本作儐導/也必忍反)者以 告列子列子提履徒跣而走暨乎門問曰先生既來曾 不廢藥乎(廢置也曾無善/言以當藥石也)曰已矣吾固告汝曰人將保 汝果保汝矣非汝能使人保汝(順乎理以接物則物不/保之今背理而感物求)
Interpretation

This passage from the Liezi recounts a dialogue between Liezi and Bohun Maoren (a Daoist adept), revealing profound insights on human conduct.

When a person maintains a dazzling exterior ("radiant like a spy's disguise") and intimidates others with an imposing demeanor, they may command superficial respect, but never genuine sincerity. Consider the humble porridge vendor—though his profits are meager, he earns authentic esteem through honest dealings. How much more so should a ruler governing a state, who toils diligently for public welfare, naturally win heartfelt reverence from the people.

Initially, Liezi failed to grasp this principle, fearing he might be entrusted with responsibilities beyond his capacity. Bohun Maoren advised him: "Simply abide in your natural disposition ('silently without self-display'), without contrived posturing, and people will instinctively trust you." Sure enough, visitors soon flocked to Liezi's door until their shoes overflowed his threshold.

Then Bohun Maoren arrived leaning on his staff. After standing wordlessly for a while, he turned to leave. Liezi rushed out barefoot to intercept him: "Master, have you no instruction for me?" The adept replied: "Did I not already tell you? People would come to trust you. Now it is proven. But understand—this trust arises not from your deliberate efforts ('it is not your ability that makes others confide in you'), but as the natural consequence of aligning with the Dao."

This exchange illuminates the Daoist principle of wuwei (non-action) governance: true authority stems not from external displays, but emerges organically through inner cultivation. Forced pursuit of validation backfires, while harmony with one's innate nature yields authentic trust.

(物不保/不可得)而汝不能使人無汝保也(郭象曰任乎而化則/無感無求無感無求) (乃不/相保)而焉用之感也(汝用何術乃/感物如此乎)感豫出異(郭象曰先/物施惠惠) (不因彼豫/出而異者)且必有感也揺而本身又無謂也(必恒使物/感已則彼) (我之性/動易之)與汝遊者莫汝告也(皆揺本之徒不/皆相啟悟也)彼所小言 盡人毒也(小言細巧易於感/人故為人毒害也)莫覺莫悟何相孰也(不能/相成) (濟/也)楊朱南之沛老耼西遊於秦邀於郊至梁而遇老子 (莊子云楊子居子居或楊朱○之/字又不與老子同時此皆寓言也)老子中道仰天而歎 曰始以汝為可教今不可教也(與至人遊而未能去其/矜夸故曰不可教者也) 楊朱不答至⬤進涫(涫音管莊/子作盥)漱(漱音/瘦)巾櫛(壯乙/反)脱履 (本作/屨)户外⬤行而前曰向者夫子仰天而歎曰始以汝 為可教今不可教弟子欲請夫子辭行不間(音閑/下同)是以 不敢今夫子間矣請問其過老子曰而睢睢(許唯/反)而盱 盱(音吁説文云盱仰目也蒼頡篇云盱張/目貎髙誘注淮南子云睢盱視聽貎)而誰與居(汝/云) (何自居處而夸張若/此使物故歎之乎)大白若辱盛德若不足(不與物競/則常處卑)
Interpretation

This passage records the legendary encounter between Yang Zhu (a Warring States period philosopher) and Laozi (founder of Daoism). Upon seeing Yang Zhu, Laozi looked up and sighed, lamenting that while the man could have been teachable, he now found him beyond instruction.

Laozi criticized Yang Zhu's arrogant demeanor—his habit of interacting with others through wide-eyed, haughty expressions ("suīsuī xūxū"). A true Dao-realized person should embody the principles described in the Daodejing: "The purest white appears sullied" and "The highest De (Virtue) seems insufficient," maintaining humility and unassuming simplicity.

The text describes how Yang Zhu, after meeting Laozi, respectfully groomed himself ("advanced with rinsed mouth and combed hair"), removed his shoes, and bowed to inquire why Laozi deemed him "unteachable." Laozi pinpointed the problem in Yang Zhu's self-righteous posturing and contrived mannerisms ("swaying his body without purpose")—behavior that inevitably provokes aversion.

Guo Xiang's commentary adds that true Dao-realized individuals follow natural spontaneity ("transforming through non-interference") without seeking external validation ("neither moved nor desirous"). While clever rhetoric ("petty words") may easily impress people, it ultimately proves harmful by leading them astray from their original nature.

(而守/約也)楊朱蹵然變容曰敬聞命矣其徃也⬤者迎將家 (客舍/家也)公執席妻執巾櫛⬤者避席煬(音楊司馬云對火/曰煬淮南子云冨) (人水纂錦貧/人煬竈口)者避竈(厚自藏異則/物憚之也)其反也⬤者與之争 席矣(自同於物物/所不惡也)楊朱過(音/戈)宋東之於逆旅逆旅人有妾 二人其一人美其一人惡惡者貴而美者賤楊子問其 故逆旅小子對曰其美者自美吾不知其美也其惡者 自惡吾不知其惡也楊子曰弟子記之行賢而去自賢 之行安徃而不愛哉(夫驕盈矜伐鬼神人道之所不與/虚已以循理天下之所樂推以此) (而徃孰/能距之)天下有常勝之道有不常勝之道常勝之道曰 柔常不勝之道曰彊二者亦知(亦當/作易)而人未之知故上 古之言彊先不已若者(所勝在已/下者耳)柔先出於已者(不與/物競) (則物不/能加也)先不已若者至於若已則殆矣(遇敵必/危之也)先出於 已者亡(亡音/無)所殆矣(理常/安也)以此勝一身若徒以此任天 下若徒謂不勝而自勝不任而自任也(夫體柔虚之道/處不競之地雖) (一身之貴天下之大無心而御之同於徒矣徒空黙之/謂也郭象曰聽耳之所聞視目之所見知止其所不知)
Interpretation

When the Daoist scholar Yang Zhu (from the Warring States period) heard others' admonitions, his expression suddenly turned solemn as he respectfully accepted their teachings. During his travels, people would warmly welcome him—hosts would go out of their way to serve him: the master of the house personally laid out his mat, the mistress attended to him with towels and combs, and even those warming themselves by the fire would yield their spot by the stove.

Yet on his return journey, people's attitudes changed entirely—some even openly competed with him for seating. Later, while passing through the state of Song, Yang Zhu stayed at an inn where the innkeeper had two concubines: one beautiful, the other plain. Strangely, the plain one was favored, while the beautiful one was neglected. When Yang Zhu asked why, the innkeeper replied, "The one who thinks herself beautiful—I do not find her so; the one who thinks herself plain—I do not find her so either." Yang Zhu then instructed his disciples to remember: a truly virtuous person must abandon self-praise, for only then will they be welcomed wherever they go.

The text presents two approaches to life: the way of yielding often prevails, while the way of force often fails. The yielding way is characterized by humility and withdrawal (not contending with external things), whereas the forceful way seeks to dominate others. Those who act with force risk danger when encountering stronger opponents, while those who follow the yielding way avoid calamity. This yielding principle applies not only to personal cultivation but also to governing the world—seemingly non-competitive, yet naturally achieving success; seemingly inactive (Wuwei), yet accomplishing all things. Just as one need not strain to see or hear to perceive all things, this is the state of "emptiness, stillness, and non-action" (Xu Jing Wuwei) revered in Daoism.

(能止其所不能用其自用為其自為順徃而不競於物/者此至柔之道也故舉其自舉持其自持既無分銖之) (重而我/無力焉)粥(余六/反)子曰欲剛必以柔守之欲彊必以弱保 之(守柔不以求剛而自剛保弱不以求彊/而自彊故剛彊者非欲之所能致也)積於柔必剛 積於弱必彊觀其所積以知禍福之鄉(禍福生於/所積也)彊勝 不若已至於若已者剛(必有/折也)柔勝出於已者其力不可 量老耼曰兵彊則滅(王弼曰物之所惡/故必不得終焉)木彊則折(彊極/則毁) (矣/)柔弱者生之徒堅彊者死之徒狀不必童(童當/作同)而智 童智不必童而狀童聖人取童智而遺童狀衆人近童 狀而䟽童智狀與我童者近而愛之狀與我異者䟽而 畏之有七尺之骸手足之異戴髪含齒倚而⬤者謂之 人而人未必無獸心雖有獸心以狀而見親矣傅(音/附)翼 戴角分牙布爪仰飛伏走謂之禽獸而禽獸未必無人 心雖有人心以狀而見䟽矣庖犧氏女媧(媧音𤓰庖犧/女媧皆古天) (子/)氏神農氏夏后氏蛇身人面牛首虎鼻此有非人之 狀而有大聖之德(人形貌自有偶與禽獸相似者古之/聖人多有竒表所謂蛇身人面非被) (鱗臆行無有四支牛首虎鼻非戴角垂胡曼/頞解頷亦如相書龜背鵠步鳶肩鷹喙耳)夏桀殷紂
Interpretation

This passage expounds the Daoist wisdom that "the soft and weak overcome the hard and strong." The most harmonious way of being lies in contentment with one's inherent nature, avoiding forced efforts beyond one's capacity, and flowing with natural rhythms without contending with external forces. It's like lifting a heavy object - while the movement appears to originate from the object itself, in truth we exert no deliberate force.

To become strong, one must first maintain a posture of softness; to become powerful, one must first preserve a state of humility. True strength isn't attained through direct pursuit, but emerges naturally through the accumulation of softness. Observing a person's daily cultivation reveals their future fortunes. Overcoming weaker opponents through brute force proves nothing - when facing equals, such hardness becomes brittle and prone to breaking. But conquering stronger opponents through softness demonstrates immeasurable power.

Laozi taught: "Overly sharp weapons dull fastest, the hardest trees splinter easiest." Softness is the path of survival, hardness the road to destruction. Human appearances may differ while wisdom connects; wisdom may vary while appearances resemble. Sages value the meeting of minds, while ordinary people focus on superficial likenesses.

Consider the human form: seven feet tall with distinct limbs, crowned with hair, teeth in mouth, walking upright - these features define a person. Yet humans aren't devoid of beastly nature, and we embrace others primarily for physical resemblance. Animals with wings and horns, fangs and claws, flying or crawling - they may possess human-heartedness, yet we distance them for their different forms. Ancient sage-kings like Fuxi, Nüwa, Shennong and the Xia rulers sometimes bore serpent bodies with human faces, or ox heads with tiger noses - though their forms differed from ordinary people, they embodied supreme virtue (De). Conversely, tyrants like Jie of Xia and Zhou of Shang wore human shapes but harbored bestial hearts.

魯桓楚穆狀貎七竅皆同於人而有禽獸之心而衆人守 一狀以求至智未可㡬(音/兾)也黃帝與炎帝戰於阪(蒲板/反) 泉之野帥(音/率)熊羆狼豹貙虎為前驅鵰鶡(鶡一本/作鶚)鷹鳶 為旗幟(幟音熾自熊羆皆/猛獸勇鬪者也)此以力使禽獸者也堯使䕫 典樂擊石拊石百獸率舞簫韶九成鳯皇來儀此以聲 致禽獸者也然則禽獸之心奚為異人形音與人異而 不知接之之道焉聖人無所不知無所不通故得引而 使之焉禽獸之智有自然與人童者其齊欲攝生亦不 暇智於人也牝牡相偶母子相親避平依險違寒就温 居則有群行(户剛/反)則有列小者居内壯者居外飲則相 擕食則鳴羣太古之時則與人同處與人並行(德純者/禽獸不) (忌/也)帝王之時始驚駭散亂矣逮於末世𨼆伏逃竄以避 患害(人有害物之心/物亦知避之也)今東方介氏之國其國人數數(音/朔) 解六畜(朽又/反)之語者蓋偏知之所得(夫龜龍甲鱗之宗/麟鳯毛羽之長爰) (逮蜎飛蠕動皆嗚呼相聞各有意⬤共相制御豈異於/人但人不能解因謂禽獸之聲無有音章是以窮理備) (智則所通萬途因事偏逹偶識一條春秋左氏/傳曰介葛盧聞牛鳴曰是生三子盡為犧矣)太古神 聖之人備知萬物情態悉解異𩔖音聲會而聚之訓而
Interpretation

The lords Huan and Mu of the state of Lu possessed the same seven facial orifices (eyes, ears, mouth, and nose) as ordinary people, yet harbored the hearts of wild beasts. Common people, fixated solely on outward appearances, vainly aspire to attain supreme wisdom—this is impossible.

When the Yellow Emperor (Huangdi) battled the Flame Emperor (Yandi) on the plains of Banquan, he led bears, brown bears, wolves, leopards, lynxes, and tigers as his vanguard, using eagles, pheasants, falcons, and kites as his battle standards—this exemplifies using force to command beasts. When Emperor Yao appointed the music master Kui to oversee ceremonial music, striking the stone chimes caused all beasts to dance in response. Upon reaching the ninth movement of the "Xiaoshao" melody, phoenixes came to pay homage—this demonstrates using music to summon beasts. What difference truly exists between the nature of beasts and humans? Only their forms and sounds differ; people simply lack the method to communicate with them. The sages, being omniscient and universally attuned, could thus guide and command all creatures.

The intelligence of beasts resembles that of human children—both share the instinct for self-preservation, though beasts lack the capacity for higher wisdom. Males and females pair naturally, mothers and offspring share deep bonds. They avoid open terrain for sheltered places, shun cold for warmth, maintain order in herds, move in formation, protect the weak within their ranks while the strong guard the periphery, assist each other when drinking, and call the group when feeding. In antiquity, beasts and humans coexisted peacefully without conflict (when virtue was pure, beasts held no fear of humans). By the era of emperors, beasts began fleeing in alarm. In latter ages, they hid and scattered to avoid calamity (as humans developed harmful intentions, animals learned evasion).

In the eastern land of Jieshi today, its people often understand the language of the six domestic animals (horses, cattle, sheep, chickens, dogs, and pigs)—a skill attained through focused study. (Indeed, turtles and dragons lead the scaled creatures; qilin and phoenixes reign over feathered kinds; even flying and crawling insects communicate through sounds, each expressing intent and establishing hierarchy—how does this differ from humans? People's ignorance leads them to dismiss animal sounds as meaningless.) Those who exhaustively investigate principles and possess wisdom comprehend all things; those specializing in particular fields master singular arts. The Zuo Zhuan records how Jie Gelu, hearing an ox's bellow, discerned it had birthed three calves, all sacrificed in rituals. The divine sages of utmost antiquity fully understood all creatures' natures, comprehended every species' language, and could gather and tame them all.

受之同於人民故先會鬼神魑魅(禹朝羣神於/會稽是也)次達八 方人民末聚禽獸蟲蛾(爾雅云有足曰虫無足曰蛾一/本作虫蟻○百獸率舞是也) 言血氣之𩔖心智不殊逺也神聖知其如此故其所教 訓者無所遺逸焉宋有狙公者(好養猿猴者因/謂之狙公也)愛狙養 之成羣能解狙之意狙亦得公之心損其家口充狙之 欲俄而匱焉將限其食恐衆狙之不馴於己也(馴音/脣)先 誑之曰與若芧(音序芧/栗也)朝三暮四足乎衆狙皆起而怒 俄而曰與若芧朝四而暮三足乎衆狙皆伏而喜物之 以能鄙相籠皆猶此也聖人以智籠羣愚亦猶狙公之 以智籠衆狙也名實不虧使其喜怒哉紀渻(姓紀名渻/或作消) 子為(于偽/反)周宣王養鬪雞十日而問雞可鬪已乎曰未 也方虚驕而恃氣(無實而/自矜者)十日又問曰未也猶應影嚮 (李頸云應響鳴顧/影行○接悟之速)十日又問曰未也猶疾視而盛氣(常/求) (敵而必/已之勝)十日又問曰㡬矣雞雖有鳴者已無變矣(彼命/敵而) (我不應忘/勝負矣)望之似木雞矣其德全矣(至全者更不/似血氣之𩔖)異雞 無敢應者反走耳(德全者非但已無心乃使外物不生/心郭象曰養之以至於全者猶無敵)
Interpretation

This passage presents two allegorical tales. The first recounts the story of a monkey trainer: A man from the Song state adored raising monkeys, understanding their thoughts while they comprehended his intentions. He would rather reduce his family's rations than neglect his monkeys' needs. When provisions ran low, he attempted to limit their food but feared their disobedience. Deceiving them, he proposed: "Three chestnuts at dawn, four at dusk—is this sufficient?" The monkeys angrily leapt up. Changing tactics, he offered: "Then four at dawn, three at dusk?" The monkeys immediately settled contentedly. This illustrates how manipulating the ignorant resembles tricking monkeys with schemes.

The second tale describes Ji Shengzi training fighting cocks for King Xuan of Zhou. After forty days of cultivation, the rooster transformed from initial bluster and external reactivity to profound composure—so still that rival fowl, mistaking it for a wooden dummy, fled without confrontation. This demonstrates how those perfected through genuine self-cultivation transcend crude competitive instincts.

Both parables reveal that true mastery lies not in superficial technique but in perfected inner refinement. Whether employing wisdom or nurturing virtue (De), the ultimate attainment transcends appearances to return to unadorned authenticity—embodying the Daoist principle of returning to primordial simplicity (返璞归真). The stories critique reliance on cleverness while celebrating the power of cultivated stillness, where genuine attainment renders competitive posturing obsolete.

(於外況/自全乎)惠盎(阿浪反○惠/盎惠施之族)見(賢遍/反)宋康王康王蹀足謦 欬疾言曰寡人之所説者勇有力也不説為仁義者也 客將何以教寡人惠盎對曰臣有道於此使人雖勇刺 (七亦/反)之不入雖有力擊之弗中(丁仲反/下同)大王獨無意邪 宋王曰善此寡人之所欲聞也惠盎曰夫刺之不入擊 之不中此猶辱也臣有道於此使人雖有勇弗敢刺雖 有力弗敢擊夫弗敢非無其志也臣有道於此使人本 無其志也夫無其志也未有愛利之心也臣有道於此 使天下丈夫女子莫不驩然皆欲愛利之此其賢於勇 有力也四累之上也大王獨無意邪(處卿大夫士民之/上故言四累也) 宋王曰此寡人之所欲得也惠盎對曰孔墨是已孔丘 墨翟無地而為君無官而為長天下丈夫女子莫不延 頸舉踵而願安利之今大王萬乗之主也誠有其志則 四竟之内皆得其利矣其賢於孔墨也逺矣宋王無以 應惠盎趨而出宋王謂左右曰辯矣客之以説服寡人 也  
Interpretation

When Hui Ang (a relative of Hui Shi) went to pay respects to King Kang of Song, the king was stamping his feet and coughing impatiently. He shouted brusquely: "I only admire men of fierce courage and brute strength—not those who preach about benevolence and virtue (De). What could you possibly teach me?"

Hui Ang replied: "I possess a method whereby even the most courageous warrior could never stab you, nor the strongest man ever strike you. Would Your Majesty not wish to hear it?" The king's interest was piqued: "Excellent! This is precisely what I desire."

Hui Ang continued: "Yet avoiding stabs and blows is merely competent technique. I have a superior method—one that makes even courageous men dare not stab you, and strong men dare not strike you. But restraint in action doesn't eliminate harmful intent, so I possess a still greater method: making people never even conceive the thought of harming you. The absence of malice, however, doesn't guarantee goodwill. My ultimate method makes all people under heaven sincerely cherish you and work for your benefit. This far surpasses mere courage and strength—it represents the highest attainment."

Fascinated, the king exclaimed: "This is exactly what I seek!" Seizing the moment, Hui Ang revealed: "Confucius and Mozi embodied this way. Though they held no fiefs, they were honored like sovereigns; though they held no offices, they were followed like commanders. All people craned their necks and stood on tiptoe, praying for their wellbeing. Now you, as ruler of ten thousand chariots—if you truly embrace this path, your entire state will benefit, and your achievements will far surpass those of Confucius and Mozi."

The king fell silent. After Hui Ang departed briskly, the king sighed to his attendants: "What formidable eloquence! He's actually convinced me through reason."

         列子卷二

Source text: Kanripo 漢籍リポジトリ(KR5c0125); Licence: CC BY-SA 4.0 · Report an error / feedback

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