《易林》Vol. 9
About this page. The original text of 《易林》 Vol. 9 (Xu Daozang 續道藏, 16 volumes) is shown in Classical Chinese as transmitted in the Kanripo (Kyoto University) edition. An English interpretation of the 22 passages on this page accompanies it: select a passage or press “Interpretation” to show it. All texts in English
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Source textInterpretation
The "Retreat" (Dun) hexagram section in Volume IX of the Forest of Changes (Yi Lin) presents various omens of fortune and misfortune through multiple hexagram images.
In the "Retreat" hexagram, it mentions the sacred Mount Santu in Yique County of Henan, along with the Five Sacred Peaks (Mount Tai as the Eastern Peak, Mount Heng as the Southern Peak, Mount Song as the Central Peak, Mount Hua as the Western Peak, and Mount Heng as the Northern Peak), as well as the Yangcheng Valley and Mount Taishi beneath Mount Song. These holy lands are blessed by divine protection, free from war and disaster.
Interpretations of the hexagram images are as follows:
Qian (Heaven) Hexagram: A weak character lacks support, making self-reliance difficult. Though harboring ambition and enduring hardship, one ultimately faces no danger.
Kun (Earth) Hexagram: Drawing on the peaceful era of King Cheng and King Kang of the Zhou Dynasty, it illustrates how punishments were set aside while virtuous ministers like the Duke of Zhou governed with benevolence.
Zhun (Difficulty) Hexagram: Using the metaphor of crows in caves and frogs in water, it shows that some things may seem within reach yet remain elusive.
Meng (Darkness) Hexagram: Describes how, despite being subjects of the same ruler, people suffer jealousy and fail to receive due favor.
Xu (Waiting) Hexagram: Likens excessive and confusing decrees to a three-headed, six-eyed monster—even a wise minister like Gao Yao (the legendary judge under Emperor Shun) would struggle to untangle the chaos.
Song (Conflict) Hexagram: Accumulating virtue without arrogance, like Jiang Taigang fishing or Yi Yin plowing fields while awaiting opportunity, one may achieve greatness after repeated invitations (three summonses).
Shi (Army) Hexagram: Emphasizes that only firm unity ensures safety, and the six fundamental principles must remain unshaken. Citing figures like the Rain Master driving chariots and Zhang Bo and Li Ji, it highlights the importance of each fulfilling their proper role.
Bi (Union) Hexagram: Depicts internal disharmony causing broken wheels and startled horses, requiring timely compassion.
Xiao Xu (Small Accumulation) Hexagram: Uses anomalies like mares failing to foal, hens refusing to brood, and barren sheep flocks to signify obstructed progress.
Lü (Treading) Hexagram: Invokes the story of Xue Guangde of the Han Dynasty retiring in old age, illustrating the wisdom of timely withdrawal when strength wanes.
Tai (Peace) Hexagram: Compares solving tangled threads to chasing rabbits in fields, stressing decisiveness in handling complex matters.
Pi (Stagnation) Hexagram: Portrays desolation—dried seas, vanished fish and turtles, leaving only sand and stones—hinting at the consequences of environmental degradation.
Through natural phenomena and historical allusions, these hexagram images reveal principles and omens for personal conduct and state governance.
This passage from the Forest of Changes (Yilin) contains ancient divinatory verses using symbolic imagery to foretell auspicious or ominous outcomes. Each section begins with a hexagram name followed by its corresponding prognostication.
The "Fellowship" (Tongren) hexagram describes searching for deer in the marketplace yet failing to see their heads or feet—hunting from dawn till dusk without success, suggesting futile efforts.
The "Great Possession" (Dayou) hexagram speaks of building gates only to encounter a tiger blocking the path, startling fine horses, indicating unfavorable conditions for travel or action.
The "Modesty" (Qian) hexagram references Fan Li (the Spring and Autumn period strategist of Yue who later became the wealthy merchant Tao Zhugong) and Bai Gui (a Zhou dynasty merchant sage), exemplifying skillful wealth accumulation, with noble descendants maintaining prosperity—a sign of financial fortune.
The "Enthusiasm" (Yu) hexagram mentions Wang Liang, the legendary charioteer, and Bo Le, the horse connoisseur, whose disciplined movements and regulated routines symbolize how following natural patterns ensures health and longevity.
The "Following" (Sui) hexagram records Emperor Yao inquiring about Shun's virtue, with Shun's sagely power (De) growing daily, bringing peace to the people—a testament to benevolent governance.
The "Decay" (Gu) hexagram recounts how Duke Zhao of Lu lost authority as the three noble families (Ji, Meng, and Shu) rebelled, forcing his exile to Qi where he died abroad—an omen of dynastic upheaval.
The "Approach" (Lin) hexagram advises against night travel, recommending waiting for daylight—a metaphor for pausing to await the proper moment.
The "Contemplation" (Guan) hexagram alludes to the Han dynasty minister Tian Qianqiu's unprecedented nine-rank promotion in a single day, symbolizing rapid career advancement.
The "Gnawing Bite" (Shihe) hexagram warns that even avoiding evil may not prevent misfortune, with ceaseless litigation yielding no results.
The "Adornment" (Bi) hexagram depicts an old horse with drooping ears—unfit for long journeys, untrusted by the wise, and shunned by merchants—representing things that have lost their worth.
The "Splitting Apart" (Bo) hexagram compares offspring born to snails as dark and ugly like their mothers—though fertile, they remain unwanted, hinting at fruitless endeavors.
The "Return" (Fu) hexagram uses centipedes moving in unison to symbolize collective strength, yet notes how even the sage-kings Yao, Shun, and Yu faced periods of disfavor despite joint governance—revealing that cooperation doesn't guarantee success.
This interpretation of the Yi Lin hexagrams uses everyday metaphors to illustrate life's circumstances:
The Great Accumulation hexagram depicts a person stumbling along the road, their left hand tripping their right, bumping into mulberry trees ahead while scraping fingers on stones. It's like brothers in discord bringing ruin to their household—with no one to weave cloth for garments, valuing wealth over health until they become destitute wanderers in foreign lands.
The Nourishment hexagram recounts the story of Jiang Taigong (venerated in Daoism as "Master Shangfu"): in his early obscurity, he worked as a butcher in Zhaoge (the Shang dynasty capital), later meeting King Wen of Zhou who appointed him military strategist, ultimately enfeoffing him with the eastern state of Qi. This mirrors the ignorant gaining enlightenment, or an aged food-seller prospering unexpectedly, as the nation's fortune shifts eastward.
The Great Exceeding hexagram employs broken fishing gear as metaphor: bamboo traps with holes let big fish escape, leaving fishermen laboring in vain. Like the Book of Songs saying "leaky baskets can't hold bream or sturgeon," it implies unfit tools thwart success.
The Abyss hexagram teaches how prosperity precedes decline: Duke Zhao of Zheng (Spring and Autumn period ruler) was killed in political strife, while Duke Wen of Jin (Chong'er) returned from exile to power. Like overfilled vessels easily overturned, excessive completeness invites loss, whereas the lean endure.
The Radiance hexagram describes familial decline: shattered pottery brings hardship, forcing mother and child to separate for survival. The Influence hexagram shows grain piled in fields—if farmers cart it home avoiding "tigers and wolves" (metaphoric dangers), they'll return safely by dusk.
Final hexagrams use life stages: from a wailing infant growing self-sufficient (easing parental burdens) to overreaching officials losing positions—like winter snows withering all life as Yin overpowers vitality. The Darkening of Light hexagram cites Zheng's flood-era "dragon fight" (ancient ill omen), where sages were wounded and internal chaos arose like a sickness of the heart. Notably, Zheng statesman Zichan wisely refrained from holding exorcism rites, recognizing dragons and humans should inhabit separate realms—embodying the true Dao.
This divinatory passage from the Forest of Changes employs natural phenomena and historical allusions to foretell fortune and misfortune. Take the line "dogs fear wolves and tigers"—just as canines need human protection against these predators, three warriors lying in ambush with weapons may hesitate to advance temporarily, yet maintaining vigilance ensures safety.
The "lofty southern mountain" passage depicts the arduous climb up steep heights, suggesting that misguided efforts yield little reward despite hard toil, though prudence naturally dispels danger. "Meeting yang's fulfillment" directly states that encountering auspicious timing brings wealth and honor.
The vivid metaphor of "eastbound glue-cart" warns of latent disasters: when rain dissolves the adhesive binding the chariot, five leather straps come undone, axles break, forcing overnight exposure. Later, "choosing the day to soar high" to meet Confucius illustrates how a wise mentor brings inner harmony.
Regarding the historical anecdote of Chen Wan (Jingzhong): after fleeing to Qi, his divination predicted "the Gui lineage will flourish among the Jiang," later fulfilled when the Tian clan (descended from Chen) prospered for eight generations in Qi—demonstrating destiny's predetermined patterns.
"Midnight barking dogs" reveals thieves discovered at night, yet divine protection turns peril to safety. "Unrestrained thunder chariots" warns how unceasing rains bring national calamities. Finally, the "virtue-blessed scholar" passage recounts how Guan Zhong (Yi Wu) assisted Duke Huan of Qi to hegemony, receiving the Three-Return Terrace as reward, with blessings extending to descendants—proving the virtuous ultimately reap good fortune.
Through metaphors of natural phenomena and historical precedents, these oracles illuminate the principles of cyclical prosperity and decline, emphasizing harmony with celestial timing and the cultivation of De (Virtue) to avert misfortune.
This passage comes from the Forest of Changes (Yilin), an ancient compilation of divinatory hexagram statements. I will explain the meanings of each hexagram in sections:
The "Marriage" hexagram states: When a woman marries, it is called "returning." A man taking nine wives must have them from three different clans (reflecting aristocratic marriage customs of antiquity).
The "Cauldron" hexagram recounts: General Gao Ke of Zheng led troops from Qing to garrison by the Yellow River for too long. When the army disbanded, they fled to Chen. This典故 (historical allusion) originates from the Book of Songs (Shijing), specifically the "Qing Ren" poem in the "Airs of Zheng" section.
The "Thunder" hexagram depicts an auspicious vision: A blue-black divine steed returns eastward, with a white tiger pushing the chariot, a azure dragon holding the shafts, and a vermilion bird guiding the way. Sacred birds carry them aloft—this depicts an immortal's ascension to heaven, ultimately knocking at the celestial gates to behold the True Lord (the highest Daoist deity), with both rider and horse preserved in safety.
The "Returning Maiden" hexagram warns: Small marketplace gains bring no real joy. Two generations of ancestral virtue accumulate blessings, but arrogant and rebellious speech/action will summon misfortune.
The "Gradual Progress" hexagram observes: Even sitting quietly breeds worries—troubles seek one out uninvited, denying peace.
The "Mountain" hexagram cautions: Roads overgrown with thorny citrus trees will wound travelers' feet—an unfavorable environment that nurtures malicious thoughts.
The "Abundance" hexagram shows good fortune: Ascending high to gaze afar reveals joyful scenes. Seeking wealth in the south yields precious treasures.
The "Traveler" hexagram discusses defense: Even when resting a lame leg, remain vigilant. Forging city walls of bronze and iron (metaphor for impregnable defenses) ensures safety through self-protection. The commentary notes how Han Dynasty Chang'an was renowned as the "Thousand-Mile Bronze Wall, Land of Heavenly Abundance."
The "Wind" hexagram employs a *Book of Songs*典故: By the river's tributaries (the Tuo being a Yangtze branch), a maiden seeks to attach herself to a nobleman. But when the primary wife married, she refused to bring her attendant maid, later regretting this. The annotation details this "Jiang You Si"典故 from the Shijing, illustrating the pre-Qin era's bridal attendant customs.
This passage appears to be a fragment from the Forest of Changes (Yilin), but contains multiple textual confusions and mixed symbols. It actually blends commentary on the Book of Songs, geographical records, and divinatory texts that require separate interpretation:
The annotation section regarding Book of Songs·Jiang You Si describes how the Yangtze River has tributaries, metaphorically illustrating how a married woman might initially face rejection from her husband's family, yet they would later regret their coldness. This reflects the passive position of women in ancient marital customs.
The description of Yunmeng Marsh in Jingzhou (an ancient great wetland) mentions this 800-900 li area's abundant resources, rich in rare animals like rhinoceroses and hawksbill turtles, representing an important source of wealth for the Chu region. The term "Yunmeng" refers to this renowned wetland ecosystem along the middle Yangtze during pre-Qin times.
Regarding ancient ritual music: Holding a yue (a three or six-holed bamboo flute) in the left hand and a di (pheasant-feather decorated dance implement) in the right represents the standard configuration for Zhou dynasty ceremonial dances. "The duke speaks of bestowing wine cups" refers to the Book of Rites record of toasting musicians during banquets.
Quotations from Mencius and Book of Documents mention how even the finest farming tools (zi ji) must follow agricultural seasons, just as during Emperor Shun's era, Hou Ji (ancestor of Zhou) taught farming, Xie (founder of Shang) promoted education, and Gao Yao (originator of judiciary) established laws. Prince Weizi (elder brother of King Zhou of Shang) appears here, possibly alluding to the imprisonment of virtuous men.
Several divinatory passages depict perilous scenarios: merchants encountering wild beasts (Huanzhui horse teams devoured by tigers), fully armed warriors still vulnerable to eagle attacks, or travelers surrounded by weapons and predators on all sides. There are also auspicious prophecies—households overflowing with gold, elders enjoying longevity, world peace with barbarians submitting (the "storing away weapons"典故 alludes to King Wu of Zhou's post-conquest governance).
The final drinking-related oracle is particularly notable, calling wine "Joyful Elder" (Huanbo), suggesting moderate consumption dispels sorrow and invites blessings, but true enjoyment comes only when shared with kindred spirits. This dual attitude toward alcohol frequently appears in Daoist texts.
This passage from the Yilin uses symbolic imagery to explain the auspicious and inauspicious omens associated with different hexagrams:
The Zhun hexagram (symbolizing difficult beginnings) depicts a monkey wearing human headgear—an act of overstepping one's proper station, much like a pack of dogs barking wildly and running amok, ultimately bringing about their own downfall. Here, the unnatural behavior of animals serves as a metaphor for how humans invite misfortune when failing to abide by their proper roles.
The Meng hexagram (symbolizing enlightenment) teaches that those who constantly worry about personal safety ironically find it hardest to preserve themselves. True loyal ministers and filial children should focus on eliminating calamities for their nation and people. This emphasizes how embracing greater righteousness brings true stability.
The Shi hexagram (symbolizing warfare) portrays a herd of deer descending the mountain only to encounter the sharp arrows of the divine archer Yi (legendary marksman of antiquity). This imagery suggests the impossibility of escape when facing overwhelmingly superior opponents.
The Xu hexagram (explaining Qin dynasty history) exposes the chaotic governance of Zhao Gao during Qin Ershi's reign, who famously "called a deer a horse" to deceive the emperor. When rulers grow benighted, treacherous ministers will distort truth and falsehood, inevitably leading to the state's collapse—exemplified by Emperor Huhai's (Qin Ershi) blindness to Zhao Gao's machinations.
The Bi hexagram references the Spring and Autumn period story of the Shusun clan in Lu: when the favored retainer Shu Niu gained power, his slanders and misrule caused the Shusun patriarch to starve to death. This illustrates how trusting flatterers and petty men brings disaster.
The Xiaochu hexagram describes an omen preceding Qin Shi Huang's death: the River God (deity of waters) returned the jade disc once sunk in the river, foretelling that "the Ancestral Dragon (referring to the emperor) would die"—a divine warning through supernatural signs.
The Lü hexagram states that rulers with perfected virtue may see calamities stop at neighboring states while ensuring their own lineage's enduring peace, emphasizing how moral cultivation forms the foundation for averting misfortune.
Through historical allusions and natural phenomena, these hexagrams reveal how human fortunes intertwine with moral cultivation. They serve as warnings while embodying the Daoist worldview of cosmic resonance between Heaven and humanity.
This passage from the Yi Lin (Forest of Changes) contains multiple divinatory hexagrams, each corresponding to different historical allusions and prophecies. Here are modern interpretations of several key sections:
The "Hall of All Evils" passage describes how when wicked people gather together, they create calamities that poison the virtuous, blocking the path of righteousness. Like the "Pi" (Stagnation) hexagram suggests, when people fall into deluded states, they lose their bearings and can no longer distinguish right from wrong.
The "Tong Ren" (Fellowship) hexagram recounts the story of Guan Zhong (renowned statesman of Qi during the Spring and Autumn period) assisting Duke Huan of Qi to achieve hegemony. Though the state had many helpless elderly and weak citizens, Guan Zhong's effective governance subdued the feudal lords, bringing stability to the Zhou emperor's chariot (symbolizing royal authority) and honoring the virtuous governance of ancestors.
Regarding the legend of Bao Si (concubine of King You of Zhou) in the "Da You" (Great Possession) hexagram: During the decline of the Xia dynasty, two dragons appeared, and their saliva was collected and stored. When the Zhou people later opened the container, the saliva transformed into a black lizard that impregnated a palace maid, resulting in Bao Si's birth. This fatherless girl was abandoned but later adopted, eventually being presented to King You of Zhou and becoming the catalyst for the Western Zhou's downfall.
The "Yu" (Contentment) hexagram narrates the battle between Han Xin (renowned Han dynasty general) and Long Ju (general under Xiang Yu): During the Wei River campaign, Han Xin dammed the upstream waters with sandbags, feigned retreat to lure Long Ju into pursuit, then breached the dam to flood the Chu army, achieving decisive victory.
The "Sui" (Following) hexagram mentions that Yu the Great's mother, Nü Zhi, was a woman of the Youxin clan who gave birth to Yu and was enfeoffed in the Gaomi state. Meanwhile, the "Gu" (Decay) hexagram describes how when virtuous governance spreads universally, barbarians submit, bandits vanish, and roads become free of violence and wickedness.
These hexagrams reveal patterns of fortune and misfortune in human affairs through historical narratives and natural phenomena, embodying the ancient wisdom of "using history as a mirror." Each hexagram contains specific warnings or prophecies that require contextual understanding.
This passage from the Yilin scripture reveals auspicious and inauspicious signs through hexagram imagery and historical allusions. The first section recounts how Duke Xiang of Song (one of the Five Hegemons of the Spring and Autumn period) failed in his ambition to dominate, just as five falling meteorites had ominously foretold. Subsequent hexagrams depict various circumstances: the Shihe hexagram speaks of holding funeral rites after losing kin; the Bo hexagram describes traveling through wind and rain to reunite with one's mother; the Fu hexagram shows thunder striking evildoing men to dispel fears; while the Xian hexagram promises bountiful harvests from raising chickens and farming, bringing joy that makes the Royal Mother dance with delight.
Particularly noteworthy is the description of Zheng state, perpetually caught between the conflicts of Jin and Chu, whose merchants and commoners suffered constant distress. The text concludes with the metaphor "three pigs fighting a tiger, the white pig perishing in the ditch," subtly warning that the weak inevitably fail when confronting the strong. These divinatory images predominantly employ natural phenomena and animal symbolism—such as rats causing chaos, imbalances between cold and heat, or the peril of building houses over water—all representing the ancient methods of interpreting omens through symbolic correspondence.
(Note: "Eastern Wall" refers to the Bi constellation among the Twenty-Eight Mansions; "Five Heinous Crimes" denotes the five grave offenses in Buddhism; "Royal Mother" may indicate either the Queen Mother of the West (Xiwangmu) or an honorable matriarch.)
This interpretation of the divination texts from the "Yi Lin" is rendered in modern language as follows:
Regarding the hexagram "Not ⬤ Weapons":
When in the "Ming Yi" (Brightness Wounded) hexagram, it's like a tightly drawn bowstring suddenly snapping, rendering the arrow unable to be shot—symbolizing obstacles midway through an endeavor. This situation easily invites misfortune.
Description of the "Jia Ren" (Family Members) hexagram:
It depicts a banquet scene where etiquette is lost: someone raises a cup for hearty drinking yet fails to bring it to their lips, wears their hat askew in drunken disarray, even drawing swords in confrontation. This references Duke Wu of Wei's remorse after drunken misconduct, illustrating how intoxication leads to regret.
Warning in the "Jian" (Obstruction) hexagram:
Attempting to exploit loopholes or take crooked paths ultimately leads nowhere, like fleeing northward only to inevitably return to the city walls. This shows how deviating from the Dao makes punishment inescapable.
Auspicious omen in the "Xie" (Release) hexagram:
It mentions two ancient immortals—Chisongzi (Red Pine) and Wangzi Qiao—symbolizing longevity like pine trees, shining with the sun and moon, remaining free from calamity while enjoying eternal peace.
Inauspicious sign in the "Sun" (Decrease) hexagram:
Gazing eastward but seeing no return of brothers, with illness plaguing the family and mothers sighing in worry—revealing the sorrow of separated kin.
Auspicious sign in the "Yi" (Increase) hexagram:
It recounts how King Wen of Zhou's nine sons (including King Wu and the Duke of Zhou) were instructed by their mother Taisi. As King Wen's consort and King Wu's mother, Taisi taught her children the Dao from childhood, enabling their eventual great achievements and attainment of wealth and honor.
Harvest in the "Guai" (Resolution) hexagram:
Peach and plum blossoms bear fruit, ripening daily into plump sweetness—symbolizing the blessings bestowed by nature's bounty.
Disorder in the "Gou" (Encounter) hexagram:
It describes wedding chaos and improper conduct between men and women, quoting the "Walking Through Dew" poem from the Book of Songs. This reflects how southern commoners under Duke Shao and King Wen's moral influence reformed their licentious customs, fearing contamination by dew (symbolizing corrupt influences).
Decay in the "Cui" (Gathering) hexagram:
Leaking roofs, broken rafts, and shattered tiles symbolize irreversible decline and the difficulty of restoration.
Turning point in the "Sheng" (Ascending) hexagram:
Shun's hardship plowing at Mount Li (the "Li chamber" representing humble circumstances) ultimately led to Emperor Yao recognizing his worth, elevating him to share meals at court. This illustrates life's transformation from obscurity to prominence.
The hexagram descriptions in Forest of Changes employ symbolic imagery to depict various predicaments and warnings. The "Confined" hexagram speaks of muddy roads forming treacherous pits where cart wheels sink irretrievably, mirroring how southern kingdoms spread rumors to instill fear. The "Well" hexagram mentions the meager blessings of widowers and orphans, citing the ominous divination result Cui Wuzi received during the Spring and Autumn period when seeking to marry Tang Jiang: "Entering the chamber but not seeing his wife."
The "Revolution" hexagram describes eyes shrouded from seeing sun and moon, groping blindly into darkened rooms—an allegory for King Fuchai of Wu's suicide after defeat, too ashamed to face the ghost of Wu Zixu. The "Cauldron" hexagram uses the image of a long-tailed serpent drawing rivers on the ground, symbolizing impassable obstacles ahead. The "Shake" hexagram notes how even a divine archer like Hou Yi couldn't hit the morning wind bird (a fierce raptor), hinting at inauspicious timing.
The "Restraint" hexagram stands as a rare auspicious sign, stating that journeys observing seasonal rhythms bring safety north and south. The "Gradual" hexagram exposes the chaos when Yang Hu, steward of the Ji clan, usurped power in Lu, leading to the detention of minister Ji Sun Yiru. The "Marrying Maiden" hexagram depicts five crows confronting six owls, alluding to the territorial dispute between Yu and Rui states—later resolved when their envoys felt ashamed witnessing Zhou people's courtesy.
Finally, the "Abundance" hexagram portrays floodwaters spreading peril, while the "Traveler" hexagram tells of chasing rabbits only to lose them, both using concrete imagery to imply human fortunes. These hexagrams predominantly employ animal symbolism, natural phenomena, and historical allusions, embodying the ancient mindset of "observing phenomena to derive symbols."
This passage originates from the Forest of Changes (Yilin), a divination text composed by Jiao Yanshou during the Han dynasty, which interprets hexagrams by combining symbolic imagery with historical allusions to predict fortune. Below are modern interpretations of each hexagram:
The line "a dog barks at the wrong master" recounts the historical episode of King Min of Qi fleeing in disarray after his defeat by the state of Yan during the Warring States period, suggesting that one should withdraw from danger when chaos reigns.
The Dui hexagram mentions Mount Tai (Dongyue), the foremost of the Five Sacred Peaks, where emperors performed the fengshan sacrifices to report their achievements to Heaven during dynastic transitions. This emphasizes the sacred authority of the central ruler.
The Huan hexagram alludes to the Spring and Autumn period, when Duke Yin and Duke Zhuang of Lu violated ritual propriety by observing fish and attending sacrificial ceremonies (she), illustrating how rulers who disregard ritual norms lose both popular support and ancestral blessings.
The Jie hexagram employs the imagery of "a walled enclosure with no gates, obstructed every three steps," symbolizing constraints at every turn and the difficulty of gaining profit.
The Zhongfu hexagram recounts how Marquis Zhao of Cai, after presenting jade pendants and fur robes to the King of Chu, was instead detained. This serves as a warning that currying favor with the powerful requires tact—overreach invites disaster.
The Xiaoguo hexagram takes the spring migration of wild geese as an omen, hinting that trading horses for metal could yield profit. However, the character mao (茂, "lush") phonetically echoes "abundance," subtly suggesting that great gains may come with hidden risks.
The Jiji hexagram likens crops devoured by pests to internal strife, resulting in labor without harvest.
The Weiji hexagram draws on the fall of the tyrannical King Jie of Xia, depicting the social collapse under a despot's rule, with people displaced and destitute.
The final unmarked section portrays an era of peace: melting weapons into farming tools, releasing warhorses to pasture, disbanding armies, and people thriving in tranquility. This ideal stands in stark contrast to the preceding depictions of turmoil.
Through historical anecdotes and natural symbolism, these hexagrams reveal the cyclical patterns of rise and fall, order and chaos. They offer warnings against tyranny while expressing aspirations for harmony. References to fengshan rites and interstate diplomacy reflect Han-era understandings of historical lessons.
The Yi Lin scripture employs hexagram imagery and symbolic techniques to reveal omens of fortune and misfortune. Each hexagram is accompanied by concise explanations, some supplemented with quotations from classics like the Book of Songs.
For instance, the Kun hexagram illustrates how collective strength prevails—like a centipede moving with its hundred legs, or the Three Sage Kings (Yao, Shun, and Yu) assisting the royal house to bring glory. The Zhun hexagram uses the ominous imagery of fish and snakes to symbolize how the ruler of Liang became obsessed with building walls, losing his peaceful life.
The Meng hexagram depicts someone who lacked support in youth and grows up without seeing their mother, consumed daily by sorrow that damages their Shen (spirit). The Xu hexagram warns of the danger in crossing rivers during scorching heat—even staying three miles away brings misfortune, like abandoning an old ox or sick horse that no longer serve purpose.
The Pi hexagram quotes the Book of Songs: "The north wind blows chill, the snow falls thick," using bitter cold to foreshadow a nation descending into chaos. In contrast, the Dayou hexagram cites the Luxiao ode, painting a harmonious scene of feudal lords attending the Son of Heaven amid the singing of luan birds and the gathering of blessings.
Some hexagrams address personal destiny while others concern national rise and fall, all employing vivid natural phenomena and historical allusions to portend fortune. Though lacking detailed commentary, through classical references and symbolism, they convey profound truths about the interdependence of fortune/misfortune and the cultivation of self/governance.
This divinatory text from Forest of Changes (Yilin) employs symbolic imagery to depict various auspicious and inauspicious omens. For instance, "journeying southward to seek blessings" suggests that traveling south may bring joyous occasions, possibly receiving rewards from superiors. "Mulberry leaves rotting with worms" portrays decaying foliage and tattered clothing, hinting at women's weaving endeavors meeting misfortune. "Exchanging left steed for right" alludes to swapping carriage horses' positions—invoking the legendary charioteer Wang Liang—signifying an imminent turn of events.
Regarding state governance, it mentions noblemen wearing lambskin robes and leather caps to court, symbolizing how assisting imperial administration should uphold virtues of frugality and integrity. Quoting the Book of Songs, it explains this emulates King Wen of Zhou's De (Virtue), hence poets praised their consistently simple attire. The "Heaven-sent dark bird" passage recounts the Shang dynasty's mythical origin, where a mysterious avian descended to birth the Shang lineage, and Tang of Shang received the Mandate to rule all territories.
Some hexagrams expose societal ills: "Bandits' repeated exactions" condemns oppressive taxation leaving homes barren, with even looms emptied; "Yin-Yang blocked apart" uses thwarted marriages as metaphor for bureaucratic obstruction, citing the Book of Songs' "Wanqiu" poem depicting unrequited longing. Military preparedness appears in references to "walls fortified with metal" (golden ramparts and bronze battlements), likened to Hanzhong's famed "Iron Wall" proclaiming itself a heavenly storehouse.
Natural disaster portents include "sparrowhawks displaced from nests"—where lightning-struck roosts leave families starving and frostbitten, yearning for former dwellings. "Massive tail, tiny head" illustrates top-bottom imbalance through this lopsided image, representing abnormal Yin subjugating Yang. Conversely, longevity signs emerge in "longevity never forgotten," depicting prosperous merchants touring kingdoms with crimson-maned steeds.
This passage from Yilin conveys life principles through hexagram allegories, where each trigram corresponds to a metaphorical story:
There was an ugly merchant who married a beautiful wife, yet for three years she refused to speak to him (symbolizing the relationship between appearance and inner qualities). Another tale tells of someone who traveled ten thousand miles to the South Sea, finding solace only upon reuniting with their mother (highlighting the importance of familial bonds).
Regarding the virtues of "trustworthiness, diligence, reverence, and humility," it states that those who devoutly worship the deities of the Five Sacred Mountains and Four Great Rivers will receive heavenly blessings. Another parable suggests that moving cautiously like nocturnal creatures and knowing when to conceal oneself can prove advantageous.
One allegory describes how even dwelling in filth need not bring shame—just as a child lifting his hem to wade through water finds his wounds healed after five years (metaphorically showing time's power to mend wounds). Similarly, a torn fishing net cannot catch large fish, illustrating how inadequate tools lead to futile efforts.
When the sage-kings Yu the Great and Tang of Shang lost their wise ministers, it was like trying to work with only the left hand without the right (emphasizing teamwork). Another story depicts a man disheartened by withered trees and the loss of his wife (symbolizing resilience in adversity).
Finally, it extols the virtue of "compassionate sincerity," noting that truly benevolent people never harm loved ones in anger (stressing self-restraint and propriety). These hexagram parables frequently employ natural phenomena and historical allusions to reveal wisdom for navigating life.
The Yi Lin scripture elucidates life circumstances and natural laws through the transformations of hexagrams. Beginning with "the ancient capital grows increasingly prosperous," it depicts the gradual flourishing of one's homeland. The "Increase Hexagram" (Yi Gua) states that when things are damaged and unformed, their signs remain obscure—implying one shouldn't force outcomes before the proper time arrives.
The "Resolution Hexagram" (Guai Gua) tells of broken ox horns that regenerate, metaphorically showing how upholding De (Virtue) ultimately yields favorable results. The "Encounter Hexagram" (Gou Gua) employs the imagery of crossing perilous seas on a wooden raft, illustrating how temporary hardships eventually dissolve. The "Gathering Hexagram" (Cui Gua) paints an auspicious scene of peacocks and mandarin ducks soaring above violet abysses, symbolizing the noble person's state of serene contentment.
The "Ascending Hexagram" (Sheng Gua) mentions heavenly dew descending in times of peace, with virtuous people remaining unharmed by misfortune. The "Adversity Hexagram" (Kun Gua) warns of abrupt transformations where towering mountains may become deep valleys. The "Well Hexagram" (Jing Gua) lists eight sages from Emperor Gaoyang's reign (including Pang Jiang and Ting Jian among them), demonstrating how abundant talent ensures a nation's security.
The "Thunder Hexagram" (Zhen Gua) portrays white birds nurturing their young—a tender natural expression of kinship. The "Mountain Hexagram" (Gen Gua) suggests that three years of spiritual cultivation enable one to foresee fortune and calamity. The "Revolution Hexagram" (Ge Gua) recounts the historical lesson of Chen She dispatching Wu Chen to conquer Zhao: when Wu declared himself king and betrayed his oath, he met disaster—a caution against treachery.
The "Cauldron Hexagram" (Ding Gua) describes market crises where sharp tools abound but granaries stand empty. The "Gradual Progress Hexagram" (Jian Gua) explains how abnormal clouds harm crops. Finally, the "Marrying Maiden Hexagram" (Gui Mei Gua) uses the agricultural rhythm of spring sowing and autumn harvest to embody nature's law—that dedicated effort inevitably bears fruit.
This passage from the Yi Lin scripture employs hexagram imagery and symbolic language to depict various life circumstances. For instance, the Feng hexagram describes a lean pig wandering aimlessly while a tiger breaches the city gates, blocked only at the entryways—an allegory for imminent national crisis. The Lü hexagram portrays one heading east yet constrained westward, losing direction in both north and south, with companions scattering along the way, symbolizing life's disorienting states.
Regarding seasonal agricultural activities, it states that in the ninth month one should prepare threshing grounds, while the tenth month calls for harvesting crops. The text also details sacrificial rituals involving pigs: a one-year-old pig is called "zong," while a three-year-old is termed "jian"—both to be offered to nobility.
On familial ethics, the Xun hexagram explains that marital harmony forms a household's foundation, yet when petty men gain power riding chariots, it resembles unpicked oversized fruit—signaling moral decay. The Jie hexagram employs the metaphor of an overloaded cart breaking down to illustrate a woman losing her husband, remaining unmarried at thirty while guarding an empty home—a poignant image of desolation.
Historical allusions include references to Jizi (a Shang dynasty sage minister) who feigned madness to avoid persecution during King Zhou's tyrannical rule, and the Spring and Autumn period tale of General Hua Zhou of Qi who rejected bribes from the Ju state, upholding righteous conduct.
Natural phenomena carry symbolic weight: the Huan hexagram describes gales stirring dust across ten li, with southern regions suffering poor harvests and unrest; the Xiao Guo hexagram depicts the sun rising over eastern mountains only to have its light obscured—veiled commentary on sages forced into feigned madness for survival.
The concluding Ming Yi hexagram warns of invaders bearing jade while assaulting cities, harming commoners amidst national turmoil. In contrast, the Qian hexagram reveals steadfast character: like treading thin ice where nine of ten steps bring falls, enduring pain without succumbing to worry or illness. Through vivid imagery, these hexagrams manifest the spectrum of fortune and misfortune in human experience.
Jiang Taigong (Jiang Ziya) lived in seclusion for seventy years to escape the tyranny of King Zhou of Shang, later encountering King Wen of Zhou and becoming a key advisor to the Zhou royal house. Originally a butcher and fisherman among the common people, he ultimately assisted King Wen in revitalizing the Zhou dynasty.
Just as the sun and moon follow their celestial paths, those who adhere to the righteous Dao will surely reach their destination without encountering misfortune or regret. This passage extols the virtuous governance and achievements of the Zhou dynasty, praising the Duke of Zhou (Ji Dan) for assisting the young King Cheng ("冲人" refers to a juvenile ruler) in bringing prosperity and glory to the Zhou.
Like an unmarried maiden confined to an empty chamber, this symbolizes a state of solitude and helplessness. It also resembles an ox tethered by a nose ring to a tree while being stalked by a tiger—fortunately rescued through the blessings of the Queen Mother of the West (Xiwangmu, a Daoist goddess). The Yellow Emperor (Xuanyuan) and his eight wise descendants (the Eight Virtuous Ones) brought peace and prosperity to the world.
Deep valleys may transform into mountains; what declines will eventually revive. After enduring turmoil, the people finally find stability. Yet within the household, a woman lies gravely ill, requiring constant care. A long journey stretches ahead with no clear destination, filling nights with regret; associating with the foolish only breeds vexation.
Beans in the morning become soup by evening. When the heart is content, joy and satisfaction follow. Though threats loom, true danger never arrives—like a tiger hesitating to strike, leaving the advantage to me. While nobles travel afar, the eldest wife remains alone in her chamber, dependent on others yet finding little fulfillment.
Imbalance between heat and cold brings severe drought; though losses are considerable, excessive worry is unnecessary. Even in dire straits, crisis can turn to safety—wisdom ensures deliverance. Where wolves and tigers prowl, lingering invites calamity. Piles of documents and legal disputes entangle, weaving a web of anxiety and misfortune that leaves one disoriented.
Disputes escalate as both sides trade bitter words, much like Zhang Ji (a historical figure) who fled northward when outmatched. When virtue accumulates to its fullness and the moment is right, true talent emerges, assisting sagely rulers in achieving greatness.
This passage comes from the Daoist classic Yilin (Forest of Changes), dealing with ancient divination, marriage customs, and historical allusions. Here's a modern interpretation in sections:
The divinatory statement about "the blessed eldest daughter remaining unmarried" warns that if the family's firstborn daughter delays marriage excessively, she will later regret it deeply. This reflects ancient society's emphasis on marriageable age for women.
The Shihe hexagram cites the Book of Songs allusion to "the Yangtze having tributaries" (Jiang you si): Just as tributaries eventually return to the main river current, this metaphor describes how accompanying brides (younger sisters or nieces sent with the primary wife in ancient polygamous marriages), though temporarily rejected by the principal wife, would eventually be remorsefully accepted. The poetic imagery of separating and reuniting river currents subtly illustrates patterns in human relationships.
The Bi hexagram mentions an auspicious omen during Duke Wen of Qin's reign in Chencang (modern Baoji, Shaanxi): A divine pheasant-like bird cried at night, prompting locals to establish the Chenbao Shrine. This implies that even auspicious signs may bring misfortune when natural laws ("losing the Dao") are violated.
The Bo hexagram advises vigilance against tiger-like threats while remaining unworried, because the yuren (ancient forest wardens) provide early warnings, enabling danger to be averted. This emphasizes preventing problems before they arise.
Other hexagrams contain distinct warnings: Fu illustrates the harm of rumor-spreading; Wuwang shows how acting against natural principles invites disaster; Dachu uses the historical example of Duke Hui of Wei (named Shuo) fleeing after violating ritual norms to demonstrate how those defying cosmic order ultimately lose power; Yi depicts three wildcats cornering a mouse as metaphor for desperate situations; Daguo describes calamity striking before words are finished, like criminals bound suddenly with vermilion ropes.
Through natural phenomena, historical precedents, and daily truths, these divinatory texts expound the principle of heaven-human resonance, urging people to accord with celestial patterns and practice careful speech/conduct. The accompanying bride system and Chenbao worship mentioned herein provide valuable historical materials for studying pre-Qin society.
The Yi Lin (Forest of Changes) passage employs hexagram imagery to depict various life circumstances. Let me explain each section:
The Kan hexagram (symbolizing water) describes: Dark clouds continuously gathering until torrential rains overflow, floodwaters submerging the plains, leaving common people homeless and displaced. This portrays the suffering brought by natural disasters.
The Li hexagram (symbolizing fire) states: Deep mountains and ancient forests are no place for human dwelling; birds and beasts know no propriety, filling my heart with distress. This illustrates how environment affects humans.
The Xian hexagram depicts tomb construction: The newly built mausoleum has steps too steep to climb; three horses pulling a carriage stumble, injuring a man's jaw. This concrete example warns against overreaching one's capacity.
The Dun hexagram references historical events: When the Luan clan rebelled, Bo Shi was executed while Zhou Li fled to Chu, abandoning his homeland. This corresponds to the Spring and Autumn Annals account of how the three Xi clans of Jin killed Bo Zong, forcing Bo Zhouli into exile.
The Dazhuang hexagram cautions: Those in high positions who commit evil deeds ultimately bring about their own destruction. "Gao Ming Da Tong" refers to prominent figures in exalted stations.
The Jiaren hexagram observes: Three women cohabiting without true domestic harmony won't even grow weeds. Using the metaphor of a turtledove rejected in courtship, it shows familial discord.
The Kui hexagram advises: To carefully avoid misfortune, one should keep company with virtuous men like Yan Hui (Yan Yuan) for safety; only by securing the sheepfold can one preserve wealth. These concrete examples demonstrate the importance of preventive measures.
Other hexagrams carry distinct messages: The Jian hexagram's imagery of deer living harmoniously expresses how familial harmony ensures sustenance; the Xie hexagram notes that while losing jade and deer is regrettable, understanding danger preserves blessings; the Sun hexagram suggests seizing opportunities brings fortune; the Yi hexagram's metaphor of swans following phoenixes illustrates flowing with favorable trends.
The final hexagrams depict impoverished conditions: Living in dilapidated dwellings, lacking clothing and food brings heartache; isolation without support exhausts body and mind; though temporarily distressed, eventual improvement comes, like Jiang Taigong finding success in old age. Through concrete imagery, the text reveals life's varied circumstances and worldly wisdom.
The Yilin scripture reveals various life situations through changes in hexagram imagery. For example, the "Well Hexagram" recounts how the arrogant Yang Hu (a powerful minister of Lu during the Spring and Autumn period) drew his sword only to wound himself—a warning against inviting disaster through hubris. The "Revolution Hexagram" illustrates the futility of forcing square pegs into round holes, likening it to digging a well only to hit solid rock, thus emphasizing the importance of aligning with natural laws.
The "Cauldron Hexagram" depicts the freedom of riding the wind alongside soaring birds, subtly conveying how following the natural flow can carry one a thousand miles. The "Thunder Hexagram" mentions sacred sites like Mount Santu (in present-day Yique, Henan), the valleys of Yangcheng, and Mount Taishi (part of Songshan), all believed to be under divine protection, foretelling peace and refuge from war.
Particularly intriguing is the "Gathering Hexagram," which recounts how Hou Ji (ancestor of the Zhou dynasty) journeyed west as an envoy of Emperor Yao to pay homage to the Queen Mother of the West (Xiwangmu, an ancient Daoist goddess) and secure blessings—symbolizing how sincere devotion can bring enduring joy. Meanwhile, the "Ascending Hexagram" draws from history: the tyrant Jie of Xia was exiled by Tang of Shang to Mingtiao, while his descendants fled north to establish the Xiongnu, demonstrating the karmic unfolding of human affairs.
Other hexagrams also carry profound meanings: the "Travel Hexagram" uses the story of Guan Zhong meeting Duke Huan of Qi (recommended by Bao Shuya to become prime minister) to show how meeting a wise ruler enables one to fulfill their potential. The "Wind Hexagram" stresses the need to act in harmony with cosmic timing, as measured conduct averts misfortune. Collectively, these hexagrams employ historical allusions and natural metaphors to reveal life's wisdom—how fortune and misfortune intertwine, and why aligning with the times is paramount.
To avert calamities and ward off misfortunes, those of exalted virtue (immortals) can halt the spread of evil from ten thousand li away, with blessings ever at their side. Such individuals understood the Dao of joyful serenity even in their past lives.
(Hexagram "Pursuit") Startled oxen and horses stampede wildly, chaos reigns above and below, with war drums pounding incessantly. This references the historical defeat of Duke Qing of Qi during the Spring and Autumn period: In the second year of Duke Cheng of Lu, Sun Huanzi of Wei, Zang Xuanshu of Lu, and Xi Ke of Jin joined forces against Duke Qing of Qi. When the Jin army advanced with drumbeats, their warhorses bolted uncontrollably, causing the entire army to collapse in rout, leading to Duke Qing's crushing defeat.
(Hexagram "Inner Truth") Wandering back and forth upon the western highlands, one may appear to linger long, yet in truth idles time away. Though superficial gains seem made, all effort proves ultimately futile.
(Hexagram "Minor Excess") Like an enraged tiger seizing a lamb, even small creatures like hedgehogs (wei) stand defenseless against its fury.
(Hexagram "Already Fulfilled") Spring waters gush forth to form rushing streams, flowing ceaselessly southward until merging with great rivers and seas. Yet these torrents destroy walled cities and villages, leaving people homeless. Seizing the opportunity, generals launch assaults to capture those who perpetrate wickedness.
(Hexagram "Not Yet Fulfilled") With bows of peachwood and halberds of reed (ancient weapons), one may eradicate tyranny and expel malign forces, compelling enemies to surrender in submission.
Source text: Kanripo 漢籍リポジトリ(KR5h0044); Licence: CC BY-SA 4.0 · Report an error / feedback